Hello everyone. I'm Sylvia
Welcome back to my Youtube Channel
This video is going to show you
what my favorite items during June 2018
Including what items that I dislike the most
Hair water spray
You can get it from Super Save, Daiso (or Mr.DIY)
Very cheap
Fix your messy hair
Next
Contour powder
And this is liquid
Brand is Catrice. Can get it from Watson
Price is not that exp
I pick wrong color
I get it from Singapore Watson
I pick wrong color
Next
I went to Kuala Lumpur
Typo store is my favorite store
There is no Typo store in Sabah
I love pretty cups
Next, lotions
Brand is Vaseline
Nivea is not my favorite product
This is new one
Suit for dry skin
Last one
This is Eversoft Facial Scrub. Can get it from Watson
Not that exp
Use 1-2 times per week. Do not use it everyday.
Remove your dead skin
Good for your skin
And now I want to tell you which item I dislike
Use this when you wearing facial mask
I thought it is a useful item
It's very good In the beginning
When I use this for about 1 week
It make me feel uncomfortable
For more infomation >> 6月最爱&最讨厌的用品 ♥ June Favorite And Dislike - Duration: 5:43.-------------------------------------------
What is he saying?(81) (Listening Practice) [ ForB English Lesson ] - Duration: 2:12.
Hello everyone and welcome back to ForB's English lesson video.
My name is Richard and today I'm going to say something and I'd like you to guess
what I'm saying.
Are you ready?
Let me in.
Let me in.
Let me in.
Did you catch that?
Alright, let's try that again but this time with a hint.
Let me in.
Let me in.
Let me in.
Did you get it?
Alright, let's try that again but this time a little slower.
Let me in.
Let me in.
Let me in.
Did you get it?
Alright, the answer is "Let me in."
Let me in.
Alright, so the pronunciation point here is the "t" sound is not said,
so it sounds like one word, "lemmein", "lemmein".
Alright, so this expression you can use when you want to go inside someplace,
so you ask someone if you can go in.
Alright, so let me in.
Alright, so let's practice this together.
First slowly, then a little bit faster after that.
Are you ready?
Let me in.
Good.
Now a little bit faster after that.
Let me in.
Good.
Now even faster.
Let me in.
Good.
Alright, let's try that three times quickly.
So please repeat after me.
Let me in.
Let me in.
Let me in.
Great!
So now you know the expression "Let me in."
So if you want to ask someone to go in someplace, you can say "Let me in."
Alright, so if you liked this video, please click like, share, or subscribe.
My name is Richard and I'll catch you next time!
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Even School Boys Got Surprised with This Boy's High Pitch and Voice [ENG SUB] - Duration: 3:11.
어떡해 벌써 보고 싶은데 Already miss you this much
이땐 행복했나봐 모두 지워야겠지 Now it is time to let things go, let everything go
웃는 너의 사진을 행복한 우리 사진을 your smiling pictures, our happy pictures
한 장씩 너를 지울 때마다 가슴이 아려와 deleting those pictures one by one, my heart is aching
너의 사진이 점점 흐려져 Your picture is blurred (by tears)
사진 속 너를 불러도 보고 너를 만져도 보고 I am calling you in the picture, touching you in the picture
너무 잔인한 일이야 너를 지우는 일 It is so cruel i have to forget you
그대로 있는데 웃고 있는데 You are here, smiling here
사진 속 네가 웃고 있는데 you are smiling in the picture
이땐 행복했나봐 이땐 몰랐었나봐 I was happy back then, I didn't know that
우리 좋았었는데 우리 좋았을 텐데 We were had good time, We must be happy
한 장씩 너를 지울 때마다 가슴이 아려와 deleting those pictures one by one, my heart is aching
너의 사진이 점점 흐려져 Your picture is blurred (by tears)
사진 속 너를 불러도 보고 너를 만져도 보고 I am calling you in the picture, touching you in the picture
너무 잔인한 일이야 너를 지우는 일 It is so cruel i have to forget you
이젠 눈 감고 널 지워 Now I am letting you go
어차피 우린 아닌 거잖아 We are not for each other anyway
이젠 눈 감고 널 지워 Now I am letting you go
마지막 사진 한 장 뿐 The last picture I have now
마지막 너의 얼굴이 보여 너무 아름다워요 I can see you the last picture, so beautiful
이제 다시는 볼 수 없음에 Now It is not possible to see again,
한 번 더 너를 불러도 보고 너를 만져도 보고 calling you one more time, touching you
너무 잔인한 일이지만은 널 지웠어 It is so cruel, but I delete....
-------------------------------------------
Suffix and Prefix with English to Bengali Translation| Basic - Duration: 30:05.
For more infomation >> Suffix and Prefix with English to Bengali Translation| Basic - Duration: 30:05. -------------------------------------------
JAKE PAUL EXPOSED - Duration: 3:51.
welcome
-------------------------------------------
Brandon Flowers' Kids Fall Asleep at His Shows - Duration: 2:48.
-You have three boys. -Yes.
-You were saying backstage -- 11, 9, and 7. Right?
-Yes.
-Do they like that their dad's in a rock band?
Do they go to shows?
-They're into it.
They're so used to it, you know.
Since they were born, that's what I do.
And they -- you know, they love music and they've been to gigs.
But none of them have ever made it through an entire gig
without falling asleep.
-Oh, really?
-Because we go on at 9:00. -Yeah.
-And so -- I mean, that's already,
you know, that's bedtime. -Yeah.
[ Laughter ]
-So my wife's documented a couple instances
on her Instagram where they're just like dozing off.
And I'm, like, on fire on stage, like, giving it.
And it's pretty funny.
-You did the Panorama festival.
-Yeah.
-Here in New York. [ Cheers and applause ]
And you -- you brought someone from the audience
up on stage to play drums.
-Yes.
-How does that happen? What happens?
-They bring signs.
-Okay, so someone was holding a sign saying --
-Yeah, we had never done it --
until November last year, this hadn't happened.
A kid in Dublin brought a sign.
He wanted to play keyboards on a song of ours
called "A Dustland Fairytale."
And we brought him up and it was -- it was amazing.
Because people are already, you know, coming together
at this concert and they all agree on something
and it's beautiful to have that sort of
congregation of people cheering.
But when that kid came on stage, everybody was rooting for him.
And we were rooting for him. And it was beautiful.
Then all of a sudden, it just took on a whole life of its own.
And now at every gig, there are people with signs.
-So you had a --
Let's take a look at the drummer you brought up here in New York.
♪♪
[ Cheers and applause ]
♪♪
-He's singing along. -That's fantastic!
[ Cheers and applause ]
So, how -- be honest.
How often is it good? -Okay.
[ Laughter ]
It is -- I think 60 -- 63% of the time.
-That's a good -- [ Laughter ]
-Yeah.
-And I will say this is a photo, you know, obviously taken.
Here you are getting -- I mean, look at that crowd.
Look at the amount of people you got to perform with.
That's really incredible that you do that.
I do want to say, I know I told you this once before.
We met in 2008 when you did "SNL"
and my mom was at the show,
and I introduced you to my mom and you were so polite.
And this is sort of a famous story
because a lot of people overheard her.
And you went back to your dressing room
and we were walking down the hall and my mom said,
"I don't know why they call them The Killers.
They couldn't be nicer." [ Laughter ]
And it's as true today as it was then.
Thanks so much for being here, man. I really appreciate it.
Brandon Flowers, everybody!
-------------------------------------------
【ときのそら×アズマリム】magnetを歌ってみた - Duration: 4:03.
For more infomation >> 【ときのそら×アズマリム】magnetを歌ってみた - Duration: 4:03. -------------------------------------------
СПОЙЛЕРЫ в ТРЕЙЛЕРАХ игр из-за ГЛУПОГО МАРКЕТИНГА - Duration: 10:22.
For more infomation >> СПОЙЛЕРЫ в ТРЕЙЛЕРАХ игр из-за ГЛУПОГО МАРКЕТИНГА - Duration: 10:22. -------------------------------------------
Armie Hammer Reveals the Unique Way He Learns His Lines - Duration: 5:46.
-Welcome. -Thank you, dude.
Thank you for having me. -I'm so happy to you have here.
it is very nice when people on Broadway use their Monday off
to come visit us. -Yep.
-So, thank you so much. I did not realize this
until today, that we were in a movie together
about a decade ago.
-I like to consider us co-stars.
-Yes. -Really.
-We co-starred in a film. -Yeah.
-The film was called "Spring Breakdown."
It was a film with Amy Poehler and Rachel Dratch, among others.
And you -- you had one scene? is that correct?
-I had one scene. I play -- Oh, God.
I play "Abercrombie boy" in the movie.
[ Laughter ] -This is not --
that is not a description.
That is the character's name. "Abercrombie boy"
[ Laughter ] -That is actually -- that is me.
That is me. Very -- One of my very first jobs.
-And what would you say your character arc was?
-Oh, it was really complex and really interesting.
I basically am just there for Amy Poehler
to take body shots off of.
-And there you guys are working together.
That is fully exactly what that is.
-Yeah, yeah. -"Abercrombie boy."
-Another one of my co-stars. -Another one of your co-stars.
-Yeah, yeah. We're super tight. -There you go.
-Yeah. -And this is very exciting.
This is your Broadway debut. -Yeah.
-Terrifying to do a -- to debut on Broadway?
-Oh, for sure, but I mean, I guess that --
that's really the reason why I'm here.
-Yeah. -Anna Shapiro, our director,
called and said, "have you ever done a show on Broadway?"
And I said, "no." She said, "How do you feel about that?"
I go, "Scares the [bleep] out of me."
And she goes, "As it should. Good.
You should do it." And I was like, "I don't know.
That doesn't really sound like a good idea.
Uh, maybe that's exactly why it's a good idea.
[bleep] And then I was like,
you know what? As an artist and as someone
who wants to constantly grow, you can't be comfortable.
You've gotta be outside of your comfort zone.
And there is not much more of an area
outside of my comfort zone than standing in front of,
you know, 700 people 8 times a week.
-There you go. Now, in the -- as you've,
sort of, worked your way into the middle of the run, do you --
you must feel comfortable now?
Are the fears completely eradicated?
-Yeah, it's funny. it kinda comes and goes.
Like, sometimes I'm nervous. Sometimes I'm not.
And the times that I'm not nervous,
that then makes me nervous.
I'm like, "Why am I not nervous? I should be nervous."
-I know that feeling. -Yeah.
-When you don't have -- I always felt like
when you don't have butterflies,
that's a sign that something is about to go terribly wrong.
-You're like, "Am I a psychopath?"
-Yeah, exactly. -"Why am I not nervous?
I should be very nervous right now."
-This is a crazy thing for a human to do.
-You do -- it's a very serious play with very light moments,
as well, which is nice. -Yeah.
-There is a dance-off in the play.
-There is a dance-off.
-Josh Charles, who is a fantastic actor...
-Yes. ...you guys dance off.
You do a moonwalk in the show. -I do a moonwalk.
-Is moonwalk in the script,
or is that something that Armie brings to a production?
-No, it wasn't -- it wasn't in the script,
but there was a moment where I'm on one side of the stage
and they need me to get to the other.
And they're like, "Can you do, like, this dance?"
And they do this dance, and I was like,
"Oof, I don't really want to do that."
I was like, "How about I just moonwalk across the stage?"
And they go, "Well, can you moonwalk?"
And as every actor has ever done when asked, "Can you do that?"
The answer is, "yes."
"Can you ride a horse?" "Yes."
"Can you sword fight?" "Yes."
"Can you steer a pirate ship?" "Yes."
If it gets me the job, "Yes."
So, then I say "Yes, I can moonwalk."
And -- and went home that night,
and the first thing I did is get on, like, YouTube
and type in "How do you moonwalk?"
-Yeah. -Like, what do you do?
And so now I'm doing it eight times a week
because I don't know when to shut my mouth.
-Yeah. I would have thought that your computer when you
Googled that would have said, "Armie, don't."
-Yeah, probably a better idea not to.
-Yeah. -Yeah.
-You also eat a lot in the show. -I do. Yeah.
-You have -- sometimes, you have to do two shows a night.
And you're actually eating the food, I'm assuming.
-I'm basically the only one on stage eating the whole time.
I have to eat a massive bowl of cheese puffs.
I eat a Chinese food meal. I eat an apple pie.
I eat a bagel, and I drink a glass of egg nog.
-Wow. -And this all kinda came around
in the beginning of the show when I was like,
"Oh, this'll be really interesting if, like,
one of my character choices is, he's just always eating."
Like, that's a really good idea.
Cut to now, I'm like, what was I thinking?
That's was so stupid. But now, the good thing is is it saves me
money because when I do two shows a day,
I just don't eat outside of the theater.
-That's fantastic. -Yeah.
-And also, you helped yourself out because you put in
the moonwalk to, like, burn those calories off.
-That's basically all I'm doing. Yeah.
I'm actually flexing the whole time trying to burn
those calories off. -You...
Was one of the reasons you were afraid
not just about the 700 people,
but obviously, memorizing a great deal of dialogue.
-Yes. Yeah. -You posted this on Instagram.
I was -- A couple things.
One, it just is very telling that obviously,
when you do a show, you have to learn your lines.
And this is you. you wrote your lines down, right there.
-Yeah. it's one of my, kind of, weird compulsions.
I write out every line in the script,
'cause I feel like it gives you more attention to detail.
-Even other people's lines? -Even other people's lines.
-Wow. -Everyone's lines.
'Cause writers are really specific.
if they put a comma in one place verse another,
it means something.
It means, like, a shift in idea or a pause or whatever,
like commas usually mean. But anyway --
[ Laughter ]
But, like, it -- it forces you to pay attention.
So I write out everybody's lines, my lines and their lines.
Then I switch to just writing out my lines.
Then I switch to only writing out the first letter
of every word of my lines. -Wow.
-Until I end up with a whole page
of just random letters.
And if I can't point to a letter and see the letters
on either side of it and know where I am,
hen I don't know it well enough. -That is very impressive.
[ Cheers and applause ]
-Don't -- don't applaud. I mess up a line at least every night.
Like, it doesn't work. -But one thing I really want
to -- your penmanship, Armie, is just outstanding.
-Yeah. I think I'm just old enough to have missed --
like, my brother has messy handwriting...
-Yeah. ...but can type faster
than I can. -Got it.
-I think we fall, kind of, on that line when computers
were more ubiquitous. -Yep, yep.
-On the wrong side of things, yeah.
-But also, if I actually sit down and write in cursive,
it makes me focus even more. -Yes.
This is -- but this is either -- if I saw this, I would be like,
"this is either a Broadway actor preparing, or a serial killer."
-Yeah. [ Laughter ]
Maybe both? -Yeah, maybe both.
-Maybe both. -It's just, like,
there is a very Hannibal Lecter-y type thing
about a very nice meal. -Yes.
-And then crazy, tight-written script.
-You don't want to know what the food is made of.
-Yeah, exactly. -Yeah.
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Armie Hammer Talks About the Bakery He and His Wife Own - Duration: 2:55.
-Your kids -- We were talking backstage.
You have a 3 1/2 and then 1 1/2? -Yes, sir.
-And they spent some time in New York.
Has that been nice? -Yeah, it's been great.
You know, I mean, we do all the fun, New York stuff.
You know, they went on a boat
to go look at the Statue of Liberty.
We take them to the park.
We get to do, like, all this fun stuff, and it's great.
-That's very exciting. I guess at 3 and --
Do they understand -- Does the 3 1/2-year-old
have an appreciation for what New York is,
or is it still too young to be...?
-I think she thinks the entirety of New York
is Central Park or, you know, fun restaurants.
-Well, she is in for a rude awakening.
-Oh, yeah. Oh, yeah.
[ Laughter ] Oh, yeah.
-Take her on the subway. [ Laughter ]
-Oh, by the way, I have. -You have?
How'd that go? -Mixed emotions.
She saw what she calls a "rascal," which is a rat.
-Okay. [ Light laughter ]
-And has not wanted to go on the subway since.
-That's such a cuter way of saying rat.
-Yeah, yeah. -I feel like if Bill de Blasio
just said, "Hey, I want to admit,
we have a rascal problem"... -Yeah, yeah.
-...people would say, "That doesn't sound so bad."
-"That's cute." Yeah.
-This is a very, very cute picture
of your children right here. -Yeah.
-That's gorgeous. [ Audience "Awws" ]
-That's them. That's -- That's actually --
My wife and I have a bakery. We have a couple bakeries.
That one is our location in Dallas.
It's at the Highland Park Village
in Dallas, Texas.
And they love to go and just grab everything
out of the display case they can reach and eat it.
-I have to say, that is a jackpot,
being that age and having parents who have a bakery.
-Yes. -Well, how did it come to be
that you have a bakery? -It's really --
Like, my wife and I started it together,
but now she is the business mastermind and genius.
-Here she is. She's in this photo here.
-Yeah. That's my wife there.
-Okay. -So, I literally have no idea
how she does it, and she thinks I'm an idiot,
and she runs it all, so, really, it's a win-win.
-And is she someone that -- Does it make sense to you
that when you met her, did you think,
"We have bakeries in our future?"
[ Laughter ] -I knew it would be something.
This is actually true.
She might be embarrassed that I'm telling this.
She is what's called a "DECA dork."
-Okay. I don't know what that means.
-Okay. So, "DECA" is like a --
It's basically, like, a debate program
for after school, but instead of debate,
you come up with business ideas.
-Oh, interesting. -And so she was --
-My wife was Model U.N., so we're on the same page.
-Yeah, you get it. You get it.
But my wife was the national champion,
which means, out of all the other --
pardon me for saying this -- nerds who decide to do this
after school, she was smarter than all of them.
-Yeah. -So, there was some sort of --
-By the way, all those nerds who've started businesses
are like, "Uh, we're not writing down
our lines at a restaurant, buddy.
You can call us whatever you want."
-Yeah, "By the way..." [ Laughter ]
-Trust me, they're do-- they're all doing better than I am.
Like, trust me. Yeah.
-Me too, yeah.
-No, but she -- It was gonna be something,
and it just happened to be a bakery,
and now it's an extremely successful chain of bakeries.
-How many do you have? -We have two,
but we're looking at opening a third location right now.
-That's really exciting. What a good life for your kids.
-Yeah, yeah. -Bakeries everywhere they go.
That's not bad at all. -It's not bad.
-Hey, man, thanks so much for being here.
Congrats on the play.
-It's just such a pleasure to see you.
-------------------------------------------
Brandon Flowers Talks About The Killers' Early Days - Duration: 6:00.
-Welcome to the show.
-Thanks. Thank you.
-I'm so very, very happy you're here.
-Taking a chance on me. -I'm taking a chance on you.
I think this is going to work out really well for you.
-This is my first American couch.
-Oh, well, congratulations.
So I want to start with this.
I did not realize the origin of your band
was that you guys actually found each other via a classified ad?
-Yeah. It sounds -- its sounds old fashioned.
-Yeah. -Like where did you get
your instruments, at the Five-And-Dime?
-Yeah. -But that was in this century.
It wasn't that long ago. -Yeah.
-Things have progressed so fast.
-You know, the thought of saying,
"I'm going to be in a rock band" and sitting down at a diner
with the classifieds seems -- -Yeah.
-You're right, like 100 years ago.
-There were these two magazines, free weekly magazines in Vegas,
and they had at the back of them at each one there was
a classified section, and I would kind of scour through.
At the end of each ad,
they would put what influences you had.
And, so, I would just look at the band names,
look at the band names.
And there were a lot of new metal
and a lot of stuff that I wasn't really affiliated with.
At least I didn't affiliate myself with.
And then I saw the Beatles
and I saw Smashing Pumpkins and Oasis.
And I thought, "That's close enough for me."
-Yeah. -And that was how I met
our guitar player, yeah, Dave Keuning.
-That's fantastic. And I will say, like,
there's something really bold about having a classified ad
for a band which is so great that he did it and saying,
"I'm going to put Beatles in there."
- Yeah. [ Laughter ]
-You know? -It's an obvious one, I guess.
-So you guys -- What was your first show like?
How many people did you play for?
Did you feel like it was working right away?
-No. I mean, it wasn't. [ Laughter ]
We played an open mic night at a café
that was across the street from UNLV, the college.
And we just took -- you know, we had our slot,
and we played three songs.
And I was -- I say this and people don't --
you might think I'm just making it up.
But I was looking for a spot on the floor to throw up.
[ Laughter ]
I just didn't think I was going to make it through.
I was just totally open after that gig
to having another singer.
And then it just ended up, you know, by default,
I became the singer. Yeah. -That is -- it's very funny
to think of The Killers as a café band.
[ Laughter ]
And then -- do you remember what your three songs were?
Like, what did you do? -Yeah.
We did a cover of -- from a band called Travis
that we were into. -Sure.
-It was called "Side," a great song.
-Mm-hmm. -And "Under the Gun"
and "Mr. Brightside." -Now that's crazy to me
that you had "Mr. Brightside" for your first show.
-Yeah.
-That seems like really a very good song
for your very first show. [ Laughter ]
-I had never -- I had never heard it with
a beat at that point.
And that was -- -You had written it --
-We didn't have a drummer yet. -Okay, I got you.
-And, so, I still remember playing it at a drummer's house.
We went to his house and he had the drums set up
in his living room and I was on bass
and Dave was on guitar and I remember the hairs
on my arm standing up.
It was the first time I'd heard it, you know, with a beat.
And it was an incredible moment for me.
And I didn't know it was going to grow into what it's become
since, but I knew that it was good.
-Was it -- you say you never heard it with a beat before.
Did you -- do you also get nervous when you meet a drummer
and he hasn't heard the song yet either when you're like,
"Hey, I need you to play the drums for this."
Is that -- within, like, other musicians,
do you feel the nerves of them something?
-You know, it's exciting.
You never know what you're going to get or if you're going to see
eye to eye with everybody.
But we've been lucky and we've had a few moments
where we've tapped into the universe,
and it has just been exciting.
-You, obviously by the art on your box set.
You guys care very deeply about your Vegas roots.
[ Laughter ]
There's no doubt about where you're from.
Would you have said that what your sound was
was a Vegas sound? -It is.
You know, we take all these influences that you've had
over your life. You can't help but take it in.
And then we funnel it through the strip, I think.
And I think that's what we sound like.
-Uh-huh. -Especially on our first record.
I think you take a lot of these British influences,
and then there's this shimmer
and pizzazz to them that those guys
weren't quite bringing from across the pond.
-[ Chuckles ] Yeah, and then did you --
Was Vegas, did they embrace you early on in your...?
-No. -No?
[ Laughter ]
What do you think their hesitation was
as far as owning you as a Vegas band?
-We wore makeup and -- a lot of makeup was happening.
-Okay, good.
- I was really into the New York Dolls.
-Yeah, okay, there you go. -A great New York band.
And so I gave that a shot.
So we would go to Walgreens
and pick up eyeliner and eye shadow and lip gloss
and stuff like that on the way to the bars
that we were playing at. -That's -- I mean, they do --
Walgreens, always, they do it best. Yeah?
[ Laughter ]
-I did not look great in it. -Yeah.
-I wasn't good at it. -Yeah.
I mean, I think everybody comes from Vegas has, you know,
more than -- if you grow up in the suburbs,
there are so many interesting jobs for young people.
You cleaned golf clubs?
-I scrubbed clubs. -Scrubbed clubs?
-Yeah. -You were a club scrubber.
-Yeah. Scrubbin' clubs.
-That doesn't seem like one of the better jobs
at a golf course.
-No, I mean, there were caddies,
and then there are the pros in the pro shop that were, like,
selling, you know, khakis and things like.
And I would -- I would wait for the guys to finish
and we'd clean their clubs and then clean the golf cart
when they were finished.
And it was just all about --
I kinda grew to love these kind of jobs.
Hustle and bustle and you'd feel your pocket filling, you know,
filling up with cash.
And I sort of thrived on it. -Yeah.
And was there a moment where you realized,
"Okay, you know what?
I'm going to try music and leave all this."
-I met a guy at the first golf course we worked at.
His name was Trevor. He was eccentric,
and he was from Olympia, Washington.
And he had the audacity to think that he could make short films
and start a band and I had never thought of that before.
And so it just opened up a whole new world to me.
I mean, I owe a lot to him.
-Do you -- -I can't find him.
-You can't find him? [ Laughter ]
-The last I heard, he was in China.
-Oh, wow. -And I can't --
Trevor, if you're out there, man.
[ Laughter ]
I love him. I owe so much to him.
-That's great. I hope we air in China.
-Yeah. [ Laughter ]
-------------------------------------------
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Pensioners give their time to get time back - Duration: 4:49.
Working together.
It looks like someone just helping a neighbour,
but it's known as a time pension.
So, that's good.
It's lined up right and fits well.
The garden shed needs renovating.
Ceppo Gwerder has Alzheimer's and can no longer manage on his own.
Armando Camenzind is helping him.
Why are you doing this?
It's fun doing something together,
doing a task together that means something to him.
And what's in it for you?
The satisfaction that I've done something useful.
I'm retired and I've got time to give something to those people
who rely on help.
If there's someone to help then it's fun.
The fit seniors support older seniors -
for example with garden jobs or simple tasks around the house.
The time spent is credited to an account for the helper.
He can thus save up to 750 hours.
If he needs help himself, he's entitled to the same amount of time.
This help will then be provided by another time pensioner.
It's not only Ceppo Gwerder,
his wife also depends on help.
They both receive it via the KISS cooperative,
which refers people who provide support in their free time.
Support that takes a load off the Gwerders' shoulders.
We were worried about lots of things, especially me.
Thanks to KISS I realized that I'm not alone.
It gives me confidence and hope for the future.
A break from work at the Gwerders'.
Also at the table is KISS President Ruedi Winkler.
He would like the time pension system to be expanded
across Switzerland.
If people can only withdraw hours at certain locations,
the model is only partially functional.
It's very important that there are organizations like KISS
throughout Switzerland, which recognize these hours.
The pioneering city was St. Gallen,
which, together with other organizations, set up the
time pension foundation five years ago.
The KISS association also handles time pensions:
around 1,000 members are active in 11 cooperatives,
and two others are being set up.
One of them in Winterthur.
A few weeks ago, the city council here
decided not to invest in the time pension scheme.
Even if such models are important, says Nicolas Gallade, Head of Social Affairs,
it's not possible to compensate voluntary work either with time or money.
He's worried that it will lead to a two-class society.
Ultimately it will result in a certain unequal treatment
within voluntary work.
There are fields of activity in sports, culture and the social sphere
in which voluntary work would not be compensated.
A two-class society is a harsh reproach.
It negates the fact that there are already
various forms of voluntary work.
For some there are small amounts
of compensation or references from work - at KISS they get time.
But time costs money too.
This is the conclusion that Stefan Güntert arrives at.
A psychologist at the Univ. of Applied Sciences of Northwestern Switzerland,
he has conducted a scientific study of the KISS time pension model.
The main point is certainly
that this model is non-monetary,
but it still costs money:
The administration and support for the people involved
have to be paid in hours.
The whole thing has to continue growing in order to be more efficient.
It has to appeal to more and broader groups in society.
And it has to offer a broader spectrum of services
in order to be more efficient.
A more efficient system, i.e. more members,
is also what KISS would like.
Only in this way can those
who help today withdraw their hours in the future.
For Armando Camenzind this is not a priority.
What's important is the help you can give.
Nothing else matters.
I have a good life. What else do I need?
I'm healthy and can do it. I'm grateful for that.
And yet Armando Camenzind knows he will get this time credited
so that he too can call on help when he needs it.
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