(upbeat music)
- The truth is, I don't feel guilty
about almost anything I like.
But there is one film I feel
a little funny about recommending.
It's called Bela Lugosi Meets a Brooklyn Gorilla
and I do love it.
(upbeat music)
-------------------------------------------
The Story Of Bugatti EB110 - Duration: 42:49.
Not many cars have predicted the future as well as the EB110.
From the extent use of carbon fiber to the 4WD system, the EB110 was one of the most
advanced cars of the time.
Sadly the EB110 dream ended up soon.
But was a fun dream, is amazing to see love tho passion and the hard work that was put
behind this car.
So hello guys and welcome back to another video and here is the Story Of Bugatti EB110.
Bugatti was founded by Ettore Bugatti in 1909.
Ettore was born in September 1881 in Milano Italy, on wealthy family.
Ettore followed the technical school for try and quad cycles and was here where started
showing his talent.
In 1898 with banking from Pinetti & Stucchi, a car builder from Milano he build his first
motor vehicle the Bugatti Type 1.
The Type was a tricycle with 4 engines, two on each side of the rear axle.
In 1901, thanks to the financial support from his father, Ettore built the Type 2, which
was powered by a 3l 4-cylinder engine.
From 1902 to 1904 he worked with the Born de Dietrich, when he built the Bugatti type
3,4 and 5.
Also, around this time Ettore started building his first racing cars.
While working for the De Dietrich, Ettore meet Emile Mathias and together they founded
Mathias-Hermes.
This partnership lasted only 2 years, since in 1906 they went their separate ways.
After working for some time for Deutz, when he designed the Type and 9 and built the Type
10, Ettore finally decide to built his own cars in 1909 when he founded Automobiles E.
Bugatti in the town of Molsheim, which at the time was part of the German Empire.
With the being of the WW1, Ettore moved back to Milan.
During the war he built a 16 cylinder airplane engine, which was used by some airplanes.
After the war he returned to Molsheim, which now was part of France.
In 1924 Ettore one of his best cars, the Type 35 (racing scene with the type 35).
Powered by a 2l, straight 8 engine the Type 35 completely destroyed the competition.Starting
with the 1925 Targa Florio and continuing with the 1926 Grand Prix.
The Type 35 was just unstoppable.
Through its life the Type 35 has won over 1000 races, making it one of the best racing
cars of all time.
(probably some more clips) In 1927 came the Bugatti Type 41, or the Royal
how the car is commonly known.
The Royal was one of the most luxurious cars of the time and was built for the riches families
of Euro.
The Royal was 6.4 long and weight more than 3T and all this was powered by a 12.7l straight
8 engine.
Originally the Ettore had planned to built 25 cars, but due to the economical crisis
of the time he only built 7 Royals and sold only 3.
Ettore used some of the remaining engines to built some railcars.
Like most of the cars of the time, the Type 41 came with different bodies.
And one of these bodies, Royale Esders Roadster was designed by Ettore's son, Jean.
Jean also designed 4 of the bodies for the Type 57, the Ventoux, Stelvio, Atalante and
the Atlantic.
Sadly Jean died in 11 August 1939 while testing the Type 57 tank-bodied racer which had just
won a Le Mans race.
30-year-old Jean Bugatti was killed when he lost control of his vehicle and crashed into
a tree after hitting a cyclist, who had got onto the track through a hole in a tree fence.
Everything changed with death of Jean, and things started getting even worst with the
begging of the WW2.
After the war, Ettore wanted to create a new factory near Paris, and he also started working
on a new car, the Type 73.
But everything stopped when Ettore Bugatti died in August 21 1947.
After a long and slow decline, Bugatti ceased operation in 1952.
Roland Bugatti, Ettore's second son, tried to revive Bugatti, with the Type 251 race
car, but the car failed to perform to expectations.
In 1965 Virgil Exner designed the 1001C, which was part of "Revival Cars" project, but
nothing happened after that.
Meanwhile Bugatti continued manufacturing airplane parts, and in 1963 Hispano-Suiza
acquired them.
One idea The story of the EB110 begins in the mid 80s,
when 4 man's decided to built a new supercar.
These man's were Jean Marc Borel, which was a french financial
director and the author of some Lamborghini books.
Ferruccio Lamborghini, which was trying to return in to the supercar business after he
left Lamborghini in 1972.
The third guy was the Italian legend eng.
Paolo Stanzani.
Stanzani is one of the greatest mechanical engineers of all time.
He is responsible for the best Lambos, like the Jarama, Espada, Urraco, Countach and the
most important of the all, the Miura.
And definitely the most important guy, was Romano Artioli.
Artioli an Italian businessman from Bolzano, had made a fortune with selling cheap Suzuki's
in Italy.
He also had a number of different Ferrari's dealerships in Italy and Germany, including
here the largest Ferrari dealer in Italy at the time.
The original idea was to create a new brand, but Jean-Marc Borel proposed to revive an
old brand.
He proposed two names, Bugatti and Isotta Fraschini.
Bugatti
is chosen since Artioli was big fan of the brand.
Borel started to negotiate with the French authorities in order to gain the rights to
use the name Bugatti.
And after two years of negotiations, Artioli and Borel finally managed to reach an agreement
with Hispano.
4 months later Bugatti International SA, was founded with chairman Jean Marc Borel.
Bugatti International covered two companies Bugatti Automobili SPA and Ettore Bugatti
SRC, both controlled by Artioli.
6 months later the capital of the company was increased from 200 million lire to 2.5
billion and by June 1988 to 5 billion.
The next step was to find a place to built the factory.
Artioli really wanted to built the new car on France was Bugatti was at home.
(CLIP) But since it would be very hard to find skilled workers in France, he decided
to built the new Bugatti on the place where all supercars are made, Modena.
(Artilo Clip) In late 1987 Stanzani had managed to find a 75000m2, in Campogalliano, located
45 kilometers northwest Bologna and 8 km northwest Modena.
The constructions of the factory begins in 1988.
But the new Bugatti factory would something very special.
Artioli, hired Giampaolo Benedini, to design the factory, and he wanted something very
unique, not just a factory like all the others.
Also in 1988 begins the development for the new car.
Artioli had only one request, the car should be a proper Bugatti.
And in respect for Ettore, the next car would be named EB110 and would be introduced in
1991 for Ettore's 110th birthday.
So with this in mind Paolo Stanzani started working on the new engine.
He started developing a compact 3.5l V12, build with titanium and composite materials.
The engine had 5 valves per cylinder and was packed with four turbos.
AT the same time Stanzani was also developing the new chassis, which was a tubular aluminum
one.
The chassis was developed in collaboration with Aerospatiale, and this something worth
mentioning.
Artioli wanted to build the best supercar in the world, also he worked with some of
the best companies.
Aerospatiale for chassis, Michelin for the tires and ELF for the lubricants.
On march 16 1989 the engine came to life, and screamed for the first time.
Design The EB110 is one of the most beautiful cars
of all time, and has a timeless design.
Even today 25 years later the EB110 looks fresh, the cars hasn't aged a bit.
But in order to do this, Romano hired the best designers of the time.
And Paolo Stanzani gave them guidelines, compact dimensions, 4.10m long, the measurement for
the V12 engine and some aerodynamic specifications.
Paolo Martin was one of the designers that was contacted.
Martin had started working for Michelotti in 1960, when he designed the Triumph Spitfire.
In 1968, he started working for Bertone and one year later he started working for Pininfarina.
At Pininfarina he designed some really beautiful cars, like the Alfa Romeo 33 Roadster, Ferrari
Sigma Grand Prix, Ferrari Modulo and Lancia Montecarlo.
Later on he became the Style Center Director of Ghia.
His EB110 had a very radical design.
The 110PM had a sliding cockpit, and giant rear wing.
Giorgetto Giugiaro was also contacted.
Giugiaro, is definitely one of the greatest designers of all time.
He started working for Bertone in 1960.
There he would design the 105/115 Alfa Romeos, the beautiful ASA 1000GT, the Aston Martin
DB4 GT Bertone, the legendary Iso Grifo, Maserati 5000GT and some other cars.
Later on he started working for Ghia, when Giugiaro designed the Fiat Dino Coupe, the
beautiful, beautiful DeTomaso Mangusta, the MAserati Ghibli etc.
In 1968 Giorgetto founded his own design house, Italdesign Giugiaro.
Italdesign is responsible for some of the most beautiful cars of all time.
He designed concept cars like, Bizzarrini Manta, Maserati Boomerang, BMW Nazca, Lamborghini
Cala VW W12, Ford Mustang and many more.
But he also designed many production cars, like the Alfetta GT, Brera, BMW M1, DeLorean,
Fiat Panda, Uno, Punto, Lancia Delta, Thema, Lotus Esprit, Saab 9000, Golf MK1, Scirocco
etc.
The Bugatti of Giugiaro was the ID90.
The ID90 was a beautiful car, quite futuristic, in typical Giugiaro fashion.
But Artioli didn't liked the design since didn't represented a modern Bugatti.
The Bertone design was quite interesting for the time.
The car was designed by head designer of the time, Marc Deschamps.
But again Artioli didn't like the design.
Apparently Bertone used the same design for the Lotus Emotion.
Giugiaro did a similar thing since the BMW Nazca was very similar with the ID90.
And of course Marcello Gandini was contacted.
Gandini is probably the greatest designer of all time, at least for supercars.
Gandini originally applied to work for Bertone in 1963.
But Giugiaro which back than was head designer turned down his application.
He started working for Bertone only after 2 years, when Giugiaro had left.
There he would design such cars as the Lancia Stratos and Stratos Zero, the second and fourth
gen Maserati Quattroporte, the Renault 5 Turbo, Lamborghini Jarama, Espada, Urraco, Miura,
Countach and some Lamborghini concepts like the Bravo and Marzal.
He also designed the original Diablo prototype, which later on became the Cizeta V16.
Some other car are the Fiat X1/9, Citroen BX and my favorite Alfa Romeo of all time
the Montreal.
His EB110 design wasn't the best and looked a little bit dated for the time., But his
design won.
Something that might have helped Gandini, was the friendship with Stanzani and Lamborghini.
By late 1989 a wooden model of the Gandini design was built, by DMD80, a small company
located in Vienna, and was founded by a group of ex Bertone employs.
Later this model was shipped to Golden Car in Caramngo, where the aluminum panels were
done.
On October 30, 1989 the first aerodynamic test was done at the Pininfarina's wind tunnel.
By the early 90s the first prototypes had started being built.
Carbon Fiber Industries delivered 7 aluminum chassis and 5 were bodied by Golden Car, the
A1 in silver, A2 dark blue, A3 metallic middle blue, A4 Bugatti Blu and A5 metallic royal
blue.
More test were done at the Pininfarinas wind tunnel with the A1 prototype, and on August
23, 1990 the car was returned in Campogalliano were the first test run was done around the
track of the factory.
Some days later another test run was done in France at the Michelin Ladoux track.
Around this time one of the biggest changes happened.
After a disagreement with Romano Artioli, Paolo Stanzani left the project.
Artioli brought another Italian legend, Nicola Materazzi.
Materazzi is the father of some of the best supercars of all time.
Originally he started working for Lancia, when he worked for the development of the
Lancia Stratos.
After working for some years with different F2 and F1 cars, he became head of the technical
department of the racing division of Ferrari.
When he developed some of the best Ferrari's of all time, such as the 288 GTO and 288 GTO
Evoluzione, Testarossa and the F40.
He definitely left a mark on the Ferrari history, since he was the guy that proposed the idea
for the use of turbos.
Together with Materazzi came Pavel Rajmis, an ex Audi engineer, who had worked with the
development of the Quattro system.
On September 15, 1990, for the 109th birthday of Ettore, the new Bugatti factory was inaugurated.
A big event was held, when 77 classic Bugatti's traveled from Molsheim to Campogalliano.
Among these classic beauties a Type 57 carried a flame as symbolic link between the past
and the future.
The new factory was just beautiful, like nothing else before, and even now.
La Fabrica Blu looked more like a museum or art gallery and not like a factory.
The factory had a large production room, a cafeteria, several engine test rooms, an administrative
building, a test track and a small building to house the customers to take delivery of
their car directly at the factory.
Artioli announced that the new car would be ready after exactly after one year for the
110th birthday and would come with an all new carbon fiber chassis.
Development continued through late 1990 and early 1991.
Different tests were done in different race tracks all over Euro.
One of the problems that the test drivers had with these prototypes was the power distribution.
Originally was 40 to the front and 60 to the rear.
But Materazzi and Vittecoq figured out that 28% to 72% would be a better configuration.
In the end was 27 to the front and 83 to the rear.
(Materazzi Clip) Meanwhile, homologation procedures were launched
and a new chassis number identifications was applied to the prototypes, and the A2 prototype
became the first Bugatti of the modern era white the chassis number 001.
While the development was going, there still was a big problem.
Artioli didn't liked the design of the car.
He said that the car was to Lamborghini.
Gandini dint liked this and so he also decides to leave
the project.
Gianpalo Benedini, the architect of the factory, took over of the design.
A smother and more modern line is approached and the pop up headlights were removed.
Also, the new design featured the iconic Bugatti grill, something that Artioli had wanted from
the beginning.
Several clay models were built and were tested at the Pininfarinas wind tunnel.
Some of these prototypes had rear arch covers something that was also inspired from the
old Bugattis.
But even thought this pieces looks like was removable, never made it to production.
The Launch After a lot of hard work the car was finally
ready for the Ettore Bugattis 110th birthday.
In September 14th 1991 one day before the launch, a special event was held at the Centre
International de L'automobile when special guest could see two of the Gandini prototypes.
The new car was unveiled at the La Defense square under the Grande Arche where several
classic Bugattis were a forming the horse in front of the Arch and the EB110 was standing
in the center under a blue sheet.
After Artiolis speech in of 5000 guests, Artiolis wife and French actor Alain Delon lift the
veil to finally reveal the new car.
Later Vittecoq and Delon drove the car from the La Défense square to the Place de la
Concorde, escorted by the A2 and A4 prototypes.
If this wasn't enough, a special dinner was organized at the Palace of Versailles, where
1800 guests were invited.
During the night the cars were sent in Molsheim, for a public exhibition.
The Bugatti was back.
The
pompous presentation was a hit, and everyone loved the new car.
Even though the car looked pretty good at this stage, Artioli still wasn't happy.
He contacted, American designer Tom Tjaarda to make some designs for the EB110.
Tjaarda is the designer of the Fiat 124, Ferrari 365 GT California, DeTomaso Pantera and many
more.
But Artioli again wasn't happy with his designs.
SO he decided to with the Benedis design.
They prototype of the EB110 named C6 became a press car and many journalist tested the
car.
Critics were very positive and the first customers started coming.
In order to make the car ready for homologation, Bugatti built 10 cars, named C7 to C16.
Even though the C6 looks basically the same with the production EB110, there were a lot
of details that separated them from each other.
And basically all the prototypes were milestones that lead to the final road car.
From the side mirrors to the rear diffuser and the electronic wing a lot of things were
changed.
On January 1992 the C7 and C12 prototypes were sent in Sweden for more testing.
SuperSport While the EB110 GT was still under development,
Bugatti started working on another version of it.
A lighter and more powerful version which became the SuperSport or SS.
The work started on converting one of the GT prototypes, the C9 into a SS.
The body received some changes, like a rounder nose, something that later was also applied
for the GT, a new spoiler and the rear side windows were replaced by a flat plate with
9 holes, a design choice that would become the symbol of EB110.
The interior also received some changes, the wood panel was replaced by a carbon fiber
one and the seats were replaced by bucket seats, something that gave the car a more
sporty look.
The SuperSport was unveiled on March 15th 1992 at the Geneva Motor Show.
Bugatti announced that the EB110SS weighted 1418 kg, 200 kg lighter than the GT and engine
produced 600hp where the GT produced 550hp.
On May 24th Bugatti set their first record.
3 prototypes, the A5, C7 and C8 were sent at the Nardo Ring.
The C7 used for the runs and was driven by Vittecoq.
The EB110 set some amazing results.
Acceleration time 3,4s, 400m run 11,4s 100m run 20,7s and reached a top speed of 342 kmh.
And so the EB110 became the fastest car in the world.
The interesting thing is that these still are amazing numbers, even today and let alone
back than.
On September 16th 1992, the EB110 was finally homologated for the road after the crash tests
were done.
So the car was ready for production and the first orders started coming in Campogalliano.
On December 1st 1992 the first EB110, chassis number GT39018 was delivered to its owner,
a Swiss car collector Franz Wassmer, who still owns the car even today.
At the 1993 Geneva Motor Show, presented another car, the EB112, a four door coupe, the first
of its kind.
The EB112 was powered by a 6l v12 with 460hp.
Like the EB110 the 112 was way ahead of its time.
The car was planned to enter production in 1996 but never made it.
But I'm going to talk more about the EB112 on the next video.
Bugatti engineers continued developing the SuperSport, in order to make it ready for
homologation.
Beside the C9 Bugatti developed three more SS prototypes, chassis number SS39005, 005
and 006.
Bugatti had to start from the 004, since Royal family of Brunei had ordered the first 3 numbers.
On May 1993, two SuperSports, the C9 and the 004 were sent at the Nardo Ring in order to
set another record.
Vittecoq was aging behind the wheel.
Acceleration time was at 3.2s, 400m in 10.9s 100m in 19.6s and the top speed at 351 kmh.
On February 4th 1993 the EB110 was presented in UK, were Artioli again organized a special
ceremony.
On April 3rd 1993 the EB110 was presented in Japan where an even more special ceremony
was held.
On August 27th 1993 Artioli acquire Lotus from GM for 30£ million.
This was a very big step for Artioli and a move that really changed the history of lotus
and Bugatti.
By late 1993 the distribution network was set up.
The Aston Martin dealer of Paris for France, The Garage de L'Athene and Carugati for
Switzerland, Autokoenig for Germany, Autospeak for Italy, Hr Owen for UK and the famous Nicole
Racing for Japan.
On October 1993 the EB110 SS was still under development and one of the prototypes was
shown at the Frankfurt Motor Show.
The power was increased to 611hp @8250rpm and 480lbft @4200rpm.
By 1994 the order were pulling over even though lower than estimated.
Meanwhile, the first SS order started arriving, and a lot of work was done to homologated
the car for the American market.
On march 1994, Bugatti had again a stand at the Geneva Motor Show, and this time they
were showing their range of colors.
10 different colors were available, Blu Bugatti, Blu Scuro, Monaco Bianco, Giallo Bugatti,
Rosso Scuro, Grigio Scuro, Grigio Metallizzato,Grigio Chiaro, Nero Metallizzato and my favorite
Verde Scuro.
But if you had enough money you could get the car in any colors you wanted, like the
Royal Family of Brunei.
Another car that was presented at the 1994 Geneva Motor Show was a modified EB110.
Rinspeed presented the Cyan, which had a more aerodynamic body kit with a completely new
front and a giant rear wing.
Also, the car had received a new exhaust system and some interior changes.
April 28th would a big day for Bugatti, since probably their greatest customer came to receive
his car.
Michael Schumacher ordered a EB110 after testing a F40, XJ220, Diablo, 911 Turbo and a EB110
GT for the German magazine Auto Bid.
This was a big deal for Bugatti, since they couldn't get better publicity than Schumacher
buying their car.
During May 1994, the first crash test for the American market was performed.
On July 15th 1994 Artioli organized one of the largest Bugattis meetings.
Around 115 Bugattis for 5 days toured through Italy.
1994 also would see the return of Bugatti in to the racing circuit.
Michelle Hommel decided to prepare a EB110 for the 24h Of Le Mans.
The aluminum panels of the SuperSport were replaced with carbon fiber in order to reduce
the weight.
The three drivers were, Alain Cudini an ex Group C driver, Eric Helary the winner of
the 1993 LeMans and the Formula 1 driver Jean Chritophe Baullin.
With a lap time 4'16:940", the team qualified at a respectable 17th overall and 5th in class.
But the race day on the other side was terrible.
One hour before the start of the race, the team discovered a massive leak in the fuel
tank.
With no chance of replacing the tank, a tube of sealant was hastily thrown at the tank
to seal the gap.
Because the Sealant had no time to dry the car had to run the first laps on half tank
of fuel and after a few stops the problem was finally solved.
This allowed the car to pick up speed and make up some places.
The team was hoping for a GT1 podium, which would had been amazing for their return.
But… this wasn't meant to happened.
All turbos started having problems and the team had to replace them all.
And if this wasn't enough also one of the replacement broke.
The team now only wanted to finish the race.
But only one hour before the end, and after 23o laps the car left in to the barriers of
the Muslanne straight after a tire failure.
On July 1994 a special Bugatti was sent to the Nardo ring.
This EB110 was running on methane gas.
On July 3rd, Loris Bicochi set a new World Record with a maximum top speed of 344.7kmh.
But on the other side thing weren't going so good back in Campogalliano.
Artioli received most of his money from the Suzuki sales, but during 1993, the price of
Yen went up, and so did the price of cars and so the sales dropped.
Suzuki took advantage of this, and so they took over the distribution network.
Bugatti was still unprofitable.
So a lot of work was done to make the car ready for the other markets, since the European
market wasn't performing that well.
At the 1994 Birmingham Motor Show, Bugatti unveiled their first RHD EB110.
Later that year the EB110 America was finally ready.
The car was presented for the first time in America during Concorso Italiano when the
EB110 won the price for the people choice.
Early 1995 the car was presented at the Chicago Motor Show.
Meanwhile, Artioli was working with some Lotus dealers to set up a solid distribution network.
Some of the proposed cities were Los Angeles, West Palm Beach, Chicago, Detroit, New York
City, San Antonio and Philadelphia.
On decembre 1994 one EB110 was sent in Saudi Arabia for some test on desert and high temperatures
But things were getting even worst in Campogalliano.
Artioli was trying to sell Lotus, but the offers were too low.
On the other side more than 20 suppliers were asking for the bankruptcy of Bugatti due to
payment failure.
Meanwhile, the EB110 was still breaking records.
The Monaco Racing Team sent a EB110 in Finland to where Gildo Pastor reached a top speed
of 296,34 kmh at the frozen sea of Oulu.
On March all the recorde braking EB110s, the SS, the Green Gas and the EB110 America were
shown at the Geneva Motor Show.
The Monaco Racing Team papered another EB110 for the North American WSC Gt races, nut with
no success.
Things were getting even worst back in Campogalliano.
By august 1995 the production had stopped.
One month later on September 23 Bugatti Automobili SPA declared bankruptcy with a debt of over
124 million $. The factory close and 220 Bugatti employees were laid off.
But there was still hope, especially after Artioli sold Lotus to Proton.
But on February 1996 the bankruptcy was definitive.
A special entry was created which was called Bugatti Fallimento, in order to liquidate
the company assets.
On April 4th 1997 a public auction was organized in Campogalliano to sell all the EB110s left,
the spare parts and the tools VW Group bought the Bugatti name for an estimated
50 million $. They also bought a special prototype, chassis number 24.
The Monaco Racing Team bought many things.
2 of the 3 EB110 America, the EB112 prototype, some complete cars, some chassis and engines
and also an unfinished EB112.
Dauer Racing Gmbh bought some unfinished cars and prototypes, different parts and the EB110
name and logo.
They presented their first EB110 in 1999.
Later they presented the Dauer EB110s which had received different modifications which
raised the power to 700hp.
Also, the car had received different interior upgrades.
Dauer stopped production in 2005 when they went bankrupt.
And so this was the story of Bugatti EB110.
A true amazing a story of passion and hard work.
Only 139 EB110 were built, making the EB110 an extremely rare car.
Even though the EB110 is a very rare and also a great car, they only now have started getting
up in value, since only now you can import them in America.
But 4-5 years ago this cars were a bargain, especially for a car of this category.
Most of them are still in Euro, and good portion in Japan.
And Japanese ones are some of the most beautiful ones.
Another quite interesting EB110, is the Brabus EB110.
The car had received a new blue interior and a set of exhaust, nothing crazy.
Now is hard to say why Bugatti failed, because there are 1000 reasons for that.
Artioli blames
the competition.
Materazzi blames Artioli.
And Stanzai But you can add the economical crisis of the
90s which killed all the supercars of the early 90s.
The name probably was another reason, since Bugatti was a name that most of the peoples
had forgotten by then.
The Lotus purchase was another reason.
Some people say the factory, since a lot of money were spent to built it.
But I can't imagine the EB110 with that factory.
Talking about the factory.
You can visit it anytime you want.
Ezio Pavesi has maintained the factory for 20 years.
That factory is the place that I want to visit the most, hopefully one day I would visit.
-------------------------------------------
CONS OF A 200K MILE TRUCK - Duration: 9:28.
Hey guys. Sign Duo here!
Where we're Signing All Day Every Day
We were hanging out at my house last night
and Ryan had to go at night
Like around 11 or so. It was cold outside
and he went to his truck and started it and it was dead
DEAD
It was completely dead. You know when you start it and it goes rrrrr-n
We're suppose to go to the store and get a replacement
But I want to check one more time, because I read that if
it's cold then it might not start but if
it's like right now it'll start
With the clutch you always have to push it down
sometimes I won't push it all the way and it won't start
because it's not all the way down. Sometimes I'm dumb like that
like for example
that wont start
but if you press all the way
lol it just started
E: Babe
i guess its fine now
E: but do you...
we should still take the battery
E: yeah I've jumped your car like twice already and...
nonono not just you. ive had to jump it like 5-6 times already
yeah. I remember my brother had to jump his car last time too
we'll go and just take the truck
You have to replace it anyways. right
we'll see. get it tested at the store
okay okay
yeah, but I like that you slept over
we can hangout more
I was kind of happy that his car died
you're stuck with me forever
this car is so old. it has over 200k miles on it. its crazy
so i kinda expect things like this
Well you bought it for dirt cheap
i need tools...
we can just take this there because it starts now
E: what if it dies when we get there?
E: Can they test it while we're there?
I mean test it with the battery
still in the car?
yeah i think we have to take it out but we can borrow tools
they let you use their tools
E: okay. What if we get stuck though?
i promise
lets go!
What are you listening to Spanish music?
you put that on
not me. you
I did?
oh, it's on the CD
How do you change it?
The guy before left his CD in the car
*Ellen trying to read Spanish, but failing*
E: oh
E: That's a cool graphic
you want it?
E: okay, just leave it in there
i'll leave it for the next guy
And, babe. How are you feeling?
You were sick earlier
still feel a bit sick but feel better
we have to go far
If you guys didn't know we sent out our first order of T-shirts!
So if you ordered one. Thank you so much for ordering one
um I hope you guys like it
If you guys have any comments or reviews
Let us know how you think about it
because we're just starting these T-shirts
and we want to do sweatshirts
so your feedback would be very helpful
You guys can DM us on signduo on Instagram
Or snapchat us
of you can even email us too
at signduo.ryan@gmail.com
so if you ordered one
send us your thoughts
and we'd really appreciate it. Thanks!
It's so much easier to vlog during the day when there's actually light
i know. i agree
we just don't
usually we don't vlog during the day
because I'm at school
and Ryan is doing school
and work and school and work and school and work
lots of school and work
let me focus on shifting
i have sunglasses ready
it says michelin on the side
its a tire company
eh im a car guy.
true dat
ready ready
ready for what
ready to shift
that's the fastest it can go...
that's so frigging slow
sooooo slow
i still won
other cars behind you
and you're over here shifting like crazy
and they're just casually following you
why do you still have that glove on
oh because i dont want to get dirty
when we're there
don't want to get dirty there
so that's why i left it on
i get scared becasue sometimes when he slams on the brakes
and stops,
my seat moves forward
like this
funny
don't worry ill fix that
everything
ready
for the fun part?
we just arrived
We're at an autozone
so we're gonna check the battery life
i don't know. they have this electrical thing that you
that you hook up to the two electrode...things...
thingys?
and it'll test it to see if it's actually working
so how's
how's the
camper going?
i havent started
well i have started but
more brainstorming on paper and drawing it out
see how that goes first before i actually do it on here
E: oh, I see. I'll help you
E: I'll help you we can go to like
E: home depot to get all the wood and stuff
E: good? okay? good?
i'm more focused on making it good to go
like the drivablility
tires, brakes, oil change, and all of that
ready first
before i do the camper
can you interpret for me please
tell him that
E: It won't start...
E: um employee: okay
like i thought, it was the cold cycle
well, cold crank
that battery isn't strong enough
to start in the cold(er) temperatures
need to replace the battery
if i want to be able to start it in the cold
E: you don't want to replace it?
not now. maybe later when we're ready to go.
I think he should just replace it
nono when we're ready to go.
you should just replace it
i do need headlights. i do need them
you need a new batery. That's what you need!
don't be so sassy
sassy?
I'll be sassy if I want to be sassy
You know how the shoe stores have chairs
for the boyfriends to sit
while the girlfriends go like shop, look around
why don't auto stores have
chairs for the girlfriends whiles the guys go look around
why don't they have that
you guys should have that
(ryan talking to himself)
i need alot of stuff!
i need a lot!
i always need
(acting like trump)
we have to go i dont need any of this
Finally!
so I guess we just have to hope
that the battery doesn't die again
no it wont die. watch
but when it gets cold it's gonna die again
it's cold!
Not as cold as it was last night
feel the power!
power!
Sign Duo
OUT!
-------------------------------------------
Girl with a Basket of Flowers Crochet Tutorial - Duration: 54:12.
Welcome everyone, thank you for joining me. I'm Kerri. Today I'll be showing you
how to crochet this girl with a basket. The materials I'll be using, are light pink
for the dress, white for the apron, I use brown for the hair and the basket. I've
got a creamy color for the girls hand. I use dark pink for the hat and green
for the leaves, and these three colours, or probably four colours for some flowers. I've
also got my sewing thread, sewing needle, a darning needle to weave in my ends. I
use a 1.25 millimeter crochet hook. I've got my scissors and
I've got some tiny yellow beads for the center of the flowers, so I need a really
tiny needle to be able to fit through the bead and I've got my thread on there.
I'll just use the one colored thread because it's so hard to thread the
needle. Now I'm going to start with the dress and the bodice. I start at the waist
and then work up and then for the skirt I join to the bottom of the chain and
work down. So I start with six chain. I
miss the first chain and work one single crochet in each of the other
chain.
For rows two to five I work one chain and turn and I work one single crochet
in each stitch to the end. So that's rows two to five.
For row six I work one chain, and turn, and I work a decrease single crochet
over the first two stitches, a single crochet in the next stitch, and then a
decrease single crochet over the last two stitches. For rows seven to nine I
work one chain and work one single crochet in each of the three stitches.
That's rows seven to nine one chain and one single crochet in each of the three
stitches.
And that's the bodice done. I'll work a row of neatening around the whole dress so
that will make it a bit thicker, I'll fasten off. Now for the skirt part I join
my cotton in the back of the first chain,
and I work two chain and work two half double crochet in the same stitch
as the chain,
and then I work one half double crochet into each stitch to the last one.
Into the last stitch I work three half double crochet.
Now rows two to seven are worked the same. You start with two chain and turn and work two
half double crochet in the same place as the chain, and then one half double
crochet into each stitch to the last stitch,
and into the last stitch you work two half double crochet. So I'll work rows three to
seven of two chain, two half double crochet in the same place as the chain, one half
double crochet into each stitch to the last, and then two half double crochet in
the last stitch, and then I'll be back. Now that's up to row seven. Rows eight to eleven are
worked the same. You start with two chain, and turn, and work one half double crochet in
the same place as the chain, and then work one half double crochet into each
stitch to the last stitch, and then we'll work two half double crochet in the last
stitch. So that's for rows eight to eleven. Two chain, one half double crochet in the
same place as the chain, one half double crochet into each stitch across to the
last, and two half double crochet in the last stitch. So I'll work those rows
eight to eleven and I'll be back. For row twelve we start with two chain, and turn, and
work one half double crochet in the same place as the chain, and then one half
double crochet into each stitch across.
For row thirteen we start with two chain, and work one joined half double crochet over
the first two stitches, and then work one half double crochet into each stitch to
the last two.
Into the last two stitches we work a joined half double crochet. For row fourteen we
start with two chain, and then we work two joined half double crochet over the
first four stitches. So one joined half double crochet into the first two
stitches and another into the next two stitches, and then we work one half
double crochet into each stitch to the last two, and then we're going to work a
joined half double crochet over the last two stitches.
For row fifteen we start with
two chain and we work a joined half double crochet over the first two
stitches, a half double crochet into each stitch to the last two,
and then we work a joined half double crochet over the last two. For row sixteen
we start with two chain and work a joined half double crochet over the first two
stitches, two half double crochet into each of the next two stitches,
one single crochet into each of the next two stitches, two half double crochet
into the following stitch, one half double crochet in the next stitch. Now we
work two double crochet into the next stitch. This is just giving it a bit of
shaping at the bottom. Now we work one treble in the following stitch, a double
crochet in the next stitch, a half double crochet in the following. Now we're going
to work joined half double crochets over the remaining stitches. So a joined half
double crochet into each of the next two and then another one into the
following two, and then another one over the last two.
So we've just got a bit of a wave along the bottom of our dress. Now we're going to
do a row of neatening. So we start with one chain and work single crochets all
around the dress. Most of the time I work one single crochet into each stitch but
to keep it flat I sometimes have to work two single crochet into a stitch. So I'll
work right around, I'll crochet in my ends, and then I'll come back and I'll
join in the one chain. So I'll do that and I'll be back. And that's the dress
done, I'll fasten off,
and I'll start on the sleeve now. I'm using my same pink and I start with a
magic loop, and work two chain, and four half double crochet into my circle.
I pull the circle tight, but I don't join. For row two I start with two
chain, and turn, and I work one half double crochet into each stitch.
So I have my two chain and my four half double crochet. For rows three to five I
work the same. Two chain and turn, and one half double crochet into each stitch.
For row six I work two chain and turn, and I work two half double crochet in the
same place as the chain. Then I work one half double crochet into the next stitch,
and then a joined half double crochet over the following two stitches. This is
giving the bend in the arm. For row seven I start with two chain, and work a joined half
double crochet over the first two stitches, a half double crochet into
the next, and two half double crochet into the following stitch. For row eight
I start with two chain, and work two half double crochet into the same place as the
chain, a half double crochet into the next stitch, and then a joined half double
crochet into the following stitch. And that's the sleeve done, I'll fasten off.
Now I've got a little hand just under the basket there. Next time I'm going to
put the hand on top of the basket, so I'll do that now. For the hand I start with
the magic loop, and work four chain, and work three treble cluster into my circle.
Pull the circle tight, and fasten off.
For the hat I've got my bright pink. I make a magic loop,
and I work two chain and four half double crochet into my circle.
I pull the circle tight, but I don't join. For row two I start with two chain, and work
a half double crochet in the same place as the chain, and two half double crochet
into each of the remaining stitches.
For row three I start with two chain, and work a half double crochet in the
same place as the chain, one half double crochet into each of the next two
stitches, two half double crochet into the following stitch, one half double
crochet into each of the next two stitches, and then two half double
crochet in the last stitch. For row four I start with two chain and work one half
double crochet in the same place as the chain, and then work one half double
crochet into each stitch across.
For row five I start with two chain and I work two half double crochet in the same
place as the chain, one half double crochet in the next stitch, and two half double
crochet in the following stitch. I repeat that across to the last stitch.
So one half double crochet in the next, two in the following across to the last
stitch.
Into the last stitch I work three half double crochet.
Now row six is worked the same as row five. We start with two chain and turn, and
work two half double crochet in the same place as the chain, and then work one
half double crochet into the next stitch, and two half double crochet into the
following stitch. We repeat that right across to the last stitch. So one half
double crochet in the next stitch, and two in the following stitch across to the
last stitch.
Into the last stitch we work three half double crochet. Now I'm going to neaten
around from where I've ended right round to the brim. So one single crochet in
each stitch around the top of the hat, so one chain and a single crochet in each
stitch around. Just find a suitable place to put your hook so it doesn't show up
too much.
So I'll continue doing my neatening row, I'll be crocheting in my end, and I'll
be back. And there's the hat done. If you want a
a row of chain you just work enough chain to fit across,
and that's enough.
That was fifteen chain, but it depends on your crocheting how many you'll need.
I've got a small hook and I'm a reasonably tight crocheter. So that's the
hat. I'll start on the apron now. I'm using my white, and I start with seven chain.
I miss the first two chain and I work one half double crochet into each of the
remaining chain.
For row two I start with two chain, and turn and, work three half double crochet in the
same place as the chain,
work one half double crochet into each stitch to the last stitch,
and into the last stitch I work three half double crochet.
Now rows three to five are worked the same. You start with two chain, and turn, and
work two half double crochet in the same places as the chain, and work one half
double crochet into each stitch to the last,
and you work two half double crochet in the last stitch. So we need two more rows
like that. Two chain, two half double crochet in the same place as the chain,
one half double crochet in each stitch to the last stitch, and then two half
double crochet in the last stitch. So I'll work two more rows like that and
I'll be back. For row six we start with two chain and turn, and work two half double
crochet in the same place as the chain, and then we work one half double crochet
into each stitch to the end.
For row seven we start with two chain and work one half double crochet in the same place as
the chain, and then one half double crochet into each stitch to the last
stitch.
Into the last stitch we work two half double crochet. For row eight we
start with two chain and work two half double crochet in the same place as
the chain, and then we work one half double crochet into each stitch across.
For row nine we start with two chain, and work one half double crochet in the same
place as the chain, and then we work one half double crochet into each stitch.
For row ten we work two chain, and work one half double crochet in the same
place, and then one half double crochet into each stitch across.
For row eleven we start with two chain and turn, and we work a joined half double
crochet over the first two stitches, one half double crochet into each stitch to
the last two,
and a joined half double crochet over the last two stitches.
And row twelve is worked the same as row eleven. Two chain and turn, a joined half
double crochet over the first two stitches, one half double crochet into
each stitch across,
and a joined half double crochet over the last two stitches. Now we're going to neaten
the edge. So we work one chain and a single crochet into each stitch around.
So I'll work this row and I'll be back. Now there's the main part of the apron
done. I'll work these two ties now. I've got my
white and I start with seven chain. I
work a slip stitch in the second chain from the hook, one single crochet in the
next stitch, and then two half double crochet in the following stitch,
one half double crochet in the next stitch, and then a single crochet in each
of the following two stitches.
For the second tie I work six chain,
a slip stitch in the second chain from the hook, I work one single crochet in
the next stitch, and two single crochet in the following stitch,
and then a single crochet in the next, and then I work a single crochet into
the top of the other tie part, and now I'm going to join it to the top of
the apron. I'm going to work a single crochet in each stitch along the top. I'm
just crocheting in the end there,
and then I fasten off.
Now if you'd like a bow on the back, using white, start with a magic loop, and
work three chain, two double crochet,
three chain, slip stitch into the circle, three chain, two double crochet,
three chain, slip stitch into the circle, and pull the circle as tight as you can.
To join it to the back, I'll leave a bit of an end, and I'll attach it by
sewing over the top, just like that, just a few times. I'll stitch over the top and
attach it to the back. So that's the bow part done. For the basket I've got my light
brown and I start with six chain. I
miss the first chain and work one single crochet in each chain to the end.
Now the next three rows are worked the same. We start with two chain, and work two half
double crochet in the same place as the chain, one half double crochet in each
stitch to the last stitch,
and two half double crochet into the last stitch.
Now two more rows the same. Two chain, two half double crochet in the same place as
the chain, one half double crochet into each stitch to the last stitch, and then
two half double crochet in the last stitch.
And one more row the same.
Now I work twenty-two chain
and then take it back and join to the first stitch on the other side. Now I'm
going to do a row of neatening. I work one single crochet into each chain of
the handle,
and then I work one single crochet around the sides and the bottom of the
basket and join with a slip stitch in the first stitch. So I'll do that
and I'll be back, and there's the basket finished. For the
hair I'll do plated hair again. I'm going to use the same light brown as the
basket. I make three lots of twenty-two chain,
and I fasten off. When I'm weaving in my ends, I'll weave in the one end but
leave the other end to tie them together. So I'll need two more of those. For the
leaves I've got a light green. I make a magic circle, and work three chain, and
two double crochet into the circle. I
pull the circle tight and fasten off.
I've been doing three leaves, but you could see whatever fits in and you could
just use felt or embroider in leaves if you'd prefer. For the flowers, I've got
six on this one but it just depends on how many will fit. I make a magic loop,
and work one chain and one single crochet into the circle, and then I work
two chain, and a single crochet into my circle. I repeat that four times. So two
chain and a single crochet,
and then at the end I work two chain, pull the circle tight,
and slip stitch into the first chain, and fasten off.
And that just gives you tiny little tight flowers. Now I work some more
flowers and leaves, some more chain for the hair, and I'll weave my ends and then
I'll be back to put it together. Now the first thing I do is stitch the apron on.
I'll stitch the ties down a bit as I stitch it on. So it would look a bit like
that. I try to make sure most of the white is hiding the pink.
I'll also tie my chain pieces together and plait those, and I'll stitch the white
part onto the hat. Now the next thing we do is attach the sleeve, the hand, and the
basket. The basket handle goes under the hand and then the hand goes under the
sleeve. So you need to work out where the sleeve goes at the top, and then the hand,
and the basket. You can see it better on this one. The sleeve ends there.
So I normally start here and stitch around the sleeve, and then I can work
out then where the basket handle will go, and pin the basket on, stitch the basket
on, stitch the hand on and then continue round the sleeve. So I'll do that and I'll
be back. Now the sleeve, the hand, and the basket are on. I've got my plait done
Next I'll just stitch it there just to the length that I'd like.
I'll stitch the bow, just in there, with the tail and I'll stitch the leaves on.
I've got three leaves. I put one near each corner and probably one down
towards there in the middle. Now the last thing I do is attach the hat to the top
of the dress, just like that. I do have my patterns on my website, the details are
in the description below, and it will have all the placement of everything. And
then I'll attach the flowers,
just like that somehow. I'll just see how they fit in when I stitch them
on. I'll be using the tiny little beads for the center. So I'll attach these
and I'll be back to show you the finished girl. And there's the finished girl.
If you like my video please like, subscribe, and share. I'm also on Facebook,
Instagram, Pinterest, and Twitter. The details are in the description below
along with my website details. Thank you for watching. See you next time. Bye.
-------------------------------------------
2017 Tournament of Champions: Finals Recap | Jeopardy! - Duration: 2:14.
- [Alex] Two-game final. Big bucks.
250,000 dollars to the champion.
Austin, Alan, Buzzy. Have fun, you are already. Buzzy?
What is Chevra?
- [Alex] Chevra, yes.
Sorry about that.
- [Alex] Austin?
Slugs for 200?
I was like, I'm gonna play for the place
and hope these two guys beat each other up.
Okay I'm gonna put it in the right--
what is a...
nun fun run? Oh, fun run? Oh God.
What is a nun fun run?
All three were acceptable.
- [Austin] Okay.
(laughter)
- [Alex] Sorry, you lost 42 hundred right now.
Incorrect. What did you lose? 35 hundred.
You're at 65 hundred.
56 hundred, interesting.
This is still a very even match.
That whole game just kind of went by in a blur.
I knew that I had ground to pick up, obviously,
but it also wasn't that far.
Of all of the tournaments we have done on Jeopardy,
this year's Tournament of Champions
has been the most fun. We laugh.
They're wearing glasses, so I obviously
had to be the "see no evil".
- [Buzzy] And then I was the "speak no evil".
Obviously. Obviously.
Because --
Thank God you said,
"if you're looking for a question writer"
and not "if you're looking for a replacement host".
Buzzy what about you?
Get scared.
(audience laughs)
- [Alex] Buzzy.
What's a buddy movie?
- [Alex] Yes.
"The Body Human" for 16.
- [Alex] Answer there, Daily Double.
It's Friday. Let's make it a true Daily Double.
- [Alex] Okay.
- [Buzzy] What is a ball-and-socket joint.
- [Alex] You have just doubled your score.
(audience cheers)
I didn't have a choice, in my mind,
I was like this is it, this is the
Lloyd Dobler "dare to be great" moment and I took it.
- [Alex] 250 thousand dollars.
A hundred thousand for Alan Nguyen
and 50 thousand for Austin.
Enjoy the moment Buzzy.
Congratulations.
I'm gonna have a lot of fun.
Definitely finish the college fund for my daughter
but after that I'm gonna just try to enjoy it
and not take it too seriously, just like I did
playing Jeopardy. What a way to win, right?
-------------------------------------------
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[FREE] Lil Skies x Lil Xan x Yung Lean x Oliver Francis Type Beat 2018 - "Hogwarts" (Prod. MLVN) - Duration: 3:03.
For more infomation >> [FREE] Lil Skies x Lil Xan x Yung Lean x Oliver Francis Type Beat 2018 - "Hogwarts" (Prod. MLVN) - Duration: 3:03. -------------------------------------------
Only The Poor Go To Jail In America - Duration: 11:45.
Those of us who have dedicated a life's work to the legal profession understand all too
well that there are truly two different justice systems at work in the United States.
There's the corporation justice system for the wealthy, the CEOs have access to a system
that really favors them in every way.
Ridiculously small fines for their decisions they make that leave consumers and employees
crippled or dead.
Then the other justice system that low income Americans live with where even the smallest
legal infraction can land them in prison for years.
One of the talking points that you hear coming from right wing news is that the reason these
two separate justice systems exist is because the low income people simply commit more crimes
and they point to incarceration statistics to back up that claim.
But sometimes in the very rare cases, statistics can lie and that's exactly what's happening
with our criminal justice system.
In recent years the number of convicted criminals that were later exonerated for their alleged
crimes has skyrocketed.
For example, nearly 10 years ago, just a few dozen people were exonerated after serving
time in prison but in the last three to four year, more than a 100 people each year were
exonerated after being convicted crimes that it turns out they never committed.
One thing that most of these wrongfully convicted people all seem to have in common is that
they're typically low income Americans who lack the means to fund a drawn out legal battle
to fight the trumped up charges against them.
Prosecutors will use this knowledge to offer plea deals to these defendants resulting in
false confessions and convictions.
But as science has evolved groups like the Innocence Project have been working to use
available evidence and DNA samples to help exonerate these wrongfully convicted individuals,
some of whom have already spent decades in prison for crimes that somebody else committed.
Joining me now to discuss this is Mark Godsey, executive director of the Ohio Innocence Project
and author of the new book, Blind Injustice.
Mark, can you start out by telling us how bad is the problem of wrongful convictions
in the country today?
Does it seem to be getting worse?
Yeah, since 1989 there have been now more than 2,000 people who were wrongfully convicted
and proven innocent and released.
As you noted a moment ago, the number keeps going up every year.
The last few years there's been more than a 150 people exonerated each year.
The system is very, very slow to change despite the fact that you turn on the news any given
week and you see on average three people who are exonerated and walking out, sometimes
after 40 years in prison for a crime they didn't commit.
We get a lot of resistance and pushback from the system.
So it doesn't seem to be getting much better.
Yeah, Mark, your new book, Blind Injustice, you talk about the role that prosecutors play
in these wrongful convictions.
How does that occur?
Why would a prosecutor take it on themselves to say, "I'm know I'm going to convict somebody
that I don't have really good evidence against."
How does that happen?
What's the culture that allows that to happen?
Well I talk about that in the book because I used to be a prosecutor and so I'm one of
the few people who are now an innocence lawyer who served for many years as a prosecutor.
That's why I wrote the book, I wanted to give that background to it.
It becomes a very competitive environment where you're in a prosecutor's office and
everybody's judged on their win loss record and everybody wants to move up, everybody's
ambitious, everybody wants to do good just like in any job.
So it becomes like a game about winning especially if it's a case where people think you aren't
going to win because maybe the evidence of innocence is strong.
If you can win that one, then you've pulled a rabbit out of a hat.
So it's even more credentials for you that you're able to win this long shot case as
a prosecutor.
The tougher the case is from the prosecutor's perspective, the more it is, the better it
is for them to win it.
It just becomes this very competitive win at all costs game.
The longer you in it, it becomes very self serving, ambition plays into it, everybody
wanted to get promoted.
I lived that very much in my years as a prosecutor.
Mark, I was a prosecutor too.
It varies culture to culture but I prosecuted in a culture in an environment where there
was zero tolerance for prosecutors who over reached.
As a matter of fact, one of the years I was prosecuting a prosecutor was actually prosecuted
themselves by building a case with evidence which should have never been there.
By not doing their job and actually making something look far more criminal than it actually
was.
Don't you think we have to do that?
Don't you think we have to police ourselves and we have to say that, "I don't care whether
you want to run for governor or attorney general some day."
Or, "I don't care if you're prosecuting and you're looking for that special job where
big firm's going to hire me because I did such a good job as a prosecutor."
Don't you think we have to affirmatively be involved in going after those people who choose
to be a prosecutor where real justice can be done?
We need to go after those people who choose to do just the opposite.
What's your take on that Mark?
I agree.
First of all I agree with you that's it's a matter of culture.
Offices have cultures.
There's prosecutor's offices in Ohio where I run the Ohio Innocence Project that have
a great culture where they work with us.
You can tell they want to do the right thing.
I can mention the Cleveland one and the one in Columbus as examples.
The culture really is established by the leader, the head prosecutor.
A leader and somebody coming in and intentionally trying to set a culture of justice rather
than just wins and losses can make a big difference.
And you're right, one of the problems of these rogue prosecutors or rogue police officer
when they go out and they do something they shouldn't do is that there's hardly ever consequences.
We've got individuals in for example, in Illinois some police officers who were caught basically
torturing people during interrogations to get false confessions and nothing happens
to them.
I've got my own cases in Ohio where we got exonerations and the court found police misconduct
and nothing happened to the police officers, they kept their jobs.
It's very rare that anything happens.
Part of the problem is the US Supreme Court has extended qualified immunity to the point
where it's very hard to sue anybody so there's not financial ramifications for misconduct.
It needs to be cultural and attitudinal change from the leaders on down setting an example
that we're in this for the right reasons, it's not about just wins and losses it's about
justice.
And then we to do a better job of making sure that people who overstep the bounds when they
have power are actually punished for it.
I agree with you.
When you consider the fact that we live in a high tech world with some pretty amazing
scientific advances made in just in the last few decades, how is it possible that so many
people are being convicted based on, I guess you'd call it junk science, very often.
When I was prosecuting, the idea of a hair sample, virtually there was nothing that was
pathognomonic of anything where it comes to biologicals.
Science has changed though.
We do know enough.
If law enforcement does their job and a prosecutor makes law enforcement do their job, when they
say, "You've brought me a case that I think is really weak so you need to do A, B and
C and maybe I'll go forward with it."
That's the role a prosecutor should play.
What's your take on this technology?
One of the things that we've learned through the innocence movement and all these people
have been exonerated is that a lot of these so called forensic sciences that we've been
using for decades to convict people are not as scientific as we thought and are in many
cases never been validated and they're somewhat unreliable.
The ironic thing is that we got these shows like CSI where they tell the public that these
forensic sciences are these miracles that are akin to putting man on the moon and we
realize now that there is not a scientific basis, they're often extremely unreliable,
the conclusions that the CSI experts are testifying to in court are exaggerated and overstated.
It's not just me saying this.
In 2009 the National Academy of Sciences, which is a prestigious independent agency
established by President Lincoln's administration, that's how long it's been around, they came
out with a scathing report, it was like 500 pages long, called Strengthening Forensic
Sciences, A Path Forward talking about all the changes we need to make because even fingerprinting,
a lot of times there's problems with it that the public doesn't realize.
But a lot of these things like bite mark, there's teeth marks on the dead body that's
found and they match it up to the defendant, they get a forensic odontologist to look at
it and say, "Oh this bite mark was made by this defendant."
All these different kinds of pattern matching and evidence and things like that, it's actually
quite subjective and tends to be unreliable.
We need to go back and have new standards for it and make sure that the experts are
operating under those standards and again one of the problems is the system is just
very slow to make changes.
Even though this report came out in 2009, the Obama administration echoed it and said
we need to make changes.
Very little change has ever happened.
Unfortunately a good attorney, a good trial lawyer can make some of these almost nonsensical
biologicals look like it's beyond a reasonable doubt kind of evidence.
And that's unfortunate because sometimes they do that.
But isn't the other part of it is that you have an industry, what I call the biological
forensic industry that perpetuates themselves.
They say, "Yeah we've got it down to a science, we can tell you everything you want to know
about hair sample.
Everything you want to know about a tooth sample."
Whatever it may be.
Absolutely.
I talk about that in chapter two.
They all have their niche.
They all have their specialty.
I talk about that in chapter two of Blind Injustice.
You see that developing more and more don't you?
Yeah.
I talk about that in chapter two of Blind Injustice.
It's like a junk science industrial complex.
You get these people who have gone around testifying about these, what we now know are
unreliable or junk sciences and they've made a fortune off of them and then all of a sudden
somebody comes along and says, "Hey, this is unreliable, maybe we shouldn't be convicting
people based on this."
They fight back with ferocity and really go against, the establishment really fights back
and I give numerous examples of that.
Like in the bite mark area and the shaken baby syndrome and things like that, that's
what a lot of chapter two is about.
There's a documentary called The Syndrome about how the medical establishment, all the
doctors who have gotten rich testifying on the shaken baby syndrome theory have fought
back against discoveries in the medical sciences that the theory they were relying on really
wasn't very reliable.
It resulted in wrongful convictions.
It's pretty alarming.
People should check out that documentary, it's called The Syndrome.
You saw the same thing happening where they did regression psychology where psychologists
would have women believing that their fathers assaulted them when there was absolutely nothing
other than the regression testimony and then all of a sudden those cases started emerging
until we found out that most of that was completely fraudulent.
We're all the mercy of all this and I think that's why it's so important that you've written
such a great book here, Blind Injustice.
Mark, thank you for being out there doing that.
Hopefully you'll be out on the speaking circuit convincing more people that we need to rethink
the way that we go about criminal convictions in this country.
Thanks for joining me, okay?
-------------------------------------------
Captain Marvel First Look In Avengers 4 REVEALED? Avengers Infinity War Director Reveal THANOS Fate? - Duration: 5:37.
evacuate the city engage your defenses
and get this manna sheet
fun isn't something one considers from balancing the universe
but this does put a smile on my face
the hell are you guys
you
what is good Youtube Warstu here with a video on Captain Marvel and Avengers in
unity war so there's been a lot of confusion recently whether Captain
Marvel was going to appear in Avengers 4 or if she was actually filming for her
own solo movie which is going to be set before I'm an Captain Marvel so we still
don't know if these images are from Captain Marvel or if they are secretly
from a cameo role at the end of Avengers 4 so guys if you go ahead and like this
video please alike and let me know what you think of Captain Marvel's suit now
it wasn't the suit that everyone was expecting we've all been expecting
behind a scene in two images to come out in the next couple of days it's actually
a very different suit it's the original Captain Marvel the Kree hero no known
suits not the suit we're all like boss logic images were being revealed as
originally when brie Larson was revealed everyone was sharing the iconic Captain
Marvel super it's the Captain Marvel suit which does infer - some kind of
storyline which could possibly be coming up but I'm more interested to see
whether this is actually going to be part of Avengers 4 because obviously the
scroll the scrolls could be in Avengers 4 and if they are this could be part it
could be confirmation that the scrolls are gonna be in the Captain Marvel movie
as we already do know that and a few days ago we did get the teaser of brie
Larson learning how to fly or something like that so it's pretty interesting the
suit is green it looks pretty cool it's not really giving much way she's holding
up some mat I'm pretty happy to see it looks pretty dope so guys let me know in
the comment box down below where do you think Captain Marvel is gonna appear now
I know people are going to say Avengers 4 has already wrapped but has it because
Nick Fury was seen filming for something so we don't know what it's for I mean
it's either Captain Marvel or its Avengers 4 so also how is fan ops gonna
get defeated in the end I've got some ideas ant-man is going to get inside
Santa's head and grow back to regular size
strange could use the time stone to age talents into nothing vision could face
through Thanos and remove a vital organ now and know you're gonna say vision
died but I don't think it's gonna die even when Thanos gets the mind stone I
in a man infects than us with the bleeding edge which could possibly
happen we know Tony Stark's making it an Avenger uses a time stone to send Thanos
into a black hole which could be cool I like all them ideas guys let me know
down below how do you think Fanus is gonna be defeated and what do you think
is gonna happen with us after so the directors the Russo brothers are kind of
comparing Fanus to Darth Vader I know so originally he said he can't they said
they can't wait for you to meet fan ass he's a very interesting character Klump
complex villain he's excited to see how the audience is gonna learn about his
motivations his psychotic psych psychopathy his compelling kind of
backstory it's gonna be very interesting so we've not really seen much of Thanos
inside the MCM to you but what we have seen him he's an absolute savage beast
of what we know so the Russo brothers went on to say Darth Vader was the
childhood hit well the villain of his childhood and we're hoping to make a
Darth Vader for a new generation were hoping he has the complexity to him and
that he strikes fear into the heart of the audience but at the same time they
go on a journey with him frankly Avengers 3 is his movie so that it's
gonna be pretty awesome is have they actually revealed how fan Oz is gonna be
taken down will it be pop would it be similar to a Darth Vader base storyline
so guys this is a short video to let you know about the Captain Marvel new suit
let me know is it from Avengers 4 is it from Captain Marvel because they're not
actually supposed to be filming Captain Marvel stuff until March we believe and
let me know guys how Stannis gonna be defeated do you think the Darth Vader
kind of comparison it's going to be quite cool anyway guys please like scrub
and common anything descendants video any video requests it does help the
channel grow let's grow together guys hit that Bell button down below to join
team wars 2 and we will catch you guys in another video guys very soon catch
you later
-------------------------------------------
Guardians of the Galaxy - Fox on the run violin - Duration: 3:41.
BUDDY
Phrrrrr...Phrrrrrrr
Something you are completely wild
Where's your clothes, buddy?
slurp-slurp
And what kind of cheating do you always chew?
need to look for a mechanic
slurp-slurp
WTF?
Hey bro! Why are you sad?
Do you always have such a garbage here?
Where
Closer to the point. Repair needed!
what size ship?
Normal! With Warp Engine
It will cost 5
Five What?How is the currency here
Carry as much as you can. I will prepare everything
Options for obtaining loans
bank loan
Public Performance
Stole something
Earth Central Bank
Raccoons and Alien Migrants are not served
Music Store
As agreed
let's go, I'll show you
-------------------------------------------
Who Is Malia Obama's Incredibly Rich Boyfriend - Duration: 4:04.
Malia Obama began attending Harvard University in the fall of 2017.
Shortly before Thanksgiving, TMZ released a video of Obama briefly locking lips with
someone while tailgating at her very first Harvard-Yale football game.
He's now known to be Malia's rumored boyfriend, Rory Farquharson.
So... who is this guy?
He's a smoker
Obama and Farquharson were photographed smiling at one another while walking and talking in
Soho on January 20th, 2018.
In every picture from their outing, Farquharson can be seen with a cigarette in hand.
Surprised?
An estimated one-third of college students smoke, according to a 2013 report, so it's
not that uncommon.
In fact, Malia is at least an occasional smoker, as well, and she was the first of the pair
spotted with a cigarette.
No word on what Barack thinks about Malia smoking, but in a 2012 interview, Michelle
Obama discussed her husband's former habit as it related to his daughters:
"I know that his ability to ultimately kick the habit was because of the girls, because
they're at the age now where you can't hide.
I think that he didn't want to look his girls in the eye and tell them that they shouldn't
do something that he was still doing."
He's British
The Telegraph reports that Farquharson grew up across the pond and was the so-called "head
boy" — class President, essentially — for one year at the prestigious Rugby School,
a boarding school located in the birthplace of the namesake sport.
He was also a member of the chemistry club and played both golf and rugby for the school.
He goes to Harvard
Like Obama, Farquharson is now a student at Harvard University, which is likely where
the lovebirds first met.
While Malia's major is unknown, Farquharson may be following in his father's footsteps,
according to The Telegraph.
Charles Farquharson obtained a law degree from Cambridge University and is now a chief
executive at an investment firm in London.
Rory reportedly followed quite a few banking-related accounts on Twitter before he deleted his
profile.
Which brings us to ...
He's offline
Page Six reported that since he began dating Obama, Farquharson has deleted his social
media accounts.
It's understandable given the scrutiny that comes with mega-high-profile relationships.
Just ask Meghan Markle.
According to ABC News, when her relationship with Prince Harry became serious, Markle deleted
her blog, stopped sharing photos of her life on Instagram, and stepped away from Twitter.
He's fashionable
Sure, Farquharson has the accent, but does he have the look?
Maybe!
Vanity Fair claims that he and Obama both have "mastered New York City street style,"
based on a few scant photographs.
While Malia's look has been on point for years, it's unclear if Farquharson is consistently
stylish or not.
On the day in question, Farquharson was photographed in an eye-catching puffy blue jacket, but
even more eyes were on his sunglasses — his tiny, tiny sunglasses.
A popular trend in the '90s, the small shades look is being revitalized by the likes of
Selena Gomez, the Kardashian and Jenner clan, and Rihanna, according to Vanity Fair.
Rory appears, at the very least, to be on-trend.
He's loaded
How rich is the Farquharson clan?
They're not in the upper crust, but the numbers don't lie: The Telegraph reported that Farquharson's
childhood home is worth just over two million dollars, The Rugby School cost them 14-thousand
dollars per term, and Harvard is, of course, notoriously expensive.
His executive father isn't the only one bringing home the full English breakfast, either: Rory's
mother, Catherine, is an accountant working for the government in London.
He's being watched
While President Obama hasn't commented specifically on their relationship, he has discussed his
thoughts about his daughters growing up and dating.
A few months before Malia and Rory were spotted locking lips, ABC News asked him how he felt
about his girls dating.
Obama said he's, quote, "pretty relaxed about it," citing Michelle's influence as one reason
he's so chill about the prospect.
Then Obama joked:
"The other reason is because they've had secret service.
There's only so much they can do!"
It's unclear if Malia is still under secret service protection, and if this protection
is why Farquharson deleted his social media accounts.
Regardless, the whole world's watching their every move — the price you pay for mingling
with American royalty.
Thanks for watching!
Click The List icon to subscribe to our YouTube channel.
Plus check out all this cool stuff we know you'll love, too!
-------------------------------------------
How to Make Lasagna in a Mug - Duration: 8:37.
hey everyone it's James from fun foods and today I'm gonna show you how to make this homemade
lasagna using a coffee mug and your microwave now I got this idea from the
food dolls which I will put a link to their channel as well as to their
website in the description below but for right now keep watching and I'll show
you step by step how to make this now the first thing we need to do is start
off with a large pot with some water in there I'm going to take this put this
over in the stove we're gonna bring it to a nice rapid boil and then we can
cook our lasagna and I'm just putting this on high I will put on the lid just
so it'll boil faster and we'll come back to it shortly alright so when it comes
to a rapid boil we can remove our lid sprinkle some salt in there both for
flavoring and it helps to keep it from sticking over lot yet and then we can
add our uncooked lasagna to the boiling water and once they're all in there like
that we're just gonna cook this for about ten
minutes that's what it says on the package alright so while our noodles are
over they're cooking we're going to make the spread that's gonna go in between
the noodles and to do that I have a 15 ounce package of ricotta cheese I'm just
gonna put this in a medium bowl to that I might add 1/4 cup of Parmesan cheese
and you can season this any way you like if you want to tie your seasoning I'm
gonna skip that step but I ever going to add some mozzarella cheese shredded
cheese not a lot just a little bit and we're gonna mix this up really good now
we just have to wait on our noodles to get done and then we can do the next
step all right so my noodles are done cooking
I've already straightened my noodles and I've letting them cool down to the point
where I can handle on so now we're just going to take each noodle out one by one
put it on a nice clean surface we're gonna take our filling that we just made
a minute ago and scoop some out on it
and then we can spread it nice and thin or as thick as you'd like all the way
across the noodle now because I absolutely love cheese I'm gonna put a
little bit mozzarella shredded mozzarella on here and I'm also going to
put some slices of mozzarella on here
and then that's good you can put whatever you want on there if you want
to put different seasoning different toppings meat toppings if you like
either way it's great so now we're just gonna take another noodle put it on top
and we're gonna do the exact same thing we just did and then for our final
noodle layer just gonna stick this right on there like this now this one we're
not going to top and we're going to now prepare our mug now just make sure this
is a microwave-safe mug and it's real simple to prepare I'm just gonna take
some pasta sauce and I'm gonna put some in the bottom of the mug you only want
about a quarter-inch worth I would say just a little bit more than enough to
fill the bottom and then we can add some cheese to that and of course lots of
cheese so now we're going to take our noodles we're gonna roll this up now I
put this filling on quite thick so it is gonna be a little difficult to roll but
we'll get it going roll this thing up
and when you get it rolled up like this just take this and put it in your mug
might be easier if you don't put as much cheese in it as I did and it doesn't
look perfect right now but it's gonna taste amazing I think
it's time to wash my hands now of course once you do that we're gonna top it with
some more sauce put it off the near so it runs down the sides a bit it's really
up to you how much you put on there because some people like a lot of sauce
in their lasagna some people like just a little it doesn't matter it's your choice now
once you do that we're gonna top it with some more cheese of course now I am
gonna put a plate underneath this before I put in a microwave because it will
boil over we're gonna put in a microwave for two to three minutes
Wow so you know it's done when all the cheese has boiled over like that so
let's take this out but be careful because it might be hot so use caution
okay so now what I'm doing is trying to take it out of the mug and put it on a
new serving dish but before I do that I'm just gonna take a knife and cut
around the edges just so it hopefully will come out nice and clean
push that cheese inside there so much cheese I'm excited to try this okay
looks good so still have my glove on because I don't want to burn myself and
here goes let's see if we can do this and hopefully it comes out oh look at
that cheese Pole hmm that's cheese now mine didn't hold up its mug shape when I
popped it out like food dolls did so I do suggest you go over and check out
their video because there's a lot of fun I am going to cut into this though and
I'm gonna try something right now because it just looks so good
it's good you definitely want to try it nice and simple does take a little time
to make your noodles but if you already have noodles prepared and you want to
make a cup of lasagna you can make a mug cup simple well thanks everyone for
watching I hope you enjoy watch me make this homemade lasagna using the coffee
mug in your microwave only a couple minutes pretty simple pretty easy to
make and it tastes delicious so I hope you get a chance to make it for yourself
and if you do please share with me at fun foods YT and any of my social media
also check out some of the videos I have off to the side and be sure to hit that
big red subscribe button if you're not already subscribed get new videos at
least every week sometimes two or three a week so be sure to check those out and
also be sure to send some love over to the food dolls their YouTube channel and
their link to their website is in the description below until then I'll see
you next time
-------------------------------------------
BREAKING Multiple Gunmen Just Stormed WORLD FAMOUS Hotel… Here's What We Know - BreakingNews24 - Duration: 28:29.
BREAKING Multiple Gunmen Just Stormed WORLD FAMOUS Hotel…
Here's What We Know
A group of as many as four gunmen stormed the world famous western style Intercontinental
Hotel in the Afghan capital Kabul on Saturday night, seizing hostages and exchanging fire
with security forces as the building caught fire as residents and staff frantically fled
the scene.
Hotel manager Ahmad Haris Nayab, who managed to escape unhurt, said the attackers had managed
to get inside and people were fleeing amid bursts of gunfire on all sides, but he had
no information about any casualties, Reuters reports.
Afghan interior ministry spokesman Najib Danish said details of the raid, which came days
after a U.S. embassy warning of possible attacks on hotels in the capital, were unclear.
He said the attackers, who entered through a kitchen, appeared to have included suicide
bombers.
A government spokesman said special forces were on the scene battling the attackers,
killing at least one of them.
"Security forces are going floor-to-floor in that hotel, trying to flush out those attackers,"
Al Jazeera's Jennifer Glasse, reporting from Kabul, said.
Reuters reported that there was no immediate claim of responsibility for the attack, the
latest in a long series to have hit Kabul.
U.S. officials in Kabul told Fox News that based on initial reports there were no U.S.
troops or civilians hurt in the attack.
"We are aware of the fire and developing security situation at the Intercontinental
Hotel in Kabul," Capt. Tom Gresback, a U.S. military spokesman in Kabul, said.
"Afghan National Defense and Security Forces are leading the response efforts.
According to initial reports, no Resolute Support or USFOR-A members were injured in
this incident."
Local media reported "insurgents" had entered the building and were holding people
hostage.
TOLONews reported heavy gunfire was ongoing.
An official at the Afghan spy agency told Agence France Presse that the attackers were
"shooting at guests."
A guest hiding in his room in the hotel told AFP he could hear gunfire.
"I don't know if the attackers are inside the hotel but I can hear gunfire from somewhere
near the first floor," he said without giving his name.
"We are hiding in our rooms.
I beg the security forces to rescue us as soon as possible before they reach and kill
us."
According to one witness, who did not want to be quoted by name, the attackers took some
hotel staff and guests hostage but there was no immediate claim of responsibility for the
latest in a long series of attacks to hit Kabul.
This is an ongoing situation- we will keep you updated as more details come in.
-------------------------------------------
Library Book Haul January 2018 [CC] - Duration: 5:33.
For more infomation >> Library Book Haul January 2018 [CC] - Duration: 5:33. -------------------------------------------
Aprender español: Nombres con distinto significado en masculino y femenino (nivel avanzado) - Duration: 5:29.
For more infomation >> Aprender español: Nombres con distinto significado en masculino y femenino (nivel avanzado) - Duration: 5:29. -------------------------------------------
[VOSTFR] iKON - '사랑을 했다(LOVE SCENARIO)' M/V - Duration: 3:32.
For more infomation >> [VOSTFR] iKON - '사랑을 했다(LOVE SCENARIO)' M/V - Duration: 3:32. -------------------------------------------
Calls For Prosecution After Authorities Learn Of The Massive Felony Intel Officer Committed For Obam - Duration: 5:13.
Calls For Prosecution After Authorities Learn Of The Massive Felony Intel Officer Committed
For Obama.
President Trump made a promise to the American people that he would "drain the swamp"
and bring integrity back to the White House.
So far he has done everything in his power to keep that promise and it has been working
out.
The "Deep State" has been trying to undermine Trump since he was first elected because they
know what will happen if he accomplishes his goals.
The "Deep State" has been leaking sensitive information that has triggered much of the
chaos that engulfs the White House.
Former director of national intelligence James Clapper was known to be one of Obama's most
trusted allies and was involved in many corrupt and dishonest practices.
Clapper, who served as President Barack Obama's Director Of National Intelligence (DNI) from
2010 to 2017 is once again under fire after it was discovered very recently that he intentionally
lied to the American people while under oath back in 2013.
Clapper appeared before the Senate Intelligence Committee in March 2013 and told Congress
that the National Security Agency (NSA) was "not wittingly" collecting "any type
of data at all" on millions of Americans.
We have since learned that was a bold faced lie and Clapper needs to pay.
The Obama administration insisted there was not a spy network collecting information on
private citizens and Clapper was a key player in the spreading of lies to keep Obama from
being discovered.
This is just the beginning and if an investigation does conclude that he lied, it will be the
beginning of the end for Obama and his "Deep State" operatives.
According to Conservative Daily Post:
After verifiable proof that former U.S. Director of National Intelligence James Clapper lied
under oath, top Republicans are calling for him to be charged criminally.
In March 2013, Clapper told the Senate Intelligence Committee that the National Security Agency
had "not wittingly" collected "any type of data at all" on millions of Americans
through their spy programs.
That is a complete lie, and Republicans want him held accountable for telling such an egregious
fabrication.
Because of the congressional statute of limitations, lawmakers have until March 12 to charge Clapper
for lying before Congress when he said the NSA – which works in unison with the DNI
– was not unlawfully collecting private information on millions of Americans.
Texas Republican Rep. Ted Poe is one of many congressman calling for Clapper to face harsh
consequences for lying under oath to the American people.
Poe said:
The time for the Department of Justice and the FBI to bring the accusations against James
Clapper in front of a grand jury is long overdue.
He and others who have held administrative power must be held accountable to the same
laws that govern the people of the United States.
Kentucky Republican Rep. Thomas Massie agrees, adding that there's a new focus to root
out government corruption from Deep State actors and former President Barack Obama's
holdovers.
"Yes, he should be prosecuted.
He admitted to lying to Congress and was unremorseful and flippant about it.
The integrity of our federal government is at stake because his behavior sets the standard
for the entire intelligence community," Massie said.
He added: "The same goes for James Comey, who secretly leaked documents that he was
not legally permitted to release."
Wisconsin Republican Rep. James Sensenbrenner followed suit by saying the Obama-appointee
serves as the perfect example of the kind of corruption President Donald Trump wants
to remove from government.
Sensenbrenner said:
Complete and truthful testimony is imperative for Congress to conduct effective oversight.
It is clear from the evidence and Director Clapper's own admission that he lied to
the Senate intelligence committee.
Political consideration should not affect the Department of Justice from pursuing this
matter.
That was true in 2013 when it happened and remains true today.
With numerous investigations into former Secretary of State Hillary Clinton and Obama's FBI
and DOJ being investigated for abuse of power, the American people are finally seeing corrupt
actors held accountable for their actions.
This is the reason Trump won the election.
The American people are sick and tired of being lied to and the more Trump uncovers,
the more people are waking up.
The Democrats are terrified of President Trump and know that he has every intention of exposing
them for the corrupt traitors that they are.
For years we were lied to and manipulated by Obama and his people.
If James Clapper goes down, he will just be the first in line to do so and you can guarantee
this will lead to many more arrests.
The Deep State is in panic mode and it's only a matter of time before we learn the
truth.
Thankfully, Republicans were able to catch this information before the congressional
statute of limitations expires in March.
what do you think about this?
Please Share this news and Scroll down to comment below and don't forget to subscribe
Top Stories Today.
-------------------------------------------
Why should you join? || Manual Mix - Duration: 0:45.
Yo what up this is DJ DOMO all the way from ST LOUIS man
I definitely wanna shout out Manual Mix man for sure. Holler at em, check out the website man
definitely the chillest vibes that I've had on an online class ever
this is actually one of like my first online classes ever, as far as DJing goes
but like its hella mad dope man, I consider myself joining pretty soon man
like I said the vibe, the atmosphere, the techniques, the verbiage like everything
is on point man and it's for culture, definitely
Shout out to Manual Mix man...
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