How Long Went to You One, Super Song of Love
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「Nightcore」→ Havana ✗ Despacito ✗ Mi Gente ✗ Shape of You (Switching Vocals) - Duration: 3:44.
Nightcore - Havana X Despacito X Mi Gente X Shape of You (subtitles in video)
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REAL MADRİD & FC BARCELONA - Duration: 23:56.
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DATABASE
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Avengers Infinity War Official Trailer 2 REACTION!!! THANOS RAGE MODE - Duration: 3:42.
What is good youtube warstu here video Marvel Avengers infinity war
trailer - and never does normally do videos like these traded actions because
don't think they're very good but as soon as we have been pushed ahead of a
lot of footage to do with Avengers infinity war I thought let's do a
trailer reaction I might keep on a channel if it gets a few pics maybe but
I will be doing a better video with trailer breakdown breaking everything
down a bit later on so I've got my good old trusty headphone
this is apps the micro to make my videos so I'm going to start playing trailer
now but it just has that being done okay talking about them okay go to wipe out
half a universe okay cool snapping fingers wipe out whole universe
interest in talking time start on T yo G Oh
full body to full armor not the action II didn't want to get stoned never get
to see this violent dude it's gonna jump that school but ok Wi-Fi he's coming to
us it's not really advantage
okay they're gonna have kind of fun summer in it which is interesting what
combo again okay oh it's good teachers that match it together
look better just brightened up in that costume
oh oh we're gonna see them get by get down
it's terrifies with yet Loki does give me fire okay they're markedly playing on
that massive battle in Wakanda that they're gonna have or folks too
slap-happy America and blocks it okay really so trailer
we can't give us tips detail because it did like really fast now this is just a
kind of test I'm doing it pretty pretty slowly trailer on same now guys do it
again what did you think of the prey up did you love it do you like it I will
have a proper video up there's there's a couple of hours after this I just wanted
to put a short reaction video out as they're quite trendy on YouTube so guys
let me know eyes a bit upset that we didn't really get to see the legs on the
iron Spidey suit but it was pretty solid can't wait to keep me watching it so
much Lana's going on anyway guys please like subscribe and comment we're so
close to 10,000 subscribers and it will catch you guys in another video very
soon which will be my proper trailer breakdown for this big Oh anyway guys I
will see you soon catch ya later
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Learn Colors With Play Doh Modelling Clay Minion ''Stuart'' and TooHee Molds Surprise Toys for Kids - Duration: 5:24.
TooHee
Thanks For Watching !
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[16.03.2018] GAM vs EVS Highlight ALL GAMES [VCS Xuân 2018] | Gigabyte Marines vs EVOS - Duration: 10:54.
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Blair: My Cat is Boss | TBS Digital - Duration: 1:51.
[MUSIC PLAYING]
Call me Sylvia.
I have one human.
She gets me. Pet me now.
[MEOWS]
Again.
[MEOWS]
Last time.
[MEOWS]
OK, let me explain.
My feral cat friends call me this name, crazy human lady.
Personally, I think it's kind of lame.
I'm not crazy.
It's not like I collect them.
She has her own bathroom and buys me tuna with her income.
I've got it down to a science.
My human's compliant.
The best part is the silence, or licking their eyelids.
They all think that you love them to death.
And if you don't, it's cool.
They'll make it up in their head.
Honey, I'm home, et cetera.
Did you miss me?
Really?
Aw, I love you, too.
The best part no one mentions.
It's truly surreal.
If they die in your apartment, you
have a week's worth of meals.
The amenities are top-notch.
You see, cat friends, I'm not in a prison.
I'm not behind bars.
I'd rather be here away from the cars.
I'm independent, and I do what I please.
Knock it off.
I do what I please.
My own woman, living life on the flying trapeze.
Anyway, at night, I find a place--
oh, crap.
I can't say no to you, string with fluffy thing.
It's too fun.
[MUSIC PLAYING]
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BEST Turkish LOL Youtuber vs BROFRESCO. - Duration: 16:26.
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ЭТИ БОМБЕЗНЫЕ ТОВАРЫ С ALIEXPRESS ЗАСТАВЯТ ТЕБЯ УДИВИТЬСЯ / ЛУЧШЕЕ С АЛИЭКСПРЕСС + КОНКУРС - Duration: 10:04.
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The Most Baffling Movies Of 2017 - Duration: 11:14.
Movies are meant to inspire us, scare us, make us laugh, and make us cry.
But sometimes they just leave us absolutely, totally confused.
2017 was a particularly dense year of confounding movies, so get ready to get confused.
Here are a few films that will bust your brain.
And consider yourself warned: there will be spoilers.
The Bad Batch
Set in the near future, The Bad Batch is about a group of criminal exiles who've been left
to live in a lawless, cannibal-riddled wilderness.
The neon-drenched backdrop of Comfort — the central society where humans eat rabbits and
not each other — serves as a stark contrast to the mania going on beyond the fence, where
civilization and civility are null and void.
In a grim introduction, Suki Waterhouse's Arlen is tattooed with a prison number and
dumped in the desert.
Soon after, she's abducted and drugged; and her limbs are amputated and devoured by a
group of cannibals.
Months later, she stumbles across a mother and daughter scavenging the landscape, and,
upon realizing they're cannibals, she takes out the mother and abducts the daughter as
an act of revenge.
The women turn out to be the family of Miami Man, who sets out to search for them and makes
an unlikely acquaintanceship with Arlen along the way.
He doesn't know she's responsible for his daughter's disappearance, of course, so he
asks her to help with the search, and the pair strike a peculiar friendship.
Jason Momoa's character doesn't bother to hide his brutality, and Arlen makes it known
that she hates his kind, and somehow it just works.
But this is where the film's plot starts to get lazy and go off the rails.
Arlen does help Miami Man find his daughter, and when they're all finally reunited, somehow,
it's never revealed that Arlen put mommy dearest in an early grave.
Instead, she rejects a chance to stay in Comfort and shack up with Keanu Reeves' leader character,
and ventures back into the bitter beyond with Miami Man, essentially taking the place of
the woman she axed.
By the end, the movie makes so little sense that its title couldn't possibly be more appropriate.
Personal Shopper
Featuring apparitions, half-open doors, and things-that-go-bump-in-the-night, Personal
Shopper has all the trimmings of a traditional supernatural horror.
But Olivier Assayas' thoughtful meditation on grief is anything but ordinary, swapping
jump scares for ambiguous, psychological trickery.
The film centers on Kristen Stewart's Maureen, a personal shopper by day and spirit medium
by night.
After her twin brother passes away from a heart condition, Maureen sets down a paranormal
path of discovery to make good on a deal the pair had during his lifetime: the first to
go would contact the other from beyond the grave.
Throughout the film, Assayas crafts a nuanced story that interweaves the narrative of Maureen's
grief with the gruesome slaying of her celebrity boss.
This is where the lines between reality, the paranormal, and her own wild imagination begin
to blur.
Whether Maureen really is communicating with her late brother or being manipulated due
to her fragile mental state, is far from clear, leaving a lot of room for interpretation and
puzzlement.
Assayas himself later clarified the meaning of the movie -- that Maureen was simply grieving
her loss the only way she knew how -- but anyone who saw this one in the theaters last
year was almost certainly scratching their heads after the credits rolled.
Colossal
This is a monster movie with a colossal twist.
After repeated drunken misbehaviour, Anne Hathaway's Gloria is thrown out of her boyfriend's
apartment in New York.
Determined to get her life on track, she returns to her hometown in New England, where she
bumps into an old friend in Jason Sudeikis' Oscar, and her drinking problems persist.
At the same time, director Nacho Vigalondo throws up surprise after surprise, starting
with the casual introduction of a monster attack in Seoul, South Korea.
That may seem at odds with the film's palette, but the attack does have a direct link with
Gloria's story — as she's somehow inexplicably linked to the beast.
When Oscar discovers he also has the same monster-replicating superpower, Colossal follows
another tonal shift.
Oscar shows his sinister side, callously manipulating Gloria by threatening to use his own monster
to kill thousands of people if she doesn't comply with his demands.
Oscar's chilling behavior turns the monster storyline into a conduit for emotional and
physical abuse and leaves Gloria with the challenge of overcoming her demons, both real
and imagined.
Vigalondo uses monster-movie tropes to provide a shrewd commentary on very real issues, and
while it is executed well, it's bound to give audiences whiplash with so many bizarre swerves.
Song to Song
Terrence Malick's filmmaking style frequently divides opinion, and Song to Song is no different.
Malick depicts a love-hexagon of the privileged in a way only he can, weaving a complex web
of infidelity, betrayal, broken hearts, and sentimentality in fluid edits and unconventional
framing.
The narrative itself is straightforward.
Set in the cutthroat music industry, Rooney Mara's hopeful musician Faye begins an ill-conceived
relationship with Michael Fassbender's powerful music producer Cook to help her career.
However, she falls in love with Ryan Gosling's B.V., another musician working closely with
Cook and begins a relationship with him as well.
After forming a three-way friendship, Faye, B.V., and Cook navigate the landscape of music
festivals and cocktail parties, as Faye's infidelity continues.
What makes Song to Song both brilliant and baffling is its replication of memory and
consciousness.
The story unfolds as if Malick cherry-picked individual characters' reflections directly
from their brains and scrambled them together into a collective stream of consciousness
that warps the linear narrative structure.
Like raw memories themselves, the flow of the story abruptly diverts, changing direction
on a whim, and by the end of it, it's hard to figure out what just played out on-screen.
A Cure for Wellness
Set in the breathtaking backdrop of the Swiss Alps, no one can claim Gore Verbinski's aesthetically
pleasing thriller lacks ambition.
In fact, A Cure for Wellness suffers from being overly ambitious.
Like its mountainous terrain, the story twists, turns, and ultimately disorients its audience.
Events initially appear straightforward.
Dane DeHaan's up-and-coming executive Lockhart is tasked with retrieving his company's CEO
from a hiatus at a Swiss wellness center.
To his frustration, the staff at the center won't allow him to talk to the guy, and on
his way out of the center, he's involved in a car crash.
He awakens from the accident to find himself a patient at the same wellness center, with
his leg broken and covered in plaster.
It's then that Lockhart and his crutches squeak their way through a hallucinogenic journey
filled with freaky imagery.
The center is hiding a terrible secret, and Lockhart is on a mission to find out what.
The slow-reveal of the truth is frustrating and borderline nonsensical, as we discover
the center's doctor has been extending his own age by siphoning off substances from patients.
"No one ever leaves."
By the time the film serves up its final surprise, though, the audience's appetite for weirdness
has long been satisfied.
Raw
Julia Ducournau brings a fresh look at eating human flesh with Raw, the second cannibal-themed
movie on this list.
Unlike The Bad Batch, Raw gets under the skin because of its eerie authenticity, replacing
a dystopian wasteland with the familiar backdrop of a university.
This realistic depiction makes the French-Belgian horror too strong for some; at the 2016 Toronto
Film Festival, there were reports of audience members fainting.
Such a visceral reaction is understandable.
Raw begins like an innocuous coming-of-age tale with a young woman leaving home to join
veterinary school, where her sister is also studying.
During an unforgiving hazing process, she breaks her strict vegetarianism when she is
forced by her sister to consume a raw rabbit kidney, and this is where things get weird.
Really weird.
Having had a taste, our heroine then embarks on a cannibalistic quest for flesh that quickly
grows out of hand.
Ducournau doesn't broach such a taboo subject gratuitously.
Raw is hard to comprehend, but the conclusion will leave chills down your spine — and
a bite mark on the memory.
mother!
Director Darren Aronofsky said the script for mother! poured out of him like a "fever
dream", and the result dives to surprisingly dark depths of nightmarish vulgarity, ultra-violence
and barbaric bewilderment.
It begins with Jennifer Lawrence's title character and Javier Bardem's 'Him' living a life of
quiet solitude, when Ed Harris' 'Man' makes an unsolicited appearance at their door, asking
to stay, followed by his wife, Michelle Pfeiffer's 'Woman'.
Much like the flames that engulf the house at the beginning and end, events rapidly blaze
out of control as more and more people arrive.
Its entirety takes place within the claustrophobic and confined setting, which eventually descends
into a war zone, and an all-out assault on the senses.
On top of graphic violence, mother's most unnerving moments are delivered with everyday,
social non-conforming malice, where strangers show complete disregard for her wishes.
Trying to decipher the surreality at face value left many moviegoers guessing, which
is why Aronofsky had to come out and tell people he meant this to be a biblical allegory.
Mother represents creation, Him represents God, and the people are the destroyers of
both.
Considering how batty the movie is, though, it could mean a whole bunch of other things
or nothing at all, at the same time.
Killing of a Sacred Deer
Yorgos Lanthimos is no stranger to eccentricity.
He directed 2016's The Lobster, a story about a hotel where its single residents have 45
days to find a new romantic partner or else they turn into animals.
Initially, The Killing of a Sacred Deer appears less bizarre.
Scratch a scalpel under the surface though, and Lanthimos outshines his earlier effort.
The story focuses on Colin Farrell's talented surgeon Steven who befriends a boy named Martin.
Sprinkled with the director's trademark deadpan dialogue, there are numerous quirks and dark
humor moments that require close inspection.
There's the weird obsession with body hair, and Nicole Kidman's character pretending to
be an anesthetized patient just to be kinky.
And that's nothing compared to story's core.
Martin is out for revenge, believing Farrell's character to be responsible for the demise
of his father.
Martin tells Steven he has placed a curse on his family in an act of vengeance.
To undo the curse, Steven has to kill a member of his own family, or they will all die slow
painful deaths.
Much to Steven's exasperation, Martin's curse begins to manifest as his children lose the
ability to walk.
"My legs, they're numb."
How Martin enacts the curse is anyone's guess; he's seemingly able to make symptoms come
and go.
Those looking for answers won't get anything concrete either, and it's compounded by an
ambiguous ending that gives little away.
The Snowman
Expectations were high for this film because director Tomas Alfredson was the mastermind
behind one of the finest horror films of a generation, Let the Right One In, and The
Snowman boasted Michael Fassbender in the lead.
With such talent on both sides of the camera, how did the film end up with a 7% score on
Rotten Tomatoes?
The issue certainly wasn't Jo Nesbø's source material.
His novel of the same name is the seventh featuring alcoholic detective Harry Hole.
Following the same premise as Nesbø's novel, the story follows Hole as he searches for
a depraved serial slayer whose trademark is to leave a snowman at his victim's houses.
Unfortunately, issues with production melted any hopes of The Snowman being a hit.
Alfredson admitted that a tight production schedule left the film as a "big jigsaw puzzle"
with "a few pieces missing."
The result is a disjointed and confusing experience, with choppy editing, important storylines
that are never concluded, and characters introduced and later disappearing with no rhyme or reason.
Making matters worse, the marketing campaign for the film became an unintentionally hilarious
meme, which is hardly the way to make audiences take your thriller pic seriously.
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Theo Von - Me and Darryl Strawberry - This Is Not Happening - Uncensored - Duration: 19:35.
- So he starts saying, I got a gift for you.
I got a gift.
And I grew up in, like, a broken neighborhood, you know.
I thought it was gonna be his cock.
You know?
So I start practicing my, like,
"see a cock, like, don't be interested" faces.
You know, like, it's, you know, like... [tsks]
[mumbles] Uh-uh.
[dark electronic music]
♪ ♪
- Welcome to "This Is Not Happening."
[chatter] - [burps]
- I'm your host, Roy Wood, Jr.
Hey, there you go, boys. Drink up.
Nobody's gonna remember what the hell's happening tonight.
That dude's trying to get my couch pregnant.
He peeing out the window.
- [retches]
- C'mon, man.
John Legend bought me that piano.
[crowd cheers]
Who brought a ball pit?
- [screams]
[crowd gasps]
- [groans triumphantly]
[crowd cheers]
♪ ♪
His podcast is called "This Past Weekend,"
a southern boy like me, Theo Von.
[cheers and applause]
- So, I am 11 months sober, right?
I'm a sober guy. [cheers and applause]
Thank you.
Appreciate it.
Uh, I didn't wanna be.
But this is what happened.
I was in New York City, right? New York City, New York.
You know, they call it the same thing right back in front
of each other just to really piss you off
before you get there.
It's like, we heard you in the beginning.
You know?
But I was in New York City, east of Hoboken.
And I hadn't planned on doing any cocaine, okay?
I planned on doing this much cocaine.
That's a zero amount, you know?
But apparently, some cocaine had planned on getting together
with me when it left its home that evening.
So I went to this party, man,
and my friends were at this party.
And uh--and I felt uncomfortable
when I got to this party.
Probably because, like, when I really
think back on my life, like,
I've always just felt uncomfortable.
You know, like, I don't know what it is.
Like, my whole life has just been
this constant struggle with every moment.
Like, I'm just wrestling with every second
just to feel okay.
Like, I don't even wanna feel good.
Just set me in the middle, you know?
So I'm at this party, and I'm feeling
how I feel regularly, uncomfortable.
So I decided to have some drinks,
because my friends are alcoholics.
And I'm competitive.
So I have a couple tequilas, right?
And tequila, let's be honest,
is like pouring Mexico right into your body, okay?
I mean, make you jump a fence, make you buy a gun,
make you run across a highway with your family,
make you knock a woman up, make you knock a woman down.
Okay? Olé, Janet.
You know?
So I had me a couple of tequilas, and, uh--
And I was feeling alive, you know?
I was feeling a little more comfortable.
Now, at 1:30 in the morning, I left this, uh--
I left this party because at 6:30 a.m.,
I had to be on a nationally syndicated radio program,
"The Opie and Jim Norton" radio show.
And uh--yeah, it's a wonderful show that tapes there,
in New York City, New York.
And those are two men that I really admire, you know?
And "admire" is when somebody is better than you,
but you still like 'em.
It's an old-fashioned ideal.
So at 1:30 a.m. I get into this taxi cab, right?
This beautiful Asian girl,
that I do not know, gets into the taxi with me.
We're both headed the same way. They call it "sharing a taxi."
Okay?
And this girl lays the back of her head right into my lap.
And I'm thinking, fuck yeah, you know?
New York's got these beautiful free Asian girls
with every taxi ride.
This is a marvelous accoutrement to the city,
you know?
Uber? No, thank you.
Taxi, you have won me back.
So this girl's just laying in my lap,
and she just starts reminiscing about her evening, you know?
She said--
She said she had a nice evening,
but that her boyfriend wasn't in town.
That he's never in town.
Then she goes, "What happens in taxis,
stays in taxis."
And I'm not the brightest, you know,
bowl in the bowl drawer, you know?
[laughs]
Ugh, dude.
You ever wander into a sentence, and you're like,
how do I get out of here?
But I'm looking around this vehicle after she says that,
and I'm thinking,
"This is a taxi," you know?
I mean, taxi me once, shame on me.
So I'm feeling kinda cavalier after her statements, right?
I go down to make a kiss, you know?
This young lady is laying in my lap, I go down to make a kiss.
Now, trying to kiss someone that's laying in your lap,
that's a beautiful idea.
Until you get right here, okay?
And then you're just milling around
like a lip rapist, bruh.
I don't think James Bond could kiss a woman laying in his lap.
Okay?
So she pushed me off of her.
Uh, she called me a creep.
She called me a pervert.
I'm definitely not a creep.
And then it was awkward for a few blocks,
until she got dropped off wherever she was going.
Uh, I'm not sure even where it was.
I think it was, like, a halfway house
for complete cunts or something.
And at that point, it's just me and the driver, you know?
And--
and I thought he said "drugs."
He could've said something else.
English wasn't his first language.
You know? He was bi-language.
But I heard "drugs" in my head, you know?
And so I said, "Cocaine!"
Like I was Coke-stepher Columbus, bruh,
and we just landed on Crack Rock, you know?
And I heard him accelerate that vehicle,
and that's universal language for,
"We're gonna get some cocaine."
'Cause that's a drug to me, you know?
Weed.
Weed is a confusing spice.
I mean, weed will make you forget how to get home.
Cocaine will make you forget how to get to heaven.
So we just drove, man. Man, we just drove, man.
And, uh, we drove for about a half hour,
into, like, North Harlem.
If that's even a place. I don't even know.
But it was a dark neighborhood.
And that's not a euphemism.
All the street lights were busted out,
so you couldn't tell that it was predominantly black.
But I grew up in a black neighborhood.
I know when I'm back, you know?
And we got there, man.
And I gave this dude some money.
He gets out of the vehicle, comes back a few minutes later
with some cocaine on him, you know?
But he sits in the backseat next to me.
A little alarming, you know?
Kinda like when you're in the air on a plane,
and you see the pilot taking a piss,
and you're like, What the fuck, dude?
Is this Spirit?
But this beautiful gentleman
scooped up a little bit of cocaine on a car key,
put it under my nose... [sniffs]
killed that baby, bruh.
Then I scooped him one. [sniffs]
And he killed his, man.
And then, [sniffs] and [sniffs] and [sniffs]
and [sniffs] and [sniffs] and [sniffs].
Just a couple of dueling cocainists.
And we got high, man.
Uh, we got high for about 40 minutes.
Dude, I remember being so high at one point,
I was like, dude, where the fuck is the driver, bro?
And he didn't know.
So we sat there, man. We continued
to get high together, me and this beautiful gentleman.
And he said, Luigi-- that was his name--Luigi.
And I thought that was Spanish, you know?
Like that rare Italian Spanish.
So I start saying my name in Spanish.
Teodoro.
'Cause I learned Spanish in Louisiana.
And my whole life, I thought Teodoro
was Spanish for Theodore, which is my first name.
About six months ago, this girl goes,
that means I adore you.
Wish you would've told me at some other point, you know?
Because it's fine--right--it's fine to tell people
you adore them when you meet them.
But when you're an hour deep
into an 8-ball,
with a man who keeps saying he's Luigi
and you just keep saying, I adore you to him,
99% of the time, this don't end heterosexually.
So--
Ah, this is a long night, man.
So he starts saying, I got a gift for you.
I got a gift.
And I grew up in, like, a broken neighborhood, you know.
I thought it was gonna be his cock.
You know?
So I start practicing my, like,
"see a cock, like, don't be interested" faces.
It's, you know, like... [tsks]
[mumbles] Uh-uh.
So I'm running through the rolodex
of "no cock for me" faces.
And, uh--and then he keep saying
I got a gift, a gift, I got a gift for you.
Then I'm thinking, like, it's, like, a thing on his phone.
You know, like a GIF.
You know, like a disappointed walrus.
You know, like, Monday, Monday, Monday.
Monday, Monday.
But then I hear... [knocks on microphone]
on the taxi door.
And I'm like, Who knocks on a car door, dude?
Come in, or just be out there, you know?
Were you raised in a house of car doors in it?
So I'm like, come in.
'Cause now I gotta live in this shit universe they created
by knocking.
And a 'tute gets in.
A prostitute, you know?
A 'tute. You can't say "pros."
"Pros" is somebody that, uh-- have a prosthetic, you know?
And a 'tute get mad if you call 'em a "pros,"
if, uh--if they got everything, you know?
So I'm being politically correct
and I'm saying this 'tute, you know.
And I respect prostitutes.
I respect all women. You know,
whether they're a president or a prostitute,
I respect them, man.
You know, prostitute, probably a tougher job,
let's be honest, these days, dude.
You out there, middle of the night,
slinging that canal, you know?
A lot of men are gay, market share's declined.
So I respect prostitutes, man,
but I don't wanna deal with a prostitute tonight.
I just wanna do cocaine with my adorable buddy, Luigi.
You know?
And this prostitute, man, she had, like,
a--you know, she had a wig that covered--
you could see about 60% of her face, okay?
And to me, it looked like a man's face, right?
Which is fine, you know?
No judgment, there, I'm just saying if I were on a game show
called "Guess 60% of This Person's Face,"
I would guess man first, you know?
But so we're all, uh-- we're all back there
getting high together, and this prostitute
starts making advances towards me.
And I don't want a prostitute.
So I start feeling uncomfortable,
which is where I live at, most of the time.
So it only took me about half a lung to get there, you know?
So I get out of the taxi
into the street in North Harlem, right?
Luigi comes out after me, 'cause that's new friendship.
And he's like, "$100, $100, $100."
So I give him a hundred bucks.
I'm thinking he's gonna pay this 'tute.
She'll go on about her business.
We'll get back to, you know, uh,
you know, friendship.
I look over a minute later, they're kissing
on each other's necks, okay?
He's investing my hundred back here with this prostitute.
You know? I still have a $240 meter
on the front of this taxi, right?
So I'm out $360, not even in the vehicle, unfair.
But I deal with my negative feelings outside of the car,
so I don't bring negative energy back
into the vehicle, right?
Then I get back into the taxi.
But now I'm sitting in the front passenger seat, right?
You can hear Luigi and the 'tute in the back.
Um.
So, you can hear the light rustlings of a blowjob.
You know, kinda just simmering up into existence.
A good blowjob too. It sounded like, you know,
one you see on the Internet, you know?
Sounded like somebody's at a water park.
And I respect what they're doing, man.
But I still wanna do cocaine by myself, right?
So now I'm trying to be considerate,
and quietly do cocaine by myself, right?
[sniffs slowly]
Just the softest, little cokehead you ever met, dude.
Just like a--just like a newborn rabbit,
just hopping up on the ground, you know?
At one point, I was leaning my head back,
and just quietly dumping cocaine
into the bottom of my nose.
It was awesome, bruh.
Luigi's in the back, dude. He's at the water park, bruh.
He gots that all-day wristband, dude.
He don't give a fuck about me.
He goes, "You drive, you drive."
And this is when I knew I had a problem, man.
not specifically with drugs and alcohol,
but with the way that I behave when I'm on drugs and alcohol.
When I moved over into the driver's seat
of this taxi, right?
Put on my seatbelt.
I remember asking them to put their seatbelt on.
But they don't even make a seatbelt for all that activity.
You know? We need seatbelt reform,
I've been saying this.
And I started this vehicle,
and I drove us off into North Harlem, man.
At 4:15 in the morning, just driving.
Drove for probably about 20 minutes.
Didn't know where I was. You know?
My brain's like, damn, dude, you're lost.
It's 4:30 in the morning, man.
You're high on cocaine.
But at least you're working.
At least you're out here making money for your family, okay?
I don't have a family, dude.
More importantly, I don't drive taxi, bruh.
But then my brain also goes, but man, you don't have
a commercial driver's license.
As if that was gonna be an issue when the cop stops us.
There's empty cocaine bags everywhere, right?
Like, I looked like I'd been washing my face
with powdered donuts.
The sex crimes in the backseat.
Potentially gay sex crimes in the back seat.
And that officer is just gonna be like,
"That's all for naught, young soldier.
You don't have a chauffeur certificate."
But that's what got me to pull over, man.
I pulled over, I left a couple hundred dollars
on that car seat, I started walking off, man.
I walked about three blocks.
Got into a regular taxi, right?
I--I even made him pop the trunk just to
make sure that spare ties wasn't shooting up
in the back, you know?
I get to my hotel. It's 5:30 in the morning.
And in one hour, I gotta be
on the nationally syndicated radio program,
"The Opie and Jim Norton" radio show,
two men that I really admire.
So I finished doing my cocaine.
'Cause you can't not finish your cocaine, dude.
Try to not finish your cocaine.
I will watch you try.
What do they put in it, cigarettes?
I took three showers in ten minutes, son.
And dried off after each one, bruh.
You don't know me.
Then I start walking to the radio station, right?
It's five blocks to the Sirius building.
Halfway there, I realize that I have on jeans
with sweatpants over them.
Something I've never worn before.
Because nobody's ever worn it.
I'm the Neil Armstrong of pants this morning.
I get up to the radio station. They tell me
I gotta be on the air for three hours.
There's a million listeners, right?
I can't feel my face.
With either hand.
Highest I can feel is my neck.
Running on neck thoughts.
And the other guest for the day is Darryl Strawberry.
[laughter and scattered applause]
Yeah. Who's in the Hall of Fame.
He's a Hall-of-Fame baseball player.
And he's in the Hall of Fame for cocaine.
Wasn't a eight ball this beautiful man couldn't hit,
right?
And bless his heart, man.
He's 13 years sober, and he's eloquent, and successful,
and well-put together.
And he was some of these ideas that maybe
I envisioned myself as.
But this morning I'm showing up, you know,
nothing like that, you know.
So it just made me think, like dude,
you gotta tighten up, you know?
And I'll say this, too, about Darryl Strawberry, man.
I have big nostrils. Darryl Strawberry gots
the biggest nostrils you ever seen.
I'm not saying it to shame him, it's not an ethnic thing.
This man gots dead stars at the bottom of his nose, okay?
And I just say it so that you understand
he didn't stand a chance against a fine powder.
This beautiful man could kill a spice rack
from 70 feet away, okay?
[sniffs]
Boom. Take that, nutmeg!
What you lookin' at, coriander?
But on this day, he was everything
I needed to see, you know?
Uh, so, yeah. So that's when I got sober.
And now I've been sober for 11 months.
Uh, and I'm Theo Von.
Thank you for having me. You guys be good.
[crowd cheers] [electronic music]
- Theo Von, everybody.
[cheers and applause]
-------------------------------------------
Demo Analysis by Zeus - Duration: 3:21.
People asked me to analyze a demo, so I'm watching this replay the way I usually watch replays myself.
Guys, I usually try to pay attention to timings, here they are pushing connector with 1:15 on the clock.
I try to analyze their grenades, their lurker's actions.
What can we take away from this demo?
We can identify our mistakes, also we can analyze their strong plays and adapt something for ourselves and improve our T side.
I just watch some moments trying to analyze them.
Here they just pushed from all sides and destroyed everyone.
The first important buy round, Olof alone with a single flashbang controls Middle.
He damaged Edward severely, I was jump-checking.
They are going to push B now and take me down.
Regarding the tournament games, sometimes teams feel nervous and make hasty decisions, trying to make fast emotional plays.
Talking about calm and methodical play, those decisions shouldn't be hasty.
Right now we see that FaZe play calmly and collected.
When you're watching a demo, you need to analyze what T and CT are doing.
Young players or rather young captains often go, "Wow, how did he pull off that huge play?!",
or "What the hell happened here? Wow, wow"
instead of doing some analysis and trying to figure out why the opponents won the round.
What was the idea? Did someone win it single-handedly or was it the tactic play?
Maybe some trick or nades.
Then look at the timings, analyze at what timing the enemies attack.
Okay, I've covered main points that you should pay attention to, but there are a lot of them actually.
You can also spot some useful nades while watching a demo,
just pick a player who throws nades from the spawn.
Who's throwing nades from T spawn here? Let's see.
For example, Karrigan.
Watch closely how he positions himself and how he throws the nade.
Here comes a smoke into Window.
Then go to the server and practice nades.
Okay, let's play because it might get boring.
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