Thứ Bảy, 28 tháng 4, 2018

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The Secret Circle That Controls Governments Exposing the Trilateral Commission

Who is in charge of destroying economies?

One group has been virtually forgotten.

Its influence is enormous.

It has existed since 1973.

It�s called the Trilateral Commission (TC).

Keep in mind that the original stated goal of the TC was to create �a new international

economic order.�

In the run-up to his inauguration after the 2008 presidential election, Obama was tutored

by the co-founder of the Trilateral Commission, Zbigniew Brzezinski.

In 1969, four years before birthing the TC with David Rockefeller, Zbigniew Brzezinski

wrote: �[The] nation state as a fundamental unit

of man�s organized life has ceased to be the principal creative force.

International banks and multinational corporations are acting and planning in terms that are

far in advance of the political concepts of the nation state.�

Goodbye, separate nations!

Any doubt on the question of TC goals is answered by David Rockefeller himself, the founder

of the TC, in his Memoirs (2003): �Some even believe we are part of a secret

cabal working against the best interests of the United States, characterizing my family

and me as �internationalists� and of conspiring with others around the world to build a more

integrated global political and economic structure�one world, if you will.

If that is the charge, I stand guilty, and I am proud of it.�

Patrick Wood, author of Trilaterals Over Washington, points out there are only 87 members of the

Trilateral Commission who live in America.

Obama appointed eleven of them to posts in his administration.

For example: Tim Geithner, Treasury Secretary; James Jones, National Security Advisor;

Paul Volker, Chairman, Economic Recovery Committee; Dennis Blair, Director of National Intelligence.

Here is a stunning piece of forgotten history, a 1978 conversation between a US reporter

and two members of the Trilateral Commission.

(Source: Trilateralism: The Trilateral Commission and Elite Planning for World Management; ed.

by Holly Sklar, 1980, South End Press, Pages 192-3).

The conversation was public knowledge at the time.

Anyone who was anyone in Washington politics, in media, in think-tanks, had access to it.

Understood its meaning.

But no one shouted from the rooftops.

No one used the conversation to force a scandal.

No one protested loudly.

The conversation revealed that the entire basis of the US Constitution had been torpedoed,

that the people who were running US national policy (which includes trade treaties) were

agents of an elite shadow group.

No question about it.

And yet: official silence.

Media silence.

The Dept. of Justice made no moves, Congress undertook no serious inquiries, and the President,

Jimmy Carter, issued no statements.

Carter was himself an agent of the Trilateral Commission in the White House.

He had been plucked from obscurity by David Rockefeller, and through elite TC press connections,

vaulted into the spotlight as a pre-eminent choice for the Presidency.

The following 1978 conversation featured reporter, Jeremiah Novak, and two Trilateral Commission

members, Karl Kaiser and Richard Cooper.

The interview took up the issue of who exactly, during President Carter�s administration,

was formulating US economic and political policy.

The careless and off-hand attitude of Trilateralists Kaiser and Cooper is astonishing.

It�s as if they�re saying, �What we�re revealing is already out in the open, it�s

too late to do anything about it, why are you so worked up, we�ve already won��

NOVAK (the reporter): Is it true that a private [Trilateral committee] led by Henry Owen of

the US and made up of [Trilateral] representatives of the US, UK, West Germany, Japan, France

and the EEC is coordinating the economic and political policies of the Trilateral countries

[which would include the US]?

COOPER: Yes, they have met three times.

NOVAK: Yet, in your recent paper you state that this committee should remain informal

because to formalize �this function might well prove offensive to some of the Trilateral

and other countries which do not take part.� Who are you afraid of?

KAISER: Many countries in Europe would resent the dominant role that West Germany plays

at these [Trilateral] meetings.

COOPER: Many people still live in a world of separate nations, and they would resent

such coordination [of policy].

NOVAK: But this [Trilateral] committee is essential to your whole policy.

How can you keep it a secret or fail to try to get popular support [for its decisions

on how Trilateral member nations will conduct their economic and political policies]?

COOPER: Well, I guess it�s the press� job to publicize it.

NOVAK: Yes, but why doesn�t President Carter come out with it and tell the American people

that [US] economic and political power is being coordinated by a [Trilateral] committee

made up of Henry Owen and six others?

After all, if [US] policy is being made on a multinational level, the people should know.

COOPER: President Carter and Secretary of State Vance have constantly alluded to this

in their speeches.

[a lie]

KAISER: It just hasn�t become an issue.

This interview slipped under the mainstream media radar, which is to say, it was buried.

US (and other nations�) economic and political policy run by a committee of the Trilateral

Commission � the Commission created in 1973 by David Rockefeller and his sidekick, Zbigniew

Brzezinski.

When Carter won the presidential election (1976), his aide, Hamilton Jordan, said that

if after the inauguration, Cy Vance and Brzezinski came on board as secretary of state and national

security adviser, �We�ve lost.

And I�ll quit.�

Lost � because both men were powerful members of the Trilateral Commission and their appointment

to key positions would signal a surrender of White House control to the Commission.

Vance and Brzezinski were appointed secretary of state and national security adviser, as

Jordan feared.

But he didn�t quit.

He became Carter�s chief of staff.

Now consider the vast propaganda efforts of the past 40 years, on so many levels, to install

the idea that all nations and peoples of the world are a single Collective.

From a very high level of political and economic power, this propaganda op has had the objective

of grooming the population for a planet that is one coagulated mass, run and managed by

one force.

A central engine of that force is the Trilateral Commission.

How does a shadowy group like the TC accomplish its goal?

One basic strategy is: destabilize nations; ruin their economies; send millions and millions

of manufacturing jobs off to places where virtual slave labor does the work; adding

insult to injury, export the cheap products of those slave-factories back to the nations

who lost the jobs and further undercut domestic manufacturers, forcing them to close their

doors and fire still more employees.

And then solve that economic chaos by bringing order.

What kind of order?

Eventually, one planet, with national borders erased, under one management system, with

a planned global economy, �to restore stability,� �for the good of all, for lasting harmony.�

The top Trilateral players, in 2008, had their man in the White House, another formerly obscure

individual like Jimmy Carter: Barack Obama.

They had new trade treaties on the planning table.

After Obama was inaugurated for his first term, he shocked and astonished his own advisors,

who expected him, as the first order of business, to address the unemployment issue in America.

He shocked them by ignoring the number-one concern of Americans, and instead decided

to opt for his disastrous national health insurance policy � Obamacare.

Obama never had any intention of trying to dig America out of the crash of 2008.

That wasn�t why he was put in the Oval Office.

He could, and would, pretend to bring back the economy, with fudged numbers and distorted

standards.

But really and truly, create good-paying jobs for many, many Americans?

Not on the TC agenda.

Not in the cards.

It was counter-productive to the TC plan: further undermine the economy�

So that, one day, a student would ask his teacher, �What happened to the United States?�

And the teacher would say, �It was a criminal enterprise based on individual freedom.

Fortunately, our leaders rescued the people and taught them the superior nature of HARMONY

AND COOPERATION.�

� The rough, uneven, and challenged nationalism surfacing in a number of countries is evidence

that many people are waking up from the Trilateral-induced trance�

For more infomation >> The Secret Circle That Controls Governments Exposing the Trilateral Commission - Duration: 10:20.

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Hollywood movies VS Japanese movies! Who wins? - Duration: 8:12.

I only think that that must take so much money.

That person will be killed next.

The Final Jet coaster series.

Hey guys it's Cathy Cat. Many of us love and watch Hollywood movies.

Same in Japan. This time we are gonna go and ask Japanese people

about Hollywood movies. Specifically which things are different

compared to Japanese movies and what kind of surprises them.

TV TROPES!

And TV tropes that they see a lot so let's go and Ask Japanese.

There are so many heroes. - For example?

Something MAN and such like Spiderman are common.

There is so much impact.

What type of impact?

Everything is very grand.

Japanese movies don't seem to use as much CGI and such.

Yeah not really. At least not as much.

They seem to spend a lot of money on them.

In the horror genre I know some tropes.

In Japanese horror movies, they make the audience jump somehow.

But abroad there seems to be more gore.

It comes across as very realistic.

You really feel like you enter that movie.

In Japanese movies, you already know when the next jump scare comes.

I enjoy movies from America more.

Are there some common Hollywood horror scenes?

The killing ones. There are lots of members, and you guess who gets killed next.

You think about it.

And then the person you picked will get killed.

You understand quickly how many of them will get killed.

I watch a lot of horror movies, maybe that's why I can tell.

Suddenly that one person gets featured more than the others...

Ah, that might be the next target...

Even though it's not a main protagonist, that person's story will unfold...

And that's how you know... That person will get killed next!

The end of that person's story is in sight.

I see that a lot.

What differences does Hollywood have to Japanese movies?

Hollywood seems to spend more money on their movies.

They seem to have more to spend.

The CG and such is so advanced too.

In Japan you don't spend much on movies?

Not that much.

We spend more money on getting famous actors.

We spend money on the celebrities...

but not so much on the other things.

Splatter movies! - You like those? - Yes!

What do you watch a lot?

I like the Final Destination Jetcoaster one.

The way they die is so grotesque.

I love it. - That's very bloody.

YEAH!

Are there movies that are just as bloody in Japan?

No no! In Japan they are scary but not bloody.

Japan is like UWA UWA. America is like GUEEEH

It's very gross.

In Japan, your mental state gets more affected.

American movies go splatter splatter.

Romance movies are very dramatic, compared to Japanese romance movies.

The romance development in Japan goes slower.

In Hollywood they really create a good mood.

It's more romantic.

Japanese people don't really have that concept.

Japanese movies are not very romantic?

Not really.

I don't feel romantically moved watching them.

In US movies they hug or kiss and become friends again, right?

In Japan it's not like that. - True.

So with a hug or a kiss, everything is solved? - Yes.

You don't have that in Japan? - No.

We don't hug. We don't.

There are so many explosions in American movies - True.

Do you have some in Japanese movies? - A little. Not much.

Action explosions are very Hollywood.

Yes I see a lot of them.

They have an impact. I like them a lot.

I like comedy movies.

They are so funny.

Are there a lot? - Yeah I think so.

Comparing Japanese and foreign comedy, what's different?

Abroad there isn't a Japanese "Owarai" culure, right?

But instead there is more movement and action.

They make you laugh in other ways instead.

There are so many Hollywood romance movies.

Maybe that's just my opinion.

What scenario do you see a lot in Hollywood romance movies?

Romance abroad seems to go so much deeper.

Those movies seem to express

how much one person loves and focusses on another person.

That's the image I have of American movies.

What's different to Japanese romance movies?

Abroad they don't seem like they would cheat on their partner as much as here.

I have the image that Americans cheat less.

Than in Japan?

In America there seems to be less cheating.

What do you see a lot in foreign movies?

Can I say that in English too?

In America there is a lot of...

the way they perceive romance is really different than in Japan.

I think.

You live in Japan? - I am just visiting here.

But your family... you said you have Japanese heritage?

I grew up in a Japanese household in America but...

my Japanese is still not there, quite.

You're the perfect person to compare American Culture and Japanese culture.

If you compare Japanese and American movies, is there anything else you see a lot?

The way they have relationships between the people.

I mean familiar relationships as well as personal relationships

between romance and how you treat your parents and your boyfriend.

It's really different.

So more the family aspect comes into it in Japanese movies? - Yeah.

Also just public display of affection is very different between America

and Japan I think.

And that's perceived a lot in movies too.

Lots of holding hands and kissing and touching?

You don't see that a lot in Japan but in America they

are much more bold about it, I guess. It's much more common.

Yes thank you very much

Okay!

So, Hollywood tropes compared to Japanese movie tropes.

What I find especially in the horror genre...

Hollywood movies there seems to be the setting that it's 10 people...

that start out and then one after another.... in splatter movies keeps dying

And one survives or maybe not survives, you are not quite sure if they survive.

There is lots of blood and splatter and you see gory ways of how they are dying.

While I find in Japanese horror movies...

there might only be one person dying, but OMG you are scared for the whole movie

... and then you are scared for a week after watching that movie.

That happened to me when I watched The Ring.

I was so so scared and in the end, not that many people die but OMG

I was so scared.

Ever since then I can't watch any horror movies anymore...

Just not possible.

How about you? What Hollywood tropes VS Japanese tropes do you know?

Let us know! Looking forward to your comments!

I catch you soon for another video on Ask Japanese. Don't forget to...

Don't forget to subscribe.

STOP THAT!!!

If you are new to our channel, don't forget to subscribe and

you will be able to check out more videos that we do here on the streets of Tokyo.

Thanks for your support. Don't forget to leave a thumbs up.

Catch you soon! Bye! Thank you!

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