Thứ Ba, 18 tháng 12, 2018

Waching daily Dec 18 2018

I've never heard of this shield before, the-

The shield of the age-maker.

It is the evidence this rebelion needs that Unuratu is the one to lead Paititi into the next age.

And where is this shield?

Hidden. Deep within the mountain. Beyond the Path of Huracan.

The Path of Huracan.

It is a trial. Designed to test all those who seek the shield.

If Amaru gets the shield, he'll remake the world as he sees fit. That can't happen.

I was hoping you would say that.

She's got the shield!

Shoot!

For more infomation >> Shadow of the Tomb Raider - The Pillar [PEGI] - Duration: 1:04.

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Armut in der Schweiz | «Ich habe immer gerne gearbeitet» | Radio SRF 1 - Duration: 2:24.

For more infomation >> Armut in der Schweiz | «Ich habe immer gerne gearbeitet» | Radio SRF 1 - Duration: 2:24.

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How To Plan Youtube Content - Duration: 6:21.

oh my gosh I'm just gonna put this video

YouTube famous will have a successful piece before you do all that let me tell

you something in order to get all those great things which is awesome

you have to have some good content which equals more watch time and more watch x

equals more viewers and more viewers equals more subscribers and in order to

get that you have to plan your content and that's what we're gonna be talking

about today Ashley Jeanette was a new power talk

teaching new youtubers how to grow their channel and how to create their life

that you are destined for consider subscribing to this channel where I

upload new videos every Monday in some wednesdays but this is just sure look

I'm gonna be posting new videos all this week of December 17th through the 21st

so make sure you have your bill notifications turned on so you don't

miss a beat hey lady eight today is day two of my day five video blitz and today

we're gonna be discussing about video planning for your YouTube content I want

to make sure that you are doing these three simple steps

before you hit record on your next video or even on your first video so let's go

ahead and dive right on into this before you hit record on your camera and just

post your first video or even your first video and you're just looking to blow up

I need to just be SuperDuper famous and just be SuperDuper phenomenal which you

are and you have great things to offer but she needs to do these three things

right here and that is number one research he needs to be researching

exactly what it is that your audience or your ideal clients are looking for to

help them move them from pain to pleasure you need to make sure that you

are you know going on YouTube and you're actually doing the keywords that they're

typing for instead of using the big words that you know that you're going to

be talking about in your business you need to be researching exactly what

it is that they might be you know struggling with I for instance if you

are a fitness coach and you're going in and you put in you know triceps or or or

whatever you need to be putting in the worst of the keywords that they might be

looking for us as such that's like you know sexy arms arm workouts uh you know

leg workouts you know further it's a flatter stomach workout you know most

people not gonna be putting you know triceps and biceps and abs and I don't

know the most of the simulator but you know I'm not a fitness person but it

just to give you a key and general idea of what you'd put in for your research

and stuff you're number two is your script yes I said it stripped you need

to be writing out your outline for your video so whatever you're gonna be

including in your videos you want to make sure you have your guideline points

so you won't miss it out on anything as far as if you're gonna be talking about

three steps to help get sexy our arms you need to be talking about those three

steps if we're gonna mention camp that you're

gonna be doing you want to make sure that you put that in your in your senior

script so that way you don't forget to mention it in your strip and you just

want to pretty much have your a pretty much guideline to you know hold your

audience retention and speaking of audience retention make sure you stay

around to the end of this video because I'm going to be talking a little bit

more about how to keep in hold and grab your audience so before I give it to my

step number three in Allah and the last two steps that I have to offer for this

video I want to make sure that you're still following along with me if you're

getting any value from this video go ahead and hit the like button down below

step three is to make a list and with your list you want to create from

graphics whether you want to have text slides if you're going to shoot B rows

you want to make sure that you're making a list everything that you're going to

include in your videos so that way your videos are nicely neat and planned out

and you're ready to put your content out there on to you too so that's go ahead

and do a recap you want to make sure that you research so that way you are

knowing what your audience are researching so that way you can come up

with a good title you have your script so that way you can have got one every

that is going to be put in your video so you make sure you don't miss out

anything and then you gonna make a list of all your different grass your tech

slide your B rows and all that good stuff that you're going to be putting

into your videos and make sure that it's incorporated so everything comes

together nice and clean for your videos and lastly as I meet you earlier

audience retention make sure that you are you know holding your audience

attention you've grabbing them and keep them hooked so as you as you seen

earlier in the video I told you that I was going to mention it and make sure

that you're sticking around to the end because I'm going to talk about it later

so if you made it this far in the video I'm glad that I tied your attention to

do that you want to make sure that you're opening up your video with

exactly what it is that these audience are going to be expecting in your video

whether you're exiting some type of question are you doing some type of

teaser teaser it's like if a cliffhanger you see that in my Grey's Anatomy

like they'll end the season off with a big finger and hoping you know to keep

you drawn and stayed on until another season come comes back on so you want to

make sure that you're doing that in your videos is just you know you rising and

falling with your your country now you know how to plan your YouTube content

when you do do your research you will be searched now what about when you want to

10x your engagement that is going to increase your income well today only

make sure you go ahead in the description box and click the link down

below to grab your free copy of videos that connect to 10x your engagement that

is one to 10x your income hey my fellow leading entrepreneurs if you're feeling

stuck or a lack of support in your business or if you want to be a part of

community to share business tips be sure to click the link below to join my

facebook group realize what my entrepreneurs Rhys mastermind Facebook

group any value from this video what was your biggest wild moment comment below

don't forget to like share and subscribe if you haven't already see you tomorrow

with brand new tips on video ranking

For more infomation >> How To Plan Youtube Content - Duration: 6:21.

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Julie Zickefoose - The Creative Force - Duration: 28:40.

welcome to I love content I'm your host Laura Bergells and with me are Scott

Smith and Elizabeth Goede and our special guest today is Julie Zickefoose

she is coming to us from an 80-acre Wildlife Sanctuary in Appalachian

Ohio and other than writing and illustrating books Julie's also a

contributing editor to Bird Watchers Digest and she speaks she leads trips

and history excursions and she sings in a band and she even has a new book

coming out in 2019 so in other words she is a creative force and we are lucky to

have her POP by to talk about creativity for our Lunch and Learn today

so welcome Julie and I'm going to kick things off by asking you Julie where

does all this creative force and creativity come from oh boy you know

I've been I've been pondering this question I told you I was an over

preparer but it's true I kind of I kind of in answering that question I think I

need to get a little bit Jungian on you and this is not my field psychology but

I'm very interested in it and and Tom Laughlin who is a screenwriter and a

writer and also a Jungian psychologist says that there is this thing called the

self and in the self is the ego and hammering the way at the outside of the

self and getting into the self is the divine and creativity

I believe dwells in the divine it's something that comes from without it's

something that hits you or perhaps it can be soft generated but it's always

banging away on our door and what stands between creativity and the self is the

ego the ego is our everyday self that says oh I really ought to wipe these

counters and whoa you know gee I've got a lot of laundry to do and and oh you

know my husband won't like it if I write all day and you know so the ego is the

thing that's always mattering away and wrecking the creative force so

creativity comes from clearing away the resistance that keeps us

doing what we were meant to do I think and there are a number of examples of

that I had this really interesting revelation I read the writers Almanac

which is this lovely thing that comes in the mail it's from Garrison Keillor and

it's got a poem every time and it was talking about Emily Dickinson Emily

Dickinson is famous for just I mean her poems just knocked me out they're just

incredible yeah usually set in the natural world always incredibly

insightful and Syrian you know just just beautiful work um and Emily Dickinson

sort of was like in high society and just you know cavorting around with her

friends and everything in the belle of Amherst and then she just kind of

disappeared at around 35 and she was writing a lot of poetry and over the

years people have been speculating about what happened to Emily Dickinson what

was wrong with Emily Dickinson why was she always alone why was she a recluse

right and so that you know the speculations have been oh well maybe she

was an epileptic the meter of her poem sound like they were written by an

epileptic maybe she had a broken heart maybe some guy broke her heart and so

she went into seclusion maybe there was nothing wrong with Emily Dickinson maybe

Emily Dickinson wrote better when she was by herself

like I do like a lot of people do like we don't allow ourselves to be and so

I've been really exploring solitude I think creativity comes out of solitude

creativity comes out of clearing away the cruds that is in your head

that is in your way and a lot of the crud that's in your head that's in your

way is generated by people all around you're talking a lot or by the

television set talking a lot or by the radio bumming you out or whatever it is

so I guess I'm speaking from a position of having been mired in all the stuff

that keeps you from doing what you're supposed to be doing and suddenly seeing

the light and I feel really good about that I love that because a I love Emily

Dickinson and I did have a client we were talking about Emily Dickinson

and she said oh isn't it so sad that she was a recluse and I'm like no I really

loved that she did what she did in a way that she wanted to that she wasn't after

fame that she was after the creativity so how do you balance that with all the

different distractions that we have today and all the push of you know be

involved with social media and you know keep being out there in the world how do

you balance and that because I really really align with what you're saying

uh-huh well Emily Dickinson died at 55 with

1800 poems in her death so clearly she found the self herself very good company

and that was what she chose to do I think it frightens the world at large

when an artist says you know what later I've got stuff to do here I think it

bothers family and friends I think they just kind of say they don't they don't

have a way a lot of people of understanding what creative isolation is

all about and I and I guess I talked to a lot of women who say I want to do what

you do I want to write books I just want to write books I don't have time to

write books but I want to write books because I believe that you should make

it a having time is not the way to phrase it

making time is the way to phrase it making time I don't make time to write

books it's a whole different thing then isn't it mm-hmm

and so for me when I have I have my dearest friend is always saying I just

just don't have time to get my house in order

you don't make time to get your house in order and I were and I I correct her

every time and she loves me for that and she corrects me when I'm on the ceiling

she pulls me off but this is a you know it's about being the captain of your own

destiny and deciding what it is you're going to

spend this wild and precious life doing Mary Oliver is also considered a recluse

what a coincidence brilliant poet really a natural you know

poet incredible person so what if she spends a lot of time alone that's where

those poems come from so I guess I'm making a I'm making a plea for some

creative isolation I don't think we grant ourselves that and I just don't

think we do I think we think it's abnormal you know to want to want to

just shut yourself away and in your Tower and write but once you do and once

you get into that you know is it's a very powerful thing I really resonate

with that because at a very early age right when I graduated from with my

master's degree uh professor psychologist gave me the

gift of a psychological profile and he said Laura you're an extreme extrovert

and I said I think he might be mistaken about that because while I really like

people and I really enjoy being around people and I get a lot of energy from

being around people I really like my alone time and I like being among people

but it's like leave me alone otherwise no work will get done whatsoever

and I get really agitated if I don't have my alone time and I'm an extreme

extrovert apparently so how did weird is there a

balance that we need to have for creative isolation and our people time

well you know you're asking the wrong person has now been eight days I've

started my car so you know it's so funny I go to start my subaru and it goes and

I'm like what's wrong with you and it's like it's eight days so I I admit that I

am kind of on the other side of this right now because I'm finishing a book

so I'm kind of I'm I'm on the way other end of the spectrum but I also have a

problem with people dividing the world into extroverts and introverts I think

that's a problem because I think you can be a real mix

and there's nobody the party like you right and there's nobody who loves a

party like me but I like it when I want I don't want a party every night you

know if I partied every night I'd be

miserable so I think that every human being has doses of both and and I think

that what we're guilty of mostly is ignoring the introvert in ourselves the

person who has to be alone with their thoughts and collecting themselves in

order to produce something so I guess I'm just making a plead for people to

carve out the time to do what it is that sets them at peace and to grant

themselves unstructured time unstructured time is the greatest gift

any creative artist can have and and that's what we deny ourselves most most

frequently I think I see that as well I see children with so much structured

time and I had so much unstructured time and I'm not hearing a lot about this

whole introversion extroversion thing where people will act like introversion

is some sort of disease or if it's like this amazing social power and I have to

tell you I'm I'm kind of with you on the I'm not really believing that there is

such a spectrum I believe that we all have you know different personalities

but I'm not really sure that there's we should place so much credence on that

scale well I think it's very contextual and I'm always skeptical when anything

is presented as a dichotomy yeah thank you he's gonna fit neatly into two

buckets or one literally and the world is very nuanced and fluid and changing

and people are changing and people are gonna react to different circumstances a

different way depending on what they had for breakfast how much sleep they had

and whether and that they could annoyed by a person like they're speaking to

right now now that I got annoyed to buy it you might say I'm an extreme

introvert whenever I'm behind on a deadline and because I'm like people get

away from me I got work

hi I'm pretty much somebody that's all over the board as far as introversion

and extraversion so yeah I don't like dichotomies I didn't like one that my

friend came up with that everything in the universe is either a shark's tooth

or it isn't we we hit on something with deadlines right you just you just invoke

the word and there there was a corollary of this whole Union self with the ego

and everything and this guy Tom Laughlin works he's a psychologist who works with

terminal patients and he says that at the moment someone is given a terminal

diagnosis ie they have a very limited time to live their consciousness shifts

from the ego to the self they suddenly ask themselves well what is it that I

should have been doing all along what is it I should be doing they take up music

they go to their kids baseball games they visit their grandparents they do

things that have been shoved aside by all the ego stuff which is uh oh I got

to get this bill paid and I got it you know I gotta get this report in and all

that stuff that seems so important and was foremost in their life is suddenly

shoved aside for the heart stuff for the soul stuff and that shift of

consciousness that happens when you find out you have a very short time to live

is I would submit the same thing that happens when you get a big fat deadline

from your publisher it forces a shift of consciousness in you that says oh I

don't have much time left let's do what matters which is your work which has

always been what mattered but we need a deadline in order to make it matter to

us and so I like that parallel of and why is it called a deadline because

you're dead if you don't get it done right or that's that's after that your

contract is dead and you don't get paid right so I just I like that I like that

simile of or that metaphor of you know very little life to live or deadline

very little time to fool around and so you get to it brand um for my

book Saving Jemima I set myself a deadline of a year I experienced this

incredible thing with this bird that I raised this blue jay and I started

writing about her when the day I got her I just started writing because I knew

this bird was big and she wound up to have this incredible sort of picaresque

adventure of a life and all this crazy stuff happened and I'm writing the whole

time so by the time I released that bird I was well on my way and I just kept

writing and writing and then I started painting and the goal was a self-imposed

deadline up I'm gonna get a manuscript in exactly a year from the last time I

saw the bird the last time I saw the bird was December 23rd 2017 and I just

handed in the last chapter yesterday so I actually beat my own okay but it's

been a holy thing for me to be able to to put out an entire book written and

illustrated with 20 paintings and all the photographs 106 photographs get it

out just do it yeah you know so that's that's been that's been my go this whole

year and it's been amazing what you can put aside you know you don't actually

have to answer all 90 emails in your box that day you can let some of them age

until they ripen and then fall look it doesn't matter anymore

it's like first of all there's the reason the word dead isn't that word

deadline right and I love that I love a lot the other yeah about the having time

versus making time the same thing with answering the emails it's I have a thing

where I say it's not that I don't have time it's like that's not a priority and

there's just like okay my washroom right now is a mess

and it's been a mess now for three days but cleaning it up right now it's not a

priority we're talking about creativity he did exactly I think that one of the

things I have to remind myself is I have to

read the person that is sending me the email that says urgent do they have it

of quitting lots of exclamation marks and saying it's urgent when they can't

find the coffee filters or something like that and just like you have to take

the salt because some people are gonna find a way to get a hold of you if you

don't answer the text or the email something like that there's the people

that see you in the hallway to ask you if you got the voicemail about the email

they spend you have to like you can only give that so much effort it's just like

I used to be somebody that I have to answer this this and this right now and

then I felt that I used to work with manage 200 people and he said I checked

my email at 6:30 and 6:30 and that's it there you go

there you go let me uh that brings me to a point that is a new discovery of mine

years and years and years ago I said there shall never be a TV in the bedroom

no thank you not gonna happen and just recently I

realized that I'm using my phone as a TV so it no longer gets to come into the

bedroom either and the amazing thing that has happened since I did that is

I've started writing again so before I go to sleep I write when I wake up the

first thing I write is what I drink and creativity lives in the dreams the

divine comes to you through the dreams so if you write down your dreams you

remember them better the next time today is my dogs would be my dog's 13th

birthday and he visited me in my dream last night it was incredible yeah I

could steal him I could hear him he could talk it was amazing it was a

visitation had I not been writing down my dreams I might never have remembered

that I dreamt that but it's so precious to me so write down your dreams they

mean something every single one of them has all these rich metaphors in them you

can get essays out of a dream so write write with a pen on your hand

yeah and end thing about it as your penmanship

improves that's because they like the phrase write down your dreams because I

know people say live your dreams but if you don't remember what your dreams are

when you're working on a book and you're doing the photography and the

illustrations is there like one area that is more gravity than another do you

feel like okay I need to paint today or I need to write today or do your muses

ever fight for your time thank you for that question Scott that's a great one

yeah I have this thing I have the cerebral cortex that has a right half

and a left half and near the twain shall mix and the thing that that is my

particular monkey is that I love to write I could write hanging by one foot

upside down writing is therapy writing is easy

writing is fun for me painting I absolutely love to paint but only after

I've started doing it so I I set up a tremendous amount of resistance for

myself when I'm trying to get through that really thick membrane between the

right brain and the left brain the creative brain the right brain and the

left brain which is the writings so so what happens to me is I I have this

tremendous grinding of gears and and since I'm a linear thinker I get all my

writing done and then it's time to paint and then I basically goof around for

like weeks two months before I start painting my resistance walks in and says

hey hey shouldn't you really turn over that rhubarb bed before it you know so

it's really hard for me to start to shift gears right now I'm doing this

amazing sort of mix of painting and writing and and that feels really really

good but I know it's not really me I think it's just deadlines produced

just like the Kerouac story of him getting jazzed up to write and

then sitting with a roll of telegraph paper feeding into his typewriter

Truman Capote say that's not writing that's typing Oh

yeah sometimes it's just typing you know but but usually I think the thing that's

really cool about writing is that you don't know what you're gonna write until

you start doing it and then all this stuff comes out and I think that is the

subconscious channeling through because I'm doing that motion of writing with a

pen or typing it frees up the subconscious to start really speaking to

you at least it does for me and it's said that that quote writing is like

driving in the fog you can only see as far as your headlights but you can make

the whole trip that way right yeah yeah I feel that acutely too because I

participate in NaNoWriMo which is national novel writers month you

talk about deadlines you get your 30 days to write 50,000 words and there are

two approaches to it some people will say you know you have to have an outline

to write otherwise you'll never make it and then there's others

called planners and then the other half is called Pantsers and they're just like

just go in and start writing I find that I'm more of a plantser or a little bit of

both I have kind of a plan but once I start writing my characters and the plot

have a mind of their own and I might have ideas but it's like nope this

character's doing something else I got to see where this characters gotta take

me so that hey yeah yeah and it's all

generated from you but you don't really know that it's in there right do you

take write which leads me back to how you have to write those dreams off and

actually go through the process of writing to see what's going to happen

and would you recommend that even for people who aren't writers but for people

who are are like Elizabeth who is a painter and a drawer to say can you get

to drawing and painting through writing there's some things that I write

certainly beg to be beg to be drawn I'm beg to be painted I know Elizabeth what

do you think I'm back to this how I actually set and abide by my own

deadlines I'm very good when it comes to a client but I'm trying to figure out

how Julie you can and abide by your own deadlines do you

have any I do actually and they're really practical thoughts for me

deadlines are have always been sacrosanct because when I decided to go

completely freelance when I was gosh oh my gosh a long time ago I decided that I

would not have a boss anymore and I was going to be freelance and there were a

couple of things that floated up to the top and one of them is be absolutely

sure before you say yes I can do that that you can do it but not only that be

sure that you can do it better than anybody else could and that's why when

you guys approached me about this video conference I was like well I need some

more information I got really nerdy and I started emailing you guys because I

wanted to know what you expected I wanted to know what you wanted and what

would make you happy so I wanted to make sure that I could give you that that is

what I mean by being an over-prepare and I have only run into one freelance job

that was a horrible fit for me and because I didn't realize what the guy

wanted until after we were well into it and what he wanted me to do was to write

a book with all his thoughts and information but in my writing voice mmm

I was like oh okay so that's what you want so I lost weeks of sleep over it

because we had a contract and it was gonna happen and I realize I could not

bend and fold and me lay myself into that box that he wanted to put me in he

wanted my policy wrapped around what he wanted to say

so I finally just said I can't do this you know but that's the only time that

I've ever gotten into a job that far and then said whoa

usually I think I think it all out beforehand and make sure that I can do

right so as a freelancer that's it's just make really sure that you can do it

before you ever say yes and and then just

really super simple stuff make your workspace really nice you know you can't

work in clutter and junk and if it's a scented candle that you need or just the

right music on Spotify make it a treat to go into your studio you know make it

keep it nice as much as you can I mean you know when I'm working as I am now

there's just stuff strewn everywhere it's like a blue jay scan my blue jay

will take your your little cardinal anyway yeah try to make your studio

space really nice make it a place you feel like going when you walk in you

even happy sigh I got rid of all television when my last kid went to

college this fall I was like you know what never gonna watch it never gonna

turn it on if I need to watch TV I'll go to the neighbor's house or something so

that's gone and so this has been for me a process of throw bein stripped down

and it's really working well for me like I just I just went downstairs and I

admit to hang out clothes today but it's not going to get about freezing again so

I am four or unfurled my Amish driving rack in the basement and as I was

hanging the clothes on it in the dark I thought you are turning into Henry David

Thoreau what I'm trying to do is not use stuff that I don't really need to use

yahoos electricity to drive I've got time let's hang them up you know for

sure so and and what right if you can see with the light coming in the window

why turn on a light I know our time is running out and you know you you are a

prolific writer and we've got a lot of books you have a new book coming out in

fall of next year is that right tell us about that right yeah it's called saving

jemima life in love with a hard-luck jay and i mentioned earlier that that I'd

raised this bird but all this all this other stuff happened and it wasn't your

normal raise and release story there was television involved and there was

disease and catastrophe and love and laugh

and it's just a really kind of a neat story that has real arc and the coolest

thing that happened is all of this heavy-duty involvement with this one

bird has launched me on to my career as a professional J identifier and now

yesterday morning I could identify by their faces eight of the Jays at my

feeder just by looking at them by and this morning in uh up by their faces and

I'm seven and Counting now and the stuff that you learn when you know one bird

from another is incredible just incredible it's the same thing that Jane

Goodall did the first thing she had to do was feed the bird feed the

chimpanzees get them coming in and then figure out who each one was and who was

related to who now I'm never gonna go there with the Jays probably I mean I

might get there I'm looking at a J right now but but it's just it's like Jemima

kicked open this door for me and all this light came in and it's just it's

amazing now we're looking forward to that book in fall of 2019 and I know

that you talked a lot about creative solitude and yet you're still a social

person where can we find and follow you on social media okay I'm honest under my

own name Julie's in Affairs and I'm on Facebook under my own name Julie's

Zickefoose but I have only 100 more friends so I'm getting really fussy you

know they cut you off at 5,000 man you can't do it so I've either got to clean

up people I will put a link to Julie's blog in the comments

below as well as well as Instagram and Facebook but don't expect to get

friended by her on Facebook thanks for joining us today

thank you very much I'm gonna watch Jays now

For more infomation >> Julie Zickefoose - The Creative Force - Duration: 28:40.

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Armut in der Schweiz | «Man wird nicht gesehen» | Radio SRF 1 - Duration: 2:59.

For more infomation >> Armut in der Schweiz | «Man wird nicht gesehen» | Radio SRF 1 - Duration: 2:59.

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Explore The Ruins of A Medieval East African Empire - Duration: 3:41.

- On an island off the coast of Tanzania,

are the ruins of a city that was a hub of global trade

for centuries, right up until the Europeans

showed up and spoiled everything.

I'm Samir Patel, deputy editor of Atlas Obscura,

and this is Kilwa Kisiwani.

To get to the ruins of Kilwa Kisiwani, you first have to get

to the tiny island of Kilwa Masoko, get a permit,

and then head to the dock at the southern end of the island

and convince someone who has a boat to take you across.

As soon as you wade through the surf to the island,

you'll find yourself in the ruins of maybe the greatest

city of the Swahili culture.

Before Europe's Age of Exploration, starting

in the 10th century, a bunch of rich sultanates arose

on the East African coast, kind of like

the city-states of Renaissance Italy.

The biggest was Kilwa Kisiwani, which made its fortunes

by playing the global markets, trading the riches

of the African interior

(gold, ivory, timber, spices, even slaves)

to the Middle East, India, and then on to Europe

and even to China.

It was even mentioned in John Milton's "Paradise Lost"

as one of the great kingdoms of the Earth.

The site today is a ruin,

but the standing remains are spectacular.

They're all made of giant blocks

of limestone called coral rag.

You'll see the Great Mosque,

it's the oldest standing mosque in the region

which had 16 domes originally

(10 of them of still intact).

You'll see a fort called Husuni Ndogo, and the remains

of a bunch of other, smaller buildings.

But the real highlight, which you have to take a boat to

because it's on the other side

of a mangrove forest, is Husuni Kubwa,

the grand palace built by Sultan al-Hasan ibn Sulaiman

in the 14th century, at the height of the city's power.

You have to enter by boat, at the base of a cliff,

and then you climb these worn stairs to the hilltop

to the ruins of the palace.

There's a giant cliffside octagonal bath,

a residence with 100 rooms, a stepped greeting court,

with candle niches in the wall.

But it was a little too ambitious.

For some reason we don't know,

the sultan never finished it.

The question of who built this city was much debated

in the early 20th century.

Old accounts said it was founded by a Persian prince

who bought the island from a local king for cloth,

enough cloth to encircle the whole island,

and then destroyed the bridge

that connected it to the mainland.

This actually turned out to be a classic bit

of colonial thinking, that Africans couldn't possibly

have built such an international, sophisticated city,

a multicultural center, and a global trade network.

Later excavations at another of the stone towns

on the Swahili coast, Shanga in Kenya,

show clearly that the Swahili culture

was homegrown in Africa and it picked Islam

and its architectural styles-

the minarets, the mosques, the domes-

to make itself more appealing to Arab traders.

They cherry-picked their influences from the successful

parts of other cultures until it all came

to an end in the 16th century.

That's when the Portuguese showed up, building forts,

demanding tribute, and generally mucking things up.

A lot of the stone towns were hastily abandoned

around this time, and though it's hard to say exactly why,

losing control of the trade that made them rich

was probably a big part of it.

So this is one of the great, little-known

and little-studied medieval civilizations

of the world, like a Venice of its time.

And it's actually not really gone.

There's still nearly 2 million people living on the

East African coast who identify as Swahili

and millions more who speak the language.

Thank you for watching,

if you like this video, please subscribe.

Click here for more videos and tell us

what you think in the comments.

Where do you think we should explore next?

For more infomation >> Explore The Ruins of A Medieval East African Empire - Duration: 3:41.

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Ghost Aydan's MOST INSANE CLIP - #Fortnite (BEST CONSOLE PLAYER IN THE WORLD) - Duration: 7:59.

Oh City tonight shut up what up our meat is beat there we go

then I stopped idea right song

and all my Monday's 82 these better think they get rid of the jump in shit

bro i legit could not pull back the car at all what's up

there's no way that fucking stupid chat what was that bloom dude I mean it's 20

points by winds up to you I mean I want to say yeah I think I can fucking win oh

yeah someone just likes night me I was drinking at shield listen this is what I

find funny about the a man Cystic the Amos is stuff alright no one like no one

complained about Amos until I was in the skirmishes right like when Nick was

playing the skirmishes at first no one I don't think there was people no one was

complaining about Amos is then I was I'm like one of the there's not a lot of

people that spam L to thing like me right literally nobody was saying shit

before that they just want something to fuckin complain about

oh there's a controller player that's fuckin killin PC people let's just let's

just blame I'll name Isis fuck it welcome what do damage

Brian you better love me dude even see what happened

Oh fuzzy sorry sorry gotta go my hot buckets ready

how bike is ready I thought I was good I thought here he is for $10,000

let's go

they click the pull ups that I had who they clip the huh wait wait what's going

on here this is a glitch at what the oh yeah flip yo that guy was glitching chat

you just saw that oh yeah that guy was trying to do a glitch or something

oh it did shoot oh dude I actually wanna kill them I hit him right in the fucking

head right I had my coffee I write in a son

my shotgun I'm gonna start there every kill

dude I fuckin sucks my shit was right

For more infomation >> Ghost Aydan's MOST INSANE CLIP - #Fortnite (BEST CONSOLE PLAYER IN THE WORLD) - Duration: 7:59.

-------------------------------------------

Sony Cybershot RX100 M3 Camera UnBoxing In BD / Best Vlogging Camera / Shapon Khan Vlogs - Duration: 7:03.

For more infomation >> Sony Cybershot RX100 M3 Camera UnBoxing In BD / Best Vlogging Camera / Shapon Khan Vlogs - Duration: 7:03.

-------------------------------------------

Kako zamenjati zadnje zavorne ploščice na VW TOURAN 1 MPV [VODIČ AUTODOC] - Duration: 4:44.

1. Unscrew the brake fluid reservoir cap.

2. Unscrew the wheel bolts. Use wheel impact socket #17.

AUTODOC recommends: To avoid injury, hold up the wheel when unscrewing the bolts.

3. Raise the rear of the car and secure on supports.

4. Disconnect the ABS sensor electric socket. Disconnect the brake pad wear sensor plug.

Please note! Some cars are not equipped with the brake pad wear sensor.

5. Spread the brake pads. Use a crowbar.

6. Unscrew the brake caliper fastening. Use a combination spanner #12.Use a combination spanner #19. Retain the guide pin with another spanner.

7. Remove the brake caliper.

AUTODOC recommends: Tie the caliper to the suspension or to the body with a wire without disconnecting

from the brake hose to prevent depressurization of the brake system. Make sure that the brake caliper is not hanging on the brake hose.

Don't press the brake pedal after the brake caliper has been removed. As a result,

the piston can fall out from the brake cylinder, and brake fluid leakage and depressurization of the system may occur.

8. Remove the brake pads.

AUTODOC recommends: Measure the brake disc thickness. Upon reaching the wear limit the part must be replaced.

9. Check the brake caliper bracket, brake caliper guide pins and boots. Clean them. Replace, if necessary.

Use a wire brush. Use a brake cleaner.

AUTODOC recommends: After applying the spray, wait a few minutes.

10. Press in the brake caliper piston. Use brake caliper wind back tool.

11. Treat the back side of the new brake pads. Use anti-squeal paste.

AUTODOC recommends: Make sure the disc surface is clean before installing the pads.

12. Install new brake pads.

AUTODOC recommends: Make sure the pads are installed with linings facing the disc.

13. Install the brake caliper and fix it. Use a combination spanner #12. Use a combination spanner #19.

14. Tighten the guide pins. Use a torque wrench. Tighten it to 30 Nm torque.

AUTODOC recommends: Without starting the engine, press the brake pedal several times until you feel significant resistance.

15. Treat the surface where the brake disc contacts the wheel rim. Use copper grease.

16. Screw in the wheel bolts. Use wheel impact socket #17.

AUTODOC recommends: To avoid injury, hold up the wheel when screwing in the fastening bolts.

17. Lower the car and working in a cross order, tighten the wheel bolts. Use a torque wrench. Tighten it to 120 Nm torque.

AUTODOC recommends: Check the brake fluid level in the expansion tank and refill if necessary.

18. Tighten the brake fluid reservoir cap.

AUTODOC recommends: Slow down smoothly for first 150-200 km after the brake pads replacement. Avoid unneccessary and sharp braking to a stop.

For more infomation >> Kako zamenjati zadnje zavorne ploščice na VW TOURAN 1 MPV [VODIČ AUTODOC] - Duration: 4:44.

-------------------------------------------

Безответная любовь. Как добиться взаимности от мужчины, которого ты полюбила | Филипп Литвиненко - Duration: 8:51.

For more infomation >> Безответная любовь. Как добиться взаимности от мужчины, которого ты полюбила | Филипп Литвиненко - Duration: 8:51.

-------------------------------------------

NOWY TRYB "IGRZYSKA ŚMIERCI" W FORTNITE BATTLE ROYALE - Duration: 6:19.

For more infomation >> NOWY TRYB "IGRZYSKA ŚMIERCI" W FORTNITE BATTLE ROYALE - Duration: 6:19.

-------------------------------------------

What does a man do when he falls in love - Duration: 6:59.

For more infomation >> What does a man do when he falls in love - Duration: 6:59.

-------------------------------------------

O Holy Night - Duration: 1:41.

Tonight, Dear Christians, is the night when God descended to us.

The entire world thrills with hope, on this night that gives it a Savior.

May we ever be guided in joy to the cradle of the infant.

As in ancient times, a brilliant star

guided the Oriental kings there.

For it is love that unites us now.

The earth is free, and heaven is open!

Our Redeemer sees a brother

where there once was a slave.

Who will tell Him of our gratitude?

People, sing of your deliverance.

For more infomation >> O Holy Night - Duration: 1:41.

-------------------------------------------

Mardi Conseil : idées lecture pour l'hiver / Cold Winter Challenge - Duration: 20:43.

For more infomation >> Mardi Conseil : idées lecture pour l'hiver / Cold Winter Challenge - Duration: 20:43.

-------------------------------------------

Stitch puff with fans a crochet very easy - Duration: 12:48.

Hello everyone, I'm a gerbil welcome to my channel

This week I teach you how to make this stitch so beautiful

It's very easy to do

Puff stitch

Very pretty for a baby blanket

They are found in stitch puff of 4 loops, I

Hope you like it

The stitch is multiple o of 3

I have put 42 chains for this stitch

1 round

5 chains

Skip 2 chains

1 double crochet

2 chains

Skip 2 chains

1 double crochet

2 chains

skip 2 chains

1 double crochet

2 chains

Skip 2 chains

1 double crochet

Continue sequence until the end of the round

the stitch of the squares must be odd

2 round

5 chains

Skip 1 square

1 stitch puff of 4 loops

Closed loops

3 chains

In the same square

1 stitch puff of 4 loops

5 chains

Skip 1 square

1 stitch puff of 4 loops

Closed loops

3 chains

In the same square

1 stitch puff of 4 loops

Closed loops

5 chains

Skip one square

Continue sequence until the end of the round

Finish round with 5 chains 1 single crochet

3 round

Color change

We start from the first round

1 stitch puff of 4 loops

Close loops

3 chains

In the same square

1 stitch puff of 4 loops

Closed loops

5 chains

Skip 1 square

1 stitch puff of 4 loops

Close loops

3 chains

In the same square

1 stitch puff of 4 loops

Closed loops

5 chains

Skip 1 square

Continue sequence until the end of the round

Finish round with 1 stitch puff of 4 loops

Closed loops

3 chains

In the same square 1 stitch puff of 4 loops

4 round

Same as round 2

Color change

5 chains

1 stitch puff of 4 loops

Closed loops

3 chains

1 stitch puff of 4 loops

Close loops

5 chains

Repeat rounds 2 and 3

As you can see it is a very easy stitch

Very pretty for a baby blanket

You can use colored wool, but you have left over from other works I

Hope you like it

Thank you very much for watching me and for following me I wait for you in the next tutorial

For more infomation >> Stitch puff with fans a crochet very easy - Duration: 12:48.

-------------------------------------------

John Carter of Mars - Character Creation - Duration: 10:52.

hi I am Virginia from Modiphius and I am the resident Jeddara of narrators here

and today we're going to show you how easy it is to do a character creation

run-through for the new John Carter of Mars RPG. The first thing you're going to

need is a character sheet and you can find one of these in the back of the John

Carter book or in our Prince of Helium notebook or in the description down

below. So Step One of character creation is coming up with a general concept for

your character. This is who they are? What do they stand for? and what are they

doing on Barsoom? I am going for a Panthan warrior so a mercenary who goes

around looking for glory and battle. It's best to put this down in the concept box

on the character sheets that you have a good idea as you go through the process

of keeping to this concept. The Second Step of character creation is your

starting attributes so the first thing you need to do is note down that all of

your attributes on this sheet start with 'four'.

It's best to write these in pencil because you're going to be changing

around the numbers as we go through the process. When filling in your starting

attributes it's worth noting that you have got two points to spend in any of

the attributes on there, though it's best to hold on to these till the end so you

can decide which attributes you need to bump up. The Third Step to character

creation is selecting the race of your character. Now in the core book you have

the option here for Red Martians, Green Martians, the Okar Yellow Martians and

the Firstborn. There are also rules for creating mixed heritage characters so if

you want someone like Tara of Helium who is part Earthborn and part Red Martian

you can do that too. I've decided to go for an Okar so, a Yellow Martian, who

comes from the frozen North of Barsoom so to make a much more interesting and

unique character.

Once you've selected your characters race, it's now time to look and see what

bonuses you get from that so for the Okar Martian you get a +1 to your

cunning and your daring, and then you get a choice to add +1 to two attributes

and you get the choice of Empathy, Light or Reason. Now because I'm going for a

warrior I want to give her might because that will give her strength and that'll

do better for her in combat and I want to give her reason because I wanted her to

be clever and be able to work out battle tactics. Also detailed in your characters

race will be the things that your character knows, the things that they

don't know nd the things they're capable of doing. An example of this is as a Yellow

Martian I can speak Barsoomian and I know about the Frozen North but I don't

do so well knowing about other cultures from other parts of Barsoom like the Red

Martians or the Green Hordes. Step Four of character creation is to select your

character's archetype. This is a much more in-depth background of your

character and what they're doing on Barsoom or what role they play within

your party because I'm going for a Panthan warrior I'm going to go for the

Panthan archetype so the archetype here gives you an attribute bonus so I get

+2 to my daring and my might

And I also get a talent from this. This is a grade one talent which is the first

level of talents that you can get and this particular one is who dares wins so

I choose a particular type of weapon and when I'm using that weapon I get bonus

damage. It's best to detail the names of the talents in the talent box on your

character sheet so you can remember what they are or you can write them out in

full. Along side of the stat bonuses and talent you get from your character

archetype you also get another list of things that you know and things that you

can do. So for example my Okar Martian knows military history on Barsoom and is

capable of negotiating work contracts for Panthans.

Step Five of character creation is picking a descriptor. Characters in John

Carter of Mars are large and bolder than life so picking a descriptor that kind

of describes the core of your character provides you not only with something to

use to roleplay but it gives you a stat bonus as well.

I have decided on the

'disciplined' descriptor she is a hard-working warrior on Barsoom and she

takes her her craft very seriously. So this descriptor gives me a +1

to might and a +1 to reason.

Step Six of character creation is adding any

other additional talents at the beginning of character creation everyone

gets five grades worth of talents to add all of the talents in the book are

graded one to five depending on how good they are or how complicated they are you

can switch to the talents chapter to decide these for yourself

or you can create your own. If you want to see us create some talents over video

then let us know in the comments down below but for now the talents that I'm

picking are... I'm picking the 'cut them down' talent

'an eye for danger'

and 'disarming parry'

It's best to choose talents that reflects the things that you want your

character to be able to do - so 'cut them down' allows my character to swing at

enemies left right and center which plays into her character concept. If

there aren't any talents in the book that fit what you want your characters

to do, you can work with your GN to create a talent that works for you.

Step Seven of character creation is your starting renown and starting equipment

now unless you're playing an Earthborn character because they don't get any

starting renown, you get a starting renown of Ten and you can mark this into

your box... you also get some starting equipment now it's best to talk to your

GM about which equipment it's reasonable for your character to start with but

most Martian races will start with a weapon of some kind or a symbol of an

important house. If you're Earthborn you don't get any starting equipment- you are

new to Barsoom just like Carter was when he first arrived. So I'm going to mark

down a s word as my core equipment.

Step Eight of character creation is picking a floor for your character.

This is almost like an anti talent. It's something that

if your character doesn't adhere to or follow - you actually lose some momentum

during the game and it's meant to be a drive to push your character into daring

and heroic situations. I have decided to pick the 'overprotective' flaw, this means

that my character prides it upon itself to protect those that she's with and

when she fails to do so she suffers the cost

so Step Nine and the last part of character creation is to finalize everything that

you have. The first thing to do would be to add those two points that we got from

the beginning of character creation to our attributes to see which ones we want

to boost. So looking at my character sheet I want to boost 'might' up by one more

because she is a fighting character and I also want to keep that she's very

intelligent so I'm going to boost her 'reason' up by one more and then I can

finalize the rest of these.

On top of this you also want to name your

character you can pick any name that you like but in the core book we do have

some suggestions and we take you through the naming conventions of all of the

core Martian races so you can really feel like you fit the setting. I am

taking one from the book and I'm using 'Sorav'. At this point you can decide if

your character has got any allies or renown that they want to spend at

character creation I'm going to decide that I'm going to have a Thark Chieftain

as one of my allies...

...and this is going to cost me six renown so I'm just going to

mark that off on my sheets.

Alongside this

we want to fill out our maximum

stress on all three of our stress tracks and you calculate this by choosing the

highest of the attributes that it affects. So 'confusion' affects empathy and reason

and the highest of my empathy and reason is going to be seven. For 'fear' that

impacts daring and passion and my daring is the highest so it will also be seven

and for injury it's going to be the highest of my cunning and might which is

nine.

The very last thing that you're going to want to do is if you do have a

weapon as a piece of starting equipment to fill that in in the weapons section

on your character sheet so the basic damage for my sword is two and I don't

need to add any notes or ammo.

One more thing to do that might help you out is

because in John Carter of Mars everyone has individual momentum pools

as seen on your character sheet . It's a good idea to mark off what your maximum

momentum it is at the moment just in the corner of the sheet so for me it'll

be equal to my lowest attribute which is four and it's the same for your luck

points you have luck points equal to your lowest attribute which is four for

me as well.

And there you have it you have now created a character for John

Carter of Mars so we can see here that I have Sorav the Panthan Warrior who

is allied with a Thark Chieftain with a high daring and high might. She's going to

be running around Barsoom, doing all sorts of heroic acts and getting into

battles and fights just like John Carter himself would.

So if you now have a new

bold, heroic John Carter character to play you might want to consider getting

our Phantoms of Mars campaign book to play them in! If you have liked this

video please give us a subscribe and hit the like button and tell us in the

comments what other John Carter content you'd like to see. Also head over to the

Modiphius forums come and say hello and tell me what you think of all of the new

John Carter books thanks and we'll see you for the next one!

For more infomation >> John Carter of Mars - Character Creation - Duration: 10:52.

-------------------------------------------

WBSETCL Recruitment 2018: Office Executive, Linesman & Other Posts - Duration: 10:45.

For more infomation >> WBSETCL Recruitment 2018: Office Executive, Linesman & Other Posts - Duration: 10:45.

-------------------------------------------

DEGREES OF SEPARATION - Features Trailer - Duration: 2:32.

(exotic music)

(exotic music)

- [Narrator] Degrees of Separation

is a stunningly beautiful story-based puzzle platformer

from Moondrop Studios and Modus Games.

It's a unique atmospheric and artful indie game

with a ton of heart.

The central look of this game

is the split-screen interaction

between the two main characters, Ember and Rime,

who carry the elemental properties

of their distinct worlds wherever they go.

So as the characters move around screen,

the environment changes from hot to cold and vice versa.

In another video we'll talk specifically about

the amazing story, which is written by acclaimed

fantasy writer, Chris Avellone

and narrated by the talented Kira Buckland.

But for now let's talk about the game play.

The game is cooperative by nature

so the best way to play it is with a friend

or a significant other.

In co-op mode, you'll work together

to solve environmental puzzles.

For example, you may have to move around the screen

to either freeze or melt geysers to be able

to freely traverse the environment.

In single player, everything works the same

but you control both characters,

which sounds harder than it is.

You'll be able to to quickly switch between the two

or for general locomotion you can just hold a button

to move both characters simultaneously.

The game rewards intelligent cooperative puzzle solving,

rather than tight execution.

So anyone can pick up and play this game.

Every world will introduce a new mechanic

that presents a new challenge,

making you think outside the box for each puzzle.

For example, in one of the worlds,

you can use each other's energy

to explode the barrier between Ember and Rime,

allowing both players to access areas

they wouldn't have been able to before.

(uplifting music)

The music you're listening to is the original score

for Degrees of Separation, performed by Kristian Brastein,

an acclaimed composer based in Norway.

These hauntingly beautiful compositions

compliment the romantic atmosphere,

which really pops with its contrasting colors

and vivid details.

That's all we have for now.

Be sure to follow us on social media for more updates

and the chance at early peek at hands-on game play.

And don't forget to wishlist on Steam.

(dramatic music)

For more infomation >> DEGREES OF SEPARATION - Features Trailer - Duration: 2:32.

-------------------------------------------

IN FRONT OF PEOPLE TO BE USED BY GOD By Steven Furtick - Duration: 0:57.

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