ANNIE DEAN: We're past even the era of technological innovation being a competitive differentiator
for companies, we're now at a place where companies that are going to win are going
to win through innovative people strategies. And those companies are going to focus on
how to build companies that cater to the needs and motivations and circumstances of their
employees.
SONIA DARA: Microsoft Inspire is the largest event for active and prospective Microsoft
partners.
COLLEEN O'BRIEN: This year the event is taking place from July 15th through the 19th in Las
Vegas, Nevada. Microsoft Inspire draws roughly 18,000 attendees from over 140 countries together
for a week of networking, creating leads and partnerships, and in-depth learning on business
building strategy.
SONIA DARA: For more information about Microsoft Inspire visit Microsoft.com/Inspire.
VOICE: You are listening to the Women in Business and Technology Podcast from Microsoft. In
each episode you will hear rom women in amazing technology and business roles, as well as
male allies who are helping make the industry more inclusive, and bringing you tips on how
to build a successful career in a supportive community. Welcome to Women in Business and
Technology.
COLLEEN O'BRIEN: Welcome to Episode 22 of Women in Business and Technology. I'm Colleen
O'Brien.
SONIA DARA: And I'm Sonia Dara.
COLLEEN O'BRIEN: We're kicking off this episode with some reporting from Lights, Camera, IGNITE!
A fundraising gala that raised $190,000 to support the mission of creating opportunities
to spark girls' excitement about technology careers.
SONIA DARA: And then, we'll jump into an interview I had with Annie Dean, the co-founder
and co-CEO of Werk. That's W-e-r-k, Werk, a company reinventing the workday with solutions
that help employers embrace, assess, and showcase their flexibility.
COLLEEN O'BRIEN: Finally, we'll wrap things up in our Cutting Edge Segment with some recent
news around a $36 million fund to boost black female founders.
SONIA DARA: But before we jump in, Colleen, I'd love to hear more about the Daring Women
event that you went to. How was it?
COLLEEN O'BRIEN: It was amazing. Daring Women was an event hosted by Seattle Business Magazine
earlier this month in downtown Seattle. And fellow Microsoftie MJ DePalma was the MC for
the event. She kicked off the day with this great presentation entitled "Dare to Be an
Ally," which I loved. She spoke a bit about the Bystander Effect, this social phenomenon
in which people don't offer any help to a victim if other people are present.
SONIA DARA: So like, if other people aren't helping that person, I don't have to either
sort of thing?
COLLEEN O'BRIEN: Right, or an alternative interpretation of the Bystander Effect is
this thought that because there are so many other people around, someone else will help
and, therefore, it's not my personal responsibility.
But MJ emphasized that in order to be great allies, we need to have a really ardent awareness
of the Bystander Effect and do our best to keep it at arm's length by taking action.
SONIA DARA: That seems like an awesome way to kick off the event. Was there any other
programming that was particularly awesome?
COLLEEN O'BRIEN: Local entrepreneur Moorea Seal had a great session entitled "Dare to
Value Yourself above Your Work" that I really enjoyed. She talked about this internal or
personal website that she hosts that only she can see, where she puts buckets of professional
goals on one side of the page and buckets of personal goals on the other side. And I
really like that concept.
And then Dona Sarkar, our first interview guest on the show, moderated a panel of women
in tech entitled "Dare to Change the Game." You can probably see that it was all about
daring at this Daring Women event. And, you know, I could go on for a while about how
cool the day was, but for our listeners, you can find videos from the event at Seattle
Business Magazine's Facebook page, and see all of this for yourself! Just visit Facebook.com/SeattleBusinessMag,
and click on Videos in the left rail.
Let's get this episode rolling!
VOICE: Community Connect get involved and stay connected.
COLLEEN O'BRIEN: On April 14, Sonia and I headed to Block 41, an event space in Seattle's
Belltown, for Lights, Camera, IGNITE, a fundraising gala for the nonprofit IGNITE. We've mentioned
this organization in our interviews with Cynthia Tee and Charlotte Yarkoni, but for our new
listeners, IGNITE is an acronym for Inspiring Girls Now in Technology Evolution. The organization
introduces girls in grades 6 through 12 to technology and engineering careers via panel
presentations, field trips, programming and robotics workshops, job shadows, and more.
The gala event, which featured a red carpet, silent and live auctions, awards, and speakers
raised $190,000 to support IGNITE in the mission to spark girls' excitement about technology
careers.
IGNITE Founder and CEO Cathi Rodgveller brought me up to speed on the organization's origin
story.
CATHI RODGVELLER: Back in 1998, I worked for the Seattle School District, and I was very
fortunate to find a grant, and back then it was called the sex equity grant, to introduce
young women to high-wage, high-demand career fields, and I grabbed that grant and I ran
with it. I called up women in our community who worked at these high-tech firms, and STEM
careers, and I said, would you meet me for dinner or lunch and coffee and tell me all
about what you do, because I want girls to learn about what you do? And it all started
from there.
COLLEEN O'BRIEN: Amber Zertuche is the IGNITE regional director of San Francisco. With Seattle
as a blueprint, she's building the organization's presence from the ground up in the Bay area.
Amber explains the importance of the gala to her work in California.
AMBER ZERTUCHE: One thing I'm looking forward to is getting the energy that has been being
built here for the last 20 years and bringing that with me back to San Francisco, meeting
everybody, seeing how things are done here in Seattle, and also hearing girls' stories.
That's what I'm really looking forward to.
COLLEEN O'BRIEN: I was also really looking forward to hearing the girls' stories. I caught
up with a few IGNITE students on the red carpet to learn more about their STEM experiences.
High school senior Soy Sing Sue has been participating in IGNITE programming for four years. She
explained that IGNITE has exposed her to career opportunities she didn't even know existed.
SOY SING SUE: IGNITE really introduced me to the technology field, and engineering,
transportation, all the other ones that I didn't really know before exists, because
before this I only knew the more generic careers, and so like dentist, nurse, those were the
things I was going or, but now I know, oh, I can do something else better with STEM,
because I really love STEM and math in general. And so now I know that there are other careers
out there, and that's how I found out about environmental engineering.
COLLEEN O'BRIEN: Seventh grader Ava Feroones echoed this sentiment.
AVA FEROONES: I just thought at there were a couple boring jobs out there, but there
are so many cool things you could do. So that's probably my favorite part about IGNITE. I
hope to get a career in computer science, because I think it's so cool. IGNITE kind
of inspired me to learn more about computer science and all the careers there are.
COLLEEN O'BRIEN: To continue that theme of inspiring careers in computer science, Corporate
Vice President of Growth and Ecosystems in the Cloud and AI group, Charlotte Yarkoni,
was the keynote speaker at the IGNITE gala. Her speech covered her personal experience
building a career in technology, an acknowledgement of the powerful problem-solving capabilities
of technology, and the importance of pursuing technology solutions with an inclusive mindset.
CHARLOTTE YARKONI: As technology evolves, as we get closer together as a society, as
we get more access to data and computing power and those innovations still come, it is super
important to remember that the best way to go solve the problems that are becoming more
and more global is with a collective mindset and not an individual one, which is why diversity
is just incredibly important to me, and increasing in its importance every year that I grow in
my career, and something I want to impart to the young minds of today to really encourage
them to get excited about their future, but also be supportive of their community as they
go.
COLLEEN O'BRIEN: For more information about IGNITE, including photos from the spring gala,
visit igniteworldwide.org.
And now, let's get on with the interview.
SONIA DARA: I'm excited to welcome over Skype the co-founder and co-CEO of Werk Annie Dean.
Annie, thank you so much for joining us today.
ANNIE DEAN: Thank you so much for having me.
SONIA DARA: So, Annie, where are you calling in from today?
ANNIE DEAN: I'm calling in from New York, New York, Werk HQ, which is located in New
York.
SONIA DARA: So Werk, for our listeners spelled W e r k, is a startup championing flexibility
as the future of work. Annie, can you tell us a little bit more about the company and
the services that you guys offer?
ANNIE DEAN: I would love to. So Anna and I both came to the problem of flexibility and
building a company to solve that problem, because each of us had had careers in professional
services and really saw that flexibility was what we needed as women to continue to advance
in our careers and through the leadership pipeline and particularly when we became mothers.
And so when we started to investigate what flexibility was and what the ultimate problem
is, we realized that 80 percent of companies believe that they offer flexibility. On the
other hand, 96 percent of individuals or employees report that they want access to flexibility
and only 19 percent of that group actually had the access to the flexibility that they
need.
And then if you look at another really interesting stat, which is that 30 percent of the most
talented women are dropping out of the workforce today and 70 percent of those people would
have stayed in the workforce if they had access to flexibility. There's this really big, undiscovered
opportunity around flexibility and creating structured flexibility programs. What we realized
the biggest problem was, was that companies and employees were really not speaking the
same language around flexibility. And often conversations around flexibility were overly
emotional and overtly personal. And we needed to invent a new way to talk about this and
a new way to standardize flexibility.
So what we created first and foremost is a new taxonomy, a new language of flexibility
that we call the Flexiverse. And we created six types of flexibility that represent standardized
time and location-based modifications. And then we use that Flexiverse in a couple of
different ways. So we operate a job board where companies give us flexible opportunities
on our taxonomy and users can search for jobs with that criteria. And we also have a flexibility
assessment tool and training program where companies can look at their entire employee
demographic, identify what types of flexibility are needed for each of their different employees
and basically power more flexible companies with the insights that we can provide them.
We also train companies on flexibility. So we're really attacking the problem of flexibility
from many different angles and it's all powered online through our website, Werk.co.
SONIA DARA: How can Werk exactly help job seekers? Is there a process for filling out
the Flexiverse? Like what does that member experience actually look like?
ANNIE DEAN: We are working with the companies one-on-one to pre-negotiate flexibility, which
is a really big, important thing, because there's nowhere else in the universe that
you can go right now and search for jobs with pre-negotiated flexibility. But the thing
that's really fun for users is all of our filters are through the flex types. So we
can talk more about what those flex types are, but for instance, I use time shift and
desk plus. And that means that some of my work is shifted out of traditional office
hours and also, I often work outside of the office at a location of my choosing.
So if you're a job seeker who has the same criteria as I do, for instance, you can look
at the job board and filter those opportunities by time shift and desk plus and get relevant
opportunities for you that not only match your experience and your level of seniority
and your industry, but also actually match and are compatible with your life. And that
is really transformative for a lot of people.
SONIA DARA: That's awesome and you mentioned there were six different categories? What
were those six?
ANNIE DEAN: These are time and location-based modifications and we had three main building
blocks when we created the Flexiverse, which is where are you physically located when you're
performing your work duties? What time of day are you performing those duties? And do
you have access to these modifications on an ongoing basis or is it something that you
take on an ad hoc basis? And so by looking at that framework we created six flexibility
types.
Some of them are things that you would automatically recognize, like remote. We try to really emphasize
the modern aspects of something like remote. So we never will use the word telecommuting.
And these are places that potentially are fully distributed companies and just the companies
that are really operating in a totally new way.
Desk plus is our partially location-independent product, which means that you're probably
based in an office for most of the time, but for one or two days a week you are working
outside of the office in a location of your choosing.
Travel light is our product where employees have minimal to no travel and are traveling
at a maximum of 10 percent annually. So that's usually two to four days per month.
Time shift is when people are reordering their working hours to create a set of unconventional
hours that maybe don't follow your traditional 9 to 6 pattern but allow you to work when
you feel most productive.
And then one of our most popular is micro agility and micro agility is basically just
a way to step away from your work to accommodate the unexpected for increments of one to three
hours. And it's on the employee to make up the work when they get back to their desk,
or back to the office. But it gives people the opportunity to say, hey, I need some micro
agility right now, instead of, hey, my kid is throwing up and I need to run to the doctor.
It just becomes a totally different conversation.
And then we also do offer part-time roles.
SONIA DARA: So, Annie, a little bit about you. You graduated from Syracuse University
with a BA in Political Science and Art History all summa cum laude with a Phi Beta Kappa
feather in your cap, which his very impressive. Then you went on to get your JD at Fordham
University. You then spent almost six years closing real estate deals for institutional
lenders and equity owners. How did that experience prepare you for the work that you're doing
today?
ANNIE DEAN: It's so interesting, because I had my sights set on law school from when
I was a young child. And it was something that I did immediately after I graduated.
And I went directly working on Wall Street after graduation and didn't really think twice
about that career path. It's something that I had really had my sights set on. And it
wasn't until I really got into law that I realized that it wasn't this soulful career
that I thought it was going to be. And it wasn't something that I ever really felt that
comfortable doing. I mean in one way I loved it. I loved doing deals. I loved big closings
and the mechanics and the operational complexities of all of them. And I loved learning about
the law in law school.
But I feel like I haven't used the knowledge that I gained as an attorney until being a
CEO. You just apply this logical reasoning to so many different disciplines it helps
me think through product, it helps me think through brand and marketing and analytics.
It helps me think through fund raising. And it gives me tools for communicating that I
really don't think I would have had if I didn't have that legal background.
So it's turned out as somebody who totally complained about the amount of law school
debt that I took on to go through that experience and went through a couple of years complaining
about how much I hated being a lawyer, I'm so grateful to my law degree.
SONIA DARA: In addition to serving as CEO, I know that you're also a mother of two children.
ANNIE DEAN: That's right.
SONIA DARA: That's amazing. Was parenthood what sparked your interest in work flexibility?
I know you touched a little bit upon that, or has this been more of an ongoing interest
of yours?
ANNIE DEAN: It was absolutely parenthood. So when I was an attorney on Wall Street I
was in a really difficult situation, because I was the top associate in my class, I was
getting all of the best opportunities and I had my first son when I was 27 years old.
And that was a very weird age in New York City to be having a child and to also try
to pursue the partnership track at a big law firm.
And I had an experience where my commitment to my job and to my career was really called
into question and that felt incredibly unfair to me. And it also felt like the circumstances,
my ambition hadn't changed at all, but my circumstances had vastly changed. And it made
it very difficult for me to continue putting in the work until 3:00 a.m. three days a week
and never have the chance to see my son or to manage the different things that I was
facing, like breast feeding. And it really, really changed how I looked at what my career
opportunities were and what my career trajectory was, frankly.
And I started to think that I really only had two options and those two options were
continue down the path as if I didn't have a child or quit. And I just felt like that
was not a good answer and it felt like there was a different solution for me and that if
I could have access to flexibility that I would have been able to successfully manage
all of the things on my plate.
That's when I really became focused on it. This was also the time when Anne-Marie Slaughter
was authoring her piece, Why Women Still Can't Have It All. I just realized today that it's
only been five years since Sheryl Sandberg published Lean In. And I feel like our world
has really transformed in a way that we think about women's rights in the workplace and
how to structure roles to make them more accommodating to women. But at the time these were all very
new concepts.
My son is four-and-a-half years old. So I was really thinking through these things deeply
five years ago. And then I would add that my second son actually has a genetic disorder
called kabuki syndrome. And it's a pretty significant set of special needs that he faces
and a set of medical conditions that is just a top priority and it's unpredictable when
I need to address those problems.
When he was born, my second son, I was still an attorney. I was at a different law firm
than my first son. But it was a completely different set of flexibility that I needed.
And frankly, in a circumstance that intense there was just no way for me to continue working
without the flexibility that was granted to me by that second law firm. And it made me
realize a totally different set of flexibility needs dictated by people who are facing medical
conditions and disabilities and people who are caring for those people, as well.
SONIA DARA: That's super-important. And you mentioned a couple of these statistics, but
I just wanted our listeners to hear them again. Your site states that 66 percent of the U.S.
work force wants flexibility, but only 19 percent of the workforce has access to flexibility.
Another stat is one in two employees would leave their job for a flexible alternative
and when you survey millennial women that number actually increases to 58 percent. So
given these stats do you think corporate HR departments have the right amount of focus
on flexibility? Why are they missing this trend?
ANNIE DEAN: I love this question. And the obvious answer is no, they haven't quite understood
the strategic advantage that structured flexibility can bring to their companies, but they're
getting it. I think it's a vastly different conversation today than it was two years ago
when we were starting out. And I think the reason why this trend was missed, when we
started this company, and again it was on the power of our own instinct that we needed
flexibility in order to survive and that that would be a position that we felt many of our
peers would also take.
And so we were looking at the data that was available at the time. Economists were saying
that gender parity in corporate America was not going to be possible for 100 to 200 years,
that there would never be an opportunity to meaningfully change the ratio of women in
the Fortune 500 C-suite. And when we started doing the research we realized that many economists
and leading thinkers were attributing this to women's own interest in remaining in the
workforce and in the leadership pipeline.
And that the reason why women weren't succeeding was because they didn't want to be there,
or because they didn't know how to negotiate effectively, or they didn't have the right
networks. And, while all of those things are very important, I think all of those studies
failed to acknowledge the structural barriers that women face in the workforce.
We created the standardized work day in 1914 as a result of unionizing, because of unfair
conditions in factories. And we have held onto that standardization all the way through
2018 without really changing it at all. So we're been operating under this assumption
that there's only one way to work.
But as we know we're past even the era of technological innovating being a competitive
differentiator for companies. We're now at a place where companies that are going to
win are going to win through innovative people strategies. And those companies are going
to focus on how to build companies that cater to the needs and motivations and circumstances
of their employees.
So when we think about flexibility, we're thinking about workday customization. And
how we can look at the needs of an individual employee and get the best out of them, by
customizing a schedule that fits their needs.
SONIA DARA: I can imagine some of our audience is likely listening and thinking, yes, this
is what I've been saying. I need more flexibility. For those listeners can you share some advice
on how to get their manager to say yes to flex time?
ANNIE DEAN: Absolutely and this is something that we're thinking about all the time. I
would recommend looking at our Flexiverse and looking at the types of flexibility that
you need and talk about them in a business first context. So the worst thing that you
can do is to talk about flexibility in the moment of crisis.
And I always talk about when I was deathly ill in my second pregnancy and as a result
of really having a very negative experience in my first pregnancy, I didn't share my pregnancy
with my second law firm until after I was seven months pregnant. And I was incredibly
uncomfortable and ill. And I finally blurted out to the managing partner in my department
and it just was a messy conversation, because at that point I was so past the point of needing
support that it was, frankly, a crisis.
And so I think as a result that conversation didn't go as well as it could have. I mean,
did I get all the things I needed? Yes. Did I take a hit to my credibility? Yeah, I did.
And so I think that we need to approach these types of things proactively. We need to talk
about flexibility in terms of our business impact and deliverables.
So not, I have a child, so I need flexibility, but I believe that I am going to deliver better
to our business goals if I have access to a desk-plus policy. I am somebody who needs
the creative space to work outside the office from time to time. And I am happy to show
you the results of my time spent outside of the office. I like to check in at 30, 60 and
90 days to make sure that you're comfortable. Do you have any concerns about the way that
I might be working if I have access to a desk-plus schedule? Perhaps one of them is the ability
to communicate or innovate with a team, propose the types of solutions that might overcome
those concerns and then deliver on them.
I certainly think that the early adopters of flexibility are women. I say that, because
women are failing without access to flexibility, whereas for other demographics it's more of
an optimization than rescuing from a point of failure. And I think it's incumbent on
us to speak about this as business first as possible, to deliver on results so that we
can create a culture that is truly inclusive.
And the other thing I would say is that it, of course, isn't just women that should have
access to flexibility. We need to, as managers, give flexibility to everyone in or organizations,
so that this doesn't just become a personal favor for women or a women's-only solution.
It's very important that this be something that's adopted by the company and the department
at large.
SONIA DARA: So it's safe to say Werk is not exclusively for women.
ANNIE DEAN: That's right. And we started out; again, our DNA is about women in leadership,
because that's a problem that we were trying to solve for ourselves. And so we'll never
abandon that as our sort of North Star. But we are so certain after the research that
we've done and the time that we've spent thinking about this problem and how to solve it that
it has to be flexibility for everybody and that we are in a much better position as women,
in terms of getting the things that we need, by including men in the conversation and making
sure that this is an intersectional conversation, frankly, that it's including people with disabilities,
that it's including people of color.
There are so many different reasons why people need a customized workday schedule. And while,
again, women are the early adopters here, I think it needs to be a conversation that
includes all people.
SONIA DARA: Yeah and your website also mentions how it disproportionately helps them stay
in the work force, but also reach the C-suite. Can you elaborate a little bit upon that?
ANNIE DEAN: There's been some great studies that came out even in the past couple of weeks
really legitimizing the letterhead penalty and how that impacts the gender pay gap and
how there is this critical period after women have children of women being forced into non-leadership
track roles, which have a lower salary, their opportunities decrease. And frankly, a lot
of times it becomes so expensive for them to work and maintain childcare, or it becomes
so logistically impossible for them to do so that they end up quitting and never coming
back.
And we ran this one really interesting study where we triangulated some existing data points
and found that if you were able to keep women in the workforce as a result of flexibility,
based on the amount of women who report that they would stay in the workforce, because
of their access to flexibility and you multiply that number by the percentage chance that
any individual would become a Fortune 500 CEO, you actually create 100 new female Fortune
500 CEOs.
SONIA DARA: Wow.
ANNIE DEAN: And so that changes the ratio from 5 percent to 20 percent. And you could
do that in a generation just by implementing flexibility meaningfully and capturing the
women who are currently at risk of dropping out and keeping them on their leadership trajectory.
This is something that could have a really quick impact. So when we talk about economists
who are saying that gender parity is not possible for 100 years, they're really not looking
to flexibility or looking at the structural barriers of the workday and how we can make
some simple changes to really have enormous impact.
We say all the time that every company in America should be thinking about what the
workplace would look like if women had had a hand in designing it. And what would a workplace
look like if it really met the needs of women? And we have workplaces that are meeting those
needs. It's a no-brainer that women will raise to leadership. Women are not failing to rise
to leadership today because they don't want to be there. They're dropping out, because
it's impossible. And so we just have to make it possible.
SONIA DARA: Speaking of leadership, your board of advisors boasts some very impressive names,
including the president and CEO of New America, Anne-Marie Slaughter; Fran Hauser, who invested
in HelloGiggles, Levo and The Wing, some of our WiBT favorites on the podcast; and also
Alexandra Wilkis Wilson, who founded Gilt Groupe and GlamSquad. What has been your approach
to building your board? I noticed that it's comprised of 80 percent women. So was that
a conscious decision maybe, to make it majority women?
ANNIE DEAN: Yeah, I mean strong women have always had our back and in terms of our investors
in this round I think all of our new money in our seed round was women-led funds, which
was a very cool statistic to be able to brag about. But our strategy has honestly always
been to bring the smartest, best people into our circle and we've gotten very, very lucky
with the people who have been willing to support us.
It was not a conscious decision to make it all women. I think those are just the people
who, again, talking about who is an early adopter of flexibility, the strong professional
women, they get this, they understand that women are failing without access to this,
and recognize that this is sort of a key cause of our time. And we've been very, very lucky
to have the support that we've been able to collect.
SONIA DARA: So would you say your experience say CEO has a gendered lens? Like do you identify
as a female CEO?
ANNIE DEAN: I definitely do not call myself a lady boss, I just call myself a boss. And
my son, I have the best story. My husband told my son that I'm a boss, and so we are
waiting online at the Met the other day, and my son looked up to me and said, how come
we have to wait in line, mommy, the security guard doesn't know that you're a boss? I was
like, yes, best comment ever from a four-year-old.
SONIA DARA: Awesome.
ANNIE DEAN: That said, I think that as women we run a very different company. We always
say that as women we're at a disadvantage in fundraising. There's just no question.
I mean, it's a long conversation that we could get into, but women face enormous barriers
in terms of raising capital. But we will always be at an advantage in terms of recruiting
people because we invest in people so deeply and so meaningfully, and I think our employees
really understand how much they can trust us to be honest and candid with them, to be
transparent about our business, and we run the business with a sense of honesty and openness
and empathy that sometimes I think is more evident in female leaders than male leaders.
I also think that women are really excellent at thinking about long-term resources strategy
and how to make something sustainable and that's at odds, frankly, with being a venture-funded
company, it's something that we struggle with all the time, but it's something that we're
really, really proud of.
And so do I identify as a female CEO? No, I don't. I just identify as a CEO. But I definitely
think that there is a strategic advantage that Anna and I have being women.
SONIA DARA: So Annie, what communities have you invested in to find support and guidance
as a CEO?
ANNIE DEAN: It's a great question. I think that, first of all, whenever you are a portfolio
company of an investor, they tend to do a great job about creating communities at portfolio
companies so you can kind of talk to a bunch of people who are going through the same issues,
and have a lot of experience, but not necessarily experience running startups, you know what
I mean, so it's an exciting way to kind of make mistakes together and talk to each other
about the current issues that they're faced with.
But I think, again, it's been really important for us to be no ego in terms of the problems
that we face, and to just find the smartest people at any given moment with any set of
problems that we face and befriend them and talk to them and build meaningful relationships.
And then also to turn to the women who have done this before. It's an incredibly small
number of women who have built companies, raised a lot of financing and exited their
companies. You can count them on one hand. And so anytime that we get to interface with
some of those women, it's incredibly inspiring and important to us as well.
And we also work with coaches, you know, all the time, to be able to have somebody to bounce
ideas off of and constantly assess and give us feedback about our leadership. I think
those are really important investments to make as well.
SONIA DARA: So Werk Life, W-e-r-k Life, is your company blog with incredible interviews
and advice spanning topics from board-level gender quotas to how flexibility can facilitate
lifesaving to one of my favorites social distancing during flu season. So I definitely recommend
it to our listeners to check out Werk Life.
Annie, you are literally creating taxonomy around how to discuss work flexibility. How
do you think about your content strategy in a world where we don't yet have a shared vocabulary
around flexibility as the future of work?
ANNIE DEAN: That is the biggest challenge that we face as a company. So I think that
our primary innovation is the development of our taxonomy. And we try to make it as
accessible as we can, which is one of the reasons that we stated with the job board,
so that people could actively experiment with filtering jobs through our taxonomy, for instance.
It took us a while to get comfortable with what our content strategy should be, and I
will tell you that one of the reasons we had a reluctance to building a content strategy
initially was because of the gendered lens that investors often put on content. You know,
women are supposed to build content sites, and not technology, and that was something
that really bothered us. So we didn't actually launch Werk Life until Q3 of last year, and
it's been incredibly successful so far which we're very proud of.
And I think for us it's been about trying to take an elevated lens to all of the different
things that we face and show how flexibility is sort of a key component of all of the things
that we're talking about, because we think about flexibility and the structure of the
work day as sort of the underlying issue, and as a society we're still talking about
a lot of band-aid issues. So we can talk about the gender gap all we want, but if we're not
going to acknowledge the motherhood penalty and the structure of work and the structural
barriers that women face, then we can't really get anywhere. And so it's just about inserting
our language and our ideas into all of the topical discussions that are happening naturally.
And also making it fun. I think one of the things that people love to see on Instagram
is how members of our team are using flexibility. I just posted a story about how I used Time
Shift. And I think it really makes sense to people. They can grasp it. And one of the
things that we talk about every day internally is, what we've invented is so incredibly nerdy,
and how do we make it fun and beautiful and something that people really feel empowered
to use in their real lives.
SONIA DARA: So really quickly on, obviously flexibility has been our amazing buzz word
today, flexibility and this concept of mass customization of the work day is a growing
trend. So we see this with the rise of co-working spaces, and opportunities in the gig economy.
How do you position your company in that landscape, and so who are your competitors and then also
who are your partners?
ANNIE DEAN: So it's interesting. I don't think that anybody yet recognizes flexibility for
the large size solution that it really is. And so I don't necessarily think that we have
a peer competitor quite yet, but we will as people begin to realize the size of the opportunity.
And so we are really excited by all of the change around building more accessible workplaces
and places that more reflect the needs of modern society. Anybody who is really approaching
work in a modern way is our partner.
And I think for us to date there's been two ways to work. It's been a binary choice. It's
been the traditional work day, and like I said that's sort of the result of unionization
in the early industrial era, and then there is the gig economy. And the gig economy is
sort of an extreme rubber band effect to that traditional workplace, where we have disenfranchised
employees from sort of the benefits that a traditional company can bring, like actual
health insurance, and also the opportunity to have a predictable revenue stream and the
opportunity to leverage social capital into a promotion. And that's an incredibly important
thing, especially as we consider how to advance women and people of color into leadership
positions that have been traditionally overlooked for those opportunities. We can't relegate
them to a corner of society where then they're not part of organizations and don't have opportunities
for leadership, that can't be the answer.
So we feel like flexibility is everything that exists between those two tent poles.
And we think that people constantly confuse us with the gig economy, which makes sense,
because it's very topical, but nothing that we do is project based. We make sure that
every opportunity, for instance, that we offer on our job board is a W-2 opportunity, because,
again, we don't want people to miss out on the benefits of working for a great employer,
like a great culture and an opportunity to rise to the top.
SONIA DARA: So Annie, prior to starting a Werk, you managed a very successful personal
blog about etiquette, entertaining, and everyday glamour at AnnieDean.com. I noticed, though,
those posts have trailed off, perhaps as you've taken a leap into entrepreneurship. Was that
blog a fun passion project, or was there anything that you pulled from that blogging experience
into your business today?
ANNIE DEAN: It's funny. We were all sitting around a computer earlier today laughing about
the old blog.
SONIA DARA: It's beautiful.
ANNIE DEAN: Thank you. It was a really fun project for me because I was an attorney,
and I was trying to build like five different businesses. I always knew that was going to
be an entrepreneur, and what has always fascinated me, and the reason, frankly, I connected with
Anna in my early conversations with her was, I've always been interested in taking relevant
things from the past and making them modern. And I saw this confusion around etiquette,
and all of the silliness that happened with the wedding industry and the way that we were
sort of making -- we just had kind of lost track of how to treat each other. And so I
wanted to take something old and beautiful and like an old hardcover book or a silver
spoon, things that we just don't get to interact with very often and make them fun and accessible.
And it was a great experience in that I learned a lot about how to build a brand and how to
build a digital product that was designed for growth. I definitely learned a lot about
how to utilize the press to get my message out and I think that's something that has
been a skill that's been very helpful in building Werk. But I also knew that it was something
that was just kind of a short-term thing. I ended up abandoning it because I ended up
getting a book deal, and they wanted me to write one sentence with an illustration. And
I was like, no, I actually wanted to write a new encyclopedia of etiquette, and I could
tell our interests were not aligned.
So I'm happy that I was able to experiment with it, and it was a really fun experience
because all the whole project came about because my grandmother had a book, the 1948 Vogue's
Book of Etiquette on her bookshelf. And I stayed with my grandmother while I was studying
for the bar exam, and as I was reading this old book that like smelled like half a century
old, I recognized so much of it from the things that I was taught as a child. And I just found
it fascinating to have this social history about how we were expected to act, and what
was relevant as a modern woman and what wasn't relevant.
And it's interesting to look at the blog, because you can see my impression as a new
married woman and as a new parent and how I was clinging to sort of the traditional
aspects of what I thought were expected of me. And by the end of the blog, you can kind
of see how dissatisfied I am in my career, and how useless I find these traditional roles
that I'm being forced into. And I think it was really that thought process that led me
to a place of trying to discover what it really means to be a modern woman, and what it really
means to be living and working well in today's society.
So it was interesting for me.
SONIA DARA: Nice. I'm picturing a lot of our listeners nodding their head along with you,
like, wow, yeah. This sounds very familiar.
Annie, where can our listeners find Werk and you online?
ANNIE DEAN: So we are at Werk, W-e-r-k, on Instagram, Twitter, and Facebook, and you
can find us at www.werk.co, werk.co, to sign-up for the job board and learn more about what
we do.
Thank you guys so much.
SONIA DARA: Awesome. Thank you so much, Annie.
COLLEEN O'BRIEN: Cutting Edge, our take on stories in the business and technology world.
In this edition of cutting edge, we're discussing an article by Danny Crichton, published in
TechCrunch earlier this month entitled "Backstage Capital Launches $36 Million Fund to Boost
Black Female Founders." This is big news and it was covered by many news outlets, but Sonia
and I are going to focus on the TechCrunch article for now.
SONIA DARA: So the article explains why Arlan Hamilton built Backstage Capital. Her firm's
mission is to provide early seed financing exclusively to founders who are women, people
of color, and LGBT. These are groups that are massively under represented among Silicon
Valley founders, especially compared to the rest of the general population. This is an
industry dominated by white men and it can be really hard for founders to find investors
who look like them.
COLLEEN O'BRIEN: Hamilton points to the figure that less than .2 percent of all early stage
venture funding goes to black women. That is mind-blowing to me. But her plan is to
invest million-dollar checks into 15 to 20 companies over the next three years, with
the remainder of the fund reserved for follow-on investments.
SONIA DARA: So yes, Hamilton sees a huge potential for ROI when it comes to this type of funded.
She's quoted in the article saying: It is my firm belief that because black women have
had to make do with far less for centuries, equipping them with early stage capital that
is on par with their white male counterparts has the potential to lead to outsized returns.
COLLEEN O'BRIEN: Hamilton's firm, Backstage Capital, has invested in more than 80 portfolio
companies to date, and we can't wait to see what she's able to accomplish with this next
round of funding.
SONIA DARA: Listeners, thanks for tuning into another episode of Women in Business and Technology.
We had such a blast at Lights, Camera, IGNITE. I loved the event. I got to casually sit next
to Charlotte Yarkoni, a casual pinch-me moment. I loved hearing from all the other attendees
there, especially the students, it was awesome.
COLLEEN O'BRIEN: And, Sonia, I really enjoyed hearing your conversation with Annie about
workplace flexibility. As a millennial, I totally agree that I look for roles where
I can be more in control of my schedule and the location where I'm getting work done.
I just think that that's such a forward-looking strategy when thinking about employee satisfaction.
SONIA DARA: Even just thinking aback to college, I wouldn't study at the same place every day.
It was like I needed a change of scenery. And sometimes I would be in my room, or sometimes
I would be in the library, or sometimes I would sit in the cafeteria. And it was just
like how I was feeling that day, and I was able to get my work done. And I think that
that should totally apply in the workplace.
COLLEEN O'BRIEN: Yeah. Flexibility is the future.
SONIA DARA: Yeah, right.
As always, listeners, please remember to rate, review and subscribe to the show. All of those
actions help more people find us. And, speaking of, you can find us on Apple Podcasts, Google
Play, Spotify, YouTube, or wherever you listen to podcasts.
COLLEEN O'BRIEN: Our website is wibt.com, and if you have any feedback or questions,
please email us at WIBT@microsoft.com, or tweet us @MicrosoftWomen.
SONIA DARA: Your mission for this episode, if you choose to accept it, is to find your
flex-type or the type of flexibility at work that you need to really thrive in your job.
Head to Werk.co, and click on "Find My Flextype" to take the quiz. Colleen and I both got DeskPlus
as our flextype. So we have desk space here at Microsoft but can work at a location of
our choosing for some portion of our time. Take the quiz and let us know what your flextype
is.
For more infomation >> Episode 22 - Defining work flexibility with Werk Co-CEO Annie Dean - Duration: 45:50.-------------------------------------------
Children's Day Special& look for The Children's Day gift | Xiaoling toys - Duration: 12:22.
Children's Day Special& look for The Children's Day gift | Xiaoling toys
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APARECE EL ULTRA INSTINTO Junto A YAMOSHI EN DRAGON BALL HEROES - Duration: 12:09.
For more infomation >> APARECE EL ULTRA INSTINTO Junto A YAMOSHI EN DRAGON BALL HEROES - Duration: 12:09. -------------------------------------------
CNCO NO BRASIL: ELES VÃO VOLTAR! - Duration: 2:24.
For more infomation >> CNCO NO BRASIL: ELES VÃO VOLTAR! - Duration: 2:24. -------------------------------------------
Critical condition: Fixing the health-care system in N.L. - Duration: 1:30:21.
For more infomation >> Critical condition: Fixing the health-care system in N.L. - Duration: 1:30:21. -------------------------------------------
Best Lever Action - Duration: 7:57.
Got a new little toy, we're gonna try out
Well looks like we're out here at the range today with
shooting kid and we're
Got a new little toy. We're gonna try out what you got there. Shooting kid Henry 22, lever action that guy
Yesterday yeah yesterday. Just can't wait to get out on our range. This is my first rifle under my name.
Nice!
Went through the whole you know knack process and all that all on his own and
Yeah, let's take a close-up of that rifle
Such a sweet little boy I've shot one of these before and I'm a long time ago is it very very
Sport newscast you a tough silly yeah, we're gonna do reviewing there's a story behind
Reviewing look at that nice walnut finish
It's the alloy frame
Got a little hot
What it smells good take a smell guys, let's take a sniff
You know let me try it
Let's even get a bull's-eye shooting best herb here using that Red Rock backpack there nice rest
All right, let's see if I can get it right in the red
No, it's kind of nice about this thing is
It's got a safety where you cut a half cock or actually it's just a hair back on the hammer
And then you can't pull that trigger. Yeah, so you can load one into the chamber
And I have to worry about you know slamming it down and accidentally firing one off
Yeah, sixteen rounds pull it off one in the chamber fifteen the tubular magazine
And these things are really fun to shoot no recoil loads of fun
Well, it's sixteen rounds as I said, so you got right?
Got a long time of shooting their stuff
Not only does it shoot long rifle that shoots Long's and shorts. Yeah, so hole is twenty two shorts, I think
in like
Seventeen Long's or something like that
That's a good load of ammo
I'm pretty much shoot all day Yeah, right so what's nice is when you have it in half cock
Point downrange I can't pull that trigger all right no matter what I do until there you go. Here. You go now
Shoot it yeah
The Henri liver action is a classic western-style lever-action
Rifle and one of the most popular 22s on the market today the reason for its popularity is because it shoots great
looks great
And is remarkably affordable about half the price of the competition's rifles the Henri lever action rifle features an extremely attractive
American walnut stock the quality of which can only be found on guns three times the price the action is exceptionally smooth
So smooth many first-timers remark they can't believe the rifle has any internal parts
You simply have to get one into your own hands and cycle the action a few times to see for yourself
The Henry lever action also features sight ejection and
Adjustable rear sight a hooded front sight and a 3/8 grooved receiver for mounting a scope
The blued steel barrel is machined with state-of-the-art multiple groove rifling the result is a highly accurate
shooter
The barrel length is 18 and a quarter inches overall length is
36 and a quarter inches and it weighs in at a very comfortable five and a quarter pounds
The easy to load tubular magazine can handle 15 rounds of 22 long-rifle
17 rounds of 22 long and as many as 21 rounds of 22 short making it a viable alternative
To a semi-automatic 22 and a lot more fun to shoot, too
You had a good yeah when he said it's like a it's attack driver
So I figured I put a little push pin that I came and see now
We try to see it from back here
Oh
Man yeah he went all around it they just didn't hit it
To kid
Well there you go fun day on the range with the new
22
Henry
Lever action, rifle yeah, shooting kid is just loving that thing a whole lot and he let me even shoot it it was
It was a lot of fun. I got it. I gotta tell you and
For me it scores a 10 out of 10. It is the quintessential
Lever action rifle, and if you don't have yourself one and you're able to get one your area highly recommend getting yourself one
Well, that's all I got for you today. Hope you enjoyed this
range
episode
with that Henry and shooting kid and me and you having some fun and check us out on Facebook and on Instagram and
Also, check us out on our patreon page. We really appreciate it if you guys would go there and check that all out and
contribute to what we do here at the shooting guy compound and
Not only are you helping us out, but you're also
Participating and the things that we do here so that when we do get stuff in for review
We're gonna have special
Giveaways just for our patrons on patreon, so you'll better that way Plus. He'll also know that you are directly
Involved in what we do here at the compound already. That's all we got have a great one
God bless you god bless america may america bless god
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منين كندابزو - لمارياج - الحلقة 15 - رمضان 2018 - سارة و أبوجاد - Duration: 0:50.
For more infomation >> منين كندابزو - لمارياج - الحلقة 15 - رمضان 2018 - سارة و أبوجاد - Duration: 0:50. -------------------------------------------
Skinnest House in America Long Beach Day 4 VLOG 113 - Duration: 3:23.
Today's our last day in Long Beach. I don't know exactly what we're gonna do today.
I got me a mocha Lite Frappuccino this morning. YUM!
I'm a little bummed Starbucks is getting rid
of their light base. So these things go from like 190 calories to 370.
I don't think I can deal with that, but anyway let's see what the day brings us
I showered and now I'm on my way to meet Deanna for lunch.
Lunch is done, now what? It's time to go back. More lectures.
I'm about to go in and this is what the conference looks like.
It's over.
We went and had drinks with some of Deanna's friends and now we're at Cold Stone and
We're getting an ice cream. So it was a completely non eventful day
and a total waste of a VLOG.
Okay Bye!
We're packed up and making our journey home.
This is the skinniest how. How?
This is the skinniest house in North America
It's 3 stories tall, it's built on a lot that's 10 by 50 and it's 806 whole square feet.
It's only like this big.
That's the skinniest house in America and in Long Beach
So now time to start our journey home.
It was a little bonus to make yesterday's vlog better.
Okay bye!
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Liên Quân : Map Đấu Trường Sinh Tứ Chính Thức Ra Mắt Ăn Ngay MEGAKILL - Duration: 6:21.
For more infomation >> Liên Quân : Map Đấu Trường Sinh Tứ Chính Thức Ra Mắt Ăn Ngay MEGAKILL - Duration: 6:21. -------------------------------------------
SushiBites! - Japanese Indie Games Vol. 2 - Duration: 8:28.
For more infomation >> SushiBites! - Japanese Indie Games Vol. 2 - Duration: 8:28. -------------------------------------------
Pink Diamond is a Sociopath?! | Steven Universe - Duration: 16:58.
What a twist, okay
So that was something
in the moment
I was so excited to see them finally committing to revealing the answer to the mystery
Finally getting to see some relevant information that we've been wanting to see I finally felt some resolution
But after the dust settled and I started to think about what happened I had way more questions than answers
It's a recurring theme with the show. I know and before I get too far, let me just say yes
You want your viewers to be brought on with new questions at a plot point resolution, but to me
These are the wrong questions for me to have to ask
So sure when you write a story you want the book to be a page-turner and you want people to keep tuning in each week
But you still have to leave your audience feeling satisfied
And finally having all the question answered for a specific art or piece of the story
Shonen anime is a great example of this as it basically is one long story with smaller stories within it called arcs and
Usually each arc ends
You might get a filler episode or two and then you get a new arc and most people are happy with that
And then you start a new arc with new questions
I can guarantee you if the show had been handled better
It probably would have even more people coming back even though we have a small resolution
Well before I go into the questions I have I'd like to tell you what I thought was going to happen
So I guess I blinked or something the first time I saw a single pale rose
Because I totally missed the gem rotating on Rose as she became king diamond
What I thought they were gonna do is either have rose and curl had already proved pink diamond with intentions of bubbling her later
And they were gonna fake the shattering
So the authority would leave or two rose and pearl were acting on behalf of pink diamonds wishes and all three of them were in
cahoots with each other one of the main questions that I see that keeps being brought up is
How exactly did pink be a diamond and also be Rose, which is definitely a question I have myself
And it's not like her pearl was around to say that pink diamond was unavailable to her subjects or something
I also wanted to mention two other theories that I saw link in the description if you want to check them out
They're pretty good
So the fangirl theorized that the vision were shown in a single pale Rose is just the truth
That pearl has been instructed to show if anyone asked about the shattering event
Which is an interesting thought another theory by the fangirl that I liked even more
was that she theorized that Rose had shattered pink diamond and then tried to fix her shards together, and she
Really thirst which I thought was a hella cool concept, of course. We've never seen that type of thing before
So who knows if that's even possible?
So now to get into the meat of this video
YouTube is covered in videos talking about all the foreshadowing and Steven universe how if you look at almost every episode the song?
Intro every flippin line is foreshadowing
Now know everyone seems to say that we should have noticed all these clever hints that they left for us to find that it was
Expert writing that we didn't decipher all these clues
But everyone seems to be passing over the fact that some gems have told their story
Or the flashback shows that both of them are together
Things they would have seen
Like in garnets most recent flashback that she pulled the off colors some are you are probably going to say I'm reading into it
Too much, but these show creators seem to want this reaction from us. So I'm going to dissect this clip
What have you been saved?
they're my diamond has pleaded it's come to my attention that your
Colony earth bears life what? I know these organic life-forms serve no purpose Alex that we leave this planet and spare their lives
pink diamond thought for a moment and then laughed a
Wicked empty ceremony you wish to say these life forms at the expense of our own. Don't be absurd
Return to your post and I will forget your incense and with that rose quartz was dragged back to her
Kin, the gun for duty. So after these few lines that mean
pink diamond made up this whole exchange or
Even told garnet that they were all these gems around them when this happened
I mean, I guess it emphasizes how much of a psycho sociopath pink diamond actually was
Fabricating such details in the story and making up such an elaborate line and cover your tracks
She continued to pry it for the kid that got as a questions Oh odd that whatever eventually made its way to pink diamond
Rose quartz was summoned at once details about the other gems bringing roses questions to pink diamond
Make sense whenever they aren't the same person when they are the same person. Why would Rose tell this information to garnet?
Why wouldn't Rose since she was pink diamond?
Why didn't she say something like uh, you know pink diamond really wants to stop building the colony
But the other diamonds won't let her stop by leave your own and now all you want to do is be rid of it
First thing too many organics then their cities were too difficult to dismantle and and now these crystal gems
Were tired of your excuses pink the diamonds?
This rose quartz. Can't hurt you. You can't be swayed by a few unruly gems enough
Now some people would probably wave this away because we've shown that Peaks selfish young and makes decisions kind of like a teenager
Would do didn't it?
But if the point is to get gems on your side and make the fight for your cause
Wouldn't it make more sense to tell your people as rows that pink diamond isn't so cold and I'm caring
To keep a war going to have all these gems died in your wake
Now it's true that because she had to live a double life. She obviously couldn't tell garnet all the correct details
Everyone knows that one lie ends up as a mountain of Lies to cover the first slime
Maybe not doesn't have to say oh I didn't want to do it because that could get back to yellow and bloom
But still she could have tried working both sides in such a way that all the gems rally behind her
Instead of some of the gem siding with homeworld because they weren't a fan of rose
I mean in these situations no way is she gonna get a hundred percent conversion?
But maybe it wouldn't have caused the already divisive gap between the classes to get worse. Maybe that's the point
They're trying to make that selfish decisions can cause a lot of destruction
If it didn't happen this way, then why would the gems tell it this way?
And like how did she lead a double life under so many eyes if weapons that gems?
Conjure can't shatter. Anyone how the heck did so many gems get shattered or cracked?
I mean Emma's falls off a cliff in Beach City and gets a crack in her gym beer. I'm not gonna
Amethyst your chemist
So the story of Rose shattering pink diamond with a sword still seem plausible
but then we were given what business said in her special I
designed the sword for a fair fight
It can cut through a gems physical form in an instant
Destroying the body but never the gem
So what bismuth says is foreshadowing that?
The story we were told about pink wasn't completely accurate and that maybe there was something amiss in the story Steven knows
But to me that leaves a big hole in the war too because how long was homeworld shattering jimson
These are the kind of questions I have just to name a few the point
I'm trying to make is that more questions in a show doesn't automatically make it a great show
I've seen way too many people saying that it's the best thing since sliced bread
Uh, no, I mean sure it's great for the fan community to make tons of theories and speculate about how things went down
But honestly when you watch a show, you shouldn't have to speculate so much or fill in a ton of blanks
You didn't have to read side comics novels. Look at games made for the series to understand everything that's going on
It's great for marketing for sure
I'm not saying I don't understand it
I'm just saying that other things about Rose's story that we're told like her healing powers and
Then like maybe she had some powers other courts just didn't have
People are saying it's all
Foreshadowing but we really haven't got to see any other rose quartz in action
so How are we supposed to deduce that Rose is really that special we're told she's special
When roses shield is able to protect garnet and pearl from the corruption blast
That was definitely foreshadowing that made you realize how was she able to protect them?
But since we didn't get to see anything for comparison, it kind of makes the foreshadowing fall flat to me
I'd like to point to a few pieces of yeah that I feel like are much better examples foreshadowing the
definition of foreshadowing
According to literary devices net is this or shadowing is an advance sign or warning of what is to come the future?
the author of a mystery novel might use
Foreshadowing in an early chapter of her book to give her readers an inkling of an impending murder and as far as I'm concerned good
Foreshadowing is something that is big but obvious enough to make you take a second look
Stevan having pink sparkling diamonds round him in the intro is not foreshadowing
roses shields being able to protect the diamond attack is
okay, so they're both technically foreshadowing because the cool thing is
You're able to look back and say oh, wow. Look at all this foreshadowing but narrative Lee speaking one is helpful
And once more like an easter egg
These examples that I found are kind of widely accepted to be
Pretty decent examples and but why they work is kind of more in my opinion and if you have a different opinion, that's fine
Let me know what you think in the comments
And if you have any good examples for shadowing you'd like to share
So I'll start with this clip from Christopher Nolan's Batman trilogy
It's the second movie The Dark Knight by let's come take control of our city
But this is a democracy
Harvey when their enemies were at the gates the Romans would suspend democracy and appoint one man to protect the city
It wasn't considered an honor. It was considered a public service Harvey the last man that they appointed to protect
The Republic was named Caesar and he never gave up his power. Okay, fine
You either die a hero or you live long enough to see yourself become the villain now
Why does this work is good for shadowing? Well, not only is our main character present for the statement
It also emphasizes
the internal struggle that Bruce Wayne is going
through of whether he's doing a good thing or if you should give up because he doesn't want to be
Corrupted by making the wrong choices. It also sets up the fact that until this point
We've been told and shown that Harvey Dent is a morally correct guy
Just trying to do the right thing
But his struggle has been mostly uphill and he doesn't seem to make any progress at the end of his art
He's shown to become a villain the whole theme of the movie centers around uncertainty and chaos people
So when you're here this line, it makes you wonder what's gonna happen to these characters
They eventually gonna be at odds because the two are work of the same causes but through different mediums
Stuff like that another example of foreshadowing working. Well is Romeo and Juliet from Shakespeare?
I really do want to have to include this example because I'm not really a big fan of Shakespeare to be honest
But it does still illustrate the point. Well, anyway, here we go when the story is set up
We know that the two
Families are warring and that people in the family on each side have been dying
and this line is used to set up the expectation that they are just as vulnerable and
as most of you already know the end of the story they die to true love's kiss so to speak why this works is because
We're given the expectation from the beginning that there's a lot of destruction
And chaos between the two families
We already know that if Romeo and Juliet fall in love with each other
That it's probably not gonna work out because their families are the odds to the point of killing each other
So pretty good for shadowing. The last example I wanted to bring up is from the anime called fairy tale
Sorry to bring this one up as an example again, but every time I think about this property
The story arc always sticks out to me just the way it's structured overall is pretty great to make this short and to the point
this anime lives in its own made-up world where their magic Wizards
Monsters cetera follow a guild called fairy tale the adventures the main characters go on
One of the main characters named Lucy we've seen
Her family life from the beginning her mom died when she was young and her father was hateful to say the least
She ran away from home and never looked back on her old life
One day a girl brings her keepsake left to her by her now dead father the girl Michelle claims to know Lucy in
She doesn't remember her
Blonde with the pigtails. This is the one you want. Thank you for the help young man
Who's that?
Yes, ma'am, I'm a Heartfilia but who's asking exactly
Now it's true this could have been waived off
She wanted to forget about her previous life
But there's still something about the way Michelle says they used to play all the time
And the way Lucy doesn't remember that makes you question what's going on?
Because we know from experience that Lucy doesn't lie and is a very honest person. She doesn't remember this person or
Does the person have ill intent? There are other lines at foreshadow something is amiss with Michelle
But the important part is once we get to the end of the arc spoiler warning, by the way
Michelle
all of your tears
your appetite
your clumsiness
You're so cool
living your dreams and jealous
That's just a strategy to avoid feeling guilty harden your heart to suffering and you can justify any decision
Where Michelle you were suffering all along weren't you?
I'm so sorry. I love you
It makes sense, um, that's why she wanted things to go back to the way they were before
Yeah
She wasn't lying to me
She really believed it
And at one point I did too
She was my little sister
We find out that Michele wasn't lying and that she was Lucy's doll from childhood that had been brought back to life through magic
It's an interesting twist. That makes sense in the moment and in hindsight
It's something you can draw attention to you while you're watching it and it's something that when we get to the reveal it all makes
Sense, so sum it up. I think it's great
There are a lot of fans who've been made very happy by this reveal and what it means going forward
I know I probably seem kind of negative in this review
But I am really excited to finally get closure on this two-year drawn-out plot twist
I guess it's more like I'm irritated with the fandom crowning. This is the best writing on earth 20 18 11 10 much. Wow
What a twist everything is not foreshadowing every foreshadowing clue doesn't a good story make okay
Hey guys, as usual. Thanks for taking the time
Let me know any thoughts you have on this on this most recent reveal and what you expect happen next. Have a good day guys
You
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Hello You! | Geekism Channel Trailer 2018 - Duration: 0:59.
Hello You! Welcome to Geekism... my tiny little corner of the internet.
here we play video games creatively... from theme parks
to underwater alien bases... From dystopian frozen wastelands to big ol' rockets
infact if it lets us flex our creative muscles, then it's the game for us!
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Reemplazar carne por vegetales podría acabar con 1/3 del hambre mundial - Noticias #4 - Duration: 6:25.
For more infomation >> Reemplazar carne por vegetales podría acabar con 1/3 del hambre mundial - Noticias #4 - Duration: 6:25. -------------------------------------------
What is the Amidah? The Jewish Standing Prayer - Duration: 2:55.
The heart of Jewish worship is a prayer referred to as the Amidah or standing prayer.
In fact reciting the Amidah was synonymous with prayer itself to the
ancient rabbis and is sometimes referred to in the Talmud simply as Tefillah
the Amidah is the main course of Jewish prayer everything else is an appetizer or a side dish
The Amidah is a chain of short blessings
that are recited together while standing quietly at every occasion of formal
Jewish worship although the Amidah is a prayer recited silently while standing
in place were citing the Amidah is hardly a stationary experience and many
worshipers develop unique ways to move their bodies while reciting the words of
the Amidah some rush through the words at only a few minutes while others stand
and quiet dialogue with God oblivious to the clock steadily marking the passage of time
The Talmudic rabbis provided guidance for the basic structure of the Amidah
The first three blessings should be occasions for praise of God the final
three blessings comprise our expressions of gratitude as we take a leave of God's
presence and the blessings in the middle are a chance to make specific requests
the blessings in-between the first three and the final three blessings change
according to the season
during the week day 13 specific requests comprise the
bulk of the Amidah these requests focus on practical needs of health and the
ability to make wise choices
as well as more lofty yearnings for redemption and
a world transformed by justice
On Shabbat and holidays when we pause to rest
those 13 requests are replaced by one blessing that focuses on the sacred
nature of the day
Historically the prayer leader prayed out loud on behalf
of the community
today individuals have a chance to personalize their silent
Amidah while joining the congregation in the communal Amidah
although there are many different versions of the Amidah in use among
contemporary Jewish communities they all share this overall structure and they
share most words in common too.
Once printed in a prayer book, the words of the Amidah
cannot change but it is appropriate to add one's own personal
words of prayer at the end of the Amidah or even in the middle of the Amidah when
our own personalized prayers correspond to a theme of one of the standardized blessings,
Each Amidah is a unique opportunity to disconnect from the world
around us and its distractions and to use the words of the Amidah to remind us
what is truly important.
Each Amidah is a unique opportunity to cultivate a relationship with God
Each Amidah is unique opportunity to serve God with our hearts
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TIPS DE CONCIENCIA CON IVANKYS, EJERCICIO NATURAL - Duration: 7:22.
For more infomation >> TIPS DE CONCIENCIA CON IVANKYS, EJERCICIO NATURAL - Duration: 7:22. -------------------------------------------
Aliens 'Drawing Energy From Volcano Eruptions' - Duration: 3:34.
Aliens �Drawing Energy From Volcano Eruptions�
by Joy Basu
� Sightings of alien craft around volcanic eruptions are reportedly on the rise. UFO
hunters are convinced that witness accounts of bright, pulsating light, caught around
the active volcanos over Yellowstone, in El Salvador, and the Colima volcano in Mexico
is evidence UFO activity at these places.
� �When a medium volcano erupts it releases around 27 megatons of thermal energy. That�s
a lot. Could it be that these mysterious crafts have found a way to reap the energy that is
released during these events?� asks a writer on Livingist.com.
� Nigel Watson, author of the UFO Investigations Manual, says that tectonic strains in the
Earth�s crust produce enough energy to naturally create columns of electrical energy and glowing
balls of light in the atmosphere. Michael Persinger and Gyslaine Lafreni�re who made
a statistical study of the correlation between UFO sightings and seismic-related locations,
say that EM fields of these type of UFOs can trigger hallucinations or trance states in
people who get to near to them, which �explain the many stories of �alien� abductions
and other strange encounters that are experienced after a witness has seen a light in the sky.�
Reported sightings of alien crafts around volcanic eruptions are on the rise, according
to numerous alien conspiracy websites.
While a glowing sphere was reportedly spotted over the Yellowstone volcano in the US in
February, another was spotted last year in El Salvador in September.
In January 2017, alien chasers claimed a new video appeared to show a UFO burst into a
ball of light after �leaving a volcano� while in 2016, there were numerous other stories
on UFOs flying over active volcanos.
UFO hunters are convinced that witness accounts of bright, pulsating light, caught around
the active volcanos is evidence their activity is within the nature of Earth.
Writing in Livingist.com, an author said: �When a medium volcano erupts it releases
around 27 megatons of thermal energy. That�s a lot. Could it be that these mysterious crafts
have found a way to reap the energy that is released during these events?�
Other UFO bloggers such as Scott C Waring, who runs ufosightingsdaily.com made wild claims
about alien monitoring seismic activity, or even triggering volcanic eruptions and earthquakes.
Mr Waring said of an alleged UFO sighting by the erupting Colima volcano in Mexico:
�The UFO is long, and cigar-shaped much like many of the past UFOs seen around Mexican
volcanoes on live cams.
�The UFO could not leave from the mouth since there was an eruption, so they took
a side path.�
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Haven't You Done Well 9: Slippy Floors - Duration: 4:20.
For more infomation >> Haven't You Done Well 9: Slippy Floors - Duration: 4:20. -------------------------------------------
Free Parking Ticket - How to Be Broke - Duration: 2:08.
- Ahhh, what the fuck, Bam.
I told you not to park here, this my mama car.
- Hey don't worry about it man,
I'ma show you how to get a parking ticket paid for free.
- You gon' fix this.
It's on you.
You gon' fix this.
- First, find a car that looks exactly like yours.
Luckily for me, I've got a street team to scout for me.
You, Echo Park.
Santa Monica.
Burbank.
Koreatown.
Break.
- [Man In Camouflage Jacket] Bro, you know it's one
right there, right?
How you gon' get a street team
and not even look behind you?
- Shit.
- [Man In Camouflage Jacket] You so stupid, man.
- Once you find the lookalike car,
take your original ticket and put it on the windshield
of the car that looks just like yours.
That way, the owner of the car will just think it's theirs
and pay for it.
- [Man In Camouflage Jacket] Wow.
You officially the grimiest nigga I ever met in my life.
- It's true.
- [Man In Camouflage Jacket] Oh, here she come,
here she come.
♪ This old white bitch ♪
♪ Is finna pay my ticket ♪
- [Man In Black Jacket] Shut up Teddy, we're not done yet.
- [Teddy] What?
- Now we gotta follow her.
- [Teddy] We gotta follow the bitch?
Now, this is some straight up stalker shit.
Why are we even out here like this?
- [Bam] I just said, to pay for the ticket.
- [Teddy] Bro, I don't got time for this, Dog,
I gotta be in the barber shop in a hour.
I gotta be in the chair to get fresh and crisp.
- [Bam] You definitely do
'cause you ain't lookin' crisp right now.
- [Teddy] I know you not talking.
Your shit looks all which a ways, looking like Wanda Sykes.
- [Man In Black Jacket] Wait, are you serious?
Does it really look bad?
- [Teddy] Bro, I am not goin' to jail
for stalking a old white lady.
- Look, I'm just making sure she brought the ticket inside,
we're not doing anything illegal.
- [Teddy] What do you mean we're not doing anything illegal?
Just being black is illegal.
You can't hide behind that, you black on white,
look like a fuckin' piano key.
Don't lay on that grass like that, Bam, you got eczema.
You gon' get stripper stomach.
Stop layin', drop.
Bam, what the, oh shit, I'm not goin'
to jail for you, Bam. - Teddy.
- I'm goin' home. - Teddy, Teddy.
- Fuck you.
Hey, what up y'all?
It's your boy, right here, I'm 'bout to get cut up
by my boy Ron, man.
You feel me?
Finna get me fresh for the hoe.
- Oh, shit.
Ain't that your boy, Teddy?
- [Cameraman] Oh, he cryin'.
(laughing)
- [Man In Jean Jacket] Your boy like old white ladies.
- [Cameraman] Man, that's your boy right there.
- I don't know that nigga.
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Baby Talk | Let's Talk | NPR - Duration: 2:28.
[Baby babbles]
Researchers used to believe
that cute baby babbles like this were nothing more
than motor practice --
something that babies do to exercise their mouths.
But Rachel Albert, an infant language development researcher,
says that when babies are babbling
they're actually in a heightened state of arousal.
They're ready to learn.
When a baby babbles and Mom or Dad respond,
the way they do so will change what the baby says next.
[No.]
This is called a social feedback loop.
It's what we call a conversation.
[Vikki: I think he's saying he wants me to pick him up.]
[Babbling]
[Vikki: And now he's telling me he ... ]
One rule of being a good conversationalist?
Stay attentive to what your partner is saying.
[Vikki: Oh, he wants something. He's telling us he wants something.]
[Shankar: Oh! What do you think he's telling you he wants?]
[Vikki: He wants that straw over there. That cup and straw.]
Rachel says this language of baby babbles
can actually be studied and understood.
Researchers called the first type of babble QRV.
Quasi-resonant vocalization.
This is the least mature sound
and can often be confused with fussing.
[Babble]
The second type is called FRV.
That's a fully resonant vowel.
At 3 or 4 months the baby's vocal tract opens up
and they can start to pronounce sounds
[Babble]
with O's or A's.
The third is called MSFR.
That's a marginal syllable which is when
babies start throwing consonants into the mix.
That usually happens around 6 months.
[Babble]
And the pinnacle, the pièce de résistance if you will --
are canonical syllables -- Ba-bas and Da-das.
Parents tend to react most strongly to a canonical syllable
because they hear them as being most like speech.
[Babble]
Just knowing that when babies are babbling they're ready to learn --
that can be a useful takeaway for all of us .
This is Let's Talk, NPR's news explainer show.
Make sure to subscribe to our YouTube channel
and please check out our other shows.
I'm Shankar Vedantam and this is NPR.
Support for NPR comes from Little Passports. Hands on learning delivered.
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How to make heart of paperwork - Vigo Video Valentine's Day - Duration: 2:20.
Hi. welcome to the channel www.feitoamao.com.
in this video we'll show you how to make paper hearts
this heart I taught this week in Vigo Video
which is an application where we can share short videos of our passions
You find a little bit of everything and it's really cool.
if you have not downloaded yet I'll leave the link down here
And do not forget to follow us there.
if you are new here sign up not to miss the next videos
Short and share with your friends
thanks for watching and until the next video
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