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For more infomation >> EARGASM EYEGASM KNALPOT FULL SYSTEM KAWASAKI Z900 - MGP - Duration: 8:23.

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Ancient stone carvings confirm how comet struck Earth in 10,950BC, sparking the rise of civilisation - Duration: 5:34.

Ancient stone carvings confirm how comet struck Earth in 10,950BC, sparking the rise of civilisations

by Sarah Knapton

Ancient stone carvings confirm that a comet struck the Earth around 11,000BC, a devastating

event which wiped out woolly mammoths and sparked the rise of civilisations.

Experts at the University of Edinburgh analysed mysterious symbols carved onto stone pillars

at Gobekli Tepe in southern Turkey, to find out if they could be linked to constellations.

The markings suggest that a swarm of comet fragments hit Earth at the exact same time

that a mini-ice age struck, changing the entire course of human history.

Scientists have speculated for decades that a comet could be behind the sudden fall in

temperature during a period known as the Younger Dryas.

But recently the theory appeared to have been debunked by new dating of meteor craters in

North America where the comet is thought to have struck.

However, when engineers studied animal carvings made on a pillar � known as the vulture

stone � at Gobekli Tepe they discovered that the creatures were actually astronomical

symbols which represented constellations and the comet.

The idea had been originally put forward by author Graham Hancock in his book Magicians

of the Gods.

The Vulture Stone, at Gobekli Tepe CREDIT: ALISTAIR COOMBS

Using a computer programme to show where the constellations would have appeared above Turkey

thousands of years ago, they were able to pinpoint the comet strike to 10,950BC, the

exact time the Younger Dryas begins according to ice core data from Greenland.

The Younger Dryas is viewed as a crucial period for humanity, as it roughly coincides with

the emergence of agriculture and the first Neolithic civilisations.

Before the strike, vast areas of wild wheat and barley had allowed nomadic hunters in

the Middle East to establish permanent base camps.

But the difficult climate conditions following the impact forced communities to come together

and work out new ways of maintaining the crops, through watering and selective breeding.

Thus farming began, allowing the rise of the first towns.

Edinburgh researchers said the carvings appear to have remained important to the people of

Gobekli Tepe for millennia, suggesting that the event and cold climate that followed likely

had a very serious impact.

Dr Martin Sweatman, of the University of Edinburgh�s School of Engineering, who led the research,

said: "I think this research, along with the recent finding of a widespread platinum anomaly

across the North American continent virtually seal the case in favour of (a Younger Dryas

comet impact).

"Our work serves to reinforce that physical evidence.

What is happening here is the process of paradigm change.

"It appears G�bekli Tepe was, among other things, an observatory for monitoring the

night sky.

�One of its pillars seems to have served as a memorial to this devastating event � probably

the worst day in history since the end of the ice age.�

Gobekli Tepe, is thought to be the world's oldest temple site, which dates from around

9,000BC, predating Stonehenge by around 6,000 years.

Researchers believe the images were intended as a record of the cataclysmic event, and

that a further carving showing a headless man may indicate human disaster and extensive

loss of life.

Symbolism on the pillars also indicates that the long-term changes in Earth�s rotational

axis was recorded at this time using an early form of writing, and that Gobekli Tepe was

an observatory for meteors and comets.

The finding also supports a theory that Earth is likely to experience periods when comet

strikes are more likely, owing to the planet�s orbit intersecting orbiting rings of comet

fragments in space.

But despite the ancient age of the pillars, Dr Sweatman does not believe it is the earliest

example of astronomy in the archaeological record.

"Many paleolithic cave paintings and artefacts with similar animal symbols and other repeated

symbols suggest astronomy could be very ancient indeed," he said.

"If you consider that, according to astronomers, this giant comet probably arrived in the inner

solar system some 20 to 30 thousand years ago, and it would have been a very visible

and dominant feature of the night sky, it is hard to see how ancient people could have

ignored this given the likely consequences."

The research is published in Mediterranean Archaeology

and Archaeometry.

For more infomation >> Ancient stone carvings confirm how comet struck Earth in 10,950BC, sparking the rise of civilisation - Duration: 5:34.

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Thần tượng Bolero 2017 | tập 8 : NHỮNG HÌNH ẢNH MỚI NHẤT đội Ngọc Sơn - Duration: 10:05.

For more infomation >> Thần tượng Bolero 2017 | tập 8 : NHỮNG HÌNH ẢNH MỚI NHẤT đội Ngọc Sơn - Duration: 10:05.

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Awkward Season 5 Official Trailer (SUB ITA) - Duration: 1:10.

For more infomation >> Awkward Season 5 Official Trailer (SUB ITA) - Duration: 1:10.

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Mushroom Manchurian Dry Recipe - How to make quick and easy mushroom manchurian - Duration: 13:53.

For more infomation >> Mushroom Manchurian Dry Recipe - How to make quick and easy mushroom manchurian - Duration: 13:53.

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Faking It Season 3 Official Trailer (SUB ITA) - Duration: 1:08.

For more infomation >> Faking It Season 3 Official Trailer (SUB ITA) - Duration: 1:08.

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Baunti tortu - Duration: 11:11.

For more infomation >> Baunti tortu - Duration: 11:11.

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Eurovision 2017 - Big 5: Privilege or Curse? - Duration: 8:27.

Hi guys and welcome back to "Chev's Choice".

First of all I want to thank all of you for the love and support that I got on my last,

very personal video.

I'm so glad that I could reach and maybe even help some of you that deal with similar issues.

So I will definitely do videos like that from time to time.

If you haven't seen the video, you find it up here.

But now let's talk about Eurovision.

Today I want to talk about an issue that was requested in a comment, and I thought it's

a great topic to discuss, because most people have an opinion on it but it's mostly only

seen from one perspective.

So I'm trying to give a little more insight into two questions here.

The first: Are the big 5 as generous as they claim to be, and therefore do they deserve

an advantage in the game?

And second: Is automatic qualification actually a advantage worth fighting for?

But I'm not a journalist, so If I say something wrong just correct me in the comments.

Let's go

France, Germany, Spain, the United Kingdom automatically qualified for the Grand Final

since the introduction of a Semi-Final in 2004 after already having the privilege of

participation regardless of their previous results, other than the rest of the countries

that were excluded if they ranked too low in the past 5 years.

They were joined by Italy after their return in 2011.

Quite a few arguments are used to justify this decision.

Some say those are the countries that reach the most viewers (where is Russia though?),

others say they are the biggest market to sell music in Europe (where's Russia though?).

But the main argument that is used is that the big 5 were allowed this privilege based

on their higher financial contribution to the contest compared to the rest of the countries,

which by the way is not made out of good will by those countries but because the allocation

system of the application fees by the EBU - which is based on the country's relative

financial status and number of potential viewers - works that way.

So it's the EBU's system that decides the fees, not the countries themselves, to

assure that countries are able to compete that couldn't afford otherwise.

Not a lot of numbers are actually made public, but from what can be found, the fees for the

big 5 lie around 350'000,- € while the other countries pay somewhere between 25 and

250.000 €. So yes, the big 5 might pay 1 or 200,000 € more than others, but compared

to what a broadcaster spends to produce 8 hours of prime time show themselves, or to

buy the rights of broadcasting a single soccer championship game for instance, that's peanuts.

Of course that fee is only one part of the costs, the other being accommodation of the

delegation, stylists, rehearsals, the whole performance, etc.

But that can be as high or as little as the countries want them to be and have no influence

on the contest as a whole.

So the financial argument of automatic qualification to the final is actually ridiculous in my

opinion.

The big 5 might be more financially important members of the EBU in general for instance

for sports events and things like that, but that has nothing to do directly with the Song

Contest and shouldn't have any influence in its outcome.

Also let's not forget that the biggest cut of the costs by far is payed by the hosting

country.

The big 5's collected contribution sum up to around 12 % of the total costs while the

host country alone is responsible for around 30% with a minimum of 5 million € charged

by the EBU.

So the only country deserving some form of acknowledgement should be the host.

But in general, is it fair that some countries pay more than others?

If you look at it like a regular contest where everyone is equal, maybe not.

But a show like that simply isn't possible if everyone pays the same.

Either it is too expensive for some countries to participate in the first place or the show

needs to be downsized or stripped back by for instance having the same stage design

every year to save costs, which makes the show a lot less exciting for everyone.

So I do in fact think it is fair to have a calculation based on the country's financial

capacity.

And based on the small differences between the fees for country 5 to country 6 or from

6 to 7, there is one obvious question: tell me baby where we draw the line?

why have a big 5 and not 6 or 4 or 10?

But there's one argument that always comes up that I haven't yet talked about:

The power of each televote.

Germany's population is much higher than Denmark's, so a single vote by someone in Germany has

a smaller effect on the final points given out as a whole, compared to someone in Denmark.

But if that's an issue we have to redefine the whole base of the contest.

I love that it's an imaginative and comparably peaceful battle between 43 countries and not

"just" a song contest, where we get the results by counting every vote separately.

In that case we could eliminate the country system completely and have just 43 independent

acts fight for the best song like every other show on TV.

But That would take away so much of what makes the ESC so exciting.

So in conclusion to the first question I personally I think the big 5 status should be revoked.

There's simply not enough merit to justify giving exactly and only those 5 countries

a better position in the contest, which brings me to the second question:

Is there actually an advantage in automatic qualification?

The big 5 haven't competed in a semi final since they were introduced in 2004.

Let's have a look at their average ranking since then:

France with an average of 18.3 Germany 16.8

Italy (after they returned in 2011): 9.7 Spain with18.3

and the UK with 19.5

So surprisingly they lie quite close together apart from Italy, and less surprisingly far

away from being in the top 10 – apart from Italy.

And what surprised me the most was that even after the jury votes were reintroduced in

2009 the average scores did change only by around half a place while Spain ranked even

worse than before.

Even though the juries were brought back to a large part to balance out political votes

that were said to especially privilege eastern European countries and therefore minimize

the chances of the big 5.

Clearly it didn't influence the big 5's chances though.

So it seems that the fear of the big 5, or at least the original big 4 not to qualify

if they competed in the semi finals seems justified when they ranked in the lower third

most years, right?

But clearly there's no obvious advantage in it either, except being able to say they were

in the final and closing their eyes to how low they would have actually ranked among

all the contestants.

So they never really get a real feedback on their entries as well.

If they failed to qualify in the semis for a couple of years, maybe they would see more

clearly what they did wrong and can reassess their selection for next year.

I have no doubt at all that with a good entry their chances are just like every other country's.

I can't imagine that France wouldn't have qualified last year, Italy probably would

have qualified most of the time.

Clearly Germany wouldn't have for the past few years, but for good reasons, because they

simply didn't deliver good enough entries.

And I'm from Switzerland, so I know what I'm talking about.

Maybe they would finally send acts that are actually representative of their music market.

France seems to have learned that with Amir and Alma that are very current french pop

songs.

And the UK has brought up so many great musicians that I'm always disappointed with what ends

up at Eurovision.

Of course once you're in a downward spiral the really popular acts maybe don't want to

be associated with the Eurovision and facing a zero point disaster.

But still they should be able to find talented musicians and song writers that come up with

a real and original song that's not based on a Eurovision formula.

Show us what your countries are made of.

Give us something like Rita Ora or Adele instead of electro velvet.

Give us something like Helene Fischer instead of Jamie-Lee.

Show us what you're country is made of instead of buying yourself a ticket for the final

and always looking for new ways to feel underprivileged.

I'm sure the audience would appreciate that much more.

And by that they could also broadcast the semi finals on their main channel because

people would be interested in watching their own country and their competition, and if

they had sent something worth qualifying cheer for them in the finals.

That way they would also get the full potential out of what they payed for instead of broadcasting

just the final to the broad audience.

So as a short conclusion.

I don't see any value in the big 5 idea.

Neither for them nor for the audience.

I think it's purely a fear of facing the actual problem which lies in the selection of the

songs.

But now I'm interested in what you think?

Did you like this video?

Do you agree with the points I've made or do you think I've missed something important?

Tell me everything in the comments below.

And to make up for this little bashing of the big 5 I'm planning a small hommage to

them in my next video.

If you want to see that, subscribe to my channel, so you don't miss it.

For now thank you for watching and goodbye.

For more infomation >> Eurovision 2017 - Big 5: Privilege or Curse? - Duration: 8:27.

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The History of the Americano Cocktail - Duration: 12:09.

Welcome to the Endless Knot Cocktail Bar!

Today we're mixing up Americanos, to find out why this drink is just right!

The Americano is a tall drink made with Campari and Vermouth mixed with soda water.

It was first served in the 1860s by Gaspare Campari in his Caffé Campari.

Gaspare, of course invented not only this cocktail, but also the bitters which bears

his name.

Of course at the time the drink wasn't called an Americano.

Instead it was known originally as a Milano-Torino after the origins of the two main ingredients,

Campari from Milan and a particular type of vermouth called Punt e Mes from Turin.

Legend has it that the drink became particularly popular with American expats during prohibition

in the early 20th century, who then brought the Campari back with them under the loophole

of it being classified as a medicinal product, and because of this American connection the

drink became rechristened the Americano.

Another, probably less likely, theory is that the name is derived from the Italian word

amaro, which means bitter, Campari being a type of amaro—a class of Italian alcohol.

Vermouth too is sometimes classified as an amaro, so I guess the Americano does indeed

feature this particular type of bitter liqueur.

Vermouth gets its name from being originally flavoured with wormwood, which in German is

called Wermut.

Though it's uncertain where this German word comes from, there is an Old English cognate

referring to the wormwood plant, wermod.

This has led some to etymologize the word as wer meaning "man" (think werewolf,

literally "man-wolf") plus mod related to our modern word mood but with the original

sense of "courage".

Supposedly the reason the plant was called "man-courage" was that it was used as

an aphrodisiac… if you see what I mean.

But if the Americano is connected with America, then going back further, where does the name

America come from?

Well, as you may have learned in school, the Americas were named after Amerigo Vespucci,

the explorer and cartographer who demonstrated that what Europeans had 'discovered' was

not in fact Asia, but a new-to-them continent.

But we can go back even further and trace the origin of that name Amerigo, which comes

from an old Visigothic name Amalric or Amalaric.

The Visigoths were a Germanic tribe who, at the end of the Roman Empire, marched through

Europe and set up a kingdom in what is modern-day Spain, which lasted from the 4th to the 8th

century.

So that's how this Germanic name made it to the Mediterranean.

And of course we can etymologize even further and see in the name the Germanic components

amal meaning "work or labour" and ric meaning "ruler", coming through Celtic

ultimately from the Proto-Indo-European root *reg-, which meant something like "to move

in a straight line" and thus "to lead or rule".

So a good name for a hardworking ruler, I suppose.

In fact there was a King Amalaric of the Visigoths during the 6th century, though he may not

appear very admirable to us.

After a politically motivated marriage to the Frankish princess Clotilda, Amalaric beat

his wife to coerce her into converting to the Arian heresy, and her appeal to her brother

Childebert to punish him for this brought on a Frankish invasion which ultimately led

to his death.

By the way, that Indo-European root *reg- also gives us such words as right, rich, rule,

and in Latin rex meaning "king".

Appropriate then that this is an element in the name America, where many have gone to

find the American dream of working hard to earn their riches, but odd that the country

has its foundation in the republican movement of rejecting a king.

Speaking of the word 'right' and republicans, it's the republican movement in revolutionary

France that led to the left-right political labels.

You see the supporters of the king (roi in French from Latin rex) appropriately enough

gathered on the right of the National Assembly and the revolutionaries on the left.

And before you point out that right in French is droit, I'll point out that droit comes

from Latin dirigo from dis plus rego, and is therefore cognate with English right.

So, the left/right labels just stuck, and still today the political right refers to

the more conservative factions and the political left to the innovators.

Perhaps the labels have survived because they seem appropriate, since the political right

often sees themselves as following the straight and narrow path to rule, whereas "lefty"

is often used pejoratively by the right to refer to what they see as the weaker side.

And in fact left did originally meant "weak" in Old English, and it was only in the 13th

century that the word became the paired opposite of right, from the notion of the non-dominant

hand.

Before that the Old English word for "left" was winestra meaning literally "friendlier",

a euphemism due to the old superstition that the left side was unlucky.

You can see the same thing in Latin with the word sinister, which probably originally euphemistically

meant "more useful", according to some etymologists.

In modern English, however, the word only retains its pejorative associations.

The French for "left" doesn't come from sinister, but is instead gauche, coming from

the Germanic Frankish language ultimately from a Proto-Indo-European root *weng- meaning

"to bend or curve".

The English borrowing gauche has a pejorative connotation, like sinister.

We may as well complete the set with the Latin word for right which was dexter, from which

we get dexterity in English.

This comes from a Proto-Indo-European root *deks- which means not only "right" but

also "south", which would be on your right if facing east (I suppose because that's

where the sun rises so it's easy to reckon).

The corresponding opposite in Proto-Indo-European was *ner- which means both "left" and

"north", and indeed gives us the word north.

Which I suppose brings us back to North America.

And speaking of North America and pejorative meanings, the other meaning of the word Americano

is the type of coffee, the Caffè Americano, which according to legend comes from WWII

American GIs who watered down their espressos to make them more like US coffee, the term

allegedly being used by Italians in a pejorative or derogatory sense.

Speaking of watering down drinks, or rather the opposite of watering down drinks, if the

Americano cocktail doesn't pack enough punch for you, you can replace the soda water with

gin, and you'll have a Negroni.

The story goes that this drink was first served at the Caffè Casoni in Florence in 1919 by

bartender Fosco Scarselli to one Count Negroni, who wanted his Americano (or Milano-Torino

as it was called at the time) with a little more kick.

And who was this Count Negroni?

Well he's been possibly identified as Camillo Negroni, who was born in 1868 to Count Enrico

Negroni and Ada Savage Landor and died in Florence in 1934.

Camillo was quite a character and adventurer according to legend.

He apparently travelled to America in 1892 in search of adventure and riches, spending

time as a riverboat gambler, fencing instructor, cowboy wannabe, and even a banker, before

returning to his native Florence in 1910 to invent his eponymous cocktail.

Funny thing is, the picture that's usually associated with him, with a dapper moustache

and top hat, isn't really him, it's Arnold Henry Savage Landor, who may in fact be his

cousin.

Henry Savage Landor was also something of an adventurer, an English painter, writer,

explorer, and apparently cat fancier, who was a raconteur to Queen Victoria, and who

during WWI designed tanks and airships.

The grandfather of both these men was the romantic poet Walter Savage Landor, also a

lively and wild character (so I guess it runs in the family), who as it happens wrote a

play about the aftermath of the defeat of the last Visigothic king in Spain.

Well, everything is connected!

But another possible candidate for the inventor of the Negroni cocktail is one General Pascal-Olivier

de Negroni.

This Count Negroni was born in France on the island of Corsica in 1829, and died in 1913.

According to this story, Pascal Negroni invented the drink in honour of his wife (how romantic)

while stationed in Senegal in 1857 (how colonial!).

Of course the problem is that Campari wasn't invented until 1860, so it must have been

a somewhat different drink with a different bitters.

In any case, General Negroni's main claim to fame was that he led the charge of the

mounted cavalry Cuirassiers in the Battle of Reichshoffen in the Franco-Prussian War

in 1870.

Note that name REICHShoffen from that same root that's been wending its way through

this story of Americanos from the Visigothic Amalaric to the riches of America.

So was the Negroni invented in 1857 in Senegal by a bad ass war hero, or 1919 in Florence

by an eccentric adventurer who liked to dress up as a cowboy?

Who knows?

The drink wasn't mentioned in print until 1947 when notorious drinker Orson Welles was

quoted as saying "The bitters are excellent for your liver, the gin is bad for you.

They balance each other."

Maybe these two origin stories also balance each other!

But getting back to American riches, our story has an epilogue which takes us to the American

dollar.

The word dollar comes from the German Taler short for Joachimstaler, a coin made from

the silver mined in Joachimsthal, a town in Bohemia, now part of the Czech Republic.

The coin was a popular one, and you could say the town of Joachimsthal made a mint from

it!

The town is named after St Joachim, who according to the non-biblical gospel of James was the

father of the Virgin Mary, and was known as a rich man who gave to the poor.

One of the theories of where the American dollar sign comes from is that it's the

monogram of St Joachim, with the S and J or I overlaid on each other, though the more

well known theories are that it comes from the abbreviation ps for the Spanish American

peso, another popular coin in the early days of America, or that it comes from the monogram

US for obvious reasons.

Returning to Joachimsthal, the second part of the name, thal, means valley, so Joachimsthal

is St Joachim's Valley.

It's the same second element as in Neanderthal, because the first Neanderthal specimen was

found in the Neander valley near Dusseldorf.

That valley was named after a hymn writer named Neander — well actually his real name

in German would have been Neumann meaning literally "new man", but his grandfather

had translated the name Neumann into Greek Neander or in other words neo-ander meaning

literally "new man".

Funny then that an older form of human, the Neanderthal, is named after a "new man".

As for our hymn writer Neander's first name, as chance would have it, it was Joachim!

And finally, getting back to the Joachimsthaler, as I said, the coin became really popular,

and suddenly everyone was minting their own thalers or dollars, not just America, but

the Netherlands, Denmark, Sweden, and Norway, and perhaps most importantly at the time,

the Holy Roman Empire.

And they called their coin the Reichstaler, with that same *reg- root as the first element,

bringing us right back to the Americano.

To make an Americano pour one ounce each of Campari and Vermouth over ice in an old fashioned

glass.

I'm using a Vermouth from Turin for extra authenticity!

Mix and then add a splash of soda water and garnish with half an orange slice.

Thanks for watching!

If you've enjoyed these etymological explorations and cultural connections, please subscribe

to this channel or share it.

And check out our Patreon, where you can make a contribution to help me make more videos.

I'm @Alliterative on Twitter, and you can read more of my thoughts on my blog at alliterative.net

For more infomation >> The History of the Americano Cocktail - Duration: 12:09.

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Vertigo Gaze Stabilization Exercises - Ask Doctor Jo - Duration: 4:07.

Hey everybody it's Doctor Jo, and today

I'm going to show you some gaze

stabilization exercises for vertigo.

Let's get started.

Vertigo is a very

general term. It's usually diagnosed a lot.

You have vertigo, but vertigo is a

symptom, it's not really a diagnosis. You

can have positional vertigo, you can have

centralized vertigo, you can have

vestibular loss, so it's really just a

symptom of many things. So these gaze

stabilization exercises are really for

like a chronic dizziness type of vertigo.

Some people say that the positional

vertigo, this doesn't really help, but in

my opinion I think is worth doing when

you're doing your other exercises with

it as well. So just to know that when

someone says vertigo, it's not

necessarily a specific diagnosis, it's

just something a symptom that you have,

and it could be something else. So with

that said, for these exercises, it's just

like it sounds you are gazing upon

something and stabilizing your eyes. So

what you want to do is make a target. You

can put an X on a sticky note and put it

on a wall, or you can just use your

finger, but you want to keep your eyes on

the target, whatever you're looking at. So

when I do it, I'm going to do it at a

slight angle so you can see what I'm

doing, but when you're doing it at home,

you want it to be right in front of you.

So you don't want your body or your head

to be an angle, you want to be straight

in front of you, but I feel like if I do

it I'm going to be looking at the camera

instead of my fingers, so I'm going to do

it at a slight angle. Also be aware that

while you're doing these it might

reproduce some of those dizzy symptoms,

you might start feeling a little sick or

nauseated, getting that spinny feeling, so

make sure you're in a safe environment

when you do it, and make sure that you

don't have to go anywhere right after

you do these, and then eventually it will

get better. So I'm going to just use my

finger to look at and keep my gaze on my

finger, and then just move my head side

to side, while I'm looking at my finger.

So I'm trying to keep my eyes there the

whole time, which sounds pretty easy but

if you have chronic dizziness, sometimes

this is pretty hard to do, so just start

off with

10 to 15 seconds of this. Eventually you

can work your way up to 30 seconds or a

minute, but in the beginning you don't

want to do a whole lot because it might

reproduce some symptoms of dizziness. So

after you go side to side, then you're

going to go up and down, but same thing

try and keep your eyes on the target the

whole time, which again is sometimes

harder than it sounds. So just looking up

and down, keeping those eyes on the

finger, and moving the head. So then after

you do that, then you're going to go at

an angle, so I'm just going to bring my

head one way, and then down. So again

trying to keep my eyes on my finger the

whole time. It might look kind of funny

because I'm focusing very hard on that

finger, but keeping that gaze in one spot,

and then doing the other angle. So going

up and down, so really just trying to

retrain your vision, and so you don't

have that dizziness. So it's it's an

exercise, you're exercising those eyes,

trying to get that stabilization back. So

it's as simple as that, and so it's just

retraining your eyes because a lot of

times with that dizziness, you have what

we call up nystagmus. Which is that

shifting of the eyes, and a lot of times

if you're getting tested by your doctor,

your physical therapist, that's what they

look for. They bring your head down and

they look to see if your eyes are

bouncing back and forth, and so this is

just a great way to help strengthen that

so you don't have that dizziness or

spinning feeling all the time. So if you

have any questions, leave them in the

comments section. If you'd like to help

support our channel so we can make more

awesome videos, click the box up here. And

remember, be safe have fun, and I hope you

feel better soon.

For more infomation >> Vertigo Gaze Stabilization Exercises - Ask Doctor Jo - Duration: 4:07.

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Shaun Barron - Crazy! [Ascension NCS Release] - Duration: 4:05.

For more infomation >> Shaun Barron - Crazy! [Ascension NCS Release] - Duration: 4:05.

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KVS PRT, TGT and PGT Revised Final answer key 2017 | KVS 2017 - Duration: 1:09.

Check description to download pdf of all subject and post answer keys

For more infomation >> KVS PRT, TGT and PGT Revised Final answer key 2017 | KVS 2017 - Duration: 1:09.

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my favurite anime - Duration: 0:56.

For more infomation >> my favurite anime - Duration: 0:56.

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THEY FILLED MY CAR WITH STYROFOAM!! *PRANK WARS* - Duration: 6:55.

Hello Youtube!

This time, we're here

Dilzhan is not

So we're going to prank Dilzhan

Like a revenge because he did one on me

And they are going to help me

Zhegir here will distract Dilzhan

Peshawa right here, Dilzhan's brother, will help me

And Ahmed is here too to help us

So yea, let's start

We've gotten bags of this styrofoam

5 Bags

But... That's not edible *Confused*

Anyways, we have 5 bags with us and

we'll fill his car with these stuff

and other than that, we'll put a tape on his car

And we'll write on them

Stay with us!

Jump on the car, go go

it's recording right?

Sirwan: you feed me spicy stuff!?

Open the door

why did you open it!?

Peshawa: Enter from the top

Dilzhan: wait! where did you get the keys from?

Everyone: from your mother

Dilzhan: No Way! Peshawa: Sorry bro

This was my plan though

Zhegir: That's why i was keeping you inside

Sirwan: Get in get in Dilzhan: Get in what! what is this!?

Peshawa: Enter from the top

*Reading Text* Love you Dilzhan? CENSORED

Zhegir: we've been waiting for you since 11 o'clock Dilzhan: yea, but this was my plan

Peshawa: now start cleaning it off, we're going

Get off man we have to go

Peshawa: come on clean it up, it's late we have to go

Dilzhan: WHERE ARE YOU GOING!!? COME CLEAN IT!

Peshawa: no, we have nothing to do with it

Come and clean it, where are you going?

Salar: go sit in their car, don't let them go

Sirwan: okay let's make an outro

Dilzhan: I pranked him, so this is what i got. And this was my plan to do on you, but you did it on me

So yea, good job anyways

Sirwan: we're hungry Zhegir: we're going to zakho

Dilzhan: hey come here, zakho what?? Come here where are you going?

clean it right now! clean it

Dilzhan: Dude this is flour it's not styrofoam! where did you get all this from?

Sirwan: the white ones are from zakho and the rest are from me

Peshawa: if you don't clean you place you won't be able to drive, because of the gas and break pedals

There will be pressure on them, you have to empty your side

Just get in, just accept it

Dilzhan: How am i going to clean all of this up?

We made the whole University dirty

Dilzhan: they even put it in here!

Open the doors and it will all come out

All coming out? in the middle of the University?

Dilzhan: No no no, don't throw it here

Dilzhan: Ayad, just close that door and we'll push it all from this side to there

Go ahead, you can drive it now

Dilzhan: we should take it to the back of the institue

Ayad is in the back

Dilzhan: He helped them too Ayad: ahh.... no I... yeah....

Dilzhan: you DID! you taped my windows bro! Ayad: Yea just that, just that.

uhm, these guys don't know anything about pranks or filming

And i'll laugh at them till i die because they recorded everything on scenery mode

i don't know how the audio is right now or how has it been recorded......

Sirwan: okay okay one minute! that's not important, what matters is how will you clean up you car! *Kiss*

Dilzhan: The car wash?

But guess what? I'm gonna get you all back!

And it's gonna be TERRIBLE!

Ahmed: I'm not in this

Sirwan: Okay........ okay......... Prank War!

There can be solutions for the car but there isn't a solution for the stomach

okay guys, that'll be it for this week's video. until next week, peace out!

For more infomation >> THEY FILLED MY CAR WITH STYROFOAM!! *PRANK WARS* - Duration: 6:55.

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(FREE) Lil Uzi Vert Type Beat 2017 - "Drip Drop" Free Type Beat | Trap Instrumental | Young Forever - Duration: 3:18.

Lil Uzi Vert Type Beat 2017 - "Drip Drop" Free Type Beat | Trap Instrumental | Young Forever Beats

For more infomation >> (FREE) Lil Uzi Vert Type Beat 2017 - "Drip Drop" Free Type Beat | Trap Instrumental | Young Forever - Duration: 3:18.

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Musica Per Rilassarsi E Dormire Profondamente - Musicoterapia Per Riuscire A Dormire Bene - Duration: 4:01:57.

For more infomation >> Musica Per Rilassarsi E Dormire Profondamente - Musicoterapia Per Riuscire A Dormire Bene - Duration: 4:01:57.

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Developmental Services Worker - Duration: 1:06.

{Logo: Fanshawe College} {Music}

{Photos of students at work placement}

{Video of students in planning class}

{Photos and video of students in classroom workshop}

{Video of students learning vital signs monitoring}

{Logo: Fanshawe College}

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