Waching daily Sep 26 2017

one of these men is an inventor of new cocktails what is your name please my

name is Joe Gilmore my name is Joe Gilmore my name is Joe Gilmore

only one of these men is the real Joe Gilmore the other two are Impostors and

will try to fool this panel Tom Poston Robbin Bain Don Ameche and Betty White

on to tell the truth and here sitting in for Bud Collyer is the star of play your

hunch Merv Griffin

thank you ladies and gentlemen it's a great pleasure to be here to tell the

truth is brought to you this week by aerowax made with natural wax for a shine

that mops back naturally arrow wax well panel I always get a great kick out

of watching you at home it's a pleasure to be among the living here tonight I'm

sure we're going to give you a good time and particularly a rough time they

promised me that. Robbin I understand this is your first time on the panel I'm

right with you Merv we're together we'll stick together

we'll leave together I can promise you that that, so panel please open your envelope take out your

affidavit cards for the first time and follow along as I read I joe gilmore

I'm a bartender I have mixed drinks for such people as president de Gaulle Bing

Crosby Sir Winston Churchill Cary Grant and many others to honor important

people in events I often create special cocktails

among these have been the Missouri mule the royal arrival fourscore and the

abbey bells I'm here in the United States to pick up new ideas for drinks

that I can take back to England I am the head bartender in the famous

American bar of the Savoy Hotel in London

signed Joe Gilmore

penalty-free gentlemen all claim to be Joe Gilmore master mixer so let's start

the questioning with and for no particular reason Betty White number one

what is the remove Kathy's it's a dry vermouth and Cassie's number two what is

because these part the cassis is the mixer number three what is a red snapper

red snapper is a Cinzano with agenda number one what is a red snapper I don't

know number two do you know the fish as far

as I know never see how many stories in the ending yes avoid hotel in London

well there are two levels there's the new building and the old building and

altogether there must be about twelve each section is about eight stories high

I'm posting thank you Murph we're in this together boy number one what is fun

learning them I don't know do you know number two now I know number three you

know what four learn them in that's noni number one how far is the entrance of

the old Savoy from the street all about dead 200 yards number two do you agree

with that about the same yes number one what is this Street that this the Savoy

Oh entrances are in the old Savoy the altar boy is on the embankment number

two is that correct yes the old Savoy you're probably thinking of the Strand

son Thank You number three Robin Oh number one where do you get your

ideas for new drinks they just come to me

how do you get your ideas they're invented number three well I'm

in the American Bar and I started a taste of Americans principally and

Germans certain other Continentals who frequent my bar

more than English people knew on some occasions are number two what is a pink

lady made out of pink lady is made of grenadine and Jim is the prime base and

what's the pink pine pink parts the grenadine Don Ameche number one what is

the name of the bartenders Association in Europe United Kingdom bartender

skills the United Kingdom bartenders guild I'm talking about for the for all

of Europe I'm not quite sure you wouldn't know number two would you know

the chief barman at the Georgia sank in Paris at the George cinq I believe is

Rene lung there would you know number three you agree with that I don't

remember number one yeah Rudolf number two the back of the Savoy Hotel is on

what backs on the one Victoria Embankment number the three is 53 a real

good year in champagne not especially number number one is times up panel if

nothing else tonight we've discovered what you know about good booze time to

vote and I might say without consultation mark your ballots and

select number one number two or number three the team of challengers will get

two hundred and fifty dollars for every incorrect vote

ballets all marked everybody made a decision Don are you cogitating or hello

my buddy mark yes thank you oh we saw under 1 I've voted for number

2 is you can easily see I changed it I did but I couldn't believe that the

Strand that the Savoy the Street the Savoy entrance was on was the embankment

and that's what made me vote for number 2 because he seemed to be right in his

other answers Robin what's your vote well I voted for number 1 merely because

I think here's the friendliest face it's also a little bit red and I think

alright Don Ameche whom do you think is the real one I voted for number one

because he was the only one that knew the chief bar man's name at the Georgia

sank in Paris and Betty White your vote I voted for number one I don't have the

regular thing when somebody must be having two sets of them but I voted for

number one on the strength of his his answers didn't sound like things that

you'd make up they sounded like truthful answers but I'm taking in very easily

well the mind seemed to be made up here all the votes are in and now that moment

where we find out which one of these three gentlemen is head bartender at the

American bar of the Savoy Hotel in London so will the real Joe Gilmore

please stand up

Thank You Jo Gilmore number two would you tell us your real name and what you

really do yes my name is Walter root I'm the director of group sales embassy

tourist Times Square New York

and number three how about you sir my name is Richard Yates and I'm in charge

of distribution for GSM Delta cars in America

well there's only been one incorrect vote which means a total of 250 dollars

from arrow wax and on your way out gentlemen there's a gift box of fine

products from the makers of era wax for each one of you thank you very much and

good night

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go panel now let's have our next team of challengers

what is your name please my name is Nancy Hogan my name is Nancy Hogan my

name is Nancy Hogan panel please listen while I read this affidavit I Nancy

Hogan work in Washington and have the rather confusing title of administrative

assistant to a special assistant to the President of the United States while my

duties sometimes include borrowing pictures from the Smithsonian Institute

and helping to redecorate the Cabinet Room my main function is being Girl

Friday to the president's cabinet I notify the members of the meeting

schedule assemble material for the meeting and coordinate the agenda I have

my own office in the White House to me one of the most unusual things about my

position is that it is the first steady job I have ever held sign Nancy Hogan a

panel of these three very attractive ladies claimed to be Nancy Hogan Girl

Friday to the cabinet so let's start the cross-examination with the Don Ameche

thank you very much we're number one who sits to the right of the president in

the meetings Dean Rusk number two who sits to the left of the present there

McNamara defense secretary defense back now number three what is your salary I'd

prefer not to say number one what is your salary I don't think I should say

you number two you I cannot say you you cannot say number

number two what is mr. rusks first name dean rusk number three how often do you

do the cabinet meetings that take place once a week generally number one what

are mr. ribet coughs what is he's secretary of what health education and

welfare number two who is Secretary of Labor I'm sorry Don

Betty you're not half as sorry as I am number three the Secretary of the

Interior mr. Udall and his first name number one please Stewart and number two

what is his home state I would not know number three do you know Kansas and

number one do you know Arizona I'm number two how many full cabinet

meetings as President Kennedy held since he took office January what have his

fifth on Friday and number three do you agree with that he had expected a steady

job you've ever held well I just graduated from college and previously I

just worked for the campaign so start it off and work your way down dog thank you

my number one did your job require any special training no it didn't

number two is is that do you agree with that yes I do number three number three

have you who preceded you who preceded me in under under President Eisenhower

there was no one what my boss was not there under President Eisenhower

I would expect that I get what's the matter didn't he help him in

the campaign number two have you ever seen the rocker

yes I have who makes that rocker do you know number two company in South

Carolina number one I'm sorry tom time's up Robin

Bane oh boy what is the shape number one of the

table in the Cabinet Room well it's an odd shape it's sort of oblong and

hexagon it's wide at its side and narrow number two how many chairs are there

surrounding this table 15 number three who is the Secretary of Defense maximum

and where is he from number three he's from Illinois number two what is mr.

Kennedy's President Kennedy's middle name Fitzgerald the bells are ringing

panel and once again it's time to vote no consultation please mark your ballots

and select number one number two or number three

have you all marked I haven't oh yeah I have to wait until

all ballots are marked here everybody set and ready all right Tom

for whom to vote oh I voted for number three and I had to look myself I forgot

what I wrote down on there I I voted for number three as you can see my reasons

aren't too good but well I voted for number one for the same reason the Tom

voted for number three Don you must have a reason no actually the only reason

well number three I thought give a a couple of incorrect answers number one

seem to be the most familiar with all the things that I know about this thing

called cabinet meetings in Washington which isn't very much I'm afraid

Betty White thank you I voted for number one on the strength of mr. Yadav's home

state which is Arizona all right the votes are in decisions are made so now

once again comes the moment we'll see which one of these three ladies is the

real girl Friday to the cabinet will the real Nancy Hogan please stand up

number two would you tell us who you really are and what you do I'm Francis

Jackson I'm senior at Sarah Lawrence College in New York Bronxville

and number three how about you my name is Andrea and I'm secretary to Kyle rode

co-captain of the New York Football Giants

may I ask a question yeah why does the professional football player need a

secretary because sports director at waw radio in New York I see I had visions of

you running down the field with him well let me see

there was only one incorrect vote again which means a total of 250 dollars from

aero-x and on your way out ladies there's a gift box of fine products for

the makers of arrow wax for each of you thank you very much and good night

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now let's have our third team of challengers

what is your name please my name is dr. Arthur Maxwell my name is dr. Arthur

Maxwell my name is dr. Arthur Maxwell panel please listen while I read this

affidavit by dr. Arthur Maxwell have recently returned from the scene of a

most unusual scientific experiment from a specially built barge off the Mexican

island of Guadalupe in water 12,000 feet deep a group of scientists and oil well

drillers borehole under water into the crust of the earth the experiment is

called Project Moho and will provide new evidence of the history of the earth and

its internal composition we have drilled deeper toward the center of the earth

than man has ever probed before signed dr. Arthur Maxwell

all right panel these three gentlemen all claim to be dr. Arthur mo home dr.

Arthur Maxwell

so we'll start with Tom mo Poston thank you

number three what is the most interesting specimen you have brought up

so far the basalt rock from the bottom of the ocean that's the most interesting

number two what is the composition of your drill point those diamonds in what

was diamond set in steel have Europe number two have you ever had to changed

that point yes we lost two of them opposite La Hoya and they had to be

replaced it was that where the drilling took place

no originally we made two tries opposite La Jolla and we lost some drills and

then we moved south to Guadeloupe number one is the project completed no it isn't

this isn't merely the engineering phase of the project when who are the what's

the name of the laborers what do you call the laborers that help you on this

project what are they called well the laborers in essence were oil

while people and they're called Roughnecks robin number one what is the

center portion of the earth called well it's not known for certain exactly what

the composition is however it is called a core and I thought the composed of

molten rock and nickel number two who is who or what was the Moho project named

after it was a Yugoslavian name something like mejor OVA Kish

kourt's what else number three how far down is mo home mo hole is about six

miles below the ocean surface and number three why don't you drill from the

continent rather than from the water because under the continents you would

have to drill about three times this deep done number three who is the

sponsor of this project the National Science Foundation is number two what is

the size of the pike you used with about sixty feet long and about about that big

around in other words what a number one one-inch pipe is it that you would sink

down into the diameter language pardon me four inch 4 inch number three would

you agree with that yes I'd say it's about 4 inch 4 inch pipe number 3 who

makes the drill that you use in these in these experiments is really the

Christiansen diamond company number 2 how much do you drill a day how many

feet Oh they've made about 300 feet a day number one what is the least number

of feet ever made in a day in what under what Petrosian to the earth in the earth

or water well you don't drill in the water do you

this particular project we did well I'm talking you drilled into the earth did

you not underneath the water yes that's correct yes

yeah what's the least number of feet in the end of that that you drilled in one

day well approximately if it's solid rock it would be approximately a maybe a

foot per hour yeah what Betty Thank You Merv number three when you broke the bit

as number two said you did how did you go about going on with the drilling how

did you mark when you had been drilling we just brought the whole works back and

started over again we just lost everything that number two how did you

mark this back where you had been drilling we just pulled up and moved on

moved on you didn't go back drilling in that same positioning all because this

was just an experiment number one what did you do about going back to the grid

if you had gotten down so many feet and then had to pull a bit out you wouldn't

want to you wouldn't want to have to start all

over again would you it's a good question in this particular case it

would be necessary to start all over again what the bells are ringing my

friends and it's once again time to vote so please mark your ballots for number

one number two or number three

all balance marks wall major decision here alright tom poston where whom did

you vote number three i like the answers that he gave although i must say that

they were all very well coached as usually the contestants are but I

thought it was number three Robin well I voted for number three - I must admit

number two looks more like a scientist number three looks like he's been out in

the Sun so I could help another god I voted for number three also

Merve principally because I thought I thought his answers sounded the most

sincere to the questions of that that we asked of in which I'm sure we're not

very intelligent and Betty well I don't care which one it is I think the whole

concept of this experiment is about as fascinating it's just as fascinating as

the outer space thing and I read that when they broke a bit they had to start

all over again because there was no way of marking where they were drilling and

that's number one came as close to answering that as anybody I hope it's

number one votes are in I see you've all made your minds up and

now let's find out which one of these three gentlemen is the real scientist

with project Moho so will the real dr. arthur maxwell please stand up

I got scared for a minute there number one would you tell us who you really are

and what you do through my name is Donald nice I anime a stock broker with

Merrill Lynch Pierce Fenner & Smith

number 2 I'm dr. Lincoln Harbor vice president

Wagner College Staten Island

again there's only been one incorrect vote which means a total of 250 dollars

from arrow wax and on your way out gentlemen a gift box for each one of you

will find products from the makers of arrow wax thank you very much and good

evening to you

the channel I promise you a rough time tonight but you gave us a rough time you

did mighty well and I might add here that Robin Bane for your first time on

to tell the truth you got all correct answers

congratulations to you it's once again time to say good night and I thank you

all for being so kind program is to tell the truth thank you all good night to

you family this is Merv Griffin saying good night

for our arrow acts and I'll see you all tomorrow on play your hunch incidentally

and as bud Collyer always says what does bud hello panel and how are you

and production

the name of our mailbox is ported to our friends we're Pete and Gladys and read a

whole neck on most be stationed drop in

to tell the truth has been brought to you tonight by by sudol powder to settle

acid upset stomach and relieve acid indigestion Johnny Olsen saying good

night from to tell the truth this program was pre-recorded

you

For more infomation >> To Tell The Truth 1961 with Guest host Merv Griffin | Buzzr - Duration: 27:54.

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5 Coisas Que os Surdos NÃO Gostam (Dia Nacional do Surdo) - Duration: 5:30.

For more infomation >> 5 Coisas Que os Surdos NÃO Gostam (Dia Nacional do Surdo) - Duration: 5:30.

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We Are Friends & Blahkoø X Kinxq - June Girl (feat. NYMOU) - Duration: 3:30.

We Are Friends & Blahkoø X Kinxq - June Girl (feat. NYMOU)

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Blade Runner — Constructing a Future Noir - Duration: 10:06.

Hi, I'm Michael.

And this episode of Lessons from the Screenplay has been brought to you by Skillshare.

Everyone is familiar with the cliche elements of film noir.

A hardboiled detective sits in his office,

the shadow of venetian blinds falling across his face,

a femme fatale sitting on his desk.

Cliches I had fun playing with in a short film I made many years ago.

I had fun playing with these cliches because I love film noir, and I love sci-fi.

So it stands to reason that I love Blade Runner.

Blade Runner was the first film to truly take the thematic elements of classic film noir

and integrate them into the science fiction genre.

So today, I want to look past the common film noir cliches...

To examine how Blade Runner took these familiar tropes of the past

and used them to create its dystopian future...

And analyze how combining science fiction and film noir

helped express the complex morality at the heart of the film.

Let's take a look at Blade Runner.

The first book ever written about about film noir was published in 1955.

It describes a few prominent characteristics of film noir that show up again and again.

I want to talk about three of them, beginning with the presence of crime.

The authors wrote:

"It is the presence of crime which gives

film noir its most constant characteristic."

The inclusion of crime was not in and of itself revolutionary,

there has always been crime in Hollywood films.

The difference was how these films treated the morality of crime.

"Now the moviegoer is being presented a less severe version of the underworld,

with likable killers and corrupt cops.

Good and evil go hand in hand to the point of being indistinguishable."

Let's look at the first part of this duality,

the "likable killers."

In classic film noir, the criminals were often portrayed as sympathetic,

ordinary people put in extraordinary situations.

Blade Runner takes these criminal characters and gives them a sci-fi spin.

"There was an escape from the off-world colonies two weeks ago."

"Six replicants, three male, three female."

"They slaughter twenty-three people and jumped the shuttle."

The antagonists are the bio-engineered Nexus 6 replicants.

In the world of Blade Runner, replicants are used in off-world colonies for various tasks:

ammunition loaders, hit squads, and "pleasure" purposes…

and it's clear that they live tortured lives.

"Quite an experience to live in fear isn't it."

"That's what it is to be a slave."

Despite not being human, they're in a situation one can empathize with.

The same way classic film noir explored morality through likable killers,

Blade Runner does so through androids who kill in pursuit of freedom.

Returning to the book quote,

the other side of this duality comes from the "corrupt cops."

The inability to trust the police was often a key component

in creating the anxious, pessimistic tone of classic noir.

The same is true in Blade Runner,

where the police refer to androids in a derogatory manner...

BRYANT: "I've got four skin-jobs walking the streets."

...and are high on their absolute power.

"Stop right where you are."

"You know the score, pal?

When you're not a cop you're little people."

The "likable killers" and "corrupt cops"

help create a world where the line between right and wrong is blurred.

And at the center of their conflict is the mortal struggle inherent in all film noir.

"Few cycles in the entire history of film have put together in seven or eight years

such a mix of foul play and murder.

Sordidly or bizarrely, death always comes at the end of a tortured journey.

In every sense of the word a noir film is a film of death."

The classic film noirs often tell stories about people who are trapped,

creating a mood of inevitable doom.

"Suddenly it came over me that everything would go wrong."

"It sounds crazy Keyes, but it's true, so help me."

"I couldn't hear my own footsteps."

"It was the walk of a dead man."

This pessimistic perspective is well-suited for the dystopian world of Blade Runner.

Almost every character in the film is trapped in one way or another.

Most of humanity has abandoned Earth,

and it is suggested that many of those who remain may want to leave

but aren't allowed to do so.

"Is that why you're still on Earth?"

"Yeah. I couldn't pass the medical."

As someone who quit the police force,

Deckard has no interest in chasing down the replicants, but is forced into it.

"No choice, huh?"

"No choice, pal."

And the replicants he is chasing have a very literal doom they're trying to escape.

"What seems to be the problem?"

"Death."

As a security measure, each Nexus 6 replicant is given a four-year life span.

"I want more life, father."

Now, they're running out of time

and have returned to Earth to try to extend their lives.

The entire thematic foundation of Blade Runner is built around life and death—

not constrained to simple mortality like in classic noirs,

but expanded to examine the nature of life itself.

And just like in classic film noirs,

the ideal character to navigate this web of moral complexity is the private detective.

The private detective character was prominent in film noir

because of the function he or she could serve in the story.

"The private detective is midway between lawful society and the underworld,

walking on the brink, sometimes unscrupulous but putting only himself at risk,

fulfilling the requirements of his own code and of the genre as well."

A private detective can have legal authority,

but is also outside the law enough to navigate the dark world of the criminals.

Deckard's role as a Blade Runner serves this precise function in the film.

Blade Runners are a kind of cop that specializes

in finding and killing replicants hiding amongst the human population.

While technically a member of law enforcement,

Deckard appears to have no love for the police,

as he has to be taken into custody in order for the captain to see him.

"You wouldn't have come if I just asked you to."

At the same time, he shows empathy toward the criminals,

like when he falls for Rachel, a replicant, instead of turning her in.

RACHEL: "What if I go north? Disappear."

"Would you come after me?"

"No."

As a Blade Runner,

Deckard's character is able to explore the ambiguous moral landscape of the story,

just like the private detectives of classic noir.

In fact, the director, Ridley Scott,

compared Deckard to perhaps the most famous of film noir private detectives,

saying of the character:

"It's very Marlowe-esque and very dark."

This is of course a reference to Philip Marlowe.

"Who are you, soldier?"

"Marlowe's my name, I'm a private detective."

Some of Deckard's tactics even seem inspired by Marlowe's.

In The Big Sleep, Marlowe pretends to be a rare book snob

in order to tease out information on a lead.

"How about a Chevalier Audubon, 1840, the full set of course?"

"Not at the moment."

"You do sell books, hmm?"

In Blade Runner, Deckard pretends to be a nerdy union rep

to get access to one of the replicants he's hunting.

"Excuse me, Miss Salome, can I talk to you for a minute?"

"I'm from the American Federation of Variety Artists."

"I'm not here to make you join. No, Ma'am!"

This is the kind of deceit a police officer would not be allowed to utilize.

In their book, Borde and Chaumeton go on to describe the private detective as…

"…an inglorious victim who may suffer, before the happy ending, appalling abuse.

As such, he is far from the 'superman' of adventure films."

Deckard indeed suffers a lot of abuse,

losing as many fights as he wins, and often surviving due to luck.

(gunshot)

The abuse he suffers as the protagonist demonstrates that this world is not fair.

Whether you're a replicant fighting for freedom,

or a human trying to do what you're told is right,

ultimately you're trapped.

And because Deckard exists somewhere between the law and the criminals,

he embodies the complex morality of the story.

Able to both kill the replicants,

and also show remorse and ultimately love for them.

The film noir detective is the perfect archetype to be dragged through the dystopian world

of Blade Runner.

On the surface, Blade Runner is not a perfect film,

and I didn't like it the first time I saw it.

But once I understood the deeper premise of the story,

I appreciated how the style and mood enhanced it.

The cynical, pessimistic point of view found in classic film noirs

brought into a dystopian future.

The alienated private detective transplanted into a world

where he struggles with this new morality.

Where the law tells him to kill, but his heart pulls him toward empathy.

And the sense of doom—an inescapable march toward death—

setting the stage for a story about life.

It's a unique remix of science fiction and film noir that created the detailed, complex

world of Blade Runner.

In the beginning of the video, I mentioned a short film I made many years ago.

For any project I direct, I storyboard meticulously.

Unfortunately, I'm not the best artist.

But I recently learned some techniques that have started to improve my drawing,

and I learned them using Skillshare.

Skillshare is an online learning community for creators

with more than 16,000 classes in design, photography, and much much more.

A premium membership begins around ten dollars a month for unlimited access to all the courses,

but the first five hundred people to sign up with this link

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Being a filmmaker requires mastery of a lot of different skills—

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So start learning all the skills you need to make your vision a reality

by signing up for Skillshare today using the link below.

I hope you guys enjoyed this video!

I want to say a big thank-you as always to my patrons on Patreon.

You guys keep this channel going, so thank you very much.

If you want to support this channel on Patreon

you can by clicking on the link below.

Thanks for watching!

For more infomation >> Blade Runner — Constructing a Future Noir - Duration: 10:06.

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"We want to win!" - Franck Ribéry optimistic before PSG clash - Duration: 1:50.

Bayern landed in Paris not too long ago and now here I am with Franck Ribéry at the team hotel

for a quick chat.

Franck, Munich is your home these days, so what is it like

for you to come back here to the capital of your home country

to play a Champions League game?

You received a great reception;

I heard some chants of "Kaiser Franck".

How does it feel?

It's always nice to come back home.

The people here are really friendly,

but we have a very important game ahead of us tomorrow in Paris.

We have to put in a good performance.

What kind of match are you anticipating

– lots of attacking

and goals perhaps?

These are two great teams with a lot of great players who like to attack

and will no doubt try to score plenty of goals.

But I think we have to play with a clear mind, as well as lots of character and personality.

We needn't feel any fear, as we have a quality team with a lot of great players.

We can beat Paris Saint-Germain here!

Do you think tomorrow's result will decide who wins the group?

I don't think so.

There are several games left.

However, it would of course be great to get the win here tomorrow!

What is your goal –

take a point, or is it all about the win?

We want to win.

We want those three points!

I hope we can get them tomorrow.

A draw here in Paris would be a very positive result though.

We'll keep our fingers crossed.

Thanks a lot, Franck Ribéry.

For more infomation >> "We want to win!" - Franck Ribéry optimistic before PSG clash - Duration: 1:50.

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Песцовый полушубок, реставрация меховых изделий. Как убрать потертости меха. - Duration: 4:54.

For more infomation >> Песцовый полушубок, реставрация меховых изделий. Как убрать потертости меха. - Duration: 4:54.

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Campeonato Brasileiro de IDSC 2017 - Bastidores - Duration: 14:08.

For more infomation >> Campeonato Brasileiro de IDSC 2017 - Bastidores - Duration: 14:08.

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ДАТА РОЖДЕНИЯ 4 МАРТА💐СУДЬБА, ХАРАКТЕР И ЗДОРОВЬЕ ТАЙНА ДНЯ РОЖДЕНИЯ - Duration: 6:13.

For more infomation >> ДАТА РОЖДЕНИЯ 4 МАРТА💐СУДЬБА, ХАРАКТЕР И ЗДОРОВЬЕ ТАЙНА ДНЯ РОЖДЕНИЯ - Duration: 6:13.

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Szczegóły / vlog #121 cele poland warsaw - Duration: 8:03.

I'm going to meet my school mate who I haven't seen for

23 years!

23 years!

- Eeeeeeee... polonaise...

Thank you...

... polonaise... sorry. - Super!

Great!

Every time I record a new episode of my vlog,

I edit it and then I watch it.

And this is incredible, generally

this is awesome in making a vlog,

how differently one sees all

what happened and what is seen on a vlog

regarding feelings while

all this was happening. I'm not sure if I

said it clearly, but

I mean

a random situation that I'm at some meeting

and I think that I screwed up but then...

Then I watch my recording and

it turns out that the meeting was great, excellent.

And one gets remarkably distanced to their life.

This is...

I recommend!

This building will be not here next month.

- Hi! - Hi! - Hello!

What is to do here today?

Unfortunatelly winter can be felt at every turn.

And when we have winter

it gets dark, and when it gets dark

the brighter lens must be fixed to the camera.

So, it's better, isn't it?

Do you remember such a song,

that only moments are beautiful in life ?

I would change it a little bit and say:

details are important in life.

I have no idea how it works in your life but in my life the difference

between an average day and a very good day is made by details.

Those are such details that

had appeared, making me very glad,

in "Amelie" movie.

Long time ago there was the very nice movie,

with cool music,

and generally the great movie.

If someone hasn't seen it yet I highly recommend.

And Amelie had her own small

rituals, such details during day time.

For example

she put a hand into a bag full of seeds,

and details like those make a difference.

And such details are beautiful in life,

and we have full control over those details.

For example

whether I woke up in the morning to run or I didn't wake up

it's in fact a detail in my whole day's perspective,

but it makes a huge difference.

Did I feel like doing this?

No, I didn't.

But when I moved my first leg, the right,

and opened the door I started to feel like running.

And now it's wonderful.

A detail!

The way you wake up every morning is a detail too. Whether you

grab your phone just after

or maybe you smile to your boyfriend/girlfriend,

wife/husband.

Or, if

you are single,

instead of taking a phone

read a page of some good book,

a paper one.

Today I must work on Painting's album, specifically

all paths MINI which I saved as

WAV I must add to session,

check if there is everything in this session.

And definitely must close it and

send to a man who will work on mixing the album.

Let's work!

Processing audio!

If you wonder how a session prepared

to mixing looks like. A session in meaning the whole album

recorded and prepared to mixing.

I will show you in a bit.

It looks like this.

There are groups here.

We have drums here,

distorted guitars, clean guitars, bass,

keyboards,

lead vocals and backing vocals.

All those red stripes are various paths of

drums.

We have bass here, this green one.

Those are various guitars,

and let's go on.

Those, all yellow,

are keyboards.

Painting has a lot of keyboards sections.

That's why there are so many elements.

And, coming to the end, here we are,

all those from this point to that point are

various vocals, also various whispers.

And at the end KTG,

that is a recording of heartbeat, which can be heard in one song. Oooooh!

I hope you enjoyed.

If this episode was OK - give me a like below

and subscribe my channel and click the bell.

And share with your friends. If you have

any questions - write them under the video.

I will answer all.

Take care!

For more infomation >> Szczegóły / vlog #121 cele poland warsaw - Duration: 8:03.

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Glen Ellyn Septic Repairs 815-630-1024 Glen Ellyn IL Septic Repair - Duration: 1:09.

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For more infomation >> Glen Ellyn Septic Repairs 815-630-1024 Glen Ellyn IL Septic Repair - Duration: 1:09.

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[Eng Sub] My Dear Loser รักไม่เอาถ่าน | ตอน Edge of 17 | EP.7 [1/5] - Duration: 13:16.

Peach.

Aren't you curious to check out on

how I feel about today?

How do you feel?

Never mind about it.

I'm happy for you, though

for winning the best grandstand

and cheerleading.

But we are

in the same team color, aren't we?

Aren't you happy?

No.

You knew that

I lost a competition.

But you also won many others.

But those medals are not

as important as that one.

Don't take that too seriously.

Well, see you on Monday.

Hey, Peach.

Do you have anything to say to me?

No.

Um.

Good night, then.

Holy shit, In.

Is this where you live?

Shush.

I don't want to wake my mother.

Check if you still have the liquor smell left.

No liquor

but the grilled pork.

We all have the same smell.

Well, can I stay over too?

I'm too tired to go home.

Since Oh is here,

I should go home.

Wait,

you should stay here too.

It's not school night.

When my mother knows that you are here,

she won't nag at me for going home late.

When you two get inside,

just go straight to my bedroom.

Be quiet too.

Okay?

No, Oh.

You must take a shower first.

Why?

You stink really bad.

My head is heavy.

Let me sleep.

No, go get a shower.

Or else you sleep on the floor.

I don't want to sleep on the floor.

Come on, Oh.

No, In.

I don't want to sleep on the floor.

No, you can't.

Let him sleep on the bed

I can sleep on the floor.

No, you sleep on the bed with me.

But Oh,

you must take a shower

or else you sleep on the floor.

I can be the last person to take a shower.

Let me sleep first.

You can't sleep on my bed.

I'm going to take a shower then.

Yeah.

Oh, go sleep on the floor.

Ainam said

she would give me a reward

if I could become a cheerleader.

What do I get?

You did take it seriously.

Yeah.

What happened?

Why do you want to be a cheerleader?

Well…

because of you.

You can't get away from me.

Whatever you are,

I want to be that too.

♪ you are not lying to me, right?♪

♪ Please don't hurt this one man ♪

♪ who loves you with all his heart.♪

No, my stomach is filled

as long as you are here.

Hey,

it's Ainam.

Can I take it?

Hello.

♪ You are not lying to me♪

♪ when you say that, right?♪

♪ You are not fooling me, right?♪

♪ Tell me the word that ♪

♪ comes from your true heart.♪

♪ That's the only thing ♪

♪ I want to ask from you.♪

♪ Please don't hurt ♪

♪ this one man who loves you ♪

♪ with all his heart.♪

♪ Don't hurt me ♪

♪ by saying you love me. ♪

♪ You are not lying to me ♪

♪ when you say that, right?♪

♪ You are not♪

♪ fooling me, right?♪

♪ Tell me the word that ♪

♪ comes from your true heart.♪

♪ That's the only thing I want to ask from you.♪

You guys,

look at this.

The name list of the integrated subject.

Hey,

there are

Copper,

Tae,

and Peach names in here.

What?

Is this some kind of prank?

Peach?

You must be the only person

who is happy to see the list.

What?

I'm just smiling without a reason.

Just one week away.

Should we call for a meeting?

What should we do?

Let's brainstorm for an idea.

How about this?

Let's

translate direction signs

into English.

What do you think, babe?

I think it's a great idea.

But I think

the sign has English name already.

Yes,

I think it's too easy.

It's like we just copy from the original sign.

I don't think the teacher would be okay with it.

How about this?

Let's do something fun.

Let's go interview

the foreigners who use those signs.

Ask them how they think about

the English signs there.

Are they useful to them?

Or teach them

how to say Thai word on those signs.

What do you think?

I like this idea.

It sounds fun too.

It's a good idea.

Who is going to interview the foreigners?

I suggest you to do it

since you come up with the idea.

I cannot speak English.

I know you can.

Come on.

Example, please.

You want me to read this?

Yeah.

The Monument…

Watch your accent.

Come on.

Say it properly.

I told you I could not speak English.

I know you can.

Try to read it properly.

Show me first.

No, you read it out.

I can't.

It's none of our business.

Let them sort that out.

What to do for Physics?

Look,

there's planetarium here.

Yes,

how about Astrophysics?

Um,

not a bad idea.

It sounds interesting.

Hey, wait a minute.

What are you doing?

Come on.

Let me draw it.

I'm drawing a star.

No. You can't do this.

I only have a few of them.

We can photocopy it.

No.

Star.

It's a star.

No.

Give me the pencil.

No.

I don't let you draw anymore.

It's a mess.

Hey,

I'm going to buy some drinks.

Oh?

Sun,

wait, I'm going with you.

No, let me go with him.

Copper,

why are you like this?

We are not done yet.

What did I do?

You can go back there.

Don't be like this.

It's fine without me there.

Be reasonable, Copper.

Yes,

I'm unreasonable.

Copper,

what's wrong with you?

Do you really not know?

Just go back there.

Hey, Sun.

Why are you coming?

I'm going to buy all of you drinks.

I'm here to help you carry the drinks.

Don't worry about it.

What's wrong with you lately?

Nothing is wrong with me.

Are you having your period?

Period my ass!

I thought

you are having your period.

I could help buy some pads for you.

Super thin ones.

Are you having fun?

Look, you are smiling.

What's wrong with you, you asshole.

Let's go.

You are smiling

and in a good mood now.

Yes, this song is nice.

I told you so.

For more infomation >> [Eng Sub] My Dear Loser รักไม่เอาถ่าน | ตอน Edge of 17 | EP.7 [1/5] - Duration: 13:16.

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عــــــــاجل: الجيش الإسباني يكشف حقيقة قيامه بأشغال فوق جزر الحسيمة - Duration: 1:38.

For more infomation >> عــــــــاجل: الجيش الإسباني يكشف حقيقة قيامه بأشغال فوق جزر الحسيمة - Duration: 1:38.

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Vanilda Bordieri - Quase Meia-Noite (Ao Vivo) - Duration: 6:43.

For more infomation >> Vanilda Bordieri - Quase Meia-Noite (Ao Vivo) - Duration: 6:43.

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Injustice 2 Versión para PC en camino? // Mods para Injustice 2? - Duration: 4:03.

For more infomation >> Injustice 2 Versión para PC en camino? // Mods para Injustice 2? - Duration: 4:03.

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How to Draw a Realistic Rhino - Narrated - Duration: 3:53.

Hello my friends and welcome to another Tuesday of tutorial!

I am Leonardo Pereznieto and today we will draw a Black Rhino.

We begin by marking the top and bottom… and we make a vertical

guideline.

Then we use the same measurement, the same size as the height

for the right and left.

You may sketch two squares if you want to, also as guidelines.

The vertical line in the middle will be where the front legs arm.

The tip of the horn will get all the way to the line on the left.

We draw the back legs as well that go all the way from here.

And the other one.

And we can use some pretty straight lines for the top, and the back,

and the butt [laughter].

This lower part of the body goes a little bit lower,

than the knee of the back legs.

Then you can follow that line for the neck… and the lower part

of the head.

Which is curvy, and the big horn.

The upper part of the head, is also curving and that is very

characteristic of rhinos.

The rounded ears, the little eye and a pointed lip that they use

to pull branches.

I´m sketching some of the main muscles, because this will help me

make it look more realistic, once I shade it.

Rhinos are one of the oldest groups of mammals.

Virtually leaving fossils.

Once they have grown up there is not predator that will attack them.

Their only enemies, really, are humans.

Rhinoceros are killed by people for their horns, which are bought

and sold in the black market

especially in East Asia, and mainly in Vietnam.

The horns by the way, are made of the same protein

as our hair and fingernails.

There used to be four species of Black Rhino, but one was declared

completely extinct in 2011.

So we have left three.

In fact between 1970 and 1992 96 percent of Black African Rhinos

were killed.

And they seemed to be doomed for the extinction.

However, a conservation organization took action! The World Wild Found for

Nature.

Better known as WWF.

Thanks to this organization and to the help of others, the Black Rhinos

are still here.

But the poachers and their greed has been increasing, and these great animals

are critically endangered.

But now you can help!

Visit wwf.org and become a member.

You can adopt a Rhino.

Figuratively [laughter].

You can make a difference to save them!

Very good!

¡Excelente!

As you saw we have been shading.

He has a thick skin, and in areas like the face

you can have fun, making a lot of wrinkles.

I love drawing animals so much!

I sketched some grass for the setting,

pull some lights with the eraser, and it´s ready!

If you enjoyed it, please give it a LIKE! share it to your

friends, and subscribe to Fine Art-Tips.

And I will see you, on Tuesday ;)

Subtitled by Grethel Trejo

For more infomation >> How to Draw a Realistic Rhino - Narrated - Duration: 3:53.

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Jeff Hardy INJURED! John Cena RETIRING From Full-Time WWE Schedule? | WrestleTalk News Sept 2017 - Duration: 3:40.

For more infomation >> Jeff Hardy INJURED! John Cena RETIRING From Full-Time WWE Schedule? | WrestleTalk News Sept 2017 - Duration: 3:40.

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The Battle Scars of Warsaw II (Feat. Mikołaj "Jaok" Janusz) [Kult America] - Duration: 11:06.

It seems like every time I look in the media there are stories about Poles

being racist or overtly territorial, overly nationalistic, and as there are

some pretty extreme sentiments here from time to time, I can't help but identify

with the nature that Poles approach their country. I want you to imagine this

it's the year 2017, you're a school child and the first thing that you see every

day are bullet holes in the school that you attend. This is one of the few

realities that many Poles live with. They have to look at the scars of the past.

They know what is at stake in what could be lost. I'd ask you can you honestly

blame them for being overly or rightfully protective of what they have

in what was lost for so many years? On today's episode of Kult America we are

exploring the battle scars of Warsaw to see what remnants remain of a very

violent period of this country's history.

Guiding me today will be my good friend Miko I Anoush, who's enthusiastic about

his home city Warsaw and he'll share with us a few special, secret locations.

Yeah, hi Ryan. So you're looking today for battle scars of Warsaw, yeah?

Indeed, thank you so much for agreeing to help me out. Normally you're asking people question,

but today I'm going to be the one asking you questions. This is a statue of a young

resistance fighter. This is actually thing you see often on the cars from Warsaw

and it's a very well known in a thing, but and very beautiful but the first

thought of people see it is that the little kids were fighting in the Warsaw

Uprising, but they didn't actually. There was no weapons to give it to kids and

and nobody wanted to keep it to fight. They were fighting of course, but no

transporting informations, preparing and distributing food the orders from

commands to members of the Warsaw Uprising, so it was the way to

fight but this is of course a symbol of those little kids who are involved in

the Uprising. So this really commemorates the resistance fighters who were

children, but supported the infrastructure and logistics more than

actually going on the frontlines. Everybody fight the way he could.

Thank you for showing me that. Yeah, no problem. The next place we visited was extremely

disturbing. It was a monument located in the place where Germans transported over

300 thousand Jewish victims from the Warsaw ghetto to their deaths in

extermination camps, Treblinka and those in the Lublin district.

This is Umschlagplatz. The word Umschlagplatz is like transport ramp because important thing in the Nazi

ideology was the dehumanization of victims, you know, so you won't say all Umschlagplatz

about station to transport people, but to transport the cows or any kind of animals.

I read that these are the most common names that you'd find with Jewish

citizens of Poland, back in those time. And it's just kind of the the general

nature, yeah, that yeah this Emilia, it's not just one and it's not just one

individual but it's the general Emilia, right? Yeah. All the Emilias

You have the number of people who were killed, were taken to death from here, so I think yeah

one name with for several. This element was changed into us into a

sculpture, but it's actually the real fragment of right reconstruction.

You would never guess it just walking through here.

Another interesting place we visited was the museum formerly Pawiak Prison.

Since 1863, it was a political prison with male and female departments. About 100,000

prisoners that were sent to Pawiak prison in the period between 1939 and

1944 were killed in executions. On the walls of the house, notice boards, even on

the sidewalks appeared inscriptions "Pawiak, we will get revenge".

So in in '43, they start to do mass executions like, you know, to show. To terrorize people

and it became a symbol of, you know, brutality and of the crimes for Polish

people because know that we know we don't know about death camps and I think

the the the horrible things that were that took place there but then nobody

has to this you know this knowledge. And and crimes made in Pawiak and outside Pawiak

was visible for everybody so it's it's it it was

symbolic. It is kind of interesting because if you look at Majdanek, for

example, this concentration camp in the middle of Lublin, they were still kind of

concealing the actual murder where here in the middle of Warsaw, the country's

capital, they were advertising murder. This was like a theater of death

basically. Oh this is soldier that were killed after after killing of Kutcher.

It was a Nazi, one of Nazi chief, I think. One of most important in Poland and he had

his office here and he was he was killed by Polish resistance. As you can see here

this is very drastic because this sign is made made a father who's crying of

his loss and the as we can see in non-public work were kept tortured and

executed his wife, forty years old, daughter, eighteen years old, some

seventeen and real son seven years old. He said he's his saddest than the high

up help from Bible, so probably his his, you know, not turning against God knowing

that those horrible things happened to him but his like believing Gods all the

time. You know I have a seven-year-old daughter and if sickens me to

imagine what kind of monster will be capable to torture and execute a child

like that. The whole family, but you know that the

child. And this was happening here. It's crazy I mean that's Warsaw this is our

camera operator, Macek, lives in this neighborhood, like we come to this

neighborhood and it has a really dark history. Our final location was the

Reduta Bank Polskiego. There was a building that used to be a Russian bank.

Later it became a Polish national loan fund and finally a Polish Bank.

Today it's used for creative events and special conferences. Its historic

interior makes it a very original and charismatic. During the Warsaw Uprising

many fights took place in front of the bank.

Today it bears the deep scars of war. The upper part is rebuilt, but the lower part

look exactly the same that looks after uprising. It's horrible. I mean, so

many fragments of ammunition hit it that the building takes on like a new texture almost.

Also, you know, that that was kind of a lot of explosion there because most of

buildings were destroyed. With the comforts of the modern world it could be

very easy to forget how fragile our humanity is, our civilization is and just

a little bit of too much sick ideology and here you have it. As I just imagined

there was some someone behind a trigger, someone pulled the trigger that made this

hole and there's just countless and they're different sizes, you know.

Like machine guns.Just like painting a picture. I mean look at this one this

one's very specific it almost looks as if someone has drilled, you know. Drilled

this and if you move up a little bit the holes become larger I could imagine that

that. Wow, look at this one. I mean look at it it it has shattered

this like glass, you know. It's like shattered grass but it's a stone.

I always used to think that I would run away in the time of war, but then when we

went to that former prison and heard the story of the seven-year-old who was

tortured, amongst many others, you could kind of understand how a father would be

willing to run into this barrage of craziness. After seeing such things you

don't wanna run, you can die, but you don't want to run. You want to fight.

You know there are some things so categorically horrific that a human

being cannot find the words to summarize, encompass or embody an experience.

Whenever I make these battle scar videos, I'm really left dumbfounded at how thin the

line is between civilization and disaster. Holocaust, death, Armageddon, in a sense.

And I might sound dramatic, but I'm sure that those people whose children do

not exist today did feel a sense of armageddon in their final thoughts. These

memories are stashed everywhere in Warsaw and these memories are worth

preserving, observing, and respecting. Please write me in the comment sections

below if you'd like to see another edition of the battle scars of Warsaw

and special thanks to my guest for helping me find these very unique

locations today my name is Ryan Socash, and thank you for watching

For more infomation >> The Battle Scars of Warsaw II (Feat. Mikołaj "Jaok" Janusz) [Kult America] - Duration: 11:06.

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Alternative Photography with John Michael and Dalisa Cooper: The reDefine Show with Tamara Lackey - Duration: 14:37.

Hi I'm Tamara Lackey, on this episode of

reDefine show for AdoramaTV

I speak with John Michael and Dalisa Cooper of

'Alt F' Photography about the evolution

of their anti-style and how trend setting

their work has been. Check it out!

Hi John and Dalisa, how are you?

Thanks for coming here to Chapel Hill.

Thank you for having us.

So you came in from Las Vegas via a tour of the United

States photographing families, but I want

to hear a little bit more about the

development of this very unique style

behind Alt F photography.

I've always, kind of like took the approach I, when I

got into wedding photography, because I

was doing portrait photography for a long time

or trying to be successful portrait

photographer. When I started doing

wedding photography, I just like, what am

I supposed to do? What am I supposed to

shoot? And how am I supposed to shoot it?

So I like kind of went away and like

learned a lot of traditional stuff and

posing, and back in the day I even took a

workshop with like the likes of Monte

Zucker and Steven Red, and all that and

back in the, back a long time ago, and so

I kind of like used that as my basis and

I was really good at doing.. doing what I

thought was, was the par for the time but

I wasn't very successful I was wasn't

very happy because my personal stuff was

a lot more on the darker side I

was just trying to like, well this is

what wedding photography supposed to be!

This is what I'm supposed to shoot so I

just attacked it that way, and very

unsuccessful with it, because I didn't

have any, I didn't have the marketing in

place. So even though I thought I

was as good as the market, I just didn't

have, I just didn't have the marketing in

place, and then I decided, I got kind of

frustrated with how, how I wasn't getting

what I wanted, wanted to shoot, and then I

just said, and I had some issues with

going back and forth to work with other

studios and realizing I had to break out.

I got kind of hit a low point and

and my, I failed a couple times pretty

hard, and I'll say you know what? I'm just

going to do it my way,

and so what I would do is like I'm going

do just play around, do stuff really dark.

I'm just gonna show my dark stuff and it

doesn't work, goodbye!

I showed up at a bridal show wearing a garbage man's

shirt and the happiest thing in my booth

was a black and white image of a bride with

her makeup streaming down her face.

Although all the way I only appeal to a

small fraction of people, I booked all

those people, I got really busy.

So let's talk about how your technique evolved,

because it's been really cool, so the

technique that I think I'm becoming

not known for, but what I've been

doing quite a bit lately, is, is it's kind

of a composite technique, and mostly back

since I was, started shooting. I really

fell in love with a painting of light

technique and then when I used to

work in the darkroom I used to do a lot

of compositing, That was like Photoshop

layers, but with enlargers, like five six

enlargers at a time. Yeah, so the

old-school stuff, and then when I got

into digital photography, I've always

wanted to, I've always wanted to like

have more of a light-painted look.

With.. in the middle of the day, because

painting with light, you just got to shut

all the lights off and that's not too

easy do it in the daylight. Yeah and so..

And you're tired, you want to have some

dinner. Yeah so, and I like them, I like I

like things, that mmm, in a regular

photography career you learn, and learn

so much about making everything correct.

Yeah the direction of light always goes

one direction, you don't you don't want,

to see your fill-light, you just want to

see the effects of a key light.

The fill light is...it's supposed to be kind

of invisible, and so everything kind of

blends into a more natural scene, where I

kind of go the other way, I want it to

look very unnatural. So I'll have two

people standing right beside each other

almost face to face, and the light is going to

have different directions on the face so

your mind looks at it, says something's

wrong with this! Yeah. You don't know what

it is. You're, you're conscious mind may not

say, but you're kind of, kind of like...

something's wrong this so you end up

staring at it a little bit longer.

all right also why also then lately I've

been working with stereo. Uh-huh.

I work, actually hyper stereo stuff.

And you mean this from a visual perspective?

A visual perspective..

Yes.

So it basically allows you to kind of

mess with the viewer, because they have

two different audiences ...I am noticing a theme!

Yeah you know my whole thing is, is, is to,

'alt f' with, with, with the mind, other

people's minds.

Yeah!

That's my, that's my, that's my a censored

version of it, since

you have two audiences, one for the right

eye, one for the left eye. If you change

and make it anomaly for one eye, then

your mind has to create something

different, and make either, either

delete something, or make something new.

Yeah.

And so with my stereo work although

what I'm doing for the current project,

I'm doing very simple stuff, but

eventually I'll be doing stuff where

where the images for the right and left eye

are radically different... in a subtle way.

I don't want to like, give everything

away, but it's uh, but that's what I like!

I like to mess with the mind, I like to

hide stuff in my images, and I don't like

things perfect, and my lighting technique

for how I'm lighting, because I

photographed you yesterday, it's

basically a composite, and I work with

the flash, as in really, really close to

subject. So I'm in the image. Right! And so

when I composite them together it

becomes very much more of a surreal look

to it. Yeah! And I can do it in any

lighting situation. So I can take that

and shoot bright side middle of the day

and make it look like twilight. If I

wanted to okay, I can go into dark room

and shoot it so that the technique and

the look, I can do it in any lighting situation.

Like behind me lighting

in front of me.

Which gives you a lot of creative freedom.

Well yeah, well, and well,

it gives me a lot of creative freedom

and but, it also allows me to make all

the light, yeah, so I'm in control of

everything, and but it also allows me for

this particular project to be, have,

have some sort of consistency. Yeah.

Because my backgrounds, and my lights aren't

consistent, I'm, sometimes I am

shooting in the in the evening where

there's no light, and then sometimes I'm

shooting in the noon.

The sun's right there,

there's no, there's no open shade.

There's no nothing, so it was like you have to,

you have to fight with it all.

Right and then the the more kind of

extreme work was a little more visceral

and stuff, will you share a little bit

of of that kind of... Oh...

the anti -, my anti-Bridal stuff? Yeah.

so that goes back...

Which is like, that's again, that's what

catches people's attention.

I think I started doing anti-

bridals.. what I call anti-bridals,

that was my breakout, when I decided I'm

going to do something different, and if no

one likes it.. who cares.

Yeah.

And so, I just, at the time back in

the day, you couldn't take a bride across

wet grass. There's this glorious sunset

lightning strike, and and clouds gathering

in this most beautiful landscape over

there, if I just get you on this little

hill. It's like oh there's wet grass

right there, you just would not walk

across it, and it's like there's all this

glorious stuff, and then and then it's

like you know what, I end up

I wanted something dark, I just want to

take the bride out of context, and the way to

do that as a bridal session. Right.

Like get some time.

My most, the one that actually changed

everything, was this was like, I shot in 2000

there's a fire that burned, a

bunch of mesquite woods.

The anti ad called, and it was

like very dark Tim Burton-esque forest,

was like, this is a cool look, really dark

black charred wood in the ground. I put a

bride in a white dress, and this is

actually the bride, with make up going down her face

Yeah, it'll be awesome...

what, and so I called up three or four

brides that I just shot, their wedding are

over. their dresses probably hanging in a

box some where, and said I have this really

cool idea, I really want do a bridal

session, it'll be really cool, they say oh

that's really cool, I want to do it and

then I explained you'll be sitting in

black ash. They say... no got to go..

they turn me down. I'm sorry!

I skipped a car payment

I bought my own dress. I had

a friend, knows a friend that's

going to go dress the model for me,

and I shot it, showed the pictures off,

and that picture is sort of like, the picture

that was, that was, that was, THE picture.

Then some of the brides saw it said.. oh

I would have done that. It's like but

everyone that saw that all of a sudden that

gave me, that gave me, the passport to do

anything else, right, and so..

There is a heck of a lesson in that.

Yeah and the people that came to me

saw the work as

showing off article actually called showing

off- aka Trash The Dress'. So I coined

that phrase!

Sorry. And then it was everywhere.

But I always did these anti bridles but people came to

me for that kind of work, so when a bride

came to me, and so I like that work, when

after that for that one moment, because I

showed that stuff up before, on the

wedding day, if I said hey I want you

laid down in this wet grass! They would

lay down that way. Anything. It was just a

revelation, I just ended up, I ended up

end up actually marking the people that

were visually in-line with what I wanted

to do. Yeah and it was was out, and they

all said in the wedding photography was

not hard work, right it was fun, and I

enjoyed it, and although I got really

really busy, and that's where it Dalisa

comes in, and I sort of like stopped

answering my calls, because I was like

overloaded, and it's like yeah, so that's

why, kind of Dalisa rescued me, and, and

saved my business, but that's her story so..

All right so let's talk about'Roadside Families'

thank you for swapping!

Since you are more the coordinator and

manager and visionary of how this is

happening, or maybe it's a lot to handle

that we're keeping it under control

somewhat. Somewhat!

So yeah well real quick just to back

up a little bit when you guys met. You

were shooting, and you were in on the business side of

photography. I always have been, always will be.

Right, and tell us a little bit the

story you told me about how when you met

he's like but I'm all good for business.

Yes, yes.. terribly failing!

Yeah great artist! As I said I fell in love with his

work. I was like this guy's so talented

but he cannot answer a phone call or an

email or he brides are calling saying I want to

to just book this guy, and he I call him

like what's going on John? And he's like

well that's like a year away from now.

I can,t I'm working on stuff right now

I have a wedding to edit. I'm like all right yeah.

It mades it, made it, super easy for me

to swoop in and just say let me handle

this. Give me the stuff you don't like to handle and

vice-versa he's a creative side, and I

love taking photographs he's actually

taught me everything I know about

photography, but my heart's in the

business. I like the people, I like the

customer service, I like that aspect of

it. Yes and you're very good at it.

Thank you! Yeah.

So how did the origin, the origin story

yeah, the origin story, of Roadside

Families. So Roadside Families was

inspired by a talk that David Williams

gave at a conference a couple years ago.

He touched our heart with a story that

he told us about his family, and his

father being a photographer for the

family. Taking photographs, beautiful

black-and-white, beautiful color

photographs of him and his sister

growing up. Beautiful photos of his

mother just really really inspiring

stuff and he went through this whole thing

to the very end, I'm going to try not to get

emotional, but he didn't have photos of

all of them together, so this is where I always

get caught up, gets to me every time and

it's been like, I don't know nine years.

Yeah, so um we were actually going on a

tour that year, we were teaching

workshops, and we were going on the road

and we had 32 days to hit, it was

something like 17 cities and along the

way we thought, why not stop and

photograph some of these photographers

that are not getting into the photos

with their their families. And that year

along the road this is how it got it's

name, we were driving from city to city

and people are calling us. Like hey! How

can we find you? And we're like we're on

this highway between this time and this

time. Great, and we were meeting people at

schools, parking lots, truck stops. Random

like side roads, and so Roadside Families

was developed from that. And that

year we shot 37 families. That was 2008

we don't want the image to be timeless

we want it to be dated very quickly. Yeah.

So you when you look at it, it's like I

put again your family in front of your

house. Right we if you look at someone's

old photo

go through, they, like their grandparents

and their uncles photos. You have a

picture of them it's usually a picture

of them in front of their house or in front of

their car, and that kind of dates it oh that,

that's that timeframe, oh I remember that house,

That's the house I grew up in.

That's the Mustang. Yeah exactly, actually I have

a picture in front of my dad's Mustang

when I was a little boy, when I was in Japan

1967/68, and so I remember that, and you

know exactly where you are at the time

frame, in the time period.

Like suddenly you want it, you want it to

be, you want it, to show the time frame

exactly where you are. That slice of life.

I mean, I mean, for regular portraiture we

make it timeless, but I think family

portrait should, should date, very, very quickly.

All right, so from here on out

where can people find out more about

Roadside Families and you guys, and, and

what kind of timeline might they have to

still get in on this round, or maybe your

next one okay very good. So roadsidefamilies.org

is our website, there's also a

blog site, so we're adding all of the

photos that we're taking, as we're

receiving them back from Lavalu from

the edits, so you can see a lot of the

current work there. The most the most

current as far as our travels is going

to be on our Instagram

@Roadsidefamilies on Instagram.

okay and just a lot of us just fun stuff,

behind the scenes, kind of playing around,

but I am also posting photos of the

completed product. All right thank you

guys so much! Thank you.

thanks for having us and it was such a

blast photographing

you and your family.