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Be basi ko khatam karne ka wazifa | kisi bhi kam mian be basi ka wazifa | kamran sultan - Duration: 1:38.Be basi ko khatam karne ka wazifa | kisi bhi kam mian be basi ka wazifa | kamran sultan
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Deux recettes ultime pour nettoyer et désintoxiquer vos reins naturellement - Duration: 3:26. For more infomation >> Deux recettes ultime pour nettoyer et désintoxiquer vos reins naturellement - Duration: 3:26.-------------------------------------------
50歲先晒你冷!Cambridge Audio旗艦Edge系列大公開 - Duration: 12:28. For more infomation >> 50歲先晒你冷!Cambridge Audio旗艦Edge系列大公開 - Duration: 12:28.-------------------------------------------
Good Friday Service 2018 - Duration: 18:41. For more infomation >> Good Friday Service 2018 - Duration: 18:41.-------------------------------------------
Champions - Ruby Loves Lumps (Episode Highlight) - Duration: 2:59. For more infomation >> Champions - Ruby Loves Lumps (Episode Highlight) - Duration: 2:59.-------------------------------------------
Anokhi Mehman Nawazi | Interesting Waqiya | Dawateislami Short Clip - Duration: 1:40.
SUBCRIBE FOR MORE MADANI CLIPS
SHARE TO ALL
FOR SAWAB E JAARIYA
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Awesome Tips and Tricks mit Oliver Knott Aquascaping - Aquarienpflanzen richtig vorbereiten - Duration: 4:40.Hello, it's me, Oliver Knott. Today we
are going to prepare aquarium plants, for planting into your tank.
We are going to start with the classic potted plants.
They can be bought in pots like this one.
You can easily pull the plant out.
If the roots are growing out of the pot,
just cut them back.
After that the pot can be removed easily.
This is rock wool, traditionally used to cultivate potted aquarium plants.
First let's get rid of the big chunks.
I like to use some water for removing the rest,
which I usually take from the aquarium.
As you can see here.
I shake the entire root ball of the plant, gently and carefully.
You'll find that
60-70% or more fall off right in the beginning.
The plant roots are now more or less rid of the rock wool
Small remnants can be neglected
when the plant is to be put into the substrate.
Now you can plant the entire plant,
or make smaller pieces.
Stem plants like this one are much easier to handle
than potted plants like the Cryptocoryne I had before.
You needn't even remove the pot
or clean the roots from the rock wool.
Just cut the stems of the plant
directly above the pot.
This gives you a bunch of loose stems without roots.
Take one stem, remove the first 2 or 3 leaves
and plant it using a pair of tweezers.
Stem plants take most of their nutrients directly from the water.
The stems will sprout roots in 2 or 3 weeks.
You can plant them in your aquarium now.
Epiphytes are planted on decoration like rocks and driftwood.
Epiphytic plants like Java fern, Anubias, Bucephalandra.
The preparation is pretty similar to that of a Cryptocoryne.
Remove the big chunks of rock wool and carefully wash it off.
The difference of, for example, Anubias in comparison to other plants is:
Anubias, like the other epiphytes, have a rhizome.
The leaves grow from this special part of the root.
These plants don't like to sit in the substrate.
They prefer growing on small rocks and driftwood.
Tie them down on a piece of decoration and place it inside your tank.
The plants will take root there.
Don't dig the rhizome completely into the substrate,
it might rot. Please keep that in mind.
Lastly we have invitro plants.
They are much easier to prepare.
These plants are cultivated in different substrate types.
There are agar-based gelatinous types, and liquids.
This is a gelatinous type.
The gel is completely harmless.
It just contains some sugar
and some nutrients.
This is a liquid substrate.
It is very simple to handle.
Just dip the roots of the plant in water, that's it.
Divide the plant into smaller portions.
Use a pair of tweezers to plant them.
If you have plants that were cultivated in firm agar plates
Put them into a bowl of water for a while.
The substrate will almost entirely come off on its own.
If you still find, after cleaning the roots,
some smaller chunks of substrate residue,
don't worry, it does not do any harm.
The plant roots will break it down very soon.
This is how invitro plants are prepared for planting.
Quite effortless, and
very simple.
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How to Eat Well While Traveling | Đi Du Lịch Ăn Gì Ngon Bổ Rẻ Khỏi Tốn Tiền - Duration: 2:22.Eating out for every meal while you travel
can take out a huge chunk from your budget.
And there's no denying that it's tough
to find affordable meals
when you're on the road
or hanging out in the airport pre-flight!
But with a little planning
it is possible to stay on a food budget
during your travels this holiday season
The number one way to save money as you travel
is to pack your own organic rolled oats
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Open Ocean Sailing!! Whats our FAVORITE part? Sailing Vessel Delos Ep.166 - Duration: 33:15. For more infomation >> Open Ocean Sailing!! Whats our FAVORITE part? Sailing Vessel Delos Ep.166 - Duration: 33:15.-------------------------------------------
Karaoke HD - Lý mù u - Dân vũ Việt Nam - Tone nữ (D#),beat sao bắc đẩu organ//Dân ca. - Duration: 3:26. For more infomation >> Karaoke HD - Lý mù u - Dân vũ Việt Nam - Tone nữ (D#),beat sao bắc đẩu organ//Dân ca. - Duration: 3:26.-------------------------------------------
Торт из пряников со сметаной без выпечки, торт на скорую руку - Duration: 1:53. For more infomation >> Торт из пряников со сметаной без выпечки, торт на скорую руку - Duration: 1:53.-------------------------------------------
ஆண் குழந்தை பிறக்க திருமூலர் சொன்ன சுலபமான வழி தெரியுமா | Tamil News | Kollywood Cinema - Duration: 1:37. For more infomation >> ஆண் குழந்தை பிறக்க திருமூலர் சொன்ன சுலபமான வழி தெரியுமா | Tamil News | Kollywood Cinema - Duration: 1:37.-------------------------------------------
How To Use the Content-Aware Scale In Photoshop - (Photoshop Tutorial) - Duration: 2:04.hello everybody my name is Robert Neacsu and welcome to my channel today I'm
going to show how to use the content aware scale in Photoshop let's get
started shop so what I want to do is to fill
this this side over here on the left and I will use the content aware scale
before we get we get started I want to show you something if this image is a
smart object you can use the content aware scale so that's why I will first
rasterize the layer and then I will go to edit content aware scale or the
shortcut is alt shift ctrl + C and I will drag it from here as you can see
the Photoshop is doing a really good job on filling this background without
stretching too much the subject and that's how you use the content aware
scale so keep in mind to make the image rasterize and not smart object because
it will not allow you to use the content aware scale that's it thanks for
watching I highly appreciate the time you're spending watching my videos
let the comment down below and tell me what do you think about this video and
what do you want to learn next and don't forget to Like and subscribe to my
channel I post on every Monday Wednesday and Friday
Robert Neacsu, jaap!
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알쓸페특, 알아두면 쓸 데 있는 페라리의 특징 - Duration: 10:17. For more infomation >> 알쓸페특, 알아두면 쓸 데 있는 페라리의 특징 - Duration: 10:17.-------------------------------------------
Close to You Verse 1 - Duration: 15:28.brighter than a star darker than space illumination of a flame above a
candle encased in a glass dome transparent is me guided and guilted
with torment to live a life to find peace.
I felt darkness is what illuminated the the minuscule amount of light that
are claimed to have been able to see at that point.
I say minuscule because I mentioned the illumination of a flame above the candle
the illumination of a flame. have you ever stared at that?
if the candles burning that that iridescence that's above it the actual flame
that's the light that I'm referring to.
face down my tears around the heels of my feet and wading through the living
room is like Katrina to me
it has begun to flood
in the area
"living room"
and its surrounding
the heels of my feet
its wet
it's really wet and I
I'm just pouring all of this out
I fight the waves of pain hurt disagreement and shame
and take the strides against a current that disfigures my legs
its who you are, to go this far.
It has to be the spirit of change
to hold my heart
I bypassed the seen too many crumble and caved.
you create a scenery that shows my soul this place
my rite of passage test a master's biblical street
I weep and fiend to
taste the flavor that is beyond what I see
Dean me to be the crucible
Twilight that they seek
and be the helm of a realm that mankind needs to peep
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Marc Clotet and Natalia Sanchez must be angels without wings[One Night Sleepover Trip/ 2018.03.27] - Duration: 11:17.(But on one side...)
(During the whole lunch time)
(Natalia was on the phone with someone)
I met two guys from Korea
who are here for a reality show program.
It's about staying over a night in that country.
(How does Natalia know about our program?)
(It wasn't aired in Spain)
(30 minutes ago)
What are you here for?
Could you let us sleep over for a night?
You want to stay at our home for one night?
See how people, life, live.
Okay.
(Sounds fun)
(Sounds fun?)
Today, today.
(Today?)
(Nervous)
We're going to talk a little.
- Okay. / - Okay.
(Looking serious)
(What could they be talking about?)
(What will their answer be?)
- Tonight... / - Tonight!
In our home...
(Please, please, please)
It's not possible to stay.
(♪ This must be ♪)
(♪ The end for us ♪)
(Their main house is in a different region)
Our place in Barcelona is a small apartment...
(Oh... It's alright, we're fine...)
(So sorry)
(It's alright, we understand)
(But it's not over yet)
We're going to call to see
if we can find a place for you.
(Can this be true?)
(Natalia, you must be an angel!)
We're calling all our friends.
(Taegon smiles brightly)
Wow, they're really helping us dearly.
(Marc and Natalia sincerely try to help them out)
(They're about to summon everyone they know)
They look really kind, too.
They look kind.
(For Taegon and Jongmin they first met today)
(Marc and Natalia take their time to help them)
Oh, please let there be someone.
Marta said she'll call me back.
Julia says no.
Did you call Dani and Rose?
Dani's going somewhere tonight
and Rose won't pick up.
(It must be hard to find someone)
They've been explaining about us to people
because they don't know if it'll be possible.
They're trying, but it's not working.
(Marc and Natalia are working hard to help the two)
(We really hope their effort will bear fruit)
If it doesn't work despite all their hard work,
we're really missing that bit of luck.
- Right. / - Just a second.
Wait. Sorry.
(His lips are drying up)
(Success?)
(And the result is?)
(No, no)
She's busy.
Another no?
(This must be it for us)
(Sorry)
They seem more desperate than us to help us out.
- Right, right. / - They're doing so much.
They want us to be able to sleep over somewhere.
(Failures continue)
(You've done so much for us already)
(Taegon and Jongmin feel sorry and grateful)
(Watching Marc and Natalia get sad about this)
(I'm sorry)
(It's fine, we know your heart)
What a program!
This is so real.
(Maybe it's time to give up)
(Right then!)
(Marc smiles brightly)
(Something seems to be going well)
The two of you are going to sleep, right?
To sleep, right?
Yes, only two.
Okay.
(Marc continues on with his phone call)
(Jongmin, I think this will work out)
(I hope so, too)
It's possible.
Really?
- Really? / - Really?
(They finally reap what they sowed)
(Marc is even happier for them)
They're okay with this and they'd like to meet you.
(Wow, I can't believe this)
(I can't understand anything)
- People? / - And...
- If not, just him. / - You, be quiet.
No, the two of you.
The two of you for only one night.
- One night will do. / - Yes?
Yes, yes.
- Okay. / - Possible?
(Amazing)
It's possible?
(What an amazing success)
(I can't just stay still for this)
Thank you, thank you.
Thank you!
(I'm happy that you're happy)
They're my very good friends.
We went to the same university.
- University? / - Your friends?
- Yes. / - His friends from university.
Dani is a guy, and Rose...
Rose.
(Dani and Rose opened their doors for the two)
(Daughters of Dani and Rose)
(Who they love so dearly)
(A happy family of Dani and Rose)
(And their best friends!)
(Marc and Natalia, the angelic celebrity couple)
(We'll let you sleep over tonight!)
- Thank you so much! / - Perfect.
Thank you.
- Thank you. / - Thank you.
Thank you so much.
Thank you. Thank you.
- Thank you. / - Thank you.
(A miraculous success!)
I want to yell,
"Will anyone let me sleep over tonight?"
(But people turned away from them)
I'm sorry. My house is small.
Okay, okay.
(The reality was cold)
We don't speak Spanish.
(And at a random place they visited)
(They miraculously ran into a celebrity couple)
(They must be angels without wings)
(And we successfully found a place to stay tonight!)
(But destiny wasn't going to be so easy with them)
(Real situation)
(Jongmin hurries somewhere very urgently)
(And where is Taegon?)
(What's going to happen to Jongmin and Taegon?)
It's not that far.
14 minutes.
(Heading to Marc's friend Dani's place)
The neighborhood is...
The neighborhood is...
- It's a little bit like... / - Newly built.
It's looks like Seorae Village in Korea.
It looks really nice.
Look here, Jongmin.
(They changed into something a bit more formal)
I think this is one of those places.
I think we should think about our attires.
Europeans are very sensitive about what you wear.
(Be mindful of what you wear)
That's being courteous.
(A courteous attire)
- This is nice. / - What's this?
(As they make a turn)
(Their charisma explodes)
(This feels like...)
(A scene from a miraculous noir movie about)
(Spending a miraculous night with a loving family)
(But what's more important is!)
Is it here? Here?
Something like 2-1...
Now we're here.
- Here? / - Yes.
And the house is here.
(Seems easy enough to find)
(It's got to be this house)
(At the door bell, he hesitates!)
It's 2-1, right?
(Are you asking me?)
Hello, my name is Gon.
(Did Jongmin and Taegon find the right house?)
Hello, my name is Gon.
Hello, Gon. I'll open the door.
Okay.
(Anxious and worried)
Hello.
(Someone opens the door for them)
(Are you Dani?)
(Is this Marc's friend who invited them tonight?)
Hello, my name is Gon.
- Mr. Gon? / - Gon.
I'm Min! Mr. Kim!
Mr. Gon, Mr. Kim, I'm Dani.
- Nice to meet you. / - Daniel?
- Dani. Daniel. / - Daniel, nice to meet you, too.
Thank you for inviting us.
You're welcome.
(Dani kindly welcomes Jongmin and Taegon)
Please come in.
It's a very nice house.
Thank you.
- Here. This way. / - Here.
- Wow. / - Shoes?
- You can keep them on. / - Thank you.
(Amazed)
(Where is everybody?)
(Excited to meet the rest of the family)
(The two of them careful make their way inside)
(Natalia arrived here first)
- Hello. / - Hello.
(Marc's friend as well as Dani's wife, Rose)
Dani and Rose are the owners.
They're my friends from school.
(The two are also Marc's university friends)
(Marc, Dani)
(Marc, Rose)
(Nice to meet you)
School couple?
Yes.
(Dani and Rose met in school)
(And became a family with two daughters)
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About Improvising with Structure and Phrasing - Duration: 11:54.ever wondered why some people seem to have a gift for music have you ever
wished that you could play by ear sing in tune improvise and jam you're in the
right place time to turn those wishes into reality
welcome to the Musicality Podcast with your host Christopher Sutton on today's
episode I want to talk about something that is critical to creating an
improvisation that's interesting and satisfying for your listeners and for
yourself and that's structure and phrasing but first I want to talk a bit
about what happens without structure or phrasing on our last episode I finished
up by saying something about how compositions and songs have structure
whereas improvisation doesn't and hopefully you instinctively raised an
eyebrow at that because it sounds wrong doesn't it music without structure would
be pretty dull right just an endless stream of notes all sounding roughly the
same so we know instinctively that improvised music should have structure
to it yet many of the traditional ways of learning improvisation miss this we
started out improv month talking a bit about how you can try to improvise by
just sticking to fixed patterns or rules or you can learn specific riffs and
build up a vocabulary to reproduce and and call that improvising and even if
you go a step better than that and use the kind of scale and chord ideas we
talked about in our previous episode without structure your improv will sound
pretty bland you'll be filling the time and choosing notes that sound ok but
it's not going to capture the audience's attention it's not going to take them on
a journey or move them or be memorable so today I wanted to talk about just two
things that you can introduce to your improvisation that will transform it
from that blend stream of notes into something much more like real music as
part of improv month we're releasing a whole series of new training modules
inside Musical U to help with improvising and two of them are
dedicated to this topic one on phrasing and one on structure and form there is a
ton packed into those modules to really teach this stuff fully but for now I'm
just gonna be pulling out a couple of the simple ideas that you can start
applying immediately so first of all phrasing I'm sometimes surprised when I
talk to members of Musical U about phrasing because I find the level of
familiarity with that idea varies hugely for me I grew up singing and playing
wind instruments so my teachers were talking about phrasing from day one as
part of thinking about where to take a breath and I think I was lucky to have
some teachers who were good at encouraging me to think about how the
performance would sound rather than just hitting the right notes so that I was
always thinking about shaping phrases especially in choirs that was a really
big deal but sometimes I talk to musicians now who are quite accomplished
but don't really know what I mean when I talk about phrases or I talk to
musicians who understand phrases when they're playing from sheet music but
it's never occurred to them that this could be relevant for improvising too so
a quick definition a musical phrase is just a short section of a melody that
has a beginning and an end we normally think of phrases as things that are a
bar or too long so we're talking about maybe five seconds of music that kind of
scale and we use that word because they are analogous to spoken phrases a spoken
phrase is more than one word and it generally belongs with other phrases in
a sentence similarly a musical phrase is more than one note and it generally
belongs with one or more other phrases to form a short section of the piece you
don't want to labor that analogy too much it's not exact but it is useful to
think of a musical phrase as something that has its own identity as a little
thing but probably doesn't quite stand alone it's going to need other phrases
to really work often a phrase will have a little pause before the next phrase
begins or there will be some shaping of the phrase with dynamics or expression
to indicate that it has come to an end a common rule of thumb given to singers
especially is that the volume should increase and then decrease within each
phrase it should start a bit more quietly increase in volume at its middle
and and a bit more quietly again that varies
depending on the music but it's a good default to think about try listening out
for this next time you listen to some music see if you can tell where a phrase
starts and ends based on volume or the way notes are played when it comes to
improvisation phrasing is the first level of structure we can give our
improv instead of just choosing note after note until we filled up the time
we can think in terms of starting a phrase building it up and bringing it to
an end and what's cool is that this naturally leads us to start thinking
about what happens from one phrase to the next it combines perfectly with that
idea of constraints and dimensions that we've been talking about in recent
episodes will your next phrase use the same constraints or will you adjust them
so that it can explore a new dimension for example you could use a fixed
rhythmic pattern for the first two phrases and then relax that constraint
and explore a new rhythm with your third and fourth phrase or you could stick to
a certain set of three notes for your first phrase and then suddenly introduce
a fourth note in your second phrase one phrasing idea we dive into in our
training module on this is call and response where you have two phrases and
the first one creates a kind of musical question that the second one then
answers it's a really elegant way to draw your listener in and then provide a
satisfying conclusion and there are a variety of ways you can use it in your
improvising our training modules go on to talk about structure and form some of
the bigger picture things you can introduce to your improvisation to make
it musically effective but for now I want to talk about the second idea you
can apply immediately which is related to what I just said about creating a
question and then answering it there are a few ways you can do that in music but
one is to create tension and then to release it something you can deploy as
call-and-response but actually has a much wider impact to
at any given moment in music there are going to be note choices for you as the
improviser that sound comfortable and to note choices that create tension if you
have a harmony accompaniment like you're playing chords in the left hand on
bored or someone is strumming guitar along with you
then your improvised melody can create tension against the current chord if
there's no accompaniment then you can still play with this idea because as we
talked about in our previous episode on improvising with scales and chords you
can imply harmony with the notes you choose in a melody so that the listener
is expecting notes that blend well with a certain chord and then when you
introduce a note that doesn't blend it can create that tension
generally speaking choosing notes from the current chord will sound comfortable
with the root note being the most relaxed choosing notes from outside the
chord will create a bit of tension and as a rule of thumb if they're a whole
step from a chord note that's also called a major second or a tone then
there will be some tension and if they're a half step also called a minor
second or a semitone away from a court note there will be strong attention so
for example if the current chord was C major and you chose to play the note C
there's no tension that's the root note of the chord it'll blend right in but if
you chose to play the note B which still belongs to the C major scale is still in
key but it's half step away from the chords root C so that's gonna sound very
dissonant and tense that's a simple case in point but the important thing to
understand is that there is always this dimension to the music you improvise how
it creates tension or doesn't and when we're thinking about phrasing and
structure we can use that tension we can choose to play notes that create tension
in our phrase and then move on to a note that releases the tension this is
happening all the time in the music we listen to in small ways and in big
dramatic ways and it's a big part of what makes music sound interesting
rather than bland so it is an essential tool to have in your tool kit as an
improviser the way I described it there was quite music theory heavy thinking
about scales and chord notes and half steps and whole steps and while that is
one way to approach this very popular with jazz players for example you can
also use it in a much more ear guided way
at any given moment you will be able to instinctively imagine a note that would
clash and create tension so with some ear training you can just bring that
imagined note out on your instrument whether or not you've thought through
the music theory relationships going on so those were two simple ideas about
phrasing and structure that you can apply to your own improvisation and
there is plenty more to explore on this topic as we've been covering in our
modules inside musical you the bottom line is that the audience knows what to
expect in music they know that there should be structure and phrasing that
there should be a rise and fall tension and release and the thing is if you've
been playing music for a while you know this too if you were to sing something
improvised you would probably instinctively sing in phrases and give
it some structure the trouble comes because of how most people learn to
improvise it's so divorced from their musical instinct they're following rules
or remembering licks or just trying hard not to sound bad and so none of their
natural ability to create meaningful music comes out that's why at musical
you were so fixated on helping people go beyond that or to skip that frustrating
approach in the first place our improv training focuses on
developing your ear so that you can take that natural creative musical
imagination and translate it onto your instrument and out into the world so
everything I've been talking about today these aren't really new things for you
to learn from scratch they're really just reminders reminders of how you
already know music should work and remind us to bring that to your
improvisation if you've been improvising based on rules patterns or memorizing
licks then this is going to take some effort to introduce but if you're
approaching improvisation in the way we teach in our new improv roadmap this
will actually all come really naturally and with very little extra practice
you'll be able to phrase and structure your improvised music to be interesting
moving and memorable for yourself and for your listeners more about that
roadmap and how you can take advantage of it in our next episode
hey Christopher here I hope you're enjoying improv month a couple of things
I wanted to let you know about the first is we're running a free improvisation
masterclass at the end of the month it's on Saturday 31st of March 2018 and you
can sign up to watch it live online at musicalitypodcast.com/improv the
second is that we're running a special promotion at the end of the month to
celebrate the launch of our new improv roadmap at Musical U you can get a
great deal on Musical U membership and we're giving you as a podcast listener
exclusive early access and a special bonus gift if you've thought about
joining Musical U you won't want to miss this check out the details at that
same link musicalitypodcast.com/improv
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