Hi there, it's Saturax from JoeSatrianiUniverse.com, and we are at the french festival Guitare-en-Scène
with Daniele Gottardo. Daniele, nice to meet you.
Je m'appelle Daniele. I don't…I'm not able to say any other things in French, and I wanted to say it.
Nice to meet you too and thank you so much for having me on Joe Satriani Universe.
Can you define the evolution of your album Non Temperato compared to your first album?
Okay.
Yeah, my first album is typically a rock-oriented, guitar-oriented album, in the style of, we
can say guitar players like Joe Satriani, Steve Vai, especially for the use of the guitar
into the composition I mean, the guitar in Frenzy of Ecstasy, the main voice, always
in front of the music.
For this reason, I compare this kind of composition with the classic guitar-oriented style.
And after this album, I tried to find other solutions about the use of the guitar in the
composition, and I always liked to study and listening to classical music, always liked
to study score, orchestra score and reading a lot about how many counterpoint.
It was like a passion, different from the guitar, but I wanted to put these different
things together.
For my first album I still wasn't really ready to do, then I took the time, and in
Non Temperato tried to combine the use of counterpoint with classical, instruments,
woodwinds, strings especially, and then the use of the guitar is not always in front,
it's not a substitution of the voice like in a pop song, the guitar makes also this
function but also goes behind, and goes inside the regiment, playing different rules, and in
counterpoint, you have different voices and they have the same equal importance, and that
I wanted to sometimes be the lead of the instruments, the main voice but sometimes I wanted to be
the secondary voice, and also of more secondary importance.
And in Non Temperato it is here, mainly.
Trying to put the guitar in different situations, like a guitar, not acoustic and not classical,
the timber of rock, then I needed to use a lot of work about the timber, all is related.
So, you mastered a lot of Guitar Hero techniques like tapping of course, and legato, and you
have a special feeling that touch people, among that what does Joe Satriani inspired you?
Of course, Joe Satriani inspired me when I was developing my skills on the guitar, and
you know, it's like when you need to learn a language or any kind of musical style because
music is a language, we have a lot of different languages in music at school.
First you need to have a lot of examples for being credible.
For sure, Joe was an interest for me, especially because he was a great model for try to develop
a consistency on my playing and the control of the notes, the use of the bending, the vibrato.
Joe Satriani for sure has a great consistency in what he's playing, he's very consistent,
it's the term I find now.
And then this is for a practical perspective for an instrumental perspective, for sure
he's very important for the use of the guitar, a composition like with a song form, and the
use of the guitar like a voice.
He's -and was- very important to bring the guitar more popular, you know.
Like when we were saying in the beginning Frenzy of Ecstasy has this idea in my mind,
to use the guitar like a substitution over the voice.
Then yes Joe was an influence fo both the instruments and both for the use of the guitar,
in the composition for a guitar instrument.
Who is the musician who influenced you the most?
It's difficult to say…
I have a lot of different influences and time changes, you know.
At the beginning I was very inspired by Ace Frehley from Kiss, then I started to develop
more technical things from the rock area, then I listened a lot of Steve Vai, Joe Satriani,
Yngwie Malmsteen to develop the technique of the guitar players.
Then I have fusion, rock fusion periods, like Greg Howe, you know, this kind of stuff.
Then I have more jazz periods, like Charlie Christian, like Kurt Rosenwinkel for instance,
a lot of different stuff.
Then I have periods more like classic jazz, then I listen to a lot of Charlie Parker,
Barry Harris, other musicians, try to put it all together, you know I'm not a purist
of every gender.
I'm not able to be a purist of rock, of metal, of shred, of classical, of blues, no,
I like all the languages.
Maybe it is a problem, maybe it is better to be a purist, and you need to speak a language
very well, but I'm not able to do that at the moment.
I like to make a relation.
Then yes, a lot of different influences, this is for guitar.
About composition, my influences are a lot about classical composers from the baroque
era, italian baroque like Arcangelo Corelli, who is my favorite musician ever.
Then two more 20th century composers, especially russian area, Stravinski, a part of Ivanov,
Chaporine.
I like also Ankner composer you know, he inspires me a lot.
Different influences in time, I have not a specific one, and sorry if I haven't a specific influence.
It depends on the period, you know.
How does it feel to play at this festival Guitare-En-Scène, among guitar legends like
Joe Satriani, Steve Vai, Carlos Santana?
He's here ? He's playing, maybe? Who knows...
And yes, it's a great honor to me to be here at this amazing festival, because like
you said they have these here, but they have other times to have incredible, important
musicians and guitar players for the history of the modern guitar.
And to be here today to play on the same stage of Carlos, it's…
I feel very lucky.
Makes sense for all the work I did, you know.
I feel very lucky to be here, absolutely.
How do you consider your role at Jam Track Central ?
I work with Jam Track Central now..
It's started in 2008, it's a little bit of years so…
I like a lot to teach guitar, it's another passion
it can be difficult, like to play, if you want to ??? enough like an art to me.
And I always, constantly, daily sometimes, finding solutions to find a way to play, okay?
And Jam Track Central, I started with a subscription of my own song and then we are moving more
around teaching licks, and now the new package I will do soon, it's like a masterclass,
trying going more in details, then it's cool to have different options to teach from
learning a song to study how to develop musical lines.
And, I like to work with them, and we continue.
Soon we will do a new package.
We work on some other productions, of albums, and I have not too much time but I will continue
my work with Jam Track Central.
What advice would you give to the guitarists who want to be professional musicians ?
Not easy to say, a professional musician I think, everything starts from a passion
and it needs to be a desire to play, and of course being a musician starts with a desire
to play.
Though it is important to keep a consistency of playing and find a new stimulus without
losing the earlier idea of ourselves, as a player.
You say, what I suggest to become a professional is maybe to think how to stay a student sometimes
you know, sometimes you can start be a professional musician, and then music is a delicate thing
you know, if it starts to be too much a job, it's okay, sure, you are doing the job you
like, it's perfect.
But, if we want to be a musician, we need to keep alive the essence of music, and that
is not a job.
Then I find, to me, this balance is difficult, it can be difficult to become a professional
musician, but when you arrive at that, the difficult part is finding the balance to be,
like a student, to find new solutions for not becoming
like a machine, predictable, to avoid staying in the comfort zone, like "okay, I study
a lot, now I'm a professional musician", and then you start to be in a comfort zone,
you get a predictable player, become a predictable musician, and for music and art it
is not good.
We always must to be like when we start, to me.
It is my thinking, you know.
Maybe I'm wrong, but I think that I needn't think to be a professional musician.
I don't consider myself a professional, for a lot of reasons.
For other reasons yes because, I don't think that, you know that my daily job is musician.
Teaching, like I said I love to teach, but I always, every day, okay, I reset the guitar
player I was two years ago.
Reset, like I'm able to play from zero, you know.
Otherwise, in five years, I can become super old maybe.
So don't try to be a professional musician.
Try to be sincere, and always find ideas for continuing to play.
Sometimes it can be difficult you know, if you play instrumental guitar music, it can be difficult,
okay but, you can play pop music and you can do a session, yeah we can do a lot of things
play the guitar and we can do a lot of different things, it's important to find
ourselves, you know.
And then , find yourselves.
Thank you very much Daniele for having answered the questions, and I leave you the final words.
Okay, thank you to Joe Satriani Universe again for having me here, it was a very cool interview,
and see you another time in Guitare-en-Scène or around!
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