Waching daily Oct 13 2017

So a lot of cooking is simply about controlling water - either we're trying to

remove it or we're trying to retain moisture. When we apply heat during the

cooking process we often lose bright flavors - take for example bottled

pasteurized lemon juice versus fresh squeezed lemon juice,

the former isn't going to have that same bright flavor. Food reacts to heat in

often delicious ways, giving us dishes like caramels and grilled steaks.

These are called Maillard reactions: it's a chemical reaction between amino acids

and reducing sugars. Heat transforms proteins and sugars in browned foods,

providing their characteristic color and flavor. To avoid these reactions it's

helpful to cook in a vacuum cooker. Water boils at 212 degrees Fahrenheit at

atmospheric pressure; however, reducing the pressure allows us

to significantly lower the boiling point. The vacuum cooker uses a pump to remove

the air from the cooking vessel thereby reducing the pressure.

This allows moisture to evaporate at lower temps controlling the effects of the Maillard

reaction. ICE has a batch vacuum cooker inside our chocolate lab.

One cool application using the vacuum cooker is the ability to make fruit-based

caramels. So by avoiding these Maillard reactions we

get a brighter color and much brighter flavor. For example, with a raspberry caramel

we're getting the really bright flavor of the raspberry without those cooked

Maillard flavors. And the precision temperature control allows us to

navigate around those Maillard reactions or caramelization, which can be beneficial or

something we want to avoid. If you can get rid of moisture at a lower

temperature you can better retain an ingredient's pure flavor. This is exciting

for chefs because there's really no other way to control these reactions

outside of the vacuum. Typically vacuum cookers are huge industrial machines

used for mass-market confectionery products but now our partner Bottom Line

Technologies has produced this machine in a more user-friendly format. So it's

exciting for us here at ICE because we have a lab-scale model that we can

experiment with. Traditional uses for a machine like this include a wide array

of confectionery applications such as hard candies, caramels and jellies. This

technology has yet to really be harnessed in small kitchens so we're

excited to be experimenting with it. And with the vacuum cooker in our lab it allows us the

opportunity to share this technology with other chefs and our students.

For more infomation >> The Maillard Reaction and Creative Confectionery with Chef Michael Laiskonis - Duration: 2:35.

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What Writers Should Learn From Rocky - Duration: 9:02.

"Every day, I truly miss that character so much, I tell you, sometimes I could just

cry, because I'll never have a voice like that again, where I can just speak

whatever I feel in my heart. That's the one thing I'll always cherish about that

character, because if I say it, you won't believe it, but when Rocky said it, it was

the truth." Why is rocky so inspirational? Like

millions of other people, these movies and this character have inspired me for

years. The films are like adrenaline shots of motivation. It is my favorite

movie. And it's not just because Rocky has a lovable accent, or because he gives

great speeches. A different character saying the same lines might come off as

preachy, and we'd be like Marie: "Screw you creepo." But with Rocky, we lower our defenses. We trust him. And I

think the reason for that, the reason we root for him, is that maybe more than any

other fictional character I've ever seen, we see ourselves in him, while at the

same time, seeing who we wish we could be. I think one of the ways the original

film accomplished this was by taking its time to lock in our empathy for the

character. Here's a question: when should a story start? And I mean really start.

Not just what the first scene should be, but when should the events of the story

go into hyperspace. If you've read Blake Snyder's infamous guide to screenwriting

"Save The Cat," you'd probably answer definitively, page 12.

Snyder calls this moment "the catalyst." You can also call it, the inciting

incident. It's when something happens that launches the character into action.

We've had a glimpse of their normal life, and then BAM! something happens and they

have to answer the call. That book published in 2005, has had wide-reaching

influence in Hollywood, because it provided a page-by-page formula for

writing movies. Snyder argues that we should cut out "redundant details" that

"clog up" the story so that we can get the catalyst moment to page 12.

Well that is total nonsense. Here's the catalyst moment in Rocky. Jergins: "Would you be

interested in fighting Apollo Creed for the World Heavyweight Championship?" That

happens on page fifty-five in the script. For nearly a

full hour before this moment, the film is dedicated to one thing: making you care

about the characters. I've talked about how to create empathy for a character on

this channel before, but Rocky really demonstrates how making an empathetic

character isn't just about checking some box once and then moving on with the

plot. It's a constant process. In that first hour, we are repeatedly shown how

poor, alienated, and alone Rocky is. We see his run-down apartment, the fact that he

works as an enforcer in addition to being a boxer, that he regularly gets

stiffed by fight organizers for his winnings, and that he'd try to haggle a guy

for two bucks. We know how washed up and alienated he

feels because literally everyone he meets insults him. Someone calls him a bum

in the first scene. Adrian's boss is dismissive of him. Boss: "Starin' with the bad jokes early, huh?"

Gazo's driver calls him ugly. Mickey says he's washed up.

Micky: "You're a tomato." A younger boxer taunts him. The girl he walks home says "Screw you Creepo."

The only person who doesn't insult him is Adrian. To show how lonely he is, we

don't just see him sitting alone in his apartment. We see him talking to his pets

and to pictures of his family. We see him walking down cold and empty streets, sad

and alone, not just once, but four times. Save The Cat says this is redundant. I'd

call it effective. Especially when you're soundtrack is written by Bill Conti.

Now if you were to apply the formula laid out in Save The Cat to Rocky, you

might end up saying that this scene is the "midpoint" and that the "catalyst" is

when Rocky talks with Adrien in the pet shop, or when he finds out he lost

his locker. You can make that argument, but I think it only works retroactively.

Because I don't think anyone reads Save The Cat and then structures a movie like

Rocky. If you tried that, then you'd probably drop a lot of the meaty scenes

establishing Rocky's character. That scene where he walks a girl home? Well we

got to cut that right? She doesn't even show up later in the movie. So cut this

cut that. You'd get it down to maybe three quick scenes at the gym, at home and on

the docks, and then this guy would show up and make the offer. By bringing the

"catalyst" up to page 12, you've followed the formula -- congratulations! -- but in the

process, you've butchered one of the best stories ever told. Because that's the

thing with the rules of writing. Barbosa: "They're more what you call guidelines than actual rules."

So chuck out the idea that a script needs to hit certain beats on certain pages.

Studying the craft of writing is about building out your toolkit, to learn the

techniques that can help shape your story when it's not working,

instead of getting a paint-by-numbers formula that writes the story for you.

Some stories just need more room to breathe. Now having bad things happen to

a character is one thing, but what makes rocky unique is that he is miraculously

able to withstand the slings and arrows of life, and still remain a good person.

Yes he's working as a leg-breaker, but he still has a heart. He doesn't hurt this

guy even though it could get him into trouble with Gazo, and when he sees a

drunk guy out on the street, he carries him into the bar. This gives us a glimpse

at the man he could be if it weren't for rotten luck. This movie came out in 1976,

at a time when anti-heroes dominated the box office. I think the idea of a real

underdog hero, of an individual triumphing when everyone else told them

they were worthless, came like a revelation, seizing on a Zeitgeist

nobody knew was there until it happened. We see ourselves in him because he

struggles. But we see who we wish we could be because he doesn't let the

world run him down. There's one more thing to say here. Sylvester Stallone

wrote rocky when he became obsessed with the idea of a story about redemption,

about unfulfilled dreams, and of personal triumph, because that's what he was

dealing with at the time, being an unsuccessful actor after years of trying

and abysmal poverty. All of that adds a layer of authenticity to the film that's

impossible to replicate, but it reinforces for me why writing needs to

come from some kind of emotional truth. Chasing industry trends, or squeezing a

story into preordained boxes, will only guarantee that you'll make okay at best

films, not great ones. This movie has been so inspiring to me personally because I

cannot watch it on its own. I can't see it without seeing the struggle behind

the camera, or how he was so poor at the time he had to sell his dog for 50 bucks,

or how he turned down hundreds of thousands of dollars so that he could

star in the film. Rocky's story of determination and

sudden success after years of struggle is Stallone story too -- and when I look at

the film through that lens, it magnifies every emotion the movie makes me feel.

But the only reason I care so much about any of this, is because the film took the

time to make me.

I can't even comprehend that number! Thank you guys so much for watching and

subscribing. Making these videos is very rewarding, so I hope you guys enjoy them

as much as I enjoy making them. I post new videos about every other Friday and

here's why: if you're watching my stuff, you've probably got some sort of

creative goal that you want to reach, whether you're a writer or a filmmaker

or something else, and the weekend is most likely your best chance to make

some tangible progress towards that goal. So I want you to bounce off of my videos

on Fridays, and into the most productive 48 hours of your week. Let me know how it

goes in the comments below, and if you need a website or an online store to

reach your goals, then I highly recommend that you use Squarespace. Many thanks to

Squarespace for sponsoring this video. Squarespace, as you may know, offers an

intuitive all-in-one platform for you to make the perfect website quickly. They've

got gorgeous, award-winning templates designed for specific needs in mind, so

take a look, and see what works best for you. I made my website justwritemedia.com

with Squarespace and it was a totally painless experience. I'm thrilled

with how it looks, and if you're someone like me who doesn't know anything about

coding, Squarespace offers incredible value. So start your free trial today by

going to Squarespace.com and remember to go to Squarespace.com/justwrite

to get 10% off your first purchase. One more note. I was pretty hard on Save The

Cat here, but I'd also like to say that it's really just the notion of attaching

page numbers to specific beats that I'm reacting against. Not what the beats

actually are. The book is still a must read for anyone getting into

screenwriting, especially for the parts that it is least famous for. So it's

famous for the formula, and all the other stuff I find really insightful. His

observations on genre and how to create high concept premises for a story are

really interesting, so read it, just be skeptical of it at the same time. Thanks

again for watching and I'll see you in two weeks! :)

For more infomation >> What Writers Should Learn From Rocky - Duration: 9:02.

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2017 Junior Fire Chief - Calgary Fire Department - Duration: 0:46.

For more infomation >> 2017 Junior Fire Chief - Calgary Fire Department - Duration: 0:46.

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KURABİYE CANAVARI CUPCAKE - HOW TO MAKE COOKIE MONSTER CUPCAKE - Tuğba Turan Yıldız - Duration: 2:47.

Materials ● Cake mixture ● 2 eggs ● 1/2 cup water oil ● 1/2 cup water ● 1 packet of cream ● 1 cup of cold milk ● Food color (blue)

Mix whipped cream

Add water

Add oil

Add eggs

Mix

Cook for 180 degrees 20 minutes

For more infomation >> KURABİYE CANAVARI CUPCAKE - HOW TO MAKE COOKIE MONSTER CUPCAKE - Tuğba Turan Yıldız - Duration: 2:47.

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🎬 Let´s Play 💀 The Evil Within 2 💀 [№ 1] 📺 PC°1440/⁶⁰Ultraᴴᴰ 📺 💥Deutsch German Gameplay💥 - Duration: 25:06.

For more infomation >> 🎬 Let´s Play 💀 The Evil Within 2 💀 [№ 1] 📺 PC°1440/⁶⁰Ultraᴴᴰ 📺 💥Deutsch German Gameplay💥 - Duration: 25:06.

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GALATASARAY | Haluk YÜREKLİ: "Galatasaray Derbiyi %70 Kazanır" | "Fener'in Kazanması Hayal" Youtube - Duration: 10:40.

For more infomation >> GALATASARAY | Haluk YÜREKLİ: "Galatasaray Derbiyi %70 Kazanır" | "Fener'in Kazanması Hayal" Youtube - Duration: 10:40.

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Колыбельная МЕДВЕДИЦЫ. Ложкой снег мешая... Слушать лучшие детские песни из мультиков (про Умку) - Duration: 3:09.

For more infomation >> Колыбельная МЕДВЕДИЦЫ. Ложкой снег мешая... Слушать лучшие детские песни из мультиков (про Умку) - Duration: 3:09.

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Videos de Animales para Niños - Los animales de granja y sus sonidos l Bonbi Channel - Duration: 2:53.

Videos de Animales para Niños - Los animales de granja y sus sonidos l Bonbi Channel

For more infomation >> Videos de Animales para Niños - Los animales de granja y sus sonidos l Bonbi Channel - Duration: 2:53.

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INKTOBER / Speed Painting - Duration: 7:53.

Hey! It's time for another video. Today, as it will be the next 2-3 weeks , I'll show you the process of drawing one of my Inktober pieces.

Last time I didn't mention that from day 3 I had a list of random spooky things, for my previous video the theme was fortune-telling

At first I wanted to draw a crystal ball, but changed it to cards afterwards

For today the theme is - coven.

It seems like each day I level up the difficulty of the drawing and it's great :)

Today I'm drawing 3 ( !!! ) people and a not so simple background with this abandoned house

Surprisingly, for now I'm handling drawing these detailed backgrounds and full-body people pretty well

It takes me about 4-5 hours to think of the idea, draw a rough sketch, draw the final piece and post it online, but it is what you should excpect if you're drawing something more then a simple portrait

I have some problems with the perspective and the size of objects if they are far away

But I really like that I'm challenging myself to draw something new everyday even if it's hard most of the time

Materials are the same. I use Fabriano watercolor paper, synthetic brushes, small kolinsky brush for the lineart and black Koh-i-Noor ink

Sometimes people ask me about the size of my Intober drawings. They all are about 18 x 24 cm

I really hope I could make it till the end in time without simplifying backgrounds or drawing less stuff in general

That's basically it, tell me what you think about the piece in the comments. Thank you for watching and I'll see you next week, bye !

For more infomation >> INKTOBER / Speed Painting - Duration: 7:53.

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Red Dead Redemption | German - English Subtitles | Episode #04 - Duration: 21:45.

English subtitles, what happened so far...

In the last episode, we rode with Bonnie MacFarlane

to Armadillo.

Here we had first a friendly acquaintance

with a helper of the Marshal

before the latter had entered the room.

Subsequently, the Marshal on the head hunting to Walton helped.

Now...

Welcome to a new episode Let's Play Red Dead Redemption

After we helped the Marshal

in the last game to Walton,

we look at how we can help him today.

Okay, let's see how we can help Marshal Johnson

hunt down the cattle.

We are approaching the livestock and the gang

more and more.

However, we do not know how these are equipped.

It is best to go in advance

before the first shots come.

I still have no one in sight.

It can also be that I

have to go a bit further.

Yes exactly.

It was actually a small step and now

he members of the Bollard gang are to be seen

and we are bombarded from the front.

Ok, I'd say we follow the

Marshal.

The deputies are two

and the Marshal is alone.

Aim had not been there for a long time.

Oh, the screen turns red. Not good.

Just do not die.

Quickly take the medicine.

We got

from Bonnie MacFarlane.

Ok, the deputies are

going really well.

They are also two and have an aim of one hundred.

Where is the last?

Back there!

Then we have to go ahead.

Come on, we'll get away now.

So.

Come on.

Where is the last?

Then we keep eye to eye.

Now we are searching the complete stock. All the

boxes, corpses.

Let's see what is to be found.

chewing tobacco

ammunition

All this can be found here.

Money, of course, too.

Now we have found self-branded liquor.

It should have been.

Nothing could be hidden here.

We searched through all the boxes.

Unless I missed

anything.

And now we continue with sniper rifles.

We'll get that now.

And...

...Shot...

...second shot.

He is dead.

They are too far away.

I can not shoot them.

But they can shoot me.

This can be my destiny.

The screen becomes red more and more.

This is the life display in this game.

Okay, the healing starts.

The screen is now clear again.

Then we go over the bridge with the deputies.

For now we are already at the ravine where the cattle

are to be kept.

Do not get in my way. Then I'll push you away!

Let's go a little further.

Directly to Mashal Johnson.

And open the fight freezing.

Let's look around again.

And... shot!

After we have eliminated

the cattle thieves in the night with the Mashal,

we have quickly put to sleep and

are now returning to Bonnie MacFarlane

to help her.

Let's see how we can help Bonnie

on the pasture.

Get in position behind the flock.

Ok, we probably have to get the whole

cow herd out of the gate.

And there it is: drive the cows out of the gate.

I'm telling you. This looks easier than it is.

How can we help Bonnie?

Do we find Mister West Dickens?

All this in the next episode

Let's Play Red Dead Redemption.

For more infomation >> Red Dead Redemption | German - English Subtitles | Episode #04 - Duration: 21:45.

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David Garrett - MDR um 2 - 13.10.2017 - Duration: 1:33.

For more infomation >> David Garrett - MDR um 2 - 13.10.2017 - Duration: 1:33.

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An introduction in Raspberry Pi hi-fi - Duration: 13:46.

Can a 30 Euro credit card computer reproduce serious hifi?

Does it need anything else to do so and is it easy to set up.

All questions that were posed to me over the last month.

Let's answer these questions and more, using the Raspberry Pi.

Nowadays there are many credit card computers and some of them are more powerful than the

Raspberry Pi.

But the Pi is by far the best supported.

If you're very handy with Linux - the operating system that is mainly used on this type of

computers - be adventurous.

If not, stick to the Raspberry Pi.

For normal music reproduction the Raspberry Pi 2B and 3B are well suited.

The current 2B, version1.2 lacks radios for Bluetooth and Wi-fi, which is good for the

sound and less if you need either.

The 3B IS fitted with both Bluetooth and Wi-fi.

The 2B cost slightly under 40 euros, the 3B slightly above.

Then you need a microSD card.

This is a tiny memory card that acts as the 'hard disk' of the Raspberry Pi and you

later have to copy the program to it.

Don't be frightened, it really is a piece of cake.

Depending on the size and speed it will set you back 5 to 10 euros.

Next you will need a sound card.

The Raspberry Pi does have an audio output but that sounds horrible.

Here there are four ways to go: use an external sound card - a so called d/a-converter - connected

over USB to the Pi, use a sound card mounted on the Pi, that outputs the digital signal

- the so called SPDIF signal - to a digital input on your stereo, a sound card mounted

on the Pi that does the digital to analogue conversion or a sound card mounted on the

Pi that not only converts the digital signal to analogue but also contains a simple amplifier

so you can connect your loudspeaker directly to it.

The best quality can be achieved with the SPDIF option, provided your stereo has a digital

input and does the conversion properly.

Second best is the digital to analogue conversion done by the sound card if you choose a quality

sound card.

They vary from 30 to 130 euros but it's difficult to say what you will need since

it depends on your stereo and how critical you are.

Sound cards with integrated amplifier provide a relatively low quality, although, when combined

with 200 euro speakers, better than many bluetooth loudspeakers.

Using the external sound card over USB is limited by pollution of the USB connection

caused by the Raspberry Pi.

No problem for the cheaper options but not really suited for better ones.

So, we're adding up 40 plus 5 plus 30 euros makes 75 euros for the cheapest option.

Or 40 plus 10 plus 130 voor the top notch sound card with digital to analogue conversion,

adding up to 180 euro's.

And we're not there yet.

For we need at least a simple power supply and a simple housing, both costing a tenner.

So the simplest version will set you back 95 euros, the top notch version 200 euros.

The 10 euros costing power supply does have a negative effect on the sound.

That's ok for the low cost option but the top notch option the extra money payed for

the sound card would be a bad investment.

A proper power supply would set you back about 90 euros.

See the link to the review of power supplies.

A really good power supply would even cost 250 euros but let's go for the 90 euro version

and now we are at 280 euro's.

That is already more than the Teufel Raumfeld Connector.

See the review, the link is in the show notes.

If sound quality versus money is the only factor, only the combination of a Raspberry

Pi with an SPDIF card and proper power supply is a winner at about 150 euros.

But then your stereo has to have a digital input free or you have to add a separate d/a-converter.

As said, this does potentially offers the best sound.

But you might wonder what's making the Raspberry Pi attractive as a music player.

Of course, to some putting a Raspberry Pi player together is just fun.

To others the apparently low price does it.

A remark I frequently heard is: I use that 30 euro credit card sized computer for my

music.

You know better now, although some McIver types might be able to spare a bit by making

their own housing and power supply.

Then it's not about the money but about being a happy DIY'er.

And that's fine.

For most the appeal of the raspberry Pi as music player will lie in the versatility.

You can have the Pi emulate a Squeezebox, play over Airplay, be a Roon Ready endpoint

or just a stand alone player controlled by your smartphone or tablet.

And you can do it all with the same hardware.

Simply change the microSD card for one containing other software and you're set.

There are some caveats though.

Like with Windows hardware of old, drivers are essential and not all sound cards are

supported by all software.

So check that before you start.

That leads to the question what software to choose and how much will it cost?

As with all software, there is far more available than I have experience with.

But I do have experience with several types of player software.

Let's start with using the Raspberry Pi as a stand alone player.

Most software will be based on the standard Linux music player, called Music Player Deamon,

MPD for short.

It is a so called command line application that has no graphical user interface.

A programmer just uses the MPD and builds a user interface around it.

My favourite program using this approach is Volumio.

When you install it and set it up for use with your sound card, you only have to add

a storage device containing music.

That can be a memory stick or hard disk connected to the Pi iover USB or a shared volume on

the network, like on your PC or NAS.

You can operate Volumio from an internet browser on a PC, smartphone or tablet.

The Raspberry Pi itself need not have a monitor, keyboard and mouse connected.

For both iOS and Android devices you could also use an app that is MPD compatible and

there are many of them with names like MPoD, MPaD, Coble MPD, MPDLuxe, reMPD,…

You get the idea.

Comparable programs are for instance Rune Audio and MoOde Audio Player.

Another approach is to use the Raspberry Pi only as an output device and have the catalog

managed by another computer or by a NAS.

Very popular is the Logitech Media Server program that does the catalog while the Raspberry

Pi is sent audio and metadata.

The Logitech Media Server - LMS for short - has been developed for the Squeezebox renderers

so you have to use Squeezebox emulation software on the Raspberry Pi.

A good example is PiCorePlayer that was used in the review of the Audiophonics RaspTouch.

In that case the LMS can be controlled from the touch screen of the RaspTouch but also

using a browser or smartphone and tablet app like with Volumio.

Any Squeezebox compatible app will work.

Alternatives are Squeezeplayer and Squeezelite, The least attractive way - at least for me

- to use the Raspberry Pi for music reproduction is DLNA, an archaic protocol made up by the

big consumer electronics companies to view video, photos and music over the network a

quarter of a century ago.

It is slow, doesn't support gapless playback and knows all kinds of implementations, including

a number under the UPnP AV name.

Therefore I have no recent experience using DLNA.

The most attractive way to use the Raspberry Pi is as a Roon Endpoint.

See the link to the review for more on Roon.

When the Roon image is written to the microSD card, it is almost fully controlled using

the Roon control app on your computer, tablet of smartphone.

Given the price of Roon it is highly unlikely that it will be used with a Raspberry Pi as

main system, but here it is ideal for the study, garage, kitchen or other less critical

applications.

In general all player software is free, although there are some that cost a little money.

The programs I mentioned are all free and work like a charm, including the Roon Bridge

software.

But with Roon you do have to subscribe to use the server software: € 120 per year

or € 500 for a lifetime subscription.

The Raspberry Pi's mentioned have a 20 pin extension connector for connecting extra boards

like a sound card.

To install a sound card, you first screw on the spacers that should come with your sound

card, then carefully push the sound card on the extension connector and finish with fixing

it using the supplied nuts.

If you also have ordered a housing - which you should - follow the instructions that

came with it and mount the Raspberry Pi in the housing.

The next thing you should do is download a so called image of the player you have selected.

This must be done on your Windows computer or Mac.

An image is the content of a hard disk or - in this case - the microSD that acts as

the boot drive for the Raspberry Pi.

This file will have a name that ends on dot img.

Windows users now have to download Win32Diskimager, Mac users should download PiWriter.

Links to both are in the show notes.

Install this program and run it.

You now have to stick the microSD card in your computer.

Some computers have a slot for microSD.

If not, you should use an adaptor to full size SD or USB, depending on your computer.

These adapters are available from the same source you get your microSD card from.

Win32Diskimager or PiWriter will ask you what SD card to use, then what image to use and

ask you if the copying can be started.

After a few minutes the program will report it has finished.

Take the microSD card out of the computer and stick it in the card holder on the Raspberry

Pi.

Connect the power supply to the Raspberry Pi and wait for it to boot.

Depending on the player chosen, you might have to start the browser and type in a name,

like volumio.local to get the user interface.

Sometimes you need to type the IP address of the computer that indexes the music, followed

by colon 9000.

For instance 192.168.0.12:9000.

If you use an app to control it , you might have to point the app to the server software

or the Raspberry Pi.

To know what to do exactly, see the website of the player software.

A review of the Volumio player is already on line - see the link below this video in

Youtube - other players mentioned here will follow.

So if you want to stay informed, subscribe to this channel or follow me on Twitter, Facebook

or Google+.

See the show notes for the links.

If you have a question, post it below this video but please don't ask me for buying

advise.

See my About Questions video to find out why.

If you liked this video, please consider supporting the channel through Patreon and see super

exclusive videos too.

Just one dollar a month will do.

The link is in the show notes.

And don't forget to tell your friends on the web about this channel.

I am Hans Beekhuyzen, thank you for watching and see you in the next show or on theHBproject.com.

And whatever you do, enjoy the music.

For more infomation >> An introduction in Raspberry Pi hi-fi - Duration: 13:46.

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Perfection Paralysis · Inktober Day #13 - Duration: 3:19.

Alright guys, day 13, Friday the 13th!

Extra spooky.

Today's house is being haunted by mother nature.

She's reclaiming this land and won't let anything stand in her way.

I didn't go into this one with much of a plan in mind but I'm happy with how it turned

out.

In retrospect I think if I did it again, I'd go even more overgrown but the thing I'm

loving about Inktober is that you can't really dwell on the small changes you'd

make from one day to another, cos there's just no time.

You just have to move on to the next one.

And that's kind of what we're talking about today.

I got a few questions from people who find that the fear of messing up stops them from

creating at all, which is something I can really relate to.

It sucks when you have an idea in mind for a drawing or painting and can't execute

it, and I talk more about that in…

I think it was Day 4's video, Having Ideas But No Motivation.

In that one I do talk about the fear and hesitation and how to tackle that practically.

But I have a few more suggestions for when you know you could be doing so much more art,

if you just wouldn't keep talking yourself out of it, knowing it won't be 'perfect'.

So a daily drawing challenge like this is great because, as I said, there's really

no time to dwell on things.

You might find it easier to find a prompt that you feel really comfortable with, draw

the thing that you draw the most or the best, be it faces or houses…

When you start doing that every day, not giving yourself the choice to do otherwise, you refocus

your attention on the act of drawing, not the final result.

And that's the most important part; we learn a lot more during the process of drawing than

what we can learn just by looking at the finished piece.

Another thing I've found has helped me combat perfectionism is creating a safe space for

mistakes.

I've talked about my no-judgement sketchbooks before.

I have about 4-5 sketchbooks on the go at any given time, most of them I would never

show you guys or anyone else.

It's important to have a place where you can create completely freely without any influence

from what people might think.

I have sketchbooks where I write messy notes and try out new ideas, test new pens or just

scribble.

Sometimes when I'm done with them, I throw them away, because I really don't give them

the same value that I do to other sketchbooks, and that's important.

There's nothing precious about it, it's all practical.

You might find it helps to work on scrap paper, or just loose sheets of printer paper.

Just having somewhere that you're allowed to make mistakes can really free up the creative

restraints we put on ourselves.

Rather than shelving an idea completely because we're afraid we won't be able to execute

it, we have somewhere where we can at least give it a try.

Okay, so for the next couple of days I'm gonna be out of town visiting family.

I've managed to pre-record a couple of videos to keep my video streak going, but for the

sake of time, there won't be a voice-over on them.

I know a lot of you guys quite liked the one without the voiceover last week anyway, but

I thought I'd just give you a warning nonetheless.

So I hope you have a great weekend, keep up the good work and I'll speak to you next

week as our Inktober adventure continues.

Bye!

For more infomation >> Perfection Paralysis · Inktober Day #13 - Duration: 3:19.

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