Thứ Năm, 14 tháng 9, 2017

Waching daily Sep 14 2017

Fine details in a language can be the starting point

for interesting journeys through their history

For example, why, in German, does one say "schneiden", but "geschnitten"?

Let's look into that.

German is a West Germanic language,

so it is very similar to other West Germanic languages, like Dutch or English.

The reason for this similarity is,

that 1500 years ago they all were dialects of a common ancestor.

These days they've evolved apart, so that there are noticeable differences as well.

Whereas in Dutch on says "slapen" and in English "sleep", in German the word is "schlafen".

Similarly, Dutch "scherp" and English "scharp" are the equivalent of German "scharf".

The p sound became a f sound in the evolution of German,

but not in that of its close relatives.

Around the same time, lots of other sounds shifted as well:

t became ts, th (which German used to have) became d and so on.

This sound shift was an important part

of German's splitting of from its relatives.

Because of this, it is called the "High German consonant shift".

However, German is not only a West Germanic language.

Together with a bunch of other languages,

like Swedish, Icelandic, and the now extinct Gothic, it's part of the larger, Germanic language family.

These too, are descended from a common ancestor: proto-Germanic.

However, proto-Germanic itself was related to Latin, Greek,

most other European languages, and Sanskrit, India's Latin.

Together they are part of the even bigger family of Indo-European languages.

And just like how German split of from its relatives through the High German consonant shift,

so too did proto-Germanic split of from its ancestor through the Germanic sound shift.

Early in the development of proto-Germanic, a bunch of sounds shifted to other sounds.

Because this could have cause confusion, at the same time, those sounds too shifted to other sounds,

which, like dominoes, shifted even further.

Those last sounds didn't originally exist in the language,

so confusion was no longer possible.

So in the beginning, there were these sounds, and at the end these.

Each row shifted to the next one.

And as the High German consonant shift explains differences like sharp/scharf,

so too does the Germanic sound shift explain certain differences

between the Germanic languages and the other Indo-European languages.

For example between, the German "Neffe" and the Latin "nepos".

German has a f where Latin has a p,

because the Indo-European p became a f in the Germanic language, but not in Latin.

Latin had its own little sound shifts.

For example, the Indo-European b became an f at the beginning of words in it.

This explains that difference between German "Bruder" and Latin "frater".

However, that German has a d where Latin has a t is again the result

of the Germanic and High German sound shifts.

Indo-European t became a th in proto-Germanic, and later a d in German.

All that is pretty neat,

and you could spend your time finding further such examples,

like Schottish-Gaelic "treas" vs. German "drei", or Greek "kardia" vs. German "herz",

but then you find Latin: "pater", German: "Vater", and here something's off.

f instead of p makes sense, but shouldn't German have a d where Latin has a t?

Like it was with "frater" and "Bruder"? Something's definitely off.

The solution to this problem was found in 1875 by Danish linguist Karl Verner,

and is called "Verner's law" after him.

There simply was another sound shift after the Germanic sound shift.

It affected the sounds f, th, ch und chʷ, which had just formed from p, t, k und kʷ,

and turned them into... these sounds, which we cannot pronounce.

It also affected s, turning it into z.

However, what's interesting is less which sounds shifted, but more where and in which words they did.

Because the deciding factor here is, where stress was in the original words.

In modern German, stress is almost always n the first syllable of the root.

We say Menschen, Leben, Tanzen, Welt, and: Bruder and Vater.

But Proto-Indo-European had a much more flexible stress.

In "father", stress was on the second syllable.

Verner's law only applied, when stress was not on the previous syllable.

So the t in "Vater" was influenced, but the t in "Bruder" was not, because of the different stress.

Some time later, the modern stress arose,

which causes us to no longer stress "Bruder" and "Vater" differently.

But we can still see that we used to,

because the old stress pattern left traces because of Verner's law,

and German has maintained these traces through the ages.

g bar became a normal g; ch became h; d bar became d, which became t in the HGCS;

th became d; b bar became b;

f remained as it was, and s became z, and z became r.

So although the sounds changed,

the difference Verner's law had created remained.

In other Germanic languages that isn't the case.

In Dutch, for example, f and b bar both became [v],

and the d bar and th both turned into d.

So the Dutch words for "Bruder" and "Vater", "broeder" and "vader", don't have the difference.

However, in German we can now fully trace the evolution of the difference.

Proto-Indo-European t first became th in both words.

In "Bruder" it stayed there, becoming a d during the HGCS.

"Vater" was affected by Verner's law due to its different stress pattern.

It turned the th into a d bar, which later became a normal d,

which the HGCS turned back into a t.

In the meantime, proto-Germanic had lost its flexible stress,

so that the d/t distinction is the only indication

for the earlier stress distinction.

Other pairs of words too were affected by Verner's law, especially verb conjugations.

This is because all the pre- and suffixed could easily induce a stress difference.

Examples are the difference between "ziehen" and "gezogen", or "verlieren" and "Verlust",

and our starting point: "sneiden" and "geschnitten".

Verner's law also hides in "heben" (to lift) and "Hefe" (yeast).

"Hefe" used to mean "the lifter".

There used to be a whole lot more pairs like this,

but many disappeared due to analogy.

For example, "frieren" used to be "friesen", which, together with "gefroren", is a clear Verner pair.

But humans like order, so they eventually adapted the infinitive to the conjugation.

Our language ancestors apparently were not capable of ordering orderly,

so analogy affects different words (and never all of them) in different languages.

In Dutch, for example, it's still friesen – gefroren,

or, more precisely, vriezen – gevroren.

So this human desire for order, paradoxically, creates yet more disorder, in the form of exceptions.

Now, one could get upset over this apparent inefficiency,

but let us propose a different view.

Language is not just a tool for communicating; it is also a sort of collective work of art,

a painting, created by all those who speak or have spoken it.

Here they added or are adding color, there they scraped or are scraping some of.

So small bits of color which reach the surface could be very old,

the remains of an ancient part of the image, which has now been covered by new

(equally beautiful and complex) layers of paint.

The same goes for Verner's law.

Small irregularities, which have been preserved to the present day,

show us systems and forces, which, millennia ago, were part of our language:

the Germanic and High German sound shifts,

analogy, flexible stress, Sound which we can't even pronounce any more,

and, of course, Verner's law.

For more infomation >> Das Vernersche Gesetz - Duration: 8:16.

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* Vernersche Fußnote: Wann welche Lautverschiebung? - Duration: 2:44.

Of course it's also possible,

that this extra sound shift happened before the Germanic sound shift.

In that case, p, t, and k became some unknown transitional sounds,

(and s became z), if the previous syllable was unstressed.

Those transitional sounds would then have been affected by the Germanic sound shift,

becoming b bar, d bar, and g bar.

In both cases, further language evolution is identical.

In both cases, the same starting sounds would have turned into the same resulting sounds.

So the result cannot tell us which one is true;

For that we need further evidence.

Evidence for the classical order, is that f, th, ch and s are all pretty similar.

They are "voiceless fricatives", which only differ through the place of articulation.

In the alternate order, Verner's law would have affected very different sounds:

p, t, and k on the one hand, and on the other s.

However, there is historical evidence for the alternate order.

For example, Caesar gives us the name of the modern river Waal as "Vacalus".

Tacitus, 150 later, gives it as "Vahalem".

So the name seems to have been affected by the Germanic sound shift,

which turned k into ch, and later into h.

But that would mean that the Germanic sound shift happened around the year 0,

and Verner's law even later, around 100-200 a.d.

But by then, proto-Germanic had spread across a fairly large area.

Especially East Germanic, i.e. the Goths, had already reached modern day Belarus.

It seems unlikely that a sound shift would penetrate all dialects in such a large area.

The alternate order would solve this problem.

However, such a late date for the germanic sound shift is not generally accepted.

A city, founded around 50 a.d. in a Germanic area, called Colonia Claudia Ara Agrippinensium

became modern day Cologne, not Chologne. So it must have been founded after the Germanic sound shift.

Also, examples like "Vacalus" can be explained.

The Romans probably heard the name from Celts, who didn't have a ch in their language,

and probably replaced it by a k,

the same way modern English people pronounce Loch Ness like Lok Ness.

Additionally, the Romans had no letter for ch.

It's possible that Caesar used a c to represent ch.

We are neither linguists nor historians, so we can't say which possibility is correct.

In the main video we present the classical order,

because as far as we know that one's accepted by the majority of people who are experts.

For more infomation >> * Vernersche Fußnote: Wann welche Lautverschiebung? - Duration: 2:44.

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Samsung CHG90 super ultrawide unboxing and test run - Duration: 12:45.

and, the repost time...

[gibberish]

[grunts]

Good day, and welcome, once again

to Jimmy's videos and

this time we have an interesting Samsung

super ultrawide monitor, so, so....

it's a 49".... inch

32:9 screen that is

somewhat different than

your run-of-the-mill 16:9 monitors

or other ultrawide monitors

a different kind of screen

and let's see what it's all about!

firstly, we have the

errrrr

color calibration report

with details about

the monitors color properties as noted during calibration

and we also have an energy certificate

a small box - "qled gaming monitor"

wall mounting bracket

this thingy made out of metal

then we have a bunch of cables

power cord

HDMI cable

DP

DP - DP mini cable and

USB to USB

type..... B cable

then we have a leaflet thingy in russian

which I personally cannot make sense of

driver cd... I mean documentation disc

warranty leaflet thingy

more russian

some other leaflet thingy

more warranty papers

safety instructions.... whatever those are in finnish....

[epiphany] safety! [gibberish] ...instructions!

and finally

the quick setup [struggling with words]..... quick setup guide!

so quick usage glossary for the unit

let's put these disp... uni... hbrtjk bleugh!

cables inside the box for now

and

let's move on to look a bit closer at the monitor's different parts

here we have the... eugh!

here we have a very wide stand

for the monitor

protective plastic back cover panel

some kind of decorative ring thingy

most likely for the back too

and this is probably something for cables?

and here, finally, the monitor base arm

and now we're gonna dig out the monitor itself

like so!

it would probably have been smart to once again use the protective styrofoam....

handling these ultrawide units it's advised to keep

this, this styrofoam under here so that

it supports the weight of the screen

while the stand is being fastened

firstly we'll attach the stand arm

and then the stand base

and as a finishing touch

this decorative circle bezel

here

around the base of the monitor's

stand

there! and now we can try to

get this thing upright! [struggling]

and that's the monitor we unveiled!

and it's really

honestly amazingly wide

the front bezel is really quite thin except at the bottom

the bottom bezel is this....

errrm, should we say

black brushed aluminium

with the SAMSUNG logotype at the very center

to one side you can find the menu buttons

on the underside of the screen

the back side is all black, and

very curved indeed, there's a bit of SAMSUNG detail too

then we have the centerpiece, ummm... center

decorative ring and around it this blueish, a bit reflective and shiny finish

and in the stand we can find this small, small

whatchamacallit, that you can flip down

and use to hang your headphones up nicely behind your screen

so they won't be in the way at any point

or laying on the table but are neatly stored behind your monitor

the stand also features a cable management groove

inside the stand and

allows for tidy cable management

the connectors on the monitor are as follows

power cord, then we have

HDMI, HDMI, Display port

mini display port

then there's

umm, headphones/service

3,5mm minijack

next to that mic in and out

then the

type B USB that enables you to use the monitor as an USB hub if needed

there are two USB connectors here

so I guess we have no other choice than hook this thing up and see how it performs!

and there we have it, set up in front of my face and

it's really

it's really a HECKIN wide screen

I need to confess that upon seeing this unit for the first time I thought it was shopped

but no, it's really

a real thing and, ummm

going trough some specs here

so yes this is the Samsung 49"

inch....

super ultrawide monitor

with aspect ratio 32:9

the resolution is 3840 x 1080

the panel is 144hz

errrrm

the curvature... yes, it's also a curved model

the curvature is 1800R as with most other Samsung monitors

and we've discussed what that means in some previous videos

as this is a gaming unit the response time is quite fast also

only 1 ms

the monitor also features AMD:s freesync

and

the panel is QLED so it features Samsung's quantum dot technology

and supports HDR too

the monitor has the following ergonomic features

adjustable height

oopsie!

and both horizontal

and vertical tilting

at the bottom we can find the power button

and menu navigation knob

firstly we have this general menu

featuring power off

image input and menu

PBP which stands for picture by picture

and that means that you can

connect a secondary device

and use the PBP feature to split the screen down the middle

to display two different inputs

from the different devices

the menu GUI is well, maybe a bit gaming-inspired

here we can find

game menu complete with different picture modes

optimized for high brightness, FPS and RTS games

RPG and AOS

you can also adjust refresh rate

toggle Freesync on and off and

different picture options

brightness and contrast and such

you can also customize the menu itself

under system you can adjust lighting

and turning it on

it activates a light element at the back of the monitor

that illuminates the dark corners of your workspace

the menu also includes f.ex. sound settings, ECO mode

and controlling the USB charging options

for the connectors

and there's also

the information section with data regarding the monitor unit

there are also three quick launch buttons for storing your top setting profiles of choice

and

regarding the 3840 x 1080 in practice

it really means that we have two 1920 x 1080 screens side by side

so you can fit two whole monitor's worth [pointing]

that really helps you visualize just how wide this unit is

and, being marketed to gamers

there are several gaming modes

it's time to tackle some games

and really see how this monitor performs!

aaand in a strategy game like CIV 6

we get lots of additional space at the sides

and the different navigation menus

jump... jump waayyyyy out to the sides

so they don't really interfere with the action in the middle

and, even this CIV glorious tech tree

which is really nice... no, really, it's a monstrosity

even that fits considerably better

you get so much more area here, don't need to scroll *as* much

to the sides

you get quite a better view of it all on this monitor

and then, in this type of FPS game

the field of vision is really considerably wider than on a "normal" 16:9 screen

that would probably cover about this much [gestures]

lets hide for a moment!

...this area right here! [gestures]

so it really makes a difference

with so much more space at the sides

and you can really conveniently see if someone is moving out here

some small baddie

you can spot him quite easily even when there is a lot happening

and in this kind of racing game you also get a considerable edge

using this very wide screen

oopsie

since... GOSHDARNIT

[groaning]

since driving up close to these other cars

yolu can really see all the tight corners and

where your competition is

and look out, well, not in this game - but others less fast-paced ones where you should....

it's good that you can keep an eye out for any competitors

and where they are driving

so you don't bump them off of the road

oh, oh oh oh.....

in 3rd person games the monitor is really useful

because in this type of situation where

you need to be all stealthy and stuff

you cquite easily

with this monitor

because you have all this "extra" space

you can look around really nicely

you can keep an eye on this sneaky fellow

so that's the kind of display this

Samsung 49" super ultrawide is

and this really isn't something you get to see every day

really quite an extraordinary unit and, and....

really, very nice gaming features and

gives quite the nice, new perspective and reach

thanks to it's wide picture

you can really fit a lot of stuff on it at the same time

thanks to the huge resolution

and the refresh rate 144hz too so

the picture is nice and smooth

that's about it for today

we'll be back next time, buh-bye!

For more infomation >> Samsung CHG90 super ultrawide unboxing and test run - Duration: 12:45.

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IAA 2017: Ausblick auf die vollständige Elektrifizierung bei Mercedes-Benz - Duration: 1:45.

For more infomation >> IAA 2017: Ausblick auf die vollständige Elektrifizierung bei Mercedes-Benz - Duration: 1:45.

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** Vernersche Fußnote: Strichbuchstaben - Duration: 2:40.

We said that f, th and ch

became the to us unpronounceable sounds b bar, d bar and g bar.

But what exactly are these sounds?

And why did they later become b, d and g?

g bar is a "voiced velar fricative".

We explain exactly what that means in our video about Tolkien's Tengwar,

but said simply, it's a g where you don't lift your Tongue all the way up to the palate,

but only almost, so ::demonstration::

The sound exists in my second native language: Belgian Dutch.

That's why I can pronounce it so effortlessly.

This is different for d bar, the "voiced dental fricative"

I can't pronounce it,

but you know it; It's the th in thing - not in then!

English had two th sounds.

A voiced one, where the vocal chords vibrate,

and a voiceless one, where they don't.

d bar is the first one.

b bar, lastly, is the "voiced bilabial fricative".

It's like a (German) w, but with the lips like for a b.

According to Wikipedia, there are people who colloquially pronounce the b in "aber" like that.

So not "aber", but about ::attempt to say aƀa::

Now that we know, what the sounds are,

It's easy to understand how they could turn into b, d, and g.

Our modern g is a "voiced velar plosive".

The name alone tells us that the difference is small.

You just lift the tongue all the way up to the palate, instead of almost.

The same happens between b bar and b. b is a "voiced bilabial plosive".

The vocal chords are vibrating already; the lips are held the right way;

The difference is that for a fricative you close the mouth all the way, instead of almost.

This explains why b bar appears colloquially in "aber".

For an a you open the mouth all the way.

For the b you have to close it all the way, and then there's another a,

because you pronounce the "er" like an a.

So if you start pronouncing the second a before the b has finished,

you don't close the mouth all the way, and you get a b bar: aƀa.

With d lastly, the situation is a bit different.

It's similar to d bar,

which is why native German speakers use it to replace th when speaking English.

but the difference is bigger than was the case for b and g.

d is a "voiced alveolar plosive".

So again it's a plosive instead of a fricative - you close the mouth totally, instead of almost -

but you also put the tongue a bit further back,

not against the teeth, but against the alveolar ridge, the bone just behind the teeth.

It's just a d.

For more infomation >> ** Vernersche Fußnote: Strichbuchstaben - Duration: 2:40.

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IAA 2017: An Outlook on the complete electrification at Mercedes-Benz - Duration: 1:47.

At Mercedes-Benz we are on the way towards zero-emission mobility

and that road contains different technologies that we will use.

We show vision smart, which gives us an idea how electric drive,

sharing and autonomous driving in form of a robot taxi

could change the world.

It's of course fully electric, fully autonomous, level five,

so no steering wheel, no pedals.

We have the compact-car segment here for the first time

we show the Concept EQA, which obviously takes now the full

electric vehicle concept with a long range to the compact car

of our Mercedes range.

Last but not least we present here a fuel cell vehicle,

the first hybrid fuel cell vehicle.

Last year we announced a new strategy: CASE.

Connected, autonomous, shared services and electric mobility.

We pushed the transformation in the company Mercedes-Benz

dramatically forward and I think it's very inspirational

for young people to share and stand together with us

within this transformation.

For more infomation >> IAA 2017: An Outlook on the complete electrification at Mercedes-Benz - Duration: 1:47.

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