Waching daily Jan 5 2018

7 Signs The People You Are With Radiate Negativity

It is important to be with good people.

However, sometimes you just do not know whether someone actually gives you positive or negative

feedback to you.

Here is some signs to reconsider the people around you.

You can either motivate them or avoid them completely for positive life.

if you experience any of these 7 signs, the people you are with are radiating negativity

#1 - Constant worries

People radiating negative energy always worry too much about something.

It goes beyond your thinking and make you want to push yourself from a cliff.

#2 - Pessimist

Small matters are big matters.

They think that something small will affect the whole world of theirs.

Indeed, it is important to look at details.

However, too much work on details take so much time especially if they always think

it cannot be done.

If advice does not work on them, just leave them.

#3 - Frequent whining

Their issues are the greatest, and no one should not complain about that.

Only the negative people can whine and say that their world is the worst that comes to

them.

If you meet this kind of person, you should be ready to bring them back into reality.

#4 - Delusionary

Being afraid of leaving their comfort zone, negative people tend to have monotonous live.

You can identify this, and be sure you ask them to hang out sometimes especially if they

are your friend.

#5 - Never reach the true potential

Negative people are surrounding by monotonous life with no intention to upgrade skills,

ability, attitude, and appearance.

This makes them perform worse in any form of competition.

#6 - Absorbing energy

Your positive energy is traded with their negative energy.

You can imagine that when you are having conversation with them as their topics are related to desperation,

uncertainty, worries, and other negativity.

#7 - Limited experience

Negative people tend to stay in one place as they do not like to improve.

In this case, they basically have little experience compared to other people who are more active.

All in all, that's the signs of people who radiate negativity.

Really cool information isn't it!

Please share your thoughts and experiences in the comments below!

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For more infomation >> 7 Signs The People You Are With Radiate Negativity - Duration: 2:53.

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Transcription || "Julian Lage Lesson" (Youtube clip) [guitar] - Duration: 5:03.

So, 2–5–1s are something all jazz guitar players will think about at one point in their life.

When I first learned about it, I took it very literally that there is: 2

5

1

And my lines sounded a lot like that.

And there is:

And, I did not want to play that way, and I did not know how to get out of that,

I though, "Well, those are the chords – you got to play everything!"

… kind of confront where they are, What is happening when you play the lick?,

rather than running away from it. There is nothing wrong with:

It is not you, and it is a lick, and it is of stale, for anyone playing it today,

– other than Charlie Parker, but, whatever…

So, here is what is happening:

You go: down, up, and up.

"Okay, that is interesting, so 'down–up–up' ".

Now, given whatever we know about 2–5–1s at whatever stage in our playing we are at,

let us do another 'down–up–up' phrase. So, for me, that might be:

"Okay, that is cool, so I learned something from that lick."

Let me find another 'down–up–up' phrase:

Okay, so I can hear that there are shapes and there is movement.

It is all a C major scale. It all relates to that, this is the 2-chord, this is the 5-chord, the C major:

So, starting on D, I could just play a scale:

I found it very useful, like I did in that example, to play a bass note while I improvise,

so I could hear relationship from the root to the lines. So let me just do that:

So here is the bass line:

There is the 6:

So, that was me just doing whatever…

At the core of it was a lot of triadic movement, a lot of:

(uhm)

So, it has this smoothness.

I don't think there is any key, at least in my experience, to making something smooth that is not; because,

even the most choppy stuff can sound smooth, and that has more to do with technique and clarity.

So, even if I went:

It is choppy.

But if you play it in a way that is smooth, you will get a smoother result.

For me, I don't think much about 2–5–1s. I think more about tension and release.

So, if I know this is, 1–2–3–4, 2–2–3–4, 3–2–3–4,

I have two bars of other chords and then a C major.

Now, the other chords I can substitute. If I know that C major is here,

I might choose to play C-sharp major for the D minor and the G7:

Maybe I will make up a progression of F-sharp minor, B-flat minor, C-sharp major, then C,

And I will just superimpose it over the 2–5–1.

And so, you bend the rules a little bit.

But, I hope that sheds some light on my evolution, as far as thinking of the 2–5–1, and what is important.