Thứ Ba, 6 tháng 3, 2018

Waching daily Mar 7 2018

Let me ask you a question.

What is critical thinking, really?

Beyond the abstract notion that we want kids to show

some common sense, what does it really mean?

It's really pretty hard to nail down.

Is it answering questions that go beyond the basic facts?

Is it problem solving?

Is it coming up with new theories?

Even if we agree that any or all of these are what we mean

by critical thinking, how do we help students get better at it?

And it gets worse.

This stuff often gets elbowed out of our lesson plans

because we have so much content to get through.

In Big History, we try to do a few very specific things

to help students develop critical thinking skills.

First, we have a set of practices--

we call them claim testing practices--

woven throughout the course.

Claim testing helps students engage with unfamiliar ideas

and we encourage teachers to use them in teaching reading,

writing, and in managing classroom discussions.

Second, scale.

One of the ways we encourage students to see familiar things

in new ways is to move up and down in scale.

Third, as we've seen before, we rely heavily

on interdisciplinarity to help students develop new questions

and bring new insights to bear on familiar problems.

So, let's get started by looking at claim testing.

Claim testing is introduced in Unit Two in a terrific video

with Bob Bain.

Here's the short version.

There are four claim tests you'll introduce

to your students: intuition, authority, evidence, and logic.

Students will ask themselves these four questions

about a claim...

For intuition: does the claim jibe with your intuition?

For authority: does the claim come from a trusted source?

Evidence: does the claim come with data points to back it up?

And logic: does the claim follow a clear line of reasoning?

Claim testing is integrated into nearly everything in the course,

videos, activities, worksheets, reading strategies,

investigations, and debates.

There's even a series of comic books

to help introduce the concept.

As students start out, they'll claim test readings

and statements made in class.

No question, it'll be a little clumsy at first.

But there are a series of activities

called Claim Testing Debates, as well as lesson openings

called Snap Judgments, that are designed to help them

get a lot of practice early on.

About the same time students get more sophisticated

in their use of claim tests, claim testing starts to become

more pervasive in the lessons, and it will start to become

second nature.

At this point, think about pushing your students to use

the concept of claim testing in your discussions in class.

Students challenge each other using the language

of claim testing:

What's your evidence?

Who's providing that evidence, and so on.

And claim testing will start to play an important role

in writing.

Students can start to review and claim test

each other's written work, and then ultimately their own.

We can't say enough about the value of claim testing

for developing critical thinking skills.

Need a concrete reason?

Imagine giving a student the gift of not being the one

who thinks an article from "The Onion" is real.

We've talked about scale a few times now,

and it won't be the last.

Scale is another one of the key tools we use to help students

think critically.

Let's talk about how we can get students to use the concept

of scale to develop new questions

that unlock new insights.

Keep in mind, scale can be pretty abstract

for young students.

Thinking about humungous numbers like 13.8 billion

can make an adult's head explode.

So we encourage you to draw pictures, make models,

and a couple of times in the course,

we give you activities that take you outside.

The Big History on a Football Field activity is one example.

It's not just about driving home the point

of what 13.8 billion years looks like.

It's also intended to bring up questions like,

what's happening in these massive empty spaces of time?

And what took humans so long to show up?

When you start discussing migrations and marches,

similar exercises can help your kids understand distance.

You might ask students to compare the number of steps

they take each day--

which they can find on their phones these days--

there's an app for that--

with how far early humans traveled out of Africa.

Comparing population sizes can help students gain perspective

on the civilizations they study.

What cities today are the same size as ancient Uruk,

or Jericho, or Ghana?

This shifting in scale across time and space

is something historians do all the time and we want

our students to get into this habit early.

Finally, let's revisit the idea of multi or interdisciplinarity.

We've covered this idea a few times already.

The key idea we want to focus on here is how this concept helps

students generate new questions by incorporating the insights

of other disciplines.

One activity type to call out here is,

What Do You Know? What Do You Ask?

In these activities, teachers choose a significant event

of some kind.

It might be something modern like a refugee crisis

or something historical like the discovery

of an archaeological find.

Students have to suggest a group of scholars they would invite

to form their team, in order to help develop

a solution or response.

For each scholar, kids have to think about their discipline

and what questions that particular person

would help them answer.

This practice helps students develop stronger questions.

By looking at the situation from multiple angles,

they're able to develop deeper insights

and think more critically about the context.

So, that's about it here, let's recap.

Big History helps students think critically

across the curriculum.

They're presented with a simple, clear set of tools

for engaging with readings and discussion in the form

of claim testing.

These four simple questions provide explicit guideposts

for them to use and examine new information.

In addition, students are regularly encouraged

to shift scales in terms of time and distance to see

if new trends or insights emerge.

Finally, if, throughout the course,

we consider the insights and questions of scholars

from many disciplines, not just historians,

we have tremendous opportunities for deeper inquiry

and understanding.

That's all for now.

Be sure to visit the Big History Project community on Yammer

for more about claim testing, scales, and interdisciplinarity.

For more infomation >> Session 3 - Critical Thinking | Big History Project - Duration: 6:21.

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Wootbox Discovery Theme March 2018 Unboxing Subscription Box Review - Duration: 10:04.

Wootbox Discovery Theme March 2018 Unboxing Subscription Box Review - March's DISCOVERY

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For more infomation >> Wootbox Discovery Theme March 2018 Unboxing Subscription Box Review - Duration: 10:04.

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Diabolik Lovers Invocaciones Cuarta Parte/Diabolik Lovers How To Summon Teddy Bear Fourth Part - Duration: 3:25.

For more infomation >> Diabolik Lovers Invocaciones Cuarta Parte/Diabolik Lovers How To Summon Teddy Bear Fourth Part - Duration: 3:25.

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Fully Semi Automatic - Never Go Full Semi Auto - Made Up Terms Hurt The Conversation - Duration: 4:02.

With all the ar-15 talk going around yet again

There's some disturbing terminology going around that needs to be dealt with so that's what we're gonna do today

stick around

Hey crew it's Chris welcome back to clovertac and today, we're going to tackle some terminology that makes absolutely no sense

by definition or from a mechanical standpoint and that

terminology is

fully

Semi-automatic

Now this newfangled incorrect term is actually

Comprised of two terms that are totally opposite to each other

Smushed together and those two terms are fully automatic

and semi-automatic

Now we're gonna do just a quick check as you can see we are

Clear we are

Safe so let's start with the term fully automatic and what that means in its most basic sense

It's when you pull the trigger

back

The firearm will continue to go pew pew pew

Until

You're out of ammunition

Or you let go of the trigger

Remember that fully automatic

Only continues to fire

As long as you're holding down the trigger now, let's tackle semi-automatic

Same scenario

Clear

On safe

The way semi-automatic works you pull the trigger the firearm goes pew one time?

If you want to go pew two times you have to release the trigger and pull the trigger again

So the semi-automatic function of a rifle is dependent upon releasing the trigger

to get subsequent shots off

Remember fully automatic hold it down

Continues to fire semi automatic you must let go of the trigger and pull it again

So as you can see both of those functions are

completely opposite

But just in case you don't understand. That's fine

Let's break it down. Just a little bit further

Somewhere probably before we started preschool we learned our shapes correct and

When we learned our shapes we learned about circles

So we have full circles and we have semi circles

You can't have a full

Semicircle doesn't work right there

Can't be a full semi circle the same way there can't be a fully

semi automatic

Doesn't work

That's it for the day crew hopefully there are a few folks out there that learned a little something

Thank you for watching and until the next time remember to change fire freedom

If you like what we do here on channel don't forget to hit that subscribe button

check out one of our four weekly live shows and finally if you want to help support the channel you can do that

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For more infomation >> Fully Semi Automatic - Never Go Full Semi Auto - Made Up Terms Hurt The Conversation - Duration: 4:02.

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Grind Squad - Pray For Em : A Roblox WWII Montage - Duration: 3:09.

New Grind Squad Member by the way, guys : Welcome to Paveldon ! :D (Hope you enjoyed this montage, don't forget to leave a like ! <3)

For more infomation >> Grind Squad - Pray For Em : A Roblox WWII Montage - Duration: 3:09.

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What I Buy From Costco - Costco Haul - Duration: 3:28.

hey guys it's Hashtag Zoe, welcome back to my channel. so for today's video I have a

Costco haul for those of you who don't know what Costco is it's basically a

wholesale grocery store and buy wholesale I mean that they sell things

in bulk or in bigger sizes so I'm just gonna show you the things that my family

buys from Costco if you're curious and if you're not curious then um just keep

on watching one day I was like wow I'm really in the

mood for tortilla soup and then I saw this at Costco and I got it and I tried

it and it's so good if you like chicken tortilla soup this is it gonna be your

faith thing ever it's so good you literally just like heat it up

you're like warm it up and it's so good highly recommend and the way I like to

eat it is with avocado and like cheese inside it's really good so get the soup

going with the trend of tortillas um I caught some corn tortillas and my some I

mean a lot so this is just uh some corn tortillas next thing I got is this huge

bag of boom chicka pop and literally Alicia Marie who? this stuff is amazing

really good probably not good for you but the next thing that I got is some

bananas

for like a dollar ninety-nine which that's great thanks Costco the next

thing I got was this huge thing of crystals if you know me you know I like

croissant so I'm very excited these are butter croissant these are

huge this one croissants probably besides my face I'm not even gonna lie

so got crisps on the next thing that I got was sourdough bread um I love Brent

I love bread and this is a brand Boudine. I think it's how you say it this is like

the og sourdough bread they make this in San Francisco and I go to San Francisco

all the time and they've had the factory they're like I just said and I was

really excited when I found out that they sell this at Costco because I love

bread next thing that I got was some Parmesan cheese this is some crap so

looks really nice and that's all I have to say it's just cheese this is a new

item that I got I usually don't purchase this but I decided to try it out these

are simply clusters fruit seeds and nut butters and they look healthy and I hope

they're good I'll keep you guys updated and honestly if they're not good it kind

of looks like bird foods so I could just put it outside and hope some birds

enjoy melons

I also got some cantaloupe and the last thing that I got because I was so cheesy

is a box of cheez-its so this is a variety pack this has

original white cheddar and cheddar Jack a snack because come on I can't be the

only snack in this video make sure you leave a comment down below your favorite

thing to buy at Costco or just favorite thing to buy at any grocery store

because I know not everywhere has Costco my favorite thing to buy at Costco is

Hasan's but honestly the only reason why I go to Costco is for the samples like

let's be honest anyway guys thanks so much for watching I will see you guys in

my next video bye

Hashtag zoe

Costco Haul 2018

For more infomation >> What I Buy From Costco - Costco Haul - Duration: 3:28.

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Trump believes North Korea is sincere about denuclearization - Duration: 4:21.

For more infomation >> Trump believes North Korea is sincere about denuclearization - Duration: 4:21.

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Session 2 - Connecting the Dots | Big History Project - Duration: 8:30.

One of the biggest challenges in teaching history

is helping students make sense of it all.

In far too many classrooms,

the story of history is just one thing after another.

Frankly, for most students, there's no story in history.

It's just a cavalcade of civilization:

one empire after another, one event after another,

one date after another, one famous name after another.

Lots to know, but nothing to do with it.

Most students can't see any connection among

the "stuff" of history, except that all the "stuff"

will appear on one test or another.

This problem isn't new.

It's long standing and well known.

You my find that rare teacher who can dress up as Abe Lincoln

or sing songs about Chinese emperors,

but for the most part history has a reputation

for putting kids to sleep.

And it's exactly this problem of disconnect and incoherence

that the Big History Project has tackled

by using three interconnected and explicit approaches:

the concepts of thresholds of increasing complexity,

and shifting scales, and the inclusion of many disciplines.

You won't need to put on a show,

Big History makes the real world, real knowledge,

the most compelling thing in your classroom.

Our varied approaches help students make

meaningful connections across billions of years

of time and vast expanses of space.

So obviously it's important for teachers to understand

how each approach helps students make meaning

out of historical mush.

Now for thresholds.

True, we've mentioned these one or 20 times already,

and for good reason.

Getting the sense that we think thresholds are important?

They really, really are.

The eight thresholds of increasing complexity

offer a narrative of change over almost 14 billion years of time.

All together, these thresholds tell a story

of major turning points in the history of the universe

and of life on Earth.

Each threshold marks the emergence of more complexity

and fragility, a combination that makes the universe

and life on Earth far more interesting.

When kids become familiar with the eight thresholds

early in the first few weeks of the course,

they have a big picture or large framework in which

they are able to put all the other course content

and concepts.

It's like putting all the ingredients

on your kitchen counter before you start cooking.

Having this framework early in the course and returning

to it often has proven to be the best antidote

to the one-thing-after-another disease.

Continually revisiting the threshold framework

helps students connect new content to the big picture

as well as connect later units to earlier units.

Some people have talked about this as making horizontal

or lateral connections, because it enables students

to link what came before to what comes after, or,

put another way, the present to the past.

Now, let's talk a little about scale switching.

Big History requires students to switch their focus

in both time and space.

Sometimes students focus their attention on the cosmic scale,

other times the global or regional, and at other times,

the local or personal.

It's like changing from a telescope to a microscope,

or changing camera lenses from wide angle to close up.

Scale switching brings different things into focus.

In BHP, we use different scales to help students

make connections and meaning among events

occurring at different scales.

Let's take an example: after the development of agriculture,

humans entered into an age of agrarian civilizations,

an era that lasted from around 8,000 BCE to 1800 CE,

almost 10,000 years.

Students use a wide-angle lens to see that all civilizations

forming during those years had a lot in common,

such as hierarchical social systems,

complex divisions of labor, and monumental architecture.

Then, students use a lens of smaller focal length

to look close up at similarities and differences

among civilizations living in the different world zones:

Afro-Eurasia, Oceana, and Meso-America.

The smaller scale of time and space allows kids to see

differences across different parts of the globe,

while still connecting each area to the larger pattern.

Sometimes, using an even smaller lens,

students look at individual civilizations to understand

how they illuminate or contradict the larger patterns.

If the thresholds provide horizontal

or lateral connections across time,

scale switching provides vertical connections

between local, regional, global, and cosmic.

Explicitly shifting scales offers new insights

for students.

It allows us to work on a smaller scale by focusing

on any object, process, or social construct,

and then zoom out onto a much bigger scale and look at the way

it may have influenced our history.

This is pretty complicated and at times mind-blowing work,

so you mustn't take it for granted that your students

are getting it.

You have to regularly make this explicit.

Here's an example of what we mean.

To help students visualize scale, an early BHP activity

takes students out to the football field,

using it to measure and mark the Big History's eight thresholds.

By doing this, students get to see that if the Big Bang

is at one end of the field, and the present

is the other goal line, human history begins

on the quarter-inch line.

Another activity has students creating a timeline

of human history on a 100-foot piece of string,

and then using the same length of string to place

the major events of their lives.

While such hands-on, or feet-on, activities are among

the most popular in the course, they're just a couple

out of many that make explicit the importance of learning

to think at different scales.

They also help students think about how the little details

connect to the larger themes covered in Big History.

Finally, let's talk about multi- or interdisciplinarity.

Over the BHP course, students work with at least

12 different disciplines, including chemistry, biology,

astrophysics, archaeology, anthropology, cosmology,

economics, and, of course, history.

How do we avoid adding one darn discipline after another

to the one darn event after another disease

that afflicts many courses?

How can you connect the multi-disciplines

that we use in the course?

Here again, BHP is intentional about meeting this challenge.

In activities like What Do You Know, What Do You Ask?

students are required to assemble a team of experts

from many disciplines to solve a real-world problem.

These activities require students to decide

what questions must be answered and which disciplines

are best poised to answer the questions.

Students learn to see various disciplines

as interconnected and, depending on the problem,

necessary to produce the best answer.

Big History Project draws on the insights

of many disciplines since each has made important contributions

to our collective learning.

So it's very important for you to help your students see

how each discipline is connected to what we know

and what we still need to learn.

Activities such as What Do You Know? What Do You Ask?

and the Ways of Knowing videos will give your students practice

at making such connections.

By the way, there's one important consequence here.

In research conducted by the Big History Project,

we found that this constant thinking

about multiple disciplines had a big impact on students.

Two years after taking the course,

teachers found that students would ask questions about

how the ideas discussed in one class were shaped

by ideas in another.

For many teachers, this is new.

We think we'll continue to see it as students

connect the dots across the curriculum,

not just within a single class.

And there you have it.

Just a quick recap.

In any history class, but especially

in a Big History class, we want students to understand

how all of the ideas fit together.

To connect the dots.

Otherwise, the course would just be one thing after another,

like so many other classes they've experienced.

In BHP, we rely on three key strategies

to help bring the big ideas together.

First, we use the narrative of thresholds

to create a coherent story.

Second, we encourage students to think about history

at multiple scales, both in terms of space and time,

creating new insights for analysis.

Finally, BHP encourages students to incorporate the perspectives

of multiple disciplines in their thinking about history

to see new connections covering the massive expanse

of Big History.

That's all for now.

Be sure to visit our blog or the BHP teacher community

on Yammer to talk more in-depth about thresholds, scale,

and interdisciplinarity in Big History.

For more infomation >> Session 2 - Connecting the Dots | Big History Project - Duration: 8:30.

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Amazing Makeup Tutorial Compilation 2018 💄 Makeup Tutorial Ideas March 2018 #2 - Duration: 4:55.

For more infomation >> Amazing Makeup Tutorial Compilation 2018 💄 Makeup Tutorial Ideas March 2018 #2 - Duration: 4:55.

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Calving Begins, Projects Don't Stop - The Project List - Duration: 10:30.

Hi I'm Mike and today on the project list, calving has started on the ranch, and we need

to make sure that cows can get to the barn when we need to help, also we will be building

a brand-new tool Erin will be using in the garden and we will check on our brand-new

baby calf.

It's all coming up today on the project list on our Wyoming life.

This week, we started calving around here and as all big projects start, with one little

step.

We now have one very cute little calf out with the heifers.

We've been keeping a close eye on her as well as the other cows that are getting close

and we will be going out to check on them in just a bit.

If this is your first time here, thanks for joining us as we explore the ranch life and

escape the ordinary.

Every Tuesday we get a chance to tackle this list behind me.

We call it the project list, on it are all the little and big things that need done around

here.

Weather is a factor on what and how we do things and we are looking at a bit of a warming

trend coming.

Temps up into the 50 for the next 10 days, that means a bunch of snow is going to melt

and hopefully some ice as well and give us a chance to really get into the list.

As the weather picks up, so does Erin's eagerness to get into the gardens and get

going on her next winter planting project.

In the basement of our house are hundreds of plants that are ready to get into the ground

and do their thing.

Before we can get them there though, we need to do some work in the high tunnel, which

Erin will be getting to this week.

One project she's going to need to do is turning over the soil.

Now she doesn't want to till it quite yet but she needs to just loosen the soil to facilitate

new planting.

We've got a bit of a surprise for here for her today, it's a new Hoss wheel hoe.

She's never used one before, but I have caught her drooling over them in the catalog

and online.

So, we got one it to give to her and hopefully make her life a bit easier when it comes to

hoeing and getting rid of those pesky weeds.

This hoe is manufactured by Hoss tools, it will run about 180$, but if you have ever

had to hoe almost a quarter of an acre by hand, you know that a standard hoe will wear

you out pretty quick and hopefully, having the wheel on here will make it a lot easier

for her.

The reviews for it are really good as well and as we get to taking it out of its box

it looks pretty simple to assemble.

Included with our kit are 3 attachments for the tool.

A plow attachment for making hills and raised beds, 3 cultivator teeth for tilling up the

ground and an oscillating hoe for weeding.

Today we are going to put on the oscillating hoe to start, although I'm sure Erin will

want to try out all the attachments eventually.

The instructions that come with this thing are amazing, it really impresses me when companies

take the time to make good instructions.

With pictures as well as instructions on how to use the thing.

After gathering our tools we are going to need it's a matter of attaching the wheel,

with a single bolt and nylon nut.

Putting on the oscillating hoe and attaching that.

Quick side note, I like how the attachments all have the nuts on the top side, it will

make it a lot easier to switch them out when we have to.

Then it's just a matter of attaching the handles and the cross-support bar.

Once its off the table, you can see how it works.

But pushing it through the soil, the blade of the stirrup how will slice through the

top inch or so of the soil, cutting the roots and pulling the plants out of the ground,

as well as loosening a bit of the soil.

As with most things around here, you can't get away without making a quick modification

of your own and I can't say I'm a huge fan of how the hoe doesn't stay up on its

own.

But I think by adding a kickstand of sorts we can keep the handles out of the dirt and

keep Erin from having to bend over every time she has to pick it up.

After a quick measurement, we can cut a piece of wood to fit and see how it would work.

Then after a couple of quick holes with the drill, a quarter inch bolt, a couple of washers

and a nut.

We now have a kickstand.

And Erin has a wheel hoe.

Our next project for the day involves the cows, specifically the heifers in the corrals.

They have now begun calving and soon we will have quite a few calves out here with them.

Heifers are all first-time moms and they are notorious for needing help in the calving

process.

Because they are smaller framed, calves can get stuck in the birthing canal, they can

start labor then stall out, or they can even have their calves with no problem but then

not know what to do with them afterwards.

In order to help them sometimes we have to be able to take them into the barn, and right

now that task would be a little difficult.

Thanks to 60 mile an hour winds along with some thawing and freezing, the path we would

take the heifers on into the barn is blocked by a 4-foot snow drift which we need to get

rid of.

For this job we are going to use our skid steer, a bobcat S630.

We have had it for a number of years and its pretty handy for moving snow, cleaning corrals

and other jobs that require a smaller tractor go get into tight spaces.

Right now, it has the forks on it, but a one trick pony is no good and only for fun for

a while.

Luckily, we have a number of attachments we can use on the bobcat and today we are going

to drop off the forks and hook up to the bucket to move this snow.

After opening gates and letting ourselves into the alley system of the corrals, we can

start shoveling it out.

These are pretty tight quarters even for this machine and one wrong move and we would go

right through these fences, snapping them like toothpicks.

Underneath all this snow is a thick layer of ice, which makes things rather interesting

as the tires don't really have much to grip onto, sliding into the fence is a real possibility

so we are going to just work up the middle of the alley.

Moving snow up and out of the way, until we can take the corner into the corrals.

Once there then we can clean out a bunch more snow, leaving the ice which is now now under

the warm sun where hopefully it will melt over the next couple of days.

It's not pretty, but it's a lot better than it was and soon we have a direct path

from the corrals, down and around, and through the alley, into the barn where we are ready

to assist any cow with any problem they may have.

Getting a little job like this done and out of the way now, will make life so much easier

in the future.

Even when we get more snow, it won't be building on top of the old stuff and when

it comes to getting a cow in labor into the barn, minutes can mean the difference between

life and death for that little calf, whose only goal is to be born healthy and happy.

Speaking of, let's go take a look at our newest little girl.

She was born Sunday morning and so far, seems to be enjoying life, aside from the fact that

she doesn't have anyone to play with, yet.

Soon enough though she will, but for now she gets to hang out in the heifer corral with

her mom, who loves to keep an eye on everything we do with her calf.

Heifers tend to either be intensely protective of their calves, or extremely lackadaisical.

She is somewhere in between, always watching but still not sure what that thing is that

came out of her.

Grace has already named her Cookie Milk and if you follow us on Facebook you already had

a chance to meet here within hours of her birth.

Soon she was christened with ear tag number 1.

Making her the first half of 2018.

Now starts the real fun, about 160 some odd calves left to show their faces around here,

that will keep us really busy over the next few months.

But it doesn't stop all the other stuff that needs done and now is when our juggling

skills really come into play.

Managing the ranch, family and everyday life, all at the same time, oh yea and cut out a

bunch of sleep.

Because starting now we get to checking the cows not only first thing the morning and

last thing at night, but soon and especially if the weather gets bad again, which I'm

sure it will, we will begin night checks.

Heading out every 4 hours or so and making sure that each and every cow is ok.

Checking the calves that are already on the ground and the moms that have yet to have

theirs.

It's an exciting time around here but also one of the most stressful times and every

year is different.

Thanks for giving me a hand today, Erin will be back in the garden this week as she begins

to prep the high tunnel and hopefully can show you how her new surprise works for her.

That will all be coming on Thursday for ya.

Find us on Facebook, because that is probably going to be the best place to follow along

with calving season this year and you can keep up day to day.

We of course will still have our three videos coming out per week here on YouTube as well,

Tuesdays, Thursdays and Sundays.

Until I see you again, have a great week and thanks for joining us in in our Wyoming life

For more infomation >> Calving Begins, Projects Don't Stop - The Project List - Duration: 10:30.

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Cardi B Isn't Waiting on Nicki To Drop Her Album First - Duration: 2:13.

What up guys, Frazier here for Complex News.

Objectively speaking, two of the most anticipated albums of 2018 are Nicki Minaj's fourth

and Cardi B's debut.

Both are watershed moments for different reasons.

A debut album is obviously a huge deal inherently, and Cardi's rise was so meteoric that people

are curious to see what she does with the moment ahead of her musically.

It'll shape opinion on whether she's an artist who's here to stay and impact culture

for years to come, or if 2017 was a grand opening and closing.

The pressure is so high she's got upperclassmen like J. Cole giving her advice while possibly

scoring legends like Beyonce for the final tracklisting.

Meanwhile Nicki came into '17 off a bit of a hiatus and a major rap beef.

Now, everyone's eager to see how she re-asserts herself into the pop and rap landscape, and

what path she's going to take sonically.

It seems like many are expecting her fourth to also be her best album yet.

And she's feeding the frenzy too in various interviews.

She talked about wanting to evoke the feel of her early mixtapes and described it as

"channeling old Nicki with a new twist."

She even went as far as to say "This is definitely the most inspired and free and

excited I've been since I started releasing albums through a label."

Neither have dates, but regardless of your feelings towards both women, their albums

will be in heavy conversation and under heavier dissection when they drop.

It's a lot of pressure for both, so the last thing they need is unnecessary conflict

while they work to wrap their projects up.

But that's what's happening now, since people can't seem to stop themselves from

pitting the two against each other.

PopCrave's IG account posted a comment Cardi made about her album.

"I don't understand why people who don't like me keep telling me to drop my album.

You don't like me so why are you thirsty for my album?

To talk shit, to suck d*ck?"

Bardi keeping it as real as ever.

But then one person in popcrave's comments said, "She's waiting for Nicki to drop"

and others chimed in agreeing.

But of course, real ones know Cardi makes time for the fuckshit.

She saw the comment and responded.

"Waiting for what?

What is that going to do for me, and imma release my sh*t very very soon."

Personally, I don't know why Cardi always responds.

No good ever really comes from responding to trolls and haters in the comments.

But good on her for asserting herself.

Hopefully when her album does finally drop, it'll do the silencing for her.

That's the news for now but for all things Cardi B and Nicki Minaj, subscribe to Complex

News on YouTube.

For Complex, I'm Frazier.

For more infomation >> Cardi B Isn't Waiting on Nicki To Drop Her Album First - Duration: 2:13.

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History of Media Literacy, part 1: Crash Course Media Literacy #2 - Duration: 9:51.

Questions of media literacy – what it means, who should have it, and how they should get it – are as old as media itself.

Technologies like smartphones and the internet have made media literacy more important than ever.

But concerns about media and their effects have been around a long, long time.

Many of the arguments for and against media have shaped how new technologies, industries, and cultures have developed throughout history.

Media literacy as a term or a field didn't become "a thing" until around the 1960's.

Before it became the work of communications scholars and media professionals, thinking about communication was (and often still is) led by

philosophers, psychologists, sociologists, linguists, and critical theorists.

It's an ancient problem that even Plato, the classical Greek philosopher, thought a lot about.

[Theme Music]

In the Phaedrus, a dialogue he wrote around 370 BCE, Plato imagines a conversation between his teacher, Socrates, and one of their friends, Phaedrus.

Socrates and Phaedrus start off talking about love and end up debating the best way to give a speech.

But you know what was really bugging Socrates, what he thought was the biggest problem in Greek society?

Writing things down.

He writes, "If men learn this, it will implant forgetfulness in their souls;

they will cease to exercise memory because they rely on that which is written,

calling things to remembrance no longer from within themselves, but by means of external marks.

What you have discovered is a recipe not for memory, but for reminder.

That's right. Plato was dark.

He thought leaving your words on paper, just lying around, would encourage others to use them out of context.

If you were there in person, though, you could defend your thoughts and talk them out with the listener.

And if you've ever said something dumb on the internet, you know the man's got a point.

So the root of media literacy concerns is really just straight up literacy, learning to read and write.

In Plato's day, and for centuries after, information was often shared by word of mouth and, for most people, education was informal.

If you were lucky and rich, you might've shared info through hand-written media like letters and codices (a type of pre-book book).

Or you might've studied alongside a master or scholar and learned from handmade manuscripts.

These were very expensive and time consuming to make, so very few people had the means to become educated and literate.

But all that changed when Johannes Gutenberg invented the movable type printing press in 1452.

Suddenly, print media was easier to produce, and books and pamphlets could be shared crazy fast –

well, as fast as your fastest horse could go, this was the 15th century.

As media became cheaper, more people had the means to become literate.

For people in power, this was a huge problem.

It's much easier for a government to control or persuade their subjects with the word of law when most of them can't read.

Organized religion had a similar problem.

Before the printing press was invented, most of the church-going public couldn't even read the Bible; they relied on the clergy to interpret it.

In 1517, German theologian Martin Luther started pushing the buttons of the Roman Catholic Church by publishing his 95 Theses.

He claimed the church didn't and shouldn't have the only power to interpret scripture.

He even translated the Bible from Latin to German to grant access to everyday people.

The idea that suddenly parishioners could interpret the Bible for themselves was a major shake-up.

His revelations eventually led to the Protestant Reformation and a democratization of religion in the West.

(Though, Luther's impact wasn't all roses – today his more antisemitic views are pretty hard to stomach.)

The history of media literacy closely follows the history of media technology – with each new invention, discussions and fears follow.

Just as Plato was wary of the written word, government and religious leaders were very wary of the printed word.

Those in power wanted to be gatekeepers for information – and prohibiting access to media, of course, makes media literacy impossible.

Media literacy really becomes important three centuries later, with a new medium – the world's first MASS media: the newspaper.

Publications of local news date back to Plato's era.

But the type we think of today – a regularly published document quickly and cheaply covering major events for the masses – didn't really form until the 17th century.

And at first, no surprise, most of them were government-controlled.

But as the print media industry began to take shape, people fought for a free press.

This was especially true in the American colonies, where the struggle for an independent press was tied up with their struggle for freedom from British control.

By the early 1800's the newspaper begins to become a democratizing force.

This is the era of the Penny Press.

Called the Penny Press because they cost – you guessed it – a penny, these papers were incredibly popular.

They spread like wildfire, especially among the middle and lower classes.

Suddenly, anyone, even an unlikely street kid without two pennies to rub together could be in the know and feel like they were King of the World!

Newspapers weren't just about educating the masses.

They were also about making lots of money.

Penny paper owner Benjamin H. Day, printed this motto atop every issue of The New York Sun:

"The object of this paper is to lay before the public, at a price within the means of every one,

all the news of the day, and at the same time offer an advantageous medium for advertisements."

By the mid 1800's, the penny presses were making so much money from ads that people worried about publishers choosing profit over truth.

The more publishers relied on advertising revenue to pay the bills, the more sensational papers became.

This trend came to a head around the turn of the 20th century.

In the late 1890's, Joseph Pulitzer (Pulitzer like the Prize), a self-made, traditional newspaper man who owned the New York World,

and William Randolph Hearst, a young mining heir who wanted to emulate Pulitzer and owned the New York Journal, went head to head.

They both wanted their papers in as many hands as humanly possible to attract bigger and better advertisers.

The two papers began ramping up their stories, focusing less on getting the facts straight and more on getting more readers and more cash.

This became known as Yellow Journalism.

Yellow journalists used bold, scary or misleading headlines; faked interviews and exaggerated stories;

and used lots of splashy pictures and illustrations, and did anything else they could do to sell a paper.

They prioritized sensationalism over professionalism and journalistic ethics.

They thrived on scandals, sports, crime, and self-promotion.

Good thing we don't have to worry about that kind of thing today.

Let's head into the Thought Bubble for a closer look.

Here we have a classic example from the peak of yellow journalism.

This article is from Pulitzer's The New York World, published in February 1898.

The main front page story is about the sinking of a U.S. battleship, the Maine, in Havana Harbor a few days earlier.

Cuba, which was colonised by Spain, was in the middle of a revolution.

The U.S.S. Maine was there as a show of power to protect U.S. interests in Cuban independence.

But it was also a gesture to ease tensions that were growing between the U.S. and Spain.

Then suddenly, in the middle of the night February 15, an explosion tore apart the Maine.

It sunk, killing 260 men.

Let's take a look at this headline about the sinking.

"Maine Explosion Caused By Bomb or Torpedo?" question mark

Well that's not a suspicious use of punctuation or anything.

Even today, the cause of the Maine's sinking is unclear.

A naval inquiry held in 1898 concluded a mine laid in the harbor had exploded.

But today, some experts believe the explosion was internal, caused by a coal bunker fire.

EIther way, two days later in 1898, no one knew what happened.

But Pulitzer's paper didn't hesitate before taking a guess.

During their stand-off, both Pulitzer and Hearst stoked tensions between the U.S. and Spain to sell papers.

With this headline the New York World helped to spread rumors about enemy involvement in the sinking.

Notice the huge, ginormous illustration.

It takes up nearly the whole page!

This visual re-telling of the explosion – complete with bodies strewn around and flames shooting into the air – is so dramatic.

Since the paper didn't have a photograph of the event, they dramatized it with a gory graphic to grab your attention.

Finally, take a look at the subheadlines (often called the "deck" of a story).

They're full of equally dramatic tales from the scene of the supposed crime.

But if you look closely, the writing signals they're just feeding the rumor mill.

The "facts" the article claims are really just suggestions and overheard talk, with no solid confirmed information.

Thanks Thought Bubble.

You can see from this example that yellow journalism isn't trying to sell truth and facts.

It sells a story.

By taking a closer look, we discover strategies publishers use to entertain or distract us – like staying away from the facts and leaning into drama.

The race to sell as many papers as possible was – and still is – a race to the bottom.

And publishers know all too well how to make a buck from a good story.

(And in case you're wondering:

They called it Yellow Journalism because Pulitzer and Hearst's papers fought over which one would print a popular comic called The Yellow Kid.

It was a strange time.)

Yellow Journalism, then and now, helps remind us of those ancient questions – what happens when we rely on media?

Should everyone have access to it?

What happens if that access is exploited?

Media literacy is nothing new, but it's adapting and changing all the time.

Where media literacy once required a mastery of language and a quill,

the age of the penny press required the ability to analyze headlines at a glance and tell truth from sensationalism.

With every new medium, a new set of skills is needed to navigate it all – and we haven't even gotten to TV.

That's for next time, during The History of Media Literacy Part II.

For now, I'm Jay Smooth. We'll see you next week.

Crash Course Media Literacy is filmed in the Dr. Cheryl C. Kinney Studio in Missoula, MT.

It's made with the help of all of these nice people, and our animation team is Thought Cafe.

Crash Course is a Complexly production.

If you want to imagining the world complexly with us, check out some of our other channels like Eons, Animal Wonders, and SciShow Psych.

If you'd like to keep Crash Course free for everyone, forever, you can support the series at Patreon,

a crowdfunding platform that allows you to support the content you love.

Thank you to all of our patrons for making Crash Course possible with their continued support.

For more infomation >> History of Media Literacy, part 1: Crash Course Media Literacy #2 - Duration: 9:51.

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Session 3 - Writing | Big History Project - Duration: 8:20.

Welcome to Big History.

Let's talk about writing.

"That's my favorite," said almost no students, ever.

But in this course, the writing so frequent and varied,

it will soon feel less like a chore

and more like a skill worth developing.

Together with tools on developing reading skills

and critical thinking, our focus on writing

helps students developing a pretty robust approach

to history.

Here is what we are going to cover.

First: the writing rubric and claim testing.

There is one grading rubric used throughout the entire course.

Together with claim testing, students will have a simple

and consistent approach to thinking

about their own writing that builds upon itself

over the year.

Second: we'll talk about our formal writing assessments.

The course includes an essay assignment

for each unit called "investigations,"

modeled on the document based question assessments

you might find on the Advanced Placement exams

or other standardized tests.

In addition, we encourage

a large end-of-the-course assessment,

such as our Little Big History Project.

Third: we'll look at our classroom writing activities.

We will review some of the repeating writing activities

that appear in each unit, each structured to help students

perform better on their investigations.

Fourth: student writing growth.

We will take a quick look at the results

of an ongoing study from the team we work with

at the University of Michigan.

Let's start with the writing rubric and claim testing.

BHP writing rubric.

Big History believes that for students to get better

at writing, they need to understand

what good writing looks like.

In the beginning of the year, students read a sample

student essay and use our rubric to grade it.

They will revisit that same rubric throughout the year

to look at specific elements of peer writing

and make recommendations on how to improve the work.

By helping their fellow students get better,

they gain an understanding of the high expectations

in this course, and they don't have to do it alone.

In Big History, we refer to the notion of claim testing.

Students use this idea when reading new materials

to ask if a claim is consistent with our intuition,

if it is supported by evidence,

if it is made by a trusted authority, and if it is logical.

We will cover claim testing later in more detail,

but it is important to highlight that claim testing

is a powerful tool for writing.

Rather than simply asking students to cite evidence,

claim testing gives them a concrete approach

to elaborating on their ideas.

You might ask students: is their claim intuitive to the reader?

Has a single or multiple pieces of evidence been used?

Are the authorities for each piece of evidence provided?

Is the argument logical?

Together, the writing rubric and claim testing are a powerful

yet simple means for students to look at their own work.

This will take time however.

In the first few times they use these tools,

it might be a little clumsy.

However, over the course of the term, students start

to think about the questions these tools represent

out of habit, which is really our goal here.

Now, let's move on to our formal writing assessments.

At the end of each unit, we ask students to write

something we call an investigation.

Similar to document-based questions or DBQs,

these activities start with a driving question such as,

why do we look at things far away and up close?

What makes humans different from other species?

And, what's the next threshold?

Each investigation asks students to read a short collection

of documents related to the driving question,

then write a multi-paragraph essay complete with thesis,

intro and conclusion, and of course evidence

from the documents they've read, backing up their claims.

Each investigation takes about two days to complete.

Students return to their driving questions

and develop their conjectures about the topic.

They will have had practice,

thanks to the DQ notebook exercises.

Next, they'll explore the documents

in the investigation library and take notes to prepare

for the exercise.

The second day is dedicated to writing.

Again, this is where claim testing really comes in handy,

and you'll see your students pushing their use of these ideas

to become more sophisticated writers.

We encourage every class to have some kind

of comprehensive end of term paper for this course.

It gives students something to develop over the year

but if also gives them something to show off

what they have learned at the end the course.

The Little Big History Project is one such assessment,

with resources and activities spread across the year.

Students write a history of an object

or an idea they care about,

through at least three thresholds

and from the perspective of at least three disciplines.

At least one of these thresholds must be pre-human

and at least one of the disciplines must be history.

Working as a group, students will explore

many separate aspects of this topic,

then they will each complete a five- to seven-page paper

detailing their individual findings.

This project gives students an opportunity to really dive

into a single topic, researching different components

and following their interests.

Many teachers have even held Little Big History nights,

inviting parents and community members to come in

and watch presentations, which makes for a great way

to engage the community.

Now, let's take a look

at some of our classroom writing activities.

Most of these activities are intended to support

student writing in the investigations,

but they are also designed to help students develop

a consistent set of habits for writing.

The first such activity is the driving question,

or DQ, notebook.

This activity asks students to respond

to the driving question for each unit.

They do this at the very beginning of the unit,

even before they get into the content,

because they may not know much about the topic,

but they do know something.

And, it turns out, this is important.

Learning scientists called this activating prior knowledge.

Student create a mental model that later allows them

to organize the ideas and correct misconceptions

they brought into the course as well as expand

on their initial understanding.

Students will revisit their DQ notebook later

in the unit, now able to cite evidence

from the materials they have studied.

Towards the second half of the course,

students will be presented with a series of activities

that explore the writing rubric in depth.

Starting with a sample essay written by a real student,

students will use the rubric to grade this essay

and then debate what to award that paper

for each row in the rubric.

Over the next four units, students will work

with peer writing, looking at another

student's investigation and score it using only

a single row of the rubric.

Each time, the goal is to help the students dive deep

into what makes a great piece of writing

and how they can improve their own work.

In the course, there are a couple of short activities

in units three and six that ask students

to make a comic strip out of the life of a star

and to describe the evolution of man.

This less formal form of writing has been popular among students,

providing an opportunity to think through

the narrative elements of their arguments.

Some teachers have found these activities to be helpful

pre-writing activities and extended the activities

in the course.

Now, let's take a look at the student writing growth in BHP.

We've taken a careful look at the impact of all of this

on student writing in an ongoing study we've done,

together with the University of Michigan.

The results are really impressive and you can

check them out in the research report available

in the teacher console.

Bottom line: to get better at writing, students need to write.

When you combine a consistent, year-long rubric,

peer support and feedback, and a teacher who can create

multiple opportunities for students to write

and evaluate their own work, both you and your students

will be amazed at how fast their writing develops.

There you have it-- just a quick recap:

Writing is an incredibly important in BHP.

To help students get better at it, we have a single rubric

they are measured with all year and we use claim testing

as a way for them to look at their work.

Our investigations provide a glimpse into student progress

in writing at the end of each unit and our activities

are designed to help students understand

what makes good writing and strategies to get there.

Finally, the year-end research summary will provide you

with insight into the growth of student writing

we have seen in BHP.

That's all for now, be sure to visit our blog

or the community to talk more in depth about writing

in Big History.

For more infomation >> Session 3 - Writing | Big History Project - Duration: 8:20.

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Carcinoma mammario e l'integratore Phospho 2-AEP - Duration: 3:15.

For more infomation >> Carcinoma mammario e l'integratore Phospho 2-AEP - Duration: 3:15.

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Session 1 - Host Video | Big History Project - Duration: 1:13.

Welcome to Teaching Big History.

I am your host, Michelle Mondesir.

This is the first of a five-day course for you, the teacher,

to get your head around Big History

and start planning your year.

The way this works is you'll spend about

an hour and a half each session, give or take,

getting a solid overview of the course,

and then start planning your year.

You'll go through a terrific collection of videos,

teacher posts, and activities to get yourself familiar

with this course.

Then you will join our online teacher community to discuss

and hopefully understand this material a little better.

If it feels like a lot, it is.

That's why we've taken care to organize it in a way

that is useful for you.

Ideally, you should do one session a day for five days,

but of course you can move at whatever pace

works best for you.

Just make sure you have some thinking time

between each session.

Along the way, you'll meet Jenny and Jillian,

and the other veteran BHP teachers who will guide you

through this course and help you to look at a lot

of different pieces and figure out how they come together

to tell a story billions of years in the making.

You can do that in five days, right?

Sure you can, let's get started.

For more infomation >> Session 1 - Host Video | Big History Project - Duration: 1:13.

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Session 3 - Reading | Big History Project - Duration: 7:34.

Welcome to Big History.

My name is Jillian Turner.

Big History is all about big ideas.

To help students really engage with these concepts,

we place a huge emphasis on reading, writing

and critical thinking throughout our materials.

Today's topic is teaching reading, and what better way

to explore this topic than through a video.

Here's what we are going to cover.

First: leveled readings.

Each of the articles in this course is provided

at multiple reading levels.

We want to make sure that students at a range

of reading abilities could read material appropriate for them

and still participate in the class.

Second: three close reads.

It is as effective as it is simple.

By focusing on a specific reading multiple times

you can dramatically boost student comprehension

and help students develop strong habits.

Third: video as text.

Watch, read the transcript, and actively facilitate.

Students should not be any more passive in watching video

than they are in reading text.

In this course, we treat video as text.

If you have an approach to teaching reading,

by all means use it.

We don't want people to abandon what works.

In fact, we hope you would share it

on the Big History Project community site

so other educators can benefit, but stick with us

and you may find useful tips to enhance or build your practice.

Let's start with level readings.

A lot of the readings and ideas in Big History are pretty hard.

Some are really hard.

We use a scale called "lexile" to measure the complexity

of each of our readings.

For example, a measure of 900 is roughly something

a 14-year-old should be able to read at the beginning

of the year while 1,200 is something we'd expect

a 17 or 18 year old to understand.

The authors in our course aim for the average 14 year old.

Then there is Darwin, who uses a lot of big words,

and aims at the highly evolved.

We created multiple versions of each reading

with the lowest level starting around 700.

The student can select the level of each reading

in the lower left hand corner.

The highest level is always the default.

Teachers can ask students to track the level

of the readings they are doing, so they can see their progress

over the course of the year.

The leveling was done through a collaboration

with our friends at Newsela.

They are actual people, not machines,

so they pay careful attention to vocabulary and context

to get the ideas right.

The important thing here is that even if four students

each read different levels of the same article,

they will be able to participate in a meaningful conversation

about the key ideas.

Now let's talk about three close reads and why we need them.

Students in your class can't be expected to come in

and read something once and just get it,

unless they already have highly developed

or perhaps supernatural abilities.

I mean, personally, I've been reading all my life

and still find that I rarely read anything just once,

at least if I want to understand it.

Big History assumes students will read everything

three times, with your encouragement of course.

Each exposure to the content will have a different focus

and point the student at a different aspect of the text.

We call this three close reads.

The first read is actually just a preview of the text.

We call it "capturing the gist."

This first step is the easiest,

and will not scare off reluctant readers.

Here, we ask students to look at the title, headings,

author and what type of article it is in order

to make predictions about what they think the article

will be about.

The second read looks for key ideas, vocabulary,

and facts in the reading.

Big History refers to this as the informational

or factual reading.

Now, students pull out the main ideas to summarize the article.

Every article in the course includes a set

of these questions and sample answers

for you in the lesson view.

These questions don't cover everything,

but will give a great head start for your class.

The third and final reading is about thinking bigger,

also known as conceptual thinking.

This really is the heart and soul of the Big History Project.

If the first read was checking out a new car on the lot,

and the second was getting inside to see the controls,

the third reading hands students the keys they need

to take these ideas for a spin.

Students are asked to consider the context and importance

of the text in the bigger picture.

They will exhibit their understanding of the text

and how it ties into other things

they've learned in the course.

Here, again, we will give you at least one conceptual question

for each reading.

This is the chance for the students to go beyond

what the text says to explore what it means

and how it connects to the other ideas in the lesson,

the unit and even the course as a whole.

To help you with this approach,

use the Three Close Reads worksheet.

There's one linked to every article when you click

on the "start lesson" link in each unit.

This worksheet provides directions and hints

to the students along with space for them to jot down notes,

summaries, questions, and ideas.

I know what you're thinking:

I have students who want a trophy

for reading something just once, how can I get them

to read the same thing three times?

We know this works, especially when we hear

the terrific feedback from our teachers

already using this method.

And the fact is, these worksheets

are training wheels, only temporary.

In some cases, you may want to go even further

and literally read the first couple of paragraphs

to them out loud, highlighting key words

if they are doing the first reading

or asking the factual level questions

if they are doing the second.

Eventually, students will develop a habit of looking

for the gist, the facts, and the ideas in any complex reading.

They will know when to reread, reflect, and discuss

as if it were second nature.

Finally, let's move on to video.

We use a ton of video--

it's a great way to bring the narrative to life

and by mixing up formats--

some articles, some videos, we can keep students engaged.

Treat all of our videos like texts and read them three times.

I know it might sound strange, but like reading any good text,

it will help students to make sense of complex ideas.

The first reading, the gist, is a little harder with video

but this is why BHP includes the transcripts

for all of our videos.

Many teachers encourage students to preview or mark up

their notebooks before watching the videos for the first time.

For the second viewing the player on the website

has an option that will automatically pause the video

on each of the factual-level questions.

This approach for three close reads of videos will really help

increase comprehension and move students past

passive consumption to more of an active approach

to watching video.

And there you have it.

Just a quick recap.

There are three key aspect to our reading supports

in Big History.

First, we provide leveled versions of all of our reading.

Use these to allow students at different reading levels

to remain engaged in the class.

Second, we encourage three close reads

of all texts in the course.

The material we cover is challenging,

so most students will need to go over it more than once.

We build in a structured approach here.

Third and finally, we encourage teachers to treat the videos

in our course as texts.

Some are as dense and complex as our readings

and merit multiple reads to ensure students

are really getting the big ideas in them.

That's all for now, be sure to visit our blog

or the community to talk more in depth about reading

in Big History.

For more infomation >> Session 3 - Reading | Big History Project - Duration: 7:34.

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Session 2 - Host Video | Big History Project - Duration: 1:30.

Welcome back.

Time for session two of Teaching Big History.

Your head might feel a bit like the "everything" drawer

in my kitchen, full of things I need and use,

but not exactly organized.

Don't worry, Jenny will be back soon

to help you connect the dots.

So far you've heard from David Christian,

who walked through the history of the universe in 18 minutes.

This is pretty crucial, as this story serves

as the foundation for the entire year,

connecting all of the little details.

You've also started to get a sense of how the course

is structured, even poked around the site a little,

exploring the first three units.

But the most important thing you should have done by now

is signed up for the BHP teacher community.

I'm serious!

If you haven't done that yet, go back and do it now!

This is the place where you can ask questions

and get ideas and inspiration from other BHP teachers.

As you go through each part of Teaching Big History,

we hope you get in the habit of using that valuable resource.

Now, in this session, we'll dive into the meatier topics

of the course a little more.

You will get an overview of some of the big ideas

and how they help students create a coherent sense

of history as well as how the lessons are structured.

You will also learn more about the first three thresholds

of big history.

At the end of the session, you will go back

to the community and start to explore four and five.

At this point you're starting to realize just how much

there is to cover in 13.8 billion years.

Don't worry, you got this.

For more infomation >> Session 2 - Host Video | Big History Project - Duration: 1:30.

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Sports Data Analytics I How to Give Athletes a Data-Driven Edge - Duration: 2:30.

My name is John Young. I'm currently studying my PhD at La Trobe University

in Melbourne.

My focus area of my research

is based on deep learning in high-performance sport.

I consult for teams both here

in Australia and

overseas, particularly in America,

looking both at analyzing data for those teams

and also trying to create metrics

for them as well, to evaluate their players

and their coaches.

A scientist by its

nature is research and creating

something new, and the sports data

scientist is no different.

They're trying to create something new

and tangible and valuable to any team.

It's about our ability to quickly

process gigabytes of data from each game,

creatively collect data on the other

teams and mine that data for insights

for the coaching staff, based on data and

sports science best practice.

Previously when I worked for the Central Coast Mariners

My role there,

I evaluated the

gameplay at the end of each week

so then they can gain an understanding of

who they were playing against, what type of

competition that we're going to do,

what was common,

what were the common features about that team,

where were the strengths and weaknesses.

A sports data analyst can

see things in the data that others cannot.

In the NFL you can have up to 180

million bytes of data for a game, like

heart rate, skin temperature, perspiration,

information about the players gait, etc.

to give coaches information specific to

about each player and their position.

That has the potential to reduce injuries,

improve performance and extend athletes' careers.

In swimming and triathlon, I'm

constantly using data all the time

in their training and setting their

training up for raceday.

The data is collected in

in many different ways.

It can be visually collected through cameras,

GPS. Tracking system is a big one,

biometrically now, by satellites or

radio frequency tags during the game.

I'm constantly carrying around hard drives.

Teams, for example, need sports data analysts to

quickly use the vast amount of data

produced from each game

and come up with data-driven insights to

take their coaching way beyond watching

video playback, to inform strategy

to improve not only the team's performance

but individual performance and the

opportunity to win.

We're only limited by

our imaginations and then we're only

limited by the questions that the

coaching staff or the players are asking us as well.

But we need to be prepared.

It's gaining that edge.

For more infomation >> Sports Data Analytics I How to Give Athletes a Data-Driven Edge - Duration: 2:30.

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WordPress Changing Image Size - Duration: 1:14.

FIRST - SELECT THE IMAGE FILE

THEN CHECK IT IS LARGE ENOUGH

CLICK "EDIT IMAGE"

CHANGE THE SMALLEST SCALE DIMENSION

NOW EXIT THE EDIT MODE, CLICK 'BACK'

GO BACK INTO 'EDIT IMAGE' MODE

DRAG OVER ANY AREA OF THE IMAGE

ADJUST THE SELECTION AREA MANUALLY

NOW DRAG THE SIZED BOX TO THE REGION OF INTEREST IN THE PICTURE

CLICK THE CROP TOOL BUTTON

CLICK SAVE

CHECK THE FINAL SIZE IS CORRECT

For more infomation >> WordPress Changing Image Size - Duration: 1:14.

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Session 5 - Host Video | Big History Project - Duration: 0:53.

Four down, one more to go.

You've taken a lot in over the last four sessions.

And yes, we have saved the best for last.

Not only will you get the chance to plan your year in BHP,

but you will glimpse the future.

At this point, you've gone through all

of the key instructional topics we're going to cover.

You've gone over all of the thresholds but the last,

and you've had a chance to explore the entire course.

In this final session of Teaching Big History,

you will hear advice from a few more teachers to get you

ready for the year, wrap up the last threshold,

and take a brief look at the future.

Then you will get ready to plan your course.

This is probably the most important task you have

before the year starts.

Don't be shy about asking questions

as you develop your plans.

Now, let's hear from those teachers.

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