Waching daily Jan 19 2018

but why why YouTube why do I spend so much time on this thing called YouTube

ola YouTube my name is Ricardo Lino and I'm a wheel addict and we got to 10,000

so pumped I'm so pumped about these 10,000 subscribers here and YouTube and

I do know that for some of you it means nothing but it means a lot to me and why

does it mean so much to me well it's been so much to me because over the last

14 months I've been spending a lot of my time a lot of my time daily on this

thing called YouTube but why why YouTube why do I spend so much time on this

thing called YouTube that's what I'm gonna explain you today I work with

social media and I love skating and in my opinion YouTube can help me growing

skating and how well first let me explain you what's happening with social

media right now so I'm gonna say that YouTube is a social media even if for

most of you social media is snapchat Facebook Instagram the main two would be

Facebook and Instagram but Facebook and Instagram a different type of people on

it compared to to YouTube let me explain this usually on Facebook you'll find

mostly adults you'll have some teenagers but like mostly adults then on Instagram

you'll find mainly teenagers and then also young adults so that's it like

young adults teenagers that's the main population on if you can call population

well that's the main people using Instagram and then there's YouTube

everyone uses YouTube but the main advantage from YouTube in my opinion is

YouTube is used by kids a lot because their parents feel safe I'm a father

even if my daughter doesn't go by herself on any computer anything like

that when I want to play something I'll play a youtube video I'm just gonna play

one two three for and that's what happens and I know

that no one will try to contact with her and that doesn't happen with Facebook

most of the parents are not safe enough to leave their kids on Facebook at least

into a certain age but the certain age that I'm talking about

it's the certain age that we want people to start skating so if I can actually

make like two reels and if you can show a little bit of an appealing side of my

life for kids then maybe I'm gonna get some more kids skating right and then if

I show them other kids other examples and that's what I'm trying to do with

this YouTube channel I want to influence the younger generations to start skating

because I believe that's the future also I'm not gonna lie

obviously YouTube pays me a little bit but it's really a little bit cuz how can

I explain it is like I just told you I work on these daily and every day I

would spin like in between three to six hours just to do these videos even if

there's not a video every single day the amount of money that I made in the end

of the month is not even enough to pay for the gear that I buy usually monthly

so just for you to know but how does he make money I do work with some skate

brands I do work I do social media management for some skate brands

powerslide and other brands from the same group I also do the product

development with powerslide but other than that because I've been spending so

much time with these platform which is YouTube I've been learning a lot about

optimizing videos and optimizing channels and that's also becoming a

little bit of my job so I'm starting to help local brands here in South Africa

to create their own YouTube channels and to optimize their channels in a certain

way so yes YouTube can be actually quite cool because it's like a way for me to

mix most of my passions of course I'm not putting my family in here even if I

put my family in my videos but I'm talking about like social media videos

and skating three of my passions I put them all together in one and that is

YouTube and then in the end of the month I still make a little bit of profit and

more important anything else I can influence people to start doing what I

do and what I love to do so now you know

now on other important news really important topics you know that I'm not

really skating right now because of mine if you saw my last video I got hurt like

two days ago and I haven't been able to escape but I'm still producing content

is even if today's content is a little bit boring for some of you I've been a

lot in the computer sending messages and stuff and I'm excited and I'm excited

because I'm going to II spoke which is this trade show in Germany in one and a

half week and I'm going to be making a lot of content I bought all these new

products coming in the skating industry and two weeks later I'll be at the

winter clash why am i excited because yesterday I called this skate shop

called turn left roller derby skate shop in Eindhoven the city we're with the

clash is going to be and if you remember them I made a workshop a roller skate

workshop with them about 8 9 months ago and I asked them if I could use their

shop to make some interviews and they said yes so basically at the winter

clash I'm gonna have a little studio where I'm going to be able to invite

some people to make these skate talks that I've done before I might be able to

make a video version of it so I might be able to sit with some people with to

have more than one camera microphones that basically made this video podcast

and I've been wanting to do for a while also I'm planning to do live streaming

of the winter clash trying to get some cool people to comment with it like I

want to get like two microphones just watch the finals we'd like someone who

knows who knows get someone sitting with me and just talk about what we were

watching it the way the question it's gonna be quite fun so if you're not

gonna be able to make it to the winter clash make sure that you subscribe to

this channel because I'm gonna be uploading content while I'm there a lot

and that's it and again thank you so much for helping me make this channel

grow I'm trying to make these audience grow and influence more people to get

back on skates or to make their keep skate or to make their friends skate

that's what we try to do here so if you did enjoy this video do not forget to

subscribe to the channel if you liked it give me some thumbs up if you didn't

like it give me some thumbs down well but let me know what they didn't like

about it I know I'm not skating but it's not because I want to and more important

than anything else let me do what the other one does that's maybe maybe don't

forget while we all started skating because

it's fun cheers guys see you soon

For more infomation >> WHY AM I ON YOUTUBE IN 2018 AND HOW I GOT TO 10K SUBSCRIBERS // VLOG 216 - Duration: 6:40.

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[FREE] Lil Peep x Yung Lean x Oliver Francis x Lil Tracy Type Beat 2018 - "Hazy" (Prod. MLVN) - Duration: 2:44.

For more infomation >> [FREE] Lil Peep x Yung Lean x Oliver Francis x Lil Tracy Type Beat 2018 - "Hazy" (Prod. MLVN) - Duration: 2:44.

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One Day At a Time Season 2 Official Trailer (SUB ITA) - Duration: 2:15.

For more infomation >> One Day At a Time Season 2 Official Trailer (SUB ITA) - Duration: 2:15.

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A ARTE DE COLAR - PARÓDIA LOOK AT ME - XXXTENTACION - Duration: 2:20.

For more infomation >> A ARTE DE COLAR - PARÓDIA LOOK AT ME - XXXTENTACION - Duration: 2:20.

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Reality Cabelo Pantene 2 - Inscrições Abertas | Pantene BR - Duration: 0:31.

For more infomation >> Reality Cabelo Pantene 2 - Inscrições Abertas | Pantene BR - Duration: 0:31.

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BREAKING! SHE Survived Clinton Attack!! - Duration: 15:48.

BREAKING!

SHE Survived Clinton Attack!!

She's on a warpath right now and it's tearing up Twitter and social media outlets

as we speak.

This day is all about the survivor and the attacker and a day in remembrance of what

happened in the 90's.

It's being considered as a terrible attack that happened in the White House that left

a young woman's reputation damaged and a President impeached.

This is the story of Bill Clinton and Monica Lewinsky and she's celebrating her 20th

year of that horrible time in American politics.

The White House was disgraced.

A woman's dress defaced.

And everyone in the world had their eyes on the White House as an impeachment process

added to the fledgling reputation of former President Bill Clinton.

Monica Lewinsky claims she's a survivor after what happened with her sexual encounter

with Bill Clinton.

Some call it an attack.

Some call it mutual.

Everyone calls it repulsive because Bill Clinton was caught in a raunchy expose with an intern

while he was married to Hillary Clinton.

But Hillary didn't leave his side.

She stayed on the path of politics, not caring much about what her husband was into (or putting

into) and she used Bill's name and reputation to push her career forward while he took a

back seat after his romp with Lewinsky.

Bill Clinton was probed 20-years ago and the memory and backlash of the sexual encounter

have always left a stain on the reputation of Lewinsky.

That didn't stop her from being successful in her ventures after the impeachment of Bill

Clinton.

She refused to allow the incident with the former President of the United States to stop

her in on the path to success.

She pushed forward, full steam ahead, and she brandished herself a survivor.

She wasn't physically attacked with punches, kicks, or weapons, but her character was nearly

assassinated.

She went from being an intern to a name everyone knows.

People know her, her dress, and something about cigars that we won't get into.

And now, still, Lewinsky pushes on as she claims herself a survivor from what was possibly

her most tumultuous year.

Gateway Pundit reports: "Twenty years ago today Special Counsel

Kenneth Starr contacted Attorney General Janet Reno to get permission to expand his probe

of Bill Clinton.

Janet Reno agreed and submitted the request to a panel of three federal judges.

The judges agree to allow Starr to formally investigate the possibility of subornation

of perjury and obstruction of justice in the Jones case.

Tripp and Lewinsky meet again at the Ritz-Carlton.

FBI agents and U.S. attorneys intercede and take Lewinsky to a hotel room, where they

question her and offer her immunity.

Lewinsky contacts her mother, Marcia Lewis, who travels down from New York City by train.

Lewis contacts her ex-husband, who calls attorney William Ginsburg, a family friend.

Ginsburg advises her not to accept the immunity deal until he learns more.

Three days later, an January 19, 1998, Matt Drudge at The Drudge Report broke the story

first on the Monica Lewinsky Scandal.

And that led to the impeachment vote of President Bill Clinton."

Is the combination of Matt Drudge and Monica Lewinsky the reason for Bill Clinton's impeachment?

Perhaps as a secondary reason.

The true reason for Bill Clinton's impeachment is Bill Clinton himself.

His inability to remain distant from Monica Lewinsky, regardless of who approached who

is the sole reason an impeachment was ever more than an idea.

If he allowed himself to be in close quarters and inadvertently in a sexual encounter with

an intern, then the full blame must be placed on him.

Citizens have extremely high standards for the President of the United States of America

and sexual encounters with an intern are not on the unwritten list of approved behaviors.

Monica Lewinsky shared her 20-year anniversary Tweet and it began a chain of survivor Tweets.

It's a great story to see her posting positive messages to the public.

However, we must remember that it takes two to tango.

Since she was an intern, then it must have been the world's biggest accomplishment

to "hook up" with the President.

But for Bill Clinton, he let down his wife, his country, and his intern when he allegedly

engaged in sexual activity.

Bill Clinton should have said NO so that Monica Lewinsky didn't have to say #MeToo.

But let's not forget – the encounter with Bill Clinton was only the beginning.

Don't forget what Hillary did to try and ruin her life.

Hillary may not have slept with Monica Lewinsky, but Mrs. Clinton is very capable of doing

a lot of other things.

Monica has gotten off easy.

Enjoy her Tweets.

Her's is somewhat whiny, but there are some true survivors in the pack and may God be

with them all.

For more infomation >> BREAKING! SHE Survived Clinton Attack!! - Duration: 15:48.

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First Day in Prison: What Not To Do (Lockup Parody) | We the Internet TV - Duration: 1:19.

(somber music)

You know what they say on the outside.

First day of prison, they say pick out the biggest, baddest, meanest looking convict in the courtyard,

and f*** him up.

That way, the other prisoners know not to f*** with you.

I wish people would stop beating me up on their first day of prison.

Yeah, I know I'm big, I look bad and mean, but I'm here for mail fraud, dude!

I don't even know how to fight!

I only got this big because I'm a stress eater.

Mama says the only thing bigger than my stomach is my heart.

It's gotten so bad, even the Aryan Brotherhood is stepping in to break up my ass kickings.

If you could play this video for the new convicts, it'd really help me out.

Please don't hurt me. I really can't take it anymore.

My hands shake so bad, it's getting harder to knit.

I'm making scarves for all the new inmates.

How you gonna beat up a man gifting you handmade seasonal accessories?

(somber music)

Oh damn it...

(laughing)

For more infomation >> First Day in Prison: What Not To Do (Lockup Parody) | We the Internet TV - Duration: 1:19.

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Here's The TV Couple Everyone Thinks Is #RelationshipGoals | Black Card Revoked - Duration: 1:29.

- AUDIENCE: [cheering, applauding]

According to our survey,

which one of these TV couples are #relationship goals?

- That's easy. - Martin and Gina in "Martin"?

Whitley and Dwayne in "A Different World"?

Andre and Rainbow in "Black-ish"?

Cookie and Lucious in "Empire"?

- SLINK: But are we talking about relationship goals--

- But are we talking about relationship goals or love?

- We're done. - It's a no-brainer.

- Y'all know what it is.

Half them ain't seen "A Different World."

- Hell, nah. - We're done.

- You got it locked?

- In the words of black folks,

they're still conversatin' over here.

- What you talkin' about? Who asked them?

And I'm pretty sure it's conversin'.

- You're gonna get your black card revoked

for trying to correct me. We're conversatin'.

- AUDIENCE: [laughing] - Show me the cards.

- Martin and Gina. - Martin and Gina.

- Martin and Gina!

- Slink, that's your relationship goals?

- Personally? Out of all these answers?

- He got real serious.

- Martin and Gina. - AUDIENCE: [laughing]

- TONY: JoJo? - Come on. Come on.

It's simple. Martin and Gina, man.

- Martin and Gina. - All the rest of that...

I don't even remember half of them other relationships.

- Vaughn, is that what you're lookin' for?

- You go, girl. - AUDIENCE: [laughing]

- You go, girl. - You go, girl.

- TONY: For 100 points, which of these TV couples

are #relationshipgoals?

Our survey of black people says Martin and Gina.

- AUDIENCE: [cheering, applauding]

- TONY: Slink and Imani still in the lead with 350 points.

For more infomation >> Here's The TV Couple Everyone Thinks Is #RelationshipGoals | Black Card Revoked - Duration: 1:29.

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Dr. Bones: Stirner, Egoism, & Overthrowing The Ideas That Rule Us - Duration: 8:37.

Stirner's ideas are that we need to get away from these spooks we need to get

away from these phantasms that are controlling our actions and that we are working

for now let's give an example that you know Oh in the spirit of left unity we

can talk about the working class now when we say the working class if we're

talking about a specific material reality that you and I inhabit right now

ie a group of people that don't own the

means of production and have to literally sell their labor that is

Stirner would have no problem with that in fact and this is one of the things

that just kills me about a lot of people that read Stirner in the 90s still

convinced that many of them didn't make it through the whole fucking book

Stirner spends the second half of his book basically saying you know the poor

are partly being responsible for being poor because they won't bring violence

against the wealthy because they've been tricked into believing the spook of law

of state that says that you aren't allowed to reach up and snatch back your

life from these people so when we talk about the working class in some Marxist

sense where it's this holy sacred historical inevitability that the people

can do no wrong that there's this invisible progression of time and

evolution that's just waiting and marching towards an inevitable

you know liberation through the dialectic well that's a religious thing

it's not real you've taken a social construct mental shorthand and you've

made it God you made it a new Jesus for you and Stirner saying the minute you do

that you end up subjecting yourself and putting yourself beneath it so you end

up sacrificing for it you know we've all seen these leftist that it's so fucking

high and mighty on you know snorting radical text that they deny themselves

all the great things about life you know they don't have time to hang out with

friends they're just sitting at home reading all day are only going to protests

this they don't live anymore they're literally possessed they are possessed

by the spirit of this thing of this idea and Stirner his whole critique goes even

farther and he's talking about again something that a lot of anarchists

aren't ready for what about society is society real the United

States is a construct it's a group of buildings and flags it's not something

real you can't touch it in your in your hand but it's something that we've

ingested and that we've become possessed with and somehow we've carried this

loose idea of a society as well you know we are individuals that have been

tricked into thinking we're in a gigantic cohesive unit of 300 some odd million

people when in reality it's just that it's an idea in fact one of there's an

old Chinese saying I think it was right around the turn of the century because I

think I picked it up for a Daoist documentary that talked about how China

was the biggest idea in China and back in the day you had these you know you

know I'm we're talking people that lived village to village right that each

village had its own gods and goddesses and everything like that so China was

this big idea it was this idea that somehow you were connected to all these

other villages even though you knew nothing about them you spoke different

dialects you ate different food you worship different gods somehow you

thought we're together in this and that can serve a purpose and Stirner talks

about the Union of Egoists which differs from a society in the sense of you a

Union of Egoists is your sword we are combining might and we are combining

power that we all might benefit where the society says you belong to me you

are part of this you must offer yourself for me and the only way you can live is

through me you know you look at in anarchist Spain right Durruti was an

illegalist he was exiled from France and Spain for armed robberies in the name of

revolution so he was robbing banks taking some money for his comrades and giving

the rest of the revolution then he went to the Caribbean he went to South

America where South America was a fire of ilegalist activity I'm talking

individualism Unions of Egoist Stirner all these different things they

were robbing banks blowing up buildings I mean it was fucking wild so Durruti

comes back to Spain and he's got all this experience with explosives firearms

street fighting's everything like that in an illegalist

and he gets taken up as a commander and his column was one of the most

successful of the entire Spanish revolution while that's happening the

communes and the unions are literally jailing and executing illegalists that

are still you know robbing banks people that don't necessarily want to work with

the unions or anything like that you had this group of anarchists and

individualists that were fighting for liberty and offering their money and

their services to the revolution and when the revolution started to gain sway

well the commune must come first comrade and unfortunately your way of life doesn't

fit ours and so you must perish so after the fascists kicked you know the

Republicans asses the only people that were still fighting Franco were the

illegalists in fact there was one individual called um El Sabate I think

was his name and he was going through and he was still robbing and killing

landowners bosses priests in fact El Sabate was so scary

to the burgeois that other criminals started saying they were him just to get

people to surrender and give up I mean this he was huge and this was this was

the only motherfucker still going on and waging the war long after the banners and

everything like that and Barcelona were trampled so Stirner's ideas instead of a

revolution instead of the working-classes revolutionary subject

sterner posits you as the revolutionary subject and not you as a worker not you

as a member of a nation but you as an individual totally unique that you are

more than just a worker you are more than just an American in fact Stirner

uses a term Unique and he uses this term because it says something about you

while also saying nothing it's similar in a sense to the word gnosis the Greeks

had several words for knowledge and one of the words was gnosis and gnosis was a

very particular sense of knowledge so if you were to say I know algebra okay that

means you know what it is you know how it works etc etc

but if you say I know my brother that means not only do you know what his name

is how tall he is what he wears but you have a deeper sense of who that being

really is in ways that perhaps can't even be fully talked about that is

Stirner's unique and that's the real revolutionary subject of Stirner's Egoism

that that unique that when we posit ourselves as unique individuals that

should be free from all limitation whether it be the law whether it be the

state whether it be society whether it be gender that's also a very interesting

thing you know this guy's writing in the early 1800s and he's basically saying

that gender is a myth as a construct you know so he's saying all these things

you are unique and there's no reason to wait for a revolution there's

this very famous Stirner line where he says you know the revolution

aims at new arrangements the revolution is about electing new masters it's about

becoming servants to a better order insurrection is putting yourself above

the established you are saying I will free I must exist I must be myself I

must fully flower and develop my unique I I me lowly me as every other you know

political ideology would put you whether you're just a lowly citizen or a lowly

worker I am more important than the United States and I will do everything

in my power to liberate myself and uplift myself

For more infomation >> Dr. Bones: Stirner, Egoism, & Overthrowing The Ideas That Rule Us - Duration: 8:37.

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How to practice drums - James Payne - Duration: 18:09.

Hi guys welcome to another episode today

we're going to work on developing your

own study method developing our own

study method is fundamental for whatever

we are doing really but especially for

when we practice and play drums

sometimes we want to improve ourselves

and we don't really know where to go

where we should start from and what

steps should we follow but other than

that we also don't know how to work on

every single subject that we want

to work on so today we will understand a

little bit how our brain works in order

that when then we play drums and we have

to face certain steps and certain things

we know how to work on them because we

know how we have to work on ourselves on

our arms our legs our fingers wrists

ankles but mostly important on our brain

so talking about our brain I think it's

clear for everybody that we only have

one brain but that when we play drums we

have to control at least four things at

times that means that our right left

hand and right and left foot are doing

most of the times different things at

the same time so we will have to educate

our brain in order to have muscular

memories so that we don't have to think

of four things at the same times but we

can focus on at least having two things

that are going automatically and then

other two that we can think of

that are working like for example we

keep the hi-hat with the left foot and

the right hand on the right and we

create phrasing with our right leg and

left hand okay so two things are going

automatically and other two we're

working on it

with our brain so this is just an

example how do we do that how does our

brain work

basically our brain works based on the

experience that every human being has so

when we're children we're very young we

have no experience we're playing with a

volleyball with our dad or our friend

and the ball comes towards us hits us in

the face we feel pain we cry and our

brain memorizes that our brain memorizes

that whenever something is coming

towards us that will hit us that will

hurt and it's a bad experience so the

next time that that will happen your

brain will instinctively have your hands

in front of your face or the part

that it's going to be hit so that he

prevents the bad experience that it had

last time so in this way we'll protect

ourselves and we won't get hurt and the

brain will understand that he found a

solution so every time that something

will come towards us the brain will put

our hands in front of it so that it

protects us and we don't have to

practice that we don't have to remember

that or think about that whenever this

situation happens it just instinctively

happens because our brain will create

some contacts between the brain cells

that will send the inputs to

the hands that will say hey something is

coming towards us let's protect

ourselves okay so it creates muscular

memories based on that situation that

we lived same thing happens when we play

the drums

okay so first time we sit on a drums we

have to deal with the pedal the easier

thing for our brain to do is to use the

leg motion because it's a bigger muscle

so it usually has a stronger connection

with our brain rather than a smaller

muscle

like for example the one of the ankle

and so that becomes the habit every

time you will sit on the drums

your brain will automatically use that

part of your leg to do this motion

because that's the contact that it

created in our brain so applying this to

improving ourselves improving every

single part of our body means that we

really have to be concentrated on one

thing at time to create all

these contacts for every single part of

our body I know it sounds like a very

long process it really is hard at the

beginning because we will do a bunch of

things in a way that we never did

but that's also the thing that will make

us understand that that's

we're improving something that our brain

has no connection on all these new

things that we're doing and is building

connections and that means that we are

improving ourselves let's think about

the fact that our hands and feet don't

have their own brain we will have to

educate our only brain that we have to

send the right inputs to all the parts

of our head so we have to learn how to

play arm motion so that your brain gets

the education of what an arm motion

exactly is then we have to isolate and

make sure we can use only the wrist so

a wrist motion so that our brain is

educated we will think of wrist

motion and what he will know what he has

to do and then finger motion so it isolates

completely the wrist so when we

have a halfway motion so for example a

little bit of finger and a little bit of

wrist motion that means that our brain

doesn't exactly know which part it has to

activate when we want to do certain

things

so everybody of course it's different

and we'll be more comfortable practicing

in certain ways but there is something

in common with everybody which is how

our body and brain works so all the

things that we just talked about so the

best way and the key word of practicing

and educating the brain is concentration

we have to concentrate on every part of

our body to educate our brain to control

them so for example a common

mistake that I used to do and I see

different people do it is that when we

want to improve speed we just sit

on our stool put a click BPM and then

we'll start warm-up then increase the

speed then increase the speed and go as

fast as possible what is happening here

really for our brain is that he is

applying what he already knows because

it can't concentrate on anything he can't

think about anything because doing this

is too fast ok so he can

concentrate on up-down up-down motion

with alternating right and left

so rightleftrightleft this is too fast

ok? we can't think about this motion

so this means and even at this speed ok

rightleftright... it's already too fast for your brain

to really concentrate on anything and to

improve anything so instead if we get

rid of some messages to our brain and we

start focusing on only on one part of

our body and on this part we start

focusing only on... so and of this

limb we will start working only on one

part of the limbs so for example the

fingers and then while we're working on

the fingers we

start to concentrate on each finger for

example the thumb and I make sure that

the thumb is in the right way then the

index finger and I make sure that the index

finger is in the right position and

middle finger ring finger pinky finger

and so on and then wrist and then arm

okay so we break down really every part

so that our brain understands that what

it has to do what every part

of our body should do when we activate

them okay so what is the best way to for

example work on hands speed is to start

working on one limb at time okay and a

suggestion that I give you is to start

working on your stronger limb so if

you're right-handed and your right and if you're

left-handed on your left

because that's going to be a little bit

closer to the final result that we want

to achieve

compared to our weak limb and so it will

become even a better instructor for your

the week part of your body and

I will explain this better in a little

bit so I'm right-handed and so I will

start working on my let's say wrist motion

or actually finger motion with my

right hand I will stop focusing on each

part of my hand so each finger and make

sure that I only focus and concentrate

on one part at time then I will go on my

weak part of the body so the left hand and

I will do the same and for example here I

will start using three different senses

of my body which is very important also

to put this in our study method so for

example I can see how my hand is working

I can listen to the sound and I can feel so I

can close my eyes and I

just feel the feeling that I'm having while I

do this motion and then I try to copy

same thing I try to watch look at my

hand and understand the positions if

there is anything different then the

sound and then the feelings so I'll close

my eyes and I'll compare the two hands

okay so first part is one limb at time

focusing on every part so breaking down

every part of the hand that I'm using or

part of the body that I'm using using

different senses of the body and so this

is working on one thing but we're

working on it in a hundred different

ways then we can play unison when we

play unisone what happens is that we're

sending the exact same message at the

exact same time from two different parts

of the body so our brain will understand

that there's one part of our body that's

doing all this motion in an easier way

compared to the other one

so our weak part of the body is going to

have hardere times compared to our

stronger part and so the brain

understands this and the strong part

starts to become a guide a leader for

the weak part so we will feel that the

left part in my case I will feel that my

left hand is going to start working a little

bit better because it follows the right hand

if for example we do these kind of

motion like the moeller two strokes moeller

motion and then we get rid of the right

hand

you will feel that the left hand has

hard times going on its own and it's a little

bit easier when it works unisone

because it follows okay the hands that

it's leading the workout so the Unison

part is very helpful to kind of auto

educating ourselves

okay our brain will understand hey your

right hand is doing a better job than

your left hand so the left hand starts

following starts copying the right hand

then the third part it's going to be

alternating which is really an

application of what we are practicing

okay so here we work on the single parts

and we work on kind of leveling with the

Unison section we kind of level the two

limbs and then we apply so let's say

that we go from three out of ten to five

out of ten with our right hand

practicing on its own

same thing on the left hand then we go

from five to six when we start

practicing unison and so from three we

go to six out of ten so our application

will automatically go from three from a

performance of three to performance of

six because we've improved every single

part okay

and so our application will also have

benefits from here so in this way we're

really educating our brain to control

our body and to then really know

whatever is happening okay so both from

in our body and controlling the external

forces so the rebound the spring and

everything that we have to deal with

while we play of course this it's not

something that you can apply when for

example you have to work you have to

practice a groove because in that case

like for example the Unison part unless

there aren't certain like the backbeat that

goes unison with the hi-hat or stuff

like that but you can still think or now

that you know that how our brain works

you can still figure out a way you

practice it so you can figure out a way

of for example starting with your right hand

on the hi-hat if that's the case of the

groove and make sure that that works and

then you can add the second hand and so

you make sure that nothing changes and

so you kind of break the groove down and

you concentrate on everything so we

won't have to do this for every exercise

or every groove that we will work on

but it's just something that once you

know how your brain works and you have

hard times doing something you know

what's happening you know that your

brain doesn't know which control it

should have or i should give to that part of

the body and so you can work on that

this also happens for example another

common thing is when our foot starts to

do weird motions that it does like

spasm kind of motions like

that it's just going instinctively and

you have no control over it that's

because your brain is not completely

educated on using only the ankles so you

would have to just work on the ankle

motion first and then apply to the pedal

and then speed it up so keep break down

everything every time you have any

problem and you're facing something

that's blocking you you will have to

stop understand what it is understand

what your brain is missing what message

your brain hasn't learned yet work on

that educate that and then go back and

apply it and in this way you will solve

all the problems that you have for

coordination technique taking advantage

of external forces

controlling your body controlling

your instrument so now we understand how

important concentration is and this will

help us to make the best out of every

minute that we spend practicing and this

will also help us to motivate ourselves

to practice more we will have results

and it will make our study course way

easier and motivation and concentration

are a big thing in a daily journey to

achieve your goals

so now that you know how our brain works

hopefully it'll be easier for you to

practice anything that you're doing

For more infomation >> How to practice drums - James Payne - Duration: 18:09.

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Daniel Bryan WINNING Royal Rumble 2018?! Kevin Owens Injured | WrestleTalk News Jan. 2018 - Duration: 3:49.

Hello and welcome to the WrestleTalk News - I'm Oli Davis.

Welcome NXT Signees Earlier this week, WWE announced the signings

of top independent wrestlers Ricochet, Candice LeRae and War Machine.

And now we have an official image of the first NXT Class of 2018.

Wait - are we sure that's the right photo?

I feel like there's something miss-oh yeah!

It's the first NXT Class of 2018 photo now with compulsory Triple H 'this guy' pose!

American Ninja Warrior Finalist Joins NXT And they're not the only new recruits, as

WWE have also announced the signing of American Ninja Warrior finalist Kacy Catanzaro - the

first woman to complete the show's warped wall.

Catanzaro had previously worked out at the Performance Center last January, and also

attended the Mae Young Classic tournament.

But Catanzaro, Ricochet, LeRae and War Machine might soon have more company.

And it's trouble.

ECIII At WWE Performance Center Two-time World Heavyweight Champion Ethan

Carter III was written off TNA at last weekend's TV tapings, sparking rumors he would be on

his way to WWE.

Fightful then reported ECIII "already has suitors" of where to go next, and he had

cancelled a booking on the 28th January - the same day as WWE's Royal Rumble.

Now PWInsider are reporting Carter was at the WWE Performance Center on Tuesday, and

they confirm he's completely free from his TNA contract and is "clear to go anywhere

he wants".

Which seems to be WWE.

And it's good timing, as their injury list grows ever longer.

Kevin Owens Injured Along with Big Show, Big Cass, Dean Ambrose,

Jeff Hardy, R-Truth, Samoa Joe, Brian Kendrick, Jason Jordan, Noam Dar and the reportedly

retiring Paige all on Raw, Smackdown can now add Kevin Owens - whom the Wrestling Observer

Newsletter claims has "a nagging injury that comes and goes but isn't anything serious."

This is why, despite being backstage, Owens didn't wrestle at last weekend's live

events, or on Tuesday's episode of SmackDown LIVE.

Samoa Joe Injury Update In an update on Samoa Joe's foot injury,

the Observer also reports it "looks to be more than a few week thing", as he's been

pulled from the Royal Rumble match and from live event dates up until the middle of March.

Weirdly, though - if you put any stock in betting odds - WWE might have a big return

planned for the January pay-per-view.

Get your pinches of salt ready!

Daniel Bryan Royal Rumble Betting Odds In a bizarre piece of news, the betting odds

of Daniel Bryan not just making a surprise in-ring return at the Rumble, but also actually

winning the entire match, has been cut from 66/1 to just 5/1 over the last few days.

This now makes Bryan the third favourite behind Shinsuke Nakamura and Roman Reigns to win

the match.

There are reports lurking around that Bryan's odds dropping is because WWE's creative

team pitched him winning in a meeting, and word leaked out.

From what I can tell, though, that story can be traced back to Bryan Alvarez's speculation

- that is, him providing a possible explanation rather than claiming he has the inside scoop

- which other websites have reported as fact.

Bryan is still not medically cleared to return to the ring.

MVP is returning to WWE Raw!

Click the screen now for more great wrestling videos.

For more infomation >> Daniel Bryan WINNING Royal Rumble 2018?! Kevin Owens Injured | WrestleTalk News Jan. 2018 - Duration: 3:49.

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Fidget Spinner Vs Fidget Spinner!! Colorful Fidget Spinner For Children and Kids - Duration: 2:29.

Fidget Spinner

Music

Fidget Spinner Vs Fidget Spinner

Colorful Fidget Spinner For Children and Kids

For more infomation >> Fidget Spinner Vs Fidget Spinner!! Colorful Fidget Spinner For Children and Kids - Duration: 2:29.

-------------------------------------------

Finally on Patreon! (WITH SUBTITLES) - Duration: 1:13.

For more infomation >> Finally on Patreon! (WITH SUBTITLES) - Duration: 1:13.

-------------------------------------------

Helping Maple Firewood Achieve Its Life Purpose - Duration: 5:18.

Hi, Alan Stratton from As Wood Turns.

(http://www.AsWoodTurns.com) Sometime, a piece of wood acquires a consciousness,

a sense of needing to fulfill a higher purpose.

This wood was once part of a proud maple tree.

It stood high and proud above the forest until it had to be cut down.

Then it stayed for a long time in a pile of firewood, deteriorating.

It split.

It cracked.

It started to rot.

It just cried out – I can do more.

I can do more.

So, it called out to my brother who picked it up and said "Hey, can I make that into

a people feeder".

He brought it down here.

But no, it did not make it into a people feeder.

But yet the wood still cried out and said.

"Hey, I can be something.

I can be something more.

I was once proud and part of a tree.

I can yet be something more."

And.

So.

It called out to me even stronger.

I had to relent.

I thought, "I cannot make something on my lathe with that.

It's not round.

How can it be."

It still called out and said, "Forget the lathe – carve me out.

Turn my skin into something beautiful."

So, here it is.

This wood is not accomplishing its higher purpose and becoming something more than a

piece of firewood.

It could not stand to be in the firewood pile.

To do that, it required some tools.

This is a Proxxon carving tool.

To start with, I used a carbide cutter, a rasp to refine it a bit more.

And finally, a sanding disk on the tool.

The sanding head and the rasp did require some dust protection.

Don't forget that.

So.

Let's help this wood achieve a higher purpose than being resigned to the fire.

I'm starting with a carbide cutter on the Proxxon tool.

I'm sitting on a stool.

The wood is on a small table on top of my lathe.

This is nice so that I can rest my arms on the table or stabilize the wood on the table

whenever it is convenient.

I'm gradually working down the wood using only my fingers to gauge the thickness.

However, my focus is not letting the tool near my hand.

I'm even making sure my hand is not opposite the tool where it is cutting.

The tool likes to jump and I have to be careful.

That rotten branch area is hard to do since it is deep and narrow.

My face mask is essential as I'm regularly sprayed with wood chunks.

Now, I'm using a rasp head on the Proxxon tool.

It is still quite aggressive but I feel safer with it than the other cutting head.

But I'm still using the same precautions.

If this can remove wood like it is doing, it would do the same to skin.

With the rasp cutter, I'm making the walls a bit thinner than I was comfortable doing

with the other cutter.

The only area on the exterior is the cut end that I want to round over just a little.

Sorry about the end camera.

The lens is in the direct path of all the wood dust.

For dust protection, I'm wearing a mask for breathing protection.

No such protection for the camera.

I've switched the Proxxon to a sandpaper head.

Now I can go over the entire inner surface again and the small end area.

This will not be a smooth finish.

But, I like the small facet type areas.

Finally, I'm signing the branch end with a small ball tip in my Vaporizer.

Then oil both the inner and outer surfaces with walnut oil.

I'm not making a stand.

However, this little dish wants to sit is how it will sit.

It is kind of a inside out natural edge.

Or, I could turn it over to see that knob that initially drew my brother's attention.

That's all for this dish au naturale.

Please give this video a thumbs up, subscribe on my website and tell your friends.

Please wear your full face shield – you'll thank me later or cuss your own self for not

wearing it.

I am Alan Stratton from As Wood Turns dot com.

Come back next week for a new woodturning video.

For more infomation >> Helping Maple Firewood Achieve Its Life Purpose - Duration: 5:18.

-------------------------------------------

Psalm 92 - Die Treue Gottes gegenüber dem Gerechten - Duration: 2:17.

For more infomation >> Psalm 92 - Die Treue Gottes gegenüber dem Gerechten - Duration: 2:17.

-------------------------------------------

Heel Down bass drum technique - James Payne - Duration: 16:04.

Hi guys welcome to another episode today we're going to work on the heel down the

heel down it's a very good technique to practice even if we

don't apply it in our playing because it works on the up motion of our foot so

it's really good to improve the range of motion of our ankle in fact usually when

we play the ankle motion a lot of drummers tend to have a very small

dynamic range instead if we work with the heel down the hill down will force

us to have from let's say zero degrees to plus thirty degrees so we will really

work on the up motion and it's a great way to work on our ankle to make it even

more elastic this of course will improve our speed power and endurance in the

single strokes in any technique heel down heel up

heel toe slide and so on okay so the first thing that we have to work on and

that we have to pay attention to when we do this kind of motion is that we have

to educate our body first so we will start this workout without the pedals

and just putting our feet on the floor and starting to work on the up motion so

our starting position will be at this point and we'll just step the floor and

go back to the initial position again so most of the time our foot will stay with

the toes raised this will might cause some a little bit of tension here in this

muscle so we want to maybe alternate a little bit our feet the right and left

foot so that we don't get too tired in one of the legs but we will keep stay

relaxed and we will be able to do this kind of motion once we have like figure

out a way to keep this motion going for like 30 to 60 seconds in a

stable BPM so with with a stable timing without feeling any stress

we can go and apply this on the pedal but first there are a few things that I

want to go through let's make sure that we don't press on the floor with a heel

that we don't have this type of approach and then our foot doesn't move while we

are doing this but that all the weight of our body stays on the stool we just

lay the foot on the floor and then from there we raise the toe and

on the other side we don't raise the heel so that our foot

tends to go backward so if we see that our foot tends to go forward this means

that we're pushing we're pressing down with the heel we're doing this and we

don't want this to happen because then this is going to be a press motion and

it's not going to be what we want to do when you are on the pedal so we have to

make sure that the foot is not going forward on the other side we don't want

the foot to go backwards neither because this means that we're tending to raise

the heel and so the foot tends to go backwards so let's make sure that the

foot is still and that we work just by raising the toe and that our wheight it's

on the stool so once our body will feel like our body is ready and feel

comfortable in doing this we can start working on the pedals and as we will go

on the pedals will feel that it's still going to be hard for us to go straight

away and deal with the spring so a very good step that we can do in between is

to take the springs off get rid of the springs and start applying the same

motion that we were doing without the springs so we will start in our initial

position with the toe raised we will press down and then we'll follow the

pedal back so we will have to think of not pressing down because if not the

pedal we will choke the rebound and the pedal won't come

back and so we'll have to keep following the pedal back and an other thing is

not to kick the pedal board in this way because when we will have the spring on

it means that the spring tension will pull the beater back up and we are going

to push down with the micro muscle of the articulation of the ankle which can't

sustain much fatigue and this will cause will create a lot of pressure that will

prevent us to making the heel down to actually do the heel down in relaxed way

so it's very important to stay synchronize to the pedal to the board

and to stay unison with it then, once we're comfortable with it we will have

to think about something we will have to think about the fact that when we put the

spring on the pedal will have a minimum speed so with the spring with the heel

down we won't be able to go slower than this if we go slower than this it means

that we have to work against the spring without the spring we will have

to get to a speed that is around this speed so that we are prepared to go to the

minimum speed of the spring tension so we will have to go from very slow which

will be possible because we won't have a spring requiring us to keep the pedal in

motion so we can start from a very slow bpm to work on the control

same thing so remember of the up motion to come back and not to press

down be very relaxed and just lay the foot on the board

when we'll get to the speed that will allow us to be ready for the speed of the

spring which of course will depend on the settings that our pedal is going to

be at so once we put the spring back up we will feel that starting straightaway

pressing down it's going to be hard it's going to be a lot of work because of course

the spring tension is trying to pull the beater back up and starting from zero in

this position is going to be harder it's like if you want to throw something and

we do we throw it in this way without having a decent run up that allows us to

throw the object further away so the same thing we can do here with the leg

motion so we can do the leg motion first so that it activates the pedal and then

from there you can just maintain the pedal in motion also here it's very

important not to press down and have this kind of motions we want the beater to come as

much back as possible it has to be as much close to the shoe as possible

okay so have a very wide range of motion

and then we want to stay synchronize to the pedal and not have weird motion or

kicking the board of the pedal because then here you will clearly feel that the

beater is pulling back and we're pressing down so we feel all the

physical work out instead we want to make sure that with very little effort

we can maintain this motion going so we take advantage of the spring so once

we activate the spring we just follow it based on the speed that we want to play at

it can be slower can be faster so this is a great technique for fast things and

slow things it really benefits the balance of our body because having the heels

leaning on the pedals allow us to play also at speeds that are too fast for leg

motion and too slow for and heel up motion so you can play all those speeds like

from 150 to 190 bpms which usually creates the problem of being too fast

for the leg and been too slow for just the ankle because it's great for your

balance and the amount of the range of motion that the ankle does it's great

for those timing so I suggest to try playing in this way for those

timings but you can also use it for you know slow parts or even fast very fast drumming

a lot of drummers use these as their speed technique so you just have to

maybe set the pedal in order that you don't have a lot of rebound because not

having a lot of range of motion of possibility of range of motion in this

technique you don't want to have too much rebound you don't want to have too

much come back of the pedal but you want to have a pretty light setting so loosen

the spring will help a lot in the heel down so today's workout for the heel

down it's going to be first of all find the right motion with our body so spend

some time to do this without the pedal without anything just feeling like the

motion and the feeling that you're having is correct

working on the up motion so don't work at a very low range of motion but have a

good dynamic always because then we have to think about the fact that if the

panel requires us this much of

come back this much of motion and we're trained to just this much because

we raise our foot this much we won't be ready for the pedal requests once we

go on the pedal with the spring so first of all work on our dynamic and our

motion without the pedal then we'll go on the pedal without the spring and we

will work on one foot a time play single strokes finding a comfortable speed at

which we can just maintain the rebound so the goal is to keep the rebound going

for 60 seconds with no mistakes so having a regular motion notes even spaces

between the notes even the dynamic even know to have weird

shuffle or weird dynamics in between

feeling relaxed same unison with the board with both right and then left foot

and then we can also work unisone

and then alternate

and also here let's make sure that the quality of our playing is a very good

very high so that the spaces between the notes, the dynamics between the right and

left are even and everything sounds solid then we can repeat this starting

from slow speeding it up one foot at time and then slowing it back down again

and then speeding it up again and while we speed up and we change the tempo nothing has to change

in the feeling or in the approach that we have to the heel down and with the pedal

then we can also work unisone

and alternated

then we'll put the spring back on and we'll repeat the same exact exercise so

as I was saying before the first stroke it's always going to be a leg motion and

then we will keep maintaining the rebound and the motion only with the heel down

so in this way

then we work on speeding it up and slowing it back down

so the Unison section when we have the spring on is not necessary because it's

kind of hard to synchronize it and to coordinate it and we never really play

in that way so the heel down it's a great exercise because it really works a

lot on our up motion and these benefits our power speed but also control and the

dynamic range and the range of motion of our ankle motion so have a good practice

and I'll see you next time

For more infomation >> Heel Down bass drum technique - James Payne - Duration: 16:04.

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Arm Motion drum technique - James Payne - Duration: 16:32.

Hi guys, so, this week I want to talk about the arm motion, which is made from the up

stroke and down stroke motion of course, which are Moeller motions.

I think that the arm motion is a very important thing that people don't really pay too much

attention to, but it's foundamental for everything that we do, really, because, for example,

when we start to play Blast Beats or single strokes, or whatever, the motion that we do

it's something like this, so, an arm motion, and then we control the rest of the strokes

with wrists or fingers, or push-pull, or whatever, you know, we're working on, but, the arm motion

is very important in my opinion.

In this episode I will break down, I want to break down what happens in this very simple

thing, and we will understand how important it is for, really, everything that we're going

to do.

So, the first thing I want to observe, and I want to study, is how our arm moves and

all the parts that are connected with it, how they react to when we do this kind of

motion, so, if I start from a very realxed position, I raise the forearm, and I see that my

hand, naturally stays in this position, so, it's very relaxed, the index finger is in

this position, and not in this one, and this already gives me an answer on how to hold

the stick, that the fulcrum point, if I would do this, it's a forced position, so, I'd rather...

this it's easier and this is kind of forcing myself to have a position.

So, first of all this is what I want to observe and then, of course, in the whipping motion

I see that, this happens, it's like I throw something, so if I grab a stick and I do the

same thing, this would be the position that I'm in, and then, so, what happens when I

do the arm motion is I kind of switch the grip to this part of my hand, so that I can

keep everything relaxed, and I don't force myself to have this position and the fulcrum

point here, I kind of let the fulcrum point go where my body kind of feels like it has

to go.

The important thing is not to let the stick fall, ok?

But I don't have to force myself to be in certains positions, so, from here, I let it

go and what happens is basically this whipping motion, I see another kind of motion, another

movement in my hand and I just can not lay the index finger on the stick, when I'm in

this position, and I don't force anything, I really leave... it's like, my arm decides

where the stick has to go, so what route, if it's like, straight or not... but then

my hand kind of adapts to what the stick wants to do, so, it's kind of an elastic grip that

I hold.

And this is just...

I understood all this just by braking down this little motion, this very small part of

what we do, which is just that fraction of a second, ok?

So, once we understand the upstroke part, and what happens in the down stroke there's

the most important thing of all, which is the moment where the stick hits the surface

that we're playing on, so, what happens is that the stick immediately bounces back, so,

we either stop the stick, which is a big mistake if we want to do a repetitive motion, so,

if we're using this kind of motion to, then, start a Blast Beat or start something, if we

stop the motion we kind of break all the energy that we got doing this, and we have to start

again by lifting the stick and then doing the motion.

And that, sometimes happens when you kind of feel like you start, and then you kind

of lose the bounce and you 'fight' to get it back, so it's like... and then you bounce

back.

That happens because, of course, as the stick hits the surface our brain is afraid of losing

the stick, so, it chokes the stick to make sure we don't lose it, but, doing that, we

lose all the power of the first stroke.

Another thing that happens is, we do this kind of following the stick, or let the stick

bounce and then we follow it back in a second time, in a second motion... it's like 1, 2,

and this, also, doesn't work because, of course, we're not synchronized to the stick anymore,

like, we let all the power of the arm motion stroke go, and then we have to get back with

the stick and then start doing what we were ment to do.

So, the best thing is, of course, the free stroke, which is basically staying synchronized

to the stick, and being synchronized to the stick means in time and space, so, if I wasn't

in contact with the stick but I'm synchronized to it, I would be, ok?

Always with the same distances at the same time, ok?

Of course we're going to stay in contact and... this allows us to accept the rebound, and

being able and ready for the next stroke, so, I do this, I follow the stick back, and I

don't lift the stick, I follow it back, which is very important, is very different.

Following the stick back, we let the rebound pull the stick up, lifting the stick, we do

the effort of raising the stick, lifting the stick, so, is very important that we only

think of the bouncing part by following the stick back once it hits the surface.

So, I would work more on accepting the rebound, so, doing this kind of exercise.

So that we really, really, feel the synchronization with the stick, I feel I'm active in the first

part, so, I throw the stick down, and I'm passive in the second part, in which I follow

the stick back.

So, once I do this I have to be able to apply it to any kind of technique or grip that I

want to use, so, for example, German grip, we just saw, it's this kind of motion, and

we can work on one stroke at time

French grip, it's going to be the same kind

of thing, but in a French grip position, so with our thumb up

it's the same concept, it's upstroke, downstroke

and then accepting the rebound.

Of course in the push pull technique that doesn't happen, because the push pull requires

us to let the stick bounce back and keeping our hand in another position.

And of course in the Moeller technique it's more of an elbow kind of motion.

The whipping motion is not vertical made from the wrist, but it's lateral made from the

elbow and all the rest follows... but we'll see that in depth in the Moeller video.

We're going to go through all the grips and techniques of course, so, I want to really

break down every single motion that we are prepared once we have to... once we'll talk about

any other grip or technique, we'll already have these basic things done, which is the

most important thing.

So, this will take some time and I suggest you to use heavy sticks, or iron sticks, which

allows you to hear, for example, if the stick is free to bounce, or we're choking just by

the sound that it makes.

This is choked... this is not chocked...

Ok, so, the sound is very different and we really understand that in this part we're

following the stick back, and, of course another very important thing with these kind of sticks,

is that they're very heavy and so we really feel if...

If we feel the weight of the stick, if we feel like they're heavy we're not doing the

right thing.

It means that we're raising the stick, we're lifting it.

Instead if we never feel the weight of the stick that means that it's the rebound that's

pulling the stick back up, so, that means that we're synchronized with the rebound and

we are doing the right thing.

So, to have a weekly workout to work on this we can, of course, start understanding how

our body reacts.

Everybody is different so my hand reacts in this way, some other people might have shorter

fingers, longer fingers, longer arms, shorter arms, everybody is different so, analyze and

feel your body and understand the feeling that you have when you do this kind of motions,

for a second, for a minute... dedicate a minute to feel what happens in your body when you

do this.

And the recreate the same feeling with holding the stick and you will feel the difference.

This is very important because the stick has to be an... it's like something that is part

of us and it's not an extra we don't have to deal with the stick, it doesn't have to

be something that we have to pay attention to.

It should be part of us, it shouldn't change, it shouldn't be different the feeling that

we have from doing it without the stick to having the stick, of course, it's going to

be slightly different, but it doesn't have to be like 'Oh, yeah I have to keep my hand in

that position because of the stick...'

Ok?

So, it's going to be the same thing, we have to just pay attention that we don't drop the

stick and the rest is just adapting and letting... adapting our body to what the stick wants to do.

These are all very important concepts for what's going to follow up guys, so, pay attention

and don't think this it's like 'yeah I got this, I can go to the next lesson...' work

on this because when you'll get to a certain speed this might be what blocks you, this

might be what stops everything.

So, the weekly workout it's going to be playing 60 seconds per hand German grip

single strokes accepting the rebound and then stopping the stick, and then restarting everything.

Pay attention to not to let the hand too loose, don't let the stick too free or don't choke

it, ok?

60 seconds with our left hand, 60 seconds unisone.

Then we will play a Free stroke arm motion 60 seconds with our right hand

keeping the same concepts in mind

don't speed up, it's not about speed, it's

about controlling the rebound in this episode, so, don't think of speeding up, that's wrong,

it's not taking you anywhere, it's not the focus of the exercise.

Then we do the same thing with French grip

60 seconds right hand

60 seconds left hand,

60 seconds unisone.

60 seconds Free stoke French grip, 60 seconds unisone, 60 seconds alternated.

So again, 60 seconds right hand, 60 seconds left hand, 60 seconds unisone of the German

grip of the single stroke, and then blocking the strokes.

Then, 60 seconds right hand, 60 seconds left hand, 60 seconds unisone, 60 seconds alternated

for the Free stroke motion, So:

Then 60 same thing applied to French grip.

So in this way we're going to benefit different things, we're going to learn how to direct

the stick in a vertical motion, straight to the snare without having weird motions, weird

directions, we're going to learn how to accept the rebound, and so, to take advantage of

the injection motion and the injector stroke that will allow us to take advantage of the

rebound for all the other strokes and how to hold the stick in our hand too, because

ths will force us to keep the hand relaxed and so to adapt to the stick motion.

So, once again, this is very important for all that we're going to do next, don't thing

this is not as important as putting your click track to 260 bpm because you won't get there

unless you don't first fix everything that happens here.

The injection motion is the most important thing to pay attention to, is 80%, 70% of

drummer's problems, most of the times, for the Blast Beats and single strokes and all

those kind of things.

So, have a good week practicing and I will see you next week.

For more infomation >> Arm Motion drum technique - James Payne - Duration: 16:32.

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How to Draw Cartoon Plane for Kids✈️ Step by Step Art Drawing. DIY Coloring Pages for Children - Duration: 5:03.

How to Draw Cartoon Plane for Kids✈️ Step by Step Art Drawing. DIY Coloring Pages for Children