Thứ Hai, 30 tháng 10, 2017

Waching daily Oct 30 2017

Dear Fellow Scholars, this is Two Minute Papers with Károly Zsolnai-Fehér.

Hold on to your papers, because this work on AlphaGo is absolute insanity.

In the game of Go, the players put stones on a table where the objective is to surround

more territory than the opponent.

This is a beautiful game that is particularly interesting for AI research, because the space

of possible moves is vastly larger than in chess, which means that using any sort of

exhaustive search is out of question and we have to resort to smart algorithms that are

able to identify a small number of strong moves within this stupendously large search

space.

The first incarnation of DeepMind's Go AI, AlphaGo uses a combination of a policy network

that is responsible for predicting the moves, and a value network that predicts the winner

of the game after it plays it to the end against itself.

These are both deep neural networks and they are then combined with a technique called

Monte Carlo Tree Search to be able to narrow down the search in this this large search

space.

This algorithm started out with a bootstrapping process where it was shown thousands of games

that were used to learn the basics of Go.

Based on this, it is clear that such an algorithm can learn to be as good as formidable human

players.

But the big question was, how could it possibly become even better than the professionals

that it has observed?

How could the disciple become better than its master?

The solution is that after it has learned what it can from these games, it plays against

itself many-many times to improve its skills.

This second phase is the main part of the training that takes the most time.

Let's call this base algorithm AlphaGo Fan, which was used to play against Fan Hui a 2-dan

European Go champion, who was defeated 5 to 0.

This was a historic moment and the first time an AI beat a professional Go player without

a handicap.

Fan Hui described his experience as playing against a very strong and stable player and

he also mentioned that the algorithm felt very human-like.

Some voiced their doubts within the Go community and noted that the algorithm would never be

able to beat Lee Sedol, a 9-dan world champion, and winner of 18 international titles.

Just to give you an intuition of the difference, based on their Elo points, Lee Sedol is expected

to beat Fan Hui 97 times out of 100 games.

So a few months later, DeepMind organized a huge media event where they would challenge

him to play against AlphaGo.

This was a slightly modified version of the base algorithm that used a deeper neural network

with more layers and was trained using more resources than the previous version.

There was also an algorithmic change to the policy networks, the details on this are available

in the paper in the description, it is a great read, make sure to have a look.

Let's call this algorithm AlphaGo Lee.

This event was watched all around the world and can perhaps be compared to Kasparov's

public chess games against Deep Blue.

I have the fondest memories of waking up super early in the morning, jumping out of the bed

in excitement to watch all these Go matches.

And in a long and nailbiting series, Lee Sedol was defeated 4 to 1 by the AI.

With significantly less media attention, the next phase came bearing the name AlphaGo Master,

which used around ten times less tensor processing units than the AlphaGo Lee and became an even

stronger player.

This algorithm played against human professionals online in January 2017 and won all 60 matches

it had played.

This is insanity, but if you think that's it, well, hold on to your papers now.

In this newest work, AlphaGo has reached its next form, AlphaGo Zero.

This variant does not have access to any human played games in the first phase and learns

completely through self-play.

It starts out from absolutely nothing, with just the knowledge of the rules of the game.

It was trained for 40 days, and by day 3, it reached the level of AlphaGo Lee, this

is above World champion level.

Around day 21, it hits the level of AlphaGo Master, which is practically unbeatable to

all human beings.

And get this, at 40 days, this version surpasses all previous AlphaGo versions and defeats

the previously published worldbeater version 100-0.

This has kept me up for several nights now and I am completely out of words.

In this version, the two neural networks are fused into one, which can be trained more

efficiently.

It is beautiful to see these curves as they show this neural network starting from a random

initialization.

It knows the rules, but beyond that, it is completely clueless about the game itself,

and it rapidly becomes practically unbeatable.

And I left the best part for last - it uses only one single machine.

I think it is fair to say that is history unfolding before our eyes.

What a time to be alive!

Congratulations to the DeepMind team for this remarkable achievement.

And, for me, I love talking about research to a wider audience and it is a true privilege

to be able to tell these stories to you.

Thank you very much for your generous support on Patreon and making me able to spend more

and more time with what I love most.

Absolutely amazing.

And now, I know it's a bit redundant, but from muscle memory, I'll sign out the usual

way.

Thanks for watching and for your generous support, and I'll see you next time!

For more infomation >> New DeepMind AI Beats AlphaGo 100-0 | Two Minute Papers #201 - Duration: 5:52.

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Benefit RECALLS Gimme Brow Products! + NEW TARTELETTE VAULT! - Duration: 1:01.

Hello!

I'm Jen and this is your Daily Makeup Minute for October 30, 2017

Over the weekend, Benefit recalled its top selling Gimme Brow volumizing fiber gel, after

some users suffered irritation when the product contacted their eyes and not just their brows.

The company urged customers to return the product to the place of purchase for a refund...but

we have reports that some Ulta locations are not accepting returns.

If you find yourself in a similar situation, here are the Benefit numbers to call.

Krissana Ann Cosmetics has put their brand new Brow Pomade on sale - the code 50OFF will

be good through Halloween!

That makes each of the seven shades, including their redhead-friendly Auburn, just $6 each.

Online Only at Ulta, invest in the Tartelette Vault ... a collector's set of three best-selling

palettes!

Includes the Tartelette Matte, Tartelette In Bloom and Tartelette Toasted Palettes

- $100

That's it for now.

We'll see you here same time tomorrow!

Remember we have Makeup Minute Extras on my Instagram, and Don't forget our full-length

weekly newscast, What's Up in Makeup, every Sunday morning on YouTube!

For more infomation >> Benefit RECALLS Gimme Brow Products! + NEW TARTELETTE VAULT! - Duration: 1:01.

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Maxim Cherepnin about block and counterdrive with SPINLORD Gipfelsturm 1.8 mm - Duration: 8:04.

COUNTERING AND BLOCK WITH MEDIUM PIPS SPINLORD GIPFELSTRUM

My greetings to all table tennis lovers!

My name is Maxim Cherepnin and we continue talking about pips.

Today we are going to speak about rubber Gipfelsturm.

I took part in developing of this rubber, played with test version to give the feedback.

I like this rubber and continue playing with it.

Why is it so special?

If to compare with Waran, I play with.

First of all, it's medium pips.

The sponge thickness is 1.8 mm.

And if to take sponge 2.0 mm, pips will be too high, and it's forbidden by rules. The thickness should be not more than 4 mm.

That's why rubber is 1.8 mm, it's maximum thickness for this rubber.

I'm interested in 1.8 mm, as I'm attacker and play quickly.

It's not so grippy as Waran, and it's easy to hit forward, toward loop.

Toward opponent's loop.

against heavy loops it allows

to make...

just put racket like this and do nothing.

heavy loop. you add nothing, 'cause the ball may fly away,

it repels and flies to the opponent's side.

In this fragment you can see that I'm doing nothing, I'm not adding anything

It's clear that they play when there is incoming loop, or attack.

Let's view the case with incoming loop.

When there is incoming loop, we make block, move toward.

Incoming ball is low, and to put it up we should raise trajectory too high.

Or to play underspin shot. Some players do this way. When they know they would go behind.

There is no reverse like with long pips, but the ball is quite quick,

There is a tempo: incoming loop, you quickly return and the second loop will be in the net.

You have to take a break, and only than spin up.

This is about countering.

Of course, if to make heavy loop, with Waran you may add power or kill, but with Gipfelsturm it's dangerous to kill as it is easy to miss

If to hit in upper point, the ball would fly away. So it's better to block, change the trajectory cornerwise.

It's better to play by angles.

What are other peculiarities? E.g. with left diagonal.

An opponent and you play at left diagonal. He doesn't play spins and make drives,

it happens often. He plays loop, you take with Gipfelsturm, and it's difficult to play.

But with drives, opponent plays it, I return, so how can I score points?

It's important to say, that playing backhand, there is no such style forehand, generally backhand,

I played this way, and hope, being a player who likes pips, that Maksim Nikolenko one day will return to them.

He played pips backhand, gave me much advice,

some game nuances.

And when I played with him with pips, it wasn't pleasure to be hammered.

'Cause he either spinned the ball, what Gipfelsturm lets make: you spin the ball, take diagonal, and opponent feels comfortable.

or winded, he opened racket and hit.

Here is when Gipfelsturm and other medium pips play, when you hit, the ball is flat and if opponent plays in tempo, the ball will fall.

So you need to open racket.

In the video you saw that I pushed the ball, sometimes spinned, and together they lead to opponent's failure.

'Cause if he plays drive, I return spin, so drive may fly away.

Or if he plays loop, at high trajectory, I may return or make drive, and so on.

And to make opponent make mistakes.

There is also one moment, as you can see, when opponent is in the right corner,

he gets around with legs, and hits either in the torso or in the left corner.

And it's clever decision, 'cause if he hits in the right corner, there will be countering,

and if you get around it's better to hit in these points.

Also, if it's heavy loop, either pips or pips-in wouldn't help you.

But if you guess the direction and got ready to the hit, it's enough to put racket angle wise,

the ball will fly in the left corner, and it's hard to parry such ball, as it's quick and low.

There is only way to play underspin shot, and be ready to attack from the right as there will be passive ball,

As you can see in the video.

When it's weak spinny loop, you may play quick drive to the left and seize the initiative,

and again play underspin shot or lobbing, and you will control everything.

There are some nuances you may see in the game.

As for the strategy, long serve, incoming weak loop, and you play either flat shot or spin.

According to the loop. It depends on it in opponent game.

That's all about these pips.

Quite interesting rubber. And if watching this video you feel that you want to try such moves,

and you find these pips interesting and liked how they work, try and make experiments.

Gipfelsturm is great catch, medium pips, fast, and tricky to opponent.

That's all for now. Wait for the next videos. Play and learn table-tennis.

For more infomation >> Maxim Cherepnin about block and counterdrive with SPINLORD Gipfelsturm 1.8 mm - Duration: 8:04.

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Asian soles - Ai-SET Halloween sale 9 USD$!! Sexy toes (Crush) (oil sole) (stocking) (潤滑油) 美足 戀足 - Duration: 1:09.

Special 299 ! 299 ! 299 ! Not 399$

Special 299 ! 299 ! 299 ! Not 399$

Special 299 ! 299 ! 299 ! Not 399$

For more infomation >> Asian soles - Ai-SET Halloween sale 9 USD$!! Sexy toes (Crush) (oil sole) (stocking) (潤滑油) 美足 戀足 - Duration: 1:09.

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HOW TO INSTALL THE FOURTH BAR IN THE LINEAGE 2 INTERLUDE - Duration: 3:55.

For more infomation >> HOW TO INSTALL THE FOURTH BAR IN THE LINEAGE 2 INTERLUDE - Duration: 3:55.

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"We have to win here!"🎙 - Arjen Robben Interview ahead of #CELFCB - Duration: 2:33.

If there's one thing Celtic are known for it is the atmosphere

and the passion of the fans.

Despite your extensive experience – are you looking forward to this match?

look forward to every game and the Champions League is always special.

I have never played here before

and from what I've heard and seen on tv the atmosphere is outstanding.

That's why I am looking forward to the game but of course we need to stay focussed on our performance

because we have to win here.

Robert Lewandowski had to stay in Munich.

How much of a disadvantage is his absence and how does it change your game?

It is a blow but it's not the first one.

Several players are injured, some for a while and that's obviously a shame

because we need everyone to be as successful as possible.

Now Robert is the next player missing

but we need to cope with that.

There's no point talking about the players who aren't here.

The players that are here need to get the job done

and we have enough quality.

Can you play upfront?

I have before.

I played it a few times under Pep and once even in the cup final against Dortmund.

I can play there but the coach has to decide how he fields the team and who will play upfront.

How confident are you following two wins against Leipzig and what kind of game do you expect?

We have to take this confidence into the game but also keep our feet on the ground.

We know we haven't reached the limit yet.

We can and must improve.

We need to take this confidence along and show on the pitch tomorrow

that we are willing to take the next step.

You have to work hard for everything

and tomorrow will make no exception.

Thank you and good luck, Arjen Robben.

For more infomation >> "We have to win here!"🎙 - Arjen Robben Interview ahead of #CELFCB - Duration: 2:33.

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Rich The Kid - New Freezer ft. Kendrick Lamar - Duration: 3:12.

For more infomation >> Rich The Kid - New Freezer ft. Kendrick Lamar - Duration: 3:12.

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HGHE - YOUTUBERLERİN AĞLAYIŞI! - (Official Music Diss Track) - DİSS - Duration: 2:14.

For more infomation >> HGHE - YOUTUBERLERİN AĞLAYIŞI! - (Official Music Diss Track) - DİSS - Duration: 2:14.

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'Eat Shit Dr. Brown' Ep. 2 Clip | Vice Principals | Season 1 - Duration: 5:17.

(LEE RUSSELL SIGHS)

(GASPS)

Here's a credit card statement. We can track her purchases.

This is a waste of time. It's disgusting.

I'm not finding anything except old tampons

and empty bottles of cocoa butter.

I think if we want to find some real shit,

we're gonna have to dig a little deeper.

What are you suggesting?

-Oh, you gonna break in? -(METAL CLANKING)

Bullshit.

Fuck you. No, you're not. Stop pretending.

You think this is pretending?

Oh, shit! Gamby.

Bitches first.

(CHUCKLES)

-Big whoop. -No dildos, no sex tapes.

What kind of people have nothing to hide? Oops.

Knock that shit off, Russell. Okay?

We're not here to destroy things. We're here for Intel.

You broke the fuckin' window.

So that we could gain access here. That's it.

Oh, please. Feels good breaking shit. Pick something.

-Anything, Gamby. Anything. -Uh-uh. No, sir. Okay? No.

Knock that shit off, Lee. Okay?

-Russell. -Here you go, Neal.

Break this one fucking coffee mug

right here, then we'll go.

This coffee mug is laughing at you.

(MOCKING LAUGHING)

I bet I don't have a coffee mug like this.

Do you have a coffee mug like this?

"World's Best Principal."

Where's your fucking coffee mug, Neal Gamby?

Why does fucking Belinda Brown deserve to have it?

-Fuck this mug! -Whoo!

That's what I'm talking about!

-Eat shit, Belinda Brown! -Did you see that?

You see how it just went everywhere?

Fuck yes, I did. It was fuckin' awesome,

is what it was. Break something else!

-Okay. -What you gonna do?

Where you gonna go? Where you goin'?

Check this. Check this out. This is her head. Watch this.

Whoo! That's right!

-What else should I fucking destroy here? -Oh!

-Pick! Pick it! Whoo! -You wanna take my job?

-Whoo! Boom! -Look at that, huh?

-Boom! -You wanna take my fucking job?

-Booyah! -Whoo! Your turn! Your turn!

-Me? You, me, watch this. -Your turn.

What you got, Lee?

What you gonna do? Oh, you're going for the picture.

(GAMBY CHUCKLES) You going for the Fine Arts Department!

You ready? You ready? You unworthy piece of shit!

-I will fucking kill you! -Do it!

(GAMBY SCREAMING) Whoo!

-(RUSSELL SCREAMING) -Yes!

(RUSSELL SCREAMING) Oh!

Yeah!

Oh, watch this! Watch this! Watch this.

-You ready? Whoo! -RUSSELL: Yeah!

-Whoo-hoo! -Yeah!

(SIRENS WAILING)

(GUNSHOTS FIRING)

(AIRCRAFT ENGINE REVVING)

Let's do it. Let's do the whole fuckin' place.

(SCREAMS)

Yeah!

-RUSSELL: Yeah! -GAMBY: Dump that fucker!

(BOTH SCREAMING)

RUSSELL: Yeah!

♪ (HEAVY METAL MUSIC PLAYING) ♪

(BANGING, GLASS BREAKING)

Yeah!

-Booyah! -Whoo!

GAMBY: Yeah!

♪ (MUSIC CONTINUES) ♪

(RUSSELL SCREAMING)

-Yeah! -Yeah!

(GRUNTS) Whoo!

(GAMBY GRUNTS)

(GAMBY GRUNTS)

-Russell, what the fuck? -I'm burning this fucker down.

We gotta get out of here.

Russell, we gotta get out of here! Go!

RUSSELL: Shit! Shit! Oh, shit!

-GAMBY: Fuck! Fuck! -RUSSEL: Shit!

-GAMBY: Fuck! Fuck! Fuck! -RUSSELL: Shit!

GAMBY: Fuck! Oh, shit!

For more infomation >> 'Eat Shit Dr. Brown' Ep. 2 Clip | Vice Principals | Season 1 - Duration: 5:17.

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Hackeando a cidade com arte - Duration: 6:23.

Can you tell me where this first idea of mixing

contemporary art with architecture came from?

There's a year that's emblematic,

that is '99 which is the year that I entered college.

I studied architecture at the University of São Paulo.

It was the year I had the first e-mail accounts.

First social networks,

I was doing my first contact with this digital universe.

I understood that talking about architecture and about spaces,

was no longer just of physical spaces, isn´t it?

Things that we touch, analog universe,

but also start to understand this hybrid space.

You believe it exists a very intense creative force

or an improvisation. Is it in DNA of Brazilians? It's born for us.

I think we learned, right?

From our history to transform the usual into something special.

We know our difficulties, isn´t it?

From our daily exercise, from difficulties in our Latin American context,

segregated, violent, but at the same time it's fascinating, chaotic.

To make the best of it, this is reflected in the Brazilian art.

How do you see the Brazilian art out there today?

Do you think it's well represented?

I think we somehow are so geographically isolated

which has a fascination like that. I've been traveling a lot

thru Arab, Asian countries. I think the doors open,

people even have a certain respect.

I think we have done significant things

and I think we've shown to the world that we know

to have a creative industry and artistic industry

which turns, which is done, which happens, which is authorial.

We wanted to create a job that had,

in some way, power and that's when we got there.

{\an1}This creative power of light, of energy, but had some fragility, too.

We built this way to connect the bulbs

so that the sculpture, that the object was sustained by himself

by the lamp glass itself.

When we understood that the tubular lamp

generates light in the same way what a lightning does,

which is through the ionization of a gas.

So, somehow, it's happening the lightning within this lamp.

The lamp itself, it represents lightning.

With technology every time more involved with art.

Do you believe that there is increased interactivity

between the public with the contemporary art?

I have so much that we think to do every job.

Some of the issues or questioning that we put,

but we do not completely dominate and this comes from the observer.

There's something fascinating in this moment that we live the art

that's when everything turns into number language, turns into bits.

I can mix things up not long ago were not possible.

Several of my works appear from it, arise through stories,

compassing the story, recordings that I do on the street.

Suddenly on the same day, I get ready for my job,

when I'm travelling there is this building,

of almost forty floors in the middle of my path

reminding me that the city is polluted or not.

Today it is less polluted.

I think this building serves as a mirror

of our own behavior.

My act in the city will impact on most, in everyone, right?

We are all connected.

To talk about a Brazilian art is to talk about artists

also producing in different regions of the country.

I think the Brazilian have

this capacity to take something that comes from the other,

swallow and crossbreed, is not it?

I think deep down it's a great gain, is our treasure.

Having this openness and ability to interpret,

dialog and blend a little with what comes from the other.

So explain to me how is that things work here.

We have a set of microphones

who collect the audio and then up there

on the top floor, we have a mini weather station,

it checks the quality of the air. So what happens?

There is a creature of light, which are these lights that we see.

The size of it is changed by the noise

and its color changes too, according to air quality.

I think the will of art for me also began by one,

I think for a state more than it was built,

but to realize that art was capable of changing certain states.

I feel younger artists have arrived with force in the universe

out of Brazil, too. There is a certain euphoria

and a great interest in knowing and spreading the production out there.

Creativity and good producers we have to spare,

just need to ensure incentive for artists to continue to create.

For more infomation >> Hackeando a cidade com arte - Duration: 6:23.

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Play Doh Create ABCs Fun Learning the Alphabet ABCDEFGHJ with Play-Doh for Toddlers - Duration: 23:51.

Play Doh Create ABCs Fun Learning the Alphabet ABCDEFGHJ with Play-Doh for Toddlers

For more infomation >> Play Doh Create ABCs Fun Learning the Alphabet ABCDEFGHJ with Play-Doh for Toddlers - Duration: 23:51.

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Tasogare Otome x Amnesia / CHOIR JAIL (Nika Lenina Russian Version) - Duration: 4:07.

For more infomation >> Tasogare Otome x Amnesia / CHOIR JAIL (Nika Lenina Russian Version) - Duration: 4:07.

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'You Like to Think About My Dick' Ep. 1 Clip | Vice Principals | Season 1 - Duration: 1:53.

JANICE SWIFT: (ON PA) Mr. Sepanik, please come to

-the front office, thank you. -(TEACHERS LAUGHING)

(GAMBY CHUCKLES)

What's so funny in here? You guys making jokes?

NEIL GAMBY: No having fun at work.

Russell.

GAMBY: Fucking (CENSORED)

LEE RUSSELL: Why, hello, Mr. Gamby.

Uh, you remember Donna, from the school board.

Of course I do. Hello, Donna. It's good to see you.

I was just leaving.

DONNA: I'll see you tomorrow, Lee.

Call me later if you wanna have drinks.

You ambitious little weasel.

Sittin' here kissing the school board's ass.

That's pretty fucking pathetic, don't you think?

And I saw your little fucking sign.

RUSSELL: What sign?

Don't fucking play games with me.

Listen here, you.

Come tomorrow, there's a brand new principal in town

and his name is Neal Gamby.

And those who want to be catty little bitches,

well, they can kiss their fucking jobs goodbye.

That is a Gamby promise.

You're so confident, aren't you, Gamby?

Too bad the school board's still undecided.

(SCOFFS) No they're not.

They know exactly who is gonna be the principal.

Why is this job so important to you, Gamby?

Is it 'cause you got absolutely dick-all else

-going on in your life? -You wish you had my life.

A fucking divorced loser is what you are. Look at you,

just rock hard at the thought of all that power.

I know you like to think about my dick, but don't.

-It's private property. -Eat shit, Gamby!

No thank you, but have fun imagining it though.

-(GLASS CLATTERS) -Cats. Fucker.

Make one more fucking sign and see what happens.

(DOOR OPENS)

For more infomation >> 'You Like to Think About My Dick' Ep. 1 Clip | Vice Principals | Season 1 - Duration: 1:53.

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IPhone XD (Parody) - TN Version - Duration: 1:45.

كل سنة .. كل شركات الهواتف الجوالة تحاول تحسين منتاجاتها ... و تقديم منتج أفضل من السنة الفارطة

لكن نحن في شركة آبل

كل سنة نحذف شيئا

في الأيفون 7 حذفنا قابس سماعة الرأس

في الأيفون 8 حذفنا كابل الشحن

و في ألأيفون x حذفنا زر الصفحة الرئيسية

لكن هذه السنة ....

لم نحذف شيئا ...

لقد حذفنا كل شيئ ....

أقدم لكم الجديد كليا الأيفون xD

الايفون xD هو أرخص منتج لأبل فقط 100 دولار ..

لكن ..

عليك شراء هذه المستلزمات معه بقيمة 1300 دولار

شخص يتحول ألى دجاجة بسبب الأيفون xD

لا تخرج قبل أن تقول سبحان الله

عذرا لسوء نطقي للغة الانقليزية فقد تعمدت ذلك ..

لاتنسى لايك و أبووووووووووووووووناي ♥

For more infomation >> IPhone XD (Parody) - TN Version - Duration: 1:45.

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Learn English Through Story - True Scary Halloween Stories - Duration: 47:24.

The Empty House by Algernon Blackwood

Certain houses, like certain persons, manage somehow to proclaim at once their character

for evil. In the case of the latter, no particular feature

need betray them; they may boast an open countenance and an ingenuous smile; and yet a little of

their com- pany leaves the unalterable conviction that there is something radically amiss with

their being: that they are evil. Willy nilly, they seem to communicate an atmosphere of

secret and wicked thoughts which makes those in their immediate neighbourhood shrink from

them as from a thing diseased. And, perhaps, with houses the same principle

is operative, and it is the aroma of evil deeds

commit- ted under a particular roof, long after the actual doers have passed away, that

makes the gooseflesh come and the hair rise. Something of the original pas- sion of the

evil-doer, and of the horror felt by his vic- tim, enters the heart of the innocent watcher,

and he becomes suddenly conscious of tingling nerves, creeping skin, and a chilling of the

blood. He is ter- ror-stricken without apparent cause.

There was manifestly nothing in the external appearance of this particular house to bear

out the tales of the horror that was said to reign within. It was neither lonely nor

unkempt. It stood, crowded into a corner of the square, and looked exactly like the houses

on either side of it. It had the same num- ber of windows as its neighbours; the same

balcony overlooking the gardens; the same white steps lead- ing up to the heavy black

front door; and, in the rear, there was the same narrow strip of green, with neat box

borders, running up to the wall that divided it from the backs of the adjoining houses.

Apparently, too, the number of chimney pots on the roof was the same; the breadth and

angle of the eaves; and even the height of the dirty area railings.

And yet this house in the square, that seemed precisely similar to its fifty ugly neighbours,

was as a matter of fact entirely different—horribly different.

Wherein lay this marked, invisible difference is

impossible to say. It cannot be ascribed wholly to the imagination, because persons who had

spent some time in the house, knowing nothing of the facts, had declared positively that

certain rooms were so dis- agreeable they would rather die than enter them

again, and that the atmosphere of the whole house produced in them symptoms of a genuine

terror; while the series of innocent tenants who had tried to live in it and been forced

to decamp at the shortest possible notice, was indeed little less than a scandal in the

town. When Shorthouse arrived to pay a "week-end"

visit to his Aunt Julia in her little house on the sea- front at the other end of the

town, he found her charged to the brim with mystery and excitement. He had only received

her telegram that morning, and he had come anticipating boredom; but the moment he touched

her hand and kissed her apple-skin wrinkled cheek, he caught the first wave of her electrical

con- dition. The impression deepened when he learned that there were to be no other

visitors, and that he had been telegraphed for with a very special object.

Something was in the wind, and the "something" would doubtless bear fruit; for this elderly

spinster aunt, with a mania for psychical research, had brains as well as will power,

and by hook or by crook she usually managed to accomplish her ends. The revela- tion was

made soon after tea, when she sidled close up to him as they paced slowly along the sea-front

in the dusk. "I've got the keys," she announced in

a delighted, yet half awesome voice. "Got them till Monday!"

"The keys of the bathing-machine, or—?" he asked innocently, looking from the sea

to the town. Nothing brought her so quickly to the point as feign- ing stupidity.

"Neither," she whispered. "I've got the keys of the haunted house in the square—and

I'm going there to-night." Shorthouse was conscious of the slightest

pos- sible tremor down his back. He dropped his

teasing tone. Something in her voice and manner thrilled him. She was in earnest.

"But you can't go alone—" he began. "That's why I wired for you," she said

with decision. He turned to look at her. The ugly, lined,

enig- matical face was alive with excitement. There was the glow of genuine enthusiasm round

it like a halo. The eyes shone. He caught another wave of her excite- ment, and a second

tremor, more marked than the first, accompanied it.

"Thanks, Aunt Julia," he said politely; "thanks awfully."

"I should not dare to go quite alone," she went on, raising her voice; "but with

you I should enjoy it immensely. You're afraid of nothing, I know."

"Thanks so much," he said again. "Er—is anything likely to happen?"

"A great deal has happened," she whispered, "though it's been most cleverly hushed

up. Three ten- ants have come and gone in the last few months, and the house is said

to be empty for good now." In spite of himself Shorthouse became interested.

His aunt was so very much in earnest. "The house is very old indeed," she went

on, "and the story—an unpleasant one—dates a long way back. It has to do with a murder

committed by a jeal- ous stableman who had some affair with a servant in the house. One

night he managed to secrete himself in the cellar, and when everyone was asleep, he crept

upstairs to the servants' quarters, chased the girl down to the next landing, and before

anyone could come to the rescue threw her bodily over the banis- ters into the hall

below." "And the stableman—?"

"Was caught, I believe, and hanged for murder; but it all happened a century ago, and I've

not been able to get more details of the story." Shorthouse now felt his interest thoroughly

aroused; but, though he was not particularly nervous for himself, he hesitated a little

on his aunt's account. "On one condition," he said at length.

"Nothing will prevent my going," she said firmly; "but I may as well hear your condition."

"That you guarantee your power of self-control if anything really horrible happens. I mean—that

you are sure you won't get too frightened." "Jim," she said scornfully, "I'm not

young, I know, nor are my nerves; but with you I should be

afraid of nothing in the world!" This, of course, settled it, for Shorthouse

had no pretensions to being other than a very ordinary young man, and an appeal to his vanity

was irresist- ible. He agreed to go. Instinctively, by a sort of sub-conscious

prepara- tion, he kept himself and his forces well in hand the whole evening, compelling

an accumulative reserve of control by that nameless inward process of gradu- ally putting

all the emotions away and turning the key upon them—a process difficult to describe,

but wonderfully effective, as all men who have lived through severe trials of the inner

man well under- stand. Later, it stood him in good stead.

But it was not until half-past ten, when they stood in the hall, well in the glare of friendly

lamps and still surrounded by comforting human influ- ences, that he had to make the first

call upon this store of collected strength. For, once the door was closed, and he saw

the deserted silent street stretch- ing away white in the moonlight before them, it came

to him clearly that the real test that night would be in dealing with two fears instead

of one. He would have to carry his aunt's fear as well as his own. And, as he glanced

down at her sphinx-like countenance and realised that it might assume no pleasant aspect in

a rush of real terror, he felt satisfied with only one thing in the whole adventure—that

he had confid- ence in his own will and power to stand against any shock that might come.

Slowly they walked along the empty streets of the

town; a bright autumn moon silvered the roofs, cast- ing deep shadows; there was no breath

of wind; and the trees in the formal gardens by the sea-front watched them silently as

they passed along. To his aunt's occasional remarks Shorthouse made no reply, realising

that she was simply surrounding herself with mental buffers—saying ordinary things to

pre- vent herself thinking of extra-ordinary things. Few windows showed lights, and from

scarcely a single chimney came smoke or sparks. Shorthouse had already begun to notice everything,

even the smallest details. Presently they stopped at the street corner and looked up

at the name on the side of the house full in the moonlight, and with one accord, but

without remark, turned into the square and crossed over to the side of it that lay in

shadow. "The number of the house is thirteen,"

whispered a voice at his side; and neither of them made the obvious reference, but passed

across the broad sheet of moonlight and began to march up the pavement in silence.

It was about half-way up the square that Short- house felt an arm slipped quietly but significantly

into his own, and knew then that their adventure had begun in earnest, and that his companion

was already yielding imperceptibly to the influences against them. She needed support.

A few minutes later they stopped before a tall,

narrow house that rose before them into the night, ugly in shape and painted a dingy white.

Shutterless windows, without blinds, stared down upon them, shining here and there in

the moonlight. There were weather streaks in the wall and cracks in the paint, and the

balcony bulged out from the first floor a little

unnaturally. But, beyond this generally forlorn appearance of an unoccupied house, there was

noth- ing at first sight to single out this particular mansion for the evil character

it had most certainly acquired. Taking a look over their shoulders to make

sure they had not been followed, they went boldly

up the steps and stood against the huge black door that fronted them forbiddingly. But the

first wave of nervousness was now upon them, and Shorthouse fumbled a long time with the

key before he could fit it into the lock at all. For a moment, if truth were told, they

both hoped it would not open, for they were a prey to various unpleasant emotions as they

stood there on the threshold of their ghostly adven- ture. Shorthouse, shuffling with the

key and hampered by the steady weight on his arm, certainly felt the solemnity of the moment.

It was as if the whole world—for all experience seemed at that instant concentrated in his

own consciousness—were listening to the grating noise of that key. A stray puff of

wind wandering down the empty street woke a momentary rustling in the trees behind them,

but otherwise this rattling of the key was the only sound audible; and at last it turned

in the lock and the heavy door swung open and revealed a yawning gulf of darkness beyond.

With a last glance at the moonlit square, they passed quickly in, and the door slammed

behind them with a roar that echoed prodigiously through empty halls and passages. But, instantly,

with the echoes, another sound made itself heard, and Aunt Julia leaned suddenly so heavily

upon him that he had to take a step backwards to save himself from falling.

A man had coughed close beside them—so close that it seemed they must have been actually

by his side in the darkness. With the possibility of practical jokes in

his mind, Shorthouse at once swung his heavy stick in the dir- ection of the sound; but

it met nothing more solid than air. He heard his aunt give a little gasp beside him.

"There's someone here," she whispered; "I heard him."

"Be quiet!" he said sternly. "It was nothing but the noise of the front door."

"Oh! Get a light—quick!" she added, as her nephew, fumbling with a box of matches,

opened it upside down and let them all fall with a rattle on to the stone floor.

The sound, however, was not repeated; and there was no evidence of retreating footsteps.

In another minute they had a candle burning, using an empty end of a cigar case as a holder;

and when the first flare had died down he held the impromptu lamp aloft and surveyed

the scene. And it was dreary enough in all conscience, for there is nothing more desolate

in all the abodes of men than an unfur- nished house dimly lit, silent, and forsaken, and

yet tenanted by rumour with the memories of evil and violent histories.

They were standing in a wide hall-way; on their left was the open door of a spacious

dining-room, and in front the hall ran, ever narrowing, into a long, dark passage that

led apparently to the top of the kit- chen stairs. The broad uncarpeted staircase rose

in a sweep before them, everywhere draped in shadows, except for a single spot about

half-way up where the moonlight came in through the window and fell on a bright patch on the

boards. This shaft of light shed a faint radiance above and below it, lending to the objects

within its reach a misty outline that was infin- itely more suggestive and ghostly than

complete darkness. Filtered moonlight always seems to paint faces on the surrounding gloom,

and as Shorthouse peered up into the well of darkness and thought of the countless empty

rooms and passages in the upper part of the old house, he caught himself longing again

for the safety of the moonlit square, or the cosy, bright drawing-room they had left an

hour before. Then realising that these thoughts were dan- gerous, he thrust them away again

and summoned all his energy for concentration on the present.

"Aunt Julia," he said aloud, severely, "we must now go through the house from top

to bottom and make a thorough search." The echoes of his voice died away slowly all

over the building, and in the intense silence that

followed he turned to look at her. In the candle-light he saw that her face was already

ghastly pale; but she dropped his arm for a moment and said in a whisper, stepping close

in front of him— "I agree. We must be sure there's no one

hiding. That's the first thing."

She spoke with evident effort, and he looked at

her with admiration. "You feel quite sure of yourself? It's

not too late —"

"I think so," she whispered, her eyes shifting

nervously toward the shadows behind. "Quite sure, only one thing—"

"What's that?" "You must never leave me alone for an instant."

"As long as you understand that any sound or appear- ance must be investigated at once,

for to hesitate means to admit fear. That is fatal." "Agreed," she said, a little

shakily, after a moment's hesitation. "I'll try—" Arm in arm, Shorthouse holding the

dripping candle and the stick, while his aunt carried the cloak over her shoulders, figures

of utter comedy to all but themselves, they began a systematic search.

Stealthily, walking on tip-toe and shading the

candle lest it should betray their presence through the shutterless windows, they went

first into the big dining-room. There was not a stick of furniture to be seen. Bare

walls, ugly mantel-pieces and empty grates stared at them. Everything, they felt, resented

their intrusion, watching them, as it were, with veiled eyes; whispers followed them;

shadows flitted noiselessly to right and left; something seemed ever at their back, watching,

waiting an opportunity to do them injury. There was the inevitable sense that operations

which went on when the room was empty had been temporarily suspended till they were

well out of the way again. The whole dark interior of the old build- ing seemed to become

a malignant Presence that rose up, warning them to desist and mind their own busi- ness;

every moment the strain on the nerves increased. Out of the gloomy dining-room they passed

through large folding doors into a sort of library or smoking-room, wrapt equally in

silence, darkness, and dust; and from this they regained the hall near the top of the

back stairs. Here a pitch black tunnel opened before them

into the lower regions, and—it must be confessed— they hesitated. But only for a minute. With

the worst of the night still to come it was essential to turn from nothing. Aunt Julia

stumbled at the top step of the dark descent, ill lit by the flickering candle, and even

Shorthouse felt at least half the decision go out of his legs.

"Come on!" he said peremptorily, and his voice ran on and lost itself in the dark,

empty spaces below. "I'm coming," she faltered, catching his arm with

unnecessary violence. They went a little unsteadily down the stone

steps, a cold, damp air meeting them in the face, close and mal-odorous. The kitchen,

into which the stairs led along a narrow passage, was large, with a lofty ceiling. Several doors

opened out of it—some into cupboards with empty jars still standing on the

shelves, and others into horrible little ghostly back offices, each colder and less inviting

than the last. Black beetles scurried over the floor, and once, when they knocked against

a deal table standing in a corner, something about the size of a cat jumped down with a

rush and fled, scampering across the stone floor into the darkness. Everywhere there

was a sense of recent occupation, an impression of sadness and gloom.

Leaving the main kitchen, they next went towards the scullery. The door was standing ajar,

and as they pushed it open to its full extent Aunt Julia uttered a piercing scream, which

she instantly tried to stifle by placing her hand over her mouth. For a second Shorthouse

stood stock-still, catching his breath. He felt as if his spine had suddenly become hollow

and someone had filled it with particles of ice.

Facing them, directly in their way between the doorposts, stood the figure of a woman.

She had dishevelled hair and wildly staring eyes, and her face was terrified and white

as death. She stood there motionless for the space of

a single second. Then the candle flickered and she was gone—gone utterly—and the

door framed nothing but empty darkness. "Only the beastly jumping candle-light,"

he said quickly, in a voice that sounded like someone else's and was only half under control.

"Come on, aunt. There's nothing there." He dragged her forward. With a clattering

of feet and a great appearance of boldness they went on, but over his body the skin moved

as if crawling ants covered it, and he knew by the weight on his arm that he was supplying

the force of locomotion for two. The scullery was cold, bare, and empty; more like a large

prison cell than anything else. They went round it, tried the door into the yard, and

the win- dows, but found them all fastened securely. His aunt moved beside him like a

person in a dream. Her eyes were tightly shut, and she seemed merely to follow the pressure

of his arm. Her courage filled him with amazement. At the same time he noticed that a cer- tain

odd change had come over her face, a change which somehow evaded his power of analysis.

"There's nothing here, aunty," he repeated aloud

quickly. "Let's go upstairs and see the rest of the house. Then we'll choose a room

to wait up in." She followed him obediently, keeping close

to his side, and they locked the kitchen door behind them. It was a relief to get up again.

In the hall there was more light than before, for the moon had travelled a little further

down the stairs. Cautiously they began to go up into the dark vault of the upper house,

the boards creaking under their weight. On the first floor they found the large double

drawing-rooms, a search of which revealed nothing. Here also was no sign of furniture

or recent occu- pancy; nothing but dust and neglect and shadows. They opened the big folding

doors between front and back drawing-rooms and then came out again to the landing and

went on upstairs. They had not gone up more than a dozen steps

when they both simultaneously stopped to listen, looking into each other's eyes with a new

apprehen- sion across the flickering candle flame. From the room they had left hardly

ten seconds before came the sound of doors quietly closing. It was beyond all question;

they heard the booming noise that accom- panies the shutting of heavy doors, followed by the

sharp catching of the latch. "We must go back and see," said Shorthouse

briefly, in a low tone, and turning to go downstairs again.

Somehow she managed to drag after him, her feet

catching in her dress, her face livid. When they entered the front drawing-room it

was plain that the folding doors had been closed— half a minute before. Without hesitation

Shorthouse opened them. He almost expected to see someone facing him in the back room;

but only darkness and cold air met him. They went through both rooms, finding nothing unusual.

They tried in every way to make the doors close of themselves, but there was not wind

enough even to set the candle flame flicker- ing. The doors would not move without strong

pres- sure. All was silent as the grave. Undeniably the rooms were utterly empty, and the house

utterly still. "It's beginning," whispered a voice at his elbow

which he hardly recognised as his aunt's. He nodded acquiescence, taking out his watch

to note the time. It was fifteen minutes before

midnight; he made the entry of exactly what had occurred in his notebook, setting the

candle in its case upon the floor in order to do so. It took a moment or two to balance

it safely against the wall. Aunt Julia always declared that at this moment

she was not actually watching him, but had turned her head towards the inner room, where

she fancied she heard something moving; but, at any rate, both positively agreed that there

came a sound of rushing feet, heavy and very swift—and the next instant the candle was

out!

But to Shorthouse himself had come more than this, and he has always thanked his fortunate

stars that it came to him alone and not to his aunt too. For, as he rose from the stooping

position of balan- cing the candle, and before it was actually extin- guished, a face thrust

itself forward so close to his own that he could almost have touched it with his lips.

It was a face working with passion; a man's face, dark, with thick features, and angry,

savage eyes. It belonged to a common man, and it was evil in its ordinary normal expression,

no doubt, but as he saw it, alive with intense, aggressive emotion, it was a malignant and

terrible human countenance. There was no movement of the air; nothing

but the sound of rushing feet—stockinged or muffled feet; the apparition of the face;

and the almost simul- taneous extinguishing of the candle.

In spite of himself, Shorthouse uttered a little cry, nearly losing his balance as his

aunt clung to him with her whole weight in one moment of real, uncon- trollable terror.

She made no sound, but simply seized him bodily. Fortunately, however, she had seen nothing,

but had only heard the rushing feet, for her control returned almost at once, and he was

able to disentangle himself and strike a match. The shadows ran away on all sides before the

glare, and his aunt stooped down and groped for the cigar case with the precious candle.

Then they dis- covered that the candle had not been blown out at all; it had been crushed

out. The wick was pressed down into the wax, which was flattened as if by some smooth,

heavy instrument. How his companion so quickly overcame her

ter- ror, Shorthouse never properly understood;

but his admiration for her self-control increased tenfold, and at the same time served to feed

his own dying flame —for which he was undeniably grateful. Equally

inex- plicable to him was the evidence of physical

force they had just witnessed. He at once suppressed the memory of stories he had heard

of "physical medi- ums" and their dangerous phenomena; for if these were true, and either

his aunt or himself was unwit- tingly a physical medium, it meant that they were simply aiding

to focus the forces of a haunted house already charged to the brim. It was like walking with

unprotected lamps among uncovered stores of gun- powder.

So, with as little reflection as possible, he simply relit the candle and went up to

the next floor. The arm in his trembled, it is true, and his own tread was often uncertain,

but they went on with thoroughness, and after a search revealing nothing they climbed the

last flight of stairs to the top floor of all.

Here they found a perfect nest of small servants' rooms, with broken pieces of furniture, dirty

cane- bottomed chairs, chests of drawers, cracked mirrors, and decrepit bedsteads. The

rooms had low sloping ceilings already hung here and there with cobwebs, small windows,

and badly plastered walls—a depress- ing and dismal region which they were glad to

leave behind. It was on the stroke of midnight when they

entered a small room on the third floor, close to the top of the stairs, and arranged to

make themselves comfortable for the remainder of their adventure. It was absolutely bare,

and was said to be the room— then used as a clothes closet—into which the infuri-

ated groom had chased his victim and finally caught her. Outside, across the narrow landing,

began the stairs leading up to the floor above, and the servants' quarters where they had

just searched. In spite of the chilliness of the night there

was something in the air of this room that cried

for an open window. But there was more than this. Short- house could only describe it

by saying that he felt less master of himself here than in any other part of the house.

There was something that acted directly on the nerves, tiring the resolution, enfeebling

the will. He was conscious of this result before he had been in the room five minutes,

and it was in the short time they stayed there that he suffered the wholesale depletion of

his vital forces, which was, for himself, the chief horror of the whole experience.

They put the candle on the floor of the cupboard, leaving the door a few inches ajar, so that

there was no glare to confuse the eyes, and no shadow to shift about on walls and ceiling.

Then they spread the cloak on the floor and sat down to wait, with their backs against

the wall. Shorthouse was within two feet of the door

on to the landing; his position commanded a good

view of the main staircase leading down into the darkness, and also of the beginning of

the servants' stairs going to the floor above; the heavy stick lay beside him within

easy reach. The moon was now high above the house.

Through the open window they could see the com- forting stars like friendly eyes watching

in the sky. One by one the clocks of the town struck midnight, and when the sounds died

away the deep silence of a windless night fell again over everything. Only the

boom of the sea, far away and lugubrious, filled the air with hollow murmurs.

Inside the house the silence became awful; awful,

he thought, because any minute now it might be broken by sounds portending terror. The

strain of waiting told more and more severely on the nerves; they talked in whispers when

they talked at all, for their voices aloud sounded queer and unnatural. A chilliness,

not altogether due to the night air, invaded the room, and made them cold. The influences

against them, whatever these might be, were slowly robbing them of self-confidence, and

the power of decisive action; their forces were on the wane, and the possibility of real

fear took on a new and terrible meaning. He began to tremble for the elderly woman by

his side, whose pluck could hardly save her bey- ond a certain extent.

He heard the blood singing in his veins. It some- times seemed so loud that he fancied

it prevented his hearing properly certain other sounds that were beginning very faintly

to make themselves audible in the depths of the house. Every time he fastened his attention

on these sounds, they instantly ceased. They certainly came no nearer. Yet he could not

rid himself of the idea that movement was going on somewhere in the lower regions of

the house. The drawing-room floor, where the doors had been so strangely closed, seemed

too near; the sounds were further off than that. He thought of the great kitchen, with

the scurrying black-beetles, and of the dismal little scullery; but, somehow or other, they

did not seem to come from there either. Surely they were not outside the house!

Then, suddenly, the truth flashed into his mind, and for the space of a minute he felt

as if his blood had stopped flowing and turned to ice.

The sounds were not downstairs at all; they were

upstairs—upstairs, somewhere among those horrid gloomy little servants' rooms with

their bits of broken furniture, low ceilings, and cramped windows

—upstairs where the victim had first been disturbed

and stalked to her death. And the moment he discovered where the sounds

were, he began to hear them more clearly. It was the sound of feet, moving stealthily

along the passage overhead, in and out among the rooms, and past the furniture.

He turned quickly to steal a glance at the motion- less figure seated beside him, to

note whether she had shared his discovery. The faint candle-light com- ing through the

crack in the cupboard door, threw her strongly-marked face into vivid relief against the white of

the wall. But it was something else that made him catch his breath and stare again. An extraordinary

something had come into her face and seemed to spread over her features like a mask; it

smoothed out the deep lines and drew the skin every- where a little tighter so that the

wrinkles disap- peared; it brought into the face—with the sole excep- tion of the old

eyes—an appearance of youth and almost of childhood.

He stared in speechless amazement—amazement that was dangerously near to horror. It was

his aunt's face indeed, but it was her face of forty years ago, the vacant innocent face

of a girl. He had heard stories of that strange effect of terror which could wipe a human

countenance clean of other emotions, obliter- ating all previous expressions; but he had

never real- ised that it could be literally true, or could mean any- thing so simply horrible

as what he now saw. For the dreadful signature of overmastering fear was written plainly

in that utter vacancy of the girlish face beside him; and when, feeling his intense

gaze, she turned to look at him, he instinctively closed his eyes tightly to shut out the sight.

Yet, when he turned a minute later, his feelings well in hand, he saw to his intense relief

another expression; his aunt was smiling, and though the face was deathly white, the

awful veil had lifted and the normal look was returning.

"Anything wrong?" was all he could think of to say at the moment. And the answer was

eloquent, coming from such a woman. "I feel cold—and a little frightened,"

she whispered.

He offered to close the window, but she seized hold of him and begged him not to leave her

side even for an instant. "It's upstairs, I know," she whispered,

with an odd half laugh; "but I can't possibly go up."

But Shorthouse thought otherwise, knowing that in action lay their best hope of self-control.

He took the brandy flask and poured out a glass of neat spirit, stiff enough to help

anybody over any- thing. She swallowed it with a little shiver. His only idea now was

to get out of the house before her col- lapse became inevitable; but this could not safely

be done by turning tail and running from the enemy. Inaction was no longer possible; every

minute he was growing less master of himself, and desperate, aggressive measures were imperative

without further delay. Moreover, the action must be taken towards

the enemy, not away from it; the climax, if necessary and unavoidable, would have to be

faced boldly. He could do it now; but in ten minutes he might not have the force left to

act for himself, much less for both! Upstairs, the sounds were meanwhile becoming

louder and closer, accompanied by occasional creak- ing of the boards. Someone was moving

stealthily about, stumbling now and then awkwardly against the furniture.

Waiting a few moments to allow the tremendous dose of spirits to produce its effect, and

knowing this would last but a short time under the circumstances, Shorthouse then quietly

got on his feet, saying in a determined voice— "Now, Aunt Julia, we'll go upstairs and

find out what all this noise is about. You must come too. It's what we agreed."

He picked up his stick and went to the cupboard for the candle. A limp form rose shakily beside

him breathing hard, and he heard a voice say very faintly something about being "ready

to come." The woman's courage amazed him; it was so much greater than his own; and,

as they advanced, holding aloft the dripping candle, some subtle force exhaled from this

trembling, white-faced old woman at his side that was the true source of his inspiration.

It held something really great that shamed him and gave him the support without which

he would have proved far less equal to the occasion.

They crossed the dark landing, avoiding with their eyes the deep black space over the banisters.

Then they began to mount the narrow staircase to meet the sounds which, minute by minute,

grew louder and nearer. About half-way up the stairs Aunt Julia stumbled and Shorthouse

turned to catch her by the arm, and just at that moment there came a ter- rific crash

in the servants' corridor overhead. It was instantly followed by a shrill, agonised scream

that was a cry of terror and a cry for help melted into one.

Before they could move aside, or go down a single

step, someone came rushing along the passage over- head, blundering horribly, racing madly,

at full speed, three steps at a time, down the very staircase where they stood. The steps

were light and uncertain; but close behind them sounded the heavier tread of another

person, and the staircase seemed to shake. Shorthouse and his companion just had time

to flatten themselves against the wall when the jumble of flying steps was upon them,

and two persons, with the slightest possible interval between them, dashed past at full

speed. It was a perfect whirlwind of sound breaking in upon the midnight silence of the

empty building.

The two runners, pursuer and pursued, had passed clean through them where they stood,

and already with a thud the boards below had received first one, then the other. Yet they

had seen absolutely nothing—not a hand, or arm, or face, or even a shred of flying

clothing. There came a second's pause. Then the first

one, the lighter of the two, obviously the pursued one, ran with uncertain footsteps

into the little room which Shorthouse and his aunt had just left. The heavier one followed.

There was a sound of scuffling, gasping, and smothered screaming; and then out on to the

landing came the step—of a single person treading weightily.

A dead silence followed for the space of half a minute, and then was heard a rushing sound

through the air. It was followed by a dull, crashing thud in the depths of the house below—on

the stone floor of the hall. Utter silence reigned after. Nothing moved.

The flame of the candle was steady. It had been

steady the whole time, and the air had been undisturbed by any movement whatsoever. Palsied

with terror, Aunt Julia, without waiting for her companion, began fum- bling her way downstairs;

she was crying gently to herself, and when Shorthouse put his arm round her and half

carried her he felt that she was trembling like a leaf. He went into the little room

and picked up the cloak from the floor, and, arm in arm, walking very slowly, without speaking

a word or looking once behind them, they marched down the three flights into the hall.

In the hall they saw nothing, but the whole way down the stairs they were conscious that

someone followed them; step by step; when they went faster IT was left behind, and when

they went more slowly IT caught them up. But never once did they look behind to see; and

at each turning of the staircase they lowered their eyes for fear of the following horror

they might see upon the stairs above. With trembling hands Shorthouse opened the

front door, and they walked out into the moonlight and drew a deep breath of the cool night air

blowing in from the sea.

For more infomation >> Learn English Through Story - True Scary Halloween Stories - Duration: 47:24.

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Emilio compite y esto fue lo que paso - Duration: 8:01.

For more infomation >> Emilio compite y esto fue lo que paso - Duration: 8:01.

-------------------------------------------

'Davids Are Cowards' Ep. 5 Deleted Scene | Curb Your Enthusiasm | Season 9 - Duration: 0:56.

Lieutenant David reporting for duty, sir!

MAN: Lieutenant?

I, uh, elevated myself somewhat, yes.

Okay, well are you ready to at least die for your country?

Well... not really. Not really.

I'm ready to play dead for my country.

Which nobody could do like I can

if I put my mind to it.

And I got news for you.

All David's have avoided military service

since we first set foot on these shores

in the latter part of the 19th Century.

My father avoided World War II. Seems he had a heart murmur.

All David's have that murmur, it's our hearts murmuring,

"I'm scared. I'm scared."

(CAVALRY RENDITION OF "CURB YOUR ENTHUSIASM" THEME PLAYS)

For more infomation >> 'Davids Are Cowards' Ep. 5 Deleted Scene | Curb Your Enthusiasm | Season 9 - Duration: 0:56.

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[Eng Sub] SECRET SEVEN เธอคนเหงากับเขาทั้งเจ็ด | EP.6 [4/4] - Duration: 14:06.

Id,

do you like Padlom?

P'Alan! Someone is trying to hurt me.

P'Gent, please help!

Spoil, I didn't go up on stage, did I?

You didn't.

What about you? You didn't, right?

I did.

I was on the stage with the 7 guys

We were all there.

The bit where you asked those questions was real?

Yes, I asked those questions for you.

Spoil, I no longer want to know who the Bear is.

It was so embarrassing last night.

What?

I don't want it to be anyone

Up to you. I'll go back to sleep

How are you?

Seven guys dropped you off last night.

Which one is your boyfriend?

I was taking a peep but couldn't figure it out.

I don't have a boyfriend.

I'll be single forever.

You always say this. Go and eat something.

If you don't want to tell me stuff, go eat.

Go now otherwise the rice will be cold.

Can you tell me?

Shit!

What the hell, Ghost?

Guys, 500 baht each.

Hey, you get 1,500 baht per month.

At least try and act like you're doing something for the club

Support the chin. Put your elbows up.

Tilt your head a bit. That's right.

The teacher said that if our project is good,

we may get to have our own room.

But if it's not good, it means we are not productive

Our club may be dissolved.

Hey, Neo, what are they talking about over there?

It looks serious.

No need to ask them.

Why not? Maybe we can copy them.

They're doing 'Unseen in University'.

What is it?

They will shoot from strange angles around the campus

No people in the shots.

Doesn't sound awesome or anything. It's kind of weird

Hey, what about the 'Unreliable' clip that we did the other day.

The teacher said it was nonsense

No, I won't accept it.

I'll come up with an idea.

Our club will have a cool project for sure.

Hey, Two-faced, don't rat us out to the other club

How can I? You've got nothing now.

Tilt your head the other way for a change.

Padlom, is it you?

P'Gun

Are you studying here?

Yes. What are you doing here?

I'm running some errands here.

I see

How are you?

I'm good.

I've got to go.

See you around.

I saw a familiar smile again

Should I be happy?

No.

It's an empty smile.

A meaningless smile

A smile that is all in my head.

I'm just a trainee teacher, not a real one.

Call me P'Gun.

Okay.

What should I call you, Patcharita?

Padlom.

That's quite an odd name.

My mom's name is Patcharee

My dad's name is Payu.

Hence, my name Padlom.

I see.

Padlom.

Please text me when you get home

Why? My house is just over there.

Oh? I'll text you when I get home then

Okay

P'Gun.

You walk me home every day. Do you like me?

Whoa, that's a direct question.

I don't want to assume things.

I don't think of you that way.

Oh, what about those texts?

Did I act like I was making a move on you?

No.

Well, you can leave me here.

And stop walking me home.

Please text me when you get home.

I'll text you when I get home.

Don't.

Don't stress about the club project.

Smile on.

I'm smart

take a look

Someone open the door

Liftoil

He has a big bag

I think he probably carry something

Look. He walks toward the locker

My locker!

No, he's not.

He just close it

that's his own locker

He looking this way?

And walking this way

Why jumping

whats wrong

"Spoil's belonging. Don't touch"

Really!?

Spoil's?

Spoil.

You put your name on it?

I afraid that someone will take it. I borrow it from someone else

Seriously?

Spoil.

Are you secretly looking for those guys?

I will tell everyone that you put the camera on.

Liftoil!

Spoil.

Can you see me?

This is an exercise.

Look at him.

He's playing with the camera

If you secretly looking at someone, and you put your name on it

How can you call it secretly

I think I make it high enough

I don't think so

Gosh...

Look at him.

Our club will make a 90s music video

I won't do it.

Hop on.

I'm glad I get to do this with you again.

I'm sorry.

For what?

For wasting your time.

For more infomation >> [Eng Sub] SECRET SEVEN เธอคนเหงากับเขาทั้งเจ็ด | EP.6 [4/4] - Duration: 14:06.

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Why The Cops Won't Help You When You're Getting Stabbed - Duration: 5:57.

- If you've ever been on the internet,

I mean you're here right now,

you probably wound up in the comment section

of at least one article about a mass shooting,

some other kinda killing spree,

and seen dozens of assholes make comments like,

- [InternetBadass69] Dude, if I was there

I would've totally stopped that guy.

I totally know kung-fu

and I'd just like knock the weapon out of his hand

and then break his neck with a spin kick and

then my mom would finally love me.

- My name is Joe Lozito, and one day in 2011

my morning commute was interrupted by the tail end

of a 28-hour long stabbing spree.

The reason that spree ended is because I stopped it,

and I learned

the stabber Maksim Gelman

was already famous across the city.

I didn't know any of that though because

I had gotten up too early to catch the paper.

So when an obviously high person

staggered crazily into the train,

I just kind of figured morning in New York, you know?

That creepy guy who I'd later learned was Gelman

started banging on the door of the engineer's compartment.

- Let me in.

- I was sitting right by the door.

The only thing separated the engineer and myself was a wall.

It turned out there were two cops

on the other side of the door.

Lying in wait in case Gelman hopped on this train.

I found out later they'd recognized him

but they didn't charge out to stop him.

Instead they asked him a polite question.

- Who are you?

- I'm the police.

- You're not the police.

- You'd expect two armed cops to,

I don't know, maybe do something

about a wanted fugitive spree killer

that they were on the train specifically to arrest,

but they'd stayed put.

So Gelman walked up to me,

whipped out an eight-inch knife and told me,

- You're going to die.

- Then he stabbed me.

I was in the sort of situation

every man thinks about at least twice a day,

suddenly thrust into a life or death situation

that required me to become a badass.

Unfortunately, I had no badass training,

but I have watched a lot of MMA,

and when he brought back his arm to stab me again,

I decided to dive in for a single leg takedown.

It should have looked like this

but in reality I shot him too high

and wound up tackling him by the waist

rather than getting him in the leg.

So he stabbed me repeatedly in the skull.

The good news if you aren't a badass

is that you can have no idea what you're doing

but still succeed on dumb luck and balls.

I outweighed Gelman by a lot so he went down

despite the power of a knife on his side.

So we're both on the ground.

I'm on top but he still got his stabbing machine in hand.

I tried to grab his right hand

which held the knife with my left

but I missed and he sliced me good in the thumb.

I tried to catch him a second time and failed

so he slashed me again in my left tricep.

My third grab was the charm though.

I caught his hand and slammed it into the ground.

He dropped the knife.

Once I had him pinned, I was, you know, dying of blood loss.

The cops decided it was safe enough to arrest Gelman.

Next thing I remember is a cop tapping me on the shoulder.

- You can get up now, we got him.

- I thought that was being charitable but that time

I didn't exactly feel argumentative.

There was no pain yet, just this warm feeling

from the blood gushing out of me.

It was like standing in the shower

with warm water spraying the top of your head

and flowing down the back of your neck.

And again when you'd expect the police

to jump to my aid, they didn't.

None of them even touched me.

The only guy to render aid was another passenger.

Alfred Douglas a.k.a Napkin Man

because he staunched my bleeding injuries with napkins.

I think Napkin Man probably saved my life

but at this point I'd been stabbed roughly

all the times a person can be stabbed

while remaining conscious

and so I passed out.

When I eventually came to in the hospital,

it was kind of frustrating to realize

that none of the early coverage mentioned me or Napkin Man.

The police gave all the credit to the two officers

who'd been in the subway train with me,

only neither of them actually even left the booth

until I disarmed Gelman.

During the grand jury hearing,

one of the cops testified.

- I started to come out, I opened the door,

but I thought Gelman had a gun,

so I closed the door and stayed inside.

- I can see how in a stressful situation

you might mistake a knife for a gun,

but that also that kinda makes it more infuriating.

If you, Mr. Cop, a police, thinks this insane

drug-addled murderer has a gun,

and he's sitting on a train bound for Time Square,

don't you wanna stop him at all costs?

So yeah I decided to sue the NYPD.

The first case I brought got dropped.

So I acted as my own lawyer for the second case

and finally made it to a judge.

The judge said,

- Mr. Lozito's version of the story sounds highly credible

and his version of events rings true.

- But I still lost the case.

Here's how that was justified in its original legal ease.

- No direct promises of protection were made to Mr. Lozito,

nor were there direct actions taken

to protect Mr. Lozito prior to the attack.

Therefore a special duty did not exist.

- It turns out there was a major piece

of legal precedent in my way.

In 2005 the Supreme Court ruled on Castle Rock v. Gonzales.

In that case a woman sued the Castle Rock PD

after they failed to respond

when she complained that her estranged husband

had violated a protective order and abducted their kids.

He eventually murdered them.

The Supreme Court ruled in the police department's favor.

It turns out it's literally not their job to protect people.

So to the internet badasses

who are about to comment on this video

and claim they'd totally nail the takedown,

you should make a note of a few things.

First my insurance

had me in and out of the hospital in two days,

and the hospital didn't give me any AIDS or Hepatitis test

after I've been stabbed with a knife

that had stabbed other people.

Apparently that's not medically necessary.

Second if you ever get the chance

to confront a dangerous armed madman,

don't trust in the police having your back,

don't expect to get the credit,

and hope like hell there's another Napkin Man

waiting in the wings to help you.

For more infomation >> Why The Cops Won't Help You When You're Getting Stabbed - Duration: 5:57.

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[Eng Sub] SECRET SEVEN เธอคนเหงากับเขาทั้งเจ็ด | EP.6 [3/4] - Duration: 11:19.

Hello.

Anyong haseo.

Here.

Here.

Go. Go.

Up. Up.

I've got to go.

I got Korean passengers.

I'll charge them to the max.

I'm hanging up.

Kamsahamnida.

Kamsahamnida.

Say something.

What?

Something in Korean. Anything.

Something. Anything.

Saranghaeyo.

Saranghaeyo.

Saranghaeyo.

You saranghaeyo?

Let's go

I love Thailand.

Alaso.

Alaso.

Myeongdong.

Myeongdong.

Sunde.

Papcha.

Let's do saranghaeyo.

Otherwise he'll figure it out.

Saranghaeyo.

200 Thai baht

I'm Thai. Don't charge me at the Korean rate

I used to pay 80 baht.

You tricked me. I thought you're Koreans

Who tricked who?

If I'd known you'd charge me 200 baht, I wouldn't have come.

If I'd known you're Thai, I wouldn't have let you come.

Calm down.

Go and work in Korea then.

I'll pay the remaining 120 baht.

No.

What's he doing?

What's your boyfriend doing?

Hello, my 20…70…200 friends.

I just took a ride on a Tuk Tuk.

You can see the driver's face.

You said saranghaeyo. I thought you're Koreans.

Here is 80 baht. That's enough.

Take good care of him

You want a piece of this?

When we did the sarangehaeyo, he thought we're a couple.

Do we look like a couple?

You were good at acting.

You should audition for an acting job, not singing.

Are you saying I'm not a good singer?

If the Stars were still auditioning, I'd be applying for it right now.

You didn't make the cut 3 years in a row.

Even though I've taken a hard hit, I'm not discouraged.

There are other singing contests.

No.

My heart is set on one thing

If I want to reach the star, I need to see it through.

Closed for one day.

It's so great that P'Gent has booked the pub for us for the whole night.

You are just my type

The rich guy.

Hon,

are you not drinking tonight?

Are you afraid it will turn out just like the other night?

I told you I didn't want to come

P'Alan.

Because you're a model student,

do you have to act the part all the time?

I'm not drinking this to be a model,

I'm doing it for my own benefits.

Guys, we've booked the whole place

But does it have to be this quiet?

Play, play the guitar.

Good idea. Do it.

Go.

Use the pick.

Yeah.

Tonight, we have only us here

I cannot sing.

Can I invite Padlom to sing on stage, please?

I don't sing.

Sing. It's quiet here.

Sing it. Sing it. Sing it.

You sing it yourself.

I know I should love you less.

If I'd go on, I'd still be heartbroken

It's over and done.

I should forget about everything

I wish everything would fade away and disappear.

I want to forget I still miss you

I want to forget I still long for you

I want to forget everything.

Here, drink some

Just half a glass. You'll be fine

I made this for you.

No.

Come on, have a sip.

Just half a glass. You won't get drunk

I want to forget I still miss you.

I want to forget I still long for you.

I want to forget everything

All I want is from now on,

I won't see you or long for you anymore

Padlom, I'll take Ghost to the bathroom to throw up.

If I don't come out in 5 minutes,

it means I'm puking with her.

Go on. I'm waiting here.

After the exams, you'll find out.

Watch me, I'll ask each of them one by one in person

who is behind all this.

Watch me.

Hey, the seven of you. Listen.

Who is Lovesick Bear?

What bear?

Let me rephrase.

Who has a crush on me?

Hon, I can stop calling you hon.

Are you nuts? She's nuts

Who do you think you are?

Hello, everybody.

Please give me a big hand.

Thank you for the applause.

I'd like to welcome you to the

Seven Quick Answers by Spoil Show.

Okay, let's start with question no.1.

Pok, do you think Padlom is beautiful?

She's cute.

I asked if she's beautiful.

Next, Liftoil.

Who is more beautiful: Padlom or Spoil?

No, I don't want to piss someone off.

You're no fun.

Play,

you call Padlom hon and fan all the time.

Is there any hidden agenda?

Padlom means fan in English.

Padlom does not look like a native English speaker.

Neo.

Well, Neo. Let's play a game.

What goes with bear?

Teddy.

What goes with bear?

Teddy.

What goes with bear?

Teddy.

Stop answering me.

I've stopped asking you a long time ago

P'Gent, what goes with bear?

Cute.

I'm not good at this game.

That's fine. I'll take it as a compliment.

Next, P'Alan.

P'Alan,

P'Alan,

does the girl of your dream have

fair skin,

long hair,

and big tits?

What you've said describes appearance.

I look for inner qualities in a girl.

You're nasty. Talking about inner stuff?

Id,

do you like Padlom?

The teacher said that if our project is good,

we may get to have our own room.

But if it's not good, our club may be dissolved

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