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낚시왕 뽐태공! 한강에서 치맥이나 할걸...뽀미의 한강 낚시! [뽐뽐뽐 뽀미] - Duration: 7:02.
Hello everyone! I'm Bomi of BBOM BBOM BBOM!
For today's episode
I'll go fishing at Hangang river
There were some people fishing at Hangang river
So I wanted to do it at Hangang river, not just chimacking, you know?
So I'm going to do it today, but before doing it I was curious about something
and that is if the optimal time for fishing is daytime or night time
So I'm going to try it to find out the answer
But there's something that we need to know
There are fisheries restricted areas in Hangang river
And they are
...........................
You can find out more detailed information at Seoul Metropolitan Government Hangang River Parks Division Website
So, I'll go to Hangang River right now!
I'm at Hangang river again guys
Today, my fishing place is Ttukseom Park
It's near the sunset but
Let's find out how many fishes I can catch during the daytime
This is that...
that... p..pp...p...p
You put it on one of the subtitles
Piglet.
It's that piglet...
These are baits and they look like shrimps
These are... floats!
Let's do this
We just finished assembling a fishing pole
What is this thing?
I hang a bait on the hook
Isn't it look like a shrimp from far away?
My first fishing at Hangang River! Let's do it!
I'll throw it in the water
I'm gonna do it
I didn't throw it yet, guys
Ok, I got it, guys
I'm fishing here at Paris
Let's find out if any fishes took a bite or not
It looks new more than new ones
OK OK It's perfect now
I'm a professional now
How do you know if a fish took a bite or not?
I just want "one" fish at least
How was it?
I'm quitting
I just changed the bait to another one and it looks like a necklace...
I got something!
Is it...?
What was that?!
I'm confused...
Let's move there then...
I have to catch at least one to go home today...
I'll see you guys at a new spot
We moved to another spot
It's confusing...
I'm not a quitter...
I'm regretting... ♬
about this fishing thing...♬
Just a day ago...♬
It could be another content...♬
You are watching trying Bomi, who is trying to catch just "one" fish
Not a single fish is around me
We'll bring all the trashes back home
I don't know when it's gonna end... I look like a ghost
Please subscribe to my channel and like the video
I'll try my best but...
Please subscribe and like!
Which side was the like button?
IDK...
Hey!
Why are you not coming?!!
Why are you not taking the bait?!!!
Why?!!
Why are you playing a game with me!
I hate you!!
I'm going HOME!!
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15 Words You Might Be Pronouncing WRONG! - Commonly Mispronounced English Words - Duration: 7:45.
Hello and welcome. In this lesson I'm going to share with you 15 words that
you are probably pronouncing incorrectly. And of course I'll also teach you the
right way to say these words. So without further ado let's jump into it.
Here is word number one: how do you say it? The correct pronunciation is
poem - /po-um/ poem. Now some people say /poyum/ but that's not a standard
pronunciation. The correct way to say it is poem. Now poems in general
as a form of literature are called poetry /po-a-tree/ poetry. The next word is
this vegetable. Now this is not an /on-i-on/ it's an onion /un-yun/ onion. Number three
is another vegetable: the tomato actually that's the American
pronunciation. The British pronunciation is /to-mah-to/. Now in the pronunciation
symbols on the screen AmE means American English and BrE means British English
Now the American and British pronunciations of this word are mostly
the same; there are three syllables in each but it's that middle syllable that
Americans and Brits disagree on. For Americans that syllable is /may/ tomato
and for Brits it's /mah/ /tomahto/ tomato tomato. Now we've
talked about a couple of vegetables but are you saying the word vegetable itself
correctly? It's vegetable it's not /veggie-ta-bl/ and there's no table in it
It's /vej-ta-bl/ vegetable. I hope that onions and tomatoes aren't the only
vegetables you eat because doctors recommend that we include a variety of
fruits and vegetables in our diet. Did you notice how I said that word? It's
variety - /va-rai-a-tee/ with the stress on the second syllable /rai/ so it's
variety. The next word is mountain. I sometimes hear my English students say
/moun-tayn/ but that second syllable is /ton/ maybe because it takes a ton of
work to climb to the top of a mountain. Once again the word is mountain. If you
do get to the top of a mountain you might find somebody sitting there
meditating peacefully in that calm and serene atmosphere; that person might be a
monk. Not a /mawnk/, but a monk with an /uh/ sound
monk. Next up is this word - how would you say it? Well there are actually two
versions of this word; the more common version is a verb and it means that you
were doing some activity but then you stopped it and now you're starting that
activity again and it's pronounced resume. /ri-zoom/ like when you zoom your
camera lens, resume. Now that's the American pronunciation; the British
pronunciation is slightly different /ri-zyoom/ resume. So American resume
British resume. The second version of this word refers to a document that has
your qualifications, your work history etc. on it and it's something that you
might give to an interviewer when you're looking for a job.
This version is spelled with accents; those little slant lines above the e's
and it's pronounced /re-za-may/ in American English. In British
English it's pronounced /re-zyu-may/ So American resume and
British resume. Number nine is another type of document - certificate. I sometimes
hear students mispronounce this word as /certifi-KATE/ but your name doesn't have
to be Kate for you to get a certificate. Now that's a terrible joke but just
remember that that last syllable is /ket/ /sir-ti-fi-ket/ with the stress on the
second syllable /ti/ - certificate. Number ten is data. Now this word basically just
means information, especially information that's used to make calculations but
there's some debate about the correct pronunciation because there are three
ways that people say this word - /day-ta/ which is the way that I said it, /da-ta/ and
even /daa-ta/ but the most common pronunciation is /day-ta/ and that's how I
recommend you say this word. Once again, data. The next word is cupboard - it refers
to a piece of furniture with doors and shelves that's used to store things like
clothes. Now this is not a /cup-board/ I know it's spelled like that but it's
pronounced /ka-berd/. If you're more into British English you can
drop the /r/ and say /ka-bud/. Number twelve is this word: it's an adjective
and it means that something is easily broken like glass. You often see that
sticker on shipping boxes to say that the package needs to be handled with
care. So how would you pronounce the word? In American English it's pronounced
/fra-jil/. In British English, the second syllable is /jayl/
So American /fra-jil/ and British /fra-jayl/. Next up is determine - this is not
/deter-mine/ - there's no mine here - it's /de-ter-min/
with a stress on the second syllable /ter/, so determine. Once again, determine.
What about when a situation is a total mess and you just can't determine what's
going on? Well you can use this word to describe it. It means a state of total
confusion and it's pronounced /kay-os/. /Kay/ like the letter K and /os/, chaos. And our
last word is niche or is it /neesh/? Well this word refers to a small space in a
wall where you can put things like statues but it can also mean a
comfortable job or business for a person. The traditional pronunciation of this
word is /nich/ but due to influences from other languages like French, /neesh/ has
become more popular. In fact it's the more common pronunciation in British
English nowadays. I personally prefer /nich/ because saying /neesh/ might make
you sound artificial but of course both /nich/ and /neesh/ are acceptable. Alright
I hope you enjoyed this lesson. If you did give it a thumbs up by hitting the
like button. Also remember to subscribe to this channel by clicking the
subscribe button to get my latest lessons right here on YouTube. As always
happy learning and I'll see you in another lesson soon.
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Mindy Kaling Talks About Ocean's 8 - Duration: 5:19.
-So happy to have you here. -Thank you.
It's so nice to be back here. -I saw you recently,
and we were talking about -- You have a baby. Kit.
-I have a baby. -How is Kit doing?
-Kit is doing great. She's 5 months old.
-Fantastic. -And actually,
I've been living in New York for a couple months now.
-There you go. -Thank you. Yes.
And one of the things -- You were so kind.
You and your wife Alexi were so kind.
You recommended a doctor. -Yeah.
-And she's an amazing doctor.
-She's great. -For my child.
And so I went in with her to get her shots,
and one of the -- This is a cool doctor,
'cause the first thing she said to me, she was like,
"Hi. Just so you know, I don't watch any TV."
[ Laughter ]
And to me, of course, that meant, like,
it was like a challenge to me. -Yeah.
-She's just not into -- I don't know if she's said this to you.
Like, she's just like, "I don't watch any TV."
-But I have to say, if she says that,
like, she's watched a little. -She's watched a little TV.
-To know that that's something she needs to tell you.
-Yeah. And instead of being like,
"Okay, this is about my daughter and getting her shots,"
I was like, "Now I gotta impress this woman."
And so I was like, "No? You don't watch any TV?
What about films?" [ Laughter ]
"Have you seen 'A Wrinkle in Time'?
I know Oprah."
And she's just like, "Truly, I just need to give your daughter
a vaccination to extend her life."
And I'm like, "But I was on 'The Office' with Steve Carell."
[ Laughter ] And she just --
She just didn't care. But she's a good doctor.
-This is very exciting, to be in this "Ocean's 8" film
with all these incredible actresses.
-Yeah. -And you guys famously are on
a text chain together. -Yes.
-Do you guys still -- Is this still an existing text chain?
-Well, we are on a text chain together.
And then, what happened was we have been talking
about the text chain. So Nora -- Awkwafina,
who is in the movie -- was like, "I think someone might hack
one of our phones." -Right.
-"To get the information," which I thought was smart.
So we got -- She named some app
that we could have another text chain.
But we had to, like, come up with our fake names
on the text chain. And some of us were...
just used their first name because they're more mature.
And I was Sarahpaulsonfan69...
[ Laughter ]
...since Sarah Paulson is in the movie.
And then she was manboob69.
So that's the level.
-Okay, that's the level of discourse that's happening.
-Of discourse on this chain.
-You obviously, for a big film like this,
you've had to do a ton of press. -Yeah.
-How has that been? -It's been mostly great
because the other actresses are really fun.
And it's nice to do press with them.
But today -- You know, so when you're doing these heist movies,
everyone has, like, their special power,
which is why Debbie Ocean, like, pulls us together
to do this heist.
And so an interviewer, this male interviewer --
We're doing international press. He was -- I was doing press
with Anne Hathaway and with Sarah Paulson.
And he was, like, was asking us, like, Annie, she's an actress.
In the movie, she plays an actress.
And Sarah Paulson, she's a party promoter in it.
And then with me, she was like, okay -- he was like,
"Mindy, you play a jeweler.
"Now you are not married and have never been engaged.
So how do you know about diamonds?"
[ Laughter ]
'Cause it's all about diamonds and stealing diamond necklaces.
And I was like, "I'm sorry." So he's basically like,
"How you, a famous spinster..." [ Laughter ]
"How would you --
"You've never been anywhere near a diamond before.
No man has ever --" It's like as though
if you're not married and engaged,
you've never seen a diamond.
You have -- And it was... -It also seems to be
that he has a fundamental misunderstanding of acting.
-Yes. Yes. [ Laughter ]
-Because you could have said like, "By the way,
none of us have robbed a museum." Yeah.
-None of us have robbed a museum.
But he was so incredulous. -Yeah.
-He was like, "I can't put this together.
"No man has ever loved you. So in what way would you --"
I know. It was -- -That strikes me
as a very European press question.
Like, "Yes, we do not -- We ask the question we think of,
and you cannot take offense."
-Yes, without giving away too much,
yes, that is a correct guess.
[ Laughter ] Yeah.
-You guys filmed at the museum, at the Met at night.
Was that a cool scene, to be filming there?
-Yes. A lot of the movie takes place at a fake Met Gala.
And you've been there before... -Yeah.
-...which is very glamorous. So for most of the actresses,
they got to wear, like, gowns and go to the fake Met Gala.
And when I heard about the script, I thought,
"Oh, this is -- I love fashion, I love the Met Gala."
But we were going through the script,
and all of them are there,
and I am playing a short order chef at the Met.
So I'm three floors down,
in, like, at the bowels of the Met, like, washing dishes.
So without giving too much spoiler alert, like, you know,
Sandy is looking so beautiful
and Anne Hathaway is looking beautiful.
And they then they cut to me, and I'm like --
I'm literally washing dishes.
And I have my earpiece. And I'm like...
And then I have to go, "Miguel, I'm going on my break!"
[ Laughter ]
And then I spend the rest of the movie
in a large bathroom stall,
assembling a necklace.
-Yeah. -So that's what I got to do.
[ Laughter ] -But that made sense to me.
That makes sense to me because you have been to a bathroom.
-Yes. [ Laughter ]
So I understood this part.
This part makes sense.
-------------------------------------------
Mindy Kaling Talks About Her Movie Late Night - Duration: 2:04.
-This is very exciting.
You wrote a film called "Late Night."
-Yes. -It is not about
this show, "Late Night," but it is about a late-night talk show.
-But we did steal the name of your show.
-You did take it. -By the way, thank you.
-I can't blame you, because the name of my show
is just a description of the show.
So there's no other --
-Thank you for being so generous.
That's very nice.
-But Emma Thompson plays a late-night television host.
There she is. You play one of her writers.
There's our friend Ike Barinholtz,
so I guess he's just playing a lump.
-This is the most boring night of TV.
[ Laughter ] This is the first
and second guest on this show that Emma Thompson's doing.
-But it must have been --
How was it working with Emma Thompson?
-She's unbelievable. I mean, it's In a world
where there is a female late-night talk-show host
on a major network,
so it's in a -- it's in a crazy world.
[ Cheers and applause ]
-I think in a world we'd all like to live in.
-A world -- So in a bizarro, alternate universe.
But it's so great.
And you came and were on the movie -- spoiler alert...
-Yes. -...which was so nice of you.
-You let me play myself, which is about the limits of my range.
[ Laughter ]
-You were very -- You were so great in it.
And they did a lot of research for this movie.
I did a lot of research.
But you were so kind to let the director come to the set.
And I went to up to the writers' room floor
to do research on this.
-It was the most exciting thing
that ever happened to my writers.
-No, they were so nice, and I came in,
and, of course, I'm just like, "Oh, okay.
These New York writers are gonna think this is so glamorous,
this actress is there."
And I'm sitting, asking about their --
And I'm like, "Oh, do you guys need to be working?"
And they're like, "Yes." [ Laughter ]
"You have to leave."
-I think, in general, this tracks back
to what happened with the doctor.
-Yeah. -Like, you need to
expect less attention from people who are working.
-Less attention. I know.
This is when I came to New York, thinking, like,
"Oh, these guys are gonna love
a little bit of Hollywood in their lives."
[ Laughter ]
And they're like, "No, our lives are fine.
We've been doing fine." [ Laughter ]
But it was -- your whole writing staff was so nice.
-Well, I cannot wait to see it.
And thank you so much for being here.
It's always so great to see you, Mindy.
-Yeah, it's so great. -Mindy Kaling, everybody!
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Suara Takbir - P. Ramlee (Cover by Syuhada) - Duration: 3:05.
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Tutorial: Visionary-T DT: SOPAS configuration | SICK AG - Duration: 23:51.
This video tutorial demonstrates how easy and fast one can solve detection application
with our new Visionary-T DT.
The following things are used for this tutorial:
A Visionary-T DT 3D snapshot sensor, a power cable, an ethernet cable, a signal light
connected to the digital outputs of Visionary-T DT and a lattice box
as the so called "Lattice box application" is ideal for the purpose of this tutorial.
Now, as you can see on the screen,
I have already installed and embedded Visionary-T DT into the SOPAS ET software.
If you don't know how to do this, please refer to our USB-content
delivered with the sensor, specifically to the document called: "SOPAS installation and embedding Visionary-T".
To get to the homepage of the sensor I double-click on the project here on the left hand side.
A new window opened and I am now on the homepage of Visionary-T DT.
In order to be able to configure the sensor, we first have to login as "Service".
The Service password is provided in the GUI-presentation
that is on the USB or amongst the USB-content.
Now, before we go on with the actual configuration of the sensor, we first have a look at the
setup and define which detection tasks shall be solved.
Now here is the actual setup and we can see that Visionary-T DT is mounted on the sealing,
facing down on the lattice box.
We now want to configure Visionary-T DT in such a way, that we
on the one hand
are able to detect whether an object is inside the lattice box or not
and on the other hand
whether the door on the side is open or whether it's closed.
Now that we are aware of the setup and the actual detection tasks,
in a next step and as we want to permanently save this configuration on the sensor itself,
we create a specific configuration for these tasks.
We do so by clicking on this dropdown menu and selecting "New Job".
To adjust the specific detection settings of the sensor,
we go to the visual settings page by clicking "visual settings".
Now what we see here on the left hand side is the 2D-Intensity image
showing the lattice box
and here on the right hand side, we have the 3D-Pointcloud that is captured by the sensor.
Now, in order to go through all the settings, we simply follow these four steps here on
the right hand side, starting with the mounting settings.
On the mounting settings page we find three presets
and in our case, the preset on the left is exactly the configuration we have with our lattice box,
meaning the camera mounted on the sealing facing down on to the lattice box.
Now, by clicking on this preset, we find that the mounting setting is already
pretty well adjusted to the real setup, but it still needs some fine tuning.
This is done by first selecting "Sensor position".
And to adjust the sensor position we have to possibilities.
We can go here into the viewer and actually drag and drop the camera itself.
In this case, I can see that the points originating from the floor here in my lab
are not aligned with the virtual floor of the camera depicted by this checkerboard.
So I need to align these pixels with our virtual floor by moving down the camera.
Now let's have a quick look from the side, how well this matches and this is already
a pretty good match.
What I can see here now, is that the camera is slightly tilted with respect to the floor
and I have to adjust the sensor orientation.
This is done by clicking on "Sensor orientation" and again I have the option to either use
the buttons here or to directly drag and drop by using the handles here in the 3D-viewer.
In this case, the green handle is the correct one and I will adjust the orientation of the sensor.
Again,
we check whether the points coming from the floor match the checkerboard floor
and we see that it still requires a slight tilt
and that we need to move down the sensor a bit further.
This time, I use the input here and I go to a height of 1.9 meters,
which is actually to high so lets go down to 1.8 meters
and
this is a pretty good match.
So for now, we are done with the mounting settings and can go on with the next step,
meaning the adjustment of the Time-of-Flight settings.
For the Time-of-Flight settings, we keep the confidence algorithm with the default value "Continuous acquisition".
As there is only one Visionary-T here, we can stay with code one
and also the acquisition mode can stay with standard.
In order to also see black objects, we keep an integration time of 4 milliseconds,
which is the default value.
As we don't have any objects in the scene, that are further away than 7.2 meters
from the camera we can use the short range non-ambiguity mode.
We leave the Time-of-Flight sensitivity with the default value.
Also the average mode is off.
After we have now adjusted the Time-of-Flight settings, we go on by adjusting the data filters.
Now as you can see here on the data filters page, there are various filters that can be applied.
In this case here or for this application, I actually only want to apply one filter.
If you are interested in the individual filters, please refer to
the GUI-presentation provided with the USB-flash drive.
Now, in our case, I only want to use the intensity based filters, in order to get rid of those
pixels that do not originate from the lattice box itself, but from the floor around the lattice box.
If I hover over these pixels originating from the floor, you can see
in the lower right of this 3D-viewer that the intensity of these pixels is quite low.
I will use this fact, to actually filter those pixels.
Now lets see what happens, if I increase the lower threshold of this filter.
What we see is that at a value of around 50 decibels mainly only the lattice box remains
and the pixels coming from the floor are filtered out.
This is pretty much what I want to achieve.
It's not necessary to apply any more filters.
So let's return to the main settings page and let's enter the detection configuration itself.
The detection configuration itself is again divided into four steps.
We recommend following these four steps as they are numbered from one to four.
So let's start with the detection volume.
Now, in this case, what we need to do is, we need to adjust the detection volume
such that it covers the actual volume we want to observe any detection within.
Now, if I use the viewer and zoom out, I can see that right now
this detection volume doesn't match my lattice box at all.
So I need to move this volume of interest,
such that it matches my actual desired volume of interest
I can do so, using again the viewer and drag and drop the volume of interest
or if I know the specific physical lower and upper limits of my volume of interest,
I can directly put in the numbers here, but for now, I will start with drag and drop.
So I'm moving the volume of interest onto the lattice box.
Let's readjust our view.
Let's say we view it from the top.
Let's center the volume of interest on the lattice box.
We have now centered this in X and Y.
Let's have a look at the volume of interest from the side.
We can see that no adjustments have to be made regarding the upper limit in Z-direction,
but the lower limit should be changed.
Now lets see, if we cover the whole lattice box.
This is the case right now,
so we now go on partitioning the volume of interest into individual cuboids.
I know for this application a partitioning of 12 times 10, so overall 120 cuboids, works really well.
Now, let's have a look at this from the bottom and we can see that the partitioning
is done, such that the edges of the box fall into individual rows of the cuboids
which will later help us to actually detect whether the door of this lattice box
is opened or closed and to detect whether there is an object inside the lattice box.
Let's go to the second step that is adjusting the cuboid heights.
In this step, we can adjust the height of every individual cuboid itself, meaning the
meaning the upper and lower limit of each of the cuboids.
Now for this application, this is not necessary and I will simply globally adjust the height of all cuboids,
which I do by pressing "Select all" and then just lowering the upper limit of all the cuboids
such that they roughly match the upper limit of the lattice box.
I will do the same thing for the lower limit by moving the lower limit a bit up,
such that it roughly matches the bottom of this lattice box.
In the next step, we will now go to the cuboid groups.
In this step the individual cuboids are assigned to groups.
In our case,
as we want to detect whether the box is open or not,
meaning the door of this box is closed or open,
we can define one group for this specific task and I do so by clicking on the individual
cuboids that shall belong to this group.
I can either do so by clicking on the individual cuboids or
I have the option again to just use my mouse to mark the individual cuboids.
Now lets have a look at this from the side,
you can see that if I hover over the individual cuboids
that the volume that is covered by these cuboids, is also visualized by a line
that connects the upper and lower limits of this cuboid.
I have selected these cuboids, so that the volume covered by this group of cuboids
covers the door, which is here on the side of the lattice box.
I now assign these cuboids, which I have marked by clicking the plus button for group one,
so these cuboids now belong to group one.
I will name this group "door".
We can see that eight cuboids belong to this group, if we want we can also change
the color of this group, but I will leave it with red.
Now the second detection task is to see whether there is an object or several objects
inside the lattice box.
I will use the top view to do so,
zoom in a bit
and use the mouse to mark all the cuboids
that cover the volume inside the lattice box.
Now lets see if this is properly done.
What I see right now, is that I can also add these cuboids here.
Now, that I have marked these cuboids, I will add them to group two by clicking the plus button.
This group is now called "box_content"
and we can see that I added 60 cuboids to this group.
By clicking again on "door", I can see those cuboids that belong to the door group and
by clicking on "box_content" I can see the cuboids that belong to the box_content group.
Now lets go to the next step, the digital outputs.
In this menu, I assign the groups to different digital outputs.
In my case, I assign the door group to output three and the box_content group to output four.
Simply, because I have connected my signal lamp to the outputs three and four.
This means whenever there is a detection in the door group I will get a signal on output three
and if there is a detection in the box itself I will get a signal at digital output four.
I will leave the Off-Delay with zero milliseconds, as we do not need any Off-Delay for this application.
Now lets go back to the main detection settings.
As you can see down here, a few more things can be adjusted.
First, we can adjust the detection sensitivity, which defines how strong
the deviation from the taught scene has to be, in order to trigger a detection.
I will leave this with "High" as we also want to see smaller objects within the lattice box.
I also leave the Outlier suppression with the default value of three, but I will increase
the Multiple sampling from one frame to three frames, as this is a static application.
A multiple sampling of three means that it requires a detection
in three consecutive frames in order to trigger a detection.
Before we are done with the whole configuration of our 3D-Sensor, there are two things we need to do.
One thing that is crucial is to teach the scene and the volume of interest to the sensor
and I will do so by clicking "teach" here.
The scene has now been taught and in a final step
I will save this configuration permanently on the sensor by clicking this button here.
Now, I can also use this configuration once I have powered off the sensor and power it on again.
Now lets have a closer look and see how well our configuration performs in terms of solving the application.
Its best if we do so by following the signal lamp, when we open and close the door
or when we put objects inside the lattice box.
Of course, you can also have a look at the 3D-View here, because detections in the individual
cuboids will be indicated by a changing color.
So none-active cuboids are shown in blue color.
Once there is an active detection, their color will change to violet.
Now lets see what happens if we open and close the door or move objects inside the box.
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Why People Fail? A Success Coaching in Urdu For You - Duration: 3:31.
Why People Fail? A Success Coaching in Urdu For You
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Key To The City 2018 Recap - Duration: 7:14.
residents of Riot City that was a hellacious Key to the City 2018 I'm Sean
Fewster - we're here to recap the event I'm joined by the icon Rocky Menero
whats up Sean thanks for joining me and we were supposed to be joined by the
difference Tyler Daniels as well but after that
ladder match on it that we'll be seeing much of anybody out of that match for a
while it was absolutely incredible there's a reason why don't do those sorts
of matches mate those things are brutal there's a reason I stay on this side of
the microphone so I guess we'll get on with recapping that first ...Tyler Daniels
do you think a little match like that it's gonna stop title Daniels from
making an appearance, you've ah got a little a little what Sean? On with the first match our
night started with Cadie Tré taking on Tony Toro in our clash between former
tag team partners it was a good it was a good balance the hell of a match yeah
and like I love the flight out of Tony Toro and he's really stepped up and
got a lot of fire behind him but you know Cadie's got a bag full of tricks
mate he pulled them out tonight gotta win Cadie of course coming off the big
win against You Tyler Danniels there's a little bit too much for me to
say the Tony torrid perhaps is a little cheeky in this one and that's why you
trade off the win no no no I'll agree with whatever you want me to agree with
right now moving on our second match James Cray of the Millennials took on
Marvel from the Rude Ones and this was also a grudge match because we saw the
Millennials take the tag team belts from the rude ones last month we did indeed
Shawn and it's you know it's never a small thing when keg bells change hands
and I understand that you know being English that James Kray enjoys
crickets wasn't sure he's looking for those from the crowd though it was a
very technical match between the two men and Marvel of course one of the most
dangerous competitors that you can square up against in Australia easy he's
a technical marvel that's hence the name but he's a he's a great opponent but
he's been doing tags too long so I think the one-on-one thing sort of he may have
been leaning toward the tag partner wasn't there and you know unfortunately
He got The big L tonight the first win for the
Millennials of the night and speaking of tag-team action we expected to see would
we call it a tag-team Shawn that's right we expected to see Davey green team with
his mentor Chris Basso against the Armstrongs
but only three of those four men showed up Rocky Menero well we've gotta find
out what happened to Davie Green to start with but you know all props go to
Chris Basso he will never back down from a challenge I know this personally and
y'all very impressive and stepping up taking on through the best brothers in
in the industry to see one man take on - Tyler Daniels extreme effort from Chris
Basso but no small amount of fight on the part of the Armstrong oh look the
Armstrong's probably got strong-armed tonight if you're like way a guy who
truly is world fast and of course we saw that bizarre moment where Nick's chick
got involved in the match and we learned a little more about the brotherly bond
between the Armstrongs then perhaps we really would like to know that crossed a
few lines and I'm pretty sure in a few states you just can't do this sort of
thing Shawn I'm pretty sure it's fine in Canberra but I wouldn't try it anywhere
else now mr. Manero you opened your challenge to Australia you said you
wanted to compete against the best of the best and tonight you came up against
PCW's former national champion relentless Mark Cage the kid showed me a
lot I've been doing this for a long time you know and I call myself the icon and
I think I proved it tonight but that kid has a hell of a future in front of him
he hit me with some of the hardest
forearms and some of the toughest shots of it and one of the toughest matches
I've had in my 17 years but you know props to the kid but I'm gonna try to
take on the icon you need to get a little bit more than that
Tyler Daniels open challenge issued oh he claims to want the best in Australia
Rocky Menero we'll see about that Rocky and I have known I've known each other
for a very very long time and I think both of us have got a bit of a ego and
perhaps consider us ourselves maybe the best around but between me and Tyler
there doesn't seem to be too much difference
ooh tension here at the RCW wrap up show our next match was a tag team match as
we saw Grim and big Brodie Marshall team up for the first time to take on the RCW
tag team champions the Millenials well it just goes to prove Shawn that you know
once upon a time if you were savage maybe you're not always a gentleman
rocky well yeah sometimes you know the bigger you are the harder you can fall
they've both got the size, they've both got the power
you know there's a reason why tag teams you know stay together for a long time
they develop continuity and stuff it's their first outing they didn't get the
win but you know I can only see good beans from for most of the boards going
together and I think a special mention has to go out here - James Kray who was
very much the equalizer in that match and paid for it couldn't have thought of
a better way for James Keay to end his evening simple as that and in our
massive six-man ladder match we thought we were going to see a certain group of
competitors but instead a special entrance by the name of hammer
special entrance Sean you know I heard Rocky Menero he talked earlier he
doesn't do these matches because of how dangerous they can be and and so are
some of the bumps and the bruises that you end up taking from these the last
thing you want is a you know a personnel change the last minute that throws
everything you go into these matches trying to do whatever you can to
understand the psychology of what you need to do who you need to be in there
the last thing you need is someone like a Hammer come out there and Tuffy give
away spot just wasn't cricket we saw Gabriel Aeros taking incredible
dives off those ladders we saw Zac Sabbath using them as weapons bulldog we
saw the skyscraper Kurt Barron we even saw Jimmy C get up on one of those
letters good things we saw Jimmy C fall off one of those ladders but the
question I've been asked is My man Tyler here he was in that matchup how'd you
go mate? very well thank you mr Manero
do you have the Key To the City? did you win? I've had the key to the city yes there's a lot of
hads going on you know and like that leads into you I used to be good maybe you're
saying you're some what of a has been now you see Rocky maybe a has been is better
than that never was for someone who claims they don't want to take the bumps
and they want to do those sorts of matches it's a big call and have a go
at someone who puts themselves on the line well my friend the difference is
that I'm a former Riot City Wrestling champion and you're not watch who your
talking to that's supposed to be some sort of iconic statement now is it will
definitely residents thank you very much for
joining us for one of the fireest strap up shows we've ever had we will
see you next month at Super Clash
you
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Revelan: Reina Isabel cuando vio las escandalosas fotos del Príncipe Harry desnudo - Duration: 3:48.
For more infomation >> Revelan: Reina Isabel cuando vio las escandalosas fotos del Príncipe Harry desnudo - Duration: 3:48. -------------------------------------------
YouTube bangla HD waz free download by Allama saidi | BD islamic tafsir mahfil full আল্লামা সাঈদী 01 - Duration: 23:48.
YouTube bangla HD waz free download by Allama saidi | BD islamic tafsir mahfil full আল্লামা সাঈদী 01
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