Rafa, what can we expect of the new Angra's album?
What can we expect?
I think that this album represents the consolidation of a line-up, right?
The arrival of Bruno and Fabio that were on the last album, Secret Garden.
But now, we reaffirm this new line-up.
And now with Marcelo Barbosa. He's a new element, as well.
In this album we tried to bring back all of our essence, the past of the band,
All the elements we've showing through this 26 years of career.
However...
Renovating. Bringing new elements, surprises, new ways to do it.
And after four years with Bruno and Fabio, we can...
It's no so new. The harmony is bigger.
It's more comfortable to be together playing. So, everything works more natural.
So, I think that this album shows ...
It will surprise concerning our personal harmony.
How we, as musicans, can take the better of each one's talents.
Do you need some hammers?
At this point you hold it.
Continue. When I do that, you hold it.
In the end. There's a guitar theme on that part...
This point is straighter.
The peak of the song is there. That chorus.
Have to practice that.
This is it.
When Fabio does the long note, he will make the measure longer.
I'll ask Fabio to hold that.
When he holds that, you just...
On the cymbals.
Then, it will have to time do a crescendo with the floor toms.
I'll just try this one. Because that thing I can do with the timpani.
Oh, thanks, man.
Look at that... My bro.
He brought me some popcorn.
Thanks!
I woud like to say that we are going to Brazilian Day, bur Rafael,
mysteriuously... I don't what happened to him this time...
he forgot something. It never happens.
Our Uber is about to come, but, as you can see, nobody is here.
- There's something wrong, partner. - Yeah, partner... I'm learning how to do it.
What a style.
Yes, but soon enough, everything will be fine.
Hello. Brazilian Day rocks!
Brazilian Day. Let's go there.
Beautiful.
The first I'm here since the other...
Me too. I don't know Stockholm downtown.
You see? We're here for the second time recording the album.
And that's the first time we visit the downtown.
Look how we are hardworking.
I am as a worker here, man.
I am as a musician recording the CD.
Got it or you need a repetition?
I am repeating my sentences.
Wordplay... Playword.
- Or some wordplay with the city's name. - Yes.
And I am perplexed with that.
I just understood the joke right now.
I don't know who's the worst. The ones who makes the joke or...
The one who doesn't understand.
We are getting to Brazilian Day.
Let's cross at the correct place, so we won't die.
Let's not play the Brazilian guys.
Look how many Brazilian people.
The rain is not helping us.
Today is the record...
Sertanejo music is been playing.
Look that.
Pastel has finished? Ok, I don't want it anymore.
What are we eating, my partner?
A barbecue.
Are you eating almonds in Sweden?
I don't work with it.
Are you eating fish?
I don't work with it.
Eat barbecue.
With sausage.
Just a little.
It's not sausage.
Farofa on the bread, man.
I have never seen that.
It's new.
A person serves the bread...
Serves the bread with sausage and put farofa on it.
Look here... Merchan of Guaraná Antartica.
Please, don't make it with daddy's barbie.
To make it better. We are in Sweden at Brazilian Day.
On satge now, one of the best bass player from Brazil, Michel Pipoquinha.
We will watch him now.
As I know, he will play Forró.
But it's a heavy Forró because he is great.
Eh.. we were at Brazilian Day.
As you could see, we went, we saw Pipoquinha playing. It was good for two songs.
But it started to rain.
Everyone left the place.
We, more than fast, called our Uber and we're going to studio again.
It's also good, but it'd be nice to see the concert a little more. It was good.
Very good.
I was surprised by the quality... Can I give a testimony here?
I always feel a different emotion when I see Brazilian music overseas.
Since the first time I lived abroad, when I lived in U.S.
I didn't even like Brazilian music.
I just liked Rock.
And I had classes with a guy that wanted to teach me
Evan Lins, Tom Jobim... This kind of thing.
I thought it was cheesy.
But started to notice the force of Brazlian culture.
Because I missed Brazil.
So, I had some tapes with Brazilian songs and I started to listen it.
And be here today, watching the guys, I think his names was Cristiano Carneiro,
the man, the artist.
He played the accordion and used to sing very well.
I felt the emotion you being out Brazil and see your culture
See the Brazilian culture out of the box.
Out of the politic scandalous, and Brazil's problems.
Sometimes they make us forget our culture and depreciate it.
But, what we have is very rich.
And what we saw today is something really special.
It's a very different music of all the world.
I agree with that.
I totally agree.
Yes, I think that too.
The reports of Angra Channels are now documentaries.
I working to be a juggler.
Actually, I'd like to be barista.
But Rafa said I was a "Malabarista". (juggler in Portuguese)
You are a "Mala". (Pain in the ass person in Portuguese).
You want to be a barista.
Yes, for sure. That's it.
As you want to be a barista and you're also a "mala"...
you can be a "malabarista".
- You were the first one. - Yes.
Then, I working as a juggler.
Yes, I got it.
That's the keyboards now. The "Magic and the Lover".
The idea is to be a Baião in the begining.
The song is working well, man.
Yes, it is. Let's see what is happening to it.
Oh, man...
You're a great boy!
As Fabio says: "Usss".
What if we do...
the first verse?
Let's do it on the first verse, then.
It's a melody. It's not only a solo.
I think it's the battery.
The battery.
Look.
You do the C.
Now it starts again. From F...
Then you do the chorus.
Ah.. you want this note.
No.. you can do it this way then it goes to D.
- I think this one here, uh? - Yes.
Yes... two things. There will a point and a contrast.
Ok... let me do it from the begining.
Finally I do.
It's gonna be easy for you.
I'll just play the base.
Motherfucker.
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