Please SUBSCRIBE Rani G Health & Beauty Tips Channel
Dhaka Chittagong Cox's Bazar Railway Link 3D Animation Progect HD | Bangladesh Railway
Đăng ký:
Đăng Nhận xét (Atom)
-------------------------------------------
Eh vuelto chicos :D - Duration: 4:29.
For more infomation >> Eh vuelto chicos :D - Duration: 4:29. -------------------------------------------
NCT GO, BABY DONT STOP, BABY DONT LIKE IT, BOSS, THE SEVENTH SENSE X BTS HOUSE OF CARDS INSTRUMENTAL - Duration: 3:43.
Mark: Hey, change your ways
Ten: that's hidden over there
Mark: Baby is me or are you doing something to me
Mark: When you smile, it's shining But for some reason, you're lying inside
Mark: Dangerously, you're beautiful You slowly came to me, my dilemma
Mark: Like a habit, I'm already looking for your hand that's not there
Mark: What's scary is the way you talk
Mark: What gives me goosebumps is when you smile
Mark: My focus, my control is all you, uh oh But the problem is, I don't hate it, oh no
Mark: I like it when we get closer, when it gets risky
Mark: Only when you hold my hand, it feels like I have started
Mark: When I'm with you, Danger seems like a good thing
Mark: Whether it's the wrong or right answer You decide for me girl
Taeyong: We'll take it slow
Taeyong: Baby baby we'll take it slow
Ten: It wraps around me, hate is on me
Ten: Each day repeats but it's okay I'm walking on top of a deep darkness
Ten: Look at what is real, that's hidden over there
Taeyong: Stop baby don't stop
Doyoung: Whatever I touch I take The moment you feel my body heat You'll fall for me yeah
Jaehyun: I know you want
Jungwoo: I know you want Come closer and touch me The world is ours
Doyoung: World is ours
Mark: Move however I lead you Extend your hand even higher I'm tying together a different you and me
Mark: Tied up once again, it's a different us, different us
Lucas: I'm your absolute boss you want
WinWin: (I like that)
Lucas: If you want me, have me, it's my choice
WinWin: (I like that)
Lucas: I wanted us to meet eyes even more, man
Lucas: That's what I need you know
Ten: that's hidden over there
Oh, this night came to me
A different dream is getting closer
Now I understand, as if everything is mine
Taeyong: Open your eyes
Taeyong: Look at what's real, open your eyes
Mark: Change your ways
Haechan: It's always the same story
Renjun: Living without much thought
Renjun: Like you're being swept away
Chenle: Will become a deep regret
Chenle: In the days to come
Taeyong: You're the fire that revives A flower that was definitely wilted
Taeyong: So I'm trusting my senses Relying on your eyes that spread over me, come to me
Ten: Between our narrow space, this tension gets higher I feel so right, so sweet that things get hazy
Taeil/Doyoung/Haechan: Maybe I might Fall more deeply into you
Taeyong: I have no patience I'm gonna bother you till the day is over Come closer, show me your fantasy
Taeyong: I'm gonna slowly show you love, right
Taeyong: You should be afraid of me, that's what I want I want you to hit and kick me, ruin me I'll give you the role of a picture, I'm freaking honest
Taeyong: My body is reacting, I'm not satisfied yet
Taeyong: I wanna play with your heartbeat
Taeyong: I hope you know, heartbeat
Stop Baby Don't Stop :)
-------------------------------------------
NEW Too Faced Melted Matte-Tallic Lipstick Reveal & Swatching | This Week in Beauty 6/19 - Duration: 3:02.
(upbeat music)
- Hey everyone, I'm Roxette Arisa,
and you're watching This Week In Beauty with Ipsy.
So, today I have a very exciting launch
to tell you guys about.
Too Faced Cosmetics actually just released
a brand new line of Melted Metallic liquid lipsticks.
These shades are so beautiful.
There's a really nice range.
We've got some nudes in here.
We've got some bronzy tones,
and then we also have some like, jewel tones
that are gonna be really special
if you want a bolder lip option and everything like that.
And they actually are 25-hour long wearing liquid lipsticks.
They have a beautiful finish to them.
So, this is the one I'm wearing today.
It's the shade You Better Work!,
and like I was saying,
it has such a beautiful formula
because it does have that slight metallic sheen.
I almost wanna call it like a brushed metal sheen,
but it's still very wearable because
it has that beautiful matte finish as well.
So, it's kind of like a faded metallic,
is what I like to call it.
And, because of that, it's a very wearable metallic,
but you're still staying on the trends,
staying on top of everything.
They actually are transfer proof,
kiss proof, sip proof and life proof,
and you can basically wear them all day, all night
because they are 25-Hour wear like I said before.
They're a super duper beautiful formula,
very easy to wear and great color range.
On top of that, they're super easy to apply.
This applicator comes with a little tip on it,
so you can line your lips with the tip
where it's a little bit more precise,
and then really fill in the lips with the flat side.
It just makes it so easy.
You don't need to have an extra lip liner product,
if you don't want to.
You can just use this product and be good to go.
And that's what I did today to achieve this lip look.
The transformer shade is cool because
you can actually wear it on top of any
of the other liquid lipsticks and give it almost,
like a holographic sheen.
Or you can wear it on its own,
to just give your lips a little bit more shine.
If you wanna check that out,
you definitely should check out all these lip products
because they're really cool, super trendy,
very on top of our game here with metallics
and holographics.
We're doing the most here.
And you're gonna find all of these on Ipsy shopper.
For me, when I want to rock a metallic lip,
I really like to leave the eyes more neutral.
So, whether that means just a
neutral brown eye shadow or maybe a wing liner look
like I have today;
something that the colors are neutral,
so that the pop can really come out of the lips,
and they can just add that little bit of extra oomph
to the entire makeup look.
To win this entire collection,
all you have to do is tell us what shade
you are most excited to try from the collection,
and also let us know how you rock a metallic lip.
Make sure to tune back in on Thursday,
because, we're getting wet and wild up in here.
We are gonna be testing out a completely water resistant
makeup line from Cargo Cosmetics,
and putting it to the test.
I don't know how it's gonna go,
but you guys gotta see this one.
Thank you so much for watching
This Week In Beauty with Ipsy,
I'm Roxette Arisa and we'll see you next time.
(upbeat music)
-------------------------------------------
The voices of children separated at the border - Duration: 7:07.
What you're listening to, are the sounds that have been missing from the policy debate
around immigration.
From the ones with the most at stake: children who've been forcibly separated from their parents.
It's a recording that was made from inside of a Border Patrol facility, of children who
have been separated recently from their parents
after having crossed the border without documents
into the United States.
That's Ginger Thompson, the ProPublica reporter who obtained this secretly recorded clip from
a Texas civil rights attorney.
They were between the ages of four and ten.
All of the children on this recording are
from Central American countries.
There's a 6 year old Salvadoran girl on the clip.
Her name is Alison Jimena Valencia Madrid.
She was just finishing kindergarten back in El Salvador.
Her mother decided to flee gang violence.
She has family in the United States.
In this tape she is distraught
and asks authorities to let her make a phone call.
She wants to
call her aunt.
There are around 2,300 kids who have been separated from their parents,
since what's known as
the "zero tolerance" policy was started by the administration in April.
The zero tolerance policy calls for all people who illegally cross the border, even if they're
crossing for the first time,
to be criminally prosecuted and that their children or any
children that they brought with them will be separated during that time.
They're being held initially in these border patrol facilities,
but then they move into facilities that are controlled by Health and Human Services.
The United States will not be a migrant camp.
We do not have the luxury of pretending that all individuals coming to this country
as a family unit, are in fact a family.
This administration has a simple message: if you cross the border illegally,
we will prosecute you.
The backlash to this policy has been swift and sharp.
People with very diverse political views on every other thing seem to have come together
to condemn this policy.
I don't think we should obey a law that goes against what God intends,
that you would take a baby, a child.
It's terrible to see families ripped apart and I don't support that one bit.
We do have to find the middle ground of somehow, you know,
honoring the law of the land,
but showing mercy to the immigrant.
The administration has sort of been struggling to respond.
I would cite you to the apostle Paul,
in his clear and wise command in
Romans 13, to obey the laws of the government.
It is very biblical to enforce the law,
that is actually repeated a number of times throughout the Bible.
Have you heard the audio clip of these children wailing
that just came out today?
I have not seen something that came out today,
but I have been to detention centers
and again, I would reference you to our standards.
The image of this country that you want out there, children –
the image that I want of this country is an immigration system that
secures our borders and upholds our humanitarian ideals.
Congress needs to fix it.
We're not the ones responsible for creating this problem,
we've inherited it, but we're actually the first administration stepping up
and trying to fix it.
The Trump administration blames the previous administration for this policy.
But the Obama administration did conduct a record number of deportations,
but that administration
did not prosecute people criminally for crossing the border for the first time
nor did it separate
children from their parents at the time of the crossing.
Facing the backlash, the administration opened up tightly controlled tours of the facilities.
This is handout footage from the government.
Cameras are tightly restricted for journalists.
And the children being detained are not allowed to speak to them.
They can be sort of sanitized, very sterile experiences that show you what the shelter
looks like, but when it comes to children,
gives you very little sense of
what impact being there has on them.
For now, this clip is the closest we've gotten to hearing from the children.
The Salvadoran girl who asked for the phone call with her aunt
actually got that phone call.
I dialed that number as well and was able to speak to the aunt.
You know, the aunt was was devastated by this phone call and said to me, you know,
can you imagine getting a phone call from your 6 year old niece who is screaming into the
phone and saying you know
Please Auntie, please. I'll behave myself, just come get me out of here,
because I'm alone.
Thanks for watching.
We want to keep reporting this story
and talking to families who have been affected.
So, has your family been separated at the US-Mexico border?
Or do you work in a border detention facility
or aid families who've been affected by this policy?
If so, contact us at the link in the description below.
-------------------------------------------
무릎팍도사 이시영 - 전진에 대해서 아무런... ► Youtube 순간 ► https://goo.gl/zavFgD - Duration: 4:53.
For more infomation >> 무릎팍도사 이시영 - 전진에 대해서 아무런... ► Youtube 순간 ► https://goo.gl/zavFgD - Duration: 4:53. -------------------------------------------
4 PARANORMÁLNÍ JEVY ZACHYCENY NA BEZPEČNOSTNÍ KAMERY - Duration: 5:10.
For more infomation >> 4 PARANORMÁLNÍ JEVY ZACHYCENY NA BEZPEČNOSTNÍ KAMERY - Duration: 5:10. -------------------------------------------
心理測試：直覺選一個碗，測你還要貧窮多久！ - Duration: 8:14.
For more infomation >> 心理測試：直覺選一個碗，測你還要貧窮多久！ - Duration: 8:14. -------------------------------------------
FRUIT SOUP??! + Cherry soup Cooking Tutorial! - Duration: 3:46.
TV: Complains of two English men~
TV: But first! Commercial time.
Hey! Wanna eat a soup?
Yea man, hot chicken?
No, cherry!
You mean.... fruit juice? :D
No. Cherry soup!
A... smoothie?
NO! A soup made of cherry!
That's odd.
*Intro music*
Yeah! I recently found out that fruit soup isn't really a thing anywhere else in the world!
But we have a real variety of fruit soups here in Hungary! And they are amazing!
Let me know if you have them in your country too!
So now I'm here to share the k n o w l e d g e of fruit soups!
We are going to make the most basic cherry soup!
This meal is so basic even picky eaters like it!
Before we start, the end result tastes like if you ate cooked cherries as cereal with cherry flavored milk! Yeah! :D
This recipe is for 3 servings, but I'll tell you a special thing about it later!
The ingredients are:
30 dkg Cherry (seedless)
1 liter of water
3 spoons of sugar
2dl milk
1 spoon of starch
A few pieces of cinnamon
And optionally a few pieces of clove!
First: Add all the cherry, add all the water, optionally add a few pieces of clove
And then get a few pieces of cinnamon and add them!
After that, you just add 3 spoons of sugar!
And then start boiling it
...while it absorbs all the heat it needs
*MORE HEAT! HA HA HA HA*
Mix the starch with 2dl of milk
A little bit more than how much I added.
Then get this mixer thing and mix it up with it!
Now we wait.
Now is the time for our favourite hobbies, we can go out and watch the grass grow!
But wait! The grass doesn't grow fast enough :/ The water is already boiling!!
QUICK! Mix it up again, but just a little bit so the starch won't stick to the bottom of the bowl.
And then slowly pout it to the soup while stirring it!
Stirring it is very important!
And then boil it for another minute or two, then the cooking is done!
Great job!
Can I eat it now?
No
Just leave it aside to cool down enough because you gotta put this into the fridge!
And while you wait, you can fish out the pieces of cimmanon and clove
I mean you can eat it hot, but it's just... eww.
Wow I just realised that anything that's sweet is better cold than warm, right?
Like... cake, soda, cereal with milk, chocolate...
Ice cream.
Except for hot chocolate and coffee, but have you tried them fridge cold? MMMM
So yeah! Remember what I said that it's 3 servings?
So either for 3 people or you can just eat it 3 times, which you can in an instant!
Because it's servable straight from the fridge!
No microwave radiation, no wasted heat and time for just heating it up.
Just get it out of the fridge!
Please let me know how did you like it if you decided to follow my video!
And to let you know, there is another set of the free to print and craft animator pals!
If you want to watch more channels like mine, check out their channels!
Plus you can now make my starship and pick from so many different skins!
But this is a very difficult model to make soo.. not impossible with experience but absolutely not something you want to make as your first or even 50th model
50th... fif teeth
Thank you so much for watching and see you in the next one!
-------------------------------------------
Intuitive Painting Process Explained: You Are Not Your Painting! - Duration: 9:28.
[Announcer]: Welcome to Episode 31 of The Painting Experience podcast. Listen as founder
Stewart Cubley explores the potential of the emerging field of process arts
and shares inspiration from his ongoing workshops and retreats. It's natural for
us to get attached to what's happening in our painting
whether we like it or not. This episode looks at our tendency to fixate on ideas
about what's happening rather than allowing ourselves to freely experience
creativity in the moment. [Stewart]: Some of the deepest revelations that we have in
process painting have to do with the nature of self-identification. The ways
in which we become attached to the content of the painting and identify
ourselves with it. For example, we may start off with a
certain color and texture on a new painting and we find ourselves liking it,
"I really like the way that texture is showing up and there's something about
those brushstrokes," and I take another color and I find that I can do it with a
another color, the same brushstroke. There's a delight. And this is a very
innocent and natural experience to have in the painting process but something
starts to take form underneath. We find ourselves beginning to be attached to
that particular texture and the way the brushes are moving and we start to form
a plan, and this all happens unconsciously; we don't even see it. These
tendencies of the mind to take over the experience and we find ourselves making
a plan. And we're going to maintain that texture in this painting; this is going
to be a painting that has that texture throughout, that's going to change a
little here and there and the colors are going to meld with each other and I find
myself creating a form that I get attached to, to an idea that hasn't even
fully manifested yet and yet I'm really attached to it. I want it to be that way.
I begin to mold my experience around that idea, around that projection and more so
I begin to mold my sense of myself around that projection. And this is
something . . . it's not so easily recognized. We don't see how the very stance that we
take in the painting process, the very stance that we take about projecting
into the future creates a sense of self and we're threatened if it doesn't
happen. And, in doing so, we diminish greatly the freedom that's possible in
the moment, of course, because the serendipity no longer has a place. That
which comes through the intuition and isn't at all concerned with whether
that texture maintains itself and continues -- there's no room for that
anymore, there's no space. And so we find our freedom beginning to be constricted.
Every stance that we take, there's a sense of self that then becomes smaller.
There's a solidification of self, you might say. What's interesting is that
this happens even with paintings that we don't like. And sometimes we start a
painting and we really are appalled or at least disturbed by what's
happening and we begin to take a different quality of stance towards that
painting, it's more of an adversarial stance. And we find ourselves becoming
obsessed with that which we don't like, and we're gonna fix it, and we're gonna
make it better, and the more we try to make it better and the more we try to
fix it, the worse it gets and the more obsessed we get. The stance begins to
solidify itself, now formed around not liking the painting [laughing]. And what I found is
really interesting is that when someone creates that stance of not liking the
painting, they become attached to that, they don't want that to change, they
don't want to do something that would entirely move them into a new
relationship to the painting, in which they could care less about whether they
like that particular area or not. No. They want to stay with that stuckness. That's
become who they are, that's become the sense of self, whether
it's positive or negative. We'd rather keep that because it's familiar in some
way than dare to enter into a new sphere in which we had to let go. Now we also do
this in relationship to having a narrative and a story and an
interpretation around the painting. The mind
again creates an idea, "Oh, I see, this is what I'm doing here. This side of the
painting is the freedom and the potential of my future and I can see all
these light colors there and I'm going to make sure that that side of the
painting is going to reflect that potential. And on the left side here
there's going to be darker colors, and I can have a storm cloud and I can have
disturbing qualities because that's where I'm moving from." And we create this
whole narrative and then of course we get attached to that narrative, and
there's no room for something that would break the narrative and again our
freedom begins to become diminished and we find ourselves getting stuck in this
sense of self and we don't want to let go. This is what's reflected to us
through the creative process, this is both the invitation and the challenge,
which is to go beyond ourselves. To meet that tendency by which we form a sense
of self and create that illusion and then are stuck in that illusion and
these tendencies are very deeply unconscious -- we don't even realize a lot
that we're doing them. We only experience them through the results that they
manifest. And in process painting, we experience them through this lack of
freedom, this getting stuck. And so each time we're faced with that, we're
presented with the opportunity of letting go. Of going beyond that
structure, with going beyond the stance that we've taken. And part of us freaks
out. There's a flare-up, there's a tendency to abandon, to give up, to not go
there, to not let go. It's too much! And of course we're gonna do this, we do abandon
ourselves over and over again. And we do live to have another day, but
it's going to be a day without dimension. It's going to be a day without a taste
of transcendence. And this is the potential of the creative process . . . is
that it really allows in a very immediate way, the experience of
transcendence, the experience of no-self. From the outside you know it might not
look like much, I mean it's just a new stroke on the paper and it's just a new
color, a new image, but inwardly it's momentous. To go beyond yourself is
letting go of everything that you know and everything that you can stand on and
not have a guarantee and not know where it's going to take you. What, in Zen, they
might call "ordinary mind," "natural mind." It may seem like no big deal, but there's a
quality there of not being defined, of not having a sense of self in
relationship to the form that's now in front of you. So this is the beauty and
the agony of the creative process and the potential that exists within
self-expression, to find a relationship with a mystery and with the unknown
that's deeply deeply satisfying. And I must say it often makes life somewhat
harder because given that experience of freedom, you know it, you have experienced
it, it's in your bones. And when these tendencies show up, which they will after
a while, the tendrils of these tendencies reassert themselves and start to grasp
and form and new self-definitions and stances take place and we find ourselves
more uncomfortable than even before, because we've known the freedom and we
become allergic now to this diminished space and sense of ourselves and we
don't stand it. And so life becomes more challenging in a certain way and yet at
the same time more vital and more alive and more real.
You can learn more about The Painting Experience and find a list of upcoming process painting workshops
by visiting our website at www.processarts.com. If you enjoyed what you heard today, please
share it with a friend. The theme music for this podcast comes
from Stephan Jacob. We thank you for listening and hope you'll join us again soon.
-------------------------------------------
The Infinity War Writers' Simple Idea To Fix The DC Universe - Duration: 2:58.
It's something of an understatement to say that Warner Bros.' slate of DC films have
trouble at the theaters.
Though fans have largely enjoyed the DC Comics movies and each franchise entry has done relatively
well at the box office, critics have consistently ripped the offerings to shreds.
With the exception of 2017's Wonder Woman, the DC Extended Universe has really been struggling.
Marvel, on the other hand, routinely owns the box office, captivates critics, and holds
the attention of theatergoers worldwide each time it rolls out a new film.
As Avengers: Infinity War proves for the umpteenth time, the MCU's cavalcade of superheroes has
a grip on Hollywood that doesn't show any signs of slowing.
So, how does one patch up the problems of the DC Universe, and potentially bring it
up to Marvel's speed?
Infinity War screenwriters Christopher Markus and Stephen McFeely have a simple solution.
On a recent episode of Kevin Smith's "Fatman on Batman" podcast, Smith asked the writers:
"If someone offered you a ton of money and swayed you to the dark side and said, 'Fix
these movies,' how would you fix the DC Universe?"
Markus dished up his no-frills, all-fun filmmaking game plan: Put the central lineup of DC heroes
on the shelf for a moment and focus on just one character at a time rather than the universe
as a whole.
"Look at what Marvel did out of necessity, in that they didn't have their A-list characters.
They didn't have Spider-Man.
They didn't have the X-Men."
Instead, the MCU's opening salvo was Iron Man, a leading character that might not have
been the most obvious choice as the godfather to the entire Marvel Universe, but eventually
worked out pretty well.
"He's pretty famous.
He's Iron Man.
But he wasn't there.
And they made a really good movie out of it."
As for how that applies to the DC Universe, well, Markus thinks it's all about making
a few creative character choices there, too, by giving Superman and Batman some time off,
and exploring other characters from the comics that might have some similar appeal.
"Go through the vast world and go, 'That guy or that girl,' and go, 'Let's just make a
really good movie."
For his part, McFeely also agreed that making a single film at a time is the way to go.
"Strategically, 'Make one.
To quote Justice League, 'Save one person.'"
Perhaps they're on to something.
From the studio cooking up a slew of Joker movies simultaneously, Ben Affleck's flip-flopping
about whether or not to ditch the Caped Crusader cowl, and executives mapping out its alternate
universe movie banner on the side, things are a bit of a mess down in the DC Universe.
"There's a lot of spaghetti being thrown at the wall."
We can't say for certain whether Markus and McFeely's proposition is the perfect one to
save the DC Universe, but slowing down to stop the spaghetti from sliding off the walls
and onto the floor sounds like a smart idea.
Thanks for watching!
Click the Looper icon to subscribe to our YouTube channel.
Plus check out all this cool stuff we know you'll love, too!
-------------------------------------------
Dhaka Chittagong Cox's Bazar Railway Link 3D Animation Progect HD | Bangladesh Railway - Duration: 6:07.
Dhaka Chittagong Cox's Bazar Railway Link 3D Animation Progect HD | Bangladesh Railway
Không có nhận xét nào:
Đăng nhận xét