Handbags.
Many of us are, well, obsessed with them.
We have bags for travel, totes for shopping
and handbags for special occasions.
It's no wonder that I'm sent questions each week
on how to sew handbags.
To share some of the most common tips
that I pass along through emails
I've devoted a two-part series featuring
"My Favorite Handbag Sewing Techniques."
Kicking off this second episode is the cinched tote.
Made with double-quilted fabric
a continuous strap that weaves in and out of the grommets
making it flexible and expandable.
"My Favorite Handbag Sewing Techniques"
that's what's next on Sewing with Nancy.
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Double-sided quilted fabrics
are perfect for handbags and totes.
Why?
They don't have to be lined.
The fabric is double-layered
"quilted" meaning with a batting in between
and because of that
this bag just has one layer of fabric.
In the bottom, we do have a little base that we made
and covered it with contrasting fabric
to make that firm foundation in the bottom.
But other than that, it's a single layer of fabric.
Mainly, what I want to talk about is the cinch bag
the draw cord
or in this instance, the continuous strap
that goes through the eight grommets.
You can adapt your pattern to be a cinch bag.
I would like to show you the details.
During the first episode of this program
I discussed the various pattern pieces that we're working with
and here they are.
You can work with your favorite tote pattern
a template pattern, a bag pattern.
It really doesn't matter, just something basic.
I'm going to be working with this template set
throughout the series, making five different bags.
You could adapt your own pattern accordingly.
So, I use this pattern to cut out my pattern pieces.
You may have noticed on the bag
and we'll look back at that once again.
In the bag, we have some trim, just to accent the seams.
And the seam along the pocket top
along where the two panels come together
we have some piping accents.
I like adding piping.
Just a little bit of accent can go a long way.
My favorite way to create piping
is to cut bias strips of fabric that are 1-1/4" wide.
"Bias," meaning cut on the 45-degree angle
that's been cut an 1-1/4".
Then, to make the piping, the first step
I don't do any sewing, but just pressing.
Because I have, in the middle of the fabric
fusible piping, where there's a cording
and then a fusible web
that has been wrapped around that cording.
This is the way it comes in the package
and it's really convenient.
At the pressing surface
I have placed the cording or the piping
on the wrong side of the fabric.
Match the cut edges, the long, cut edges
and then just run the tip of the iron
along the edge, along the cording.
It fuses down fast.
My pattern has a 1/4" seam allowance
so I'm going to trim this down to
"trim this" being the seam allowance
down to 1/4".
I would like this to be, totally 1/2" wide.
So, you can just align the ruler.
1/4" will be the piping, 1/4" will be the seam allowance.
Then, just do the trimming.
So you can trim.
There we go.
You can use just a ruler
or there are rulers just for piping
that the groove of the piping will fit in the ruler.
It just fits in that groove,
and then you can do the trimming, too.
So, there are a couple of ways that you can address this.
There we go.
Now, to do the stitching
we're also going to use a serger or sewing machine foot
that is meant for piping
and it has a groove on the underside.
When you stitch the piping to the fabric
it allows the piping
to fit in the groove very easily.
Everything fits together.
Here is a close-up of how the piping
is serged, in this instance
along the edge of the fabric.
Fast, simple.
I like using the serger for double-quilted fabrics.
The reason is, it kind of finishes the edges.
That serging edge
finishes those exposed edges
since there isn't a lining in here that finishes the edges.
But if you didn't have serger, just zigzag the edges together.
So, we've placed piping.
Now it's time for the grommets.
Now, my pattern didn't have grommets in it
but it did have a placement
for where the straps are to be marked.
I have marked the strap placement on my fabric
at the top.
When you buy grommets
you'll get a little disk, like this.
You simply trace the grommet opening.
I put it down 1-3/4" from the cut edge
the middle of it.
Trace around the edges and then cut out the circle.
We're adding one in the side.
To add that in the side
we simply just folded the side panel in half
and positioned the grommet in that spot.
Cut out the circle, simple as that.
Then, add-- there we go--
You add the grommets.
Two parts.
You kind of have to manipulate it a little bit
to make sure that they're lined up.
And then, you can use...
Use this to press it down.
And tah-dah!
It's secure and in place.
So you'd add eight of these.
Eight grommets along the edge.
Two in the front, where they've been marked.
Two in the back, where they've been marked.
And the center one on each side panel, making eight.
My next sample has all eight grommets in place.
See, four in the front, four in the back
just like this.
I started to weave through a strap.
But before we discuss that
you need to know the size of the strap to make.
It's 64" in length
so cut two crosswise strips of fabric
that are 2" wide.
Seam together, and cut it to 64".
Then, if you saw the first program
we used a fusible interfacing that was perforated for straps.
On the wrong side of fabric
you meet the perforated interfacing.
Or, you could just use interfacing.
After you press it
then you'll be pressing along the perforations
so that it's nice and even.
Find a trim, ribbon, whatever you'd like to use
and top-stitch it to the 64" length.
With this exception: leave 3" at each end
unstitched.
You can see, perhaps, I have some topstitching
just along the trim.
So, the 64" length is woven in and out
in and out of the grommets.
I've already started this.
Starting at the back, you can see
that I have a long length
in and out, of the grommets.
You continue to do this for the rest of the bag
so that you've gone in and out.
I think you've got the idea.
It's not too difficult to do.
Then, we'll attach the straps.
That 3" on each end has not been stitched.
You meet right sides together
flatten out the strap itself
and sew the strap ends with a 1/4" seam.
You might guess, I have a sample of that.
This little sample has the strap stitched with 1/4".
You do the same stitching to the trim
and, then, magically, they fit together.
Then continue to stitch
the trim to the straps so it's continuous.
We'll look back at our finished bag.
Later, I'll show you how to work with the binding across the top
but you can see that with an accent of piping
adding grommets
and then a continuous infinity strap
you have a great bag for shopping and for travel.
With a few modifications
turn your handbag into a handy yoga tote.
This time, with adjustable infinity straps.
Not into yoga?
Use it for a picnic tote
with convenient storage for blanket
or make a beach bag option
for easy storing of a lofty towel.
Regardless, it's a handy carry-all
with many possibilities.
This is a tremendous gift idea
a great gift idea.
Personalize it for your friend or a family member.
With this yoga tote version
you can see that the straps are not attached to the bag.
They float.
The infinity straps float within tabs.
We have eight tabs.
Four in the front, four in the back
and an extra-long strap.
The strap technique that I just detailed for you
with a cinch bag is made in the same manner now
only making that strap much longer, 120".
You're going to cut 2"-wide strips
several crosswise strips of the fabric
and join them together.
Then, make it a continuous strip
before you do any sewing to the bag
because the strap is not attached to the bag.
I made the strap.
I stitched down the ribbon, and then sewed the end seams.
Now, this is not quite done yet
but I just want to show you that you connect it
before you do any of the attaching to the bag.
So, the ribbon has the seam
and then I can do the continuous stitching
or continue to stitch, to attach the ribbon to the bag.
So, it's 120".
Set that aside.
Then it's time to make some tabs.
There are eight tabs on the bag behind me.
We're going to put those eight tabs on the base of the bag.
They're a little bit--
They need to be secure
or they need to have some interfacing.
They end up being just a little over 3" long
3-1/4" long.
They've been folded several times.
How I made them, is to start off with a 2" strip of fabric
and then use another fusible that has some perforations.
This is for binding.
You don't have to use this, but it certainly makes it easy.
You press it onto the wrong side of the fabric
and then press along the long edges.
Once, twice, and then fold it again in half.
It's a little bit easier to press on a flat surface!
So here, it's been folded, folded.
Then you just stitch
so that these are now 3-1/4" and a 1/2" wide.
The base of the bag is made
like we did in the first program.
If you didn't watch that first program
at nancyzieman.com, you can watch that first episode.
It's done with two layers of interfacing, a base fabric.
And then on the flip-side, we have the tabs
in the beginning stages of being attached.
You measure up from the top, 3".
We're centering this over the seam.
From the bottom seam, and here's the bottom seam
measure up 4", and then 4" from the side.
So, down 3", up 4", over 4",
and tack down the outside edge of each tab.
I've turned under, you might see
about 1/2" of each tab.
Then, place the infinity strap, without twisting.
You've got to double check that.
Place it underneath the tabs
and then do another stitch on each side of the tab
to hold it into place.
You can finish the bag following the instructions.
Now, the strap has already been attached.
You can see how easily you can place the towel
the blanket, the mat, whatever you like to use
in this area to give your bag extended room for carrying.
It's fun to make
and another versatile bag.
One of my favorite sewing techniques.
Simple details.
That's what I like in handbags.
Adding a monogram provides an elegant statement
without adding clutter.
Stitch the embroidered accent on faux leather
faux ostrich to be exact
and master two new sewing skills
while creating one trendy handbag.
This is the final handbag of our series.
We worked with five different designs
having multiple techniques on them.
You can see, of course, the monogram
which will be the focal point of this bag.
Some trimming ideas: the finishing of the pocket
as well as the finishing along the top.
All five bags were finished in this way
and I'll detail that with you.
Now first, the fabric.
A lot of people think
that when they're working with vinyl or faux leather
that you're going to need a special needle.
Not so much.
You're just going to use a universal needle.
Size 75 or 80 is what works out great.
You want a small needle.
Then, instead of pinning, you're going to use clips.
Hair clips or sewing clips.
That's the best way.
We don't need a lot of pinholes in the fabric.
I do add interfacing to this fabric
just like we did throughout this series
to give the body of the fabric some weight.
It sews through like butter.
It's a little thicker, but it sews very well
if you make this combination.
Now, you're going to choose a monogram idea.
Later in this year, you're going to see
a two-part series on monogramming
so I'm not going to go through all of the movement
and working with moving the letters around.
Choose your favorite monogram program
or letters.
I have nested my three initials together
from my computer
and then placed it into the embroidery machine.
You can see that in my memory, I have that set of letters
or the trio of letters.
I'll just set them.
I do know in advance that I have to rotate this.
I'm just going to rotate it going in the correct direction.
The pocket is going placed my hoop
matching the direction of the monogram
that you just saw.
I did mark the north, south, east, west
the center marks of each side of this pocket
so I could align it with the hoop.
There are many ways to align fabric in your hoop
but I just think for a rectangle
this is the fastest way.
I'm aligning the four marks with the marks on the hoop.
Then, I'll just continue to tape it down.
You can use a spray adhesive.
Personally, taping a small piece of fabric into a hoop
is my favorite way.
Then, I'm just about ready to sew
but we need to talk about the thread.
The thread that I worked with
was a rayon thread.
Let me set this.
I think we're about ready to embroider.
We are.
So, I have it square. I have it stabilized.
We are ready to do the sewing.
I'll hit start.
While this starts to sew--
it's kind of like watching paint dry--
Just let the machine do the work.
It just stitches away.
As I look on my screen, it's going to take about 10 minutes
to do this embroidery.
So, we're not going to watch the whole process
but we'll watch part of it.
In the meantime, I'm going to show you
how to do the finishing techniques.
This sample has been embroidered with the same initials.
I'm going to show you how I add the binding
to the top of the pocket, as well as the top of the bag.
You need to remove the seam allowances
because the fabric
is going to just wrap around the finished size.
This had a 1/4" seam allowance.
So, you would trim that away.
Remove this from the back of the stabilizer.
This is tear-away, it will just tear away.
When we made that yoga tote
I used a fusible that created binding.
You could use that same thing or your favorite technique
from your quilting project.
But as a beginner
this might be the perfect idea.
Just pressing, centering the binding fusible
on the wrong side of the 2" strip.
The trimmed-off seam allowance is aligned with the fabric.
Right sides together, and you clip.
You just sew across the top.
I have a little shorter sample,
but you'd have a sample that would be the whole length.
Then, after doing the stitching
press up the lower edge, along the fusible interfacing
and wrap to the underside.
Tah-dah!
So, it's a nice finished edge.
It'll wrap a little bit lower than the seam.
Just stitch in the ditch, sewing along the edge
and you have the edge bound.
Now, if you're working with a continuous top
as we did with the handbags
we folded the starting point at a 45-degree angle
and covered the fold with double-sided basting tape.
Start stitching.
Go all way around the curve.
Bring this back
as we're reaching the ending point
overlap this the to the starting point, and press.
Finger press, that's all you need to do.
Isn't that magical?
Then it wraps right around the edge.
Again, you do that stitching in the ditch.
Sewing in the edge.
As we look at our embroidery, it's stitching away.
We just have one of the three letters
that has been embroidered
but on our finished bag
we have the embroidery complete
the binding at the top of the pocket
the binding at the top of the bag.
All five of our bags were finished this way
giving you some of my "Favorite Handbag Sewing Techniques."
Quilting and sewing enthusiasts
have a rich history
of preserving memories, recording history
and teaching all ages to appreciate the culture.
Recently, at the Quilt Expo in Madison, Wisconsin
I learned how Native Americans honor their heritage
through the art of quilting.
Enjoy my Nancy's Corner interview.
Quilts tell a lot of stories.
They keep people warm
but they also are great for children
to learn about cultures.
With me today is Rita Lara from the Oneida tribe
in Oneida, Wisconsin.
Rita works for the Oneida Museum.
Welcome, Rita.
Thank you. I'm glad to be here.
We are standing in front of an amazing quilt
that is a story quilt.
Tell our viewers the origins of the quilt
and the quilt makers.
Okay.
The children in the community created the quilt.
So, it's a group of boys and girls
between the ages of nine and 12.
The intent of the quilt
was for them to learn more about our culture.
So, on the bottom of the quilt
is our Oneida Tribal Belt
and then up from there is the Tree of Peace.
The Tree of Peace has the white roots
that reach out in all four directions.
The intent of that is that anybody
that felt that they wanted
to be part of the Iroquois Confederacy
would be protected
if they believed in peace for one another
and an appreciation for the Earth.
I think it's important that we learn a bit more about
Indian history and the Iroquois Confederacy.
That was interesting information for me to learn.
Rita, why don't you share that with our viewers, as well?
Okay.
Our original homelands are in upstate New York.
The way that it set up is it's the Mohawk, the Oneida
the Onondaga, the Cayuga, and the Seneca.
They all have a role that they play.
The Mohawk are considered keepers of the Eastern Door
and the big brothers to the Oneida.
The Onondaga is where all the Chief Consuls go to meet
when they have meetings.
That's part of our traditional government
that still exists today.
Then it goes on to the Senecas and the Cayugas.
The Cayugas are the keepers of the Western Door
and the big brothers to the Seneca.
It's really fascinating.
That's how you were teaching with this quilt
to the youth of your nation about your government
their history and their culture.
You have some tribes that are represented--
Clans.
Clans, excuse me.
Tell us about the three clans.
For Oneida, our clans are Turtle, Wolf, and Bear.
We're a matrilineal society.
So, when the Europeans came over
they had their last names from their father.
Well, for Iroquois, we get our clans from our mother.
So, that's how you associate the family.
So, let's take a look
at the Wolf
and the Turtle
and then the Bear.
They're cute depictions of the clans.
And the tree and the beading is really quite fascinating.
The beading is actually raised beadwork
which the Iroquois are well-known for.
The reason it's called raised beadwork
is because its layers of beads
beaded on top of other layers.
Or, there are some that are puckered up
which means that you bead them
and then you don't leave enough space to where it's flat
you bead it so that it comes close
back to where you started from,
and it has a loop and it lifts up.
This is the raised look here, that you have in-process.
It's beautiful.
Thank you.
The children did some of the work
or almost all the work, along the border areas.
Yes, the children did all of the work.
They each have their own design that they did.
They learned a lot.
Then they signed the quilt.
Yes, they did.
On the back you will be able to see a lot of signatures.
And their age.
They weren't really all that old working on this.
No, the children
were between the ages of like nine and 12.
Yes, so they did a remarkable job.
Yes, they did.
Story quilts.
So many cultures have story quilts.
What a great way to preserve information
create memories, and have a sense of pride.
Exactly.
Rita, you you've done a lovely job to share this with us.
I've learned a lot and will look forward to coming to the Museum.
Oh, great! Thank you.
Thank you for being with us.
You're welcome.
Special thanks to Rita Lara for giving us insight
into the Oneida Nations special quilting project.
Remember, you can rewatch this episode
and also four seasons of Sewing with Nancy programs
online at nancyzieman.com.
At that site, you'll be able to follow my blog
and connect with me on social media.
I hope you've enjoyed this series
on my "Favorite Handbag Sewing Techniques."
Thanks for joining me. Bye for now
Nancy has written a fully illustrated book
that can be used to create the designer handbag techniques
featured in this two-part series.
The book is $14.99 plus shipping and handling.
To order the book, call 1-800-336-8373
or visit our website at: sewingwithnancy.com/2901.
Order Item Number BK2901
"Nancy's Favorite Handbag Techniques"
Credit card orders only.
To pay by check or money order
call the number on the screen for details.
Visit Nancy's website at nancyzieman.com
to see additional episodes, Nancy's blog, and more.
Sewing with Nancy
TV's longest-airing sewing and quilting program with Nancy Zieman
has been brought to you by
Baby Lock;
Madeira Threads;
Koala Studios;
Clover;
Amazing Designs and Klassé Needles.
Closed captioning funding provided by Pellon.
Sewing with Nancy is a co-production
of Nancy Zieman Productions and Wisconsin Public Television.
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