Waching daily Apr 10 2017

YouTube is changing the policies for the YouTube partner program.

I will explain what these changes are, and why they are good, right after the intro.

With that, hello and welcome to another episode of YouTube Insight.

As said, today we talk about the changes of the policies for the YouTube partner program.

You probably already heard about them, since YouTube made the announcement last Thursday, that I'll link in the blog article of this video.

Let's quickly recap what these changes are in detail.

YouTube will not serve ads to videos from channels, that have less than 10,000 lifetime views.

What does this 'lifetime views mean'? It's the sum of the views that all your public videos have made over time.

So it is not a monthly or yearly threshold, it really refers to the lifetime of your channel.

Once you've reached these 10,000 views, you can apply for the YouTube partner program, almost like it used to be, and then your channel will be reviewed.

This review process will be implemented in the next few weeks.

I would guess that this process will be automated, with today's user numbers it's hard to imagine, that the reviews will be done manually.

Plus, if you're looking into the contents of a channel, it becomes hard to do that by just one person

so you would need more people to come to a reasonable decision.

So my guess is, that the system will be automated.

But since a similar system already has hiccups with single videos, it will be interesting to see how it would handle whole channels.

We can be curious about how this turns out in a few weeks.

In the announcement YouTube says that content theft is the reason for introducing this system.

In fact there are channels, that just download content from other YouTubers and re-upload it on their own channel,

or they grab content from TV show,s movies, and others, to upload it and earn some money.

Of course that's not cool at all, but I think we also all know, that another reason for this policy change is the current situation with the advertisers.

For advertisers and YouTube, this new review systems will be a big relief,

because you can easily filter out channels who don't have the right to use specific content, who upload questionable content, and so on.

As a result, this should make the advertising industry happy,

and when something is good for the advertising industry, it's good for us as YouTuber, too,

because if the advertising industry is happy, they spend more money here on the platform, which hopefully results in more money for YouTube and us creators.

Another good point for us as YouTuber is, that since so many advertising slots from small YouTubers are unavailable now,

some magazines say, more than 80% of the users are below 10,000 views,

but the again, you should think about whether these users have an active channel or are they just watching users, that created an account,

but after all, on the one side a lot of advertising slots disappear,

and one the other hand, we have the advertisers, who still want to place, more or less, the same amount of ads.

What does that mean? Well, we have supply and demand.

The supply of advertising slots decreases and the demand is still there, therefor the prices could increase.

We can be curious to see whether this theory of increasing prices will happen,

or the advertising industry says: "Ok, we accept the decreased reach, place less ads and spend less money in the end."

So, let's see how that develops.

All in all, this is a big change for YouTube, the consequences for the individual YouTuber are quite small though.

Sure, I can somewhat understand, if this is demotivating for a small YouTuber,

but then have to see, that these 10,000 views, that you need to get, are about 10€ in value, that's not much at all.

And 10,000 views are reached relatively quickly, even for a small YouTube channel.

However if you need multiple months to reach this 10,000 views, then you need to remember, that AdSense has a payout threshold of 70€,

so you would need about 70,000 views before you get paid at all.

So if you have a small channel with barely any views, would would make videos for several years, without getting a singe cent from YouTube.

On the other end, if you have a well running channel, and you get the views in a few weeks or days, I guess then you can get over this change anyway.

Also, if you start on YouTube, your motivation shouldn't be making lots of money, but rather making good videos and have fun.

And if AdSense doesn't work out at all, there are many other ways to monetize your channel,

like Amazon affiliate links, sponserings, product placements, your own products that you sell.

So there are plenty of options.

If you read the comments online, this policy change is received very well,

I barely heard or saw any negative comments about it,

but you can leave me your opinion in the comments below.

I'm curious to see whether this review system is really automated or a manual system, which would be a big surprise at that point.

If you want to stay up to date with that or other YouTube topics, you can click subscribe up there, to not miss any new videos.

Or if you have some time, you can watch to other videos down here.

Otherwise we see each other next week. Until then, take care, ciao!

For more infomation >> YouTube Changes Partner Program Policies - YouTube Insight #88 [EN sub] - Duration: 5:14.

-------------------------------------------

Chicago Fire - Heroes of 51 (Digital Exclusive) - Duration: 1:15.

[ Indistinct shouting ]

♪♪♪♪

-[ Grunts ] Come out, all right?

I got you. I got you! Come on!

-[ Grunts ] Aah! -♪♪ Whoa-oh-oh-oh ♪♪

-I got you.

-House is clear, Chief! -♪♪ Whoa-oh-oh-oh ♪♪

[ Both grunting ]

-Gotcha.

[ All grunting ] -♪♪ Whoa-oh-oh-oh ♪♪

-Relax. We're gonna get you out.

-You got it?

[ Grunting continues ] -♪♪ Whoa-oh-oh-oh ♪♪

-I'm good. I'm good.

-Hey, I'm a firefighter. -♪♪ Whoa-oh-oh-oh ♪♪

-I'm Matt. What's your name?

-Lizzie. -I'm gonna get you out of there.

-♪♪ Whoa-oh-oh-oh ♪♪

-[ Grunts, sighs ]

For more infomation >> Chicago Fire - Heroes of 51 (Digital Exclusive) - Duration: 1:15.

-------------------------------------------

КАКИЕ ЗНАКИ ЗОДИАКА ПРИТЯГИВАЮТ К СЕБЕ ДЕНЬГИ 💰 - Duration: 9:01.

For more infomation >> КАКИЕ ЗНАКИ ЗОДИАКА ПРИТЯГИВАЮТ К СЕБЕ ДЕНЬГИ 💰 - Duration: 9:01.

-------------------------------------------

" Bien Joue " Miraculous Ladybug Comic/Çizgi Roman - Duration: 1:26.

For more infomation >> " Bien Joue " Miraculous Ladybug Comic/Çizgi Roman - Duration: 1:26.

-------------------------------------------

Talk Show the Game Show - Twin or Lose with Wanda Sykes | truTV - Duration: 1:10.

is Twin Or Lose.

You're the proud parent of an adorable set of twins,

so we're going to give you 30 seconds to match

as many celebrities to their sometimes equally famous

but, let's face it, typically lesser known twin siblings.

You will be evaluated on the following three factors --

Number Completed, Articulation Of Process,

and Pedal Dexterity. Wanda, are you ready for --

Okay, I don't even know what that last one means, but --

-You don't need to know.

-Okay, okay.

-Wanda, are you ready to play? -Yes.

Let's put 30 seconds on the clock.

And let's begin.

Okay. This is easy.

All right,

we got Tia and Tamera.

-That's Tia. -"Sister, Sister."

Who looks like this dude? This guy looks like that dude.

Oh, that -- This the Olsen twins.

Okay, and the Tiki Barbers.

And the Bieber hair. Who's this?

What is this? I don't know.

They look alike. Here you go.

And, uh...

We can go either way here. Hold on -- freckles!

It's Lindsay Lohan and Lindsay Lohan!

Freckles, freckles!

And bam! There you go.

[ Buzzer ]

That's time. That's time.

For more infomation >> Talk Show the Game Show - Twin or Lose with Wanda Sykes | truTV - Duration: 1:10.

-------------------------------------------

Evolution of the British Infantry during World War 1 I THE GREAT WAR Special - Duration: 8:15.

The First World War is perceived by many today as static, with no real tactical development.

However, all of the armies fighting underwent major evolutionary steps between 1914 and

1918 and we're covering them in a series of specials, and today I'm talking about Britain.

I'm Indy Neidell; welcome to a Great War Special episode about the evolution of the

British Infantry in the First World War.

Britain entered the war with an army that had been shaped by the Boers Wars and other

colonial wars.

British infantry tactics in 1914 emphasized rapid, accurate rifle volleys and finding

cover by means such as entrenching.

The average British private at the time, in contrast to those of the other warring armies,

was a professional soldier who had served over four years.

He was part of a platoon, which was part of a company.

That company of around 150 men was the basic tactical unit, meaning that companies were

given tasks and objectives, not platoons, and there was very little room for initiative

or deviation at the platoon level or lower.

The trained British regulars were well equipped and many could accurately fire a "mad minute",

15 rounds at 300 yards with his Lee Enfield rifle.

This was just about the only weapon the British infantry used in 1914.

The spaced but tightly controlled, highly trained British formations were very effective

in defensive actions against exposed, close-knit attacking formations, like the German ones

they faced at the Battle of the Mons, the first British encounter with Germans during

the war.

The Germans were taken aback by the skill of the outnumbered British, who they had seriously

underestimated.

British tactics were not, however, so effective on offense, against artillery, machine gun

fire, and an entrenched enemy.

Indeed, it was clear early on in the war that defense was king on the western front, and

new equipment, weapons, and tactics must be developed to break the stalemate.

One change that was fairly unwelcome in the British army was the change in the soldier

himself.

The British regulars had been arguably the best soldiers in the world in general, but

there had only been 100,000 or so of them, and by the end of 1914 most of them were either

dead, missing, prisoners of war, or too badly wounded to fight.

The four types of soldiers Britain used over the course of the war were described by Professor

Richard Holmes as "old, new, borrowed, and blue", as in something of each that a bride

should have at her wedding.

Old as in the professionals at the beginning of the war, followed by Borrowed when soldiers

were "borrowed" from the British Territorial Army - the reserves for home defense, New

was the army of volunteers that came after them, and finally the Blue conscripted men.

The Territorials were first used to replace the regulars in places like Gibraltar or Egypt

to free up regulars for fighting in Europe, though as 1915 rolled on they themselves were

fielded in ever-larger numbers on the Western Front.

These men had volunteered to go to the front instead of serving at home and did not have

the training, the fitness, or the experience of the regulars.

There were more of them, though, and soldiers also poured in from all corners of the British

global empire.

But the war that these men turned up for was rapidly changing, as new weapons, sub-unit

tactics, and leadership training developed.

You had the widespread introduction of poison gas, aerial reconnaissance and combat, and

platoon technologies like light machine guns, the mills bomb, rifle grenades, and trench

mortars.

Grenades were great for clearing out trenches and dugouts without exposing yourself.

They had begun use at the front as just a locally made weapon, but the "jam-tin"

bombs were unpredictable and quite likely to kill the thrower instead of the enemy.

The Mills bomb #5 became the standard grenade in 1915 and the rifle grenade variant, the

#23, in 1917.

The trench mortar, which the Germans brought to the war at its beginning, was another big

innovation.

Mortars themselves were old weapons, but their steep angle of fire was ideal for trench warfare,

and the Stokes mortar was simple, lightweight and portable, and was the infantry's artillery.

With 1916 came Kitchener's Army.

These were the volunteers asked for by British Secretary of State for War Lord Herbert Kitchener

in his iconic poster campaign.

These men often served in platoons or companies with their friends from school or work.

The pals' battalions were great for morale, sure, but an entire generation of men from

a single town could be lost in one morning if that unit had a disaster in battle.

And disasters to the New Army certainly happened in 1916 at the Battle of the Somme.

Thing is, senior British leaders did not really trust the new army with having the initiative

to move and fight in small units, so there was a kind of a return to 1914 thinking.

The plan at the Somme was to destroy the German defenses with artillery, walk across No-mans

land in battalion formation, and occupy the destroyed positions as the cavalry exploited

the breakthrough.

As we've seen in the regular episodes, this did not happen.

But the march of progress continued.

The tank first saw battle in September 1916, as the British premiered it to the world.

They were not very effective, but they did have enormous potential and showed that at

least somebody was forward thinking, and from the battles of 1916 came the innovations of

1917.

Specifically - the men were learning to coordinate arms, weapon systems, and branches of service

to make a cohesive fighting force.

But those men were no longer the old, the new, or the borrowed.

Volunteers were drying up so in 1916 Britain passed the Military Service Act, which introduced

conscription, and by 1917 conscripts were being sent to the front with no experience

and little training.

Front line training, though, had seriously improved; brigades and divisions had organized

training regimens, and soldiers spent a good part of their "rest" days training.

The platoons were re-organized into a self-contained fighting unit, with its own specialized troops

- grenade throwers, machine gunners, snipers, and so forth.

These would now all work together under a junior officer or sergeant on their own specific

objectives.

By the Battle of Cambrai in late 1917, infantry and tanks were even coordinated, with three

tanks and a platoon working together, even as the infantry as a whole coordinated with

the artillery.

From then on it was clear- especially in battles like Hamel and Amiens- that all of the branches

of the army must work together with objectives designated all the way down to the smallest

of units.

So the British soldier of 1918 was likely a conscript, but with a lot of experience.

He worked in a small team that featured a variety of weapons specialists as opposed

to just riflemen, he knew his unit's objectives and he knew the ground he had to cover since

vastly improved communications, improved reconnaissance, and intelligence analysis allowed for a detailed

knowledge of the enemy positions.

He knew what to expect from the artillery, he knew what the tanks were going to do and

how to work with them, and initiative was expected and often encouraged at all levels,

even down to the individual.

Now, you may wonder why this episode is just about the British.

This is part of a series of specials about the tactics and the development of the various

nations' armies.

If you know or would like to research something like that from a nation or a branch of service

that we haven't covered yet, please get in touch with Flo, our producer and social

media guy.

We would like to thank Mike Hayes for the research of this episode.

If you want to know more about the British uniforms and equipment, check out our special

episode right here.

And to learn more about the British soldier, like us on Facebook or follow us on Instagram.

See you next time.

For more infomation >> Evolution of the British Infantry during World War 1 I THE GREAT WAR Special - Duration: 8:15.

-------------------------------------------

Как говорить с мужчинами о деньгах, чтобы они их давали. Как просить деньги у мужчины? - Duration: 12:15.

For more infomation >> Как говорить с мужчинами о деньгах, чтобы они их давали. Как просить деньги у мужчины? - Duration: 12:15.

-------------------------------------------

[ตัวอย่างหนังพากย์ไทย] - Thor: Ragmarok (ใครรวย) - Duration: 1:54.

For more infomation >> [ตัวอย่างหนังพากย์ไทย] - Thor: Ragmarok (ใครรวย) - Duration: 1:54.

-------------------------------------------

В Comedy Club поглумились над Дианой Шурыгиной (10.04.2017) - Duration: 3:01.

For more infomation >> В Comedy Club поглумились над Дианой Шурыгиной (10.04.2017) - Duration: 3:01.

-------------------------------------------

Крутим флипы бутылки - Duration: 2:44.

For more infomation >> Крутим флипы бутылки - Duration: 2:44.

-------------------------------------------

Sacramento gas prices push higher as 'spring break' approaches - Duration: 1:45.

F THEY'RE

TRAVELLING BY CAR, THEY MAY HAVE

A SURPRISE AT THE GAS PUMP.

KCRA 3'S KRISTEN SIMOES IS LIVE

IN SACRAMENTO WITH A LOOK AT GAS

PRICES, KRISTEN?

KRISTEN: AAA IS EXPECTING MORE

PEOPLE TO TRAVEL FOR SPRING

BREAK WITH THE OLD SCHOOL ROAD

TRIP BEING THE NUMBER ONE WAY TO

GO.

THEY ARE GOING TO HAVE SOME

STICKER SHOCK.

WE ARE TALKING ABOUT GAS

PRICES NINE CENTS PER GALLON

MORE FOR TWO WEEKS.

AS FOR THE REASON FOR THE JUMP

IN THE GAS PRICES, THERE ARE A

COUPLE OF COUNTRY BEATING

FACTORS, ONE BEING THE MISSILE

STRIKE IN SYRIA.

AND THE FACT THAT THIS IS THE

TIME OF YEAR WHERE WE

TRADITIONALLY START TO SEE THAT

SWITCH OVER TO THE SUMMER.

THESE PRICES HURT.

>> I GO BACK-AND-FORTH TO

RANCHO.

IT MAKES A BIG DIFFERENCE.

>> AN AVERAGE OF $2.87 PER

GALLON.

THIS IS $.24 PER GALLON MORE

THAN WHAT WE SAW THIS TIME LAST

YEAR.

IN MODESTO WE ARE PAYING TWO

DOLLARS AND $.83 PER GALLON.

THAT CERTAINLY ADDS UP.

For more infomation >> Sacramento gas prices push higher as 'spring break' approaches - Duration: 1:45.

-------------------------------------------

ORCHESTRAL DRAMATIC MUSIC - Duration: 2:43.

Orchestral dramatic music for you, cinematic music! Epic action for masters and conquerors!

Surprisingly dramatic music, full of plot development and internal change.

Very good epic music. Track "Conquest" by composer Johan Johansson, dramatic music.

It is vj visualization of theme music.

For more infomation >> ORCHESTRAL DRAMATIC MUSIC - Duration: 2:43.

-------------------------------------------

СОБАКА СПАСЛА НОВОРОЖДЕННОГО РЕБЕНКА - Duration: 2:00.

For more infomation >> СОБАКА СПАСЛА НОВОРОЖДЕННОГО РЕБЕНКА - Duration: 2:00.

-------------------------------------------

Laura's Kitchen Garden Spring Tour - Duration: 3:24.

For more infomation >> Laura's Kitchen Garden Spring Tour - Duration: 3:24.

-------------------------------------------

Valley #09 - Kawior [Napisy PL] (KONIEC) - Duration: 37:25.

For more infomation >> Valley #09 - Kawior [Napisy PL] (KONIEC) - Duration: 37:25.

-------------------------------------------

Platzverweis für Motorradfahrer | Lazareth R1 | Indian Chieftain Elite | Motorrad Nachrichten 140 - Duration: 5:22.

For more infomation >> Platzverweis für Motorradfahrer | Lazareth R1 | Indian Chieftain Elite | Motorrad Nachrichten 140 - Duration: 5:22.

-------------------------------------------

Classical Musicians React: DREAMCATCHER 'Chase Me' vs 'Good Night' - Duration: 16:15.

Jarod: Remember Umu: Ok

Jarod: You drink soap- soap haha you drink soap you don't eat it XD Umu: No do ahhahaha

*Rossini's Semiramide Overture plays*

Peyton: You definitely don't drink soap, or eat it Jarod: I just messed up my own punchline

Jarod: You drink soup you don't eat it and you

*Hesitates*

Definitely eat and drink soap

(Gotta cleanse those kpop sins)

Umu: So this is Dreamcatcher, this is a group very very newly debuted. They actually debuted as a group called MINX a- with like

4 girls? (5 to be correct)

But then they disbanded and they got a few more girls and now they debuted as Dreamcatcher just a few months ago

Kevin: I sure hope it catches my dreams

(Sigh)

Kevin: For this video Umu: *sarcastic* Hahaha

*Click click*

Shimon: NOOOO you paused it- Everyone: Hahahahhaa

Lindsey: Is that bass part of the music or is- no that's the intro Umu: That's just the intro

Naoki: Happyface entertainment

Lindsey: I like that it's groovin Davis: It's like an episode of Seinfeld

Kevin: Ohh noo

Naoki: Woah it sounds like a trailer BOOOOOWWWMMMM

Like those like, action movies Shimon: Yeah yeah yeah

Naoki: When you know something's about to go down BOOWWWWM Shimon: Suspense

Naoki: Yeah

Kevin: Oh

Emiel: Oh wow, dramatic piano and dancers Fiona: Ooh, oh wow

Lindsey: Woah, it's like martial arts but a dance

Henry: Really good dancing, woah Emiel: Wow Fiona: They're so pretty

Henry: There's someone there Emiel: Noo, oh that is way too creepy Fiona: NOOO

Noaki: I'm liking the piano

Gwen: Oh my god, they're ghosts

Shimon: Ooh but there's no one there

Naoki: That just reminded me of The Shining

Gwen: I love this

Fiona: This is spooky

Kevin: Set design, perfection Yunyi: I feel like this is-

Jarod: That guitar

Henry: Also this music is really really dope

*Jammin out hard*

*Jammin out extra* Umu: OHOHOHO

Hugo: This is a f***in' rock song

Emiel: Ok he's bleeding, whyyyyy

Why you bleeding

Davis: What's this guy's deal

Hugo: Beeewwww

ლ(ಠ益ಠლ)

Henry: This is f***in' brutal dude Fiona: Yeah this is good

Naoki: So this is very very-

moving, energetic

Peyton: See this feels like the opening to like some serious ass kicking anime

Like

Yunyi: Ohh

Kevin: That just went full anime, yeah Yunyi: Woow

Henry: This is definitely like in, A flat

Yunyi: Yeah there's so much J-rock element in this

Kevin: Did they just-

Is this a key lower

Yunyi: No no. It's because they actually- they had the dominant and they just kept going in parallel majors Kevin:No no no, right the went high yeah

Yunyi: That was nuts Kevin: Ooh a doll

Naoki: Nice little interlude before we get excited again

This is the B section probably

Naoki: If it's in ternary form, A B A Shimon: Yes yes yes yes yes

Henry: Oh it's B- B major, F sharp or I'm sorry G sharp minor Emiel: Oh wait

Henry: that's what it is Fiona: What is this creepy ass hotel

Kevin: Creep

Emiel: This music's very diatonic

Kevin: Wooah

That was 90- 90's

Henry: What the f***

OOHHH WHAT THE F***

Gwen: Imagine if you were haunted by like 8 ghosts

Lindsey: I would definitely go to their concert

Gwen: And when they weren't haunting you they just like had awesome choreography

Jarod: Good choreography too

Peyton: Yeah

Jarod: And they got some cool camera, you know, shifts

Kevin: It's great, that's great, that's great Yunyi: That is great, that is great

Gwen: That's straight up just hard rock

Henry: *Jammin* Fiona: He's watching himself

Gwen: Like they all have a very very similar voice Umu: Ok

Hugo: High resonance Gwen: Yeah

Hugo: It's also not a, harmonically based song, it's not really based in- Gwen: Yeah they're just passing around a vocal line

Henry: *Extra jammin*

Henry: the drumming

Kevin: Wow

Lindsey: These drum beats doe

Davis: This- all this paranormal stuff, this is pretty cool

Kevin: Oh I like those in- it's retro

Lindsey: I like this little acoustic

Davis: Mmm oh you like the- this little break Lindsey: It's just the bass and just the chords

Emiel: Axe- put that axe down!

Fiona: He's gonna break open the doooor! Emiel: Put that down!!

Both: *Drum jammin*

Emiel: WOAH MODULATIOOOOOONNN Henry: WOHOOOOOAAAA

Kevin: This isn't the mo- this isn't even a reference anymore Yunyi: It's Johnny XD (Yall better have seen The Shining)

Yunyi: It's not a reference Kevin: This is The Shining

Lindsey: Is it over

Yunyi: Ohh

Kevin: See even the picture at the end!

Naoki: Oh that is definitely The Shining

Hugo: DId he just think to go in that room

Shimon: Ooohh god

Naoki: Toy piano, that's always scary

Emiel: Uhhh music box Fiona: Creepy bells

Emiel: That's creepy turn it off (It's also the intro for the next song so it's gonna come back for ya Emiel)

Yunyi: I feel like I know it Kevin: It's a sequence

Kevin: That is, I don't recognize

Peyton: is that like a celeste? Jarod: Ooww

Shimon: *something in japanese* Naoki: Yeah it could be

Kevin: And now it's minooorr

Kevein: I like it Yunyi: Nice

Kevin: I thought it was very corny and now it's not as corny

Peyton: To be continued

Emiel: Wow

Just, ya know, do that

Jaord: Bumbumbumbumbumbumbumbumbownm

Hugo: They were f***in pumpin

Jarod: I like em, that's cool

Fiona: It was- it was a little too like fast

and like too much

Henry: It definitely was like *Jams* Fiona: DAHDAHDAHDAHDAH the whole time, but i really enjoyed

The rock aspect! of the kpop, krock *snappywink* Henry: It was definitely them trying to be like, pop punk

Henry: Like kpunk Fiona and Emiel: Yeah

Peyton: I could definitely see myself like wearing a wig (Where is this going)

With like long black hair in the back

Maybe a little bit of makeup because kpop and just like

ONE TWO THREE FOUR BOMCHICACHICA BWOWO

Jarod: Hey at 200k subscribers we're gonna make Peyton do this alright putting it on the record right now Umu: Yes

Umu: K so makeup, wig, and the drum set

*Pans camera* (Omg I can't believe there's a drum set) Peyton: I'll do the wig Umu: Right there

Jarod: Yup, 200k folks, we're almost- we're halfway- we're almost halfway there

Peyton: I'll do the wig Jarod: So close

Henry: So i- what was happening, when they modulated was it- that they were like

going up, they were- like the bass line was going up like a whole tone scale as opposed to just going up Umu: Planing

Henry: d- what Umu: It was planing

Umu: When they modulated up that was planing

Emiel: They just went to an entirely different key foooorrr Umu: Exactly, nothing related

Umu: They just went up a scale Fiona: It's like 8 seconds and then BAM Emiel: It was- yeah

Emiel: Back to reality

Henry: Turned into jaazz

Naoki: This seemed like a b a wasn't it, yeah Shimon: I think so yeah

Naoki: So ternary form, that was cool

It just gives you a good break because pieces get long, I mean songs get long if they're all the same

Pieces come on, works of art ca- same thing

Fiona: I think the guy killed the- the- girls

A long time ago when he was a young boy and then he-

Fiona: Came back to the house and then Emiel: All of them Henry: i don't think so

Shimon: It was upbeat but it was a different upbeat it wasn't necessarily like- Naoki: Yeah

Shimon: It wasn't the beat that was bringing the energy up

I think it was more of the- it was the guitar, the electrical guitar and drums Naoki: Drums Umu: Drumset

Shimon: Which was a bit different than just all electrionic stuff Naoki: Yeah it was definitely

Yunyi: They actually reminded me heavily of VIXX

Yunyi: It's very much the same groove that VIXX is in Kevin: Right right right

Lindsey: I really liked it, I mean I still stan Blackpink but that was super good Davis: Yeah that was Krock

Lindsey: Yeah

Kevin: Very very- Yunyi: Ok can we figure out that cadence

Kevin: We have to I still haven't figured it out Yunyi: We have to figure out that cadence is so good

Kevin: That was a lot

Kevin: I know what key it goes to I just don't- Yunyi: It's in F minor?

Kevin: No no no it's actually in G sharp minor

Yunyi: I was close Kevin: Or A flat but I like G sharp cuz-

Yunyi: Noo this is straight- straight off the bat in the chorus they're on the major

The relative major Kevin: vi vii I

Yunyi: Yeah

Oah

Kevin: I got it

That's really weird that doesn't make any sense actually

Yunyi: It's just because they're just going

They're just modulating directly like by shifting right

Yunyi: No they're just planing

Kevin: Huh? Yunyi: They're just planing

Kevin: They go from E flat- D sharp minor to E minor 7 Yunyi: Yeah

Yunyi: Cuz it's D sharp minor 7 and then E minor 7, they're just planing- planing, yeah Kevin: I guess so

Yunyi: That's a very jazzy thing to do Kevin: Yeaahh

Yunyi: I don't even have to explain what planing is, or should I explain Umu: Can we- can we explain what planing is in this-

Yunyi: Planing is really easy, it's just- ok

Ok so for like example, F C major

And if I play upwards I go C major

D major

E major

F major

Umu: In simple words planing is just moving from chord to chord, meaning that from note to note so like dah dah dah dah or like dah dah dahdahdahdahdah

Kevin: Aka how we wish music theory actually works

Yunyi: Can I just say thank you all for being so supportive of us eating on camera and thinking it's cute cuz Emma is bringing us free food now and this is

*KAWAII YUNYI ACTIVATEEEEE*

Umu: Dreamcatcher released their second music video ever (Naoki looks like a dad XD)

last week on Thursday

Davis: So this is their second one Umu: Yeah and it's called Good Night

Henry: In fivefour

Three *Clap* twoone

Davis: Oh

Henry: Watdafuq

Lindsey: Oh that's a flashback to the other video

Jarod: Here we are, continuing

Naoki: Creeppyyy

Jarod: Ooh it's like a ????

Yunyi: Wait what is this

Davis: I think maybe, ooh

Bring the beat iinnn

Raaahhhh

Naoki: Oah nicee

Yunyi: That's from something (Their last video lol) Kevin: *Jammin*

Shimon: Oh it's a sequence

Shimon: D2 sequence Naoki: Let's go

Fiona: That was a sequence! Emiel: Descending-

Fiona: Descending fiiiiifths (same as D2) Emiel: Wait Umu: Yeah

Fiona: OOohhh I-

Jarod: Ninjas!

Naoki: Aw I wish they kept the initial momentum going other than like the break and then it just kinda stopped

Gwen: One of my favorite thing about this group that I haven't seen in other groups is they'll

do the dance sequences and they'll change outfits

and it'll like switch at the same part of the dance sequence so it's like they just

Shimon: Mmm chormatically going up bass line

Gwen: Flip into new clothes I think it's cool

Davis: I'm assuming these are acoustic drums and they're really good

Shimon: I like this Naoki: Yeah this is nice

Shimon: Yeah

Kevin: Man sequences never sound so hip

Actually they have, but this is up there

Davis: Like this guy or girl or whoever is just destroying it right now Lindsey: The guitar player?

Davis: No the drummer Lindsey: Oh the drummer yeah

Lindsey: Very tight yeah Davis: And the bass drum hits are just- it's awesome

Lindsey: He probably has a double pedal

Henry: Oh actually it's pretty- that's pretty sick

Jarod: BUHNAHNAH

BUHUNUNUNUNUN

Yeah guitar feel

BUHNUNUHUN

Fiona: Oooh clean beat WOOAAh those are branches Henry: That was pretty dope actually

Naoki: Oh I'm liking this contrast, this works really well

Davis: I like the rapping, as well Lindsey: Yeah

Fiona: I like this rap section

Peyton: There it is

Jarod: That's badass

Hugo: They're a f***in' rock group is what they are

Gwen: Yeah

I'm very into this

Henry: The walls have eyes WAAAHHH

Yunyi: I just realized this is a continuation of the last mv isn't it

Kevin: I don't remember the last mv too much, I remember it somewhat

Jarod: Oh that little chormatic descent

Naoki: That works so well, the progression into that Shimon: It did, it did

Shimon: That was really really cool Naoki: That's really good

Naoki: Yeah

Gwen: Really actually really am enjoying the instrumentalist cuz it's still very much

Vocal centered and they have chords and they have dance sequences it's definitely like

Kpop like that whole dancing singing, but it's not like Hugo: Yeah

It's a completely different genre of music

Jarod: Oh little bridge

It's like- we just like on the amp we just hit the acoustic patch

Hugo: That was reall-

Hugo: The parallel- what was that fourths Gwen: Yeah I thought that was too

Shimon: I don't know if you said this but this is a really nice contrast right there Naoki: Oh yeah it's so calm

Peyton: WOah

Kevin: You gotta like it when the dominant pattern has a flat 6 Yunyi: Oh it's a- it's an anti drop

Kevin: Not flat 6, flat 2

Kind of yeah exactly

Shimon: WOAAAH Naoki: Nicee Umu: Hehehe

Yunyi: Major, out of nowhere

Kevin: but it does fro 1

Lindsey: It was a very direct modulation haha

Kevin: What if they went all major, that wouldn't have worked

Kevin: But the piece starts in major Yunyi: No what- even that would have been a surprising ending

Yunyi: Ooohh

Fiona: NAHNAHNAHNAHNAHANHANOOWW

Jarod: Or maybe they came out of the mirror and threw him back into their alternate dimension

Or- or maybe- or

Shimon: Hooded people

Gwen: Oh are they a witch coven

Hugo: That's what I- that was the sense that I wa sgetting

Lindsey: Back with those bells, they really like the- Davis: Yeah the-

Lindsey: It is a very like- creepy, creepy kind of effect Davis: Toybocx, umm

Hugo: Another sequence

Yunyi: *baby cry*

Gwen: But they broke it

Kevin: *Devil baby cry*

Gwen: Why did she drop the book Hugo: So they could get another victim

Naoki: Well they might have a jumpscare

Fiona: Ok, that's creepy

Yunyi: Sounds kinda like prepared piano

Shimon: *Scares Naoki* Naoki: *Flinch*

Naoki: F*** you XD

Kevin: It does sound like prepared piano

Peyton: Oh so he's like a witch hunter or something

and he knew these witches were in there

and they kind of was just like haha you thought you had us

FWOOM in the mirror

Jarod: And now he's trapped

Like I think if you watch it, depending on the order, you kinda get a different perspective of what happens

Jarod: On who's haunting who Peyton: Yup

Umu: Right ok and music wise

what did ya think

Fiona: I like the guitar the MEHNEEHENEHENE

Emiel: This one was just so much more intense, like head bashing music it was wonderful

Naoki: Oh I loved it, yeah this was great Shimon: I liked it a lot, that might've been one of the best ones I've ever watched

Naoki: Like the mood was there, it was energetic, they conveyed everything really well

Um yeah I liked the fl- the callback between the piano when they had that at the end as well I think that was a callback to the previous song wasn't it

Umu: Yes so actually the beginning toy piano, that was the same exact toy piano from the first one

Naoki: Called it Shimon: Oh huh very good

Naoki: Yeah Umu: Good job

Davis: So that- that was like 12/10 I was very- that was awesome

Lindsey: I was very much about that Davis: The music was-

Lindsey: The music was killer

Jarod: I really- I really enjoyed that you know

and then they did some really good contrast

You know between the hardcore rock and then they went into the acoustic and also at the same time the piano

Um so very- just a wide variety of sounds

Umu: The reason why you've heard that begin- "Oh I've heard this somewhere" it's because it's THE ending to Chase Me

It's that

Umu: That piece Yunyi: Oh I was

Yunyi: Ok that's really cool I was actually thinking that I was like that sounds like something Kevin: That's pretty- That's really really cool

Yunyi: I just need to- I actually need to- can I go back and just listen to it

Davis: I thought they- yeah I though the voice

Maybe it- it wouldn't normally be associated with that kind of music but it ended up blending really well with the music

Like I think if you isolated just the voice it might not sound like something you would put over like hard rock

Davis: But Lindsey: Yeah

Lindsey: Yeah I agree but I think it like worked oddly well Davis: Yeah

Kevin: No it's exactly the major version of the theme, of the chorus

So unless they're just ripping off Bach entirely with this song

Yunyi: I think it might be possible- like it's definitely Kevin: Tah dahdahdhadhahddahdhahadha you know

Yunyi: But then again that's such a- Kevin: Exactly I don't think that's Bach

Kevin: I wouldn't be surprised if there's a Bach melody that's just like a- one note altered but it'st he same sequence- I wouldn't be surprised

Umu: Soo um fans are saying this is a prequel to Chase Me if you remember what happened in Chase me Hugo: Ooohhhhhh

Hugo: That would make a lot of sense. This was more about trapping

Like I think this is where he got caught up in all of it Umu: Oohhh

Umu: I thought the second one he was just trying to find them

Hugo: I didn't get that vibe I got- I got the sense that heeeee

Like that might've been a side thing Gwen: I just got a very just general mood of.. scaredness

Gwen: So Hugo: Hheehehhe

Umu: Do you like Chase Me or this one Good Night better

Shimon: I like the second one better

Naoki: While the first one's also really good, I think the second one's more convincing Shimon: That's a very true high quality sound

Naoki: Yeah Umu: I'm glad you liked it

Naoki: Yeah, Dreamcatcher can chase me in my dream

Shimon: OOKaaaaaayyyyyy Naoki: Well I mean as in they're really talented musically

Shimon: Sure

Jarod: I like this one

I felt- I felt that the beat was stronger in this one

And I liked- I liked the lead- the lead singing cuz I think that's the biggest difference between these two songs

Cuz they have the very similar kind of you know guitar like rock background but I just like the melodies that they used a bit more as well

Lindsey: I like this one better, It was just a little more intense

Umu: Mhm Lindsey: Kinda

Kevin: Chase Me Yunyi: I actually liked Chase Me better

Umu: Me too

FIST BUMP

Umu: WOAH

Umu: Yeah so, you two liked this one better Emiel: Yes

Umu: And you liked Chase Me better Henry: Yeah I guess so

Henry: I didn't really like either of them that much but like Umu: Yeah

Henry: Not my thing, the first one was at least a little bit better

Gwen: I liked this one better definitely, cuz I definitely don't remember Dreamcatcher having

Like the- the

Gwen: Hard instrumentals in the background, they- ey- it's not that they were not there Hugo: Yeah I really liked-

Gwen: But they were much more prominent in this one Umu: Yeah I'd definitely say more prominent Hugo: Exactly this one's just a good rock song Gwen: Yeah it was just a jam