Thứ Sáu, 8 tháng 12, 2017

Waching daily Dec 9 2017

boring dates, empty meetings.

you are trying to find me but your attempts are useless.

cold hands; cold rivers...

...are flowing. And you still believe in me but I don`t know why.

Water was flowing to the water,

And I am coming to you again and again.

When and where?

Which day?

In which of the dreams should I come?

For more infomation >> vkook ● water - Duration: 1:06.

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【スプラトゥーン2】(語録字幕)アプデ情報 新ブキ「N-ZAP89」(本日フェスなりゾ)【Splatoon2 小ネタ】 - Duration: 8:14.

For more infomation >> 【スプラトゥーン2】(語録字幕)アプデ情報 新ブキ「N-ZAP89」(本日フェスなりゾ)【Splatoon2 小ネタ】 - Duration: 8:14.

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FREEZING MYSELF CHALLENGE - Duration: 10:39.

For more infomation >> FREEZING MYSELF CHALLENGE - Duration: 10:39.

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CRASH REEL 2017 - FAIL COMPILATION | Radde fährt Radd - Duration: 4:55.

seriously???

sorry.. - you alright?

my tree!

sick dude

you ok?

tree

where are you going?

that was unnecessary...

nice roll

hi! - everything alright? - I'm fine

not cool

what was that?

so stupid..

seriously?

that's not how I planned it..

that wasn't good wasn't it?

For more infomation >> CRASH REEL 2017 - FAIL COMPILATION | Radde fährt Radd - Duration: 4:55.

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How Yu-Gi-Oh! Duel Links Is Censored Outside Japan - Duration: 6:26.

Yu-Gi-Oh Duel Link's is Konami's latest video game based on the popular Yu-Gi-Oh franchise

and is now available for both mobile and Steam worldwide.

The title uses a free to play model and offers a meaty single player based on the hit TV

shows, 1000s of cards and online PVP.

Like all Yu-Gi-Oh media in the West, the game has faced various censorship changes when

released outside of Japan.

The biggest of these changes being, of course, the changes made to the artwork of hundreds

cards.

To just give you a rough of idea of the types of changes to expect in-game:

The card Aquamirror Cycle, for instance, was changed outside of Japan so that the character

on the floor no longer looks like she's in pain.

Dunames Dark Witch had her chest covered up.

Harpie Dancer had a lot of extra cloth added to her outfit.

The Emperor's Holiday was given a vest, showing these changes were made to guys too, as well

as having the cross around his neck removed to remove religious references.

The Six Samurai - Kamon had the wooden stick in his mouth removed, due to it possibly looking

like he's smoking.

Thunder Nyan Nyan's had her bust reduced and outfit altered.

Treeborn Frog had its small halo removed, again, to remove possible religious references.

Life Absorbing Machine was given shorts, as well as changing its skin colour and removing

the horns, due to looking too much like a religious demon.

The changes made to the Western Yu-Gi-Oh cards are extremely numerous and changes like these

still regularly get made to the modern cards released today.

Hundreds of cards have had these types of changes made and, like most other Yu-Gi-Oh

media released in the West, the English version of Yu-Gi-Oh Duel Link uses the altered designs.

However, that's not all for the changes made to Yu-Gi-Oh Duel Links.

Aside from the cards' artwork, 2 of the 16 playable characters have had their designs

changed overseas.

The first of these is the popular Mai Valentine from the original English anime.

If you pay close attention to her chest, you'll notice that she has had her bust reduced outside

of Japan.

Bandit Keith has also had a change made to his design, who is again from the original

English anime.

As you can see, outside of Japan, he has the cross around his neck removed.

Now, despite religious references normally being removed from Western Yu-Gi-Oh media,

Bandit Keith was actually depicted wearing his cross in the anime, even in the English

version.

There's one more especially notable change made to the game outside of Japan and this

revolves around, again, the censored card designs.

Like some of the other games, Yu-Gi-Oh Duel Links will show fancy 3D animations when summoning

certain iconic cards.

This means that any of these cards that were changed outside of Japan have different animations,

such as Mai's popular Harpy Ladies.

Yu-Gi-Oh Duel Links is continually being updated with new cards and other content.

It recently, for example, started to include characters and cards from the Yu-Gi-Oh GX

franchise and with this also came new summon animations.

Updates are planned to continue and Censored Gaming will be keeping a close eye on the

game to see how it is changed outside of Japan.

Whilst an update was made to the mobile version of the game recently to allow players to select

Japanese voices, it is not possible to play the game in Japanese and, like other Yu-Gi-Oh

games, use the Japanese card and character designs.

To finish though, let's take a look at some more of the special summon animations that

were changed outside of Japan.

This montage will include all of the changes made to the original English anime's cards.

However, with the recent Yu-Gi-Oh GX update, there are now even more changes outside of

Japan and, with future updates, it is likely that there will also be additional changes.

Until next time, thank

you for watching.

For more infomation >> How Yu-Gi-Oh! Duel Links Is Censored Outside Japan - Duration: 6:26.

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英國直送獨一無二的聖誕禮物 - Boomf自訂圖案朱古力、睇得又食得 - Duration: 5:43.

For more infomation >> 英國直送獨一無二的聖誕禮物 - Boomf自訂圖案朱古力、睇得又食得 - Duration: 5:43.

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Test / Review Fujifilm XF 80 F2.8 R LM OIS WR Macro - Duration: 24:15.

Hello everyone ! It's Damien! Come on, the already completed range of Fuji lenses

has just welcomed a new kid : the XF 80 F2.8 R LM OIS WR Macro.

Yes ! That's a pretty long name.

So, I've been using it for almost two weeks now and it's time for the verdict,

it's test time.

Before starting, as usual, I remind you that I don't pretend to be

a professional.

I don't have any tools like the professionals who do this, so I just do

by feel, I do the best I can and it's worth it.

In any case, this is only my personal opinion and all that is only my responsibility.

That being said, let's do the test anyway.

Let's get acquainted with the XF 80.

So, the XF 80, as you can see, is a big beast.

It is really big.

It is very long, very large and quite heavy.

So, as you can see, he has this part here, which is a little unusual here, which is

quite smooth, pretty looking.

Well, the turn is as usual at Fuji, it breathes strength, it breathes

quality.

It's all made by metal, there isn't really any construction defect, it's

nickel.

If you are used to a Fuji lens, you will not feel homesick.

We are really in Fuji standards.

So, it's a very good one.

If we must describe this lens.

So, we have buttons here that will allow : here, to disable or enable the stabilizer,

we have three modes for the autofocus .

A full mode that gives you both autofocus and macro autofocus.

A mode where you only activate autofocus by far, much like you have on other

lenses.

And a mode where we only have autofocus up close.

We have a ring here, any opening that allows you to go from 2.8 to F22 and obviously,

the automatic position in addition.

And as you can see, we have this very large ring here to focus.

And as we know how difficult it is to focus in macro, frankly, Fuji

has spoiled us with a ring that is wide, very flexible and very precise.

It's really something Very good.

Then we have this part here which is a little unusual for the lenses.

As you can see, we have here: "bla-bla-bla Super EBC", so with treatments

so that you get any reflection in all possible situations

and imaginable.

"LM" is for "linear motor", so you're supposed to have a linear autofocus.

In short, we will talk about autofocus.

"OIS" is for stabilization.

"WR": it is tropicalized and so it is 62mm in diameter.

And it has the macro symbol, sign that we have a 1/1 magnification.

As you can see, the front lens is a bit small.

Finally, she is not that big.

So, in any case, we really have a beautiful object.

All right ! I put it next to his friends

So, as you can see, the XF 80 is there, it's bigger than the 16-55mm,

which many find huge.

So, that's saying how big it is.

You see, it's over 2 cm here.

And it is also wider than the XF 90 which is here.

So there you are, a beautiful baby.

Here, obviously, I put a 50-140mm.

As we can see, it can't even reach the size of the 50-140.

So, when we mount it on the camera, we have a set, at first on a

XT 20, we will talk about it at the end of the video.

But on an XT 20, if you don't put "Hand Grip", it will be a little complicated.

So, you see, this is a set that is still very long.

It's not a compact whole at all.

We are not at all in the compact there.

So, if me here, I have the "Hand Grip" from Fuji, so the MH GT X10.

Frankly, with the "Hand Grip", we have no problem to use this kind of lens.

But without the "Hand Grip", it's true that it can make a set that is

immediately unbalanced.

Let's take about 30 seconds to talk about the noise of this XF 80.

So, already, there's something that seems to be wandering inside. 0:04:30.550,0:04:38.030 So, according to the forums, these are the autofocus groups.

When it is powered, they are driven by engines and as soon as the engines

stop, they will be wandering inside and it is the "clang-clang" that we hear,

which is perfectly normal a priori.

When we turn it on, we really have an electronic noise.

So, I'll let you hear it.

All right ! You see ? We're going to talk about noise, but it's not a lens which is very

quiet.

It's even a lens which makes a lot of noise.

You must also know that this pebble, it weighs 750 g, so it starts to count

anyway.

But we'll say that it weighs for good reasons, since inside, it's

a little technology jewel..

So, this is the first macro lens of the Fuji range 0:05:24.449,0:05:25.449 with a true 1/1 magnification ratio.

Fuji promises us a sharpness and an ideal bokeh for photos of flowers, nature, etc.

Featuring a new stabilizing motor which allows freehand shooting

by linear vibration reduction.

So, implied, the new technologies.

Incidentally, this is one of the first times, and therefore, the only Fujifilm fixed focal length

to have stabilization.

So, hip hip hip, hooray! So, we are on a lens that is tropicalized, which

is sold to operate up to -10 and even the front lens is treated

to promote the flow of water and dirt.

So, really something in the high-range.

Fuji has developed a brand new system of focus for this XF 80 which uses

a floating focus system.

And so, we hear: "cling, clang" which actually divides the lens groups between

a group in one side of forward focus and another group which is

rear focus.

And in fact, it will direct these groups according to the shooting distance

with high precision.

At least, that's what Fuji promises.

There is a whole system of rails inside.

In short, we will stop with the details, but all of these to say that it is full of new

technologies that are developed by Fuji for this lens, and it does not take over

the old-known and mastered technologies until now.

So much for the promise.

In any case, now we will start with the test.

Now let's start with the normal mode of the lens, which is at a normal working

distance, which is not macro.

Let's talk about the sharpness.

The dive of this lens is purely excellent, and this from the largest opening.

This is surely what amazed me the most with this lens..

It is that from 2.8, it is super.

Frankly, from 2.8, we directly have an extraordinary sharpness

The best sharpness, it is reached rather to the 5.6 and the sides are also excellents

from the start.

Is it a never seen level of sharpness ? No, it's not necessarily

a never-seen.

At least, I don't feel that way..

This is equal to what was best done at Fujifilm with other lens..

This does not especially mark a revolution.

Fujifilm announced with these new technologies, to have crossed yet another notch higher.

Personally, I did not get the impression.

The stabilization is good, but it is not revolutionary either.

We will get three stops like almost all the lens since several

years.

I show you a graph with the results of the stabilization tests I was able to do.

And as you see, in fact, we are at just over 50% of success..

We are 1/15 of a second and a photo 1/8 of a second, it really requires

a lot of testing and a little luck..

The bokeh is going to be nice and sweet.

It is already well pronounced at 2.8 and this is good because the sharpness is at the rendezvous

2.8.

So, this is a lens we can easily use from 2.8

Come on, I'll shiw you some pictures quickly

Here, this photo, I wanted to show it, I did it mainly for the bokeh.

So, the bag, it's almost the size of a head.

It's still a big bag.

We see that despite its opening in 2.8, if we wanted to make a portrait,

there is not much distance between the tree and the bag

So, we still have a nice bokeh behind.

In terms of sharpness, here we are at 2.8 and if we zoom to 1/1, as you can see,

it's already very sharpened.

Sincerely, it's already very sharpened.

I told you, the best opening for me is around 5.6.

We can see, so there is 2.8 on the right and 5.6 on the left.

You see, it's almost hard to really see the difference between the two.

So, if we zoom in here twice, we see that the "GUESS" here

and the seams here are sharper, but still that's when we realize that

as soon as the biggest opening, it's really sharp..

And that's probably its asset, I think, to this lens,

Then, from the F11, we will start to lose a little more in sharpness.

There, we see that it is less sharpened, already, from F11.

So, a photo that I could do, which is not bad anyway in terms of sharpness.

So, here, we are not in macro, we are in portrait, so we see the shallow depth

of field.

We see that the ear here is completely In the blur.

So, I started at 100%. The hair there, we could almost count the hair.

Again, this is a picture taken at 2.8.

The eyelashes are the same, we can count the eyelashes.

We see absolutely every detail possible and imaginable.

In the eyes, we see the veins in the eyes, we see the lips, all the chaps

here in the lips, etc.

We see the pores of the skin.

So, there were some comments that said at the time they introduced

the XF 80 that it was too sharpened to make a portrait and therefore, not sweet enough.

There, it is true that with photos like that, we realize how much he still has

under foot to make beautiful portrait photos and have a huge sharpness.

Here, it's the same, we see the hair, we see the glasses.

Here, we can read "Pierre Cardin" which is really tiny.

We see that the photo is extremely precise, there are some who

would say that it comes to compete with things that have much more resolution.

So, I'm not going to test the homogeneity in the center.

Frankly, there is very little difference between the center and the edge..

Let's talk about autofocus now.

And for the autofocus, I'm a bit annoyed.

I will be transparent with you, it is often flawless and fast, a very good

autofocus.

But sometimes, I don't know why, It's going to spin.

It seems at times, to hesitate in fact,

it can't do it and it can spend five or six seconds searching without ever

figuring out how to focus and it's a bit weird.

So, we have to show him another place.

And at that moment, it does the focus and it regains its spirits.

But as I said in the presentation of the XF80, it will have two separate mechanisms

to focus macro or remote.

And in fact, it will go from one to the other, super fast mechanisms.

It's going to work pretty well, but sometimes and we don't really know why it can't

really know if it has to go near or far, and in fact,

It's a bit like bugging.

But finally, most of the time anyway, it works and in low light, the autofocus,

it struggles as often.

But still, he is not doing so badly.

Come on, I'm putting on a demo of autofocus, like that, everyone realizes what

we're talking about.

So here, I'm in macro, she's right next to me, the compote..

And listen to the sound of the autofocus.

You see ? This is not a lens which we could make video with.

It really makes too much noise.

So here I do tests of near focus, focus away.

You can see how well things are going.

Here, in this case, we are in a good sequence.

So, it's going on very well.

That answers quarter turn, the autofocus is very responsive.

We are really in the typical example of when it's okay.

And there, you see, already, he was a little slower, we don't know why.

It's going well.

There, I go with the lens to see how I reach the breaking point where

I am at more or less than 10 cm, so it does not work normally.

But you see, he continues to focus, all this is still pretty

fluid.

And here I am in AFC since earlier.

But it works better.

There you see, it fits perfectly.

We are still in cases where it works well.

And here we will reach a point where it does not work anymore.

Test that I did 50 times before without any difficulty.

Well, I don't know why, all of a sudden, you see ? It's bugging.

There, I have my finger halfway, I drop, I press, I press and it struggles.

So it took six to seven seconds to regain consciousness.

Another example, it's the same, you see, it takes five to six seconds

to focus..

So that's is it ! That's what I told you, I'm a little bothered for the autofocus.

I will not tell you that it is very bad, since it is not the case.

Most of the time, it's still pretty good.

But there is still sometimes where it struggles a little anyway,

It's pumping a little.

So, it's like that.

An autofocus that is a little "half-fig, half-grape" Often very good, but when it bugs,

It really bugs for real..

Because really, it really takes a long time to find the focus,

it can't do at all.

Come on, we're going to see him struggling.

So here we are in a scene that I filmed where the light was low enough

and we will realize that the lens, still, it's struggling.

So it's not always like that, sometimes it's pretty good.

There, for example, he does the autofocus, but even so, it is quite often a little

windy, especially in low light.

So, here, again, it's a video made in low light.

So, we see in the beginning that it works well and then, suddenly, it will go completely

into a spin.

You see, I can even do it again and again

So, again, it took a few seconds, but he got there.

We will see even worse than that.

And, when we come back we don't know why it loses its pedals..

It was almost on the autofocus, it really did not miss much.

And there, it completely derails, it doesn't know where he is and he is bugging.

And there, sometimes, we can wait for a long second.

If you don't unfold it by going elsewhere, etc., starting again ; it will never regains

its senses, he can not do it.

And there, we see, on the trash, really, it can't do.

And there, I press, I press, I let go, I press, I release.

And despite everything, it's bugging.

Really, it struggles.

So, this is only in low-light.

Regarding the other parameters, we must know that there is no aberration,

there is no vignetting, there is no distortion and on that side, promises

are fully kept.

In short, no doubt, it is an excellent lens.

And if we stop there, I would recommend it.

But obviously, its main asset is its macro mode that allows it

to focus until the ratio 1/1.

So, be aware that the ratio 1/1,

It is reached when you are about 10 cm here, of the subject.

And so, at that moment, we are talking about what we call: 100%, which means

the subject is the same size in real life as on the sensor.

Autofocus remains good in macro mode with pumping phenomena sometimes.

It will probably be used more often, with manual focus,

with this kind of lens in macro mode, since it has an extremely small depth of field.

And I find that the ring is very comfortable, it's nice enough to come to

focus in manual and it is very flexible, it is very precise.

Nevertheless, the transition from macro mode to normal mode is usually

correct and quick for the autofocus..

The objective is reactive and it's able to switch between normal AF macro AF

very quickly and without being aware.

The sharpness, in macro mode, it is optimal rather around F8.

The sharpness with big openings in macro mode seemed to me of less good quality than

it was in normal mode, I want to say.

We have the impression that in normal mode, we really had a great sharpness from 2.8.

In macro mode, in 2.8, it's still very good, but it's still not exceptional.

And we have to wait to open a more and even wait for F8 to really

have the best sharpness.

So, in macro, what is important too is bokeh.

And here we are served, since we have a bokeh that is very sweet.

In my opinion, it is really impeccable, this bokeh.

It is really perfect for highlighting the subjects we photograph.

Come on, some photos for the macro, to show you the bokeh.

You see, here we have a bokeh that is still very pronounced,

which is very soft, which is very fluid to highlight things, there is really

any problem with this lens, it's a great job what Fuji did.

So, the bokeh really allows to highlight the subject.

A photo that was a lost, but we see again the bokeh with a human

this time.

I did not remember that I had selected this photo, I could have shown it

earlier.

The 1/1 magnification, to show you a piece of two euros, it gives

about that.

You see, the 1/1, it still allows to get very close to the object.

So, I did the sharpness as usual.

We will quickly compare 2.8 to 8 and we will realize that there is still

a gap between the two.

2.8 being on the left and 8 on the right.

So, we still notice that the picture at 8 here, it is much more precise.

Look at the stars here, look at the text "liberté", look at the leaves here.

We still have something really more sharpened at F8 than we had at

2.8.

There is a gap that seems to me more emphasized, that's what I told you between the normal

and the macro.

Nevertheless, at 2.8, we still have no disgusting sharpness and that remains perfectly

acceptable.

We are a little more moldy, we see it here at the level of the stars, especially on the sides

elsewhere..

These are the sides that are a little bit off, but in the center, it maintains

something that is still quite comfortable.

And that obviously allows you to do things you usually can not do.

This allows you to make eyes.

Look at this eye there, it's still beautiful to get to do this

with a lens.

Another eye.

That's it, any object, now, is synonymous to make a picture a little different.

So here we see on macro examples.

Here is a tree..

It's a branch of a tree that ???. And I even tried insects.

And besides, when I did the test with insects, the autofocus reacted rather

well

All this is not bad anyway.

In any case, all this opens up a field of possibilities that is inaccessible to normal

lens.

We don't need to go ??? to make an eye with this lens.

And it's a creative goal that will allow you to do a lot of things.

However, you must be aware that you have in your hands a 122 mm

full-size equivalent that is located only a few centimeters from its target. 10 cm if you want

to be in ratio 1/1.

And obviously, you will get a depth of field that does not even reach the millimeter.

Suffice to say that we will have to be very precise in its development and we can understand

that in macro mode, autofocus often struggles to focus, since still once,

it is less than 1 mm.

So, the slightest shake, the slightest micro movements, you pass the focus and

your picture is blurred.

So, it's still very complicated.

So, with this lens, the XF 80, you can also come to pair with

the zoom multiplier 1.4 and 2.0.

So, I could not test it with TC 2.0, since I simply

don't have it.

But all the tests I did, when I had it, they were not very good.

With the TC 2.0, it often resulted in a loss of sharpness.

And often, an autofocus that was completely in strawberries in addition to an opening which is very

limited.

So, I did not do the test, but personally, I still have little doubt that it

would be the same here.

We will see the results right away with 1.4.

And when I see the results with the 1.4, I have no doubt with the 2.0.

It would not be very good.

In any case, coupled with the 1.4, the first information is that you know

you have a 112 mm F4 in your hands, a full-size equivalent of 171 mm.

So, still a telephoto lens With a long focal length.

This will allow you to reach a magnification ratio even higher than 1/1,

I think about 40% more.

The best sharpness, it seems to reach it rather to F11, in this case,

it is shifted..

We will be on an opening compared t if you don't have the multiplier.

I said that earlier, it was more of a flight, there, it is +1.

As the multiplier is +1, the sharpness also follows.

Despite everything, even with the multiplier, the sharpness remains very good.

Obviously, as I said earlier, the sharpness, it is always a little moult

at full opening when you put this teleconverter and it will progress slowly.

On the contrary, as you must be aware, when it is at F11, we begin to ask

clearly for light to come and exploit this multiplier

Especially since having a long focal length like that, you have the depth of field

that is even smaller.

So you still have to know what you are doing.

In conclusion, we have a great lens that is not lacking

assets.

And the wealth of the use are very numerous and we open a field

of possibilities at the level of the photo which is still really, a creative lens.

I'm sure people will enjoy using it.

Stabilization, it is unique, once again, for a fixed focal length at Fujifilm.

So, we have an excellent sharpness from the full opening, stabilization, autofocus

of a good level, but not exempt from defects.

A macre mode that is really nice, it is compatible with teleconverters,

it is still a sacred list of possibilities.

Remains, necessarily, a price that is still quite high, it is clearly a telephoto lens

able to do many things, but sold dearly by Fujifilm.

It is of an excellent standard, but probably not the best if you are looking for

to make portrait photos.

Blame it on an opening 2.8 which has just penalized him a little bit

in the bokeh.

Although, it is excellent for what it was made for, which means nature

and macro.

So, obviously, it's impossible to discourage such a lens.

I can only advise you, but with a T20 and XE3, it creates a set

that is sometimes a bit unbalanced.

And I will strongly recommend the use of a "Hand grip".

On an XT2, however, it is a good combination and its weight would be immediately forgotten

as soon as you have it in your hand..

The set is perfectly balanced, it is very pleasant to use it.

So, here, if I tried to do the test of the XF 80, just the XF 80 and

and didn't take in this test the care to compare it to this or that lens.

It will comes in another video.

In any case, if you look at this test, what would you like me to compare ? Tell me

in comment.

If some questions have not been answered in this test, tell me too.

Anyway, if you liked this video, give me a thumb up.

If you have questions or comments, I just told you.

Tell me what should I compare to it ?

Tell me if there are any questions that have not been answered, it just goes

below.

And if you land on the channel with this video, click on my face that just

appeared.

Click on the "subscribe" button. Just down, you have a small bell to be

notified of the next videos.

If you click on the bell, YouTube will let you know, otherwise YouTube will not tell you

even if you are subscribed.

Come on, all I have to do is to wish you a great day !

And see you soon on the channel ! Hello !

For more infomation >> Test / Review Fujifilm XF 80 F2.8 R LM OIS WR Macro - Duration: 24:15.

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How to use the Greek verb ''περνώ'' - Duration: 2:21.

For more infomation >> How to use the Greek verb ''περνώ'' - Duration: 2:21.

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DURE THAKO _ BANGLA NEW MUSIC VIDEO _2018 by UDDESSHO MEDIA - Duration: 4:11.

New Music Video 2018

For more infomation >> DURE THAKO _ BANGLA NEW MUSIC VIDEO _2018 by UDDESSHO MEDIA - Duration: 4:11.

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KARAOKE | Chuyện Tình Lan Và Điệp 4 | Như Quỳnh - Duration: 6:23.

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Film Catatan Akhir Sekolah - "Jadi Juga" SMKN 1 LEMAHABANG - Duration: 30:16.

For more infomation >> Film Catatan Akhir Sekolah - "Jadi Juga" SMKN 1 LEMAHABANG - Duration: 30:16.

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King Nowel 👑 - Level God 💣 (Prod. Retnik Beats) - Duration: 3:05.

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Утиные истории//// Big Hero 6.Рождественская стоп-анимация.DuckTales & Big Hero 6 - Duration: 0:31.

For more infomation >> Утиные истории//// Big Hero 6.Рождественская стоп-анимация.DuckTales & Big Hero 6 - Duration: 0:31.

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Les séries et moi - Duration: 8:12.

For more infomation >> Les séries et moi - Duration: 8:12.

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সরাসরি আজকের সারাদিনের বাংলা খবর যমুনা টিভি সংবাদ ৯ ডিসেম্বর ২০১৭ Jamuna Tv Bangla News Today - Duration: 16:35.

bangladesh news 24

For more infomation >> সরাসরি আজকের সারাদিনের বাংলা খবর যমুনা টিভি সংবাদ ৯ ডিসেম্বর ২০১৭ Jamuna Tv Bangla News Today - Duration: 16:35.

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Rudolph The Red Nosed Reindeer | Little Eddie | Christmas Rhymes | Cartoon For Toddlers by Kids Tv - Duration: 1:03:39.

Rudolph the Red Nosed Reindeer

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Learn Chinese from Children's Books [2\6] | Be Brave to Say Sorry - Duration: 3:20.

Be brave to say sorry

Mimi and Nini are good friends. They often play in the garden together.

It was Mid-Autumn Festival. Two of them came to the grassland where they visited often, looking up at the sky.

Wow! The moon was so big and full. Soft moonlight shone down, as if the grass was covered by a thin layer of gauze.

Mimi and Nini were running in the park.

Nini pointed at the moon running and saying, "Look, the moon is following me!"

"No, it is following me!"

Mimi stopped and said, "Look, it comes to my side!"

Mimi raised her head and found that the moon was still by her side. She said unhappily, "It is definitely staying with me!"

They ran in opposite directions. Seeing the moon was still hanging on the top of their heads, both of them believed that they were the right one.

Mimi shouted at Nini who was far away, "Nini, you are a liar! I'll break up with you!"

And Nini snapped back, "So do I!"

Both of them returned home angrily.

Mimi closed herself in her own room, and even her favorite moon cakes lost their attraction.

Mother had to send these cakes to Mimi's room and said to her, "These are your favorite strawberry moon cakes brought by Nini yesterday."

Mimi replied angrily, "I will not eat anything sent by her!"

Mother was confused, "What happened between you?"

Having heard Mimi's explanation,

mother smiled, "Two little fools, the moon is shared by all people and it follows everyone looking at it. Both of you were not lying."

Mimi realized that she had misunderstood Nini. She looked at the moon cakes

and said sadly, "What should I do, Mom? Nini will not speak to me any longer."

"Since you have realized your mistakes, you should make an apology to her. She will forgive you." Mother suggested.

Hearing this, Mimi hurried to Nini's home and said to her, "I'm so sorry Nini. Can we still be good friends?"

Nini smiled, "It doesn't matter. My mother told me that the moon follows everyone already. I shouldn't quarrel with you either. Let's eat the moon cakes!"

Therefore, they became good friends again. Sitting beside the flowerbed together, they ate the delicious moon cakes while appreciating moon.

For more infomation >> Learn Chinese from Children's Books [2\6] | Be Brave to Say Sorry - Duration: 3:20.

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Egypt's smaller current circulating coins - Duration: 4:33.

so how like people are you go on today and today I'm gonna show you the latest

coins of Egypt now Egypt is issued coins since Ottoman times so they're probably

for a few hundred years and before that they still issue coins on the various

different types of governments in my head Alexander the Great

under the Romans so these are just a long continuation of the coins and the

use of the latest and probably not really circulating coins at the moment

so we if we have 5 10 25 and 50 piastres or in arabic fingers crush and e 1 pound

coin now all these are also existing um denominations of paper banknotes d 5 10

issue by i think the finance department and in the 25 50 issued by the central

bank and the one pound as well so we have the mmm the copper plated steel 5

crush he has no milling on the background so

how these work he said you have been description up here

which is like the Arab Republic of Egypt do you have the denomination down below

so this is crush you know Arabic you have to Jordan date and era and the

Islamic day so that's 14 29 and it's 2008 so these

are issued between or less the smaller frail issue between 2008 and 2012

these ones are issued between 2005 and 2011 so you have copper plated steel and

these two nickel plated steel in this one is

aluminum bronze or brass depending on which coin it is what you and this one

steel and aluminium bronze Center I think these ones are plated steel as

well so 45 I have the earlier version you know these small ones pretty much

the same on the reverse he has earned just Islamic pottery and the same here I

have an early version of the ten which is our 1992 and this one has was it have

the mosque of mohammed ali you know around Cairo the ID 25 doesn't have

actually anything written on it it just stays out when your father in the back

25 question Tommy Arab Republic of Egypt in the day indeed in elimination in the

Middle East on these milled 50 these get a bit better now this one has Cleopatra

and they date 2010 all three are 14 31 and e1 has to come on there's a nice a

floral pattern of them

lilies probably so here I've turned it over and this is the reverses and up the

top are over also even earlier version of the tempie

Esther copper nickel coin they should not be in circulation anymore the venue

of the cheap champagne is about 20 pounds to one US dollar so this is worth

about five cents 25 to an hour cents this is a one and a quarter cent needs

to below 1 US cents so I did it very much the five-and-ten actually circulate

probably only 25 half from one pound circulate so

they the coins of Egypt I hope you enjoy them and I hope you do collect Egyptian

coins because that's one of my areas they like to collect thank you very much

have a awesome day

For more infomation >> Egypt's smaller current circulating coins - Duration: 4:33.

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DEMO Xóa Hết-Remix | Du Thiên | Version 2 | - Duration: 3:21.

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కన్య రాశి 2017 - Kanya Rashi 2017 - December Rasi Phalalu 2017 - Astrology In Telugu - Rasi Phalalu - Duration: 3:19.

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