target an outreach event or not request Oh Punta Mentos : hasta interes
queen country a mikanos amakuni grandi music EST militaristic algebra teacher
dinh Quintero session man American Australian Erica suna - veramente Kundu
to be important in music is still mundo de una Nora incredible a very low-key
interests are in English green DCI difficult happy darling wingless
activist - tutti trip in Ibiza - Tito in italiano capital a party bus Adele
player the YouTube data - quest - Thank You mr. Tim PS for being here being with
us how are you I'm good are you welcome and well you're not
excited Thanks ok so I have a few questions the first
one I took a look at the list of musicians
you worked for and you work the width and it's amazing Bruce Springsteen Bon
Jovi Michael Jackson Madonna Roger Waters Eric Clapton and many more so the
question is who didn't you work with that's really funny I mean seriously you
know what's amazing I mean I I would love to work with Peter Gabriel and I
never worked with Peter Gabriel these days they're probably you know few
people I'd like to work with - but then that's really funny I I never expected
to have so many credits and you know some of the credits were just one
session on my Madonna credit which Donna doesn't mean you know what what she used
to mean but that my Madonna credit was just one session it was a three hour
session which signs that these in living here and knowing people who are working
all the time you end up you know you can end up working with a lot of people and
I was I was very fortunate to be able to work with all of those people and then
some of the people I worked with tons of times you know so I see so I'd like to
go back to when you were a kid and I'd like to know if there was music at home
and were your parents musical people and what kind of music so your first
approach with music yeah that's very easy for me to answer
my parents were not musicians but I grew up in the desert in the southwest
Albuquerque New Mexico an AM radio was on all the time so my love of music
comes from top 40 radio in the 60s I was born in 1958 so when I was about five
years old I already thought music was magical but I wasn't you know I was
hearing the Beatles and Elvis Presley and then in the 60s all the great bands
dimension Glenn Campbell and then in the late 60s I was at just the right age 10
years old 12 years old Woodstock and Jimi Hendrix and Eric Clapton the birth
of classic rock and so it was just excellent timing my love of music comes
from Radio AM radio in the 60s I see so you partially answered my next
question so talking about guitarists who are your basic idols so you mentioned
Jimi Hendrix and Eric Clapton someone else first and foremost it was Jimi
Hendrix and and a lot of people my age who are guitar players will say the same
thing I'm not unique in that so Jimi Hendrix Eric Clapton Billy
Gibbons from ZZ Top there's another blues guitar player named Johnny Winter
it was very you know meant a lot to me and then you could move on to like Grand
Funk Railroad Mark Farner there was a band called wishbone ash
that had great guitar players I was a big fan of BB King also and there's
there a lot more but I would say Eric Clapton Jimi Hendrix Billy Gibbons those
would be my primary once and then in the 70s I fell in love with Steely Dan and
Larry Karl I see a lot of those good there's a strong blues kind of yeah
bass yeah the simpler forms of jazz you know simple I see and another question
about the artist you you worked for it was there anybody particularly demanding
someone but secret particularly hard to work
with any anecdotes well that there you know that I remember working with Tracy
Chapman once and she we found a guitar part that she liked so we found the part
and then she wanted to hear it on every guitar that I owned and that was in the
days when you would bring a lot of gear to the studio these days you don't bring
that much to the studio which is actually a relief but I think I had
about 30 guitars there and I had to try the park on all 30 guitars and I think
she may have even had me try it a second time on a lot of those guitars and and
you don't fault an artist for doing that these days
the recording process happens much quicker mostly because it's it has to
because people don't have the money or time to spend like they used to but that
kind of demanding is just based on her trying to make the best record she could
possibly make and it's you know as a musician you have to you have to any any
kind of ego or resentment that you have up with something like that you really
have to put it away and let the artist you're there to make their dream come
true and sometimes it's hard not to get frustrated because you you might you
might go okay I know this is the right guitar but she wants to go through that
and hear all that stuff I see I see perfectly what you mean and
I see that you also worked with Italian artists such as Vasco Rossi eros
Ramazzotti and have you ever met someone in person or were just distance works
well I made a little list we took a vacation in Italy which was amazing last
April and I made a little list of the people I work with because we I met some
local people in Italy because of you know in your musician I know lots of
musicians who toured in Italy I've gone to Italy done records and I so eros I
did I did work I've met Eric carros is usually there so I worked on a lot of
eros Ramazzotti and and he really with Trevor Horn in the early 2000s I think
one of his biggest records that was with Trevor Horn and he was
there and eros is always there and then when I work with their ups I think it
was three years ago it might be four years ago now I did I went his personal
studio and I I was you know he was kind enough to put me up in his small hotel
and he was there every day it was a wonderful host we out to lunch every day
was great um Zuzu Caro is always there bazarov she is always there but
generally they'll come at some point during the day because you know the
recording processes is it's very tedious something these artists are so
experienced they there's so many times that they're not there all the time but
they always are there at some point during the day
now there's one exception ELISA which I did with Glen Ballard she's there 100%
of the time absolutely all the guys you mentioned
are musicians musicians they play instruments they are people music very
musical people they are not just singers so that's why they are present yeah yeah
so it is wonderful now that the thing that happens now is that I work for a
producer named Mikhail Ivanova you might know you might not but now I do records
for I've got the names here Luka Carboni Tiziano Ferro Ignacio Antonacci patty
Bravo jovanotti Georgia Markham and Joanie these are the
people that I do that I haven't met because Michaela does these projects and
I go to Mikael a studio where is it and at last week it was an artist named
annalisa and that was at McKinley studio here in North Hollywood so most of the
records IQ now that are Italian I don't meet the artist because we do i do them
which is Michaela and that Edith eat he's with the artist later okay I see
and another question you started working in music industry I suppose in the late
70s or in the 8th is something like that am I correct
how did the market change is there a crisis we talk a lot about crisis
how do you see the market today well the thing about the crisis you're talking
about is that we went through it a long time ago and so now it's the aftermath
and what it means now is there's just not a lot of opportunity for people
coming up I did well because I had an independent clientele and an
international clientele that was in place when the actual kind of American
record business changed radically and also when guitar stopped being so
there's a lot of elements to this we could talk for two hours about this
alone but the other thing that happened with guitar is it stopped being the end
behind popular music it's it's more of a seasoning now rather than the you know
the the engine behind it it's more of an add-on but because I had a reputation
and was working out of my own home studio when everything changed
I actually I did well even when the business collapsed in some ways and then
seven years ago I started a YouTube channel and I have a monetized web
business where I sell memberships to guitar players and it's going really
well I have a full-time film editor and some part-time employees and I did that
actually for a couple of reasons so I could brand myself and be part of this
visual medium but also so that I would have something going forward that was a
business that would grow rather than you know shrink so the crisis you're talking
about was there for us a decade ago and we were in crisis now we've come out the
other side and everybody has adapted and we all do the best we can with budgets
that are sometimes 1/10 of what they used to be everybody is very efficient
and everybody tries really hard to do as well as they can on a much leaner a
budget scale so this is we're after the crisis we went through this already and
and the record companies are actually profitable now but they did that at the
expense of creators you know I am very unhappy with the fact songwriters don't
get paid what they used to get paid and that's a whole nother discussion but
for us it's the aftermath we've all its you know we've all figured out a way to
survive and some people have gotten out the problem the crisis is the fact that
if you're a young person coming up it's much harder to make the kind of money
you need to pay for an apartment at food absolutely I agree with you so you
mentioned your YouTube channel it was one of my next questions I'd like to
invite all my followers to check it out and subscribe to me because it's amazing
I follow it it's really it's really amazing and you make your videos in your
beautiful studio so I'd like to talk about gear for a while and I imagine you
have loads of guitars and arms and and effects so my question is we are
abandoning planet Earth and we have to head to Mars and you can bring with you
one guitar one arm and one pedal what do you pick up well I gravitate towards
these small boutique amp and guitar builders I have finished guitars but I'm
a little unusual as a guitar player because I'm not really obsessed with a
lot of the guitars that other guitar players recessed with there are two
guitar builders that I favor once a guy named Michael Tuttle and another guy
named Tom Anderson they make brand new guitars that for me play and sound the
best so I would take one of those guitars and then the amp I use I can do
this without us losing the internet is divided by thirteen RSA 23 that was
designed by rusty Anderson and Frederick Taccone and it's my favorite amp I use
it for most of my sounds and a lot of people have bought that because they
earned it and they want to have that sound so it's a particular model by
Frederick that everybody liked pedal wise I'll just expand a little bit I use
a micro amp and it makes our micro amp and the version of that that I you
I'm just gonna unplug it here so you see it it's this is a dual pedal but the
side of this that I use all the time it's just basically a cleaned-up FMX our
microwave updated not expensive I use that to push the amp and get distorted
sound okay I all love the nobles OD r1 which I'm gonna try and show you really
quick here okay it looks like it looks like a tube screamer yeah it does but it
sounds much warmer and badder than that it's it's it's best to get one from the
early 90s and so I've limited I changed your question to what two things I would
take you know and reverb pedals are very very essential now and tremolo but but
really I would say you know Michael Tubman guitar / 13 and the mxr micro
have so that that's how I get distortion I get it from the kind of distortion I
like is is a boost pedal that basically explodes the front end of the app and it
sounds bad yeah yeah I see I see what you mean
and talking about teaching I'm sure you have a great experience also as a
face-to-face teacher as an in-person teacher besides your YouTube channel so
my question is technology's helped a lot I'm talking about new guys learning
guitar today and the question is is it good is it good thing is there something
that I don't know something missing how do you see what we do because I I have a
youtube channel myself is it a completely positive thing or not I think
it is completely positive I I taught only two times in my life once
when I was 18 and once when I was 25 so a very long time ago and I don't have
time to teach privately I get a lot of requests to teach on skype but those
hours have to go into my web business making content or for session clients so
I take on absolutely no private students at this point I just don't have time
we're doing the web business my session work which is really strong still and
marriage family and a little bit of exercise that's kind of it I have found
and I would not have known this that teaching online lessons are actually
preferable to students at this point because if you even if you get it for
free that's fine too or if you choose a website to pay and get get lessons you
can do it at your own pace and your own time you can rewind you can slow down
the information that's always there it's on your mobile phone I certainly believe
in a perfect world if you had a teacher down the street and an online program
then you'd be set completely the one thing about having a teacher is they're
they're not always great teachers out there and not that they're not always
that great but the guy who teaches guitar down the street might be a
shredder and he might like invading Bay the most and you may want to learn dobro
blues guitar so you can't it's very hard sometimes to find the right teacher so I
would say never stop trying to find a local teacher that you can use but also
I have learned that people really favor this online I think it's ideal online
learning is ideal for people I really do it no matter what it is I see and again
about technologies but in music production I you a a digital guy I mean
do you use software like Guitar Rig or stuff like that and are they really used
in today's production or when it comes to serious stuff you still mic and amp
and how does it work today I'll try and break that question up into two things I
use Pro Tools at home and I've loved it for I've used it you know I'm very fast
at Pro Tools and I use it at home all the time and Pro Tools
sounds great as does logic and any of them they all sound great the problem is
the end user once it gets produced to you know down to the end product that it
doesn't sound as good but in our realm where we live and what we listen to it
sounds great it really does if that actual sound could be given to the
customer correctly at that sample rate and that level of quality then it would
be marvelous maybe someday soon and the other thing you were talking about is
modeling I exist when I describe it to people if you use
a Kemper which mine is right back there or a plug-in you might be able to get
90% of the way there but I exist I exist in this sound realm that's basically the
last five percent like all of the digital modeling units and all the stuff
that simulates guitar will give you 95% of the way there myself and my clients
in my career I exist in that 5% above the 95% so I can still hear the
difference between my modeled Kemper sound and the sound I get from my
ancestors and it's usually in the top end if you use emperor to do a part and
you hear a slightly artificial top end that's okay but once you start
overdubbing you do three opals you start hearing that same high end then you go
okay I hear the difference it's a great tool I take the Kemper with me to other
studios and use it people love it it's fantastic you just have to accept that
it's only 95 percent there now in five years maybe it'll be 100 percent there I
don't rule that out but the the actual sound and touch of tone that happens
when you use a guitar into a real amp into a real speaker to a real microphone
eat or no mic read it still has a warmth and body to it and particularly with
distortion it still has it's still favorable and still sounds better I
totally agree with you and one last question Tim
do you have a piece of advice that you would like to give to young musician
that would like to be successful today I know we are in different countries but I
think that you know a good advice works independent of the of the country I yes
I do have advice first of all you need to do everything well if your first love
is guitar and if you can program drums really well that will allow you to get
into situations where you'll be able to play the guitar make money playing the
guitar if you can sing and get on stage that will give you an edge to getting
gigs that will allow you to play guitar artists if you can write songs and
compose music that will allow you to use your guitar on that music so I tell
young officials to do everything you need to be able to program compose
perform do everything you possibly can to create value in addition to being a
guitar player or whatever instrument you're on most you know be able to do
everything out there but I did have a thought I had a guitar player approached
me about he wanted to be kind of like a Steve Vai a guitar player Joe Satriani a
guitar player and when I tried to stress to him is what is your value to other
people what do other people seek you for because a lot of times musicians they
only think about what they're putting out into the world Here I am aren't I
great but I always came from this little nest town of old school where I wanted
to be chosen by somebody who needed my guitar playing for a saw and I would
look at what do you offer that other people need what do you offer that
people are going to call you for they're gonna email me we want you for this
and that's something musicians don't always think about what what is going to
draw people to you collaborators composers artists singers other
musicians drummers how many people are seeking you and that that's my advice
now and it's new I've never actually said it before it's something I thought
about be the kind of person that other people want simple that's a very good
advice so thank you team would you like to
greet our followers finally hello everyone I love Italy I love California
because it's our version of Italy it's the best we can do and I can't wait to
come back I love you so much and I love your music I'm very grateful to be
played to be playing on Italian music it's beautiful and romantic and thank
you thank you it's been a pleasure can't wait to come back to Italy great thanks
bye bye
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