Translation: İdil Sipahi Instagram: idilop
I sent the link of Yakup Okumuş's recitement to you.
He sent us two performances. One of them is before he had known you, and the other one is after he knew about you and improved himself.
Let's do it. Yakup Okumuş.
One second.
"Kartepe Rast Adhan"
- This is before, right? + Yes.
- Yes, Coach. + Okay. Here we go.
This Adhan is quite long, it's 7 minutes. I will listen to only half of it, because I want to listen to the other one as well.
I'm waiting.
It seems like Hicaz makam though.
Is it Suzinak? Let's see.
4 notes. Rast.
Forcing his throat. We can also hear the air coming out of his vocal cords.
B flat.
He raised the tone.
Raising the tone will harm you.
Because when you start with A and continue with B flat, you get half note higher.
And it will get higher. It will be difficult.
Let's continue.
It's beautiful.
Like Nikriz makam.
There's a noise but as far as I can hear, you were about to recite in Nihavend makam and then you got back to Rast makam.
I wonder about your latest recitement.
"High Pitched Rast Makam Adhan in Diyarbakır"
This is so high pitched.
The note is F now.
It was B before. Now it's F.
Higher.
D sharp.
Half tone lower now.
B flat.
This is such a high tone.
I wonder about the "Hayya Ale's-salah" part.
Hodja, your tone is so high.
It's E now. You started with F. It was really high. Now it's E.
You use it in B flat. These really are very high tenor tones.
Reciting in this tone requires courage.
It's actually exhausting.
I hope your voice won't be exhausted in the future.
Your recitement is good but if you be mindful of the thing at the start, it will be better.
For example, in the first video, you started with A and then you went higher to B flat.
Here, you started with a high note and then you went half tone lower.
Especially at the start, the first "Allahu Akbar" line, you wander around tones.
Maybe you'll be more comfortable if you do something about music, like joining a choir, so that you will easily choose a starting tone.
You recited in both tones.
Especially on low tones, your vocal cords don't close down in certain parts.
You need to be careful.
I wonder if it's because of forcing too much. We need to analyze it, Hodja.
Yakup Hodja, you need to be careful.
Don't force your voice too much.
You hit these notes. And it's really clean even though the tones change.
E. You stay on E.
Actually if you decide from the beginning, everything will be great.
You can find the tone before reciting if you want to. It won't be a problem. You'll find the tone and continue from there. You'll be much more comfortable.
E.
The note is E natural.
It really is a very high tone.
It's also exhausting. You use falsetto on the top E note. This is not full voice. Look.
It gets mixed.
But it's incredible. I didn't see a high pitched voice coming after your first video. Incredible.
It's windy.
Seriously though, your tone is higher for a Rast makam Adhan.
The tone of Rast makam is D major.
You both recite one note higher and also hit one octave higher.
I mean, normally it's like..
Right? But you start from here..
You sing from here. In fact, higher..
You sing in this range.
It's quite high. Did you manage to do it? Yes, you did.
It's good. It's not bad. Only your tone decisions are troubled.
But I think you need to be careful.
Even though it's hard, constantly trying this may cause troubles to your voice.
Please use your voice carefully.
Try not to exhaust your beautiful voice.
After all, your vocal cords have a endurement limit.
Don't push your limits too much.
I say these things for your voice's and your own good.
But still, may your voice be blessed.
There are differences between the first and the second Adhan.
But it's hard for me to understand it with these two recordings.
If you recited in similar tones, I could talk more precisely.
May your voice be blessed. I can't say anything else.
Alright.
Translation: İdil Sipahi Instagram: idilop
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