Waching daily Mar 17 2018

The 432 Frequency and How It Can Influence Your World

By Jill Mattson

The 432 Frequency throughout the ages, mankind has tuned music to a variety of frequencies,

getting extra doses of tuning notes that massaged the sacral, solar plexus and heart chakras.

Each tuning note helped mankind evolve.

Of all of the chakras, the heart is the most powerful.

Over eons, the other chakras were shut down to a greater degree, as people became dense

and individualized � seemingly separate from everything else, (according to esoteric

sources).

The heart still connects us to our Higher Self, other realms and opens emotions such

as compassion, forgiveness and love.

When we are calm, this chakra pierces and connects to higher dimensional information.

The frequency of 432 hertz (Hz) massages the heart chakra with a warm and calming tone.

The tuning and the calmness it creates opens the intuition.

This frequency lightens the aura, adjusts emotional states, while inducing a calming

and centering impact.

The best testimony of why anyone should seek out these frequency is simple to listen and

relax into this heart centering tone.

The 432 tone is not readily available� it cannot be heard on our pianos, as this frequency

is in-between our smallest interval of musical notes.

An instrument, such as a tuning fork, is required to hear this beneficial frequency.

432 Hz has a relaxing and deeply centering impact on the body.

The 432 Hz tuning fork creates natural harmonics to resonate with the mind and body, allowing

for a deeper and more nourishing experience.

Think to the song, Stairway to Heaven, which is written to include this frequency.

The song stands apart from others and creates a deep calming experience.

The world has accepted 440 Hz as the standard frequency for the musical note A, and not

432Hz.

(There can be hundreds of tiny variations in the speed of sound, in-between out smallest

musical intervals.)

The difference between A=440 Hz and A=432 Hz is only 8 hertz; it sounds slightly lower.

However, music lovers claim that music tuned in A=432 Hz is more harmonious and induces

an experience that is felt inside the body, especially at the spine and heart.

Music tuned to A=440 Hz offers an outward and mental experience, and is felt on the

side of the head and then projects outwards.

Each frequency creates sympathetic resonance with thoughts, emotions and items in our physical

bodies and worlds.

Therefore, the frequencies used in our musical scales unconsciously dictate precise experiences

for listeners.

How much we receive of each frequency impacts us much more than we are consciously aware

of.

For example, the 440 Hz frequency create outward activity.

(Every frequency serves a purpose.)

The A=440 is like aural caffeine.

This frequency produces an industrial spirit in people.

Countries in the world become more industrious (literally) while listening to a musical scale

with A = 440.

Those countries who used ancient scales (accessing calming frequencies), like India, advanced

in spiritual and meditative practices in contrast.

With the Internet, India now has a huge diet of aural caffeine via Western music and A

= 440 scales, while her industrial capacities have simultaneously expanded.

Rudolph Steiner, a famous mystic, declared music based on C=128 Hz the (C note in a scale

in which A=432Hz) will support humanity on its way towards spiritual freedom.

The inner ear of the human being is built on C=128 Hz.

The 432 frequency is a serious awakening tool for the spiritual aspirant.

Many energy healers use the 432 frequency for precise benefits.

Meditating with 432 Hz music can be an extremely powerful and effortless way to reach a deep

cleansing experience within your consciousness.

Using a 432 tuning fork held above the head clears energy pathways, allowing finer and

greater amounts of high Energy to enter the crown chakra.

It is like?

cleansing the information and energy coming into the body and distributing it throughout

all energy fields of a person.

A deep healing occurs once the fork is struck and the base of it is placed on the heart

chakra and slowly moved all the way up to the base of the throat.

According to Egyptologists, archaic Egyptian instruments were usually tuned to A=432 Hz.

They placed great importance on hearing this frequency.

Further, the 432 number is used in the design and construction of sacred places, such as

the Great Pyramid of Egypt.

Special number energy was incorporated into sacred spaces to create powerful and transformative

experiences for people in the temples.

According to Ananda Bosman, international researcher and musician, ancient Greeks tuned

their instruments predominantly to 432Hz as well.

Orpheus, the Greek god of music, used music incorporating 432 hertz for transformation

and harmonizing with nature.

Why did many Ancient Masters value the frequency 432?

In much of the ancient world, magical sounds were numbers that resonated (exchanged energy)

with frequency patterns found on Mother Earth and in the Heavens.

A 432 frequency resonates and shares energy with anything close by that is also 432 Hz.

Resonance or energy-exchange, also occurs to lessor degrees with harmonious musical

intervals and harmonics (an after ripple pattern of sound).

Musical intervals and harmonics are mathematical, and the chain of resonance can be figured

out for any frequency.

The Schumann Frequency is a healing frequency that mankind has grown accustomed to throughout

millennia.

This frequency is usually 7.96 to 8 Hz.

In fact, it has been played for astronauts to keep them healthy in space.

It is used for healing purposes.

Its source is a global electromagnetic resonance originating from lightening within the Earth�s

surface and the ionosphere.

If 8Hz is the starting point, five octaves above is 256 Hz.

(Energy is shared through resonance in octaves.)

When C = 256 Hz, A = 432.

With this reasoning, some correlate 432 with healing resonances of the Earth.

(Keep in mind that since the Schuman Resonance varies a bit, so does its resonance mathematics.)

Pythagoras said, �All is Number!� Just what does that mean?

Everything is energy.

Energy vibrates.

Pulsations of energies can be counted and are called frequencies.

Modern physicists� String Theory is based simply on different vibrations of infinitesimal

strings.

With this thinking, all is number � expressed as different vibrating strings (or frequencies)

and this creates our world.

Ancient man strongly believed that numbers and mathematics found in nature and the heavens

tuned us � to the Earth and the Heavens, empowering our awakening, and quickening us

to be closer and closer to God.

The 432 frequency is reflected in ratios of the sun, Earth and moon, as well as the procession

of the equinoxes, Stonehenge, and the Sri Yantra, among many other sacred sites contain

this number.

For example, the sun is roughly 864,000 miles in diameter (432 X 2=864) and the diameter

of the moon is 2,160 miles (432 / 2).

Further, there are 864,000 seconds in a day.

Many traditional schools of yoga teach that all living beings exhale and inhale 21,600

times per day.

(21,600 X 2 = 43,200) There are 108 beads in a mala prayer necklace.

(108 X 4 = 432).

According to science, the optimal number of dimples on a golf ball is 432.

When the famous late rock star, Prince was asked thousands of questions on his website,

he chose this single one to answer: �Please address the importance of ALL music being

tuned to 432 Hz sound frequencies?� to which he replied, �The Gold Standard.

Since pianos, flutes, clarinets, trumpets and most musical instruments are tuned to

A = 440, musicians must have these and other instruments remanufactured to incorporate

this frequency.

There are free software apps available, that digitally lower your music so that A = 432.

This is the easiest way to listen to a diet of this frequency.

Below is a photo of cymatic images, created from the A = 440 hertz, used in today�s

music versus the 432 hertz pitch.

Notice the balanced and beautiful shape created by the 432 frequency.

For more infomation >> The 432 Frequency and How It Can Influence Your World - Duration: 10:10.

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DRIVE THRU PRANK AND VLOG WITH THE IRELAND BOYS AND ROHANTV - Duration: 5:54.

let me find out

mobster

For more infomation >> DRIVE THRU PRANK AND VLOG WITH THE IRELAND BOYS AND ROHANTV - Duration: 5:54.

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Top 5 BUFFS That Changed Overwatch Forever - Duration: 10:57.

Overwatch has seen a variety of buffs and nerfs in its life time

and well we have covered the top 5 nerfs.

We have yet to look at the top buffs

So today at blizzard guides. We are looking at the top 5 buffs.

For more infomation >> Top 5 BUFFS That Changed Overwatch Forever - Duration: 10:57.

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How I Stopped Feeling Trapped in a Life I Didn't Want - Duration: 10:17.

How I Stopped Feeling Trapped in a Life I Didn�t Want

�Stop thinking in terms of limitations and start thinking in terms of possibilities.�

~Terry Josephson

When I was in my early twenties I was lucky enough to spend about a year living just a

few blocks from the beach in Virginia Beach, Virginia, but you know what I remember most

distinctly from that time?

Sitting at a red light on the way to work one day thinking: I feel trapped.

To put it simply, I felt stuck in a life I didn�t want.

I had a college degree I wasn�t using.

I had a job that I dreaded.

I had no idea where I was going or what I was doing, and I certainly had no idea how

to get to the next thing, whatever that was.

By the end of that year, I�d managed to move away from Virginia and was living back

in Vermont, a place I�d originally landed at for a few months right after I finished

college.

The trapped feeling was gone, at least for a little while.

I was able to go from seasonal job to part-time job and back again for about a year, and that

helped me feel not quite so tied down.

Eventually I left Vermont and moved to the mountains of North Carolina.

Over the years, that trapped feeling wrapped its tendrils around my chest and squeezed

a number of times, but recently I realized I haven�t felt that way in quite a while.

What was it that made me feel so trapped in the past?

Why haven�t I been feeling that way anymore?

For me, I think it comes down to career and identity.

I spent much of my life wondering what I wanted to be when I grew up, and went from job to

job, often ending up feeling like I was caged in.

I had a job working at an inn that I really loved.

Sometimes I was bored, but mostly I felt at least a little freedom, especially once I

was the boss and could make my own schedule.

After a few years of that, I took a job at an airport that was such an awful fit I can�t

even put it into words.

I was bored, lonely, and anxious, and caught more colds than I ever have in my life.

There was some good in that job, though, in that I started expressing my creative side

again, something that had been dormant for a long time.

Being miserable also forced me to take a look at the choices I was making in my life and

career.

I had other boring jobs after that one, and then one really terrible one that went against

just about every moral fiber in my body.

The owners made their politics very clear and they were the polar opposite of mine.

I was expected to be on call almost all the time; if my work phone rang when I was at

home, fear filled my heart.

Once again, I felt trapped.

It was worse than ever at this job because I was the sole breadwinner while my husband

was in school.

I knew it was a terrible fit, but I felt I couldn�t leave.

Looking back, though, while all of that was going on, I was refining and honing what it

was I truly wanted and who I truly was.

I read a zillion self-help and career books.

I took a life coach training program.

I started meditating.

Most importantly, I started listening to myself.

Or maybe I should say my Self.

I started following the things that felt true to me.

Being inside an office all day simply was not working, and I wanted to work for myself,

not for someone else.

I needed to be creative.

I needed to be able to go outside in the middle of the day.

I needed freedom.

I left that last terrible job nearly four years ago, and visits from those tendrils

of terror don�t come very often anymore, despite the fact that I�m much more tied

down than I ever have been before (hello mortgage, car payment, husband, two cats, and child).

The bottom line is that I finally feel like I�m living my life instead of someone else�s.

I do hold a job again, but it�s super flexible, doing something I mostly enjoy.

I create art almost every day, and both the process of putting colors to canvas and earning

money from something I enjoy so much bring me big feelings of freedom.

I also get to be outside in the middle of the day, which brings me more happiness than

I ever could have imagined.

I get to set big goals and move toward them at my own pace.

I get to control my life in ways I didn�t before.

I feel like me, and it feels so good.

Here are some steps of the steps I took to get from there to here, and that you can try,

too, if you feel trapped in your life.

Listen to your body.

This has helped me more times than I can count.

If your chest feels tight, if your stomach is in knots, if your shoulders are up to your

neck, or if you feel just plain off, you need to stop and listen to what your body is telling

you.

Your body is the animal part of you, in touch with your deepest needs and desires.

It�s your brain that keeps interfering and telling you the kind of life you �should�

be living.

Try checking in with your body at least once a day and seeing what makes it feel open and

relaxed, then do more of that.

Know you can make progress even if it doesn�t feel like it.

For years and years I tried to get out of that cycle of being stuck in a job I hated,

trying to do something new but then realizing it wasn�t the right fit, and then starting

the whole thing over again.

It�s only looking back now that I see I was getting closer and closer and learning

more and more each time I did something different�I just didn�t see it at the time.

Take the tiniest steps possible.

When I was in that job that I really hated, it would have created more stress and anxiety

in my life if I�d quit, since I was the one bringing in the money and because, about

a year after I started the job, I got pregnant and needed the health insurance.

So I took tiny steps while I was there: I made art on the weekends, I took an online

class about building my own business, I went outside and walked by the ocean a lot.

If you do anything, and I mean anything at all, that moves you closer to a place of peace

or excitement, please give yourself a pat on the back.

There is nothing wrong with congratulating yourself and telling yourself what a good

job you�re doing.

It will keep you moving forward and help you build momentum.

Look for the positive.

There is something good in all of our experiences if we take the time to look for it.

That job was a positive for me because I could support our family while I was there, and

because I learned what I didn�t want in a job.

I feel the same about all of my jobs and even all of my past relationships.

Even if it wasn�t the right fit, I learned something about myself and what I did or didn�t

want out of a job or a partner.

Every time you experience something, you can learn from it and use it to move away from

what you don�t want and toward what you do want.

Focus on the good you�re finding, and more good comes.

Focus on the bad you�re feeling, and the more you�ll feel bad.

Learn to live with uncertainty.

You just can�t know everything, and that�s okay.

I got a life coaching certification, personal training certification, and master�s degree

in health education before I realized that none of that would help me feel free.

Until I found it, I didn�t know what would give me that feeling, and I was (mostly) okay

with that.

I was trying new things, seeing what felt right.

You don�t need to know exactly what�s going to happen to know you�re on the right

path.

So long as you�re taking chances and learning about yourself, you are.

Lastly, don�t discount little things that make you happy.

I used to think that art was just something that I did when I was a kid that couldn�t

amount to much, and the pleasure it brings to me in my adult life, both on a personal

and professional level, is tremendous.

If it feels good, go toward it.

If it feels bad, move away from it, even if you have to do it slowly.

You don�t have to feel trapped in a life you don�t want forever.

You can make changes, even tiny incremental ones, and get into a life that feels just

right for you.

For more infomation >> How I Stopped Feeling Trapped in a Life I Didn't Want - Duration: 10:17.

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How to Draw Watermelon for Children | Watermelon Coloring Pages for Kids | 1 Hour Compilation - Duration: 1:02:03.

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Magic

Coloring Pages

For more infomation >> How to Draw Watermelon for Children | Watermelon Coloring Pages for Kids | 1 Hour Compilation - Duration: 1:02:03.

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Diana King - Shy Guy (Lyrics CC) - Duration: 3:42.

I don't want no fly guy

I just want a shy guy

That's what I want yeah

You know what I want yeah

Oh Lord have mercy, mercy, mercy Di man dem inna di party, party, party

Di wole a dem sexy, sexy, sexy Watch dem jus a follow me, follow me, follow me

Everyweh me go de man dem a rush me Yes a wole heap a pretty boy waan fi love me

A mi dem love Yes a mi dem love

True dem know me sweet an me sexy Everyweh me go mi seh me ever ready

A mi dem love Yes a mi dem love

But I don't want somebody who's loving everybody

I need a shy guy The kinda guy

Who'll only be mine

Oh Lord have mercy, mercy, mercy Di man dem inna di party, party, party

Di wole a dem sexy, sexy, sexy Watch dem jus a follow me, follow me, follow me

Have mercy, mercy, mercy

None a dem no move me, move me, move me Shy guy a weh me wanty, wanty, wanty

Only him can make me irie, irie, irie

Ruffneck man me no waan none a dem Beat up me body lick off me head top

Me no waan none of that Me no waan none of that

Big things a gwan fi all the shy man dem Want you fi mi love an mi want you fi mi friend

Till the very end Till the very end

But I don't want somebody who's loving everybody

I need a shy guy The kinda guy

Who'll only be mine

Oh Lord have mercy, mercy, mercy Di man dem inna di party party party

Di wole a dem sexy, sexy, sexy Watch dem jus a follow me, follow me, follow me

Have mercy, mercy, mercy

But none a dem no move me, move me, move me Shy guy a weh me wanty, wanty, wanty

Only him can make me irie, irie, irie

Have mercy, mercy, mercy, mercy, mercy...

Come on

Come on Come on..

Wah mi seh

Wah mi seh Wah mi seh

Loooord have his mercy!

Shy man me waan hear you Hole up you hand inna di air an mek me eyes you

If you wan a one a dem me no wan see you

This one dedicated to all di shy man crew

Shy man me waan hear you Hole up you hand inna di air an mek me eyes you

If you wan a one a dem me no wan see you

This one dedicated to all di shy man crew

Cause I don't want somebody who's loving everybody

I need a shy guy, the kinda guy Who'll only be miiiiine

Oh Lord have mercy, mercy, mercy Di man dem inna di party party party

Di wole a dem sexy, sexy, sexy Watch dem jus a follow me, follow me, follow me

Have mercy, mercy, mercy

But none a dem no move me, move me, move me Shy guy a weh me wanty, wanty, wanty

Him can make me irie, irie, irie

Have mercy, mercy, mercy Di man dem inna di party party party

Di wole a dem sexy, sexy, sexy Watch dem jus a follow me, follow me, follow me

Have mercy, mercy, mercy

But none a dem no move me, move me, move me Shy guy a weh me wanty, wanty, wanty

Him can mek me irie, irie, irie

Shy guy, a shy guy, a shy guy

For more infomation >> Diana King - Shy Guy (Lyrics CC) - Duration: 3:42.

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Kim Wilde Reveals She Still Believes In Aliens As She Re Launches Pop Career - Duration: 6:22.

Darling of the 80s kim wilde was always one of the more grounded stars but at

57 she's relaunching herself with an album that's out of this world

She is hankering after a hit with here come the aliens, her first release of original material since

1992

the title proves her reported sighting of a ufo in

2009 the day after her friend michael

Jackson, died made quite an impact on her but she's beyond caring

What people think of her belief in neeti?

It does make me grin, when i think about the headlines eight

Days icon sees ufo in her back garden kim laughs and i can just imagine

When i popped, my clogs it's going to be up there amongst a few other descriptions of my life

But i feel older wiser calmer happier and more comfortable in my

Own skin than i've ever been right now

Kim, who shot to fame with kids in america in

1981 admits she still regularly searches the night sky looking for the ufos to return i

Was with two other people in my garden and it did blow us all away completely

Says kim i'm

So glad they were there too because i would have, thought i'd imagined the whole thing otherwise

It was some kind of sphere no one knows how, big but my feeling

Was that it was very very, massive indeed doing really

Extraordinary things in the sky i'm not quite the same person i was the day before - the day after

That's for sure i do still keep a very active look in the sky

For things i'm always looking up at night and if i happen to be outside i'll always just wait for a few

moments to see if there's anything unusual before i go, back in

And the internet's there of course

Every now and again i go and have a look for recent sightings

Kim has always been used to hanging out with, stars but despite touring with the david

Bowie and michael jackson she became tired of fame

Instead she retreated into her passion for gardening and the odd west end musical and when she did release music

she focused on the continent relishing the fact that she could go incognito in her home country i

Was quite happy keeping, my head under the radar if i'm honest with you she says

My, career was very bottom heavy a lot of hits to start with then

A few more and then none if i could, bookend this career with a

Great big hit album i can't tell you how, big that smile might be on my?

Face i don't think you'd be able to wipe it off for years

The public grew up with, me and there's a discernible affection that is very humbling?

And wonderful it's a phenomenal feeling to do, what i do at, my age i know

My father, feels the same way, and he's nearly 80?

Having showbiz parents that are in popstar marty wilde and the vernon girls joyce baker

Perhaps, explains, why kim is so unspoiled

By, fame and so easily able to take and leave the showbiz life

I'd done the draining watched dad as a performer as a musician

Sitting there strumming his guitar

Writing songs singing a lot being on tv she says

So as i got older each year it became clearer in my small

child's mind music, was my destiny i could, feel it pulling me

When kids in america became a. Worldwide smash the then 21

Year, old kim was more than ready to grab fame with, both hands

Brit awards sellout international doors and album sales of more than 10 million followed

She had 17 hits throughout the 80s including chequered love you keep me hangin on and water on glass it

Was more than any female performer of the 80s but

by the

Mid 90s she wanted to get off the roller coaster it was so exhausting eventually kim recalls

I'd have ups, which were exhausting and then it would have its downs, which were exhausting in a very different

Way it stopped being fun and i started questioning that i had more to give it

Was then kim decided to start taking a, back seat from the uk scene and threw

Herself into the west end appearing in tommy, by the who's pete townshend?

Having fallen in love with, her future husband cast member hal, fowler, while raising two children

She found a new career as an award-winning gardener and host of tv show garden invaders

Being kim wild in music and being the anonymous gardener there's a lovely in and being to that

she says i

Think, we all need grounding, we all need, to be connected to nature?

Some of kim's closest friends are, no, longer here she admits being smitten with

David bowie, who died last, year

He was a lovely, guy, i was completely besotted with him everybody, was

Unfortunately for kim the starman, was falling for ayman, who he married

But kim will always have her other star men if they visit her again

For more infomation >> Kim Wilde Reveals She Still Believes In Aliens As She Re Launches Pop Career - Duration: 6:22.

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About Improvising Rhythm - Duration: 7:10.

Ever wondered why some people seem to have a gift for music have you ever

wished that you could play by ear sing in tune improvise and jam you're in the

right place time to turn those wishes into reality

welcome to the Musicality Podcast with your host Christopher Sutton in our

previous episode about improvisation I introduced the way we approach learning

improvisation at Musical U trying to avoid the big pitfalls of the most

common methods which can leave you feeling totally uncreated or having to

totally trust a mysterious instinct that sometimes works and sometimes doesn't

our approach is based firmly on developing your musical ear so that you

can bring your own musical ideas out into the world through your instrument

and one way we help you learn that is by providing exercises that give you

particular constraints to follow and dimensions to explore a great example of

why that's helpful is the topic of rhythm in improvisation rhythm is often

an underappreciated aspect of music we all value the rhythm section of the band

and recognize the importance of keeping the beat but when it comes to creativity

and rhythm we often don't pay enough attention I think that comes from the

fact that for many musicians the rhythm side of playing by ear comes fairly

easily after a year or two of learning music in the traditional instrument

based way most people can clap back a rhythm or play the rhythm for a piece

they've memorized without too much trouble so we kind of take for granted

that our rhythmic ear does what it needs to but at musical you we actually have a

whole roadmap and set of modules dedicated to rhythm ear training and

that's because training your ear beyond that basically good enough level can

have a massive impact on your musicality something you'll often hear from

musicians gigging in bands is that what makes the difference between a mediocre

player and an excellent one isn't whether they're hitting the right notes

it's whether they're hitting them precisely and reliably in time or not

meaning it's their sense of rhythm that marks them out as a pro level player

it's a subtle one because as a no we aren't typically assessing a

musician's rhythm skills in a conscious way if they play the wrong pitches will

notice and if their rhythm is way off will notice but the difference between

okay rhythm and excellent rhythm actually hits us in a subliminal way our

ears detect it and appreciate it even if we're not consciously aware of that's

why we're particularly impressed or disappointed and this isn't just about

rhythmic accuracy it also applies to rhythmic creativity and that's where

it's particularly relevant to improvisation by training your ear to

truly understand rhythmic patterns when you hear or play them you empower

yourself with a whole palette of creative options quite separate from

note pictures or how expressively you play so in our improvising melody module

at musical u we actually break it down in a big way we take rhythm in isolation

and spend some time just exploring what improvising rhythm looks like in the

absence of any other improv decisions this is something you can try yourself

one of the exercises is just to pick a note one single note pitch and challenge

yourself to come up with an interesting phrase or solo if you don't believe it

can be done then you need to go watch Ella Fitzgerald perform her one note

Samba the point of this exercise isn't that your next solo should be an LR

inspired single note masterpiece is that it opens your eyes and your ears to

what's possible just with the rhythmic dimension of music by applying

constraints for note pitches and other aspects of your improv you force

yourself to explore all kinds of possibilities purely in rhythm and you

can then take these back to improvising when those constraints are removed to

use the playground terminology I mentioned in the last episode we're

essentially setting up a rhythm only playground that gives you a fun and

creative way to develop your ear for the rhythm side of improvisation you can add

in specific ear training like we have for understanding syncopation note

subdivisions the connection to rhythm notation different world music styles in

rhythm and so on but it all becomes fuel for your creative

in that rhythm playground this is also one case where the vocabulary approach

to learning improvisation can be useful try listening to musicians you admire

playing a solo and focus your ear in on just the rhythmic aspect of their

playing this is an example of the act of listening we talked about back on

episode 35 try to clap back their rhythms then try using just their

rhythms not the note pitches for your own improvised lines if you do this same

exercise with less impressive musicians you will quickly notice the impact that

rhythmic creativity and accuracy has on the musical effectiveness of an

improvisation it's no coincidence that the traditional approaches to music

education the best nurture in a musicality will address rhythm in a big

way code AI is known for a way of speaking rhythms something we teach at

musical youtube which helps you really understand rhythmic patterns and

subdivisions in a deep way and as we heard in episode 46 recently with Jeremy

deters of the Dalcroze school of the Rockies the Dalcroze approach has a

whole branch called Eurythmics which uses body movement to internalize a

great sense of rhythm and an instinctive connection to rhythmic creativity rhythm

was something I was keen to talk about early in this series of podcast episodes

for musical use improv month and it's something we cover early on in our

improv roadmap too because it is typically massively underutilized for

learning to be a creative and impressive improviser we all get so caught up in

what notes to play that we forget it's arguably even more important to think

about when to play them spending some time on rhythm ear training and

experimenting in rhythm improv playgrounds can have a dramatic positive

impact on your improvisational freedom and creativity if you've been looking

for an easy way to start trying to improvise without getting overwhelmed by

scales and chords or you've been improvising based on rules and patterns

but felt your solos were growing repetitive and samey then I would really

encourage you to spend some time exploring in depth this undervalued but

massively important dimension of musical improvisation rhythm thank you

for listening to the Musicality Podcast this episode has ended but your musical

journey continues head over to musicalitypodcast.com where you will

find the links and resources mentioned in this episode as well as bonus content

exclusive for podcast listeners that's musicalitypodcast.com

For more infomation >> About Improvising Rhythm - Duration: 7:10.

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Drawing Sport Car How to Draw Sport Car Colors Picture Coloring Book Sport Car - Duration: 11:10.

Drawing Sport Car How to Draw Sport Car Colors Picture Coloring Book Sport Car