Thứ Năm, 26 tháng 10, 2017

Waching daily Oct 26 2017

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For more infomation >> Learn Colors and Numbers with Learn Colors with Truck & Surprise eggs | Nursery Rhymes for kids - - Duration: 3:29.

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TEACHER CHILDREN'S LUNCH Cartoon Pro School # Dolls # Barbie Girls - Duration: 4:46.

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Megyn Kelly Explains Why She Spoke Out About Bill O'Reilly's Harassment - Duration: 5:02.

For more infomation >> Megyn Kelly Explains Why She Spoke Out About Bill O'Reilly's Harassment - Duration: 5:02.

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Easy Zombie Makeup with Natsumi Shirahoshi - Duration: 7:44.

Adding the scissors into the open part

Cutting the gelatin only

Since it's got some thickness to it, the gelatin can be cut smoothly

Hello, I'm Natsu Shirahoshi

I'm doing cosplayer and events

This time to match with the Halloween,

I am going to do a zombie makeup tutorial

So let's start

The color contacts this time is the gray one from Qualite

Making the pupils look lighter

imaging a dead eye

People who doesn't own a sanpaku eyes white contacts,

I believe the gray one is more zombie like

This is the white foundation to make it a white skin

It's a grease paint foundation from Mitsuyoshi

It's a white foundation but spreading out with sponge

You don't have to make it thick to make it white so

This is amazingly 800 yen

If you are thinking of buying some expensive foundation just for Halloween,

This 800 yen foundation from Mitsuyoshi will do the job

Next is the gelatin used for the scars

The one I used is this Cook Gelatin from Morinaga

There are these packets inside

I think 1 will do

Even that, there will be some left, but using it anyway

dissolve the gelatin with hot water,

and using a makeup brush. A brush you don't need any more

If you don't have that, buy one at the 100 yen store

If you add this in hot water of 80 degrees, it'll dissolve

but that is too hot, so cooling it down a bit before applying

and the tissue paper to add with the gelatin

The one with two fold, separate it in two and get a thin one

Make it small as possible,

Adjusting size based on the length of the scars

Making a couple with same size

When adding ones here.,

to give it thickness, adding some layers to it

Tissue, gelatin, tissue, gelatin to create some thickness

The reason to add some thickness here is, since I will be cutting here later

Without thickness, it won't be like a scar

or it won't show the cut off

That is why it should have thickness

If you add about 10 layers of this tissue, it will give enough thickness

If you add the gelatin many times at the end,

it will give a plump skin like texture

so add many layers of the gelatin

This is the cream time eye shadow around the eyes

This you can buy at Tokyu Hands called Cinema Secret

This should be wide spread

If you add it to the shadow under the eyes, it will look pretty realistic,

around the eyes, and if you put some around the eyebrows,

it gives a strong feature

It shoes that there are bruises around the eyes,

and make it stand out so that's how I do it

This is what you need for zombie makeup

Maybe you don't have purple shadow, or there aren't many ways of using purple

so if you are only using for the zombies,

I think just this one is enough

Next is the eye shadow palette to give it some light and shadow

Using the purple color and the dark brown color

I had added with one color,

or mixing the two up. If you mix the purple with the brown, it will give more of the scar look so it's good

Going back to the palette again

Using this for making the

Next is cutting into the gelatin part,

This is the scissors to make the scars

It's the scissors for eyebrows

Using these scissors to cut just the gelatin part

Since it's pretty thick, it's actually easy just to cut the gelatin part

To illustrate the ripped mouth, adding the scissors to under the cheeks

something used for the gelatin

This is to blend in the skin color into the tissue color

Anna Sui protective balm 01

Since the white color of the tissue remains, so blend in with the skin

this beige color foundation as this he base

Going back to the palette

Adding some bruises to blend in with the scars

with some dirt colors

using a mixture of brown and purple like before

Even if you just place them randomly, the blood gore will be added so,

Adding some purple under your lips

Adding some brown or purple around the face,

It's ok just to blend in the gore later on

This one is for the gore

It's for theater

It's the blood paint from Mitsuyoshi in color D2

It's a more dark blood color than a fresh one

Poring this in to the scar first

After that, spreading the gore out with your fingers

and adjusting by adding some more gore

Basically this gore is,

Strawberry flavored

Since it is less harmful

so when you want some on the mouth or even on the teeth, these can be used

The needle to stitch the ripped part

It's a normal needle

Let a thread go through it

The needle only goes through the gelatin

Sewing up and down, up and down

and cut the thread with it dripping down a bit

For the thread, the one I used this time is a little thin

Even if you use a thicker thread and needle, it won't hurt since it's gelatin

I think a thicker one may look more realistic

Wearing a nurse cap and it is done

How was it?

This time I did the zombie nurse makeup for Halloween

The key is to choose which type of scars to choose

This time it was a zombie makeup which the mouth was ripped,

If you can use gelatin well, you can make any types of scar

Last year I ripped this neck part open

You can add the gelatin in this part,

or you can add it to the leg or the arms

so please try it out

For the surgical mask, I have placed it here to show the ripped mouth

Once I take this off, it will show a shocking face...that's what the mask is for

There are other makeup videos as well so,

please check them out. So goodbye

For more infomation >> Easy Zombie Makeup with Natsumi Shirahoshi - Duration: 7:44.

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Megyn Kelly Doesn't Miss Talking to Politicians - Duration: 3:05.

For more infomation >> Megyn Kelly Doesn't Miss Talking to Politicians - Duration: 3:05.

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Autoloader Tactics - WGL APAC - Duration: 4:39.

Hello guys, welcome to the next part of our series today, we are gonna be doing a tactical review of two

battles that happened in the WGLEU with high risk full autoloader set ups.

Let's take a look at the tanks that are most commonly used to do aggressive plays

It is Batchat, AMX 50 B and AMX Foch B.

The thing all these tanks have in common is that they are autoloaders.

Those kind of tanks are ideal because they are not only fast but also have great burst potential

they come with the downside of low armor so if you lose too much hp it can spiral out of control.

If you manage to swarm tanks that are isolated you can remove them from the game within seconds.

The downside of both the 50B and batchat is that alone they can't remove tanks from the battlefield

that is where the AMX Foch B comes into play

with 6 shots it can pretty much win every single one on one it takes.

The first battle we will look at is between OOPS and Savage squad.

the attacking line up from savage squad is only French auto loaders

this has to be a quick play because in purely trading without pushing they will lose.

Savage will decide the North all in is the way to go but before we continue lets look a little bit more in detail

The goal here for savage squad is to screen the cap,

Oops has to reset but Savage is pushing forward with 4 autoloaders to prevent them from

resetting or killing them all if they do manage to get the reset.

Keep in mind between the two 50B's and Foch Bs, that's 20 shots available

Do keep in mind though if at one point you start making bad trades this all auto loader

line up even with a massive advantage can lose grip on the round quickly

Savage Squad, even with extra guns and hp is almost losing the round because of those bad trades

It's now down to a 2 vs 1 and what seemed like a won round is quickly turning around

luckily enough Dani is there to save the day and pick up the round for his team.

Second battle we are gonna look at is between Ding and GoHard on Ruinberg,

You can see ding has picked 7 Batchats and did this for a specific reason let's go into detail

Gohard only knows about the two bats in the middle so Ding could rush north at the same time,

Instead they will join up with the other 2 bats and crossfire anything in the little city on the eastern side.

Now the batchats are converging on the little city and the thing for Ding is they need to hit almost all there shots to actually pull this off,

Lucky for them GoHard makes a mistake and drives into them causing them to lose gun after gun

Normally in a situation like this GoHard needs to keep as many guns alive as possible and chase the bats on reload

but they didn't have any HP sharing going on and got focussed one by one with Zafar also

out of the fight and ding hitting the shots its game over for GoHard

after this Ding is just able to reload and come back and clean up the remaining guns,

Great shooting by them but also over extensions from GoHard won them the round

All in all you saw some great examples of rush tactics and how teams made them work,

Because of the limited hp and armor it is vital to make the correct trades.

Hitting the shots is the second most important thing because the reload

of those autoloaders is significant, and they can be chased down in the meantime.

I hope you guys enjoyed this video and as always see you on the battlefield.

For more infomation >> Autoloader Tactics - WGL APAC - Duration: 4:39.

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For more infomation >> Riverdale 2x04 Promo "The Town That Dreaded Sundown" (SUB ITA) - Duration: 0:41.

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Grazie a INTERNET non mi sento più sola - DigitaLife - Duration: 1:22.

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Camera Inspection Lake Forest CA 800-538-4537 Plumbing Camera Inspection Lake Forest CA - Duration: 1:10.

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For more infomation >> Camera Inspection Lake Forest CA 800-538-4537 Plumbing Camera Inspection Lake Forest CA - Duration: 1:10.

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COMPREI UMA CLÍVIA! 🎉 | Nô Figueiredo - Duration: 2:29.

For more infomation >> COMPREI UMA CLÍVIA! 🎉 | Nô Figueiredo - Duration: 2:29.

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Mix Feedback - there's an app for that! - Duration: 5:21.

we're getting a lot of mastering - "master feedback" is the service called

through the website and when people book it they get a PDF where they can read all

the details the email address they need to send us the files it's basically the

whole instruction yeah funny enough the information is

spreading over so many channels so some people have talked to me before on

Facebook DM on whatsapp lately I've been giving out my phone number to everybody

so there's like 20,000 people who have my phone number which is great I love

people calling me and I do have a lot of phone conversations we sometimes sit

here and it's like oh okay what was the most recent update where are the files

no files and then I'm oh I think on whatsapp he said that he sent the files

to sales@mixedbymarcmozart.com and then nick is like we've never used this

address I don't even know it exists yeah so basically we're sitting here for an

hour and updating all the projects yeah so now these two musicians from Ukraine

have started developing an app web interface and app it's called pibox

PIBOX.com is the website and there's an app for Android and iOS called pibox

P - I - B - O - X - DOT - COM so they contacted me a few weeks ago and and they explained to

me what they were doing and they said there are also musicians and they pretty

much had the same issue that we just talked about and they said we've

developed this... what do you think? do you see a need in your world for this? and I

said absolutely we're struggling with every day it's so funny so

we gave a bit of feedback back and forth we teamed up with the guys or in other

words we are helping them now on two fronts one thing is, we really want to get

pie box into the hand of a lot of musicians and you can just go as I said

pibox.com - you can get a free trial account and

just get started register through the websites register

through the app so for the next couple weeks we want to get this into a

lot of hands we will try this for our own projects we're telling the clients

look let's try this app and when you give me feedback you can still call me

this is fine but let's make sure we communicate through this platform just

to see are there features missing you can see your recent song or file - they show

you the waveform in the app which looks like SoundCloud a little bit so you can

say snare you can mark the snare and attach a comment and say the snare hit is

too loud or the bass and I completely see this for a full band you

know the bass player says verse 1 the bass drops in level can you bring it up

a little bit or on this word put a throw delay yeah it's a great application

because you know people used to give us at 2:41 put a delay on the word

such-and-such and then you we need to find out where the second verse if you

can comment in the wave form pretty much it makes it so much easier so I mean I

totally see this could be working so first step is we will try to get a lot

of feedback from a lot of people so try it and let me know what you think and

then of course we want to help them with marketing as well that's why we're

talking about this today to get a lot of people on this platform I haven't heard

of any other app that's doing a similar thing we would use the web interface on

our computer to upload the mix for the client exactly and then you know

wherever everybody is everybody has a smartphone Android iOS people get the

updated version and they can comment on it that's pretty much the system and I

would love you guys to check it out use it from your computer www.pibox.com

and it's also in the iOS and Android app store same name P - I - B - O X is

the app try it out we're trying we're currently trying it for our own master

feedback & mix services this is interesting I think there's a real

demand for the market great product and let's collect

some feedback from the internal team and from you guys out there

For more infomation >> Mix Feedback - there's an app for that! - Duration: 5:21.

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반도리/한글자막] 눈물의 스마일 앵커 #OP 팀 나누기 - Duration: 6:47.

For more infomation >> 반도리/한글자막] 눈물의 스마일 앵커 #OP 팀 나누기 - Duration: 6:47.

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Screw the competition: Creative + Passionate ≠ Broke - Call Una at +44(0)7766 917890 - Duration: 17:32.

Hello, hello, hello and welcome replay viewers, and welcome live viewers!

Hi there!

I'm Una Doyle.

I'm the founder of CreativeFlow.tv, business development coach and strategist for creatives.

I help creative business owners to achieve their goals faster and to do it more profitably

and also do it in a way that allows them to fill their heart with pride with the creative

work that they do.

Now today we're talking about how being creative and passionate does not have to mean

that you are broke.

It does not have to mean that you are broke.

And I just find it sad and also like really frustrating when I'm hearing about people

that are in this situation.

Now let me just share this out.

So you can go and share this out while I'm doing that and comment and let me know what

is it that you do, where you are viewing from.

And what is your situation with this.

Have you ever been in this situation?

What did you do to get out of it and how have you actually managed to do that?

So we could have this showed out.

Hi Louise!

How are you?

Hi Steve!

This is the thing is that there's three natural mistakes you see that creative people

make that can keep them broke.

Now, I've only got time to talk about one of them today but if you hang far and look

at the descriptions and wait till the end, I will tell you about a way that you can find

out about the other two.

I will have a bit more time to go into this first time as well.

And it's free.

It's an online workshop.

I'll tell you about that at the end.

So, these three mistakes.

One is- requires a mind set shift.

One requires that you put in place missing pieces in your approach to getting creative

work.

And the other is about- The other is about making sure that you have got this one thing

really working for you in order to attract your ideal clients and the kind of creative

work that you want.

Now, underpinning all of these is the idea that you need to stop being a commodity.

You have to be able to differentiate yourself and standout in the marketplace.

And because this is the big challenge that so many creatives have right now.

I have like designers, web developers, photographers, content producers such as writers, film makers,

etc. that are all not achieving the goals, the level of goals that have set for themselves

because there is so much competition out there.

And at least that's how they feel about it.

They feel that there's loads of competition that they have to lower their prices in order

to achieve more.

Whereas, actually, the opposite is probably true.

I'm going to go into that in a few minutes but let me first of all talk about what do

I mean my natural mistakes?

Well, the thing is, is that- so I use a personality profiling tool called ignition with all my

clients and it's amazing.

So there's eight different profiles and it demonstrates the different business models

and business strategies, lead generation strategies, the tasks that are best for you and not for

you, and all that.

There's so many different layers of it.

One of the things that's really interesting to see is that people who are typically thought

of as creative – they have loads and loads of ideas – often are told as children, "Your

head is in the clouds.

Come down from the clouds."

Great at starting things, not always so good at finishing them.

It depends as one creative profile can be but they have other challenges.

They find it hard to start.

The thing is, this causes people to make mistakes in their business.

And I know all about this because I made all of these mistakes myself.

So I'm talking from personal experience.

So the thing is, is that I call it the creative condition.

So this whole thing about loads of ideas and starting things and not finishing.

And just being really good at creating things but not always being very good at leveraging

what you create.

And that's in a number of ways in terms of internally, in how you actually work your

business.

So hey Coleen, thanks for joining.

By the way for those of you who just joined, please do share this out because I'm on

a mission to help creative business owners to be successful creative entrepreneurs where

they're happy, healthy, and wealthy.

That underpins everything that I'm doing.

So share this out so we can get more people to experience what we are talking about here

today.

Okay, so, so yeah the creative condition.

This big challenge of creating stuff is great but if you don't leverage it effectively

and by that I mean in terms of how you run your business on inside that's more internal

for you and your own systems and processes or lack thereof.

Usually a lack thereof.

And also in terms of how you're putting yourself out there.

Now, one of the reasons why people often don't are I'm going to talk about as well in just

a moment.

So there's another reason why I call this natural mistakes.

So, it's because most creative business owners have not been taught how to run their

business.

So they have not been taught how to attract and convert their ideal clients, how to even

get clear on those things.

It's not your fault.

Now, just because you are a particular way naturally and because you haven't been taught

something, that's not an excuse for not making changes.

This is something I've been working on for in recent years.

Learning how to get more focused, more specific, how to stick to things, all of that really.

This is partly what I'm doing here with this livestreams is to teach people this stuff.

So if you go and watch this livestream, watch all the other ones on my page as well.

You're going to learn tons just be doing that but you must make sure to apply it as

well.

Promise me that.

Okay so, I said I was going to talk about the first natural mistake.

And what it is, it's pricing according to your self-worth instead of value-based pricing.

That's what we call is when you're looking at or what is this value worth to my ideal

clients.

What does this do for them?

How does it help them?

Maybe it helps them save time or money is more convenient.

Maybe it's more about helping them to achieve aspirations.

Maybe it's just about the experience particularly with something like art.

Branding will help to bring new clients and increase money but perhaps with art of course

you can have an increase in the value of that.

But it's also about the experience that people get in having that piece of art.

So you've got to understand, well what is that worth?

And the thing is, is that to somebody who doesn't really value what you have, it's

only going to be worth this much.

And that depends on how much impact it has on them.

But for somebody else it could be worth this much.

And you could double, triple, maybe even quadruple or ten times the prices and you would still

be able to find clients who will find that result, that outcome valuable.

And the thing is, is that you need to as creatives- So I'm an actor and film maker as well as

a business coach.

So I know what it's like when you're looking back and watching something that I've acted

in kind of going, "okay, ooh yeah, okay that was good, oh no, oh yeah, this should

be acted differently next time."

We do this but the thing is, it's important to be doing that from the point of view of

reviewing and improving not criticising and not taking everything personally.

And I think that this personal connection between creatives and our work makes people

price on what they would pay or what they think it's worth relating to how they're

valuing themselves.

And because I think societally quite often creativity is certainly is perceived to not

have had the same value as other areas of endeavour.

Then that and of course people's own self-worth is terms of how they've been affected growing

up, what they've picked up from society, how confident they're self-assured they

are.

And so that really causes people to think, "Well, I can only charge this".

They may be looking at what their peers are doing and going, "oh so and so is charging

this, so I'll charge the same".

Or maybe you are doing whatever it is that you do, let's say you're a graphic designer

and you were in a design firm out from uni and then you decide to set out on your own

and you think, "oh well I was getting paid x amount an hour, so I'm going to charge

by the hour but I'll charge a little bit more because I'm working for myself".

And that just- it doesn't work.

It's not going to allow you to have- to be able to spend enough time on running your

business to actually be able to have that creative time.

And what then happens is you often will end up either working all the hours that you have

because you're over delivering to people who are underpaying you rather than being

able to have really brilliant creative time blocked out every week in your calendar.

And being able to put aside that time and perhaps that money to invest in growing your

business.

Yeah, exactly Coleen.

We can't sell ourselves short.

And unfortunately that happens a lot.

And this is what I see.

So, there's- I think- sorry I'm just trying to read my notes.

Oh yeah.

So part of this can be about not understanding how to demonstrate the value.

And this is what I'm talking about in tomorrow's class.

So as business owners, we have to remember we are billed to pay and charge what we're

worth and we can't do it all.

Absolutely!

This is the thing, the amount of times I speak with a new client and I talk to them about

how they put their pricing together and then leaving loads out.

They're not allowing for holiday or sickness.

They're not allowing for all the little 10 dollars here 20 quid there that it cost

for the different tools that you need, the software, the actual time it takes to run

your business.

And if you're using free marketing strategies, that takes time.

And it means that you probably are not going to be able to afford to outsource.

Get the help that you need whether that's a social media manager, or an admin person,

or someone to do your Facebook ads for you, or even just be able to afford to do them

yourself.

So, you've got to be taking all of these things into account.

So, I've got reflection.

I can't see my notes here.

Oh yeah, so one of the other things is that if you are judging your pricing on your self-worth

and you then try and just put your prices up without changing anything else, the chances

are that the vibe that you're giving off to your prospective client is not going to

get you the results that you want because they're going to feel the uncertainty.

So you've got to be absolutely certain.

I think that's part of why the process that I bring people through helps them to see the

value that they have.

Just to give you an example, one of my clients, they had a prospect and they had bought a

session.

It is part of how I show people how to do things.

So they had bought a session rather than trying to sell them a whole thing.

So they bought a session and as part of that I said make sure you find out how much is

one new client worth to them.

And they found out that one new client for this particular client would be worth between

£100,000 and a million pounds.

So, suddenly their prices, even though they were putting them up quite a bit more paled

into insignificance when you're dealing with that amount of money.

And they wouldn't have known, they never asked that before.

And if you're not been taught how to do all these little things then- if you don't

have a good framework for that then it's really easy for these things not to happen.

So, it's partly about the inner work.

It's about growing how you value yourself.

It's about allowing there to be a little bit of distance between yourself and your

work so that you can objectively look at that and look at it as a business, look at it as

a product or a service and what is it worth to your clients.

And in fact, I just had a message earlier today on LinkedIn from somebody who'd downloaded

a free guide I have.

And they put up their prices.

I'm so excited to get the feedback because I get it from my clients.

We don't always get it from people who aren't working with you.

And they'd put up their prices.

They have an ecommerce store selling jewelry and they put up their prices on several products

three times more than they had been charging.

And guess what, they're flying off the shelves.

So whether it's products or whether it's services people will kind of go, "oh that

seems to cheap".

And I think if you're too wrapped up in work being personal to you and judging it

on your own self-worth then you're not going to be able to see it from your client's

perspective.

Okay, so, yeah and I think the other thing is really about speaking up and not being

afraid.

I have an amazing shareathon today.

Just search #shareathon on periscope.

You can follow me there, CreativeFlowTV.

And there was an amazing one today about speaking up.

And I think this is really important.

Another client had- when we started working together, they told me that they had-

Oh you're there.

Fantastic.

It was fantastic wasn't it?

So they had situations where they would be in front of a client and the client will be

talking nonsense just because they didn't know any better about their expertise and

they weren't speaking up.

They weren't sharing their point of view and demonstrating their value.

And I think this is another reason why it's really important to have a good framework

because you can do the inner work but you've got to have the outer work, the skills and

the strategies.

And a simple step by step framework to help you to attract and convert high-paying ideal

clients that will be absolutely fantastically excited about what it is that you have.

Okay, so, thank you so much for watching this and if you've enjoyed this free content,

I actually have even more free content for you.

And I go into this in much more depth into the workshop that I'm running tomorrow.

So it's Thursday tomorrow that I'm running this.

And by completing this framework that I'm showing in this workshop tomorrow, my clients

have doubled and even tripled their prices and their revenues because not only are their

prices going up, their conversion rates go up as well, i.e. if they're in front of

10 people, maybe they only got one or two or three of those clients before and now they're

getting more than half up to 70, 80%.

And this is what I experienced too.

So this is what you can have as well.

And all you need to do, join me for this free training.

It's called Three Natural Mistakes that Creatives Make that Stop You Raising Your

Prices and keep you overworked, underpaid, and underappreciated.

So, the link is in the description.

Go and register for that and there will be a replay but only briefly.

So, if you can't attend live because of time zone differences, or you already have

another commitment, another appointment booked, either move it around if you can or watch

the replay but put it in your diary to watch it because I'm only going to have it up

for a very short time because I'm all about getting people to act.

If you do not act nothing changes.

So you have to do something different in order to get a different result.

I know that sounds really obvious but you'll be amazed how many people keep doing the same

thing and expect to have different results.

Doing the same thing harder doesn't get you any further.

So it's about spotting well what is it that I need to do differently.

Okay, so, the link is there in the description.

Go and book on that and I will see you tomorrow.

Thank you so much for watching.

Remember, share this out if you have found this valuable, you know that other creative

business owners will too.

And they will thank you for sharing this and bringing it to their attention.

Alright, have a fantastic rest of the day and I will see you tomorrow.

Bye!

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