Waching daily Feb 13 2018

Hello everyone! This is Natalie here and we are trying out this new format that

is a mixture between YouTube video and storytelling and maybe a bit of

podcasting. All-in-one! And so yeah… I want to give you a bit of the background

information, what has been happening in my life so far. And 2018 started out a

little bit with a tough note because our wonderful landlady told us (and I'm not

talking about her in any sarcastic way whatsoever. I love her dearly, she's

amazing and an angel!)… but she told us that her daughter will be moving in into

the apartment where we were living right now and so we have to be out of

this place around the end of the year. We have moved into the house around

two years ago and I have come to love this place that's so dearly. It's

been rough for me. There have been tears to be honest

because I love my next-door neighbors and their dog and the place in general.

The house, the work place I have, the forest. Everything. We are looking for a

new place to live and that has been going on. The other thing that has

been on my mind lately is that I will change the name of the Vanillery Garden.

I know it has been with me almost 10 years now and I noticed recently that

it's been on my mind that I want to change the name because I feel like I've

grown out of it quite a bit. It started out with me teaching art classes. If you

have been around for this long: HI! I LOVE YOU and we have been cool

before everyone else was because we were taking unicorn classes way

before it was cool! (but that's kind of an insider joke now.) I realized that

I've come very far from that and there is sort of a heaviness to the name

because the way it came around was quite stressful and so I feel like even

though I like the Garden part, there's something about the Vanillery

that is not inspiring to me anymore. And so I'm thinking about new names.

There's nothing here yet, not much. I'm still in the yeah inspiring phase but

when it comes around, I might be doing votes. Oh Suki! I love it when she hops

on my lap and just dozes off. She's so cuddly. So yeah… looking for a new name…

Now talking about the painting: I have had bettas (like two) in my life and

I miss having them so much. So I thought I'm drawing one and trying out gilding

and leaf gold and many many many new things here. So I will leave the links to

the materials in the description box and let me know if you liked the whole

storytelling part and what you thought of it so far! So thank you for still

being here and loving the kitties and showing all your support!! And I will talk

to you very soon! Goodbye!

For more infomation >> STUDIO VLOG (NEW HOME AND NEW NAME?) - Duration: 5:03.

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МИХАИЛ ЛАБКОВСКИЙ - КАК ПОНРАВИТСЯ МУЖЧИНЕ - Duration: 23:10.

For more infomation >> МИХАИЛ ЛАБКОВСКИЙ - КАК ПОНРАВИТСЯ МУЖЧИНЕ - Duration: 23:10.

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Farming Simulator 17 New Storage Buildings - Duration: 20:19.

HI GUYS !!!! Welcome to Farming Simulator 17 Mods Channel in this video I will show You Some new storage building for bales and pallets.

First I have make about to 160 Round Grass bales using krone big M and Krone Comprima

To transport the bales i will use the Scania S 3 Axle And the BsM Semi Bale 50000 UAL

First Bale Storage Mod 2 buildings Square Bale Storage: Straw, Grass and Hay Square Bales (108 Bales of each type). Round Bale Storage: Straw, Grass, Silage and Hay Round Bales (120 Bales of each type).

If you want to take bales just prees R Key And set the number of bales

Storage Barns Mod Includes General Storage Barn: Seeds, Fertilizer and PigFood (40 of each BigBag), 16 Poplar Pallet, 17 Liquid Fertilizer Pallet and 9 Tree Sapling Pallet. Square Bale Barn: 152 Straw and 152 Hay Square Bales. Round Bale Barn: 124 Straw, 124 Silage and 124 Hay Round Bales.

If you enjoy watching my videos... Give thumb up SUBSCRIBE FOR MORE And for any question ( or just for say HI!!) LET comment I will be happy to answer you...... bb

For more infomation >> Farming Simulator 17 New Storage Buildings - Duration: 20:19.

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What Bruegel can teach us about Mardi Gras - Duration: 5:07.

Cherubs.

This is the Fight Between Carnival and Lent by Pieter Bruegel the Elder.

Typical of a Bruegel painting, there's a lot going on here.

To try to take all this in would drive us crazy, but luckily Bruegel has given us some

clues to help us read this painting and make sense of it.

In the Christian faith there is a period of fasting that lasts for forty days called Lent.

The period leading up to Lent is called Carnival, and, as you could imagine, it's characterized

by lots of eating before people had to fast.

Particularly sweets and meat.

Carne…

Carnival.

There's a practical reason for this.

People slaughtered the animals before late winter while they're still fat and healthy

from harvest season, then feasted.

In the foreground of this painting we see the leader of Carnival festivities, often

called Father Carnival, riding on a barrel with a big steak attached to it.

This iteration of Father Carnival wears a pie as a hat.

In his wake appear his followers, a band of costumed jokers seemingly obsessed with pancakes

and waffles.

Some even wear waffles on their head.

That's our first hint within this busy canvas, and it can us make sense of the rest.

The left side is Carnival.

It's protagonist is Father Carnival and its center piece is the Tavern or bar.

It's a time of carelessness, negligence, excess, and fun.

There's a theater performance while the disabled are ignored.

Someone dumps their chamber pot out the window onto someone else's head.

It's a mess.

So that means that the right side must be Lent.

This thin, fish wielding character is its protagonist, and in his wake we see some modest

characters wearing normal clothes and holding bread and pretzels.

To contrast the tavern on the left side, we have a church on this side.

You'll notice that the statues of the church are cloaked, a tradition during Lent.

You'll also notice a difference in the games the children play.

On the Carnival side they're gambling, and on the lent side they have spinning tops…

a game with interesting moral implications… in order the stand up straight and avoid falling,

the tops regularly require the whip.

On the carnival side you have a man puking out a window, on the Lent side you have a

woman cleaning a window.

If the left side is careless, the right side is careful.

Additionally, the characters on the lent side are more charitable to the underprivileged.

You'll even notice this guy with the fur lined coat if you look hard enough.

He seems to be better off than most people in this painting, yet Bruegel gives him the

same amount of space as everyone else in the painting… and that's one of the interesting

things about these crowded canvases that Bruegel paints.

They're egalitarian.

Everyone gets equal space in his paintings regardless of stature.

OK, so let's talk about Carnival itself for a minute.

It was a ceremony that took place throughout Europe and looked different in each city,

but had some universal themes.

As the "Carne" in Carnival would imply, they always had meat, but also violence, sometimes

staged, sometimes real; and sex, sometimes staged, sometimes real.

They also often involved costumes and role reversals.

Peasants would dress like kings, noblemen would dress like peasants.

Men would dress as women, and women dress as men.

The culture would parody and lampoon itself.

Opinions of these ceremonies at the time varied.

Some considered Carnival a sort of release valve for a culture constrained most of the

year, but can let loose for a month or so.

Others considered the ceremonies subversive… that they were attempting to turn the world

upside down and overthrow the norms of the society.

Anthropologists, however, take a different view.

Natalie Zemon Davis, in a great essay on role reversals and role playing in ceremonies explains

that Carnival and ceremonies like it may appear chaotic, but they are "ultimately sources

of order and stability in a hierarchical society.

They can clarify the structure by the process of reversing it."

So if a peasant dresses like a king and then acts like he's in charge, this only confirms

that once Carnival is over, the King is in charge.

These ceremonies can "renew the system, but they cannot change it."

There are a lot of reasons to like Bruegel.

I like how his paintings never seem to give answers, but ask a lot of questions.

This painting, like the ceremonies they depict, ask a lot of questions about culture itself

and cycles we go through.

These two characters at the center of the painting, who have seemingly just entered

this square, torn between unruly Carnival and careful Lent are being lead by a fool

through this sea of humanity.

I don't know what that means, but I know I like it.

What are the questions this painting leaves you with?

Let me hear them in the comments below.

If you liked this video and the way I look at art on this channel, please subscribe.

You'll get a notification when a new video is published on the 15th of every month and

we can hang out more.

Links and information can be found below the video.

Thanks for watching.

For more infomation >> What Bruegel can teach us about Mardi Gras - Duration: 5:07.

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Aeon's End: Legacy Final Thoughts - Duration: 6:56.

For more infomation >> Aeon's End: Legacy Final Thoughts - Duration: 6:56.

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Seeds of Destruction The Diabolical World of Genetic - Duration: 13:28.

Seeds of Destruction The Diabolical World of Genetic Manipulation

by Edward Morgan

�Control the oil, and you control nations.

Control the food, and you control the people.�* -Henry Kissenger

�Seeds of Destruction: The Hidden Agenda of Genetic Manipulation� by F. William Engdahl

is a skillfully researched book that focuses on how a small socio-political American elite

seeks to establish control over the very basis of human survival: the provision of our daily

bread.

This is no ordinary book about the perils of GMO.

Engdahl takes the reader inside the corridors of power, into the backrooms of the science

labs, behind closed doors in the corporate boardrooms.

The author cogently reveals a diabolical world of profit-driven political intrigue, government

corruption and coercion, where genetic manipulation and the patenting of life forms are used to

gain worldwide control over food production.

If the book often reads as a crime story, that should come as no surprise.

For that is what it is.

Engdahl�s carefully argued critique goes far beyond the familiar controversies surrounding

the practice of genetic modification as a scientific technique.

The book is an eye-opener, a must-read for all those committed to the causes of social

justice and world peace.

What follows is the Preface to �Seeds of Destruction: The Hidden Agenda of Genetic

Manipulation� by F. William Engdahl (available through Global Research):

Introduction

�We have about 50% of the world�s wealth but only 6.3% of its population.

This disparity is particularly great as between ourselves and the peoples of Asia.

In this situation, we cannot fail to be the object of envy and resentment.

Our real task in the coming period is to devise a pattern of relationships which will permit

us to maintain this position of disparity without positive detriment to our national

security.

To do so,we will have to dispense with all sentimentality and day-dreaming; and our attention

will have to be concentrated everywhere on our immediate national objectives.We need

not deceive ourselves that we can afford today the luxury of altruism and world-benefaction.�

-George Kennan, US State Department senior planning official, 1948

This book is about a project undertaken by a small socio-political elite, centered, after

the Second World War, not in London, but in Washington.

It is the untold story of how this self-anointed elite set out, in Kennan�s words, to �maintain

this position of disparity.� It is the story of how a tiny few dominated the resources

and levers of power in the postwar world.

It�s above all a history of the evolution of power in the control of a select few, in

which even science was put in the service of that minority.

As Kennan recommended in his 1948 internal memorandum, they pursued their policy relentlessly,

and without the �luxury of altruism and world-benefaction.�

Yet, unlike their predecessors within leading circles of the British Empire, this emerging

American elite, who proclaimed proudly at war�s end the dawn of their American Century,

were masterful in their use of the rhetoric of altruism and world-benefaction to advance

their goals.

Their American Century paraded as a softer empire, a �kinder, gentler� one in which,

under the banner of colonial liberation, freedom, democracy and economic development, those

elite circles built a network of power the likes of which the world had not seen since

the time of Alexander the Great some three centuries before Christ�a global empire

unified under the military control of a sole superpower, able to decide on a whim, the

fate of entire nations.

This book is the sequel to a first volume, A Century ofWar: Anglo-American Oil Politics

and the New World Order.

It traces a second thin red line of power.

This one is about the control over the very basis of human survival, our daily provision

of bread.

The man who served the interests of the postwar American-based elite during the 1970�s,

and came to symbolize its raw realpolitik, was Secretary of State Henry Kissinger.

Sometime in the mid-1970�s, Kissinger, a life-long practitioner of �Balance of Power�

geopolitics and a man with more than a fair share of conspiracies under his belt, allegedly

declared his blueprint for world domination: �Control the oil and you control nations.

Control the food, and you control the people.�

The strategic goal to control global food security had its roots decades earlier, well

before the outbreak of war in the late 1930�s.

It was funded, often with little notice, by select private foundations, which had been

created to preserve the wealth and power of a handful of American families.

Originally the families centered their wealth and power in New York and along the East Coast

of the United States, from Boston to New York to Philadelphia and Washington D.C.

For that reason, popular media accounts often referred to them, sometimes with derision

but more often with praise, as the East Coast Establishment.

The center of gravity of American power shifted in the decades following the War.

The East Coast Establishment was overshadowed by new centers of power which evolved from

Seattle to Southern California on the Pacific Coast, as well as in Houston, Las Vegas, Atlanta

and Miami, just as the tentacles of American power spread to Asia and Japan, and south,

to the nations of Latin America.

In the several decades before and immediately following World War II, one family came to

symbolize the hubris and arrogance of this emerging American Century more than any other.

And the vast fortune of that family had been built on the blood of many wars, and on their

control of a new �black gold,� oil.

What was unusual about this family was that early on in the building of their fortune,

the patriarchs and advisors they cultivated to safeguard their wealth decided to expand

their influence over many very different fields.

They sought control not merely over oil, the emerging new energy source for world economic

advance.

They also expanded their influence over the education of youth, medicine and psychology,

foreign policy of the United States, and, significant for our story, over the very science

of life itself, biology, and its applications in the world of plants and agriculture.

For the most part, their work passed unnoticed by the larger population, especially in the

United States.

Few Americans were aware how their lives were being subtly, and sometimes not so subtly,

influenced by one or another project financed by the immense wealth of this family.

In the course of researching for this book, a work nominally on the subject of genetically

modified organisms or GMO, it soon became clear that the history of GMO was inseparable

from the political history of this one very powerful family, the Rockefeller family, and

the four brothers�David,Nelson, Laurance and John D. III�who, in the three decades

following American victory in World War II, the dawn of the much-heralded American Century,

shaped the evolution of power George Kennan referred to in 1948.

In actual fact, the story of GMO is that of the evolution of power in the hands of an

elite, determined at all costs to bring the entire world under their sway.

Three decades ago, that power was based around the Rockefeller family.

Today, three of the four brothers are long-since deceased, several under peculiar circumstances.However,

as was their will, their project of global domination��full spectrum dominance�

as the Pentagon later called it�had spread, often through a rhetoric of �democracy,�

and was aided from time to time by the raw military power of that empire when deemed

necessary.

Their project evolved to the point where one small power group, nominally headquartered

in Washington in the early years of the new century, stood determined to control future

and present life on this planet to a degree never before dreamed of.

The story of the genetic engineering and patenting of plants and other living organisms cannot

be understood without looking at the history of the global spread of American power in

the decades following World War II.

George Kennan, Henry Luce, Averell Harriman and, above all, the four Rockefeller brothers,

created the very concept of multinational �agribusiness�.

They financed the �Green Revolution� in the agriculture sector of developing countries

in order, among other things, to create new markets for petro-chemical fertilizers and

petroleum products, as well as to expand dependency on energy products.

Their actions are an inseparable part of the story of genetically modified crops today.

By the early years of the new century, it was clear that no more than four giant chemical

multinational companies had emerged as global players in the game to control patents on

the very basic food products that most people in the world depend on for their daily nutrition�corn,

soybeans, rice, wheat, even vegetables and fruits and cotton�as well as new strains

of disease-resistant poultry, genetically-modified to allegedly resist the deadly H5N1 Bird Flu

virus, or even gene altered pigs and cattle.

Three of the four private companies had decades-long ties to Pentagon chemical warfare research.

The fourth, nominally Swiss, was in reality Anglodominated.

As with oil, so was GMO agribusiness very much an Anglo-American global project.

In May 2003, before the dust from the relentless US bombing and destruction of Baghdad had

cleared, the President of the United States chose to make GMO a strategic issue, a priority

in his postwar US foreign policy.

The stubborn resistance of the world�s second largest agricultural producer, the European

Union, stood as a formidable barrier to the global success of the GMO Project.

As long as Germany, France, Austria, Greece and other countries of the European Union

steadfastly refused to permit GMO planting for health and scientific reasons, the rest

of the world�s nations would remain skeptical and hesitant.

By early 2006, the World Trade Organization (WTO) had forced open the door of the European

Union to the mass proliferation of GMO.

It appeared that global success was near at hand for the GMO Project.

In the wake of the US and British military occupation of Iraq, Washington proceeded to

bring the agriculture of Iraq under the domain of patented genetically-engineered seeds,

initially supplied through the generosity of the US State Department and Department

of Agriculture.

The first mass experiment with GMO crops, however, took place back in the early 1990�s

in a country whose elite had long since been corrupted by the Rockefeller family and associated

New York banks: Argentina.

Seeds of DestructionThe following pages trace the spread and proliferation of GMO, often

through political coercion, governmental pressure, fraud, lies, and even murder.

If it reads often like a crime story, that should not be surprising.

The crime being perpetrated in the name of agricultural efficiency, environmental friendliness

and solving the world hunger problem, carries stakes which are vastly more important to

this small elite.

Their actions are not solely for money or for profit.

After all, these powerful private families decide who controls the Federal Reserve, the

Bank of England, the Bank of Japan and even the European Central Bank.

Money is in their hands to destroy or create.

Their aim is rather, the ultimate control over future life on this planet, a supremacy

earlier dictators and despots only ever dreamt of.

Left unchecked, the present group behind the GMO Project is between one and two decades

away from total dominance of the planet�s food capacities.

This aspect of the GMO story needs telling.

I therefore invite the reader to a careful reading and independent verification or reasoned

refutation of what follows.

F. William Engdahl is a leading analyst of the New World Order, author of the best-selling

book on oil and geopolitics, A Century of War: Anglo-American Politics and the New World

Order,� His writings have been translated into more than a dozen languages.

For more infomation >> Seeds of Destruction The Diabolical World of Genetic - Duration: 13:28.

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Aeon's End: Legacy Gameplay Runthrough - Duration: 21:12.

For more infomation >> Aeon's End: Legacy Gameplay Runthrough - Duration: 21:12.

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Aeon's End: Legacy Campaign Structure - Duration: 9:56.

For more infomation >> Aeon's End: Legacy Campaign Structure - Duration: 9:56.

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「3D Audio」Buồn Lắm Tết Ơi! | Huỳnh Hiền Năng - Duration: 3:43.

For more infomation >> 「3D Audio」Buồn Lắm Tết Ơi! | Huỳnh Hiền Năng - Duration: 3:43.

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pawan kalyan die hard fan amazing speech | human ethics and values | jana sena activities - Duration: 17:12.

jana sena party

For more infomation >> pawan kalyan die hard fan amazing speech | human ethics and values | jana sena activities - Duration: 17:12.

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ПЕСНЯ О ВЕСНЕ И ТАНЦУЮЩИХ ЦВЕТНЫХ БУКВАХ - Duration: 2:29.

For more infomation >> ПЕСНЯ О ВЕСНЕ И ТАНЦУЮЩИХ ЦВЕТНЫХ БУКВАХ - Duration: 2:29.

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The Stunning Transformation Of Sofia Vergara - Duration: 5:09.

Sofia Vergara is best known as one of the stars of the hit comedy Modern Family.

The bilingual star was an actress and TV host in Columbia before moving to the United States

and transforming into an international sensation.

Her metamorphosis to one of the highest paid women in the entertainment industry is an

inspirational one.

Late bloomer

Vergara is known today for her voluptuous figure, but she was a bit of a late bloomer.

In a 2011 interview with Nightline, the actress revealed that her nickname as a child was

"toothpick."

"In my culture, a skinny girl has nothing going on…

For me, I would never even wear skirts or anything because I thought I was too skinny."

Almost a dentist

Growing up, Vergara planned to enter the healthcare field.

"So I went to dental school but I didn't finish."

Those plans for a quieter life were derailed when she dropped out of school to become a

TV host.

Vergara might not have become a dentist, but she admits that dental hygiene is still a

top priority, telling People magazine,

"I'm obsessed.

My son thinks I'm crazy because I make him do a cleaning every three months.

I try to bribe the dentist to make him to do it sooner!"

Beach discovery

When she was a senior at a Catholic high school, Vergara's introduction to the entertainment

industry was a bit unconventional.

"Yeah, I was with my family, like, at the beach and some casting agent saw me and said,

'We're doing this commercial, do you want to do it?'...

I'm like, 'No, the nuns are gonna kill me, I can't be in a bathing suit!'"

She ended up doing the commercial, and she wasn't kicked out of school, either — the

commercial didn't air until after she had graduated.

Childhood sweetheart

Before she was married to fellow actor Joe Manganiello, Vergara tied the knot with her

childhood sweetheart.

By the time she was 21, they divorced.

Vergara told Harper's Bazaar Arabia that she never felt like she needed to rely on a man,

saying,

"I think the beauty of a woman nowadays is that we can do everything.

We have more options and we should do everything we can."

Superstar businesswoman

In 1994, when she was in her early 20s, she co-founded Latin World Entertainment, a talent

management and marketing firm.

"For the last fifteen years our company has done probably eighty-five percent of all endorsement

deals done in Spanish in this market."

"Eighty-five percent?"

"All me."

"Yeah, it's all her."

In 2017, she launched a line of lingerie called EBY, with ten percent of net sales going towards

helping women around the world start their own businesses.

She told Women's Health,

"In countries where there is a lot of poverty… sometimes [women] have to endure horrible

things because they don't have the means to just pack up and leave.

I want to give them something to be able to help themselves, to save some money, to be

able to have more control of their lives."

"We're super, like, passionate about making sure that through microfinance, we're empowering

women in these countries."

Hard work

Vergara knows that her looks helped her get a foot in the door of the industry, but she's

adamant that it was her dedication that propelled her to super stardom.

In 2016, she told Harper's Bazaar Arabia,

"I have made it to here because of how I look.

Being attractive has opened so many doors for me.

But of course, if I was just a pretty face, I wouldn't have lasted so long."

She said that she, quote, "worked like an animal" when she came to the U.S, adding,

"Often I haven't been the youngest or most intelligent girl in the room, but I always,

always am the hardest-working one.

Dreams don't happen if you just sit down and accept things."

Cancer survivor

It might seem that Vergara has led a life filled with good fortune, but it hasn't always

been easy.

At the age of 28, the young actress was diagnosed with cancer.

She told Cosmopolitan,

"I was lucky because out of all the cancers, this was one you can remove and treat.

It could have been a lot, lot worse."

"Just hearing that word is kind of scary.

But the good thing was that, you know, I decided to educate myself on it."

Her battle with cancer inspired her to help others.

She told Health in 2011 that a charity she sponsors was working to build a cancer center

in Colombia.

Stunning appearance

You'd think that a woman like Vergara would be hyper-aware of her good looks, if only

because she turns heads wherever she goes.

Yet she told The Independent in 2015 that she didn't even think about her stunning appearance

before she came to America, joking that she was born in a push-up bra.

She explained,

"For me, sexy is something that I never really thought about until I moved to the United

States, because in Latin America, everybody goes to the beach with a G-string and you

are always in high heels and make-up.

It's just our day-to-day thing."

Positive outlook

Vergara has zero time for haters.

On occasion she's been criticized for her Modern Family character, Gloria.

Many believe that the character perpetuates stereotypes of Latina women.

"My country is covered in coffee!"

"Just like the Starbucks girl when she got your order wrong?"

"Half-caf, nonfat, wet soy latte.

How hard is that to hear!?"

She asked HOLA!

USA,

"What's wrong with being a stereotype?

Gloria's character is inspired by my mom and my aunt.

They are both Latina women who grew up in Colombia, like me.

They love color, prints and shoes.

I'm like that too: a voluptuous, intense, happy woman."

"Is this what you want, the perfect American wife to make your life more convenient?"

"You think that's an American accent?"

"From Texas!"

Thanks for watching!

Click the List icon to subscribe to our YouTube channel.

Plus, check out this other cool stuff we know you'll love too!

For more infomation >> The Stunning Transformation Of Sofia Vergara - Duration: 5:09.

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Gli EFFETTI dell'LSD sul CERVELLO - Duration: 5:05.

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The Most Rewatchable Horror Movies Of All Time - Duration: 5:48.

There are a lot of horror movies that are best seen just once.

But every now and again a movie comes along that's not only rewatchable, but enjoying

it a second or third time is necessary to get the full experience.

Here are some all-time classic horror flicks definitely worth screening again and again.

The Guest

Boasting killer performances by Dan Stevens and Maika Monroe, The Guest features a mysterious

young man showing up on a family's doorstep claiming to have served in the military with

their recently-deceased son.

He quickly becomes integral to their family dynamic, but the children suspect he may be

hiding something.

Between the stunning cinematography and ratcheting levels of intensity, The Guest is one of those

rare horror films that allows it tersest moments to linger just beyond your expectation until

it reaches its intense climax.

It's worth revisiting over and over both as a study in effective genre experimentation

and for the sheer fun of the central performances of the film.

The Shining

To say that The Shining is director Stanley Kubrick's magnum opus is a discredit to the

other films in his unparalleled catalogue, but it's certainly one of his finest works.

Adapted from the Stephen King novel of the same name, The Shining is a cinematic titan

— every frame is significant.

Featuring Kubrick's signature visual flair, a career-best performance by Jack Nicholson,

and a multitude of thematic ideas and elements, it's a layered film that benefits from multiple

viewings largely due to how much there is to interpret.

From the ambiguous ending to the larger concepts being explored amid all the jump scares, this

movie will rank highly on any film school syllabus for generations to come.

The House of the Devil

It's tough for a film to strike a good balance between being fun and being genuinely frightening,

and it takes a director with a deft hand to pull it off, but Ti West managed it with The

House of the Devil.

A modern throwback to horror cinema of the '70s and '80s, the film has the familiar premise

of a babysitting gig gone wrong, but tells the story better than it's been handled in

ages.

Thanks to its grainy aesthetic, it feels like an authentic film from the era, but it diverts

from the norm in its lack of reliance on jump scares or plot contrivances and instead plays

out in a slow-burn fashion, paying off in a horrifying finale.

Yes, it's partially worth revisiting just to see how much of the ending is telegraphed

early on, but it's also just an old-fashioned good time.

It's the kind of movie you want to show to friends who have never heard of it just to

see their reactions.

A Nightmare on Elm Street

Wes Craven's original A Nightmare on Elm Street still works, even all these years later.

Don't let the countless lousy sequels distract you from the fact that Freddy Krueger's first

cinematic outing is funny, engaging, and scary to boot.

When a group of friends realize they're all having the same dream about a scarred man

with knives for fingers coming after them, they find themselves being pursued by a killer

that exists in the world of dreams but is still capable of causing plenty of damage

in the real world.

The frights are just as potent as they were decades ago, and some of the effects will

still leave viewers wondering how the filmmakers pulled them off on such a small budget.

A Nightmare on Elm Street is essential viewing, and few slasher films have aged as well as

this one.

(maniacal laughter)

Phantasm

Shot in disjointed bits and pieces over the course of a year, 1979's Phantasm still came

together as one of the most memorable horror movies of all time.

But the film's difficult shoot may have actually helped make it so memorable.

Phantasm, more than any other horror movie, captures the feeling of a nightmare perfectly.

There's an off-tilt flow to it.

Not everything makes perfect sense, but in the moment you don't question the film's logic.

And there's a strong undercurrent of trauma and grief present in the plot.

The film's surreal narrative focuses on three teens being pitted against a sinister mortician

known only as The Tall Man.

It's a bizarre movie that really should not work on any level.

But it does.

And the result is one of the coolest horror films ever made.

The Thing

John Carpenter's The Thing stands out as a masterpiece because it's steeped in paranoia,

tension, and dread.

The film follows a group of researchers in a secluded base in the arctic who come into

contact with a shapeshifting alien.

Trapped in a small bunker with nowhere to run and no way to get help, the men find themselves

pitted against one another, never sure if any individual crew member is who they say

they are.

It is, note for note, a perfect horror film.

All of the performances are strong, and the gruesome practical effects haven't aged a

day since the film's release.

And it becomes more interesting with every screening as its subtle details and nuances

become more and more evident.

The Cabin in the Woods

There's a sad reality even the most die-hard fans of horror will cop to: for every great

horror film there's a dozen that are awful.

That's why The Cabin in the Woods was such a shot of adrenaline to the genre when it

first hit theaters.

It turned horror on its head and reminded fans that they deserve better.

Director Drew Goddard and writer Joss Whedon wrote what they called a "loving hate letter"

to the genre, demanding the death of the old ways and the initiation of new blood in horror

filmmaking.

They wanted something different, original, and thoughtful, and in their demands for change

they gave viewers just that.

It's the sort of film that offers something new for viewers to discover, no matter how

many times they've seen it.

Be it jokes that went unnoticed before or homages to classic horror flicks, there's

always something that will stick out on a rewatch.

Horror films are rarely this intelligent, funny, or easy to come back to.

Halloween

Sometimes you just need the original, and while it certainly wasn't the first horror

film, John Carpenter's Halloween is very much a movie that defined the modern horror scene.

Everything present in the genre today, from story structure to individual horror movies

spawning multi-film franchises can be traced back to Halloween.

And even decades after its original run, it still hasn't aged a day.

Carpenter made Halloween on a shoestring budget and couldn't rely on special effects or flashy

trickery to make his movie work.

Even with those limitations, beginning to end, it's a perfect horror movie.

It has everything a great horror flick needs, from the occasional laugh to relieve the tension

to the compelling villain viewers would never want to cross.

Every generation of genre enthusiast eventually comes back to Halloween, and that probably

won't ever change.

New horror movies and franchises come and go, but Halloween is eternal for a reason.

Thanks for watching!

Click the Looper icon to subscribe to our YouTube channel.

Plus check out all this cool stuff we know you'll love, too!

For more infomation >> The Most Rewatchable Horror Movies Of All Time - Duration: 5:48.

-------------------------------------------

NAVI meet Lil. The first interview - Duration: 20:49.

We are in Zhulyany airport, waiting for the best position 4 in CIS to land.

You arrived at the NAVI office today, share your emotions with us.

I can say that I feel uneasy, not in the negative way though,

because this is quite an unusual and strange experience and for me.

I remember when we gathered at our first bootcamp with the guys from VP I had a similar feeling.

I don't know these people well, we bump into each other and talk only at tournaments,

but being with them as a team, staying in one place, eating together...

It's very unnatural and unusual for me, I feel...

I can't say if this feeling is great or not, but I feel uneasy.

I feel...

Are they not your type of people?

It's not that. I just can't say if it's good or bad, but everything is completely different.

It's very unusual.

Of course, when you get used to one group of people...

Yes, I was on another team for a year and a half, I felt the atmosphere,

the guys set a certain mood, but I have yet to get used to things here.

Two days ago, when we talked, I asked you about the atmosphere in the team, you said you weren't quite comfortable yet.

Almost 3 days have passed since then, have anything changed?

I think yes, I feel more comfortable, the place is more familiar, I'm getting used to the voices, faces, environment, atmosphere.

Everything is different now, two days ago I arrived at a new place where I have to get used to new people,

I felt like something was off, it was a completely new environment and I wasn't used to it.

Now I'm much more comfortable and everything is great, I feel inner peace.

How was your first Skype call? How was it, who initiated it, and what were the first words?

At first, I talked to Igor, our Dota 2 manager, then I talked to Zhenya, we agreed that I would play in the team.

We gathered when I was at the Virtus.Pro bootcamp, Roma and Vova were sitting behind me,

we decided to talk with the guys in TeamSpeak, later on that day, I played scrims from our bootcamp.

How was it? We just greeted each other on TeamSpeak and started playing Dota, it was simple.

This seems like a pretty weird situation to me.

Your former teammates were sitting behind you and you were playing with the other team?

Yes, that was probably not a very nice move from me, I even ended up getting kicked out of the place., but that's not the point.

- Well, not really kicked out. - Wait, what do you mean?

Roma Ramzes politely asked me to leave because it was a bit strange sitting at the VP bootcamp and playing for NAVI.

He just politely asked me to leave.

I partially agree it wasn't nice, but they just removed me from the team, I couldn't just leave at 12 a.m, that was when I found out about it,

considering we were in Moscow, and I live in the suburbs.

So I stayed, I asked the VP manager, Roma and Dima for a permission to stay,

and they allowed me, but we started to play with NAVI the next day.

Nothing unusual, we just started to play together.

Has there been any tension in this roster? Maybe some players had hard feelings about your previous tweets?

Even I once replied to you on Twitter because as a fan I was offended.

Did you encounter something like that?

Not really, when we attend tournaments we talk to each other,

everyone knows whatever happens on Twitter stays there, and has nothing to do with real life.

Also, I never tried to offend the guys.

I was making jokes about fans' attitude and some other stuff, I didn't offend or mock anyone personally.

Do you realize that you now have to work with the guys you were making fun of?

As I say, I wasn't making fun of them, I was joking about the fans' attitude.

Exactly, I'm talking about the fans.

Some NAVI fans, not all of them, are holding a grudge, and you'll probably have to make amends for it somehow. What do you think?

Nothing, really. Let it be, it's their own choice.

From my experience of social media interaction with the community, I've realized that you don't have to do anything to be hated.

You can be the nicest guy treating everyone well, but there are always gonna be people who genuinely hate you for no reason.

So the more famous you are the more haters you get, no matter if you say good or bad things about NAVI on Twitter.

- Let's go I'll show our armory, have you seen it? - Let's go. No, I haven't.

You'll like it, this is our main room.

We store all the awesome stuff is in here: all our merch, team apparel, gaming gear, anything you want.

We even have notebooks and pencil cases.

Do you need a pencil case?

I think not.

Do you have wristbands here?

We do, I'll get you one.

Yeah!

In your interview to Championat.ru, you said that you'll continue to post stuff about your teammates.

I don't know, I'll think about it. Do you mean former teammates?

Yes, former.

I don't know, I feel I grew up a lot after this incident as a person, I feel I've grown more mature,

my reaction to certain life situations is changing.

For example, when I was kicked from the team a year and a half ago, I took it pretty hard and was very upset over it.

But now I'm more mature, I react differently, I can draw certain conclusions.

We'll see how it goes, but if they hit a slump and we do well, and if the joke fits, then why not?

Why not ask them how things are going, "Top 16 of the Major? Got yourself the best position 4, huh?"

If the joke is well-timed, then why not?

There have been a lot of discussions regarding your image, I have my own opinion on this one.

Don't you think this image, which you've been building for a year,

because you weren't an aggressive guy when you just joined Virtus.Pro...

Don't you think this image doesn't suit you?

Yes, I wasn't aggressive, I was in Artyom Fng's shadow. Greetings, Artyom.

He was doing all the interviews and media activity. Well, that's not the point.

It's not that it doesn't suit me, maybe I was too harsh at first,

because of my youthful exuberance, as you said a couple of hours before.

Yes, when we were on our way here we discussed it.

Maybe I crossed a line somewhere, my posts didn't quite reflect reality, I agree.

But people grow up, I'm not an exception, I know where the line is and I try to change.

People who follow me probably noticed my improvement and changes in my attitude towards the fans and myself.

Your fans might see it, but people who were offended a while ago...

Well, right now I try to be open and honest towards myself of course,

and towards other people who know about my existence.

I'm not trying to be someone I'm not or create some public image of myself.

Maybe I'm slightly different in a conversation with friends, my mom, parents, or girlfriend.

This interview that I'm doing now is also a manifestation of me.

The thing is I'm honest and sincere, I can openly speak my mind at any given moment.

You weren't sincere when you posted those tweets.

Why is that? Give me an example.

It was exaggeration, wasn't it?

Regarding CIS teams, when you watched the qualifiers and you said that everyone was bad.

There are different ways to post information, it was an exaggeration to amuse the audience.

Partially, yes.

I don't think you really are toxic or something.

Surely, but that's the purpose of Twitter, people follow me for that.

Of course, even if you think that everyone plays terribly, you can keep that opinion to yourself,

or you can post, "What are you doing? Are you even playing Dota or what?"

So yes, do you consider this an image? It's just voicing your thoughts.

I think you chose the wrong image, as I said in the car, to have an image of a bad guy,

you have to either be one or to be good at pretending.

I don't know, among other things, besides my honesty and frankness,

I'm a person of mood and so sometimes I feel like roasting someone,

sometimes I feel like saying, "Good job NAVI on winning".

And I meant it when I said that.

Well, it didn't quite sound like it.

I know, but I don't care, I just said that because I was happy for the guys, they played well and qualified for a major.

Or well, I don't remember exactly what tournament it was.

I don't really care how people perceive it, I just said what was on my mind.

And sometimes when the joke fits, you can post it just for the laughs.

It's like you make a joke, you laugh at it and that's it.

Well, NAVI is a friendly organization and we always respect our opponents.

Yeah, there's a slight mismatch.

I'd even say a small conflict of interest: Lil's former image and NAVI's overall image.

Have you already spoken with Yevhen Zolotarov, or Caff, or maybe the guys about it?

Not yet, but we plan to have a conversation and figure out a way to properly put it all together.

Again, as I told you earlier, I wouldn't say I'm either a positive or a negative character,

neither do I consider myself a dull and boring person.

Though the wording might be a little off, but I'm quite a lively person, unlike...

Well, there are a lot of unexciting pro players who just play the game, but if they quit, everyone will forget about them.

You mean those who don't care about media attention.

It's not even about that. For example, there is Miracle, who's not particularly active on social media,

yet well known worldwide because he's a great player, and if he quits, people will still remember him.

So, there are exceptions.

I don't know, I'm just the way I am.

What made you dye your hair?

To dye my hair? In fact, I've been working on this answer for a couple of days, I knew you'd ask it.

In my head the answer was: my life has changed a lot recently due to personal and team matters,

in general my views on life and world have changed.

A lot of things, which I had considered very important before,

they just disappeared at some point, all my illusions crumbled.

I've changed a lot, I decided to change something about my appearance as a lot of external factors have changed.

And it's like a reminder that I'm a completely different person, I need to behave differently, have a different view of things, I am different.

So every time I look in the mirror, I see that I'm not the same as I was one month ago.

This is probably the main reason.

What kind of person have you become?

What kind? More mature, more prepared for different life situations.

Guys, dye your hair yellow, you'll become more mature and more prepared.

On a more serious note, I just have a NAVI disease, so…

Don't you think that sometimes...

Hey, why are you trying so hard to get me over to your side?

This is the fourth time you've asked, "Don't you think?"

I'm sorry, it's just my nickname is "be true", so I'm probably slowly dragging you without even realizing it.

Sorry if I said something wrong, guys.

- Okay, just a couple more questions and we'll wrap it up because... - Yes, because I gotta go practice.

Because we want to talk again after the bootcamp, plus there's a lot of tournaments ahead, so the guys have to practice.

Tell me, briefly, about your first impressions of the scrims with the team.

How did they go? Everyone is keen to know.

It's a complete chaos for now.

We don't have a clear-cut leader yet, maybe I'll become one over time,

because Dendi has what it takes, but given his role, it'd be hard for him to be a captain and in-game leader.

I'll probably even have to change my role for that, we'll see.

Clearly, things are hard now; and my first impression was as if the guys hadn't even played together before.

You come and can't fathom how they played together for so long because it doesn't feel like it.

Akbar was the captain and main coordinator.

Yes, I get it. It's difficult and requires time.

When I was on VP, we met for the first time when we gathered at the bootcamp

and we were just stuck inside practicing for a month and a half.

The first month was super hard, we were losing everything, our win rate was about 10%.

We didn't have any strategy, we'd just argue because we weren't on the same page.

It wasn't until two months in that things started to click a bit.

- So there's no... - That's natural.

Indeed, this shouldn't come as a surprise, it's no big deal.

I think we'll do just fine.

The guys here are fired up, so the situation's a little bit different, I think we'll be fine, we just need some time.

I recently came to the conclusion that there are crucial moments

when you're playing and one second something dawns on you that changes everything.

Let's say, you're playing and then suddenly it occurs to you that this guy, for example, should be the drafter,

or it hits you that you need to switch to position 5, and it changes everything.

Eventually, you get on the right track that leads to success.

I hope it turns out that way.

The last question and we're done.

What's your first impression of LeBron?

I talked to him for a minute or even less, and he made a good first impression. What about you?

We met the guy for the first time.

I met him at WESG, as for my first impression...

As I've said, it's really hard. Given that a lot of things in my life have drastically changed,

it's difficult for me to assess one particular change.

He understands 60-80% of what we say as he doesn't speak Russian very well.

- But I take it he's gonna learn Russian. - Yes.

He says some things slowly and some things quickly in Russian.

There are some things which he's more comfortable saying in English.

So there's a slight language barrier, but it's insignificant.

Plus, when we were deciding on the 5th player,

there were certain risks of someone not being able to fit in or something, regardless of whom we'd pick.

Therefore, LeBron was the best option because he set a certain mood and atmosphere that made you want to play.

Guys, we have this awesome Natus Vincere T-shirt and we want to give it away.

All you need to do is to follow Lil's Instagram account and show your creativity.

Let's imagine Lil is launching his own clothing brand and he needs a catchy slogan.

Post your original slogans in the comment section to this video on Instagram.

The best one will win and get this T-shirt with an autograph of Lil and the rest of the team.

Good luck!

I hope it works out, I'm crossing all the fingers I've got.

We'll try our best, but it's gonna be really hard.

Plus, as I keep saying, we're limited in time.

We just got together and have only played a handful of games,

we have yet to figure out who will be taking on the drafting and the shot-calling duties,

and tomorrow we're playing the Major qualifiers,

in 10 days we're attending another Major, and after that another one...

Followed by the Jakarta Minor.

What...

What doesn't kill us, makes us stronger, yes.

I hope this indeed will make you stronger.

Guys, you have a little patience too.

We all recognize this is a challenging situation, I hope you'll succeed.

Give me a fist bump, good luck to you.

And to you, guys.

Thanks for watching, sending out love to everyone out there.

For more infomation >> NAVI meet Lil. The first interview - Duration: 20:49.

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Alexandre PS - "to perdido" Feat. YaG - Duration: 2:01.

For more infomation >> Alexandre PS - "to perdido" Feat. YaG - Duration: 2:01.

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Bolton: US should stay publicly locked together with South Korea - Duration: 4:44.

For more infomation >> Bolton: US should stay publicly locked together with South Korea - Duration: 4:44.

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HISHE - "Star Wars: The Last Jedi / Son Jedi" Nasıl Bitmeliydi? / Türkçe Altyazılı (CC - HD) - Duration: 7:08.

For more infomation >> HISHE - "Star Wars: The Last Jedi / Son Jedi" Nasıl Bitmeliydi? / Türkçe Altyazılı (CC - HD) - Duration: 7:08.

-------------------------------------------

Sonic Characters meet Uganda Knuckles - Duration: 1:06.

Do u know da wae?

What?!

Do u know da wae? >:(

[Beautiful Sound Effect]

He doesn't know da wae!!!!

(What the freak?!)

(What the freak?!) Spit on the non-believer!

SPIT ON HIM!!!

(Gotta Go Fast!!!)

SPIT ON HIM BRUDDAS!

Y U RUNNIN!

WHY ARE U RUNNIN!

Y ARE YOU RUNNING!

WHY R YOU RUNNIN!

(Poor Sonic)

WHY ARE YOU RUNNING!

Oh look! Eggman's whistling, what a happy man

[Bootiful Background Music]

BWAH BWAH BWAH BWAH

NOPE!!!

[BWAH INTENSIFIES]

[pretty clicking melody]

[even more clicking]

Ugandan Knuckles: Hey, How's your wife and kids

I LOVE MY LIFE

Somebody Kill Me!!!!

Pls Sub

K Bye