Waching daily Jun 20 2018

Hello everyone, In my last video I talked about getting inspired

by Horror movies while painting the Birch created by CryptTV.

They invited me to paint another one of their creatures, so today I'll be attempting the

Look See.

CrypytTV is a studio that is building a universe of scary monsters, in pursuit to become the

Marvel for Monsters.

They release new films every Tuesday, Thursday and Friday.

This time I'll cover the techniques I used while painting.

For this Monster, I want to create a fitting moody dark scene.

We'll also give its face a deep, gritty texture.

So what I did first is put down a sketch on 300g watercolor paper and taped it on a plastic

board in order to keep everything even and prevent the paper from warping.

Then I put down a layer of color for the face, if you can call it that.

The Look/See has no eyes or nose, that could define the face, so we want to focus on details

like colours, values and texture.

Since the Look See has a very weird morphed flesh head with a lot of those textures I

used granulating colors to create a bit of grittiness for the skin.

If you are interested in more information about granulation, check out my Dos and Don'ts

video.

Anyway, in this case I used potters pink which has a nice desaturated reddish tone.

I also mixed in some cold grays which - combined with the red - makes it look very unhealthy

and creepy.

The first layer of color should always be a bit lighter, that way you still have the

option to correct mistakes and work with highlights.

So I let it dry and in the meantime focus on the suit.

Since the overall feeling of the painting should be cold, I lay down a very light blue

layer and add some granulating black to it in order to have some texture for the fabric

as well.

I work very roughly because it is just the first layer and there are going to be more

layers to come, so any kind of blotchiness will be painted over later.

With watercolor, plain black is sometimes very difficult to handle.

You need a lot of product to make things deep black but that on the other hand increases

the risk of lifting off said color - once you go back on it with water again.

Making a clean gradient can be a real challenge.

But there is another way that will help you to achieve good results, that I will talk

about in a moment.

Since the skin has fully dried again we can go back and add more details, that we couldn't

add earlier because the paper was too wet.

I use a dark color to define the sharp looking teeth and some purplish red for the cuts and

scars on the flesh.

Once that has dried down I deepen the tones of the flesh by wetting the area all over

again and adding deeper tones to it.

The scars we painted a few moments ago will not fully vanish when they have dried down

completely, but they will merge more with the rest.

For the mouth I use a deep granulating black to make everything look consistent regarding

the grittiness and also to make the teeth pop more out.

As long as the paper is wet I can add more depth to the painting and also add some more

different tones, like Ochre and cold Reds to make the skin over all more appealing.

Then I leave it to dry and focus on the suit again, which by now has dried down completely.

I paint over the area with Mars Black, the granulating tone that I used before.

I try to make the area as dark as I can close to the outer edges, whereas it goes lighter

towards the middle.

This way, even though the suit doesn't have much detail, we can create a bit of depth

here and there.

Next I focus on the background.

Once that's done it will help me figure out the values of the rest.

It is going to be a clean black gradient and as I mentioned earlier, with ordinary watercolors

this is pretty hard to achieve.

So for occasions like these I recommend using black watercolor inks.

And be sure not to pick inks like India Ink oder Chinese Ink because they are usually

waterproof and you can't really create a gradient with them.

So I use Colorex Ivory Black for this one and generously spread a large amount of color

on the upper corners and drag them down with a loaded brush down to the outline of the

monster.

If there are blemishes, you can still correct them, lift off or add more color as long as

the paper is still wet.

Once you are satisfied let it dry down completely.

Now we can focus on the suit again and adjust the levels to the background.

So I wet the area again and use some more black watercolor.

I don't use the ink for the suit since I want to have a more grainy texture for the fabric.

That way it will make a contrast with the clean background.

It's also way easier to paint the details of the suit with regular watercolors because

- as I said - you can lift off the color.

After that I focus on the shirt using a very light grey tone as a base on the wet surface.

Then I paint the soft shadows by placing and dragging the color to the area I want them

to be in.

Try to keep the areas dry around where there is going to be a hard edge.

For example: At first I only wet the area underneath the collar and only after that

is dried, do I focus on the collar itself.

When the shirt is done I go back to the face, because some details are missing around the

mouth.

The other reason is that now the background is so dark, we have some orientation to adjust

the levels and values.

But to put it simply, it's a lot of trial and error from now on.

Adding some colors here and there and lifting them off.

Just keep in mind that in order to blend color you need to work on wet paper, and in order

to draw distinctive lines and areas you need to work on dry paper.

Last but not least a pencil is a helpful tool for the details.

I mainly use a black and a white pencil to create more contrast and make the lines in

this work crisp and sharp.

Especially with the sharp teeth this works wonderfully to adjust minor details.

And we are done.

Thank you for watching!

Go check out out the short films put out by CryptTV, and maybe try some of these techniques

out yourself.

See you next time!

For more infomation >> 【Drawing Crypt TV Monsters】LOOK-SEE - Duration: 7:58.

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Practical Tips for Great UI Animation | Pablo Stanley | Lead Designer InVision Studio Platform - Duration: 34:31.

Okay, so let's start! hola

How are you guys doing are you a little bit uh

hungover

How was last night? I didn't make it. Yeah, I

Heard there were free drinks and stuff. That was cool

So today we're going to be talking about UI animation

yeah, and

Because your animation is so hot right hot topic. Just like I chose to because I I want to be trendy

but not just UI animation so we're actually

Talking about good to great UI animation

It's a it's a no its clickbait the title, right? That's what I went for

And we're going to actually have at the end just like practical tips to improve your micro interactions

See all just like key key words that I'm using on my titles here

So let's uh, let's get animated. Okay

It's a pun intended there

So today's menu

We're going to be talking about me a lot

Just me

we only have like 25 minutes, so I'll probably

Want you to be as fast as possible. That's where I'm going to be like this

We're going to be talking about just my ideas of why animation was important

Some basic properties of how you things that you can edit when you create UI innovations

Some animation tools to you animation tools and some practical tips at the end. So let's

or goal at the end is probably make it feel obvious and

And just like rolling your eyes but in a way, it's it's good

Right because if it is obvious then it's it just it makes sense

Right as when you don't have to think about it it stop just happens

So hopefully we get to some principles behind to get to that place

some of the sources of what I'm talking about was it's

Just like stuff from smarter people in me

From IBM and animation design and also Google material motion. A lot of this stuff is also coming from inspired by that

And also yeah, my name is me number is Pablo Stanley? I

Didn't know there was going to be an introduction

So yeah, I also just like I'm going to talk a lot myself a little bit I so in the Sangha door

That means the designer. So everybody with me say be saying yeah door

The saying yeah door

That's that's a fancy way of saying designer now you can has the any from espanol

so

It it's gonna turn into a Spanish class here. If you don't learn anything about your animation at leisure you learn that

So I do a lot of illustrations

That's one of the things that I just love doing. I

Love illustration so much that I even

turn a

library of

illustrations, which is probably the most boring way to create illustrations just like with that little elements and then suddenly the

Illustrations appear. I also made one for or future overlords

the robots

I made one. They're just like the same constant just like a lot of like Legos, you know

You form them together. I do a lot of art see parts of stuff to you. It's just like paint and

If you can see, I have kind of a thing. I have a Samba face. I don't know like pac-man

illustrations and everything was related to and I also write comics I

Do have a comic series called a design team?

so if you want to check it out, it's uh

It's about of the design team working at a start-up in Silicon Valley and talks a bit about

Actually my experiences when I moved here when I moved from graphic design

background into a start-up in Silicon Valley and suddenly

Working as a UX designer and not knowing what the hell was that?

I'm still trying to figure it out

And yeah, it talks a little bit about that and it's just like just a demo of one of those comics

I'm going to act it and then the product manager said

Let's just use this design. I made a PowerPoint

No

Design or stories everyone design team

So, oh yeah, and by the way, I also do UI and UX design probably that's why you're here

now to read my comics, so

so

Yeah enough about me. That's that's it. That was it quickly now, let's talk about UI

animation and and

Before we actually get into the tips and and all those

Really specific things. Let's actually talk about why probably even some principles that can guide us and the principles are

One one way that I think of you animation. I think of it as a

as the body language of a product and it's like a two-way conversation and but what I mean, is that probably

Again, this is a metaphor

it's probably not the best but I like to think it that way where it's like probably this is my UI how I look and

what I'm saying my thoughts my interaction is that's

that's probably the UX the experience that part of it the interaction and then it's just like how I actually move and and

and how I express myself, that's the UI animation and and in

a person

hopefully does and

Some principles and these are principles that I just put together

That probably is is going to be something that you your team your company

Puts together about like, how are we going to you use your animation? But I think this is a good way to start

It's above all it starts by being functional

It feels natural and it can add a little bit of character. Some people say delight

so it's functional and

Who we don't see that the shadows there, but there are some shadows there

Above all it's just like shows hierarchy between elements and the actions that are available

What is happening and what will happen if an action is taken it gives you a little bit of visual feedback

And I love this example is actually from the new

design front material

And it's just like we used it there's no error message there's nothing telling you like Oh wrong password, well you did it wrong

It's just like a little bit of animation that is telling you and you exactly know what what happened

It also tells you when you're right. It's just like a tiny little thing that tells you a ton of things, right?

it's it goes back to the

Body language, it's just like if I if I weren't able to tell you eight you did something wrong. I would be like

You know, it's something like that and

then the next thing that I see is that it feels natural and

Where we're go with this is that uh, the qualities of it. It's just like it feels like it's it's tactile that it

responds to your

to your fingers to your

It also it's choreograph in it, and it feels graceful and it uses

forces of the real world like it's something that just makes sense that

you

elements act as

You expect them to act because we are used to if I were to throw this it will fall down

It will it wouldn't just start flying

Probably you can use those kind of

Thinking when you're creating you are animation, it's something that just makes sense

and also can add character this is from

From designing code. This is just a little bit of a

parallax and a little bit of

just a tiny effect down there that it keeps you a little bit of hint of

that something is different and

Usually adding a little bit character and delight it's it's a little bit tricky because it can be subjective

But it can celebrate

moment moments of of the user journey

Something that they do and they tell you eight

Everything's good in let's go to the next thing and express this also a brand's personality and style

so

What can be improved?

With animation and I think one of the things it's just first thing is visual feedback in chill or rotation

Tell you where to go it can focus your attention

What is necessary? What's what's the what's the next step? For example, you can get give you a sense of cause and effect and

Express like I was saying a brand's personality. So let's go to gives feedback

Here, I don't know if for those that use iOS or an iPhone

It's just like a lot of things here happen

It just tells you what's going on you bought it and then it's downloading and then it's telling you like a double click to pay

It it's just like little elements that it's not they're not too obtrusive

but

just

Little things that are telling you and directing you where to go

It also chose orientation. Well, what is next what what you should be doing?

it kind of

Educates you on on the next thing and it tells you what's next where to go and also focus your attention

It can remove unnecessary elements and just like direct you to the next thing. It's a

It moves to the right place probably removes the clutter and then it's just like zoom in into something

like this example from Google Maps

It also can tell you a cause and effect when you something that you probably expect in the real world

You move something and you expect it to act in a certain way

You can also educate you and tell you how things are going to behave when you interact with them. So

just like the real world and

Again, it can express a brand's personality. You can use it also for

for those little

Moments of the light and it can also be used

I don't know if you've seen this

But I also make some error states feel less like errors and something that you hey, everything is ok. Just like go back

it makes your product in a little bit feel alive and and and and it goes back to having that conversation that

Conversation where your product is not just the product but also the people people are making it having that conversation with the user

So, okay

Questions. No, I don't think I can do questions. So tools a lot of tools out there to create UI

Interactions. I'm going to list a

Lot of them and I divide them in in three types of tools. The animation tools are purely for animation

For prototyping for creating interactions where you can actually put it on a phone put it on a website and actually click through a flow

and also implementation like actually used a code or

Different tools that allow you to put it out there and not and it's not just a prototype

But it's actually something that the user is going to be at the end be using

so start with animation just like

Tools that are purely for animation, but can be kind of like hacked

to use for UI animation

probably the most obvious that the king of all the

Animation tools has probably After Effects

And and and it's great because you can use it that it can be used for anything

That it's related to animation including UI

All these tools, by the way that they don't allow you to actually interact with them

It's just it creates like a video, you know, it's just like it goes through one state next day. Next day is very linear

Keynote, it's another one. I don't know if you know about magic move magic move is so cool

It's just like it really does work like magic

So I recommend checking it out for also for your animation

If you want to create something simple and also flash remember flash now, it's called animates

Haven't used in a long time but uh back in the day. That was oh man. That was a tool

Back in damn. That's a long time ago. I'm old

so

Yeah, all them in Danielle's was flash. What is it?

Prototyping so for topping this are the tools

Before like I was telling you it's just like very linear

It's just like one step one state next day. Next date for prototyping allows you to actually take different

courses that take different flows

because the user can actually interact with these things and

So for prototyping actually see all these and I'm pretty sure I'm missing some of them

But there's principals Flint. Oh, there's framer origami

pearl pie kite and

Studio so a disclaimer, I actually just joined a studio and vision studio

So so there's quantity. So I'm going to be a little bit biased towards the studio

but yeah, I just joined that team but I will tell you why I think uh

It's actually pretty cool and I actually made this graphic to help you because there are so many tools

Right, which one should I take?

Which one should I be using and?

I put them in the level of how difficult it is to create a prototype not just to learn it but to actually

Create something. You already know the tool

Let's say that you already know how to use the tool. Even when you already know how to use a tool. There's still a

starting process to get you to that place where you just make a button do something, you know, and I think the

now

the sketch

XD and figma, they allow you to create prototypes inside their

Tools, but they're not that awesome

So here's like how difficult it is and then or here how awesome your prototype can be

Yeah

and and when I mean

What I mean with awesome is just like how much control they give you a granular control of the elements

you can move around your prototypes so over here those things in the

Bottom left they give you access to the screens

You can move the screens and then you just connect them and then put them together, which is sometimes all you need, by the way

So they allow you to do that

but they don't give you that granular control where you want to things to move and expand and just like

move in a gracious way

then we move a little bit up and

Then we have prototyping tools that are specific

Prototyping tools that connect to those tools and then you can create a little bit more

a little bit more awesome stuff and then probably write it there in the middle that they have a

Little bit difficult to get started our principle in Flint. Oh

But those allow you to actually move every element you have access to everything. Everything can be

Moved and everything can be just that transform and then we get oh, man. Okay. Those are really light. But uh, here's

proto pike a poke

composer and then framer and

origami

Those those two are like really hard to use but they give you a lot of control on the actual phone like I'm a camera

They give you control to the what do you call it when you move it?

The motion sensor that thing so they allow you to actually create more realistic prototypes if you need those things

But most of the apps don't really need you to use those things

So, but if you need them, probably you need to get one of those prototyping tools and then over here

I think I'll tell you that it was going to be biased I see studio is over here where it's

pretty awesome

And and I don't think it's that hard because it's actually the same tool you're using for designing

Allows you to have all of that control over here. We have other tools that allow you to have that control

but

They they require you to use that Nellore design tool. So it's almost like you use the design tool and then

Put it on that prototyping tool and they you create your prototype, but then they're disconnected

Your prototype is one file and your design is another file

So here I think a studio the the advantage that it has is that it's all living in the same ecosystem

so again

Promote self promo, this is just how studio works

Everything right there. That was my design that was a design and then the design actually I can use it to create

An actual animation right there super easy

also

You can you have the control of a timeline

And this is again. This isn't the same tool that you're using for designing every screen you go to an

interaction designer where you can just like control everything every element and you can even

You can even hack it. This is something that I that I do

I I always try to use UI interaction tools to see if I can make

Animations which is the other way around usually you hack animation tools to make your interactions

like I want to do the other way around or I want to

Hack interaction tools to create animations and I think this was done in studio 2. I just use the lite version

That's why it looked like

Yeah

so

What you want with these kind of tools is you want to be able to control gestures be able to control your interactions with gestures?

with scrolling where you have different specific elements that scroll in some elements don't

And probably even control of data

And also control of other elements that just like move around

There you go

Okay, so those were prototyping tools but there's also implementation tools that you can use for your animation

As a designer and I think there's After Effects plus plugins

You can use Google's motion library

CSS in animation libraries suite for iOS if you actually want to get into the code

you can do it on JavaScript and then one that I really like is called web flow because this one is it's kind of a

It's a tool for designing a website. But it also it gives you all the control and that what you crave there

It's actually going to be what you can implement

so I

I will recommend you to check it out if you are into actually implementing stuff and not just iterating and

Another thing the ultimate implementation combo if you are working on mobile I recommend you

Working on After Effects then

using a plugin called body moving and

then with body moving using

but

These two are only if you're only doing web

This is all you need

but if you want to do it on on react native, then you need another one that converts your body moving a

JSON file into something that can be used and react which is pretty dope

Okay

Okay, so

So yeah back to the the red repeat

Oh man, come on

Those were supposed to be skipped. I'm sorry. How do I move my mouse?

Okay, there you go, okay, let's let's talk about the actual properties that you can

Move or you can transform when you are

creating UI animations and and you can transform anything when you're using these kind of

tools, but let's see which ones you want to

Transform and what do they mean?

so

Probably you want you can change the easing you can choose a position

Scale all these things that were used to changing when we are editing a designer

But you can also create a cure ography relationships and overlay and also add a parallax and zoom so easy

So easy is probably one of the most basic tools that it's really important to know

At least again the basics of it and easing allows you to add acceleration and deceleration

So that animations don't appear to

mechanical

And remember I was telling you that it feels natural. It's just

When you are for example, like if I were to walk over here

I don't just start like walking full-speed and then stop you know it without that way

You will be thinking like oh man, what's going on?

You usually just start accelerating you pick up speed and then you slow down when you arrive to your place, right?

You expect elements on a screen to act behave that way too

So that's what easing comes really handy

Let me show you some basic types of easing a scene is out in and out

Spring linear all these by the way are taking one second to get to the other place

They just feel some of them feel a little bit slower. Some of them feel a little bit faster but to get to the last

Pixel all then take one or two. Yeah, one second

So let's start actually seeing each example. The first one is linear and it's kind of poopy

It's just just like moves out of nowhere and can you see like it?

Doesn't feel natural. It's just like it feels like like like a roll, but how they will move

So you want to avoid that sorry, let me go back

You want to avoid that analyst you really need it?

When do you need linear animation is when something is in the loop, for example?

It's in a loop and it's just like for example something that's rotating and you just want to keep it at the same speed always

Then you use a linear animation or something. That is just like always

Supposed to be at the same speed and you don't see when it's entering the screen or exiting the screen

You just like always see it at the same speed for example, like those backgrounds back in the Flinstones

Cartoons you will see like the back ones always moving at the same speed. It's just like endless backgrounds

I'm too old. I'm talking about the Flintstones Wow

Okay that they do use linear animations for those

So eath, okay

so ease in

When do you use these in easing is at the end of the sorry at the beginning of the animation?

It starts a little bit slower

So it's like me I start walking and I start a little bit slow and then I pick up speed

that's what you use easing and you use it ezine without the east south when you have an element that is exiting the screen so

Over here are the pizza. It's outside the screen the user cannot see it. So there's no need to eat it out at the end

Now the opposite comes with ease out is when you

When an element is entering the screen you want the element to grace?

Racially or gracefully well with grace

Enter the screen and then fall into place is the opposite of what I was doing before

Let's say that I it doesn't matter how the animation starts it starts really fast over there

But it doesn't matter because the it's not inside the screen so you can just use ease out

Now when an element is is always visible

inside the screen then the basic thing that you want to do is ease in and out because again,

It's the user is always looking at it. So you want the a or it to start accelerating and then decelerating?

That's why the banana that's that

Now spring if you want to get really fancy you can start doing our no bouncy stuff

I would say like do it carefully to make every I know

Once you start using an animation animation tool that allows you to do all this stuff. You will want to everything

Let's make it bouncing and spraying

but uh

It's like having Photoshop for the first time you apply lens flare to everything. Oh my god. Look at all these shadows

So it will happen the same when you get a new tool, you know you want to

explore everything

do it and then

Tone it down a little bit. Okay

So go back to the same screen now we understand what's going on here. You see the South in an ALP

They're all taking the same amount of time. They just arrived

they some of them start a little bit slower some of them arrive a little bit slower some of them just like

Okay some properties that you can change the properties for example

the position of something it tells you the direction in way in which the elements are going to

Travel it gives you an ER rotation it tells you

Context where are you going? For example, this little plane just moves and also scale just makes an object

Appear closer or further away. It just like helps you focus. Also what is important?

and what is that in estate is important and then

When it stops being important in something else replaces the importance of it or in the hierarchy. So for example here

Rotation rotate don't rotate everything on your animations too because then your

use rotation

very

Scarcely in this case way

Because it can create a an effect on the user. That is you don't want them to have

moving around an axis

provide SKUs of something that is

usually you want to use it for something that's like going on something that it's like a we're working on it and that's why I

Think it's being used a lot on like loading animations

Opacity this is probably the the easiest way to just like go from one state to another just like

An opacity changes, so it goes from the most basic 0% to 100% For example

so an element that wasn't there it suddenly appears but this opacity can also be changed where you actually

Crossfade elements one is 100% and then there's another one here. There's a zero percent and then

One changes to zero and then the other one changes to 100% and that change it feels really

smooth when you do it, right and

And it's a very basic easy way to just create your animation

Overlay, it just gives you an idea that there's that

Third dimension there. It can give the location of a 2d object

it keeps a little bit of depth when you have an element that it's over another element and then probably

Moves and then it shows something that is behind

also

Choreography and this this

Tells you when elements are appearing and again, they don't all just appear at the same time. You can add a little bit of

That make them appear in a sequence. So it just like feels more clear and smooth and again natural

And

Paralyzed if you want to be super fancy

This is when like like that example

They were looking at from designing designing code it you said use a little bit of parallax that gives you the idea of depth

That in a 2d screen where things that are a little bit further away from you

well appear to be further away move a little bit slower and things that are supposed to be closer to you and

Move way faster. So for example here the mountains in the back

You see them just move just a little bit and then there are different

Layers that move at different speeds and then it creates that effect of parallax

And hierarchy hierarchy motion shows how elements are related and also gives important and focus to other elements the

Not so basics and not going to talk about these but just like take a photo and then you go research this

about personality timing and spacing and

Storytelling you started that if you really are into this and you want to I want to be a you are animator

You're gonna get into this kind of stuff, too

So the know knows

Things he please don't don't try to be just using animation just to be flashy

Don't make it expensive expensive on the user and on your on your team to that

It's that it's making this and it's sometimes you create an animation

That is so crazy that it's going to probably take a week just to make that specific animation

That is probably not that important

And also it can be expensive on the user side because it can create some a little bit of lag great

it can give on the

Performance of the device it'd be bad

So don't make it too complicated and don't forget that there should be an intention for everything that you do and okay

So practical tips at the end

Oh

No, I think we're good practical tips really quickly

just now that we know how elements are connecting can you can connect them and how

the principles that you can follow

You can go from good animation to great animation

by connecting chert elements just

Identifying the elements that are from one state to another are the same and then connecting them for example on the left

Here we have you tap on something and then another screen appears, which is good. It feels good, right?

But when an element actually the you tap on it and then reacts

to your interaction to your gesture and

Actually grows the element that you just touched and then they fall into a different place that changed the position then it feels more natural

The same it goes when I think I was already talking about this the cascading effect

but a good animation you just change the position and pass it in the material when it enters the screen you just touch it and

then element appears there surpassing there's movement, but when you actually

animate each element really quickly

but it feels more natural when everything just follows a little bit of choreograph and

So here for example, there's an

example of a menu

A menu or something contextual you act on it and then something else appears usually on from the world

Nothing will just appear out of nowhere

I'm seeing a red light. I don't know if I'm should be out of here now

This is the serial and I probably man. I'm probably over time. Okay?

Okay, yes dialogues appear in context and also you can use animation to bring attention to something that is important

Yeah, for example on the left that's a good there's no animation, but it's a good design that it's just telling you ate something

It's using an icon is using a specific style that it's different from everything else is floating

so it keep it brings that focus to the user, but what if you could do

something a little bit more

and

Don't overdo this because you don't want everything to bring your attention. Look at me because then

Well, your user will get annoyed and also

everything if everything is important, then nothing is important, right and

Good animations move and show elements in context

It's pretty similar to what I was saying before but here the elements actually push all our elements out of the way

Instead of just appearing on top

And here we have this is just in our tip just to use the same elements to give you a little bit of feedback

instead of a new element appearing

probably there's there's an opportunity to use that same element that you had an interaction with to give you a

Something is loading or a give me a little bit of time

And good animation plays the content in and out from one state to another and a great animation shows

continuty in a transition by making the content move between

States so over here is just doing a transition opacity. It's good

But a great one it's like it feels like oh the element is also there it's always there you move it and then it appears

it's not just appears out of nowhere and

That's it my friends

It's the recap talk about me

Why animation hopefully you got a little bit of that

basic properties you animation tools practical tips and

Hopefully by now this all this feels more obvious when you see it when you open an app. It's like, okay

Yeah, I get it. Yeah, I can do that. I can use one of those tools to create it and

Yeah, I hope you are ready to make everything move

Don't over do it again. The apply is break to everything

and just

animate responsibly

And hold on don't go. Let me take a selfie. This is super cool. Just that all of you

Let me see if I can do this

Okay, and just pretend that you're happy

Hey, what's up you see yourselves want to end? Okay. Thank you so much. Thank you. Thank you so much. Muchas. Gracias

For more infomation >> Practical Tips for Great UI Animation | Pablo Stanley | Lead Designer InVision Studio Platform - Duration: 34:31.

-------------------------------------------

CIVILIZATIONS | Episode 8 Preview | PBS - Duration: 0:31.

VO: On Civilizations...

Explore the impact of progress

on art and artists,

how progress changes perspective,

how some run away from it and

how progress turns into tragedy.

MAN 1: It was the painters and

the artists who best foresaw

the horrors that lay ahead.

VO: The cult of progress...

on Civilizations.

Tuesday at 8/7 central,

only on PBS.

For more infomation >> CIVILIZATIONS | Episode 8 Preview | PBS - Duration: 0:31.

-------------------------------------------

Meghan Markle VS Kate Middleton, ¿quién te gustó más en su primer Royal Ascot - Duration: 3:15.

For more infomation >> Meghan Markle VS Kate Middleton, ¿quién te gustó más en su primer Royal Ascot - Duration: 3:15.

-------------------------------------------

To Beelan, Or Not To Beelan | Season 2 Ep. 1 | GAL PALS - Duration: 8:35.

God, Edison's Wi-Fi sucks today.

Normally it's so fast. Doesn't she know I only have one gig of data per month?

Selfish toad.

Whoa Olivia, chill out.

This is the life.

65 degrees

Tacos are on the way..

Oh, make sure you use the new email that I set up for the referral credit.

Bumblebee420?

No, no. Bumblebee42069.

You're awfully chipper today..what gives?!

Whoa, what? Can't I just enjoy a beautiful Californian day?

Guess it's better than the random crying over Dylan

Oh shit, my bad. I didn't mean to bring her up.

It's all good my dude. I can hear her name now without spiraling.

Thank God

Dylan was such a buttloaf.

Oof, harsh.

What am I wrong? That girl did not know what she wanted and she put you through the ringer for it.

Nobody does that to my best friend.

To be fair, it wasn't entirely her fault.

I mean our whole relationship was based on nothing but lies.

And you made out with her boyfriend.

Whoa, what did we say about ever bringing that up?

Look, Dylan made you cry and act all delusional and weird so I don't like her for that.

I know. Thanks pal.

Swear to me you have not been in contact with her.

What? No, promise, scout's honor.

Okay

You've just been doing so much better and I don't want to go back to sad cheeto dust finger's Bee.

I want my friend.

I know.

Trust me. I'll be fine if I never have to see another cheese puff again in my life

You were really there for me when I needed you.

You and Edison..

EW! Stop.

Do not say that name until I have confirmation that our carne asada is on its way.

What the..?

Go for Vivi.

Vivi! Hey, uh, it's Edison. From apartment 3.

Three....

Oh! My little Anne Hathaway looking lesbian, how are you?

Yeah, I'm alright, listen...

I just got home and found an eviction notice?

Oh don't worry about that. I just need that 10K in back logged rent you owe me by Friday.

Right

Anyway I can get that back to you, next week?

No can do

I need it this week.

Full disclosure,

I'm getting

My placenta facial done this week. And if I don't get it done on the full moon. I need to wait another week.

Wait, Viv-

It's Vivi.

Three days Miss Hathaway.

(Edison on phone) I'll do anything. Do you want me to sing again?

(singing) I dreamed a dream-

Another day another dime.

(fake, cheesy, bored) Hi, I am Olivia your assigned Task Buddy. Thank you for choosing us.

Your day just got a whole lot easier. If this is your first time using our services-

Why don't you come in?

So I've never done this before, I have never hired a Task Buddy.

Can I get you something to drink?

Yes. Yeah, actually yeah. Sure.

I mean, I have, charcoal water, cold brew, matcha...

Charcoal...charcoal water is perfect.

Ow.

Oh

I, um-this was on your bed.

No, these are for you. I knew you were going to sit there.

Mmm

My favorite.

Oh my god. This is just so embarrassing

I'm sorry, what?

I just have all this fast-fashion. It is such a waste.

I mean look at you

You've clearly embraced secondhand clothing

Yes

totally

intentional

Okay

Three days

Wait.

Instagram ad money.

Hashtag $10,000.

Thank you to say thanks for running our mobile app Krazy Kookies...

5000 Kooky Koinz..?!

That's not even real money!

No, no, no, no, I'm not getting rid of this.

You sound just like my roommate.

This is really bumming me out. Do you want to play Mario Kart or something?

Um

Aya, do you, you know get down with Tegan and Sara?

Olivia Wilde, thoughts.

Are you a resident of the island of Lesbos?

Are you gay dude?

Oh! I really don't love labels. I like to go with the flow.

Yeah. Yeah. Okay. So are you seeing anybody?

Olivia I'm flattered, but you're a Scorpio.

No, not me. My roommate, Bee. You guys would get along great.

Wait, how did you know I was a Scorpio?

Isn't it obvious?

It is, isn't it?

You're dead, but you're hot.

Hey! Where are you going?

That bougie-ass brunch place is not open this late.

Uh, work meeting.

Yeah, apparently now we need like safety training ever since Anne sat on the grill.

What?

Yeah, I don't know.

She's got like this weird mark now everybody else thinks it looks cool. It's like the new tattoo...

Okay. Well, you're gonna miss the murder-athon.

It's like Harry Potter weekend but with more death, orphans, and jilted lovers.

OH MY GOD! I just remembered!

I met the coolest girl today. If you think She-Who-Will-Not-Be-Named is cool, just wait until you meet this girl.

Voldemort?

No...Edison.

Yeah, I gotta go. Okay. I'll talk to you later.

Mm-hmm. I love you

Hey.

Bumblebee.

You wanna find out what happens with Bee and Dylan? Click subscribe and find out what happens next week!

For more infomation >> To Beelan, Or Not To Beelan | Season 2 Ep. 1 | GAL PALS - Duration: 8:35.

-------------------------------------------

Fate/Grand Order - Sakamoto Ryoma Voice Lines (English Subbed) - Duration: 12:17.

Limited-Time Summoning: I'm Rider-class, Sakamoto Ryouma.

I lead a humble detective bureau in this imperial capital.

I'll be in your care for a short while.

Ah, that's right, it would make me happy if you could help me with work at the office.

Oryou: Oryou-san is Oryou-san, the assistant.

The work might be hard, but if you do your best I'll give you a frog.

Permanent Summoning: Ryouma: Rider-class, Sakamoto Ryouma has come in answer to your summons.

Ah, this is my partner, Oryou-san.

Please, take care of us.

Oryou: Nice to meet you, human.

...By the way, you look tasty.

Ryouma: No, no, you can't eat them, okay...

Dialogue 1: Oryou: Hey, if you're free then go and get me some frogs.

Ryouma: No, no, there are more important things we should be doing.

Dialogue 2: Ryouma: The master-servant relationship, huh...

I am no good at that.

I would like to be good friends with you.

Oryou: Oryou-san too, Oryou-san too!

Dialogue 3: Ryouma: Regardless of the master-servant deal, I will do my best to cooperate with you, the Master.

Since that is why I came here, you see.

Oryou: That's right. If you have Oryou-san, it's one million horse power.

Or is it a million Oryou-san power...

Dialogue 4 (If you have Okita Souji): Ryouma: Ah, it's Okita-kun.

To have that Okita-kun as an ally is reassuring.

Oryou: This guy looks weak.

Ryouma: S, stop saying things like that, seriously...

Dialogue 5 (If you have Nobunaga): Ryouma: We meet again, Devil King of the Sixth Heaven, Lord Oda Nobunaga.

You have my gratitude for back then...

wait, what's wrong, Oryou-san?

Oryou: Oi, this guy is cheating somehow, isn't she.

Dialogue 6 (If you have Hijikata Toshizou): Ryouma: Fighting together with the Demon Vice-Commander...

He was even planning to invite me to the Shinsengumi.

This guy turned even the inconcievable into reality.

Oryou: Hey, that takuan looks delicious. Give me one.

Dialogue 7 (If you have Okada Izou): Ryouma: Long time no see, Izou-san.

...Wait a minute, wait a minute!

Could you put down the sword?

...Ah, it would make me happy if we could get along while we are here like in the old days.

Oryou: Can I punch this guy?

Dialogue 8 (If you have Okita Souji (Alter)): Ryouma: I see

You still have things left undone.

In that case, let me see those things with my own eyes too.

Oryou: This is unrelated, but isn't your sword too big?

It will get caught in doors.

Dialogue 9 (If you have Francis Drake): Ryouma: Captain Drake...!

The great pirate that managed to circumnavigate the world!

Ah, I'd love to do that.

Can I board your ship next time?

Oryou: Ryouma is a man who loves foreign ships.

Likes: Ryouma: Something I like?

I guess, things like fish sashimi...

and I like alcohol too.

Eh? Shamonabe? I'm fine with it, but Oryou-san can't handle it.

Oryou: The talk ends here. Yep, it's finished, it's finished.

Dislikes: Ryouma: My dislikes?

Well... I dislike sad things, more or less.

Unpleasant things like those tend to run around.

Oryou: Oryou-san is not fussy about that. I just like frogs.

About the Holy Grail: Ryouma: The Holy Grail...

You see, for me, since my circumstances are different from the others', something like a wish is...

If I am forced to say my wish then it's that.

A world where everybody is filled with happiness.

Oryou: Oryou-san has a lot of things she wants.

There's that and that and frogs...

And, ummm...

Ryouma: Well, those wishes, you should grant yourself.

Event: Oryou: Yay~, a festival, it's a festival.

There are things you can only do now so you must do them now.

『The Repenting Oryou-san Does Not Stand』

Ryouma: The last part was weird, but otherwise you're right. Well then, shall we go?

Bond Level 1: Oryou: Hey, you. Stop touching Oryou-san. I'll eat you.

Ryouma: My apologies. As you can see, Oryou-san is wary of stranger, no, wary of humans.

Bond Level 2: Ryouma: Ah, it's you.

Are you here to see Oryou-san again?

Eh? Me?

...I see, well then, let's have a nice talk, shall we.

Eh? Ah, that.

If I used the Tosa dialect, my True Name would be easily exposed, so I try to not use it much.

Oryou: Hey, let Oryou-san join in the conversation too.

Bond Level 3: Oryou: Hey, since Oryou-san is talking, Ryouma should bring us some tea.

Ryouma: Oh, how rare for that Oryou-san (to do something like that).

Oryou: And then, Oryou-san sent that mountain god or who flying, when a strange guy came down from above and...

Ryouma: Well then, I'll leave you to it.

Bond Level 4: Ryouma: Eh? My last story?

Ah, that you see... Actually...

Oryou: Hey, stop it. That story has an adverse effect on Oryou-san.

Ryouma: Ah, sorry, sorry.

To tell you the truth, Oryou-san was out shopping back then so she couldn't protect me and she seems to be regretting that a lot.

So let's leave that story for later, okay.

Oryou: Don't worry. This time, I'll protect you and Ryouma too.

Bond Level 5: Ryouma: How should I say this, you have a mysterious charm to you.

I have something similar to that, but it's no match for yours.

Somehow, Heroic Spirits come together to fight for your cause.

I am not speaking of an alliance here.

It feels like something that connects the universe.

And yet, without boasting about that, you remain the same.

I hope you will value the you who behaves like that.

I hope you will value the you who behaves like that. It will surely become something precious to you.

Oryou: Ryouma, you're talking too much.

Oryou: Hey, Ryouma. Your clothes, they did not change.

Ryouma: I like it this way.

Oryou: Oryou-san's defensive power rose again.

Ryouma: You're still getting tougher?

Ryouma: Ah, a kimono?

I have one, but it is easier to move in pants.

Oryou: That reeks of being just an excuse.

Ryouma: The dawn of Japan, no, I should call it the dawn of the Human Order.

To think I would come this far.

Thank you, this too is all thanks to Master.

Oryou: Oryou-san is terribly grateful[1] too.

Since I'm in a good mood today, I'll give you a ride on my back.

Level up: Oryou: Oryou-san leveled up.

Incidentally, Ryouma leveled up too.

Ryouma: Even if it was incidental, it's something I'm grateful for.

Battle Start 1: Ryouma: Well then, let's go, Oryou-san.

Oryou: Leave it to me.

Battle Start 2: Oryou: Keep it together, Ryouma.

Ryouma: Yes, yes, I'll do my best.

Battle Start 3: Oryou: Alri――ght, I wonder if Oryou-san should get a little serious.

Ryouma: Oh, this will be dangerous so everyone should get back.

Skill 1: Oryou: Hey, hey, don't be scared.

Ryouma: No, no, don't provoke them.

Skill 2: Oryou: That guy, can I eat them?

Ryouma: No.

Skill 3: Oryou: Oryou-san will awaken her true power──

Ryouma: I am grateful for that.

Skill 4: Oryou: Hurry and bring it on!

Ryouma: If possible, it would make me happy if you'd just run away.

Command Card Select 1: Oryou: Leave it to me!

Command Card Select 2: Ryouma: Yeah, let's go!

Command Card Select 3: Oryou: I'll send you flying with one punch

Command Card Select 4: Ryouma: That's a good idea.

Command Card Select 5: Ryouma: Shall we get going?

Command Card Select 6: Oryou: I got this.

Noble Phantasm Select 1: Ryouma: Oryou-san, it's your turn.

Oryou: Gotcha. ...I'm going all out.

Noble Phantasm Select 2: Ryouma: Time to use my Noble Phantasm. Oryou-san, are you ready?

Noble Phantasm Select 3: Oryou: I am the rebellious god――――the Serpent of Takachiho.

Attack 1: Oryou: Haaaaa...Aah!

Attack 2: Oryou: Go! Ryouma: Gotcha!

Attack 3: Ryouma: Sei! Oryou: Another blow!

Attack 4: Oryou: Haaaaa... Doryah!

Attack 5: Oryou: Now! Ryouma: Yeah, yeah, understood.

Extra Attack 1: Oryou: Let's go! Ryouma: This is...the end!

Extra Attack 2: Ryouma: Oryou-san, lend me a hand! Oryou: Leave it to me...Haaah!

Noble Phantasm 1: [2] Ryouma: Revered as the Amasakahoko, the Serpent of the Land...

Only I would know what I've accomplished and what I've done―――

『Like a Soaring Dragon』!!

Oryou: HAAAAAAAAH!!

Noble Phantasm 2: Oryou: Yay, peace, peace.

Ryouma: No, no, I'm seriously counting on you.

Oryou: Leave it to me.

Oryou-san's great transformation...

『Like a Soaring Dragon』!!

Ryouma: Don't eat them, okay!? Ah, she ate them.

Noble Phantasm 3: Ryouma: This is my Noble Phantasm... Let's go, Oryou-san!

Oryou: Yeah, let's go...!

Ryouma: 『Like a Soaring Dragon』!!

This is...the eeeend!!

Damage 1: Ryouma: Nuooooooh!

Damage 2: Ryouma: Guh!

Damage 3: Oryou: Gu, gugigi, gigigi, gih!

Damage 4: Oryou: It's no use...!

Defeat 1: Ryouma: Haha... I got beaten, somehow.

Defeat 2: Oryou: Sorry... I can't move, anymore...

Defeat 3: Ryouma: Its...no use...!

Defeat 4: Oryou: Once again...I couldn't protect him...

Victory 1: Ryouma: Phew, that was dangerous.

Oryou: Oryou-san can still go on.

Victory 2: Oryou: We won. Oryou-san, perfect.

Ryouma: No, you can't just end it.

Victory 3: Oryou: Don't worry, Oryou-san is super strong.

Ryouma: Like I said, don't taunt them.

For more infomation >> Fate/Grand Order - Sakamoto Ryoma Voice Lines (English Subbed) - Duration: 12:17.

-------------------------------------------

How to Install WhatsAap On PC & Laptop - Duration: 8:54.

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For more infomation >> How to Install WhatsAap On PC & Laptop - Duration: 8:54.

-------------------------------------------

Dungeons & Dragons Factions - The Zhentarim - Duration: 5:32.

Hello everybody Jorphdan here the PH is silent.

This is the last of the Aventure League factions, although there are still more groups in the

Forgotten Realms to touch on.

Today we're talking about the Zhentarim.

The Zhentarim, also known as the Black Network is a mercenary company.

They were founded in 1261 DR in Zhentil Keep by a wizard named Manshoon.

Manshoon was the lord of Zhentil Keep, who got his position by eliminating his rivals

(including family members).

Feeling threatened by those around him he recruited a cabal of mages known as the Black

Cloaks to protect him, and soon after he created the Zhentarim.

He wanted an organization that could spy and fight for him when needed.

A group that could act independently of Zhentil Keep.

Over the years the Zhentarim expanded to include Darkhold and the Citadel of the Raven.

The Zhentarim allied themselves with the church of Bane, which became the primary deity of

the group.

This caused some problems during the Time of Troubles when Bane was killed, Cyric wasn't

much of a replacement deity.

However there was a small sect of Zhentarim that does worship Cyric.

Manshoon's Black network affected trade.

He had little interest in empire-building, but did like the idea of establishing trade

routes between the Moonsea and the untapped markets of the Sword Coast.

Manshoon recruited a wizard by the name of Fzoul Chembryl who worked

under him for many years.

Eventually in 1370 DR Manshoon was slain by Fzoul, but in the aftermath found themselves

with over a dozen clones the wizard had created of himself.

Now when two clones are alive at the same time, or awake they know the other exists

and all they want to do is kill that other clone.

To be the only one left alive.

This started the Manshoon Wars.

Manshoon eventually countered the clone in fighting with some type of magic he created so the

clones were able to live and work together in peace, but not after most of them died

away.

One of the remaining clones returned to the Zhentarim and gave the leadership over to Fzoul.

Fzoul is a high priest of Bane.

He was killed defending Zhentil Keep against a Netherese attack but Bane raised him back

and he serves his dark deity to this day, bringing terror in the Moonsea area.

Currently the Zhentarim are about 10,000 strong, mainly located around the Moonsea.

Zhentil Keep is the hub of Zhentarim trade in the Heartlands.

Despite efforts of groups like the Harpers and the Purple Dragons the Zhentarim are still

around and pursing control of the Sword Coast.

Many of the factions and groups in Faerun are opposed to the Zhentarim, the Harpers,

the Cult of the Dragon, the Lords' Alliance, and the Red Wizards.

They do have some allies though, such as Beholders.

Which is odd because to get a Beholder to trust you is very difficult.

The Drow are another ally, they'll occasionally come to the surface and trade with the Zhentarim.

The Zhentarim really oppose anyone who presents a threat to its primary interests, controlling

trade and world domination.

So other evil groups end up disliking the Zhentarim and the organization doesn't really

have friends so much as people it puts up with.

Joining the Zhentarim is extremely easy.

You merely present yourself to a high ranking official of the Zhentarim, after a few tests

you're in.

These tests could be as simple as guiding a caravan to its destination safely, or killing

an enemy of the Zhentarim.

Joining is easy, surviving its ranks is not.

If you ever happen to get some power in the Zhentarim organization you best watch your

back.

Others will steal it from you for their own personal gain, or they'll just assassinate

you.

The Zhentarim hierarchy follows a linear branching structure with Fzoul Chembryl at the top.

Lords report to him, and each of those lords have people under them and the branching continues

down.

The organization is Lawful Evil and they'll recruit just about anybody.

Wizards are especially wanted, but clerics of Bane are welcome as well as fighters and

monks.

The Zhentarim are very active all across the northern part of Faerun.

They have agents, caravans, and soldiers at key points.

Along with spies everywhere.

The Zhentarim bully and blackmail people into working with them.

Merchants might be faced with violent thugs intent on delaying a shipment, or convincing

him to find a different supplier.

Sometimes the Zhentarim will bribe monsters with money or magical items if it falls into

a larger plan for them.

The Zhentarim are very organized and intelligent in their efforts.

The Zhentarim strive for wealth and power.

Publically they offer the best mercenaries money can buy.

They offer escort services for caravans as well as bodyguards for nobles.

The cost of dealing with the Black Network is high.

The Zhentarim wants to ensure you'll be a returning customer, at any cost.

They'll make it necessary for you to continue hiring guards for your caravans, attacking

said caravans if you don't pay.

It's like working with the mob, paying money to keep them from attacking your business.

Just took over a castle or keep with a Zhentarim Army?

The Zhentarim will hold it ransom with the very army you just used to capture it.

The easiest way to invade a kingdom is to be invited in.

Their ultimate goal is to create an iron fisted monopoly.

They want to make everyone dependant on the Black Network.

The beliefs of the Zhentarim are as follows.

The Zhentarim is your family.

You watch out for it, and it watches out for you.

You are the master of your own destiny.

Never be less than what you deserve to be.

And finally Everything, and everyone, has a price.

The end goal being to amass wealth, power, and influence.

And that's it for today.

In Adventure League I know that if you wanted to play an Lawful Evil character you are more

or less resigned to being part of the Zhentarim.

I imagine lots of neutral Adventure League characters chose join them.

I'm not entirely sure what's planned for next week, I have some more factions I can

go over so stay tuned.

Thanks for liking and subscribing.

I'll see you all next week.

For more infomation >> Dungeons & Dragons Factions - The Zhentarim - Duration: 5:32.

-------------------------------------------

The Girl Tribe | Episode 2 | Adhuna Bhabani - Duration: 15:56.

Hi! I'm Malini

and welcome back to another episode of #TheGirlTribe.

It's important to just keep at your dream

and things will work out.

Why aren't we asking the question

"Isn't he promiscuous?"

He asked me

"How have you resisted the urge to have an

extra-marital affair with a Bollywood actor?"

As you know, this show is very close to my heart

and it all started because of a Facebook group

that I began called, Malini's Girl Tribe.

The group is a place for women to talk, share, support,

empower and inspire each other.

And I guess it was only a matter of time before

it became something much bigger

than I could have ever imagined it would.

That's when I realised I had to make this show!

So, here we are!

Welcome to #TheGirlTribe, girls!

And hopefully, you guys too.

Watch and learn.

More power to all the girls out there

who're a part of MissMalini's Girl Tribe!

On this episode, I'm gonna tell you what

we've been talking about on #TheGirlTribe

so you can join the conversation.

For instance, women juggling work and family.

Why do we feel so guilty?

Have we figured out a work-life balance?

Do we even need to?

Why doesn't anyone ever ask a man this question?

The Tribe discussed this long and hard.

Also today, I have the lovely Adhuna Bhabani

joining me in the studio.

She's literally one of my favourite people on the planet.

But first, let me tell you about our #GirlBoss.

You know, I've realised that there are a lot of

super boss ladies out there,

especially on the tribe.

And on my show I wanted to show you ladies off!

You girls are doing some very cool things

that you started on your own and

I want everyone to see that!

So check out the story of this kickass girl boss

living her dream.

Hi, I'm Neha Sahu

and I'm the co-founder of Just For Kicks.

We work with little children in underprivileged schools

across India, developing life skills using football.

The most important thing is to know yourself

extremely well and then dream big!

Keep chasing your dreams, keep at it all the time.

There'll be a lot of situations, a lot of people,

unsolicited advice, difficulties—

But it's important to just keep at your dream

and things will work out!

For all the little girls out there,

give it your best in whatever you choose to do.

I know tiny girls as young as six years old

playing some fantastic football

and teaching elders how to live life.

Hopefully, by the time you're grown up

the entire world will be a levelled playing field

thanks to you!

Now, in 2018 we've become a much larger organisation.

Under the name of Enabling Leadership we're using

football, music and Lego to develop

global leaders and role models in schools.

I'm Neha Sahu

and I'm proud to be a part of #TheGirlTribe.

And we're proud to have a kickass girl boss like you

in the tribe, Neha!

Not only did you build this incredible programme

for life skills, in India

but you've taken underprivileged children

to cities all over the world to play.

How amazing is that?

They get a taste of international culture and

sportsmanship, that will only enhance

their development.

And I'm pretty sure, you're making dreams come true!

Bam, Neha! You're a #GirlBoss if I ever saw one!

Which is why you're going on my Girl Tribe

Wall of Fame!

And now it's time to introduce you to

one of my favourite people in the world—

An inspiration to us all.

She's incredible, she runs her own beauty empire and

sometimes she scales mountains for her birthday.

The one and only, Adhuna Bhabani.

Welcome to #TheGirlTribe!

The show that I have been dying to make for I think,

my entire life.

Thank you, Od for being here.

I'm wanted to tell everyone three things about you that

I don't think everyone knows.

Okay, here we go!

One, Od loves really tight hugs and I know this.

'Cause you're one of those people who hug like, that's it!

Like, I'm never gonna let go, which I love!

You wanted to be a singer, a horse trainer,

and a gymnast, which is awesome.

And you love the colour purple!

That's more than three things you didn't know.

Like, you're wearing purple and I've got pink.

Okay, thank you so much for being here today.

I've just been dying to do this show

and you're one of my favourite people to

have these conversations with.

Well, it's my pleasure to be here.

So you know, somebody asked me a really

interesting question, they said

"Okay, it should be fine for you to wear what you want,

but knowing what you know, about how the world is,

is it better for you to save yourself unwanted attention

and not wear certain things?"

And you, as a parent, what do you do with that?

I am constantly, on a daily basis, faced with

this dilemma because my daughter is

seventeen years old.

She likes to wear what she likes to wear and

what's in fashion.

If it's about a pair of shorts,

why the hell shouldn't she be able to wear it?

In the same breath, how am I able to protect her

from the kind of unwanted attention that,

that may cause here in this scenario.

So that's the dilemma, right?

The dilemma is, how much do I protect?

and how much do I empower?

But the sad thing is, and there's even like a video

that was heart-wrenching, which is

the rape culture in Haryana, that's on the group

someone posted it.

They think that if a girl is wearing jeans

that's also an open invitation.

I don't know, where do you draw the line?

I'm asking myself these questions, perpetually now.

A young woman growing up in this society,

how do I advise her so that she's not scared to death

of going out to live her life?

And I struggle with this too because on the blog,

obviously, we cover celebrities, might cover a

music video and then someone said,

"Well aren't you propagating this culture of eve-teasing,

and voyeurism by talking about a celebrity's look?"

Or her outfit, or you know, does the next item song

make that same mistake?

People should be able to make the distinction, right?

Yeah, and I think, even in

the friends circles that we may move in

without malice, without meaning to

they may say things that doesn't put

women in a very good light.

They think that it's just funny and move on to the next.

But I really believe that if you're a parent or a person

who's in a position where you have to show and

teach people around you,

your kids, for example.

Whether we like it or not,

the way we react to something—

It could be what we think is funny,

what we think is our sense of humour.

It will translate onto the next generation.

If people are constantly making jokes on women,

then, not only will the boys of the next generation think

that it's okay to make a joke on women, but even the

girls will come to believe that that's okay!

To be treated that way.

It's not cool.

Same thing.

And these are friends, my friends,

that I've known for a long time and we were

sitting around, probably late night and they're

talking about this girl that they think is beautiful, right?

And obviously they say, "She's so hot."

So one of them insinuated that he has

"hooked up" with her and I was so mad

that he made this comment.

Because, one, if you have

what is this 'Kiss and Tell' thing?

Because unfortunately you're gonna make people think

that she's promiscuous or whatever it is.

I mean why aren't we asking the question,

"Isn't he promiscuous?"

That's true!

I'm not saying it's all men, I'm not saying it's all women.

I think there are many, many, many amazing men.

Many of those men are my friends who actually share

a similar view or a similar outlook.

I think there are as many women propagating patriarchy

or a point of view, maybe without even realising it.

So, my whole take on it is

not to point a finger at what's wrong and what's right

but doing what you can as an individual to

you know, clean up your own house.

Say what you believe. Do what you actually feel is right.

And I think what you said is so true,

It's not just this women's campaign,

it's not just "only girls can do this".

And the reason I've only let girls join for right now

#TheGirlTribe is because unfortunately, on Facebook,

or any other social media platform

a lot of guys are just there to say things like

"Hi beautiful! Can I have your number?"

Or some nonsense and I found that in this group that

just has all these girls, there's just...

One, they're really nice to each other,

they're very supportive and it's kind of a safe space

to talk to each other but having said that,

I love that, I think you and I

and I'm sure a lot of people know men

who are really open-minded.

You know, they hurt as much as we do.

That's why I think that we are actually very fortunate,

and I'm extremely grateful that the men who are around

in my life are very, very conscious and aware.

And if they're not, I prod them every now and again,

to remind them and they're totally supportive.

And they don't think that women like us are trying to say

that 'women are right and men are wrong'

it's absolutely not that for me.

Let's just create that equal playing field.

You know how it is sometimes,

you only think of the really funny, snarky thing to say

like three days after the experience?

I was speaking at this event, and I'd just won

#1 Most Influential Woman for Impact and so

I went to Goa to speak at this conference and

I felt really 'Boss Lady',

for half an hour I did this presentation

and then there was this guy, who's like a

very senior member of the journalist fraternity.

And he had to come on stage and ask me two questions

right, and then open it up to the audience.

He had the choice of any question?

Any question, literally.

So he asked me, he said, you know,

I've always wanted to ask you this.

I'm like okay great, this gonna be about brand building,

or my journey.

He's like "I've always wanted to ask you,

how have you resisted the urge to have

an extra-marital affair with a Bollywood actor?"

First of all, think about the sentence,

you could have asked me anything!

You could've learnt something, you know!?

I'm flabbergasted.

I don't know what to say!

And then, the other thing that really bothered me

about this actually, and I haven't told anyone this.

As soon as this happened, I sent this tweet saying

"Great experience but it was marred by

this last thing that happened."

And in five minutes I got a phone call from someone

I know, whom I really respect,

senior person in the industry, who says

"Oh I heard what happened,

can you please delete the tweet?"

And I was like why?

And he was like, "oh, well you know you're raising

money right now, you're trying to build a business, so

all these people know each other."

And I was like, I'm right to have defended myself

in this situation.

Absolutely.

So what do you do?

At what point do you say, okay, I don't want to damage

my business.

Again it comes back to that—

Should I wear my mini skirt out? Or should I just

"Pick my battle"?

I know I had a similar situation, not as hardcore as that

but it was a situation where somebody whom I consider

a friend made a comment, a joke amongst friends and

I found it inappropriate and I said something about it.

And it was a comment on a husband-wife scenario.

And I said I don't think it's appropriate for whatever

reason I said.

It was not that I'm not able to take a joke or whatever,

but I think this kind of humour is not appropriate

in the kind of world we are now living in.

And if you, as a parent, have that approach and use this

kind of humour, it will eventually permeate through to

the next generation.

It was all happening on a message and my hands were

shaking as I was making my point.

I didn't want to offend anybody but I did feel

that if another joke just goes by without me saying what

I really feel, how am I gonna feel about that then?

I should be able to speak up.

You know, eventually I thought as I wrote it in the

message that, it may be that I'll get a lot of controversial

answers back from this, but I'm gonna say what I think

here, and if you don't like it then, fair enough.

Thank you so much for being here!

I've asked everyone to write a pledge.

A pledge to yourself, as a woman,

something that you're gonna do.

And I'm gonna give you a little pledge card.

What will your pledge be?

Okay, this is something I've been consciously made to

think about right now.

Oh, I don't need my glasses to write.

Reduce, reuse and recycle.

And why have you decided to pledge this?

Because I feel like I've been

a complete victim of consumerism.

I love clothes, I love fashion, I love shopping, I've loved

furnishing my home, whatever it is, I think for me to

make a mark or make a statement I need to

sort of, practice what I preach.

I think it can have a very powerful impact on my kids

and how they choose to spend their money,

the decisions they make.

Thank you! Will you add that to my pin board?

My Girl Tribe Pledge Board!

You like that picture? That's from our football face-off.

Does that work?

It's perfect.

Thank you so much.

It was awesome to have you here.

Always a pleasure.

I will see you soon!

I'm takin' my shoes.

Okay, bye!

Before I go, I wanna show you just what kinda

awesome ladies my girl tribe is made of.

Everyday they inspire, comfort and stimulate my mind.

To show you what I mean, here's a peek into just a

few of the posts and conversations going on in

#TheGirlTribe right now.

You know, an overwhelming number of women

mentioned the constant juggle between work and family

and being made to feel guilty about it.

Kavita Baga said she's worked like a dog for twenty-four

years and is now a new mother at forty-five!

And learning to love like a puppy.

The point is you can be anything at any age!

Pooja T Bangera says every parent thinks they've failed if

their daughter isn't married after her education.

They're mostly afraid of their family and society's

reaction of how they will question them.

The classic "All your friends are getting

married except you."

But that has to change and that change starts with you!

And that brings us to the end of another

episode of Girl Tribe!

Thank you for watching and witnessing

the start of something new and I think, wonderful.

I believe a conversation is the first step towards changing mindsets.

Now I wanna leave you with a question that

came to my mind while I was talking to Adhuna—

When do you decide to draw the line between

knowing when to empower and when to protect?

Should we wear whatever we want, whenever we want

when we know predators are lurking around?

It should be, right?

But is it safe to wear a mini skirt

walking down the street today?

I don't know, it makes me mad even having to

think about it.

I'd like to hear your point of view.

Join Malini's Girl Tribe on Facebook and

tell me honestly what you think.

And until next week, good vibes only!

For more infomation >> The Girl Tribe | Episode 2 | Adhuna Bhabani - Duration: 15:56.

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Grandes documentales | La osa negra en el confín del mundo. [Full HD] - Duration: 47:20.

For more infomation >> Grandes documentales | La osa negra en el confín del mundo. [Full HD] - Duration: 47:20.

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Meghan Markle luce su mejor sombrero en Ascot y su vestido más aburrido - Duration: 2:42.

For more infomation >> Meghan Markle luce su mejor sombrero en Ascot y su vestido más aburrido - Duration: 2:42.

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The Great Commission Ought to Be Ordinary - Duration: 1:16.

Now one of the most significant things about the Great Commission is that it's not a dialogue.

The focus is all upon Jesus.

In this Great Commission, Jesus is the star.

Jesus is the very central part of this Great Commission.

And as you can see from looking at it, at the very outset, the New Testament and the

Bible nowhere calls this a Great Commission.

It is nowhere referred to as a Great Commission.

We call it the Great Commission.

Now appropriately so in that the Commission is great in its scope.

It's great in what it calls us to do.

It's great in its significance.

It's weighty in what it is calling us to do.

But the Bible doesn't call it the Great Commission, because as we see here in the Great Commission,

what Christ calls us to do is really quite ordinary or at least it ought to be ordinary.

It ought to be the general practice of every Christian and every church in all the world—doing

what we as the church are called to do.

For more infomation >> The Great Commission Ought to Be Ordinary - Duration: 1:16.

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PUBLIÉE AVEC MON MEILLEUR AMI ! - avec Kalo en guest - Duration: 14:06.

For more infomation >> PUBLIÉE AVEC MON MEILLEUR AMI ! - avec Kalo en guest - Duration: 14:06.

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Алина Хадырова - онкология и мошенники в благотворительности / Достучаться до сердец - Duration: 59:19.

For more infomation >> Алина Хадырова - онкология и мошенники в благотворительности / Достучаться до сердец - Duration: 59:19.

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Meghan Markle debuta en el Royal Ascot, el evento más importante del jet set británico - Duration: 2:00.

For more infomation >> Meghan Markle debuta en el Royal Ascot, el evento más importante del jet set británico - Duration: 2:00.

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Types of Sakht Launda | Idiotic Launda Ft Rahul Sehrawat - Duration: 5:51.

For more infomation >> Types of Sakht Launda | Idiotic Launda Ft Rahul Sehrawat - Duration: 5:51.

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Shei Je Holud Pakhi | সেই যে হলুদ পাখি | Official Trailer | Web Series | Saswata | Tridha | Hoichoi - Duration: 1:41.

Here ends my tale

As the Nataraj turns away.

Five years ago, all the mirth and happiness

Was thrown out by him!

You will sing the song my daughter wrote?

A man from god knows where

Asks you to sing a random song, and you do!

He's searching for his daughter.

She is missing...

I'm a thousand percent sure.

Vaidehi's death is not an accident!

The contribution for this band

Is only Ida's!

Every band member, points a finger at you!

If this is a murder. Where's your evidence?

Everyone else's faces are hidden behind masks.

A band called Euthanasia...

Death at will.

So the bird, was there.

Then it flew to you.

If you want to understand Vaidehi

You have to find her in her music

So could she feel it...

that she would die?

Sir, once please listen to the songs!

Listen to me !!!

Where do you go after Show ?

I will find where Mitil is through her music...

For more infomation >> Shei Je Holud Pakhi | সেই যে হলুদ পাখি | Official Trailer | Web Series | Saswata | Tridha | Hoichoi - Duration: 1:41.

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Ähnlich wie Bilou: Nach Bibi bringt auch sie eigene Beauty-Produkte raus! - Duration: 0:41.

For more infomation >> Ähnlich wie Bilou: Nach Bibi bringt auch sie eigene Beauty-Produkte raus! - Duration: 0:41.

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The Handmaid's Tale 2x11 Promo (HD) - Duration: 3:21.

How could you be so stupid?

Cause of your sick infatuation with her!

Don't you dare!

(screeching tires)

You've left me with nothing.

I have nothing.

False labor fools the best of us.

I'm sorry, Mrs. Waterford.

Offred has pushed Serena Joy and Fred Waterford right to the edge.

She has forgotten her place.

I think the best way is the most natural way.

Where does their power lie?

Their power lies in bringing the ceremony back.

Please come and sit.

As horrific as everything else that's happened before,

Offred can almost handle that.

But this is a violation at a level we've never seen before.

For me it's the most abhorrent in all the scenes

from season 1 to 2 that I've participated in.

You're not quite sure who's perpetuating this punishment.

Please, don't!

When you're playing these roles that are so ugly,

it's very hard to sit down and have those discussions about "Why?"

"Why are we really doing this?"

Gilead is not a soft, comfy, wonderful place.

It's our responsibility to portray it for what it is.

And that's part of the reminder to the audience,

that this is what happens when you let go of freedom.

The season is really about motherhood, the force of motherhood.

Offred doesn't ever think she's going to see her daughter again.

Something she thought was impossible, and was her hearts desire, happens.

And it's completely different than you think.

It's a realization for June that in many ways, she's lost her daughter.

I tried so hard, daddy did too.

Why didn't you try harder?

We did a lot of research with the UN about these moments of reunification

and what that is actually is like.

In a lot of ways it's word for word exactly what they told us this is what happens.

I need you to be careful.

And I need you to keep yourself safe.

A lot of it goes back to Lizzie being an actress.

It's okay.

Being able to see her in that scene with Jordana who plays her daughter,

they work so beautifully together.

It was just a treat to watch.

They connect, but it's bittersweet.

For more infomation >> The Handmaid's Tale 2x11 Promo (HD) - Duration: 3:21.

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Xiaomi Youpin CIGA Design - OROLOGIO MECCANICO! Esercizio di Stile... Riuscito? - Recensione ITA - Duration: 7:05.

XIAOMI CIGA