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Suspect in Chainsaw attack gets in fight with police - Duration: 0:46.
For more infomation >> Suspect in Chainsaw attack gets in fight with police - Duration: 0:46. -------------------------------------------
How to Paint Watercolor Flowers + Leaves - Duration: 21:12.
As you may know I love to paint watercolor flowers and after some recent
posts of my practice work on social media I received a lot of requests to
revisit this subject in a tutorial so that's what we're gonna do today flowers
and leaves in watercolor
Hi guys my name's Shayda Campbell and on this channel I do watercolor
tutorials hand lettering bullet journaling and all kinds of crafty artsy
stuff so if you're new here consider subscribing now let's get into the
supplies for today's tutorial I'm using a Canson watercolor paper block cold
pressed the block means that all the paper is connected there and that
ostensibly means that it's stretched while you're painting at least somewhat
and then you peel it off after you're all done I'm also going to be using the
koi watercolor set from Sakura as well as some synthetic brushes but I'm also
going to assume that you know a little bit about watercolor supplies I'm gonna
link a tutorial on supplies as well as a tutorial on the koi set in the
description below now because today's tutorial is somewhat of an intermediate
subject I'm gonna assume that you understand techniques like wet in wet or
wet on wet and wet on dry but don't worry if you don't I'm gonna link my
tutorial about that below and as we get into our painting tutorial today we're
gonna talk a lot about using the tip of your brush versus using the body of your
brush when you're painting using your brush correctly will lead you to a much
more sophisticated painting style and working on flowers and leaves is a great
way to practice this so let's get started now I'm starting out today by
mixing up a nice dark blue sort of a more I'm gonna try to do a bit of a
sophisticated color palette here with blues and sort of burgundy pinks but
when you're starting out and you're gonna be focusing on technique it
doesn't hurt to maybe just say I'm just gonna paint in blue today or black or
whatever color you want so you don't necessarily have to pick a color palette
if you're thinking about your brush work and technique maybe just stick with blue
so what I'm gonna do here is start off by painting some leaves and you can see
me using the very tip of my brush to make these delicate shapes and I'm just
doing that simple design that we do so often on the channel where you start
with a line and then you're drawing pairs or your painting pairs of leaves
going down the length that line what I'm doing here is working
with a wet in wet technique and I've got you know sort of a puddle a small puddle
of water in each leaf and I can add paint to that I can add pigment and you
can see how the paint just sort of settles into the water and I'm not
worrying worried about being in complete control of that paint as the watercolor
paint dries especially when you have that pool wet or puddle wet you call it
you get a very very beautiful distribution of the paint so you don't
need to sort of worry about having control of it all the time and you can
see with the second leaf here I'm adding a bit of pigment to the top and bottom
of each leaf and just letting it pool out into the body of the leaf I'm also
working with the second leaf here I've lightened the color so even if you're
working with one color you can have such difference in variation and that adds
that creates visual interest in your painting
so think about having some leaves are gonna be very very light in color others
will be very dark you can also employ a wet in wet technique for one leaf and
then for the next one you can do wet on dry and add a lot more detail to that
leaf so with just one color you can achieve so much variation now as I
continue to paint leaves here I want you to think about the piece as a whole you
saw it when the video first started it's this big crazy piece that's just covered
in leaves and flowers and I think creating a piece like that when you're
just getting started can be so helpful because you're not trying to worry about
how the leaves and flowers relate to one another or necessarily what looks
natural you're just gonna layer on leaves and flowers and buds and get a
little crazy with it and that will help you to just sort of let go and work on
the shapes of the leaves and flowers now that we've done some basic leaf shapes
and try it out a little wet on wet just seeing what the paint can do I want to
try doing something a little more intricate and detailed and we're going
to use the very tip of our brush I'm using a synthetic
round brush that has a very nice fine pointed tip but also this sort of fat
belly of the brush that holds lots of paint and I'm using the tip of the brush
to form these tiny little ovals and then again using the very fine point of that
brush to join them together to create this delicate sort of very tiny leaf
design when it comes to a leaf or a shape like this it's not about being a
master painter it's just about taking the time to do something very tiny and
detailed and having the confidence to say it's okay
yes it's small but I have a brush that can do this I can take the time to do
this next we're gonna put a pause button on those leaves both simple and
intricate and we're gonna do a flower I'm using pink for this so it will you
know jump out for you guys watching but if you're practicing right now just keep
going with that blue for this flower I'm using the tip and the body of my brush
to kind of create these semi circles so I'll start by doing this little
semicircular line with the tip and then I allow the body of the brush to rub up
against the paper and create these more sort of out-of-control wild fat petal
areas so I start by doing a rounded line with the tip and then I let the body of
the brush fan out and I just let the water and the paint do what it wants
when you're starting a flower like this it's a little bit of an abstracted
flower I'll admit but I sort of have the idea of maybe sort of an open English
rose or a peony in mind maybe not a peony for this one but I think some of
the ones we'll do later in the video you'll see you'll see the peony in it
for some simpler flowers I just used the body of the brush just sort of fan out
this triangular shape of color and I use a wet on wet technique to add a little
bit of a darker color and more pigment towards the bottom of that triangular
shape and you just sort of get these cute little flower like shapes sort of
peeking out and we'll go back in and we'll
a wet on dry technique to add some more detail to those a little bit later we'll
let them dry we're gonna come down to another area of the page here and
attempt another flower now this one I think you'll see more of the peony in it
so I'm using the tip of the brush to do those semicircular areas and then you'll
see here I just let the brush fall onto the page so the body of the brush falls
back from the point and allows more water and pigment and paint to hit the
paper and you just want to be really free around the edges of the flower so
you're using the tip to create this beautiful inner center with all these
petals these semicircles and all this detail and pigment but then
as the flower moves outward and it becomes just petals you're using the
body of your brush to just sort of spread paint and color and water on the
page and really I can't stress this enough
the beauty of watercolor is how the paint gets away from you it's the lack
of control that you have and you just want to sort of see what will the paint
do how will it run how will it move and and sort of allowing yourself that
freedom will create these beautiful flowers I'm just adding some more leaf
designs here as I wait for some of this paint to dry so that I can add a little
more detail and I can start to add some of these stamens
to the flowers so I'm going back to leaves here for a few minutes and you
can see if you can sort of see under my hand I know I hold the brush in a really
funny way and it makes it hard to see sometimes but I'm doing that sort of
more intricate design with the Tri leaves and I think you'll find when you
begin practicing like this that you'll sort of fall in love with different leaf
designs and patterns and it's okay to repeat those it's actually great if you
can become proficient and comfortable with some different designs or different
leaf shapes and you'll find yourself going back to them again and again and
that helps create continuity within the piece and this repetition of design that
can be very beautiful and of course it also helps you to build confidence and
you become more confident in doing that sort of shape or that kind of
flower and then you can play around and and build your confidence and you see
here we just did that design that's so reliant on using the tip of the brush
and now you can see here I'm gonna do this much messier sort of free leaf
shape where I'm using the body of the brush to just spread paint and water and
it's not about having an exact idea in mind I'm just sort of seeing what can
the brush do what will the paint do and then yes I'm using the tip to create
that very fine twig in between and that's really what
joins it and helps it look you know so nice and a little more sophisticated but
I'm just laying the body of the brush right onto the page and allowing this
sort of smudgy crazy leaf design or leaf shape to emerge I'll add a little more
color to that wet paint and I've got this sort of wild watercolor leaf that
I'm really happy with now that the other paint has dried we can go back in and
add some detail so here I'm drawing some lines and dots to represent the stamen
or the middle part of those flowers and that's just a simple wet on dry and I'm
really adding a lot able to add a lot of detail at this point now I also want to
show you guys how I do a sort of rosebud flower this one's a lot of fun to paint
I always start with the idea of kind of a broken spiral so you can see me using
the tip of the brush and then a bit of the body of the brush to create these
spiraling lines and it's not a perfect spiral
it's an offset spiral so you've got the center is going to be closer to one edge
so picture a spiraling circle but the center of that spiral is closer to one
side of the circle and you can see how it creates this really pretty rose shape
and I'm just adding a little more pigment there around the center around
that initial spiraled area and I just allow the paint just sort of soak
outwards and it gives this really pretty look of
rosebud and don't worry we're gonna do another one right now so you can kind of
get the hang of this this one's gonna be facing kind of the other direction but
again I'm starting with the center of the spiral and the idea of the broken
spiral that starts with these delicate lines and then the lines kind of gets
thicker and more messy and watery and broken as we move outward from that
initial spiraled area so you can sort of pick which way these flowers are going
to point are they growing upwards or downwards and I've done two going
different directions here but you can see they still sort of look like a pair
and by leaving some negative space in your broken spiral you give the the look
that the light is kind of hitting this flower and it helps to create definition
as well. While we're in flower painting mode let's go up to the top corner where
there's still a lot of negative space and we're gonna do another one of these
sort of large crazy peonies so against using the tip of the brush to create
these semi circles and then as you move outward from the center that you create
you're gonna leave that negative space as your Center you're using the body of
the brush you're just sliding into that body of the brush to sort of allow these
petals to get a little thicker and wider and a little crazier as well so don't be
afraid to lose a little control when you're creating a flower like this and
you're creating these little puddles of paint and you can always add more
pigment and just allow the paint to seep out and see what it does see where it
goes so I know I reiterate this often but you don't need to be in complete
control of the paint especially when you're starting out as a beginner I
think it helps to have this attitude of I'm just having fun I'm taking joy in
the materials I just want to see what this paint can do and I myself have a
tendency to overwork my watercolor paints and I'm always fighting that and
especially when I go back and look at it on camera I can see the perfect point
when that flower looked so nice and was going to dry in such an interesting way
and then I just went in and kept going and kept
overworking it so there's a point at what you want to pull back and say you
know what I just want to see what this is gonna look like when it dries because
the paint really does seep into the paper so nicely and you can achieve some
beautiful results now an another tip I want to give you when you're painting a
piece like this where you're just practicing your flowers and leaves is to
overlap a lot of people think when they're starting out in watercolor that
overlapping is sort of a no-no because you can never cover up one thing but I
think there's so much beauty in allowing your paintings your leaves and your
flowers to sort of all overlap and blend into one another and it gives a
beautiful look when you're all finished so don't worry if you know you're
painting pink leaves over blue leaves it's gonna look great I promise you here
what I'm doing is I'm just using the body of my brush to paint some yellow
flowers sort of doing nondescript shapes in sort of this peachy creamy I
shouldn't say yellow so yeah just allowing the paint to sort
of move and some of the flowers are triangular shaped and some are quite
large with these sort of four petals so that very simple idea of what a flower
looks like but you can do a lot by just creating triangular shapes and then
going back in and adding the stamen later so that it really comes off as
yeah this is a flower here you can see me overlapping another flower with a
second flower I've doing a rosebud right on top of
that first flower that we did but again just adding layers of flowers and leaves
and color I think helps to create this almost abstracted floral pattern that
could be wallpaper or it could be wrapping paper it's it or it could be
the print for a dress you're really creating a pattern at this point but
you're also just practicing your leaves and flowers and all these floral
botanical shapes but you're gonna end up with something really cool and I think
that's what I love about about the Peace as a whole and this practice as a
whole and here you're seeing me just go back in and practice my intricate flower
or leaf design that's made up of those tri ovals that are all connected by a
very thin stem I'm just waiting for the cream-colored flowers to dry and now
they are so now I can go back in with a contrasting color or a similar color and
I can add some lines and dots or whatever to represent the stamen or the
center of the flower where all the nectar is and all that stuff with that
navy blue that I used for the stamen I'm also adding some veining to some of
these leaves just having fun going in and adding some detail work now that a
lot of this piece has dried and if I sort of offsetting some of these stamens
you can create the look that the flower is closed or sort of three-dimensional
as you can see on the left or if you're putting the stamen sort of right in the
center as I just did on the right there you get this very open flower look here
I'm using the Navy again to just do another one of these rosebuds I guess
this is a blue rose just layering and adding more visual interest to this
piece so at this point I'm almost just trying to fill in any negative space and
just practicing all the different flowers and leaf shapes as I said at the
beginning of the tutorial these flowers and leaves are such a great way to
practice your brush technique and you can see here how I pull the body of the
brush across the page to make these sort of nondescript leaves but you
also see at the center of those flowers how we use the tip of the
brush that fine point to create such detail and and I think as you practice
this you'll not only become proficient at watercolor botanicals but how to use
a brush now here I want to show you one more sort of leaf design and that is the
eucalyptus and I always start with just a simple fine line and then you're doing
these pairs of leaves going down the length of the line but they're very
nondescript you really use the brush to create these
funny little leaf shapes and they can sort of
be any which way and then you just add that use the tip to create these little
points at the top and suddenly you've got this very sweet little seeded
eucalyptus and you can see me doing another one here we just do the little
pairs of nondescript leaves just see what shape the body of the brush and all
the paint and water and pigment that you have contained there just see what shape
it creates and that's how you do the eucalyptus next I'm continuing with some
of these open sort of flowers and using the body of my brush to just lay down
some paint sort of in a fan shape or a triangular shape and I'll use a little
bit of wet-on-wet technique to do the stamen for at least one of those I'm
gonna let them dry for a moment and do some more detail work here I'm using a
bit of that burgundy pink because the leaves don't have to be green right they
can be pink they can be blue so definitely have fun with your color
palette think about if you were wearing a dress maybe you don't like green you
don't want green leaves and here I'm gonna go back in I've still got a bit of
wet paint there and I'm trying to create some depth and shadow and I'm also going
to at least for one use the wet and wet technique to give the look of the stamen
in the middle of the flower the other ones I'm just sort of adding more paint
to create the look of petals and then they've already dried so you can see me
using the wet on dry to create a stamen on the one flower and then here I'm
using wet and wet to create yet another stamen so both very different techniques
but they add equally great detail to these botanicals now here I'm just
layering so I've already got some leaves but I want to go back in and add a
darker leaf so think about the depth of color as you come to a close with your
piece you'll add you know a darker burgundy and darker blue or whatever
colors you're working in and that will really help the whole piece pop a lot of
water colors fade to a lighter shade as they dry so you'll go back in and you'll
add more depth of color to complete your piece
and that's what it looks like when it's all done you have layers of color and
botanicals layers of flowers and leaves it's a great way to practice your
botanical watercolor but also to practice your brush technique I hope
you've enjoyed the tutorial and that you found it helpful if you're interested in
picking up some of my watercolor clip art you can find a pack that I've just
released over on my patreon and since it's the beginning of March you might
also want to pick up your March printable planner layout that's also
available on my patreon page thanks for watching don't forget to subscribe and
I'll see you next week with a new tutorial!
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🔴Esquema de propina dentro de ministério é revelado por gravações da PF - Duration: 3:32.
For more infomation >> 🔴Esquema de propina dentro de ministério é revelado por gravações da PF - Duration: 3:32. -------------------------------------------
Microtech - Cyberpunk 2077 Megacorporations Lore - Duration: 5:02.
Greetings Earthlings!
Welcome to the Madqueen Show!
I am your host the MadQueen On today's menu, we have a new Cyberpunk
2077 lore video for you, and today we're going to talk about the megacorporation Microtech
If you want ultra-sophisticated mainframes and workstations, this megacorporation from
Dallas is your best bet
In a world where you can plug a high-speed computer into your brain just to order your
prepack rations or to open the doors of your car, computing power of macro-data and high-speed
process of information reached a level that only the best companies in hardware in the
world could dream to achieve
Microtech does one thing, and they do it well: build full-size computers
They concentrate all their efforts on improving their mainframe computer systems, without
dabbling in cybernetic computers or micro-computers
They take pride in their work indeed, as they take pride in the fact that their mainframes
and workstations are used by other corporations to design those types of systems
Microtech is the industry standard
Defense agencies and military contractors around the world rely on Microtech mainframes,
the Euro-Space agency has several
and Infocom would be out of the market without Microtech's mainframe processing speed
Microtech mainframes have been a stalwart platform for enterprise computing for the
last 60 years
There are not many technologies you can point to that have survived that long and remain
a key component of many megacorporations' IT infrastructure
Its survival should be lauded, although its presence in the market is not a surprise:
the wrecks of the 4th Corporate war that destroyed a good part of the net along with a new breed
of Netrunners that can take any security countermeasure down in nanoseconds
made megacorps lose faith in cloud storage and virtual data security
meaning Sysops
feeling much more secure if the protective
measure between a Netrunner and their data was an Arasaka security officer armed to the teeth
and a Construct
With its hold on the specialized mainframe industry, Microtech is worried not so much
about acquiring proprietary data through espionage as protecting themselves from such theft
This is where most of its covert and military resources go, as well as a sizable amount
of their own computer power
Microtech must be vigilant for external threat as well, as there are several larger
corporations who would like to acquire them, or see them eliminated in order to further
the success of their own products
Accordingly, Microtech is attempting to beef up both its financial and military security,
with quite an acceptable success
So, you know, if your megacorporation is in need of ultra-speed data processing,
Microtech will provide
Well, folks, thanks for watching.
Don't forget to take a look at our Cyberpunk 2077 lore playlist to learn more about the dark future
See you in next videos and Stay Being Amazing!
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MR ABDEL - NTIRI FIHOM (audio officielle ) [ MIXTAPE MA3LABALICH ] - Duration: 3:16.
For more infomation >> MR ABDEL - NTIRI FIHOM (audio officielle ) [ MIXTAPE MA3LABALICH ] - Duration: 3:16. -------------------------------------------
কোন কিছু তোমার ক্ষতি করতে পারবে না এই দোয়াটি পড়লে || Bangla Waz Short Video 2018 || Motiur Rahman - Duration: 7:51.
For more infomation >> কোন কিছু তোমার ক্ষতি করতে পারবে না এই দোয়াটি পড়লে || Bangla Waz Short Video 2018 || Motiur Rahman - Duration: 7:51. -------------------------------------------
READING AND CHANNELING THROUGH TOBACCO. With Sofía Comino, healer, ritualist and seer. - Duration: 25:43.
For more infomation >> READING AND CHANNELING THROUGH TOBACCO. With Sofía Comino, healer, ritualist and seer. - Duration: 25:43. -------------------------------------------
O início de carreira do grande compositor Mário Lago - Duration: 1:36.
For more infomation >> O início de carreira do grande compositor Mário Lago - Duration: 1:36. -------------------------------------------
Is The Florida School Shooter A Terrorist? | Stormzy Vs. The Daily Mail | Britain's Most Offended - Duration: 8:52.
For more infomation >> Is The Florida School Shooter A Terrorist? | Stormzy Vs. The Daily Mail | Britain's Most Offended - Duration: 8:52. -------------------------------------------
Yuya Takahashi's Return & Dragon Ball Super's Final Episode Detailed - Duration: 5:26.
Hello, welcome!
I've got another bit of early animation staff info for you today, courtesy of my good
friend Kaigun, who was also the guy kind enough to provide me with the Yuya Takahashi information
last time this happened.
This information all comes directly from a member of Super's production team who will
obviously remain anonymous, but unless anything changes, this information is accurate.
Today's video extends beyond just Takahashi's next appearance though, we've also got the
staff for the last episode of Super, and it's definitely got me very curious about what
this means for the show's finale.
So without further ado, let's jump in: I think a lot of people were hoping Takahashi
would supervise a part of episode 130, or at the very least animate on it, and considering
all of the shots in the preview for 129, a lot of us were umming and ahhing about whether
some of that work was actually his.
It has been confirmed that the artwork shown in that preview wasn't his, so we do now
know that other animators are taking cues from him in pretty convincing ways.
That's obviously great to hear, but unfortunately, that bit of info did also lead to the revelation
that Takahashi is not on episode 130, which is pretty surprising considering a lot of
people were building that episode up to be the big final fight, with 131 wrapping up
the tournament, and possibly more.
In fact, Toei's provisional title for that episode is "An Unprecedented Super Showdown!!",
with 131 being "Goku, Until the Day We Meet Again".
That definitely fits fans' visions of how things will play out, but I do have a little
theory that I'll touch on later.
When I first got this news, I was obviously very upset – it's hard to imagine a final
fight without Takahashi at this point – but the source did follow up and say that although
he won't be on 130, he will be on episode 131.
They also told us that episode 131 will be supervised by Tadayoshi Yamamuro, the series'
chief director of animation and character designer.
But not only that, it's being directed and storyboarded by Megumi Ishitani, one of Toei's
youngest and brightest talents.
She's been an assistant director on Super throughout this arc, and you'll know her
work from the Yoka Yoka Dance and An Evil Angel and Righteous Devil ending.
Much of episode 107 was her doing too, so she's clearly got a lot of a talent.
Aside from that, she's also good friends with some of the younger Toei talents like
Koudai Watanabe and co, so although there's no confirmation, there's always the off
chance we may see one of her friends popping up too.
At the very least, her work for this episode has been described as "moving" and "wonderful",
so I do have quite high hopes in that regard.
I would be very surprised if they used Takahashi in an episode with no action, so I do wonder
whether 131 will be structured a bit similarly to episode 40, where the bulk of the fight
took place in 39, with 40 left to handle the final moments.
That doesn't really leave much time to wrap Super up, or to tackle the End of Z like I
think a lot of people have been expecting, but there's also the possibility that it
might end of a cliffhanger, with some sort of "See you in 2019" thing like My Hero
Academia also did.
We also got a rumour – not actually a confirmation – that one of the series directors would
handle episode 130 - so either Tatsuya Nagamine or Ryota Nakamura - if that's the case,
then it may well be that it does wrap up in that episode, and whatever Takahashi does
is just a complex piece of animation independent from that fight.
Obviously we saw similar things with Goku flying away on the dragon at the end of GT.
There's a lot of possibilities, so I'd definitely love to hear your thoughts in the
comments on where you think this ending may be going.
For me, I'm quite interested to see what Yamamuro does to Takahashi's work under
him.
Yamamuro's obviously very well known for heavily correcting animators, and Takahashi's
work these days is very, very far away from his character designs.
I had a source tell me that although Yamamuro very heavily corrected Takahashi's work
towards the start of the Future Trunks special, by the end of the process, he was barely redrawing
anything.
That would be normally make me very hopeful, but the last few times he was under Yamamuro,
his work looked incredibly unlike the style we know and love him for, so the final results
there will be very interesting and telling on how Yamamuro approaches things today.
Before I go, another reminder that Naotoshi Shida has said multiple times now that he
will be taking in part in Super before the series wraps up, so we've still got that
to look forward to there.
Hopefully they've managed to organise his schedule in a way that means we get a pretty
heavily animated scene from him, and not the unfortunately limited approach we saw in his
last few contributions.
Shida's art is impressive enough that his stills are seriously impactful on their own,
but I think I speak for everyone when I say it'd be preferable to get his maximum output
for a final fight.
Tomorrow night we'll obviously get the preview for 130, so if there's something super interesting
there, or we end up with another 60 second preview during the off week, I'll definitely
make sure to break that down too.
But that's all I have for you for now.
It's been very painful sitting on this info for the past month, but I finally got the
go ahead to talk about it, so hopefully you found it interesting.
Like I said, be sure to let me know how you think the ending of Super is going to play
out, and of course, let me know your general thoughts on the other reveals in this video.
Be sure to leave a rating, subscribe if you're new, and I will see you next time.
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Terrorist | شكونو الإرهابي ؟ - Duration: 2:10.
We all know someone who went to fight in Syria, Iraq, Libya etc.
We all had the same reaction, we were shocked
Because we never expected that that person would do something like that
There is that person who was drunk on Saturday and the day after they went for Jihad
There is the jobless guy who was insulting the government and the day after he went for Jihad
There is the engineer who can easily find a job but he went for Jihad
There is also the criminal who was stealing cars or the drug dealer that went for Jihad
This make us understand that anyone is potentially exposed to brain washing
Man, woman, poor, old, young, educated, uneducated
In this episode, we will try to answer the question of who are the Tunisians who joined the fight with ISIS ?
What do they have in common?
First thing. Tunisians but not Tunisians. The Tunisian identity.
All these people abandoned their Tunisian identity to go and find a new state
This means that they either had a weak identity, or were not given identity by the country
Here we come to the second point
Ambitions that were never achieved– like someone who spent 70 years studying
And doesn't even have the money to buy a coffee
or someone who wants to play football and can't even find a stadium to practice
or someone passionate about music and wants to learn but can't find music clubs
because music clubs close at 5:30 pm
Or a researcher who did not get financial support from the government to pursue his research
Which leads us to the 3rd point which is : the failure of the system
The failure of the system happens when ambitions aren't achieved, the easiest thing is to do is to blame the government
It's true that the government can be blamed somehow
These people believe that the government and the system failed, and that the country doesn't have the right economic and social systems
So, they believe that we need a new government and a new system to solve all our problems
Because they are completely hopeless and don't have faith in the current system
And there are people who have psychological problems, we discussed that in the second episode
So, if you didn't watch it, check it out
To sum up, today in Tunisia
rich or poor, educated or not, we all are exposed to this manipulation
We need to know how to protect ourselves
This is the end of the video if you liked it, don't forget to click Like and share it with your friends
Subscribe to the channel
See you soon
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Hirow - Need You - Duration: 2:40.
Hirow - Need You
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How To YouTube? -ft. Niveditha Prakasam | Latest Funny Sketch | Anshita Crazy Koul - Duration: 5:01.
Hug yourself, every time I say, "How To YouTube"
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What's Inside the Facet Jewelry Boxes? Beads & Findings Kits Right To Your Door! - Duration: 11:16.
Do you ever find yourself wishing you could just sit down and do a simple
project with all of the materials assembled for you? That you don't have to
comb through the stores or your own supplies but it's all together for you?
If so I've got something new you might enjoy. Hi there, Sandy here, welcome to
another Friday findings video at keepsakecrafts.net. So there is a new
subscription service in town and it's called the Facet Jewelry Box. This is
something new by the folks from Bead and Button magazine. This is actually the
first month that they're putting it out and they sent me a couple to show you.
What's really cool is that you actually have two choices, you can choose one or
the other or both. There's basic stringing and then there's also
stitching. Now you know me, I make videos every week. I come up with my own ideas
so sometimes it's nice to really not have to think about it and just get
something that you can put together without any thought. I do kind of like
kits for that reason on occasion. So this is obviously the stitching kit and in
every box you get two projects. I really like the box,
it's a nice size. I like this little divider and you can take it out if you
don't want it but I think this will be fantastic to save for later,
for tucking away a project where you have assembled all of your materials or
you're working on putting together something. So you get everything you need
to make the project except, of course, the tools, and every project comes with a
little instruction book. So this is the rondelle pendant necklace
and you get step-by-step directions showing you how to put it together,
really nice clear photos and they even reference videos that they have on their
website that will show you how to do these steps if you're a newbie, but even
if you're not new, if you're an old hand at this sometimes it's just fun to get
new ideas and inspirations, maybe combinations you wouldn't have thought
of. I don't do a ton of bead stitching so this looks like a fun and interesting
way of doing it, that's really cool. These are stitched links that all link
together to make a bracelet. So you get the fireline that you need and the
beads . I looks like you get a needle, that's nice. So this is for the bracelet,
so that's nice everything for each project is in its own baggie and it's
labeled clearly what they are and, yep, there's the needle, and all of your
little your clasps and your jump rings and the different sizes, the seed beads.
And this is for the necklace, you
get your crystal rondelles, seed beads, wire and a needle and the findings.
These are $24.95 if you only order one month and then the more you order the
less they go down to the lowest I believe is $23 for a month which is
pretty good if you consider that you've got everything to make two complete
projects. You don't have to spend money on gas, on shipping, it's all put together
and you've got the great, these great instructions that you can continue to
use later on to make your own projects from stuff in your stash. This reminds me
of the Pearl Party bracelet that I made. I'll have a link to that up in the upper
right here for you, but it's in necklace form and just like the other ones you
get everything you need: the findings, the beads and there's some quartz briolettes
to make a pair of wire wrapped earrings. Here's the first of the projects that I
completed, this is the one that they call the pearl cascade necklace and I enjoyed
making it. It was a bit time-consuming, there are 39 little bead dangles here.
They had really good directions for making a simple loop so if you're new to
beading the directions were easy to follow. I did however make one according
to their directions and then I got out my One Step Looper which I highly
recommend for any project with this many loops, but I'm rather pleased with it.
None of the materials are particularly expensive, they're really on the cheaper
side, but for somebody who's learning & just wants to do a simple project this
is a nice one. It came with a few extra head pins which is nice because they're
already kind of hard and actually a few broke on me. If you have to tweak them
back and forth too much to get them closed
some of them snapped, so I was glad for the extras. Aouple
extra jump rings, good directions, lots of tips, so a nice project all in all. I will
say one of the things about a service like this is that you don't necessarily
get colors that you would choose, maybe you end up with things that aren't your
favorites, that can be good in that it maybe gets you out of your comfort,
comfort zone. Of course you always have the directions and the design so you can
go ahead and make it again and again using the materials that you have in
your own stash. In fact, what I did here on the directions you can see I actually
wrote how many were in each package so that if I want to redo it I know just
how many they used to get that nice cascade effect. The other project in this
package were these earrings, and these were fun, they were so quick. This one was
kind of time-consuming making all the loops and then attaching all of them to
the chain took a while. These I actually learned something new, I learned a new
way of messy wrapping briolettes and I probably made these two earrings in
under 10 minutes. The only complaint I had was that the wire came wrapped on a
card when it probably should have come on a spool because it had to be
straightened and that wasn't anywhere in the directions so if somebody was a
total beginner they may not have done that and they may have ended up
disappointed with their results. That's kind of a wire wrapping basic that you
want to straighten your wire and usually it comes on spools so that it isn't
quite so badly kinked as this was. All in all I thought this was a fun box to get
in the mail if you are a beading beginner. What I kept thinking of was that this
would be great if there's a person in your life or somebody in your
life who wants to learn how to make jewelry this would be a nice gift or
something for you to work on together because everything is all assembled.
That was the stringing box, then here's what I've managed to do with the
stitching box. So just like the other one there are two projects in here. I
completed one but this one is will take a while. This one was pretty... not
complicated, but just very time-consuming, but this one was kind of fun. You can see
that I decided to change the colors they had the blue rondelles
which I used but I didn't really care for the clear beads. Here are the clear beads
they sent and I just decided I wanted to do something different and so I pulled
some 11/0s because it said in the directions that they were 11/0 I could
get some out of my stash and use them and I'm much happier with this. And this
is a fun project. The directions were excellent for right angle weave which
isn't something I've done before and I enjoyed making this simple little
pendant. The stringing is extremely basic and I thought the directions for adding
the crimps and the clasp were really good. So I've got a cute little necklace
very simply done and that was a nice fun project. So I
don't know if it always works this way but in both boxes there was one project
that was fairly quick and one that was kind of time-consuming. I don't know if
they planned it that way. I wanted to just tell you a few things about this it
was nice you got some extra crimps, crimp covers and jump rings which was nice cuz
you know how these things do tend to travel under your table and disappear. I
was disappointed, the needle that I got in this kit the eye was like closed up and
then when I tried to poke something through to open it it bent. So I ended up
just pulling out my own big eye needles. The thing about this project, like I only got
this far. This took, I don't know, these links take a while and the directions
said you were gonna make 21 for a bracelet , oh! So I got this far on it.
These beads are so close, these are 11s and these are 15s and a beginner might
not realize that 15s are smaller than 11s, so don't get confused. If you need to
pour some out in your workspace and leave the bag right there above them so
you know which is which, because it's kind of important in getting the shape
that you want for your tubular peyote stitch to use the correct ones. And again,
this one came with all the findings that you need including quite a few extra
jump rings and really good instructions. This is not any kind of bead stitching
that I've ever done and the directions were very clear. There were great
diagrams and I really enjoyed doing it. If you enjoy having kits all put
together, having the materials assembled, perhaps you don't like shopping for
beads, or you don't want to have much of a stash of leftovers, this might be a
service that you would enjoy. I'm a fairly experienced jewelry maker and, as
you know, I like to come up with my own designs, so I don't know that this is
something that would subscribe to on a regular basis. I
enjoyed putting together these projects today and I thought that they were
thoughtfully done with interesting projects and good instructions. If you
want to learn more you can go to my blog post, there's always a link in the
upper-right of the video and also down below in the description box and I'll
have more information there. So thanks for watching, happy creating,
bye bye.
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A Sacred Few Metal Women And Jagermeister - Duration: 7:58.
today on Heavy Metal Relics we have the heavy metal Jaeger queen of Cleveland
Sandy Kruger now over to you Bridget we're here with
Sandy from SACRED FEW and at any point in today's video you can find a link in
the description for anything we talked about so let's go back to the 80s Sandy
in a time in the 80s that was dominated mostly by men in heavy metal obviously
how did you get the inspiration to start making music
well it wasn't based on anything you know Helen Reddy I am woman hear me roar
kind of thing okay I just like to sing and I always loved
you know ballsy vocals like balls to the wall vocals yeah you know and I was
always gravitated to music with a really ballsy mmm kind of a singer you know
what I mean what kind of music did you listen to you
that kind of made you like even want to start singing well I'd have to go back
to the 60s for that really so like so like like sixties music kind of yeah I
there's actually four generations of
musicians in the family and my dad was a saxophone clarinet player and he was in
the touring army field band like back before Korea broke out so this
would have been 1947 to 51 and I don't know what happened but he didn't play
after the war and he didn't want us going into music neither one of us so
they have the funny thing is is they play all the music shows in the house
yeah you know American Bandstand and Where The Action Is and shows like that
Hullabaloo and Shindig and all that yet they hated rock and roll they were
like you know my dad was a big big band jazz guy that kind of really seeded the
foundation for me yeah and I was just always attracted to a really heavy vocal
mmm-hmm you know and started listening to the radio in 69 summer of 69 I was at
a friend's house you know little girls dance party in the living room then all of a
sudden Wixy 1260 super radio you know and they're playing I mean you know they
played some really good stuff that summer I heard everything from the
Archies "Sugar Sugar" to you know CCR to Johnny Cash you know The
Doors they really mixed it up so anybody listening to the radio let's say with no
musical foundation at all and a really good sampling of just about every type
of genre of music on AM radio at the time tell us about SACRED FEW I put an
ad in the paper we had a local magazine called Scene Magazine it's still around
still have it yep I ran an ad for about twelve weeks and just well you know
female heavy metal singer looking for a band and I had a tough time finding a
band because you know when bands at that time heard you were a chick singer they
kind of automatically assumed that you sound like this you know like this
person or that person or this right and it's like I don't sound like any of them
you know and I would literally have to talk them into auditioning you know go
once fans heard my vocals they were like yeah but SACRED FEW I talked to the bass
player for about 45 minutes guy named Rick Loucka hi Rick and coolest guy ever
on the phone and he goes we are we are absolutely open to whoever wants to come
down here we'd love to have you come down so I went down there and I audition
and I was jamming with another band at the time so you joined SACRED FEW and
then when did you guys decide to start recording your first record I ended up
finishing up some songs vocally because they had unfinished pieces parts mm-hmm
when I got down there I reworked a lot of the vocal parts you know it was
pretty much right away that that was the vision that we were gonna do an
album together so eleven months later we went into the studio I take that back
thirteen months did you write the lyrics so most of the stuff or did you actually
there were some existing lyrics okay you know I do
a lot better writing lyrics when I'm feeding off of someone else ideas yeah
because when you do that it just it goes real quick for some reason 1 2 3 so a
couple years ago Shadow Kingdom Records put out this release which as everything
SACRED FEW has done on Heavy Metal Relics we like to talk about funny
pictures so maybe you can explain this one for us alright it's about 9
o'clock in the morning I'm unemployed it's summertime and I'm typing up lyrics
oh my god and I had to rent a typewriter to do it oh my god I'm typing up lyrics
for the inner sleeve of the album that's crazy
typewriter that was all I know that was all cut and paste back in that
in those days it's crazy yep your title is the Jaeger Queen
explain that to us Wednesday night hang out after work go up to the
bartender what do you have cool to drink and she goes have you ever had a Jager
Bomb I'm like what what's a Jager Bomb so she explained it to me and she made
it old's old-school style and for all you folks old-school style you take the
shot glass put it in the rocks glass filled with Jager and then surround it
with Red Bull and you just shoot it down and I liked 'em because Jager gives you
great it's all about the buzz okay let's let's get real here ah it's it's gotta
be those 54 herbs it's a nice buzz I'm not gonna lie okay
just don't drink and drive no so anyway I liked it because the combination of
the eager and the Red Bull wonderful and that's what got me hooked on Jager
Bridget would you like to do a shot sure I'd love to
fantastic
you're like a mad scientist we are gonna do this
that's for you oh oh okay dearest all right I'm not doing this
alone so you guys get in here and go what why I have to do that
why not I'm too young we're professionals okay come on we're doing this come on
let's do this where's yours you're hitting the lights damn it come on I feel better already
It's like licorice it went down better than I expected
alright I'm sandy Krueger and this is Heavy
Metal Relics and you go metal or go home
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Funny And Lucky Moments - Hearthstone - Ep. 342 - Duration: 5:40.
For more infomation >> Funny And Lucky Moments - Hearthstone - Ep. 342 - Duration: 5:40. -------------------------------------------
KOCHA SIMBA; Simba Haiko Vizuri Okwi, Bocco Hawakuepo - Duration: 4:00.
For more infomation >> KOCHA SIMBA; Simba Haiko Vizuri Okwi, Bocco Hawakuepo - Duration: 4:00. -------------------------------------------
Understanding Hey Bulldog - Duration: 8:08.
hey, welcome to 12tone! this may come as a shock, but many scholars consider the Beatles
to be one of the most influential bands in the history of modern popular music.
I know, wild, right?
anyway, a while back we analyzed Blackbird, but the Beatles' catalogue is just so deep
and full of interesting stuff that I figured it was time to take another look with a very
different song of theirs, Hey Bulldog.
it starts like this (bang) and this opening riff just screams Blues. and there's a good
reason for that: it's in the blues scale.
this is a scale built by taking the minor scale (bang) removing the two most dissonant
notes to create what's called minor pentatonic (bang) and then adding an extra bonus note
here.
(bang) this added note is a half-step away from both the fourth degree and the fifth,
and it's a tritone above the root, so it brings back all that dissonance, but in a slightly
different way.
this added tritone plays a big role in the opening riff. here, check it out: (bang)
the other thing I want to mention about this riff is its use of the root note.
it starts by playing it twice, and it features prevalently throughout the entire thing.
I see this a lot in heavy, blues-y riffs, probably most famously this one (bang) from
Crazy Train by Ozzy Osbourne.
I think this works because the root note is the most stable note in the key, and also
usually the lowest note in these riffs, so leaning on it like this helps the whole thing
feel grounded and powerful.
that's my theory, anyway.
the piano plays the riff three times, and each time through we add more instruments.
the first time is just John on the piano, the second time George and Ringo join in on
guitar and drums, and the third time Paul fills it out with a bassline.
but they're all playing the same riff: even Ringo's playing along with the rhythm.
this gradual introduction of instruments helps to build energy without having to write new
musical elements, and it's a great way to introduce the song.
after that, we move into the verse, where the guitar drops out and we hear this: (bang)
this is just two chords, but it already creates a lot of questions.
let's start with this B major.
weren't we just playing a riff in B minor?
well, yes, we were, but this is a classic element of the blues: riffs and melodies are
written using the blues scale, which has a minor tonality, but the underlying harmony
uses major chords or, if you want to get fancy, dominant 7ths. this gives the blues its signature
edge: it's trapped between two different emotional states, not quite happy but not quite sad
either.
just… blue.
so, ok, we've got major harmony, which brings us to the next question: what's up with this
F#mi? in a traditional blues progression we'd expect to hear a big fat V major chord, but
instead we've switched back to minor.
I think the simplest explanation is that Lennon didn't want all the baggage that comes with
a traditional V chord. you see, the V major has what's called dominant function, which
is a fancy way of saying it points you back to the I chord. here, listen to it: (bang)
the V minor, on the other hand, doesn't really have that same sort of directionality, so
using it instead helps prevent any strong sense of finality or resolution because the
song is just getting started.
the last thing I want to highlight here is McCartney's part.
a lot of the transcriptions I found said that the bassline was something like this: (bang)
which is a totally fine rock bassline.
it's simple quarter notes, holding down the pulse and acting like a metronome, and it
alternates between the root and the fifth of the chords, the two most stable notes.
it works perfectly fine, and it does everything a bassline needs to do, but there's one problem:
it's not what Paul is playing.
a better approximation would be this (bang) although the MIDI recreation doesn't really
do it justice and besides, every time through he plays something a little bit different.
he's experimenting and improvising underneath what is, otherwise, a fairly straightforward
section.
I mention this because it's easy to underestimate the importance of a good bassist, but more
than anyone else, I think McCartney is responsible for giving this section life.
next comes the prechorus, which sounds like this: (bang) again, just a couple chords,
but interesting ones.
we could analyze this in B minor, but I think it's best viewed as a key change.
this section sounds to me like we've moved to the key of A major.
we've got the I chord here, then the VI minor, which is often viewed as like an extension
of the I chord, and finally the V major, followed by the V7, which as we mentioned has dominant
function.
A major is an interesting choice because it sits directly between B major and B minor,
so it's closely connected to both tonalities. this switch is hidden by the F# minor we saw
in the verse, which exists in both keys, helping us pivot smoothly between the two.
anyway, the E7 at the end really wants to resolve back to A, which it does with the
second half of the section (bang) which is the same as the first, except instead of going
to the E, it suddenly jumps back to B major.
this stands out because B major isn't in the key of A, but again, it's prepared by an F#
minor.
after that we go through the verse and prechorus again, then finally wind up in the chorus:
(bang) and, at first glance, it looks like we've got a lot of different chords to deal
with, but it's not actually as tricky as it seems.
the whole section is based on a device called a line cliche, which we talked about in our
Life On Mars video: basically, a line cliche is when the chord stays mostly the same except
for one rogue line that slowly drifts up or down in order to create a sense of motion
over the otherwise static harmony.
this first chord, B minor, contains a B, a D, and an F# and those first two notes stay
perfectly still throughout the first two bars.
the F#, meanwhile, slowly drifts upward to a G, a G#, and an A, creating a sense of rising
tension without really changing the harmony, so even though it feels like it's constantly
moving, the entire thing is actually just a cleverly decorated B minor chord, and this
bit here does the exact same thing except we start with E minor instead.
in effect, this whole section is really just two chords, even though it looks like 8.
and those two chords are fairly easy to explain: they're the I and IV chords in B minor.
this gives us another interesting color: the verse had a blues-y major-minor thing going
on, and the prechorus was borrowed from a different major scale, but here, in the chorus,
we've gone straight-up minor.
the IV minor here is serving a similar role to the V minor in the verse: it's different
enough from the I chord to provide motion, but not directional enough to create a real
resolution.
the chorus wraps up with this tag: (bang) which is just the I and IV chords again, like
a little mini-chorus, and then… (bang) we're back to the riff.
and that's pretty much it.
there's a solo over the verse and prechorus, then another time through with lyrics, then
the chorus again, then the outro, which is just Lennon and McCartney ad-libbing over
the verse progression until it fades out.
before we go, though, I want to do something I don't normally do and talk a bit about the
history of the song.
Hey Bulldog was one of four original songs released on the Yellow Submarine album, which
accompanied the movie of the same name and, by all accounts, the Beatles phoned that album
in pretty hard.
they viewed it as an annoying contractual obligation and the songs they wrote for it
were mostly recycled rejects.
Hey Bulldog was recorded because they had a film crew in the studio anyway for another
promotional video and they figured they might as well record a real song, and it was apparently
originally called Hey Bullfrog until McCartney randomly starting barking during the recording
and they changed the lyrics mid-song.
by any reasonable estimation, this whole thing should be an unlistenable mess, but it's not.
it's a really cool take on a trippy, blues-y soundscape.
I think this goes to show that sometimes, stripping away the need to be perfect can
actually help you make something great.
at least if you're John Lennon.
so that's the song, but before I finish I wanted to let you know about another project
I've been putting together over on twitter.
I'm organizing a rotating-curation account where a different music educator is gonna
take over every week and talk about music, music education, music academia, or public
music discourse.
we've got some really exciting people signed up to host, including myself, Adam Neely,
and Steve from the Listener's Guide, and it officially launches on monday, so if that
sounds interesting go follow @music_babble, and if you want to sign up to host, there's
a link to the application in the description.
anyway, thanks for watching, and thanks to Patreon patron MasterDSlay for suggesting
this song! if you'd like to see your favorite song analyzed, just head on over to Patreon
and pledge at any level.
you can also check out our store, join our mailing list, like, share, comment, subscribe,
and keep on rockin'.
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