Hi everyone and welcome back to me and my channel.
It´s been a while sense we last saw one another
I don´t know when I last posted, maybe a year ago
I know it was Halloween videos when I did makeup
"I´m trying out a new editing program, Hitfilm Express instead of Movie Maker
Anyways, Hi and welcome back to my channel
This is the first video that I´m talking in to the camera
And hopefully post the video
I have not done so much on Youtube before
But it´s super fun and especially the editing part of the channel.
To edit is fun and something I want to become better at.
I apologize for the scar and bruise and if you have any questions about it I will answer that now.
I burnt myself on my toaster
Simply
and I hit my arm on a door
There, now you know. Not more complicated then that
I am not wearing any makeup
I go all natural because it´s not necessary every time
Tough I´m thinking about whering makeup to my audition this afternoon
But well see (I didn´t)
I apologize for speaking so fast but I do that when i´m nervous.
To talk fast is also a way to make the video shorter.
oh well.
I´m going to talk about whats going to happen from now on.
I have graduated!
One week ago I ran out of my school
From my High School / Upper secondary school
Sang the "graduation song"
And just cried
I made it!
*chocked*
I am done, I DID IT!
I graduated
I´ve spent three years on this school and now I´m going out into "the working life"
I am unemployed
*Babbling about being unemployed*
Have you thought about it that we actually celebrate becoming jobless after graduating.
Some are lucky to already have a job but for the rest of us that are unemployed after school....
We celebrate becoming redundant, unemployed.
Sorry for that to I am sick
I´ve been sick all week
both coughing and a clogged nose.
But hopefully it won´t effect the video that much.
Anyways back to graduation
I´ve been to this school for tree years,
and mad so many good friends
If your watching this I miss you so much already. It's so insane.
WE GRADUATED!
That's insane
What I was thinking is,
what will I do now?
In the future
I´m done with school
I´m done studding
Now I´m going out into the "working life"
The first week I went to the bank, been to meetings, looked for employments
*Done a lot of grownup stuff*
*I have never felt this adult before in my entire life*
But I´ve also applied to an audition
and what day is it today? Its Friday so today I´m going to the audition.
Exactly
I am going to try out for a roll in a movie, a short movie
It will be my first time auditioning
for anything
I have played in theater before and done other type of performances (mostly music) in front of an audience.
But never tried acting in front of a camera
*Except some short films in primary school*
When you stand in front of a camera and act.
It´s something I always fancy doing but I have never done it.
In the bigger cities in the southern parts of Sweden this is more common
acting and such is bigger there, sure acting exists in the north to, but not in the same scale.
*There are apparently some big companies in the north to but I didn´t know of them before recording this*
Not that I have noticed at least
And hopefully it all goes well for me at this audition
But I also have one more "surprise" or whatever you should call it
Because I have graduated I got some present.
One of them I had already planed together with my parents.
Going back to Iceland
And if you have followed this channel even if i haven't been active what so ever.
I started making videos from my "internship" when i was on Iceland for five weeks.
And now i´m going back there.
I´m going back to farm, ranch where I was and did my Internship.
Me and my parents are going there for vacation, were going to rent a car and drive around.
Probably mostly around the southern parts of the island
Not so much up north but well leave that for another adventure, another time.
and I was thinking that you will tag along trough my vlogs and hopefully that will be the start of this channel again.
It is very awkward to stand and talk to my camera and post this on Youtube.
So that people can see it but screw it, I will take this challenge.
Because I want to become an actor and start creating movies
So hopefully I can get some friends together and make sketches or short movies
I don´t know, something like that. *Otherwise i'll try to do them myself, it will be an exiting challenge.*
Well have to see where this channel goes, this could be the only video i post or my vlogs from Iceland.
If that's the case then that's what it is.
And I just have to say it fells really weird standing alone in the apartment talking to my camera.
*You don´t say*
But that doesn´t matter this will probably turn out okey.
So hopefully this will turn out good
I´m thinking you will tag along when I go to Iceland
Today is all abut my audition
So well see how it goes, I will come back this afternoon and tell you how it went and felt
I have no idea right now
see you tonight
Alright, hi everyone
It was very exiting, I was so nervus
But it went well
For being my first time auditioning, I fell pleased
with my efferts
I started by presenting myself,
my name and such into the camera.
and approve some "confidential" stuff
Then I got to preform the monologue that they sent me beforehand to learn "by rote".
I was told to do it in two ways with different emotions,
the firs happy and second sad
I thought it was very exiting but I forgot at one time what I was suppose to say
But after that it felt kinda good and went well, I had the monologue memorized.
So I´m happy about that.
Then it was a improvisation part
and as you can hear I got to improvise out of a scenario they gave me on the spot.
After that it was a scene from the script
that they also had sent me to memorize beforehand.
The people that was there organizing the audition was very friendly and supportiv
they were pedagogical and nice.
It felt like you could relax around them
So now it's just to wait for the results and see how it went.
Hopefully,
I'll get a role if not..
maybe I can become a walk-on
because that is also something they require.
Maybe I won't get a lead role it takes a lot and you have to fulfill curtain requirements from the "directors".
so hopefully it all goes well otherwise i'll apply for a walk-on role instead.
I haven't done that ether.
Thank you for watching this video
I hope you liked it,
in that case feel free to give it a thumbs up and your welcome to subscribe if you want
It's up to you
Every Friday I will release a new video from Iceland
with my vlogs
and I hope they are good I've had some problems with my microphone lately to my camera.
But hopefully it will turn out okey in the end,
otherwise, it is what it is.
So thanks for watching and I'll see you on Friday.
*BYE*
For more infomation >> Jag är tillbaka!..? - Duration: 9:12.-------------------------------------------
The 'Full House' When D.J. Helped An Alzheimer's Patient Escape A Nursing Home - Duration: 4:42.
(soft music)
- DJ's volunteering at a nursing home
with her adopted grandparent, Eddie.
Danny's proud she's spending time
in a giant refrigerator for expiring humans.
DJ doesn't know what to talk about with a 75-year-old man.
Joey says they have so much in common,
they both have dead moms!
Plus she can ask him about the Great Depression
or The Three Stooges.
Then they give her a quick refresher course
on what great depression looks like.
Meanwhile, Stephanie is training Comet
to jump over Michelle.
Cuuuuuute.
Kimmy says her dog Coco is way smarter
than this remedial retriever.
Stephanie says they should get all the dogs
in the neighborhood to come by and see who's the smartest.
Because that's a normal thing kids
definitely do all the time.
Eddie is playing high stakes cards at the nursing home
and just won $24,000?
Better collect from him soon, Eddie.
DJ's ice breaker convo about the great depression
is a bit stiff.
Until she cracks a smile that reminds Eddie
of his daughter Gloria.
He says Gloria's all grown up now in Florida
and he hasn't seen her since...
then he trails off...
What happened in Florida, Eddie?
Eddie says forget that Gloria chick, let's party!
Then invites DJ to get hustled at pool.
Meanwhile the B-story about Stephanie training a dog?
Who cares
and a C-story about Jessie learning
what it's like to be pregnant?
Double who cares.
DJ won three games and Eddie is down $24,000.
Jesus, Eddie, you've got a serious
imaginary gambling problem.
DJ has to get home to her backyard dog show
and Eddie says that sounds sick.
He loves dogs!
He ate one during the great depression.
DJ wonders if they need permission to leave
and he says nuts to that.
Eddie does what Eddie wants and that's on err-thing.
Eddie tells his friend he's getting the fuck up
out this smelly bitch, deuces.
His pal says he can't!
What if he has one of his spells?
Eddie says pipe down and hold this candy bar.
Then tells a nurse that geezer in the corner
is sneaking a Snickers!
And with the nurse distracted,
DJ unwittingly helps this old man escape.
DJ introduces Eddie to her pregnant Uncle
and her other Uncle who isn't really a forest ranger,
he just dresses like one for puppy parties.
DJ tells Eddie he can help judge the contest!
Eddie replies.
- Come on Gloria, you got to hurry,
you gonna be late for school.
- Uhhhh,
the fuck?
Seriously, what happened in Florida?
The dog show is going alright.
Everyone involved
majorly needs a hobby.
DJ and Eddie are having a blast judging these hounds.
DJ gave that dog four stars!
Eddie gave him a triangle next to a
lower-case J with three squiggles.
And a D-Story about Comet falling in love with Kimmy's dog?
Who cares high score.
Eddie sees Nurse Thomas and dips with haste.
Apparently, Eddie is not allowed to leave
without being signed out by a family member.
DJ says he forgot to tell her,
a likely story.
DJ finds Eddie in her room, calling her Gloria,
telling her to be nice or he's not gonna
let her watch Howdy Doody
Yikes.
Then Eddie says he's just playing.
DJ says the only game he's playing is hide and go seek
with the pissed off nurse in her kitchen.
Eddie tells her to chillax.
But DJ can't chillax because he's been lying all day.
And she's wondering if she'll ever see her $24,000.
Eddie fesses up.
Most of the time he's A-OK,
but every now and then
he's not A-Ok.
And he winds up at a backyard dog parade
with a teenage girl he met just hours ago.
Eddie says today was one of the best days
he's had in a while, and he's sorry for getting
DJ in trouble and if she doesn't wanna
see him again, he'll understand.
Danny explains he has Alzheimer's.
It's a scary disease that makes old people judge dog shows.
DJ wants to know if he's going to get better.
Danny says he's going to get worse.
He'll likely progress to cat shows,
then goldfish shows in his final days.
And just like her mom's roadside decapitation,
the doctors haven't found a cure yet.
DJ says this volunteering business sucks booty.
Danny says cheer up!
Because today was one of the best days Eddie can remember!
But take it with a grain of salt Deej,
because it's also one of the worst days he can remember.
It's one of the only days he can remember.
Eddie is telling the nurse he just saw a dog show,
a forest ranger, and a pregnant man.
She's making a note to increase his medication.
DJ invites Eddie to stay for dinner
and it seems like they're going to be friends!
Only we never see Eddie again,
because he probably fucking killed himself,
or at least made a plan to fucking kill himself
then forgot all about it.
So what did we learn today?
Old people in nursing homes are spending
their last moments on earth gambling with imaginary money,
and could really use some friendly volunteers
to get in on the action.
But if your adopted grandparent wants to follow
you to a backyard dog show,
make sure they're allowed to go,
or you might be unknowingly jail breaking
a senior citizen with Alzheimer's.
And backyard dog shows are remarkably
easy to put together in just a few hours
when all your neighbors are losers.
But if you let any rando judge your dog show for free,
you get what you paid for.
And we'll never find out what happened in Florida,
because Eddie most likely straight up murdered
a lady named Gloria and forgot where he hid the body.
See you next time on a very special episode.
-------------------------------------------
Woodturning, Burning, Coloring A Different Box Style - Duration: 8:44.
Hi, Alan Stratton, from As Wood Turns (http://www.AsWoodTurns.com) At the Utah Woodturning Symposium, one of
the demonstrators was Benoit Averly. Subsequently, our club challenged us to make a box similarly
to ones Benoit made. Well, I did not exactly copy him. In fact,
I never want to exactly copy. I want to make it my style. His style is a highly textured
tall lid box with a short base and then a finial. So, for mine, I decided to make a
short base and texture it but I decided to woodburn it for the texturing and use dye
for a little bit of color. I did not want his typical jet black. And then, a little
bit different finial from what I've made before.
So, this box will be the topic of this video. Meanwhile, don't forget we have a sphere
challenge going on. For new-be's, make your first sphere and show it off. For experienced
turners, strut your stuff. Remember to turn your sphere and enter it into the sphere challenge.
You have until the end of july. But for now, let's make this little box.
For this project I am using a maple baseball bat billet. I've cut off a chunk a little
longer than what I think I need and mounted it in my deep shark jaws for a little rounding
off and to cut a tenon. As soon as possible, I'm reversing the wood
to mount with my tenon. With just a little rounding off, I'm cutting a tenon on the
other end. I'll need that tenon later after I separate the top from the bottom.
So, next I'm shaping the wood to mimic the shape that Benoit Averly seems to use a lot.
This is primarily gouge work. Despite it being a spindle, I'm using my bowl gouge.
Then part off the two sections leaving the majority in the top section. I have to be
sure to back off the live center before cutting completely through the wood. Otherwise, the
wood will bind with bad effects. Now, I have the top portion mounted in the
chuck. I'm cleaning up the center to prepare to drill out some of the center. I'm marking
the desired depth on my hand held long drill bit. I had a little trouble getting the drill
started due to the tool rest being too high and still a bump in the center. Once corrected
the I get the hole finished very quickly. Then on to hollowing out the center. I finally
switched to a spindle gouge for most if not all the hollowing. For spindle work, this
method works very well. But now, I need to form a good straight sided
mortise in the end. This is better with a box scraper. I check for straightness by holding
a pencil against the mortise and comparing it to the lathe ways. After a couple of adjustments,
the sides are straight. Next, I'm remounting the bottom portion.
It does not take long to hollow out this shallow portion.
Then on to cut a tenon to fit the mortise in the lid. For now, I want a tight fit. Later,
I'm cut it back more to make it loose. I don't want anyone having to pick up the
entire box to open the lid. After that, I put the two pieces together
again to refine the overall shape. Then cut away the original mounting tenon on the lid
portion. While the top is still square, I'm drilling
a .25 inch hole through the top to use to mount a finial. Then finish shaping before
sanding up through the grits. I debated a while over how to decorate this
box. I decided on four spirals from pyrography bands. Benoit Averly did a lot of texture.
I'll use the brand for texture. To layout, I drew four lines using the tool rest along
the length of the box. Then by eye, drew circumference lines to divide the box into somewhat equal
sections. Finally, I drew a curve from the intersections to the opposite intersection.
For woodboring, I'm using by DIY vaporizer patterned after Graeme Priddle's. It is
a Harbor Freight battery charger with a lot of parts stripped out. Essentially, in buying
a battery charger, I purchased a big transformer, a case, and some spare parts. I did a video
a couple of years ago. The brand is one I made at Molly Winton's direction from nichrome
wire. I'm holding the brand in a DIY pen made from PVC, some connectors, and some brass
rod. Again, I made a video on this a couple of years ago.
With the wood burning completed, I'm sanding the wood again with a fine grit to remove
scorching and smooth off the surface. Now with the lid complete, I'm trimming
the tenon to make a loose fit between the bottom and the lid.
Next, I'm wrapping masking tape on the tenon to protect it from the chuck jaws for the
next step of refining the base. After sanding, I'm signing the bottom. But
first, I have to switch from the brand which has cooled and a ball tip that I use for signing.
Then a light fine sand. For coloring the box, I'm mounting the lid
on the bit I used to drill for the finial and put my live center in the headstock. Either
way would be the same. After aligning the lid to the base, I'm using the Richeson
atomizer to spray on streaks of red and yellow. With this blend, I get an orange color between
the red and yellow. I kind of like it. I applied black dye to the inside, the tenon, the mortise
and the bottom. When it was dry, I sprayed it with rattle can lacquer.
Now for a finial. I found a walnut scrap that should look nice and shaped it like a candelabra
bulb with a ¼" tenon on the bottom. I formed the tenon with some cheap end wrenches that
I sharpened. Then after a trip to the band saw to cut away
some of the walnut, I'm using my 2" right angle carver with a rasp cutter to shape the
finial. I followed this up with hand sanding. For a finish, I applied thin CA glue to the
finial, let it dry, then sanded it back with a finer grit. I'm hoping the CA will give
a little strength to the weak short grain in the walnut. I repeated the CA several times
until the surface was smooth and glossy. Finally, I'm buffing out the box for a bit
more shine. I like my box and its unique style. The joint
is for an ordinary person – not for woodturners. In other words, the top comes off with one
hand. The colors blended well and the pyrography was enough texture for my tastes. We'll
see what the others have done for the challenge. This box was fun. Please give this video a
thumbs up, subscribe on my website, tell your friends and send me your comments and questions.
Every week I make a new woodturning video. Please wear your full face shield – goggles
are not enough protection. Until next week's video this is Alan Stratton from As Wood Turns
dot com.
-------------------------------------------
【MMDxDetroit : BecomeHuman】Shorts : Hold On - Duration: 2:25.
-------------------------------------------
Boxster 986: How to change the engine oil and filter - DIY - Duration: 12:38.
Hi, this is Piston Kirk!
Today we will see how to change the oil and the oil filter
on a Boxster 986.
Before wondering "how to do it",
we must ask ourselves: "how often do we do it?"
Porsche recommends changing the oil every 20,000 km
or every two years.
But that's only for everyday use.
If you like to go on circuit at the weekend,
you will have to change the oil a little more often
because the oil is subject to higher constraints
and it will deteriorate faster
The best is to change after each circuit session.
And you would be wrong not to do it
because, as we will see, it is not very complicated.
Step 1 :
The preparation.
Changing the oil is not very difficult, but you have to be well equipped.
As it is a dirty intervention,
Rubber gloves and paper towels will be needed.
It's also better to have old newspapers and cardboard
to help you keep your garage clean.
Here are the tools needed:
a jack,
a 8 mm Allen key for the crankcase plug,
the specific tool to unscrew the oil filter.
A funnel to put the new oil
and a oil catch pan for used oil.
In theory, we will drain only 8.25 liters
therefore, a 10-liter oil catch pan is enough.
But as the floor of my garage is sloping,
I preferred to take a 15 liters model to be sure that the oil don't overflow.
You also have to buy some spare parts:
a new 18 x 24 x 1.5 mm seal for the crankcase cap,
a new oil filter that comes with its seal,
and two cans of 5 liters of oil.
Speaking of oil,
as my wife didn't find any synthetic 10W40
she decided to bring me a "much better" oil
organic "bio" oil.
Well yes, for her the "bio" oil is necessarily better than the "synthetic" one.
Joking aside,
choosing the oil is not easy.
The manufacturer recommends the 5W40 oil,
but the "Service Manual" of Bentley Publishing
suggests other oils depending on the ambient temperatures,
like the 10W40,
15W40
15W50
10W30
or also the 5W30.
To complicate the situation a little more,
Jérôme Marruecos, a specialist in rebuilding Porsche engines,
advised me to use the 10W60 instead
because it is more viscous and more resistant to shear,
which, according to him, compensates for the lack of lubrication when the engine is very hot,
or low oil pressure when the car is at low speed.
For optimal protection of the engine,
he recommends to his most demanding customers
to change the oil every 10 000 km or every year,
It's twice as often as the manufacturer's recommendations.
If you want to know more about this mechanic,
the link to his facebook page is in the description of this video.
With all these contradictory recommendations,
it's hard to make a choice.
Personally, I will have taken the 10W40
because in the "Service Manual" of Bentley Publishing
it is the only one recommended for temperatures above and below 10 ° C,
it is therefore the most versatile oil compared to the use I have of my car.
But this time, I will follow the advice of Jérôme Marruecos
and take the 10W60.
Now that we have all the elements, let's start the oil changing.
2nd step :
lift the car
On most cars, it is very easy to slip under
to unscrew the oil crankcase cap.
But the Boxster is so low
that we will have to lift it with a jack to pass underneath.
The jack's point of support is here.
Position it underneath,
then lift the car high enough
to have room for you to slide underneath from behind.
Once the height is good,
do not forget to secure with a jack stands or a wheel
in case the piston of the jack break.
As the floor of my garage is sloping,
I will use ramps instead.
Once the car is on,
I put a level on the doorstep,
and I realize that the back is too high.
I go down a little so that it is perfectly horizontal.
It is important that it is horizontal
so that the crankcase will empty completely when I remove the cap.
Now that access is clear
we can slip under the car
to look at the two pieces we are going to disassemble.
Here is the crankcase cap
and there the oil filter.
Now we can start the emptying.
Step 3:
remove the old oil
Pass a oil catch pan under the crankcase cap
but, before unscrewing it,
make sure the engine is cold.
If you have just used your car,
it is better to wait 1 to 2 hours,
because if you take hot oil on your hands
and you make a detour to the hospital,
this may considerably lengthen the duration of the operation.
now put on your rubber gloves
and with an 8 mm allen key
loosen the cap by turning counterclockwise.
You may have to force a little,
but the hardest thing is to unscrew the cap
without dropping it in the basin of oil.
Step 4:
Change the oil filter
Theoretically, you don't have to change the filter
at each oil change.
Porsche recommends changing it every 40,000 km
that is to say once every two oil changes.
But as it costs between 15 and 30 euros,
do not hesitate to change it
especially because we will have to inspect the old filter
for a reason that we will discuss later.
But for now, let's just remove it.
Once the oil flow is almost finished,
shift the oil catch pan a little to put it under the oil filter too
because the oil it contains will dribble when we will unscrewed it.
There is a specific tool for unscrewing the oil filter.
This is a 74 mm flute cap wrench
whose shape is perfectly adapted to this operation.
But as I have standard tools,
I thought I could do it without buyind this specific tool.
After all, others have already done it,
So why not me ?
Let's try this tool that exerts lateral pressure when spinning.
It seemed to work at first,
but it was a bitter failure.
So I used a second tool.
I trusted my chances of success
because I saw other mechanics using it
in DIY tutorials dedicated to the oil changing fo the Boxster 986.
Unfortunately, my naive optimism did not last.
I faced two problems:
First of all, I don't have the space to turn it.
It must be twisted slightly to have enough deflection.
Then, when I finally managed to turn it,
I realized he was skating.
This filter seemed impossible to loosen.
Normally, this filter should be tightened to 25 Nm pressure.
Unfortunately, the person who pressed this filter before me
didn't use a torque wrench and squeezed too hard.
Then, I didn't know how to unscrew this blocked oil filter.
I went to search my toolbox to find a solution
and I made one last attempt
with pliers for pip
normaly used for plumbing
To unscrew it
I had to squeeze with the forceps so hard
that I almost broke the plastic of the filter.
Luckily, it worked,
but I learned the lesson,
for the next time,
in anticipation of this kind of problem,
I bought for 30 euros
a complete kit of cap oil filter socket adapted to all filter sizes.
Now we will let the oil flow.
If your car was on a jack,
get the car down to make it horizontal
and empties completely the crankcase.
As it takes at least 20 minutes for the oil to stop flowing,
we will enjoy it to drink a beer.
But as it is not safe to take alcohol when doing mechanics
we will drink moderately
and just drink a small glass.
Step 5:
Replace seals
As the oil continues to flow,
we will replace the joints,
For the oil crankcase cap, a 18 x 24 mm seal is required.
We can find a complete box of joints like this one
for less than 20 euros.
It is also necessary to change the seal of the oil filter.
Start by cleaning the cap,
then, once it's clean,
remove the old seal with a small flat screwdriver.
Normally, a new seal is provided with the new filter.
To put it back, no need for tools,
you can easily insert it with your hand,
pushing it down to its dedicated location
and not on the thread.
Now that the two seals are replaced and the oil has finished flowing,
we will lift the car again with the jack
and remove the oil catch pan.
As we can see she is very black.
To compare, here are two samples.
Left: the oil just removed.
Right: the oil that will be put back into the engine.
Step 6:
Put back new oil
Before pour the new oil,
it is necessary to screw the crankcase cap.
I took a basic tool and I tightened without measuring the pressure,
but if you want to do things well,
you have to use a torque wrench
and tighten with a pressure of 50 Nm.
You have to put the filter back in two steps:
first, push the filter in
then screw the plastic cup.
Theoretically, you have to use a torque wrench
and tighten to 25 Nm pressure.
But since I did not have the right tool,
I screwed it by hand
At least, like that, I'm sure I won't screw too hard.
Screwing it by hand worked well. When I start the engine I didn't have any oil leak.
Once everything is screwed,
wipe off all traces of oil,
This is important for the test phase,
to make sure there is no leak.
Before putting oil in the engine, the car must be horizontal,
you have to remove the jack.
Now open the trunk to access the oil cap.
Unscrew it,
insert a funnel,
then empty the entire first 5 liter can.
On the tutorials I watched,
it is suggested to put 8.25 L when changing the filter.
However, in the Bentley's Service Manual,
it is suggest to put 8.75 L
it's a half liter more.
Since it's easier to add oil than to remove it,
I will keep the lowest quantity: 8.25 Liters
We have already poured 5 liters,
we must therefore add 3.25 L
I will have to remove 1.25 L of the second can
and pour the rest into the engine.
I discreetly "borrowed" my wife's kitchen doser,
praying she will never see this video.
With the doser I first remove 1 liter of oil
then I pour into the first can that we emptied earlier.
Next, I remove another 0.75 liter of oil
that I pour back into the other can.
Now, we just have to pour the remaining 3.25 L into the engine.
Before removing the funnel,
take a paper towel to prevent the oil from falling into the trunk.
Close the cap,
then start the engine for a minute
to reboot the oil circuit and fill the oil filter.
Then let the engine rest for 10 minutes,
after this 10 minutes check the level.
Normally your oil level must be between these two notches.
There should not be too much or too little
because in both cases, it will damages the engine.
If oil is missing, add in,
otherwise, remove the excess by the bottom cap.
Once the level is good,
you can screw the oil cap.
To control the oil level,
there is also an electronic gauge
which is displayed on the dashboard when the ignition is switched on without starting the engine.
This process can take a few tens of minutes.
When it ended, I realized that I could still add some oil.
So I added a quarter of a liter more,
therefore, instead of putting 8.25 L, I put 8.5 L
there is quarter of a liter more between what I read in the tutorials
and what I put in my engine
This diffrence is perhaps because I let the oil flow for almost 2 hours.
Normaly, you do not wait so long.
Finally,
I added a quarter of a liter more than what was announced in the tutorials
and a quarter of a liter less than what was recommended
in the Service Manual of Bentley Editions.
It is better to be careful,
and start with less to add later.
That's it, it's over for the oil change,
but we still have one last thing to do.
Step 7:
Inspect the old filter
Do you remember that I told you to keep the old filter?
Now we will inspect it closely.
With a cutter cut it in the direction of the length,
then unstuck it
and unfold it.
Look closely for metal particles.
If there is any, there is a problem.
This can possibly be the IMS ball bearing which is deteriorating.
In this case, it must be changed urgently,
because when it breaks,
this can destroy your engine.
We can also detect the presence of metal particles
by passing a magnet in the used oil.
If iron filings clump together,
it is necessary to go to your car mechanic
to find the exact origin of the problem.
Since there was nothing abnormal in the oil of my engine,
so I can throw the filter
and ride.
The question that remains is to know what to do with the old oil.
As it is very polluting,
you can't pour it into the whole thing in the sewer
or put the cans in a garbage bag.
Depending on the country, you need:
either return them to the dump to pour them into a special container.
either bring them back to the store that sold you the new oil
because very often, they are required to take back used oils.
Step 8:
Testing and retightening
After a 20 minute ride,
go under the car to take a look.
If you had cleaned the crankcase well and there are still drops of oil
on the cap or on the filter,
there is a leak
they must be tightened.
In the end, even if the operation is accessible to beginners,
you must keep in mind that this procedure doesn't tolerate approximation.
Don't put too much nor too little oil otherwise the mechanics will suffer.
If you are not sure of yourself,
do not hesitate to regularly check the oil level the first days
in order to be sure that there are no leaks.
In conclusion: it's a bit long, it's dirty but it's not very difficult
and it will save you from ruining yourself at the Porsche dealer
after each circuit output.
See you next time!
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How God is Training You to Hear Him TD Jakes 2018 - Duration: 2:01.
and Abraham is walking and he's leading and he's got responsibilities and he's
got pressure and he's uncertain and God says this is the Jim opportunity to
exercise your ability to hear with your inner ear it is not comfortable it is
not easy it is not air-conditioned it is not designed to be cut to the continuity
of your vulnerabilities or insecurities I mean for you to be uncertain I mean
for your heart to be beating fast I mean for you to have to trust me and be
unstable I mean to take you out where your friends cannot help you where your
support systems are not in place I will move you away from your backup
and your boys and your friends because I want you to have an experience with me
their voice is too loud in your ear I want you to hear what the Spirit is
saying to the church thank God I got you by yourself
I've been waiting dead years to get you by yourself now I want to show you that
it was me that took care you all the way it was me that question it was me that
fed you it was me that provided for you it was me
took care of you it was me all the time
you
-------------------------------------------
The Amiga 1500 Story | Commodore Vs Checkmate Digital - Duration: 23:38.
this episode is supported by monsterjoysticks.com
level up your Raspberry Pi
with their all-in-one arcade kit using genuine Sanwa arcade parts
This is an a1500
and this, this is an A1500
and you guessed it this is also in A1500
Three machines with the same name
there must be a story to be told, the story of the Amiga 1500
our story begins with the Amiga 1000 a machine byte magazine called the first
multimedia computer, so far ahead of his time that almost nobody could fully
articulate what it was for exactly Commodores marketing department included
it retailed over 1200 US dollars in 1985 and was sold exclusively in computer
stores to try and distance itself from the toy store image of the Commodore 64
and make inroads into the serious business PC market which Commodore
wanted a larger slice of than his current systems could deliver
In 1987 Commodore condensed the A1000 into its new low-end model machine which would
succeed the c64 it was the a500 and they would double down on their business
efforts with the A2000. Amiga ownership began for me like many others
with the a 500 its wedge-shaped form-factor sliding neatly beneath a TV
set or monitor and opening up a world of 16-bit software at a more affordable
price than its bigger brother. The A500 came in at 699 u.s. dollars 499 pounds
here in the UK and that price would drop over the years. The a500 capabilities
coupled with its low price of entry and friendly form factor meant that it
didn't take long for it to be heavily associated with gaming. Commodore took
advantage of that fact by bundling it with software to appeal to gamers like
the screen gems, batman or cartoon capers packs with a little productivity
software tossed in like deluxe paint to appease the parents. This would be both a
curse and a blessing for the Amiga which had sold over 1.5 million units in the
UK by 1993 sales were good but businesses often turn their noses up at
the Amiga considering it first and foremost to be a games machine. Commodore
may argue this fact and they did aim marketing out the business sector but in
the UK especially commodore were pushing games heavily in those a500 packs and to
be fair the amiga excelled at many things and games certainly was one of
them but it was within this mindset that a small start-up company saw the seed of
opportunity to provide a low-cost Amiga in a desktop form factor that might
tempt businesses to take the Amiga more seriously at a lower price and therefore
risk that company was checkmate Digital limited
this is Steven Jones of checkmate digital in 1989 Steven partnered with
James Campbell to sell the checkmate a 1500 and he explains to us here why they
thought the a 1500 should exist (Stephen) ...We then setup Checkmate Digital with the express aim of launching this
case, now, the reason for the case you can see the picture up here, why was it so
important, or in my mind why was it so important, and the designers etc. Well the the
2000 was a fantastic machine but it was really expensive back then and I
think we're talking '87 '88, and initially came out it was very very
expensive for normal users. For businesses it was fine...
...A lot of people had Amigas who wanted to get into the
professional end. Not everyone was playing games people weren't playing
games, it was all about creating graphics, creating music, creating all this
you know, even desktop publishing, trying to use your Amiga to get a new career and
there was lots of people out there who bought their five hundreds, they had
invested in them, they bought a hard drive or they bought bits and pieces for it, extra
floppy disks and they'd expand it, but they wanted to give it a
bit more, and there were an awful lot 500 owners, it was designed so you can put
the Amiga 500 motherboard in there you could put an extra floppy disk in, you
could put... it had an internal expansion slot which was a Zorro Two or an
eighty-six way connector, and you could put in it a hard drive controller
and RAM, we used to put in the GBP SCSI HCA - I'm getting a bit technical here - great cards but the
big full-length cards, we used to cut them in half because one half was all the electronics
and the other half was literally just tracks to a 25 way connector
so we used to chop that off and then stick them inside, so that had
up to 8 meg of RAM and a very fast SCSI controller and of course
then you can mount the hard drive behind this panel here so you had
the internal hard drive, you had 8 meg of RAM, you had everything inside this
case and and some people were rack mounting them as well, and giving
it the external keyboard yes I mean I like the external keyboards, I've always
liked big box Amigas, but it allowed other things, for example
you could put MIDI interface inside the case, we also had an adapter so you could
put inside a Flicker Fixer there was tons of things and on top of that you could
put in a Mega Midget Racer which is 68030 card inside with a fan at the back
and it was a fantastic device
a fantastic device indeed an amiga that's more flexible than a standard 500
and cheaper than a 2000 by up to half the price with the right upgrades you
could create the ultimate Amiga on a budget
they cheekily named their invention the checkmate a 1500 system leaving no doubt
to potential buyers as to where it sat in the hierarchy of Commodores product
lineup, and if you weren't one for DIY then you could buy the kit fully assembled
with an A500 and your choice of optional extras already fitted by
checkmate just like the A2000 the joystick and
mouse ports were accessible from the front and an external keyboard was
included but that was actually the a500 keyboard transplanted into an external
casing. After a period of promotion the A1500 was launched in 1990 for the price of
200 pounds and it quickly became apparent that the pre-built systems were
a popular choice the donor machines for which had to come from somewhere (Stephen)... and we
used to buy the games packs, Dave Pleasance was great at marketing games machines basically, he really was the one who pushed the Amiga
and we really were the ones to benefit from the because the price came down, so we used to buy boxes and get loads of these
I think I remember the Batman packs and those early packs, and we used to buy them
and then just just strip them apart, and then in the corner we'd have
the old cases, now a-days just a box would be worth money, but all
the boxes in the corner, with all the game stacked up games and like DPaint and so on
we used to throw DPaint and stuff in with it, but the games
used to get thrown away...well not thrown away I don't know what happened to the games,
but, so yeah we used to just take them and the cases were kind of left behind,
left behind so everything used to go in here and also the keyboard went in here
so you'd end up with just a plastic case, so that was quite funny.
And so the checkmate digital a 1500 was on the market and shifted over 400 units before
they hit a challenging situation and our next system played a big part in that.
Enter Commodore and why not they had after all created the Amiga this was
their baby he hadn't passed them by that this a 1500 product was reviewing well
in magazines being advertised heavily and likely selling well so they invited
Stephen to visit them and discuss the product Stephen recounts what happened
next. (Stephen)...James and I thought wow this is good, because what we
were trying to do was, we were not selling games machines
we never advertised as a games machine, we only ever sold it as a professional bit kit and we used to do
the professional shows we used to go to shows, and we would have for example one
of these machines sitting there running X CAD to people who were looking at auto
cad etc on a PC and showing them the benefits, we went to a music show where
we showed the Amiga as a music system connected to the keyboards by
MIDI etc so we was doing that kind of promotion we thought well maybe this
would be really useful and so we decided to have to make a good impression and
James had a black Porsche Turbo which I was always jealous of and we
decided that okay we'll make an impression because it tended to be most
people in the computer business were, you know like a bit flashy so James said
right we'll go and buy me a suit because I didn't have a suit at the time, we went down and bought quite a nice suit
Austin Reed if I remember rightly
and got me insured on the Porsche Turbo for the day which was amazing, and so it took a
bit longer than normal to get to there because I was taking lots of detours
but anyway so I got to Commodore and I thought it would be worth
making a little bit of an entrance so I roared into the car park, and it was a
wet and the tail had been kicking out on the way I
was having a whale of a time, roared in there revved the engine a bit, turned it off and walked in, went into the meeting
sat down and once the pleasantries are out of the way
the discussion came up, and I don't remember the exact words, I remember the key bits
but I don't remember the exact words that were said because it was so long ago, but basically it was we're causing
Commodore a problem, and they're gonna get rid of us, and a few interesting choice
words. and I was.."what?".. I was really shocked but and that was the bottom line it was
a quite short meeting, I thought they were gonna say you know like we maybe we
could do something do this high-end promotion to help them
promotion because we were doing reasonably well, but the interesting thing was that
they thought we were selling thousands of these we were selling hundreds but we
wasn't selling thousands and they thought we were affecting their market
and of course you know because we are buying 500's their margins are very low and I
kind of understand it, but yeah so that that was that meeting... and it was
interesting anyway I left, very disappointed putting it mildly and
interestingly after that though the
they wanted to get they want to get rid of us but actually all they had to do was
what they did about a couple months later on, they launched the Commodore
1500 because they never liked us using the number which is fair enough
but they launched the Commodore 1500, they slashed the price to 999 pounds, that was it.
wanting to crush rather than collaborate with checkmate
Commodore releases this the Commodore A1500 significantly closing the price gap
to the checkmate A1500 while carrying the official Commodore marquee and this
model was only for the UK market you wouldn't see the A1500 anywhere else it
was purely a reaction to checkmate Commodore obviously hadn't designed and
released a brand new machine in the space of just a few months with which to
attack checkmate no they'd hastily added stickers to the
manuals like this and the wonky badge on the front does give us a clue as to the
machines real origins but it's the label on the back that really gives the game
away that's right this is actually an Amiga 2000
repackaged under the 1500 name if we take a look inside it reveals a B2000
motherboard that's the most common type of board found in 2000's with the
original aA200 board being more closely aligned to the A1000 chipset, I guess
what makes this in A1500 is not what's here but what's missing the hard disk
controller and hard disks of the 2000 have been removed in favor of two floppy
disk drives leaving our hard disk activity light here disconnected and unloved
everything else though is exactly the same as in a 2000 including the five Zorro II
slots on the motherboard and space for two hard drives and the original sticker
is actually still present under the a 1500 one so if you added two hard drives
in a controller you could peel off the sticker and you've got a legitimate
A2000 the price of the commodore machine soon dropped from 999 to 949 pounds with
a monitor and my example was originally purchased for 600 pounds without a
monitor to me that seems the sensible choice compared to a similarly priced
checkmate case and an a 500 to install inside it. the effort gone to by
Commodore to eradicate what it perceived as a threat was a little extreme though
when you consider that within a few months by august 1990 the new amiga 3000
was announced and naturally potential business buyers wanted to see what the
new technology of the a 3000 would offer and at what
price, perhaps then this was just another of the many poor business decisions made
by Commodore or perhaps it was the correct thing to do but for Stephen, James
and Checkmate it was the end so the real impact of the
Commodore 1500, pretty much wiped us out, as I said our benefit was we
could take a 500, if you already had 500 it was still worth buying, but if you were
gonna buy a complete machine whereas before you saved an awful lot of money,
hundreds of pounds, building one of these because most people just wanted a hard
drive RAM and accelerator card, maybe a flicker fixer, didn't really want much more
so we were good value proposition over the two thousands, probably 750 pound
cheaper, so it was a good value proposition but as soon as the
Commodore 1500 came out that was slashed so that was an instant death knell
you'd be forgiven for thinking that our story ends here
a small agile company seizes an opportunity the big boys catch up and
spoil the fun for them and technology marches on rendering both projects
redundant but the march of technology is precisely why the A1500 lives on to
this very day, technology like the modern tools available to Stephen today and the
website Kickstarter this is the first prototype of the new checkmate A1500
Plus, a desktop case which takes the goals of the original checkmate A1500 to
extremes and it takes styling cues from what many will consider to be the
best-looking Amiga, the case is designed to house everything from a regular PC to
a Raspberry Pi and of course those original Amiga 500 to 600 and even 1200
motherboards with optional extras to suit every configuration, here's Stephen to
explain more (Stephen)... I didn't want to remake the original design, I wanted to start from scratch, and so I gave it some thought
now here was the key thing for me, and some people hah some people have moaned at me about doing this and some people have agreed with me
My favourite computer is the 3000 , I love the 3000, I also love the 1000 and I love the way
with 1000 you've got this garage so you know you can slide your keyboard underneath it, I love that, but I love the look of the 3000, the front
and I thought well why not design a case that has the look of a 3000, now think of it more like
a new Mini that's the best way of putting it, it's nothing
like the original, bigger, slightly different proportions and so on, it does more OK
and so I thought well you know I'll have a play and I did some design work and
I thought well you know, no ones going to be interested anyway, so just for fun
I designed it up, and as you can see if you just look at that case, most Amiga
users will go "oh that's the 3000", yeah instantly we just go it's the 3000 because
its got the overall look of the 3000 but if you compare it to that one back there
its' a bit wider... so these are these are two removable panels and they come in
various shapes and sizes so basically you have you have this one here for
example that can take an Amiga floppy disk, now I've got
the drive in here but it's actually not connected because I'm running an Intel
Atom board in here and it obviously doesn't read my floppy disks, but I put it
here to show the mechanics so you just put that in there stick that in
there and a floppy disk works, out it comes, you might want to CD ROM
drive...there you go so there's a cd-rom drive
gone in there little slimline one, I have a holder that holds the thing in
place, you can put a full-size drive so just a normal you can fit one of these
and slide it in, the other thing about it it is that inside the case we have this
board, now the the case was designed to, see the original one would only take a
500 motherboard which was you know at the time he didn't matter obviously because
there wasn't really anything else you could put in it, but now a-days we have all kinds of motherboards we
well from the Amiga it will take a 500 motherboard, it
will take a 1200 motherboard it will take a 600 motherboard it will take a
mini ITX motherboard it will take a micro ATX motherboard, and...now
mini ITX means it will take Amy-ITX it will take the board 1222 when that's
completed, but if you've got a 500, now to me the 500 always the important one
because you know it's the - the original one, so when the version 2 comes out then
this board is going to go inside, now the other thing about it is it has an what's
called an SFX power supply in the back of the case there's this tiny little
power supply which this one's 300 watts which is more than enough for any Amiga
but they come in 450, 600 and so on so you can put in a very high power PC you
can even on the new version you could fit a water cooling block for
the CPU in it and a very high end GPU etc so it will actually take quite a lot
the only reason for the Kickstarter is because of these front panels because
these are 3d printed they cost about hundred seventy-five pounds the print,
it's a ridiculous amount of money, that's great for prototyping but... so I need to get
injection molds done and they cost twenty odd thousand pounds they cost a
fortune so the Kickstarter will be launched once this new version comes
along probably end of July beginning of August and the reason for the Kickstarter is
purely to pay for the molds for this front and for these panels these little
insert panels because that's...there's no way I can fund that
myself that's the bottom line, but yes so it's coming on, I think it's coming on
quite nicely, as I said that the bulk of the work is now done, I think
it makes quite a nice little system I hope you do too, people ask what's the price
of this case now the basic case which is the metalwork, the front panel, I haven't
decided yet on the panels, what you're going to get with it with these, I mean
obviously two blanks, that itself will be, the target is 150 pounds
that's always been the target price, this board obviously is extra because
not everyone needs this I'm not sure the prices here but it's around fifty pounds I
think for this, it's going to be give or take, and then there will be on my Shapeways store, they'll be
little bits and pieces like internal, if you buy the LG drive, slim drive,
you can either make your own (bracket), and I'll give the designs away for doing
it, but you might as well just dawn it off my Shapeways page there'll be a tiny
profit on there just to kind of recoup a little bit, it won't be a lot I promise it
won't be much, but then that will hold the drive for you in place
there will be lots of little bits like that on the Shapeways page which will be 3d
printed things like the GPU inside sits sideways, they are
very heavy so there'll be a holder to hold that up, which you don't really want to
make out metal but yeah, so thanks Neil for inviting me on thanks for
having a look at the 1500 and going through the history it was an
interesting time of my life I haven't told you all the
sordid details, the depression and that kind of thing but yeah, so it's an
interesting time and now I get to play now, in the old days it was my living
and now it's not, it's a hobby which is actually much better
the final chapter of our very British Amiga story remains to be written then
when Stephen has finalised the design of the checkmate a 1500 plus he will launch
a Kickstarter to fund the moulds in the meantime if you'd like to follow his
project you can find more information using the links in the description of
this video or by searching for the checkmate a 1500 plus I know I'll be
following with interest to see how the story concludes and if Stephen will
proclaim at the end of it checkmate Commodore checkmate as always
thank you for watching and take care
-------------------------------------------
Khai dân trí ngày 29062018 Trong lú đã ra lệnh cho một đại đội xe thiết giá - Duration: 47:51.
-------------------------------------------
Simple. Hard. Effective. This is Barbell Logic. - Duration: 1:11.
In a world full of shallow Instagram models, butt implants, meathead steroid
freaks, and guys in banana hammocks having beauty pageants with each other,
it's time someone brought intelligence logic and reason to the fitness industry.
Our focus is on strength, health and longevity because we don't really care
about taking pictures of our butts for social media, even though there's nothing
wrong with wanting to look better. We want that too - we want something more,
something deeper. We want to dig for gold not rake for leaves. Our goal is to
present strength and fitness in a very systematic, logical progression through
strength, conditioning and nutrition starting at the most basic foundational
concepts and then methodically moving into more complex ideas as we progress.
We'll present that information in a relatable and understandable way so that
each video builds on the last. So let's start at the very beginning - a very good
place to start. This is Barbell Logic.
-------------------------------------------
Jurassic Park — Using Theme to Craft Character - Duration: 11:34.
Hi, I'm Michael.
This is Lessons from the Screenplay.
"There it is!"
For a kid growing up in the 90s, Jurassic Park was everything.
It's hard to imagine anything cooler than a dinosaur,
and this film brought dinosaurs to life in a way never before possible.
But as time has shown, simply including dinosaurs is not enough to make a movie good…
"Alan."
…and in revisiting the film as an adult,
it's clear that one of the most impressive aspects of Jurassic Park is its screenplay.
While the film is filled with exciting action sequences and amazing visual effects,
it is also populated by interesting characters
who are used to explore an important, modern theme.
So today I want to examine how the theme's origins inspired the creation
of two very specific central characters…
To look at how both the plot and supporting characters challenge their beliefs…
And dissect how every single choice made by the writers fed the theme
until it became a full-grown, unstoppable monster.
Welcome to Jurassic Park
In the early 1980's, author Michael Crichton was working on a script
about a graduate student using technology to recreate a dinosaur.
As he was writing, Crichton arrived at a problem, explaining:
"This kind of research is tremendously expensive."
"And the question arises: who will pay for it?"
"The only thing that I could think of was that it would come from a desire for entertainment."
So the idea of a dinosaur theme park became the foundation of Crichton's premise,
and buried inside this premise he found what would become the DNA of the story—its theme.
In his book, Into the Woods: A Five Act Journey Into Story,
John Yorke discusses the importance of theme:
"A theory is posited, an argument explored and a conclusion reached."
"That, in a nutshell, is what theme is."
"Subject matter is a static given."
"Theme, on the other hand, is an active exploration of an idea,
it's a premise to be explored,
it's a question."
Is it a good idea to bring back dangerous, extinct creatures?
Just because we have the technology to do something, does it mean that we should?
And, more broadly, is everything we call "progress" actually progress?
This is the theme of Jurassic Park,
but Michael Crichton didn't think the question had a simple answer.
So he and screenwriter David Koepp used the theme as a blueprint
for creating two characters with opposing viewpoints.
When we first meet Dr. Alan Grant, he is anti-progress in two distinct ways.
"I hate computers."
"The feeling is mutual."
We see that Grant is completely mistrusting of technology.
"Look at the extraordinary—"
"What'd you do?"
"He touched it. Dr. Grant is not machine compatible."
"They've got it in for me."
We also see that he is not compatible with a more symbolic representation of the future.
"He slashes at you here…or here."
"Oh Alan."
"You are alive when they start to eat you."
Grant doesn't like kids and doesn't want to have them.
"I mean, what's so wrong with kids?"
"Oh, Ellie, look.
They're noisy, they're messy, they're expensive."
"Cheap, cheap."
"They smell."
Throughout the first act we see examples of Grant's dislike of children
and his contentious relationship with technology again…
And again…
And again.
Grant clearly represents the anti-progress side of the theme,
but soon, someone with an opposing viewpoint comes barging into his world…
John Hammond.
Hammond is so pro-technology and progress,
he doesn't even consider that genetically engineering dinosaurs might be dangerous.
(yelling)
When a worker is killed by a velociraptor,
Hammond's only concern is that it might delay the park's opening.
In fact, Hammond's favorite catchphrase…
"Spared no expense."
"Spared no expense."
"Spared no expense."
…is an expression of this mindset: forward at all costs.
"How could we stand in the light of discovery and not act?"
The first act of Jurassic Park establishes Grant and Hammond's opposing takes
on the theme of progress.
But just having characters embody different perspectives isn't enough.
To truly explore a theme, you must find ways of testing the characters' beliefs.
In act two, the screenplays Grant and Hammond up,
putting an entire island and a 10,000 volt fence between them.
This separation allows each of them to encounter situations
uniquely designed to attack their beliefs.
When power goes out all over the island,
Grant is suddenly forced to get along without the help of any technology…
"Hey what'd I touch?"
"You didn't touch anything. We've stopped."
…while at the same time finding himself responsible for the lives of Hammond's grandchildren.
"He left us!"
"He left us!"
"But that's not what I'm going to do."
Throughout the second act of the film,
every single moment in Grant's story is about one of these two things.
"Good boy."
Eventually, Grant even acknowledges that he has been resisting progress in his own life,
and that he might be ready to change.
"What are you gonna do now if you don't have to pick up dinosaur bones any more?"
"I don't know, I guess we'll just have to evolve too."
Meanwhile, Hammond is dealing with the fact that the dinosaurs he decided to bring back to life
are destroying everything he has built.
But even worse, they're now threatening the lives he values most.
By having to witness the disaster unfold,
Hammond is forced to realize that he only loved progress-at-all-costs
when he thought he had control over it.
But it's not just the situations that are designed to attack Grant and Hammond's beliefs.
(Malcolm laughs)
The script uses Dr. Ian Malcolm, chaotician,
to test the character of Grant by flirting with Grant's partner, Dr. Ellie Sattler.
"Did I go to fast? I go to fast I did a flyby."
And in his interactions with Grant, we see that Malcolm might have some of the qualities
Dr. Sattler wants that Grant lacks.
"You got any kids?"
"Me? Oh, hell yeah. Three. I love kids.
Anything at all can and does happen."
This hints that if Grant doesn't figure out a way to evolve, he could lose Dr. Sattler.
Malcolm tests Hammond by spelling out the exact problem
with Hammond's pro-progress obsession.
"Our scientists have done things which nobody has ever done before."
"Yeah, yeah, but your scientists were so preoccupied with whether or not they could
that they didn't stop to think if they should."
Once Malcolm is injured, Dr. Sattler—another well-designed supporting character—
steps in to test Hammond's beliefs for weaknesses.
"When we have control again—"
"You never had control, that's the illusion!"
"The only thing that matters now are the people we love."
"Alan, and Lex, and Tim."
"John, they're out there where people are dying."
The screenwriter even reminds us of Hammond's catchphrase at the end of this scene,
highlighting how Hammond's progress-at-all-costs viewpoint has failed in the face of disaster
and now sits around him, melting.
"Ellie reaches out and takes a spoon out of one of the buckets of ice cream, and licks it."
"It's good."
"He looks up at her, and his face is different,
as the unhappy irony of what he's about to say
finally hits home."
"Spared no expense."
Ian Malcolm, Ellie Sattler, and even characters like Dennis Nedry, Muldoon, and Gennaro
are fun additions to the story, each with their own memorable moments.
"Clever girl."
But more importantly, these supporting characters exist to sharpen the film's focus on theme
by challenging the beliefs of Grant and Hammond.
And because their beliefs are challenged throughout the film,
by the end they have both learned to evolve.
"Ellie! Boot up the door locks! Boot up the door locks!"
During the movie's climax, Lex's skill with new computer technology…
"It's a unix system!"
…becomes the reason all the characters are rescued—
a fact Grant is forced to acknowledge.
"Grant?"
"Mr. Hammond. The phones are working."
"It's going to cut through the glass!"
And after the trauma of this ordeal…
"GRANT!"
…Hammond has realized that sometimes the cost of progress is simply too high.
"Mr. Hammond, after careful consideration I've decided not to endorse your Park."
"So have I."
That both of them have changed their beliefs
suggests that the central question at the core of a theme
doesn't always have a neat,
easy answer.
As Michael Crichton said:
"It seems to me that we live in a society
in which technology is continuously presented as wonderful.
Isn't it fabulous that we all have computers?
Well, yes and no is my response."
Yes. And no.
Jurassic Park is a great example of how to use theme to guide the design of a screenplay.
It celebrates the marvels that technology can provide,
while also warning of the dangers of irresponsible progress.
And taking it a step further,
the filmmakers even found ways to weave in moments about all kinds of "progress"
issues from the early 90s,
from legal and bureaucratic red tape…
"No!"
To feminism…
"Dinosaurs eat man… woman inherits the earth."
To corporate espionage.
This commitment to theme elevates the film above a simple monster movie,
helping make it one of our most beloved and enduring cinematic experiences—
(clank)
One that may never go extinct.
(roar)
And it allows a thrilling, meaningful adventure to await inside the gates
of Jurassic Park.
Jurassic Park was first released in theaters in June of 1993,
but it didn't come out on VHS until October of 1994.
As a seven-year-old, having to wait that long to watch it again was very frustrating,
but I filled that time by playing with my Jurassic Park toys...
(tinny roar)
...and by reading the original book.
The book has a much darker tone, but is really great,
and if you haven't read it, you should.
Which is why I'm so glad that Audible has sponsored this video,
because you can start a thirty-day trial today and get your first audiobook for free
by going to audible.com/lfts or by texting "lfts" to 500500.
Audible has the largest selection of audiobooks on the planet,
and you can listen to them on all your devices—
seamlessly switching between your phone, car, or tablet—
picking up exactly here you left off.
So head to audible.com/lfts or text "lfts" to 500500
to sign up for the free thirty-day trial and start listening to Jurassic Park today!
Thanks to Audible for sponsoring this video.
Hey guys, hope you enjoyed the video!
Have you seen the new Jurassic Park, and if so what did you think?
Let me know on twitter @michaeltuckerla.
Thank you as always to my patrons on Patreon
and my supporters here on YouTube for making this channel possible.
If you want to support the channel you can by heading to my Patreon
or by clicking on the "sponsor" button below.
Thanks for watching, and I'll see you next time.
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DÜNYA KUPASI BULMACASI!! - Duration: 4:44.
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🇰🇷韓國工作假期Vlog #2: #薰衣草園 #吃放 #甜品天堂 #House Tour #雪嶽山 - Duration: 14:29.
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Celebrities Whose Families Literally Loathed Their Spouse - Duration: 3:33.
Family drama is incredibly stressful, especially when it involves your spouse.
Relatives ragging on your significant other can force you to choose sides and constantly
playing peacemaker gets real old, real quick.
Unfortunately for these stars, it's a dilemma they know all too well.
Here are a few celebs whose families loathed their spouse.
Donnie Wahlberg
Therec have been ongoing rumors that Donnie Wahlberg's famous fam doesn't care for his
wife, outspoken radio personality Jenny McCarthy.
The rumor mill reached a fever pitch in 2014 when Donnie's brother, actor Mark Wahlberg,
skipped his brother's nuptials.
Although Mark claimed he didn't go to the wedding because it fell on the same day as
his daughter's birthday, fans still speculated that something was amiss…and that the "something"
was the bride.
A year later, Mark's wife, Rhea Wahlberg, supposedly joined the reported feud.
Shortly after McCarthy debuted pink hair, Rhea tweeted:
"Don't u think after age 25 it might be strange for a woman to dye her hair pink, purple,
green or any color of that sort?"
McCarthy had the last word when she dyed her hair blue in 2018.
David Foster
Fans of The Real Housewives of Beverly Hills might be surprised to learn that David Foster's
kids never really took to his ex-wife, Yolanda Foster.
Although Foster's children kept their distaste for Yolanda in check while they were married,
they went public once the divorce was final.
In June 2016, Foster's daughters, Erin and Sara, revealed their feelings regarding Yolanda's
struggle with Lyme disease, on Jenny McCarthy's SiriusXM show.
Sara said,
"Only she knows her journey, but what I will say is if you're capable of continuing to
be on a reality show, you're not dying.
Let's be honest."
Caitlyn Jenner
Caitlyn and Kris Jenner's marriage was rocky in more ways than one, but it appears that
Jenner's kids with ex-wives Linda Thompson and Chrystie Crownover never approved of the
reality TV matriarch.
Caitlyn's son, Brody Jenner, told the New York Daily News,
"The tension was real as far as growing up not knowing her intentions, who she is, there
was obviously just drama between the family and parents."
Caitlyn's mom, Esther Jenner, reportedly deeply disliked Kris, as well.
Esther told the Daily Mail in 2014,
"She could insult you with a big smile on her face.
[...] She was backstabbing as far as my grandchildren were concerned, and that is something I can't
stand."
Lamar Odom
Lamar Odom's two kids, Destiny and Lamar Odom Junior, didn't take to their dad's famous
ex-wife, Khloe Kardashian.
Although Lamar Junior has tried to keep relations civil, Destiny vocalized her true feelings
on her Ask.fm page, saying,
"No one thought they were going to last, so honestly, who [cares]."
Destiny also didn't approve of Kardashian rushing to her dad's side following his near-fatal
overdose in 2015.
She told People,
"A lot of people in our circle were confused.
Their relationship is very toxic."
Brad Pitt
When Brad Pitt started dating his Mr. and Mrs. Smith co-star Angelina Jolie, fans wondered
what his family thought of his new lady especially since Pitt's ex-wife, Jennifer Aniston, was
reportedly close with his parents, William and Jane Pitt.
An insider told Now Magazine that Jane preferred Aniston to Jolie, claiming,
"Jane's seen, first hand, how difficult Angelina is.
She never comes to visit the family in Missouri and is always prickly on the rare occasions
they have [gotten] together.
Jennifer was the total opposite — charming, friendly and the perfect daughter-in-law."
Another source told Radar Online,
"Jane tried so hard to bond with Angelina and welcome her into the family but nothing
ever seemed to work."
Thanks for watching!
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Plus, check out this other cool stuff we know you'll love too!
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Capturing The Northern Lights: On the Road 3 with Alex and Ryan - Duration: 10:55.
We are headed.. alright, so we are getting
ready to hit the road to head to Reine,
which is probably the most iconic
village and all the Lofoten Islands. I've
dreamt of this place forever, and somehow
we have clear skies, and a very strong
Aurora forecast. I personally couldn't be
more excited, this is what I just hoped
for when we booked the trip out. What do
you think?
It's going to be insane, and I
think there's quite a lot of luck and a
lot of skill in getting a the Aurora
perfect, and those guys who go out all
night in northern Norway, those guys are
killing it! Because they spend all night
out, and that's what we're aiming for tonight!
So Reine, the village we're at, at
the moment, has to be one of the
prettiest in the world. I was lucky
enough to be able to visit every kind of
little cove and crack and alley, in
Lofoten, and this one has to be high
up on my list. There is just so many
different angles to shoot at, so at the
moment we shot Sunset, and we are
waiting out the Aurora so we're going to be
here for another five hours or something
crazy. So we're here for like five hours
waiting at the Aurora, and hopefully to
get some incredible shots. That peak
right over there is exactly true north.
So it's the spot to be!
So last night we had one of the most
incredible nights. We were waiting till
2:00 in the morning to gather the Aurora,
much later than we thought. It's just
getting so late here at the moment, and
the days of merging with the night, so
there's actually no pitch black, but the
Aurora came around 2:30 in the morning!
When we got back here at 4:00, so what an
incredible night. So today I'm going to
quickly show you guys how I edit night
shots. Last series you saw how Ryan edits
his lifestyle and landscape photos. So if
you guys want to check that out head to the
last series, but for today I'm going to
show you guys how I edit my night
photography shots. So I've chosen
this photo, as I love how the Northern
Lights arch over this amazing peak. As you
can see Ryan is in the foreground here,
but that is not a problem at all. Because
I took two different photos in the exact
same spot. So Ryan could get that unique
angle he wanted done there and I could
get my photo. So I'm gonna wear through
this tutorial. So the first thing I'm
going to do is, the lens correction, this can
really affect the overall outcome of the
image, the exposure and the overall look!
So make sure to do this first I'm going to
add a little bit of vignette in,
because I like how to kind of lead you
into the image almost. The next thing to
do is kind of up the exposure, so we can
see what we're working with. One of the
most important things also I think with
northern light shots is, white balance. I
think it can really affect the feel of
the image. So I think this is something
to get really, really right. So have a big
play around with kind of what the tones,
and feel of the image want. If you want to
click cold or you want it more warm. Next
can add a little bit of contrast just to
bring everything together. You can leave
the highlights where they are at the
moment, and bring down some later over
these houses, because it's a bit over
exposed. Bring up the shadows a little
just to bring those details back.
Bring up the whites and blacks, just a
little more contrast as you can see. It's
very orangey in the foreground, but we're
going to get rid of that. Add a little
clarity as well, just to bring everything
together. I'm going to leave those sliders
there at the moment, because it's already
actually quite a vibrant image. The tonal
curve is such an amazing tool to use, it
has so many different options, and how
you can affect the image. I recommend you
guys have a massive play around with it
if you haven't already! You can do so so
much with it. You can lift the blacks so
you can get quite a vintage look, but I
like to keep it quite clean, so I'm going
to leave it quite basic like that, but it
adds, it's just so much the image, so I
highly recommend you have a play with
that if you haven't already! These tools
so so useful to changing the colors and
all these amazing things you can do
with raw imaging processing, so I'm just
going to play with the greens a little in
the Northern Lights, just to bring them,
and then I'm going to play around with the
blues as well. The Blues are quite deep
so I want to bring it a bit more magical,
and a bit more lighter, so I'm going to
bring down the saturation a little
because the Blues are super intense in
there. Next, this foreground it's got so
much orange in it as you can see. I like
how the houses have this really unique
color, I'm going to bring those back later
but for the moment, it's just so orangey
on the snow, and I don't like it, so
I'm gonna move those down a little, and
you can see how that plays out. Blues
again, I'm just going to mess with the blues,
absolutely love trying to get those
absolutely nailed down, and the aqua's,
because it just makes such an amazing
Northern Lights. It's just so amazing how
much you can change these tones, so I'm
going to leave that how it is. Split toning
not going to go into this, this time. Don't
need it. Detail, so going into detail, I'm
going to add a bit of sharpness. I usually
try keep about 50/55 ish and noise
reduction. Luckily I was using the D850
and the noise is hardly there, our ISO
2000 which is so amazing. But I'm just
going to add a little bit of noise
reduction. To me this this image quite
like dreamily, looking like.. Color
calibration, this is such an awesome tool
to use. There's so many amazing things
you can do with this, if you know how to use it!
I think sometimes people overuse it,
to get a teal and orange effect, people
go too far with it. It creates so many
options to what you can do.
So I'm pretty much just going to play
around with the blues again, with this
one,, but I'm pretty much going to leave it
how it was I think mostly Northern
Lights shots are done on white, but so
now I'm going to move into different
grading filters, so for the first one I
want to just bring the Northern Lights
up a bit, to get those details, bring
the whites up, be a bit more contrast
into the sky. There we go, very nice, I'm
going to do one for the foreground, so I'm
just going to raise that up, bring out the
details and stuff. I don't want it to look too
unnatural, and to overlap, but I wanted to
bring out those amazing amazing details,
so the next thing I'm going to do is bring
back the saturation in the houses. I
love Norwegian houses, the colors, the
vibrance of them, but the orange was too
overpowering on the snow. But this is the
way to get a little bit back. So next I'm
going to focus on these areas with too,
too much highlight. It would be a better
idea to shoot this in stages, but it's
such a hard shot to get, because of the
Northern Lights, it's going, and it can go
any second. So we just want to shoot one
or two frames. So next I'm going to copy
and paste this whole preset, so
everything is exactly the same on to the
other image with out Ryan, and then
we're gonna move it into Photoshop to
finish it off. Here you go! One without
Ryan. All you need to really concentrate
on is that bridge path, you can really see
in this image how much the Northern
Lights change, and how defiant they were
at that moment. So you really got to
capture it when you can. So I'm going to put
the two images in Photoshop to get rid
of Ryan, and this horrible telephone wire
across the whole image, which is going to be
such a pain. So they're pretty easy, so it
doesn't really matter which way you do
it around, but you drag it into
that, so and then use this masking tool
in the corner. You press that, and use the
paintbrush. So you flip it to black to
white in the left-hand corner down there,
but it's really easy fix, that's all I'm
going to use of that secondary image
and it's ready to get rid of that wire. Can
use these two different tools, this
patching tool and this one for content
to wear, this wire is actually going to
be such a pain. I'm just going to work on it
loads, these things just take time, and
time. So I really love this image that
I've created. It's got a little bit more
work to do on the right hand side, but as
I said it's just trial and error. Trying
to get that texture right, and these
Northern Light shots are super hard to
get right up in there, something, because
there's just so many details, and it's
always different in different places. So
it's hard. This is one of my favorite
images I've taken in Norway so far. It's
just such a magical moment, that this
arch came over for a few seconds, and I
was able to get my camera out, and get it
shot so I'm really, really happy, with the
results that evening. This was a
really quick tutorial, and I hope it was
helpful for you guys,
and here are some
final images of the evening.
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Spiritually Gifted People Are Affected By These 7 Strange Things - Duration: 5:04.
you
we're all gifted in some way while some gifts are easily recognized and
developed some are subtle and can even make you feel weird spiritual gifts are
in common and may even make you feel special but be wary though spiritual
gifts aren't always comfortable either and if you do not learn to manage them
they can even become a burden for someone who posses them check out for
these signs because if most of these things affect you it may mean you are
genuinely spiritually gifted seven things spiritually gifted people are
affected by spiritually gifted people affected by seven things one the lunar
cycles affect them the moon is at its strongest during the new moon in the
full moon during these moon phases spiritually gifted people have
difficulty sleeping or may even be restless - the time between 3 o'clock
and 4 a.m. gives them sleeping troubles known as the witching hour this specific
time of the day is believed to be where the magical powers are at their
strongest which means it could boost magical activity or make weird things
happen if you find yourself waking up or having
difficulty sleeping between these hours it could be a hint that you have a
spiritual gift should this happen to you instead of freaking out do something
that can enhance or tame your powers such as prayer or meditation three
animals are drawn to them animals have senses that are stronger than humans
they're able to smell emotions like anger or kindness because of this
they're able to sense our aura which makes them gravitate towards someone who
is spiritually gifted they're attracted to the spiritual energy of these people
and they feel protected and safe in their company for their emotions often
affect their physical surroundings when you have a spiritual gift you are
constantly facing the challenge of controlling your emotions because when
your emotions are intense you may cause things to break or electronics to stop
working even animals act weird when they sense the strong emotions of people who
are spiritually gifted like cats staring or dogs barking for no reason at all
the plants may get sick or flourish in their company depending on their energy
and emotions five strangers and wacky people regularly show up and approach
them most often spiritually gifted people attract strangers who need help
or healing whether that be physical emotional spiritual or mental on the
other hand people considered as crazy by the society may regularly come their way
to these people aren't downright insane in fact they're enlightened but unable
to make sense of it yet what they need is guidance from somebody more
illuminated so their subconsciousness leads them to people who are spiritually
gifted and can juggle with things they cannot even understand 6 they sense when
the weather is about to change even if it's not forecasted they have this
natural ability to sense when a storm is coming even if it looks like a perfectly
sunny day they know it's still going to rain this may be so because their gifts
are connected to nature and their strong connection to the spirit of nature
enables them to sense the changing of weather or seasons 7 they strongly sense
negative energy in a room when they enter a room they are like walking
radars for energy even the slightest quanta of negativity in a room is
detected by their overly sensitive radar they know immediately if something bad
happened in a room before they got there or what people think and feel when they
look at them their gift of sensing negativity is not
there just to torture them sensing what others are almost blind to their gift is
there to help them see where to use their skills and energy what needs
healing and what they should avoid when they are energetically tired their
overly sensitive nature enables them to sense positive energy much better than
others
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Khi Queer Vào Đời / To Be Young and Queer - Duration: 4:24.
Youth is so special. It's when we find out who we are as people.
During these formative years, we stumble for the first time through many of life's experiences
– both the joyful and unpleasant.
While growing up is difficult for everyone,
it's perhaps particularly tough for members of the LGBTQ+ community.
Full of discoveries and desires, of shames and secrets;
Being young and queer is a rich seam of emotions from which countless films have been made.
Let's take a look at some of them and follow Chuyện Bỏng Ngô down this passionate stream of emotions.
Coming-of-age is a genre of film about young people, usually teenagers,
and the rites of passage they face as they transition into adulthood.
Such passages vary,
but frequently they are a first love, rebellions against family and society
or more broadly, the search for one's identity.
They are all well-trodden subjects,
but once queer protagonists are put under the spotlight
these familiar narratives gain new layers of meanings.
In The Way He Looks, a young blind boy finds first love in a male classmate.
Their young love is tender and true,
erasing the prejudices around them.
However, his sexual awakening is still an emotional journey,
for both himself and his loved ones.
Meanwhile in Pariah, a young lesbian rebels against her family
in order to not only find but to accept her identity.
Although her story ends in pain and division as it often is with queer films,
it ends also in power,
in her complete defiance and her freedom to live truthfully.
"Cannot have reasoned otherwise."
"And I'm not running,
...I'm choosing."
This process of coming to terms with one's sexual or gender identity
is one of cinema favorite queer narratives.
As it's loaded with conflicts and confrontations,
especially when it comes to the act of coming out.
"I like, like you."
"Why be weird about it?"
"Let's just keep hanging out."
Coming out is an affirmation of one's Queer Identity.
But it's also bound up inextricably with the concept of Queer Sexuality.
And coming of age films are uniquely equipped to portray this aspect of queerness.
Fittingly perhaps as these are stories about youth
- a rolling sea of hormones and impulses.
Especially notable are the films from outside of Hollywood
like the Swedish romance Show Me Love
or Xavier Dolan's I Killed My Mother
They prove that the best queer stories are ones that
balance matter-of-fact depictions of sexuality
with sensitive portrayals of the process of identity exploration.
Recently, queer cinema has been experiencing an even bigger boom
with more diverse stories that has evolved far beyond the coming out plot.
The Oscar-winning Moonlight is an anti-coming-of-age film
that follows a young black boy and the heartbreaking lengths he'll go
to deny his queer identity and desires.
Meanwhile Adele tries to find herself, is confused by what she discovers,
found love then lost it in Blue Is The Warmest Color.
In Tomboy, we silently observe one child's sweet summer
as they experience being another gender in an attempt
to discover their authentic self.
"Hello lady."
Even the seemingly bland Love, Simon,
a traditional tale about the search for love and acceptance,
is quietly progressive in its happy ending
and how it normalizes queer love.
Coming of age films is both a well for adolescents to draw wisdom for their journey forward;
and a mirror for adults to look back at their youth
and be reminded of their own potential.
Growing up queer is still a struggle,
especially within a still intolerant society.
Layered, human and honest portrayals of queer experiences
not only encourage more acceptance
but also have the power to tell young queer people that they are valid.
That they are not an oddity.
That their stories and voices are worthy of being heard.
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Road Trip | AltaMed Meets Napa 🍇 | Gustavo Wine | Ep.5: Part 1 - Duration: 1:01.
(upbeat music)
- Everybody makes a cabernet but I choose to make it
in a fashion that is pure, it's true,
it's what a cabernet is what's genetically made to be.
I gathered in all the parts of agriculture.
The nature, weather, everything.
I trail blaze my own ways of what I think
a cabernet should be.
A bold, structured, amplified, big long living wine.
I have to make this wine cabernet the king of all the wines.
You can see the king behind here
because its sitting on its throne.
Its on its chair and its like directing.
Its saying, taste me.
I promise you because you because that's what I started
in this industry as a promise and these wines
have promise that you will enjoy them.
This is Gustavo.
We'll see you Alta Med.
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Il cibo biologico fa male? - Duration: 5:19.
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Mission: Impossible - Fallout (2018) - "New Mission" - Paramount Pictures - Duration: 1:03.
- It's definitely a new mission.
It's a big, emotional, entertaining story.
(engines revving)
- Ethan Hunt, in this movie,
finds himself on a much more personal journey.
(gun shot)
- You in or out?
- In.
(intense music)
This is the best mission yet.
- This is a tougher mission.
- The end you always feared.
It's coming,
And the blood will be on your hands.
(motorcycle revving)
- With this one, Tom has really doubled down
on the stunt aspect of risking his life,
literally, for the movie.
- What the hell is he doing?
- I find it best not to look.
(intense music)
- People talk about the action,
but what they're responding to
is their investment into the characters.
You need to walk away.
- Please don't make me go through you.
- It's too take you places you've never been.
It's to show you things that you've never seen,
and it's to put you in that experience right there with him.
(dramatic music)
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