Thứ Sáu, 1 tháng 12, 2017

Waching daily Dec 1 2017

[old fashioned camera roll and clicks]

[music]

Merry Christmas!

They're all finished!

Let's go ahead and put up 24 days until Christmas!

Until Santa comes!

Hooray!

This is so cool.

Alright, you need to move...

Ah!

Let's just put the extras... right there.

We may move those later.

By the way, this year I'm doing Christmas Crafts and Chats.

So starting today there will be hopefully... there will be a video everyday including Christmas.

So stick around if you'd like to see that.

Thank you so much for joining me today, and I hope I get to see you tomorrow.

See you next time! Merry Christmas!

[music]

For more infomation >> Advent Calendar Mini Quilts | SewBrenna - Duration: 4:09.

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*No left, no dead- Super Mario Bros- Nes - World 1-4 ("Right then" - Retro Achievements) - Duration: 4:52.

For more infomation >> *No left, no dead- Super Mario Bros- Nes - World 1-4 ("Right then" - Retro Achievements) - Duration: 4:52.

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How to Turn Left at An Intersection to Avoid Being Involved in a Crash | Crash Analysis Smart - Duration: 6:15.

[HOW TO TURN LEFT AT AN INTERSECTION TO AVOID BEING INVOLVED IN A CRASH]

Hi there smart drivers. Rick with Smart Drive Test. Another video for crash

analysis smart today we're talking about left-hand turns social cues and you can

be right or you can be dead right now for those of you working towards a

license or starting a career as a truck or a bus driver be sure to hit that

subscribe button that way you'll get access to all of the information and

passion road tests first time as well hit that Bell that way you'll get

instant notification when I get the videos up for you now you can see here

in the video clip that the vehicle is pushing its way through to make a

left-hand turn at a very busy intersection the traffic on the outside

lane has come to a stop obviously the intersections blocked on the other side

but the vehicles on the inside lane are still proceeding through the

intersection the vehicle comes across and sits in the intersection in front of

the outside lane of traffic the light changes to yellow and goes to red the

driver thinks that the traffic is actually going to come to a stop

incorrectly of course and then proceeds through the intersection the other car

runs the red light and the result is a collision now like a relationship it

takes two people to fight it takes two drivers to have a crash so that's what

we're going to talk about today so stick around we'll be right back with that

information

either smart drivers Rick with smart drive test welcome back today we're

talking about left-hand turns social cues and you can be right or you can be

dead right now we looked at the video clip in the introduction there and the

vehicle was making a left-hand turn at a busy intersection subsequently what

happened was is that a vehicle ran the red light the vehicle proceeded through

and there was a crash now you need to take social cues from traffic and one of

the reasons that new drivers and some experienced drivers have crashes is

because they fail to read correctly the social cues from other traffic which

could potentially result in a crash and one of the social cues here's is when

you're driving along multi Lane roadways and one lane of traffic or the other

Lane that you're not in slows down or comes to a stop you need to cover the

brake you need to slow down perhaps stop and figure out why that lane of traffic

is stopped what is the reason for that you can see here I was driving the other

day and the traffic in the outside lane came to a stop to allow the traffic in

front of them to make a left-hand turn they were being courteous but for me

it's a danger because the other line of traffic has come to a stop and I would

come up and cover the brake after the vehicle in front of him made the

left-hand turn I was cutting down my reaction time by covering the brake and

ensuring what was going on in the intersection even though it wasn't a

controlled intersection I'll put a card up here for you on covering the brake

that's an essential skill for passing a road test and remaining crash free now

the other thing is is that the driver making the left-hand turn and we've

talked about this before for new drivers and veteran drivers alike you get

anxious when you're in the intersection and the light has gone to red you feel

that you need to clear that intersection but let me reiterate once again if

you're in the intersection and the light goes to yellow the light goes to red

make sure that that oncoming traffic be absolutely positive that oncoming

traffic has come to a stop before you commit to making a left-hand turn

otherwise as in the video clip here vehicles could run the red

light and you could be involved in a crash so know that if you're in the

intersection and making a left-hand turn do not go do not proceed through that

intersection until that oncoming traffic has come to a stop and you are

absolutely sure and finally the last point is that you can be right or you

can be dead right yes the light went to red and the vehicle needed to make the

left-hand turn and the other vehicle ran the red light but it takes two people to

have a crash had the person waited making the left-hand turn until that

vehicle came through and cleared the intersection it would not have resulted

in a crash so there was airs on both sides of the intersection in terms of

drivers proceeding through the intersection the one driver proceeding

straight through the intersection failed to see the social cues and failed to see

the red light first and foremost but also failed to recognize the social cues

of the other line of traffic being stopped and the driver making the

left-hand turn failed to insure that traffic was coming to a complete stop

before he or she cleared the intersection so that is the reason why

there was a crash that resulted it was because both drivers made an error and

subsequently there was a crash question for my smart drivers have you been

involved in a crash on a left-hand turn because you failed to ensure that the

oncoming traffic was in fact coming to a stop on a red light or subsequently have

you been involved in a crash proceeding straight through the intersection and

failed to identify the social cues of the other line of traffic being stopped

or slowed down leave a comment down in the comment section there all of that

helps out the new drivers and the experienced drivers as well who are

working to upgrade their skills if you like what you see here share subscribe

leave a comment down in the comment section as well hit that thumbs up

button check out all the videos here on the

channel if you're working towards a license or starting your career as a

truck or bus driver lots of great information here as well head over to

the smart drive test website more great information over there and online

courses that you can purchase all the courses are guaranteed passion road

tests first-time or sixty day money-back guarantee for those of you working

towards your first licensed passion road test first-time look down in the

description there there's a 30% discount plug that into the coupon box over at

the smart drive test web site you'll pick up the course for about

20 bucks I'm Rick with smart drive test thanks very much for watching good luck

on your road test and remember pick the best answer not necessarily the right

answer have a great day bye now

For more infomation >> How to Turn Left at An Intersection to Avoid Being Involved in a Crash | Crash Analysis Smart - Duration: 6:15.

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#DRAWINGCHALLENGE Stranger Things por FaberMota 2017 || speedpaint #18 - Duration: 5:01.

For more infomation >> #DRAWINGCHALLENGE Stranger Things por FaberMota 2017 || speedpaint #18 - Duration: 5:01.

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GTA 5 - Strangers and Freaks - FRANKLIN [Grass Roots - The Pickup ] - Duration: 6:15.

Who is this

the full running around after I found the truck you wanted

Oh God good huh no hurry

I need it in Vespucci in the next couple of hours and watch yourself. I hear the cops was snooping around over there

Shit motherfuckers had eyes on the place

Damn I gotta get the fuck on

Is that my pizza hey enough who is me, I'm here, oh well done hey true crusader for civil liberties

Where you follow follow? That's an understatement, but look don't trip out we good now look man

Won't you come down and check this? I got shit to do, man. Yeah? Well. I'll send someone when I know it's clear

Okay, can't be too careful, and I'm dealing with some composting issues. This is a bad burrito

She whatever man, but that's more information than I need

Yo, what's up? I should just got cheap, too?

For more infomation >> GTA 5 - Strangers and Freaks - FRANKLIN [Grass Roots - The Pickup ] - Duration: 6:15.

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October Comics Wrap-Up | 2017 - Duration: 7:35.

Hi, it's Maija here with my wrap up of all the comics that I read in October. The

first two volumes that I read were volumes 1 & 2 of Bee and Puppycat by Natasha

Allegri and various other writers and artists.

These are assorted short comic adventures that focus on Bee, who's a

magical girl, and her partner / cute mascot, Puppycat.

Bee is a sort of a temp worker magical girl for hire who gets her assignments

through Puppycat... who is... Puppycat. So I got these two volumes in a Humble Bundle

of Boom comics, which a lot of them are for all ages, and this is definitely one

of them. I guess I should have watched a couple of episodes of the animated

series before reading this to get this, because we are thrown in and nothing is

explained. This especially bothered me because of these two side characters who

just made a brief appearance and I have no idea who they were or how they

related to the main characters. This left me a bit cold, I think this is aimed to

the fans of the animated series, and I just didn't have enough information

beforehand. So these stories are just brief snippets from different creators,

they're just meant to be silly fun, these random adventures. Some of the art was

pretty cute and I do enjoy Puppycat's design and Bee's slothy tendencies. I

also loved that there was this issue where Bee was supposed to fix a music

box, and there were these QR codes for the different music boxes so you could

scan them and hear what the tune that the music box played was. I didn't have a

QR reader, but I'm gonna do that later. So I was left a bit cold, because I didn't

know enough of the characters or the background, and also these were so very,

very short and random, and I gave these two volumes only two stars. Next I read

Space Battle Lunchtime Volume 1: Lights, Camera, Snacktion! by Natalie Riess, and

this I got from a sale over at Comixology. This story is about earth

baker Peony who gets chosen to compete in this TV reality cooking show

competition called Space Battle Lunch- time, and her alien competitors don't

play nice. This is a miniseries with only two volumes. I liked it, but not enough to

instantly go and buy the second one. It is an all-ages comic and this first one

focuses on the episodes of the cooking show before the finale episode of the

show, and the end of the volume takes this turn that promises there to be more

action in the second one. It's all fun, but nothing that deep. I did like that

the main character seems to have a crush on this cool female alien, so I'm

interested to see how that develops in the second volume. This comic made me

smile, but I'm just gonna pick up the second volume at some point, I am in no

rush to do so. I gave this one three stars. And then, to my complete surprise,

my favorite comic that I read this month was Jonesy Volume 1 by Sam Humphreys and

Caitlin Rose Boyle. This is about a high schooler called Jonesy who has the power

to make people fall in love: with things, with ideas, with other people, anything

and anyone but herself, and this causes all sorts of chaos. I got this as part of

that comics Humble Bundle that I got Bee and Puppycat in, and I'm so glad I did, since

I hadn't even heard about this before. The art is cute and cartoony and

colorful, and the comic is so funny and features a diverse cast of characters.

The main character, Jonesy, hates a lot of things about high school life and

life in general. She's against the popular kids and prom and all sorts of

stuff to be honest - she could easily be a cliché character, but she is not. She's

selfish and vindictive, but so full of energy

(well, not when it comes to working), that she just draws me in. I think some people

might just find her unlikable and not like the comic because of that, but I

didn't mind. I found her completely captivating to

follow and had tons of fun. So the cover says that this is "A spiritual successor

to Scott Pilgrim" and I would tentatively agree. It has the same sort of

unlikable main character that you love to follow, and these sort of out of the

ordinary abilities. It doesn't have the deeper themes of Scott Pilgrim, at least

not yet. Check it out if you like the art style, want to have some

silly fun, and don't mind unlikable characters. I gave this one four stars.

Next I read the second volume in the manga series The Girl from the Other

Side: Siúil a Rún by Nagabe. This continues the story of the Outsider

called Teacher and the little girl called Shiva, who Teacher looks after. And they

live on the other side of the wall, where on the other side there are the humans

and on the other side the monsters. So I continue to love the black and white,

scratchy art style and the dark fairy tale mood and the found family

relationship between the two main characters. In this one a lot more

mysteries are piled on top of the other ones that we already had, and there are

some other Outsider characters that are introduced apart from just Teacher. And

I did like this a bit less than the first volume, just because I think that it

tried to be too mysterious and I would like to have at least some answers, but

I'm still really looking forward to the next volume. I gave this one 3.5 stars,

the first one got 4 stars. And the final comic that I read in October was Zombillénium

Volume 1: Gretchen by Arthur de Pins. And this is a French comic series set in a

horror theme park called Zombillénnium where real monsters work in secret.

There are zombies and mummies and vampires and all sorts of other

supernatural creatures. The main character is Aurélien, and he's in the

wrong place at the wrong time and ends up being bitten by both a vampire and a

werewolf, and he has to go and work in Zombillénium so as to keep the secret

that monsters are real. So this first volume focuses on Aurélien and the

mystery of what sort of monster he is, and also his unresolved hatred towards

this man whom his wife cheated on him with. I saw the animated movie

Zombillénium, which is based on these comics, and that prompted me to go and

check this out. My library only has the French editions, so French it is. These

have been translated into English. My high school French and Google Translate

really got a workout. I mean, I have such a bad vocabulary, I have forgotten nearly

all the verbs, so it was slow going. But it felt so much better

each time I could read one speech bubble without any help. So I love the

visuals of Zombillénium, it is completely done in vector art, and I love the idea

of a horror theme park where monsters work. But I didn't really care about the

main character Aurélien and his plotline. The animated movie had a different main

character and a different plot, although it had the same sort of look and feel,

and I didn't like the main character in the animated movie, either!

My favorite character is Sirius, who is the staff representative. He's also a

skeleton. I gave this one three stars and I have the second one out from the

library, so I will see how I get on with that one.

So that was my comics wrap-up for October, let me know if you like this way

of doing things or if you want to see both the books and comics in one video,

and also let me know in the comments if you have read any of these and what did

you think of them. This is all from me for now and I will see you in my next

video. Bye for now!

For more infomation >> October Comics Wrap-Up | 2017 - Duration: 7:35.

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Wet Rot Vs Workshop - Duration: 9:09.

I'll just show you what's going on in here.

The lathe is over here.

A friend is going to pick this up coz I'm just not using it enough.

A lot of stuff has been moved.

There's an empty box and I've just noticed this sign.

Warning!

FRAGILE "THANK YOU" That's one way to get your parcel kicked around a bit.

That fell off.

There's glue on that.

Stuff is all over the place.

Boxes and everything that was on the floor is up.

Luckily this corner here didn't have any damp problems.

The main problem is all over there.

And around there.

You can see I've drilled holes just to help air circulate for now.

In fairness we were aware of the problem.

There's more holes drilled back there.

I actually moved the wall forward.

You can see there I moved forward just so I had a clean surface to work on.

And air could circulate around the back.

The problem here though does come from that wall there.

The leaks from up there had been sorted out quite a while ago.

But I think they've got some subsidence outside on that side there and water congregates when

it's rained and it must have found a way in.

I think the lady who had the studio over there even had some shrooms growing.

I poured a bit of bicarbonate of soda down there.

Supposedly it's good for getting rid of smells so hopefully it will get rid of the mushroom

smell.

I've been treating the timbers with this stuff here.

This is what police officers get reincarnated as.

Kills, Protects, Preserves.

Wood treatment, triple action.

It says it treats wet rot, treats dry rot, penetrates deep into wood for long lasting

protection, kills all wood-boring insects, their larvae and eggs.

I had to buy this.

I'm not endorsing this product.

It's the first time I'm using it.

It sprays well.

I'm using this pressurised canisters to get the nozzle really far in to spray the areas

I haven't exposed yet.

So hopefully I never have to expose them.

Ok I need to cut some more floorboards up and I got one of these.

Grrrrr.

In the end the excavation became a lot larger.

I decided to get rid of as much of rotten material as possible.

Or more to the point, as the de-humidifer started to work and the timber started to

dry out there was a lot more rotten timber than I first suspected.

I might have explained the situation here in a much older video but the guys and I are

renting off a developer via a charity which provides artist studios, paying peppercorn

rent with the full knowledge that at some point the developer will want us gone so they

can build fancy flats.

We really didn't think we were going to be here as long as we have.

Essentially it's every six months we think we're going to leave.

So before some has a go at me for not doing a proper job – there's no point if you

expect to be gone in 6 months and the building your in is going to be torn down.

Anyway the damp problem has been on going, but was first noticed by our partners who

would comment on a musty old book smell when we had been in the workshop for a while.

It wasn't old book… it was damp fungus.

This stuff is fucking everywhere.

I think I just need to rip out the skirting board as well.

There's not point having it around this corner.

So this is the new excavation.

It's a little bit bigger.

You can see a lot of mould on that wall there.

It's really damp.

I ended up having to cut a lot more of the joists out.

There is a carpet of mould on the ground level, which I later scrapped out with an oar.

I don't have a shovel but I had some oars from a boat project me and the guys got up

too some years ago.

I used the infrared night mode on the camera to see how far it has spread.

This entire building is a bit ridiculous.

Really old houses in the UK were designed to be permanently ventilated – so when people

try to prevent heat from escaping they actually restrict the air-flow and at high tide, the

moister feeds the mushrooms.

I can't believe they've actually put the wire across there like that.

How someone fitted an extra joists there anyway?

I think they must have just doubled it up because it wouldn't got across.

There's still a bit on the floor.

We'll just scrape that out.

I realised that drip we're hearing is literally a drop of water being taken out of the air

about ever second.

It's crazy isn't it.

Ahh the floor here looks a bit fungal.

Aaaargh.

Oh that's the cable.

I put down bicarbonate of soda on the ground, along with spraying a chlorine based anti-fungal

spray.

Arisskarp on instragram suggested using Sodium percarbonate (oxygen bleach) but coz I already

put chlorine based bleach down the two couldn't mix – in case I created chlorine gas and

re-ennacted a first world war trench attack.

I painted the door frame with wet rot hardener.

Later I painted the wall up to the window with aluminium paint.

That's meant to help timber resist wet-rot as well, so it'll be alright for the walls.

And it looks pretty cool.

It looks like the terminator just exploded in the corner.

Also the smell of the paint has helped mask any residue mushroom smell.

So I'm just going to carry on getting these cut and then I'm going to paint them.

I'm going to leave a gap between everything just so I increase the airflow as much as

possible.

Make sure you read the COSH sheets for any chemicals you are using when doing a job like

this.

Along with having to be careful I didn't cut in the cable earlier, I had to also be careful

not to cut into the cable earlier but also not to get any of the treatment on the wiring.

We're just using OSB board to cover up in the end.

No point paying for anything else.

There's enough glue in this stuff so it will keep the mould back and help resist against

moisture.

Maybe it needs more.

That's all we got.

Oh right.

Try go for the edges of everything so it soaks in a bit.

I think this stuff has a bit of a coating on the faces.

Oh right.

Should try to lean them a bit.

The main thing is we've exposed lots of air gaps around the sides which will help air

flow– hopefully I don't drop any small parts down.

Going to install a permanent huminidfier at some point, we've saved the charity some

money doing the work ourselves – they only need to cover material costs.

I had a good suggestion to feed the exhaust from the extractor under the floorboards so

dry air goes in.

I could add a bit of ducking from another end of the workshop to a bathroom extractor

fan pumping air outside.

Anyway that's wetrot vs workshop.

I think we won but it was an great expense to valuable time.

So now my Christmas special is behind schedule.

For more infomation >> Wet Rot Vs Workshop - Duration: 9:09.

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Badass Week: Leo Major and His Balls of Solid Steel - Duration: 6:52.

Leo Major was a French Canadian man born in 1921.

He probably didn't think he was going to be more of a hero than the average soldier

when he joined up with the Canadian Army at the start of World War II—supposedly he

simply joined up because he wanted to show his father, with whom he had a shaky relationship,

that he could do something to be proud of.

Major started his overseas tour in 1941, serving in Le Regiment de la Chaudiere.

On D-Day, he was wounded by a grenade, resulting in the partial loss of vision in his left

eye.

Major refused to be sent home, arguing that he only needed one good eye to sight a rifle.

He was placed in the scout platoon and became handy with his rifle, earning himself a reputation

as an excellent sniper.

In April 1945, Major's regiment was approaching the city of Zwolle.

His commanding officers asked for two volunteers to do a reconnaissance run and report on the

number of German troops patrolling the city.

If possible, the volunteers were also asked to get in contact with the Dutch resistance

as the Chaudiere regiment was to start firing on the city the next day.

At the time, Zwolle had a population of around 50,000 people and it was likely that innocent

civilians would number among the casualties.

Along with his friend Willy Arseneault, Major started to creep toward the city.

Willy was killed by German soldiers around midnight after the pair ran across a roadblock.

Reportedly, Willy was able to kill his attacker before dying himself.

Understandably angry, Major picked up his friend's machine gun and ran at the enemy,

killing two of the remaining German soldiers; the rest fled in a vehicle.

Major continued on and soon ambushed a staff vehicle and captured the German driver who

he had lead him to an officer drinking in a nearby tavern.

He informed the officer that Canadian forces would begin firing heavy artillery on the

city, resulting in the deaths of many German soldiers and Zwolle civilians alike.

He didn't mention that he was alone.

Afterwards, Major gave the man his gun back and, with that seed of knowledge soon to be

spread throughout the German troops, he immediately began running up and down the streets shooting

a machine gun and tossing grenades.

The grenades made a lot of noise, but he made sure to place them where they wouldn't cause

much damage to the town or its citizens.

In the early hours of the morning, he stumbled upon a group of eight soldiers.

Though they pulled a gun on him, he killed four and caused the rest to flee.

Major himself escaped the confrontation without injury and only one regret: he later stated

he felt he should have killed all of them.

As he continued his campaign of terror throughout the night, the German soldiers began to panic,

thinking a large body of Canadian forces were attacking them.

By 4 a.m., the Germans had vanished.

An entire garrison—estimated to have been made up of several hundred soldiers—had

been made so afraid of nothing more than a single, one-eyed man that they fled the town.

The city of Zwolle had been liberated without the need for the death of civilians or many

of the soldiers on both sides of the lines that would have taken part in the messy battle.

Rather than fall asleep after running around the city in the wee hours of morning avoiding

German gunfire and causing all kinds of mayhem, Major enlisted the help of several Dutch civilians

to retrieve the body of his friend Willy.

Only after his friend's body had been recovered did Major report to his commanding officer

that there was "no enemy" in the city.

The Canadian army marched in to the sound of cheers rather than gun shots.

For his actions at Zwolle, Major received a Distinguished Conduct Medal.

If this wasn't all enough, perhaps I should mention that in 1944, a year before he liberated

Zwolle, at the Battle of Scheldt, Major captured 93 German soldiers by himself and led them

to waiting Canadian troops.

He and Willy were teamed up again on a reconnaissance mission to find out what had happened to a

company of men that had seemingly disappeared.

Willy was sick, so Major went alone.

He soon found that the company he was looking for had all managed to get themselves captured.

Rather than go back and report immediately, Major was cold, so went into a nearby house

to warm up.

At this point, he saw a couple German soldiers through a window and decided to capture them,

which he did.

With them presumably helping him lug his balls of solid steal along the way, he had them

take him to their commanding officer, who was among about 100 other German soldiers

at the time.

His offer was basically- surrender or you die.

Of course, he'd then die too, but this plan miraculously worked.

Why?

Because some nearby SS troops observed the exchange and misinterpreted, thinking the

commanding officer and his men were surrendering.

Thus, the SS opened fire on both Major and the German soldiers around him.

The Germans being fired upon decided surrendering to Major was better than being killed by the

SS, so they went with him, with the SS hot in pursuit, killing some of them along the

way.

All total, 93 Germans soldiers made it back with him and became POWs.

For this amazing feat, Major was offered a Distinguished Conduct Medal, but refused it

because he felt his commanding officer, Field Marshall Montgomery, was "incompetent"

and that, "He had made an awful mistake.

I didn't like him at all."

Thus, he didn't want to receive an award from the Field Marshall's hand.

Still not impressed?

How about how he won his second Distinguished Conduct Medal, besides the one earned liberating

Zwolle, which would have been his second, had he accepted the 1944 one.

The second one he chose to accept didn't come in WWII.

Rather, it was achieved during the Korean War where he managed, in a lot of ways, to

top the other two, though this time with the help of just under a couple dozen other people.

But I think you'll soon agree, it was still ridiculously amazing.

Around 40,000 Chinese soldiers had successfully dislodged a large body of U.S. soldiers from

a key hill (Hill 335 to be exact).

Unable to retake the hill, Major and a small group of other snipers were sent in.

There job was to sneak up onto the hill, in the midst of all those Chinese soldiers, and

then open fire.

After doing this and throwing the Chinese soldiers into a panic, rather than retreat,

Major had his men continue firing and managed to do what thousands of U.S. troops had been

unable to do, re-take the hill.

Of course, the Chinese soon regrouped and two divisions, totaling over 14,000 soldiers,

were sent to retake the hill from Major and his tiny band of snipers (20 men total).

Again, rather than retreat as ordered, Major and his band decided to hold the hill.

After three days of repeated attacks from over ten thousand soldiers using every manner

of weaponry, reinforcements arrived and relieved Major and his men, who had successfully held

the hill during that span.

I presume after being relieved and having the relieving commanding officer perhaps tell

him it was madness to try and hold the hill with so few men, Major most likely responded

with "Madness?

THIS IS SPARTA!!!!"

For more infomation >> Badass Week: Leo Major and His Balls of Solid Steel - Duration: 6:52.

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5 Amazing Animators You Should Know About! - Duration: 10:15.

On this channel, we've covered what budget means, how to identify animators, what bad

animation is, and of course, the endless coverage of various Dragon Ball-related media.

Throughout these videos, I'm sure you've started to gather at least an idea of the

type of animators or style of animation I personally enjoy, but I've never taken the

time to sit down and specifically talk about who my favourites are, what aspects of their

work I love, and what shows from their back catalogues I highly recommend.

I've never really given you guys the chance to talk about your preferences either, so

I hope we can use this video as an opportunity to sit back and talk about what we love, recommend

some animators, some shows, and just get to know each other better.

And, if you're new to this channel or new animation, then I hope you get something out

of it, too.

There are a lot of different approaches to movement.

For some, the heavily detailed artwork and highly stylised, exaggerated timing of Naotoshi

Shida's work is where their love is at.

This of course goes hand in hand with animators like Yuya Takahashi.

It's big and bold, with a real emphasis on rhythm over anything else.

There's also very snappy animators like Hiroyuki Imaishi or Yoh Yoshinari, very clearly

inspired by Yoshinori Kanada.

They almost want you to stop and admire their flashy key frames, often snapping between

really intense and dynamic poses.

You can pause at pretty much any point in their work and get a perfect screenshots.

On the other end of the scale are the animators whose emphasis is almost entirely on movement.

The characters flow from position to position seamlessly.

There's no distinctive key frame vs inbetween.

The characters are often stylised in a very minimalist way – lots of loose line work

and relaxed poses.

This is the type of animation that I absolutely adore and it's where almost every single

one of my picks lies in this video.

Let's get started…

In no particular order.

First up is Shinya Ohira.

Perhaps the most unconventional animator of anyone on my list, Ohira's work is hugely

expressionistic – it reminds me of very famous artist Gustav Klimt's sketches.

It's characterised by its hugely rough line work – there are no ruled lines here.

The characters move as though filled with water – with shading and form changing from

frame to frame.

Everything is about his work is extreme – the focus is totally on expression through abstract

form, rather than adhering to rigid reality.

The intensity of a scene is conveyed through wild brushstrokes or pencil marks, and of

course, the dramatic deformations.

Unlike most animators, what's happening in the scene isn't what evokes a feeling,

it's the way that it's animated.

WaveMotionCannon is a spectacular website dedicated to covering all types of animation,

and there was a part of their Ohira coverage that really stuck out to me.

I think it sums up 1.

Why I love Japanese animation so much, and 2.

Why Ohira is one of my favourites.

It says, "Whereas American animation is mainly concerned with truthfully representing

the characters that are being animated, Japanese animation instead focuses on the depiction

of the movement itself".

This is so, so true, and if you're looking for entire pieces that exemplify this approach,

I strongly recommend Kid's Story – a short in The Animatrix anthology.

It was supervised by animator Shinji Hashimoto who ALMOST made my list, and is definitely

a big influence for Ohira.

Ping Pong is another show that is also all about wearing its expressionistic style on

its sleeve, and embracing it from start to finish.

You'll struggle to find another sports anime as interesting as this one.

Next up is Mitsuo Iso, who in some ways, is very much the opposite of Shinya Ohira.

Iso embodies realism – he understands how things are supposed to move in reality, and

applies that to his animation seamlessly.

Every movement accounts for the object's weight and its inertia.

It's an absolutely unbelievable skill, and it makes his scenes so breath-taking to watch.

Even when he's animating things that simply don't exist – the Evas in Evangelion,

for example – they move in ways that totally sell them as living beings.

The way he goes about achieving this is fascinating.

The typical work flow of an animator is to draw the beginning and end key poses, and

work through the middle sections, before having inbetweeners fill in the rest.

Iso totally does away with that, handling every frame in his sequences, and treating

every drawing as a key frame.

He's never drawing from pose to pose, but rather moving through the motion frame-by-frame

in a really organic way.

This results in the 100% seamless movement you find in his work – there's no snapping

from key to key here.

Things accelerate, decelerate, and change course in totally natural ways.

This makes him an absolute master of movement, and one of my favourite animators working

today.

There are few shows that really embody his work as a whole.

Even his passion project Denno Coil failed to translate his style across the entire series.

If you're looking for his best work, you cannot go wrong with classics like Ghost in

the Shell, The End of Evangelion, and of course Blood: The Last Vampire.

Not quite a classic there, but definitely some of his best work.

Next up is a much younger animator in comparison.

Not quite the youngest on this list, but at 33 years old, Hironori Tanaka is a shining

example of the unique young talent found in the industry.

He was first discovered with his contributions to Toei's various PreCure series, and was

so impressive that director Takashi Otsuka at one point just left vague instructions

on his storyboard, and left everything else up to Tanaka.

Stylistically, he's most recognisable for his Ohira-esque linework, particularly when

it comes to the hair.

When he's let loose, characters will typically distort in a similar fashion, though certainly

not enough to scare off those who care for a more grounded approach.

His effects are very aggressive, dominating his action scenes, and making for some seriously

eyecatching compositions.

He's one of the hardest working animators around.

You can find his work across so many different shows.

It's absolutely astounding for someone his age.

Concrete Revolutio has a whole bunch of contributions from him, and even if you're not a fan,

that show is one of the best looking things to come about in a long time, so check it

out anyway.

Moving along, we have Norio Matsumoto, an animator who's been around for quite some

time, but first started seriously blowing minds from the early 90s onwards.

Fans of Naruto will know him for delivering pretty much all of the mindblowing fights

from the original series, in particular the battle between Naruto and Sasuke.

He amped up the action in Rurouni Kenshin, a show that doesn't have masses of great

animation on the whole, and contributed the far superior Gon vs Hanzo in the 1999 adaptation

of Hunter x Hunter.

He's an action extraordinaire.

His work is remarkably fluid, with extreme use of smears and squash and stretch.

I don't think it'd be inaccurate to say his extensive work on Naruto helped to form

the style of action that became the norm throughout the rest of Shippuuden.

Whether it be character acting or breathtaking fight scenes, Matsumoto's absolutely got

you covered.

Naruto's the obvious recommendation as far as shows go, but don't hesitate to check

out Isao Takahata's Tale of the Princess Kaguya for a very different look at Matsumoto's

talents.

Lastly, and despite me saying this was in no particular order, I have left my favourite

for last: Shingo Yamashita.

At only 30 years old, he is far and away the youngest animator on this list, but perhaps

one of the most idiosyncratic of the lot.

He is a part of the web-generation of animators, meaning he's one of the self-taught talents

in the industry who rose to fame through their gifs across social media.

Unlike the majority of animators who still work with pencil and paper, Yamashita is a

purely digital animator, who's been known to work in Flash.

Thanks to the playback freedoms offered by digital animation, it's much easier to put

together more complex camera sequences, and it's something you'll find in a good number

of Yamashita's scenes.

This is helped to life by a great deal of 2D background animation, along with some seriously

complex effects.

Much like everyone else on this list, Yamashita continues the running theme of exaggeration

and expression in his work.

He wanders severely off-model to deliver some truly disturbing sequences – in a good way!

And much like Ohira, he's not afraid to bend the rules, and it's not uncommon to

see him entirely abandon linework in favour of dynamic blobs of colour.

In spite of these influences, his work is very much his own, and he really is like no

other.

Birdy the Mighty, particularly the second season is one of the most amazing examples

of webgen animation, and you can find not only some of Yamashita's best work there

there, but also the likes of Tanaka and Matsumoto, too.

Yozakura Quartet is another very webgenny show, and definitely something to check out

if this type of animation appeals to you.

Loose, heavily idiosyncratic styles are 100% my thing.

I get so excited whenever I see movement like this, and it's one of the hardest things

to get right.

Making simple look stylish is not easy, but all five of these animators do it with ease,

and it blows my mind every time.

Thank you so much for listening, these have been some of my favourite animators in the

industry.

Be sure to let me know in the comment section where your tastes lie, who your favourite

animators are, and what shows are best to get a feel for their style.

Before I go I do have one thing to say: for those who have followed my channel since I

first started covering animation, you may be sat there and wondering where the hell

Naoki Tate is on this list.

I love Tate, I admire everything he's achieved at Toei, and he's absolutely one of the

strongest at the studio, and my favourite animator on Dragon Ball Super.

I will defend him to the end of days when fans try to claim he's somehow terrible,

but I'm also a realist, and it's clear he's not a touch on the animators listed

up to this point.

Just wanted to clear that up before the comments roll in.

Again, thanks for listening, be sure to rate the video, and subscribe if you're new.

Check out my latest video on what 'bad' animation is, and I will see you next time.

For more infomation >> 5 Amazing Animators You Should Know About! - Duration: 10:15.

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The Awakening - Duration: 20:03.

The Awakening

by Ainsley Threadgold

�There is a time for everything and everything in its time.� Whether this is on the grand

scale of our soul�s eternal journey or the unique and beautiful journeys we take within

our human lives, we have created and co-created awakening moments with mathematical precision.

This article is about how I have navigated my own awakening, in the hope that it helps

others to do the same. My journey thus far has guided me to understand that love, most

importantly self-love, is the key to unlocking our true potentials.

Along the path of discovering my own potential, there are three steps that I use to come to

a place of greater self-love. They are: First, to accept myself where I am in that moment.

Second, to like myself in that moment. Third, to love who I am in that moment. In order

to do that, I had to understand and reconcile my often painful experiences. In the main

body of the article I have included 4 subheadings, these I have used to mark different stages

of my healing journey. I have interwoven the accept, like and love concepts throughout

these subheadings.

I am my own labor of love, as we all are, in different forms for different reasons.

Our ultimate aim here is to live the life we have chosen to live. Some lives may feel

infinitesimally small and easy to exist in. Others may feel monumentally greater in their

challenges, while others fill the gap between and each and every one divinely unique and

perfect.

My own life has been one of a plethora of mistakes and bad choices, yet every step has

been exact and purposeful. It�s shown me there is a bigger picture than my own tiny

details. I�ve learned that my actions have not only played notes on my instrument, they

have also informed the notes others play too.

We are all part of the orchestra; we all have our own instruments with our own sheet music.

Whether we play active roles or passive roles, awakened or asleep, we are all playing our

parts perfectly. So, what�s my part here, what is my instrument? How do I play so I

get the best out of myself while also helping to bring out the best in other people? The

key, as always, is through love. To get the best sounds and the most beautifully rich

vibrations, each instrument needs to be loved, looked after and maintained. In the past my

instrument was neglected because I felt it was less than perfect. I tried to ignore it

by living in my head, hoping I could somehow wake up with a different, better one, then

my life could really take off. I wouldn�t have to make the �mistakes� I�d made

and I wouldn�t have to hurt the people around me. I would have designed a life that effectively

wouldn�t adversely affect anyone. It would have all the appearances� of being a charmed

life, with none of the draw backs that were, I felt, all I had to offer up to that point.

While that design may have been a better one, It would also have none of the flavor and

be devoid of the love that I am now feeling, both for myself and ultimately the others

I am divinely blessed with.

What I once felt about my life had everything to do with a fear of living it and nothing

to do with the power of my presence in it. I once wanted nothing to do with the direction

of or the responsibility for steering my life. I just wanted to be left alone in my cave,

wanting for nothing more than to be in my head space, living in the world of my imagination.

The only problem was the longer I tried to ignore my life, the more chaotic it seemed

to become. I was also missing the journey, the real one. You see, the chaotic stuff was

happening, and was never pleasant, but it took me somewhere. It gave me the gifts of

experience so that I could grow within myself and also have the ability to share that growth

with others. I had divined my life�s circumstances perfectly, so perfectly in fact that it still

surprises me, still calls me to grow, still gives me a full spectrum of experiences which

I know (now) I will be able to share. I am starting to live a life of service by living

a life that gives me experiences from which I can understand others and also be understood.

I realize now that living the life I chose was the charmed life, rather than the one

that I desperately hoped would one day appear.

I started writing this a few weeks ago, intuitively knowing that I had something to say without

the conscious knowledge of exactly what would flow through me and onto the page or knowing

where my spirit would journey to write it. Between the day I started and right now, I

have been changing and rearranging myself. I realized that to continue walking the path,

I would have to continue to look at and love myself. That would mean knowing when to rest

and rejuvenate and also when to plough on. It also meant facing those parts of me that

I still haven�t reached out to and loved, those parts that I still struggle to reconcile,

still struggle to love, those divine parts of my journey that reflected my deepest fears

back to me, not just from this life but from others I have lived.

I want now to share what I have learnt from this process in the hope that it resonates

with others.

1. Understanding people who are destructive in our lives.

The people who seem to cause the most destruction in our lives are the most divine souls for

helping to highlight in us what it is that needs healing. Everyone we experience in our

lives are reflections of different parts of who we are, the person we have created. Destructive

people reflect perfectly the fears we hold and the protective ego we have built around

the fear. They shine a light into our dark places and expose what is there. The longer

we try to run and hide from what we see, the more that person plays their role. Only when

we surrender our ego, acknowledge the necessary changes and then make them, will the destructive

person loose their influence over us. A very beautiful aspect of this process is, that

person, that soul, represents a love so deep that they agreed to be the �bad� guy to

help us to awaken. That deep love is who we really are and from personal experience, it

is one of the hardest things to admit when you don�t like who you see in the mirror.

In our true state we are pure at the core, not one sentient being on this planet is any

different. We have all agreed to play our roles, even when those roles have been horrendous,

it is all part of the divine tapestry and all the notes played in the orchestra are

played to harmonize perfectly. So be grateful to anyone in your life who has played that

destructive role, be grateful and know they are reflecting you, showing you what you have

been unwilling to see for yourself. Now its time to take that reflection and love what

you see.

2. Loving ourselves takes practice.

Up until a couple of years ago I couldn�t look at myself in the mirror, I couldn�t

be naked, and I couldn�t love who I was. This was even after having recovered memories

from my NDE (Near Death Experience). Whilst over on �the other side�, I was that divine

unconditional love, it was easy to love who I had been because I couldn�t not be the

love I was born from. Being here, you would think that after I awoke I�d suddenly feel

and be that same level of love. After all, for those of you who are aware of NDE�s,

aren�t we supposed to come back changed, aren�t our vibrations supposed to be higher?

They are, but there�s a point to living here the way we do, we�ve chosen to experience

a corporeal existence from a dualistic stand point, where contrast is required for full

understanding of everything.

To understand love we must understand fear, to understand abundance we must understand

lack, etc. So how has that influenced my ability to love myself? Well, I knew only too well

the opposite of self-love, which was self-loathing. My path through it was to take one step at

a time and when an unloved, unliked aspect of me was ready to emerge, I�d start by

accepting who I�d been when that aspect was created. I�d practice gratitude for

everything about who I was at that time, knowing aspect of me was from my past, knowing that

he was part of who I have become. Disliking and rejecting that version of me no longer

made sense. To disregard any moment in my past, any version of me, was also invalidating

my present moment. I was in effect saying not only was that part of my past wrong, but

every step since then was wrong, which would make every step after that wrong too. Every

brush stroke is as needed as every other brush stroke to make a work of art. I simply cannot

be who I am now without all the other divine parts of me. I am a perfectly imperfect work

in progress.

I realized that the path started with accepting who I had been and who that made me in this

moment. From there I began to like everything about who I had been, including all choices

I�d made, especially ones that I know directly affected others. I realized that my choices

were connected and interconnected with the choices of those affected. Within any chosen

�past� experience I made choices to do or say things, anyone else involved also made

their own choice to experience that moment for themselves. As much as I, on a higher

level, knew that the choice for me was perfect for where it took me, I was also able to see

how the other person(s) choice to be there took them. Just as my choice to act was perfect,

their choice to be there was too, so ultimately however much we may wish to change something

in the �past�, doing so would alter the experiences that followed for everyone involved

from that point forward.

We can look at it from another stand point, which would be that our choices can have �negative�

impacts on the world around us. From our 3d perspective, that is true. Human tragedy is

an example of this. There are many examples of people making a choice resulting in the

death of someone else being the result, which has dramatic affects on the loved ones of

everyone involved. What is often seen is, as a direct result of such choices, �good�

also comes from it. Family members set up charities to raise money to both honor their

loved one and to do something positive with their grief. Laws are changed or put into

place to protect others from the same tragedy.

Another example are natural disasters. When one happens, it challenges us on many levels,

but it also touches deeply the divinity inside all of us. It�s a call to action of sorts

which drives us to show our loving humanity, it evokes compassion and brings us together,

all differences suddenly forgotten because there is something bigger, more important

to focus on. It is also perfect for the soul�s choice within that moment, that life and that

part of the cycle wishing to be expressed. There are predestined choices we make before

coming here, certain experiences we require which are absolutely necessary for the growth

of each soul, both within its human existence and within its soulful travels, it�s the

bigger picture of the bigger picture.

3. Understanding our experiences are cyclical.

If there is a particular �negative� trait or set of traits that we have, (for me I will

use the example of a particularly profound past life healing, later I will also discuss

money and my relationship with it) they will continue to appear in our lives until we learn

the lessons we are meant to around it. The more significant or strong the trait, the

more discord it creates in our lives, the faster and more often the cycles come around

where we are challenged with changing/healing that aspect of ourselves. If we keep running

into the same issues that are a sign there is more learning and healing to do around

it. If we make fear-based decisions or choices around those events, the bigger or stronger

the negative experience becomes or the more often we have to experience it before it no

longer shows up in our life.

The best example of this I can give is with the past life healing I have done. All moments

exist now, regardless of whether we perceive them as �past� memories or �past�

lives, the incident and the subsequent healing are happening simultaneously. I had a severe

needle phobia for many years; my body would shut down if I was ever in a situation where

I would have to give blood. I went for hypnotherapy to see where this had started, assuming that

it was an event that had occurred at some point in my childhood. What I discovered is

that the root cause of the problem was from a moment in a life that I had already lived.

I was a 17 year old boy serving in World War 1. To cut a long story short I was killed

after being shot, as I lay there my intestines and stomach were forced out and I couldn�t

put them back in. The reconciliation came through my knowing but also my present self

being present in that moment with my former self. I was my former self at the moment of

being shot and I was also my present self for the healing. There was no gap or distance

of time; I existed in both moments simultaneously. I had the experience of being shot and killed

and the experience of healing from it all at once. It was my soul�s choice to experience

all that and it divined the perfect way to do that through two life times. The cyclical

aspect of this came time after time during this life, every time it came to my having

to give blood or having to have an injection, my fear surrounding it grew. The fear became

so strong that my body would shut down and I would start to panic, I would even start

to become aggressive. Discovering the source of my fear allowed me to accept it which allowed

me to accept myself, I was also able to naturally move to liking myself within each aspect of

my life (lives) that had been affected by my past life death.

This then naturally moves from liking to loving myself, not just within this vessel but that

part of me that is in everyone and everything else. To fully love myself it is my divine

purpose to also see me in everyone else too, to see my reflection and our connection. Like

the old saying �love thine enemy as thy self�. I cannot truly love myself without

being able to love everyone else, this is because love is internal expressed to the

external.

4. Love is as constant as the journey.

The path to healing is infinite, infinite in its span and infinite within its possibilities

to heal. We find our way along it by making choices. Those choices can be made based in

one of two things, fear or love, each one perfect in that moment. Life finds you exactly

where you are and you/we are always provided with exactly what we need in any given moment

to make any given choice. When we make our decisions or choices from the perspective

of love, ego cannot play a significant role. With the diminishment of ego rises more love.

That love is within and around every one of us and on some level, is always recognized.

That love is translated, is communicated and influences the next moment and the next, ad

infinitum. We have the ability to perpetuate this within every moment of every day, thus

growing the love in the world.

As I said in the last paragraph, I want to use my relationship with money. Ever since

I have earned money, I have felt I didn�t deserve it, the stronger the feeling of undeserving

the bigger the debt I created. I always wanted money but I didn�t accept like or love myself

nearly enough to deserve it. So began the cycles of debt and chances to release, causing

more debt because of my relationship with myself, causing more chances to release. There

is an infinite etc etc here because the universe knew and knows that money is a really good

indicator as to where I am in relation to me relating to myself. At my �worst� moments

I have been at the limits of where I could be before something (financially) burst.

This always followed with how I felt about myself, where I was financially breaking I

was also spiritually and physically breaking. So how was I able to move through this? How

was I able to improve my financial situation? The key was realizing that my relationship

with money was a reflection of my relationship with me. So to �heal� my finances I had

to learn how to heal the aspects of me internally of which money reflectively represented externally.

I am learning to accept that my �mistakes� with money were choices I made from my fearful

egotistic side, the side which guided me to believe that this time it would work out,

that borrowing more money would help me consolidate everything that I already owed and would leave

me better off because this time I was going to get it right! The majority of the time,

if I had stuck to my original intentions (when borrowing), I would have improved my situation.

The problem came afterwards, when I had all that extra money sitting there. I�d make

other plans for it, not pay debts off and find myself back in the same cycle again.

Change came when I recognized what I was doing. I recognized that I used money to hide from

an internal truth, that truth was that I didn�t accept myself like myself or love myself nearly

enough to deserve the money that I created. It not only affected how I used money but

how I manifested it.

Believe it or not, applying for lines of credit through loans or credit cards, is still creating

money but it is the negative fear based creating that we do when we believe ( on whatever level)

that we aren�t deserving enough to create that money in any other way. In that respect

I have been a great debt creator and at the same time have always created enough to enable

me to pay it off. In effect I am more powerful than I have ever wanted to see, so imagine

what can be created now that I have started to accept like and love myself.

�Love is as constant and the journey�. Wherever I have fallen foul of my choices,

wherever I have feared and wherever I have ignored who I am, Love has always been there.

It has always been my companion. Throughout this particular aspect of my travels, love

has cycled with me because it knew that I would eventually start to love with it. My

choices now are always checked against how I feel. I am not all the way there, I still

have weak moments, then I look within to see that I am perfect as I am. I accept my previous

choices, I like the fact that those choices took me on a journey and I love the fact that

the journey lead me to this point.

So I ask you, what is it that you recognize in yourself which needs love? What cycles

of behavior, which people, what circumstances or addictions do you have that are perhaps

external reflections of your internal troubles? What will accepting liking and loving yourself

do to change them? What can you and the universe inside of you create/co-create through love?

These are questions I asked and still ask of myself, questions of which I still find

extraordinary answers. I am worth love, I am worth loving, I am deserving of the process

of accepting then liking then loving who I am in any situation. Any that I have been

in, any that I am in now and any that I will be in. I am love and I am worth loving.

For more infomation >> The Awakening - Duration: 20:03.

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DEMOCRAZIA, GUARDIANO DELLE FOLLE - Duration: 13:19.

For more infomation >> DEMOCRAZIA, GUARDIANO DELLE FOLLE - Duration: 13:19.

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The Untold Truth Of Savannah Guthrie - Duration: 5:18.

Savannah Guthrie became co-anchor of NBC's Today show in July 2012, and has helped keep

the morning show at the top of the ratings ever since.

While Guthrie sometimes reveals tidbits about herself on the show, she generally keeps it

professional, preferring to probe her interview subject's personal lives rather than revealing

her own.

So let's turn the tables on her and dive into the untold truth of this popular member of

the press.

Aussie born

Though she grew up in Arizona, Guthrie was born in Melbourne, Australia.

Her family moved down under when her dad was transferred there for his job, but they were

back Stateside by the time Guthrie was 2 years old.

Guthrie told People:

"I have no memory of it because I was too young, but growing up and knowing that I was

born in Australia was always this interesting exotic part of my history that I love."

In May 2015, she returned to her birthplace for the first time as part of Today's Mother's

Day programming.

Alongside her mom, Nancy Guthrie, Savannah took in the sights of the country, but also

went on an emotional trip down memory lane, visiting her childhood home as well as the

hospital where she was born.

Savannah said:

"I think seeing the very place you were born is not something most people get to do or

see.

To get to go back with my mom, it's just really special."

Four-year marriage

As of this video, Guthrie is married to consultant and PR guru Michael Feldman.

They wed in March 2014, and have two children together.

But what her audience might not know is that Guthrie was previously married to BBC News

producer Mark Orchard.

A National Enquirer story alleged that Guthrie came between Orchard and his first wife, reporter

Anne Kornblut of The New York Times.

Radar reported that Guthrie and Orchard's 2005 marriage began to unravel relatively

quickly, citing divorce documents that stated they were "living apart" in Washington DC

by August 2008.

The Hollywood Reporter said the split took place when Guthrie was working long, stressful

hours as a White House correspondent for NBC News.

Perhaps the drama surrounding her first marriage was the reason Guthrie and Feldman decided

to keep their wedding a secret until after they walked down the aisle.

Close to home

On Nov. 29, 2017, Guthrie had to announce colleague Matt Lauer's termination from Today.

"Dear colleagues, on Monday night, we received a detailed complaint from a colleague about

inappropriate sexual behavior in the workplace by Matt Lauer..."

Having only learned about his firing just hours before, Guthrie was clearly distraught

about the situation.

"I am heartbroken for Matt, he is my dear dear friend, my partner and he has been loved

by many many people here."

That's not the first time Guthrie has been candid about her affection for Lauer.

She surprised him on his 20th anniversary with Today by popping into the show even though

she was on maternity leave at the time.

Guthrie also tweeted about Lauer that day, calling him "a class act, great friend, and

once in a generation talent."

Those feelings are mutual.

In a 2014 interview with Variety, Lauer said Guthrie directly contributed to him re-signing

his Today contract, saying: "I love working with her.

I am having a good time.

I love the direction the show is taking."

Maternity leave

Though it was announced that she would return from her 2017 maternity leave on March 3,

Guthrie was back on the Today couch four days early, according to Page Six.

The site also claimed that Today producers begged Guthrie to return because her absence

was causing a ratings slide, citing a source who said:

"They needed Savannah to bail them out, so they rushed her from maternity leave.

NBC claimed it was because of the influx of news, but the reality is that the show was

down double-digits and they needed her."

It was a surprising move for Guthrie, considering her feelings toward her first maternity leave,

about which she said: "It's amazing and kind of transforming to give your mind and your

heart and your soul a break from the crazy, busy world and just be focused on something

that's so simple and true and from the heart.

It's just been magical."

Eagles fan

Though she was raised in Arizona, Guthrie and her entire family unabashedly root for

The Philadelphia Eagles every Sunday during the NFL season.

They even wear custom jerseys when cheering on The Birds, like any respectable member

of Eagle Nation would.

The source of the rabid fandom seems to stem from Guthrie's husband.

She once blogged, "Mike insists that [his daughter Vale] wear her Eagles jersey for

every Eagles football game.

One time I didn't put it on.

The Eagles lost.

Mike said, 'She will wear that Eagles jersey from here on out.'

So I don't mess with it."

She lost her father

During a 2016 Hollywood Reporter interview, Guthrie revealed that her father passed away

from a heart attack while in Mexico as part of his job as a mining engineer.

She was a teenager at the time.

She said of the tragedy: "When you're 16, you think you're so grown up.

[...] But the first thing I thought was, 'We still need him.'"

In her blog for Guideposts, she wrote, "To me, at 16, it felt like a betrayal of everything

I'd believed in.

How could God let this happen to my dad—a good man who was only in his forties?

How could he do this to our family?"

She's terrified of frogs

In a 2011 Today show segment featuring a "country fair," Guthrie revealed an unusual phobia:

she's terrified of frogs.

"I didn't think it would be that big."

According to HuffPost, she later bravely participated in a "game of frog-jumping," although she

still refused to touch any of the frogs.

A few years later, Ellen DeGeneres took full advantage of Guthrie's frog fright by tossing

a fake frog into her lap and then chasing her around the stage with it.

"It's not real, so this is a way to get over it."

"Well that worked, obviously."

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For more infomation >> The Untold Truth Of Savannah Guthrie - Duration: 5:18.

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SIGNING AT A CAR MEET - Duration: 6:06.

You want some?

I love coffee. Makes me happy

Hello hello. Good morning

Guess where we are

We're at a car meet

Last night Ryan asked me if I wanted to tag along with him

to one of his car meets in Santa

wait no. We're in San Clemente

It's pretty big

Usually when he asks me to go to a car meet

it's like 15 cars like a few people

but this thing is huge

There's some cool cars here

that he thinks. I have no clue

but he describes everything to me so

we're having a good time

ok, so we got hungry. We ate

good?

oh

good?

happy? satisfied?

it was good. Usually I don't like pretzels, but that was pretty good

Same, but I was in the mood

That bear always creeps me out

You know why it's creepy?

It's not that, but

E:Oh he's chained

The meet is over...? well

so the meet is

dying down right now

that was a pretty good car meet

way better than the one we went to in

Monterey

this one is more interesting because the cars are

like you can tell that they're cars that

owners actually drive

hey! hey! hey!

woah

hey hey hey

revving?

because he was revving his car yeah

so no revving. No burn outs

burn outs are when you like burn out your tire and you

umm how do you explain that

burn outs?

because

the property manager allow for these car meets to happen

and they really want to respect

the property and manager

so when people do that. They get in trouble

Hello, everybody

edit then

R: shhhhh

R: Say hi

I did, I said Hi everybody

oh, okay

Ryan's being really difficult right now

I'm trying to be very patient with him

E: Stop Ryan

Tell them what we're doing today

now, we're going to go eat right

yeah, I'm kind of hungry. Are you hungry

Go eat then wha?

I have class later at 6 o'clock

so

so

just wanted to say hi

hi

I'm happy now

All full

and coffee

I'm happy

how about you babe?

that was good

It felt like a nice winter day or winter night

I wish we could cuddle

thank you

I wish we could cuddle. Watch a tv show or something

but you have to go to school

Yeah, I have a night class

Going to school

See you guys later

bye

Sign Duo

OUT!

For more infomation >> SIGNING AT A CAR MEET - Duration: 6:06.

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Single Girl's talk with my Japanese girlfriends~ Vlogmas #2 - Duration: 10:04.

We will have hot pot now!

I'm losing my voice

I bought this, it's called 'shungiku'

I like shungiku

I'm glad to hear that

It has such a good frangrance

like for example beansprouts

there's like no taste

no taste, yes

ah, it fell

but there's a lot of taste in this vegetable

I'm gonna go cut it up

There's still a bit of sand left on it

I'll come and help you in a sec

don't worry about it!

tsumire meatballs

Meat balls

lots of meat!

Hirina bought similar things too

yeah.. meat

cheers!!

let's drink this!!

cassis oolong is the best!

our hot pot is ready!!

well it is but it isn't cos we're gonna put the meat in there now

the flavour of the soup hasn't really set yet

what she said..

when you think of Osaka, you think of asahi ponzu

I feel like I've heard this before

didn't you tell me that too last year?

I probably did

I'm feeling so nostalgic!

I want someone whom you can have fights properly with

I get it, a well balanced person

a balance of love, respect, and proper-ness

a well-balanced male

gurls, don't feel down

I'm sure we'll find someone one day..

If not, we can have hot pot like this every year

Mr. Karasuuri, heyyyyy

Do you guys remember him?

Big Karasuuri is here

I heard you've started working at the gym

how is it? which gym do you work at?

Konami?

not Konami

just a friend's place

Oasis?

Nah, nothing big like that. Just a local place.

Did you lose weight?

Nope

For a while I lost some weight, then I gained it back again

and is probably heavier than when you last saw me..

no way!!

what's your weight now?

102

102?

you're a big boy

Mr. Karasuuri went home..

and we're gonna have desserts now

Daifuku ice cream

daifuku ice cream

Okay daifuku ice cream

yummm

♫ I don't need pity from you..

♫ There's definitely someone out there who's better for me than you

♫ I'm not scared

♫ I'm going to become stronger from now on

♫ Yes, I'm going to be happy

♫ Yes, I'm already stronger now

♫ Yes, everything is going to be just fine

For more infomation >> Single Girl's talk with my Japanese girlfriends~ Vlogmas #2 - Duration: 10:04.

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How to Draw Rainbow Spoon - Coloring Pages for Kids - Painting and Drawing Spoon Coloring Books - Duration: 10:43.

[Music]

[Music]

[Music]

[Music]

[Music]

[Music]

[Music]

[Music]

[Music]

[Music]

[Music]

Magic

Coloring Pages

For more infomation >> How to Draw Rainbow Spoon - Coloring Pages for Kids - Painting and Drawing Spoon Coloring Books - Duration: 10:43.

-------------------------------------------

#Gonzervatory Application - Sarah Coponat - Duration: 4:39.

I started composing music when I was 10 years old I think... I would write

technical studies to make technical work More fun and I started piano when I was 2

I entered the National Conservatory of Music when I was 5 years old

but that's only after 3 or 4 years of mathematics and physics after

highschool that I realized I wanted to be a musician.. I'm still studying , I'm

in law school but it's for the pleasure of learning, my real subject is music ...

Inspiration is everywhere, for me, everything is source of inspiration, like

autumn leaves in the wind, there's a sensuality to it that makes me

instantly think of a rhythm, a note, a melody, a silence, a melody in the silence

and that's how I remember music and when I'm in the process of

making a new one when I'm afraid I'm going to forget it I write down the

physical sensations I never write down the notes

like for example this part for me, when I created it for the first time I

wrote down "birds flying "so even in classical music i would remember music like this

for me the most difficult part in the making of a song is to know when to end it

because I when I'm composing when I write a new music I am traveling from a

universe to another universe I always want to go further and if I listened to

myself I would play for hours and you would fall asleep and I would still be

playing but yes for me it's like exploration, music is exploration

My dream is to play with an orchestra, to play epic powerful music, I have always loved

powerful music, when I found out about the Gonzervatory, it was three days ago,

so I'm sorry if this is not creative enough, I hope you will see my creativity

in my music rather than in this self interview with myself , but I would like

to say that it's an amazing opportunity that you're giving to everyone to come

with their own musical world their own creativity

i think it's an amazing chance

so thank you for this yes my name is Sarah and i'm 24 and i'm from France

I hope I'll see you soon ! A bientot !

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