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Sandra Shaw plays tennis with John McEnroe - Duration: 1:18. For more infomation >> Sandra Shaw plays tennis with John McEnroe - Duration: 1:18.-------------------------------------------
BREAKING: House Just Secretly Passed HUGE Bill Overnight After FL Shooting - Duration: 4:26.BREAKING: House Just Secretly Passed HUGE Bill Overnight After FL Shooting.
Last week, tragedy struck our country again when a lone gunman opened fire on a South
Florida high school killing 17 and injuring 20 others.
These senseless deaths have stunned the nation as we all attempt to understand what could
have caused this horrendous act of violence, and if anything could have been done to prevent
it.
Of course, with those questions, the left has pounced on the opportunity to push for
more gun control looking for ways to infringe on our second amendment rights to protect
ourselves and loved ones from harm.
Well, one state in the country is not about to let that happen to its residents by passing
a bill that would empower them, and the left is already screaming foul.
After a string of gun violence in the last several months, the left has been doing all
that they can to further their gun control agenda.
Playing on emotions of weary Americans these gun-grabbing liberals are claiming that the
only way to protect the population is by further control, but not everyone is buying it.
In response to the tragic Texas church shooting last year, and one day after the Florida school
shooting, Alabama state representatives passed a bill to expand their "Stand Your Ground"
law.
According to lawmakers in this Republican state, the bill seeks to empower church-goers
to defend their lives in their particular place of worship, and in all honesty, it is
about time.
The revised bill is pretty straight-forward stating that a person is "presumed justified
in the use of force if they reasonably believe someone is about to seriously harm a church
member."
Meaning that this bill would specifically protect church members defending their religious
communities from those trying to do them harm.
And, after the recent shooting in Texas, it makes perfect sense for state lawmakers to
look for ways to better protect their citizens.
Here is more from Breitbart:
The Alabama House of Representatives voted 40, 16 to expand "Stand Your Ground" the
day after the Florida school shooting occurred.
The vote was to broaden the statute to allow the defense of life in churches.
It was presented as part of an overarching goal of removing weak spots in current law
so that citizens can defend themselves when an attacker strikes.
The Seattle Times quoted state Rep. Lynn Greer (R-Rogersville), saying, "You got nuts everywhere
just like you had in the high school in Florida yesterday.
Occasionally, they show up in a church."
Democrats opposed the vote to expand Stand Your Ground, with Rep. Chris England (D-Tuscaloosa)
describing the pro-self-defense push as "pandering."
He indicated that Alabama "already has a self-defense law" and said broadening it
"doesn't accomplish anything."
Rep. Laura Hall (D-Huntsville) said the expanded law would just encourage people to "shoot
first and ask questions later."
Nevertheless, Rep. Greer seized on small rural churches, pointing out that such congregations
are on their own should an attacker strike.
He explained that larger churches "can afford to hire professional security teams and off-duty
police officers," but smaller churches cannot.
The church that was attacked in Texas on November 5, 2017, was a rural church with no armed
security.
The attacker was able to kill 26 people before a neighbor of the church, Stephen Willeford,
ran barefoot to the scene and shot the attacker with an AR-15.
After the recent shooting in Florida, this is a BOLD move by the state of Alabama considering
how divided the country is at this time, but maybe that is precisely why it was done.
The lines in the sand have been drawn, and people are sick and tired of leftists attempting
to infringe on law-abiding gun citizens rights to protect themselves.
After years of calling conservatives and Christians every vile name in the book, they want to
take away our means to protect ourselves which gives the "bad guys" the upper hand.
See, as we all know a criminal will find a way to get their hands on a weapon no matter
how hard you ban them only making the rest of us vulnerable to harm.
Well, not anymore as these brave lawmakers stated in this revised bill and hopefully,
other states will follow suit.
It is a proven fact that the only way to stop a bad guy with a gun is a good guy with a
gun and it's time for lawmakers across the country to wise up that truth.
What do you think about this?
Please share this news and scroll down to Comment below and don't forget to subscribe
Top Stories Today.
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What's the population of the Sunshine Coast? - Duration: 1:00.Today we're going to talk about the population of BC's Sunshine Coast.
There'll be a lot of numbers over the next 60 seconds but I'll include a link to all
the estimates in this video's description.
According to BC Stats, the most recent estimated population of the Sunshine Coast is 29,390
people.
That includes an area that stretches from Port Mellon, past Gibsons and Sechelt,
all the way up to Egmont.
Nearly half of the population live in either Gibsons or Sechelt, with each town having
roughly 4,600 and 9,600 residents respectively.
The remaining 15,000-ish residents live in unincorporated areas.
Since 2011, the population on the Sunshine Coast has increased by just 472 people.
StatsCan estimates that as of July 2017, 4.8 million people call British Columbia home.
That makes BC the third most populous province in Canada.
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Chatty Sketchbook Tour · Learning To Love My 'Mistakes' - Duration: 13:04.Hey guys welcome back to my channel! Today I wanted to share with you my
completed and Mossery sketchbook. According to my 'first impressions' video, I started
this sketchbook in June 2017, it was sent to me by Mossery
[Background Noises]
And it's not my favourite completed sketchbook so far in terms of what's in it but I like it for
what it was in terms of me figuring out along the way how I wanted to be using a
sketchbook and just trying different things out. So you'll see what I mean once I
get into it. And obviously the front is monogrammed with my name and I'll have a
link below to where you can buy these for yourselves. This sketchbook is a
little bit of everything I want a sketchbook to be for me. If you saw my
first impressions video, I was really excited about these pages right at the
beginning where they have space where you can write your goals and purposes
and just brainstorm ideas. I was really excited to use these and I didn't and I
wish I had but I think my expectations for this sketchbook turned out to be
quite different to what I ended up with. It ended up being a kind of hold-all for
things like the souvenirs, memories, rough sketches, ideas. So to start with it's
just these drawings of all the different things I packed when I went to a music
festival back in July of last year; the clothes I wore and just the things
that were in my rucksack I would carry around with me in the day. This is
from the same trip, this was our campsite. I actually have a vlog on this if you
are interested in watching that. Just a few patterns and things I saw. I did this
in gouache. And then just like different faces, still from the festival,
different performers. And this is where I just stuck in the little train
ticket from the miniature railway. This was my first time trying my more kind of
minimal painting style on faces and didn't turn out great but it was a good
start and you'll see pretty soon where I ended up with that. This was just the
festival wristband as well. This sketchbook doesn't have the flow that I'd normally
like for a sketchbook, I don't normally use a wire-bound sketchbook. Other than that
it worked out really well; the paper's great for everything that I used it for;
ink and gouache and watercolors and pencils but I don't know if I would go
back to using a wire-bound sketchbook. It just doesn't translate well with my art.
I like to have things flowing across the page and you'll see with this one, things
feel a lot more stiff and stunted in here. Here I was just looking at- I like
the really gormless faces in Renaissance paintings so I just wanted to draw a
couple of those and I might come back to this idea. This is what I was
talking about with that painting style. Now this one turned out pretty badly, I
think I picked the wrong colours for this but with this one, I overworked it a bit
so it doesn't look as good as it did when I first started with it but I got
more of a sense of just laying down paint in a few blocks at a time, looking
more abstractly at the plains of the face and the different colours that you
can find in there. So even though it's kind of muddy and a bit of a mess and
it's not finished, this was kind of a turning point for me from those last
ones. I've got to know that technique a little bit more and also in terms of
developing my art and like developing myself as an artist in this sketchbook, my
attitude and approach to this one that didn't turn out great was a lot
different because I was more just in this to enjoy the process of painting and it
was like I asked my sketchbook a question like 'if I put this colour and
this colour together in this way, what's going to happen ?' and this is the answer.
So I'm not I'm not mad at this. I don't hate it.
And I can look at that with an appreciation that I normally wouldn't
just in terms of what I learned through painting this. Also my sketchbooks aren't
in order so this is actually the last page that I did in
here. Then we're going back to July here . So
this was the Lambeth country show. You can see this in the same vlog that I
would have put in the cards earlier. Drew some sheep, I really like this one.
And for these I used coloured pencils and I think probably
watercolors over here and then my Zig clean color real brush pen over here.
Then over here I had just seen War for the Planet of the Apes so I decided to draw
that and then in this pocket- this page is like a collection of different times,
different memories- so I just made a pocket here for... train ticket to Ifield,
this was sent by one of you guys. This is Ozzy's graduation ticket and then also
the flyer for one of my sister's roller derby games that I went to. And just here
I wrote a quick summary of all those things and what they are and what they
mean. These are the houses that you've seen me draw when I was working on building
commissions and this was another more recent page, another shift in my approach
to sketchbooking, where I got an idea and I just went with it. I didn't look at
pictures, I didn't think about it too much, I just thought 'I want to draw some
eyeballs' and I did. And you can see from the start- so I started on this one and
kind of worked my way around- and I think by the end I had more of an idea of what
style I wanted. I used a gouache for these two as well watercolour for most of them
but along the way I realized the kind of style that I wanted it to be in and I
think you can see a real difference from this one to this one. But I really
enjoyed this and I kind of feel like these would make great stickers or
something. This is one of my journal pages in here. Again I have a
video on that so if you want to see it in more detail you can check that out.
Over here another random idea that I just decided to do while it was fresh in
my brain. These are some paint swatches. I've got
some different wall paint colors that I want to try out in my room and I thought
I would swatch them in here first just to see what they're looking like. I
thought they were went really nicely together. Okay so here we're going back
in time again, this was- I don't know why I did this but I wanted to test out the
like one stroke painting style of flowers that you see a lot in Asian art
so these were some peonies I did and just a few different trials... you know, how
wet it would be on the page and then I had a few random drawings and other
sketchbooks or like scrap pieces of paper of peonies that I'd drawn-
a tattoo design practice, so I stuck those in as well. And then as it goes
along you can see little pig faces creeping in because again it was just a
random idea and I thought 'what would it look like if there was a little pig face in
there' so I painted those. And I wanted to develop that into proper painting and I
was looking at how I could fit that in, different colour ideas, also tried
casein for the first time here. But then if you remember around that time I think
I might have it in a vlog as well, I kind of chickened out of the pig idea- I thought
it was a bit weird- and I just went with straight peonies which turned out to be
a really nice idea. I really like this and these are just a couple of miss-prints
from my shop that I stuck in to keep as a memory of that progression
from the idea to what it turned into.
This this is just a random page of sketches that ended up turning into a
painting. These I have a video on as well. My minimal landscapes. And this is more
of a journal page again where I went to see Lady Day at the theater and just
tried to capture some of the atmosphere from that night which was an amazing
amazing show. So here I'm going back to the Pig idea and I just really roughly
sketched out a few ideas for different poses for the pigs and this is where
you'll see how I ended up with my pomegranate pig. So it started out as a
little sketch over here that I turned into a more detailed sketch, then I
tested out colours for the painting, just a few
different combinations, taking notes here and there, just keeping a record
of how I was thinking at that time what I was feeling and what
decisions I was making. I tried drawing a few flowers and then, the real turning
point for me with that was painting this pomegranate. I loved how
this turned out, I loved the style of it so I thought I want to take that forward
into the finished painting. I wasn't sure if it was the colours that I liked so I
just kept a little record there of the different colors that I'd use and then I
tried painting flowers in that way. These are the flowers of the pomegranate plant.
They're gorgeous and I wanted to try different ways of getting just a pop of
color and vibrancy through them and still have my line work coming through.
So these were just a few different bits of trial and error with paint
consistency, pencil, I used pastel for some of them, and also different colours that I
might want to use and then I ended up on just some scrap paper again drawing out
all the line work together and the final colours I decided on. This was my test of
painting out the colours all together and from that I realised that I didn't want
to have the pig red, I wanted it to be pink just a little to stand out more
so this down here is just another little misprint that I stuck in to see how the
plans turned into the finished piece. And then on the next page is how it actually
turned out looking and just a few notes that I'd made along the way that I again
cut out of some scrap paper and stuck in. And then this- really random- is from when
I was doing my paint pouring; a couple of people were saying it was a waste to
have so much pouring into the bottom but the thing is that when you have it
pouring into plastic you can actually peel that off and use it for different
things. I've seen people make like jewellery out of it. I just thought it'd be
nice to cut it out and stick it into my sketchbook. And this is one of those
really rough pages. This was during inktober and I've just used this
sketchbook basically of scrap paper to map out different ideas. So this was the
lagoon creature page; I wanted to test some of the tonal values and see if I
could make it all fit together well without everything getting lost in there
and I just wanted to also see about mixing blue and black ink and how well
that would work. And then this was the dragon house and
it turned out a lot better on this texture paper than it did in my inktober
sketchbook. You can see a lot more of the scale texture of the dragon than I got
in the final piece. But this was just my first time trying this technique so I
wanted somewhere to quickly see how that would turn out. Over here, another rough
page. I just wanted to look at some figure studies. This was one of those
days where I really just needed to draw something and this was an easy thing to
go to. This day I was drawing chickens and that turned into this drawing which
turned into this painting. I made 18 prints of this for my patrons, I had 17
go out and then this one I kept for myself. And then this this was another
random idea; just a painting for the sake of doing something kind of thing. So I
just drew a little fireplace and then painted it all from imagination. I quite
like how that turned out so I might do more things like that. And then we're at
the end- which was actually the first page that I did in here- which is when I
was testing out a few different media to see how this sketchbook took to them and
I have a video of the process of this and how I found the paper held up which
I'll have linked somewhere on screen and down below. And then right at the back
it's actually where I keep all the letters that I get from you guys like
throughout the course of having a sketchbook because I love going back
through old sketchbooks and I also love getting letters from you guys and it's
nice to have it all in one place. Each sketchbook represents a
chapter of my life and it's nice to have a little record of all the things I get
from you guys in there.
And for some reason, I really like to keep the envelopes as well. And then this
one is actually from Autumn who made my next sketchbook so I'll have a link to
her below. You'll probably have seen that sketchbook by now, I should be using it
by now. And yeah that is it for this video, thank you so much for watching, I
hope you enjoyed it. I know it's been a quick one. As I said, it's not
my favorite sketchbook but a lot of ideas came from this and a lot of
development came from this and I'm looking forward to sharing my next one with
you because it's going so well so far. I feel like I am finally on track to
mastering the keeping of a sketchbook. So thank you for watching, I will see you
soon for the next video! bye!
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Top 10 Scary Preserved Body Parts - Duration: 6:41.Welcome back everyone - I hope youre not eating right now because were about to get real gory.
My name is Danny Burke and this is the Top 10 Scary Preserved Body Parts.
Why were they preserved?
Different reasons.
Should they have been preserved?
Ehhh, Ill let you guys decide.
Its gonna get really weird.
Starting off at number 10 we have Galileo's Finger.
Galileo is one of the most famous scientists of all time and a key figure in the scientific
revolution.
He died in 1642.
95 years later, someone removed his middle finger and put it in a jar - here it is.
How gruesome does that look.
This was seen as generally OK back then and even as a way of respecting Galileo, who was
quickly becoming an icon in the western world.
These days, tourists can find the finger in the Florence History of Science Museum.
Next up at number 9 we have Einsteins brain.
People often talk about how Einstein was one of the most intelligent people to ever live.
Within hours of him dying, his brain was removed so that scientists could study it and perhaps
discover insights in to what made him such a genius.
They were beginning to get somewhere - some differences had been noticed but then, it
went missing - presumed stolen.
It was rediscovered in 1978 and now is held by the National Museum of Health and Medicine
in Washington D.C.
Moving on to number 8 we have Buddhas Tooth.
The Buddha was probably one of the most famous people to ever live, his teachings and life
inspired the major world religion of Buddhism.
After he died in 483 BC, his body was cremated on a funeral pyre.
The fire consumed everything except for one of his canine teeth.
It became a cherished relic over the next few thousand years - there was even a war
fought over it at one point.
The preserved tooth now sits in the Temple of The Sacred Tooth Relic in Sri Lanka.
It was named that after they put the tooth there, not before, obviously.
At number 7 now we have the Pregnant Mother.
This isnt so much of a body part as it is two bodies but I thought Id put it on the
list.
Gunther von Hagens is the man responsible for developing a preservation technique known
as -plastination- whereby the skin is peeled off a dead body and everything underneath
is preserved by replacing bodily fluids with a special plastic material.
Thats what he did for one of his most controversial works on the remains of this pregnant mother
and her unborn fetus.
He said his exhibitions have helped the public to understand the human body on a deeper level
and to educate them to what goes on below the skin.
Others have said its sensationalist or even disrespectful.
What do you guys think?
Next up at number 6 we have Dan Sickles Leg.
Major General Dan Sickle was a commander in the Union army during the American civil war.
During the battle of Gettysburg, he took a cannonball to the leg which shattered the
bone in two.
He had his leg amputated later that afternoon.
He sent it to the Army Surgeon General for his display of body parts alongside the weapons
that caused them.
Major General Sickles shattered leg made a fine but gruesome edition to the collection
and is still on display to this day …
Next up at number 5 we have The Childs Arm.
This one comes from Frederik Ruysch - a Dutch artist in the 17th century who liked to display
human bodies in a way that crossed both science and art.
One of his most famous pieces included this - the preserved arm of a child connected with
the dura mater above it.
He mainly used alcohol to achieve preservation.
Much of his work can now be fund in a Russian collection to this day.
Coming in at number 4 we have the 9 ft Colon.
This one is not for the faint hearted.
Its a 9ft long colon - Im not kidding.
It belonged to a 29 year old man who died in 1982 from a condition known as Hirchsprungs
disease.
It made him very constipated - sometimes he would go weeks without any bowel movements.
He died on the toilet from extreme constipation and scientists preserved his colon which contained
more than 40 pounds of feces at the time of his death.
His colon was the filled with straw and put on display where it was measured to be over
9ft long.
Next up at number 3 we have Rasputins Penis.
Im not even sure if were allowed to show you this one - that will be up to the editor but
you may be now looking at the blurry image of Grigori Rasputins penis.
He was a famous Russian mystic and adviser to Tsar Nicholas II.
He was murdered in 1916 and supposedly castrated.
There were rumours of his penis being lost and found for a while - some have claimed
that this latest claim is a sea cucumber or a horse penis.
The Russian museum where it is housed keeps it behind a special red curtain and you have
to hit a little button to pull the curtains back.
Its all very strange.
Next up at number 2 we have Jeremy Benthams Head.
When this English philosopher died in 1832 - he left a request in his will - that his
body be preserved like this.
Well, not his whole body.
His skeleton is there underneath the clothes and is filled out with straw but his head
was mummified using an ancient technique from native New Zealanders.
The problem was, it didnt go so well.
His head looked terrifying and not very well preserved at all.
So, they replaced the head with a wax replica and kept the real one nearby.
For a while it was kept right in front on the ground like this.
Somehow this makes it at least twice as creepy.
And finally at number 1 we have the Murderers Head.
This is the preserved head of Diogo Alves - a Portugese serial killer and the last man
to be hanged in the country.
He was finally caught after he and his gang murdered over 70 poor people.
After the hanging, some local scientists asked for his head so that they could study it.
They believed that studying the shapes of people skulls could lead to you to understand
how their brain worked - and they wanted to understand this serial killer.
Modern science rejects this idea but still, Diogos head was handed down through the years
and is still perfectly preserved to this day.
Well guys, those were some creepy body parts that probably shouldnt be kicking around to
this day - what do you think?
Gross?
Interesting?
Both?
Let me know - Im Danny Burke, thanks as always for watching guys and Ill see you all in the
next video.
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The Story of Steppenwolf | Justice League (2017) Movie Clip - Duration: 4:56.That one.
Pretty sure that's what made the alien go crazy.
I'll see about rigging something for the suit.
Won't be quick.
Anything that can give me an edge.
You know, I paid millions of dollars for this building's security.
Yeah, it looked expensive.
Hi.
A new toy?
Prototype troop carrier.
I once knew a man who would have loved to fly it.
Yeah.
We're gonna need more than a pilot.
I think there's an attack coming.
Not coming, Bruce.
It's already here.
They called him Steppenwolf, the end of worlds.
He lived only to conquer.
Millions fell before his blade, or rose again as his Parademons.
Nightmare creatures who feed on fear.
Yeah, I think I met one.
We didn't hit it off.
Here in Gotham?
They're all over. They're looking for his boxes?
The Mother Boxes.
Mother Boxes.
I guess Steppenwolf took the one your people were guarding.
That leaves two more.
I'm impressed.
Don't be. I have no idea what's in them.
A weapon? Some kind of power?
They don't contain power.
They are power.
Carried from planet to planet,
the Mother Boxes combine to form the unity.
An apocalyptic power that not only destroys worlds,
but transforms them into the primordial hellscape of Steppenwolf's birth world.
We should have died.
But we formed our own unity.
Amazons, Atlanteans, all the tribes of men fought side by side.
Warriors of legend...
...allies from other worlds,
even the gods themselves all acted as one,
laying down their lives to drive Steppenwolf away.
Some say it drove him mad.
The disgrace of his first retreat.
He swore our alliance would crumble.
That darkness would cover the Earth.
And that he would return when it did.
Left behind,
the Mother Boxes were too dangerous to be kept together.
One was entrusted to the Amazons.
One to the Atlanteans.
Both sealed and guarded in secure strongholds.
The Box of Men was buried in secret,
so that no tribe would be tempted to use its power over another.
Such harmony out of such horror.
It was truly an Age of Heroes.
Something tells me we're not getting the band back together.
The Atlanteans were forced undersea,
and the Amazons to an island they can never leave.
Well, I wouldn't count on the tribes of men.
We tend to act like the Doomsday Clock has a snooze button.
- How long until... - Days.
At most.
Steppenwolf's mistake last time was attacking us.
He wanted to make the Earth kneel before he destroyed us.
This time he'll just go after the boxes.
I got a location for one of our recruits.
Barry Allen.
What about the other one? Victor Stone?
I was hoping you would dig him up.
We're asking people we don't know to risk their lives.
I know.
That's how this works.
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The Black Eyed Prince! Episode 128 Animation Breakdown - Dragon Ball Super - Duration: 9:40.Hoooooo boy, welcome back to another animation breakdown.
I don't even really know how to start a video like this – these are never fun to
do, so I guess I'll say that if you really enjoyed this episode and you don't want
to listen to someone who didn't like it, then here's your free warning.
If you're someone who loves to post "shut up and enjoy things" or "you're overreacting"
when you hear opinions that don't match your own… well maybe consider growing up,
but also, again, a warning to close the video now.
This was such a missed opportunity of an episode, and I wanna approach this video a little more
generally to really get my opinions across.
There wasn't much animation to cover anyway, so hopefully you'll forgive me this one
time.
I think this'll do a good job of explaining how the different components of an episode
come together and affect or don't affect one another, so it's still pretty much production
related.
Anyway, let's dive in: This episode was Vegeta's final stand, and
the script comes to us from Toshio Yoshitaka, who's one of Super's strongest writers,
and I think his script here definitely still reflects that.
We've got stamina consistency actually acknowledged for once, we've got a little more personality
coming out of Jiren, we've got the return of Ultra Instinct, and Vegeta feels much more
like his post-Boo arc self, which is something writers often fail to bring to light in Super.
The fact is, though, we've seen most of this stuff multiple times throughout this
tournament now.
Goku's transformed plenty since Ultra Instinct debuted, and Vegeta's had enough emotional
flashbacks and speeches to last a life time.
At least on paper, any of the cool stuff here is undermined by the fact that it's not
new, and its impact is diminished the more times you repeat this stuff.
When this type of thing happens, you have to fall back on other ways to make these scenes
have any sort of emotional weight, and that's where direction and storyboard factors in.
Both of these aspects done well can make a repeated moment feel special.
For example, the Future Trunks arc had the issue of repeating Future Trunks' rage transformation
multiple times.
In its debut in episode 61, it was really well directed by Takao Iwai, with interesting
framing from Ken Otsuka's board.
When it happened again in episode 65, the overall meaning in the greater context of
the story was lost, but with Ryota Nakamura's incredible board and direction, it was still
a cool moment and had emotional weight and impact.
I specifically point to these examples because it's proof enough that simply repeating
points isn't necessarily bad on its own, and I'd hate for you guys to think that's
what I'm saying here.
The direction and storyboarding in this episode is really, really bad, and it's the number
1 reason for this episode being as poor as it is as a complete product.
And I say compete product, because the artwork and animation is perfectly polished, and I'll
get to that later on, but everything needs to be of a certain level to have things outweigh
or make up for shortcomings of weaker aspects, and I don't think that really happens here.
The episode's directed by Masanori Sato who's not a great director.
His work on the series, with few exceptions, has been pretty weak, and this one unfortunately
follows in the same vein.
Every narrative beat rings totally hollow, there's no sense of atmosphere or struggle
despite the events on screen.
It feels like everything's going through the motions with no real attempt at creating
the drama the script requires.
It's pretty all over the place tonally, and I think Sato's choice of music plays
a big part of that – it swaps between all kinds of different pieces from Sumitomo's
back catalogue, and none of it really flows together properly.
The biggest example of that is probably the transition from the Chozetsu Dynamic piano
rendition into the Ultra Instinct track.
I can totally see the intent there, but the execution is incredibly awkward.
The biggest issue in this episode is its storyboard, though.
Tadayoshi Yamamuro returns once again after his work on the second half of 126.
I'm sure you'll remember that I really enjoyed his board there, and was saying that
it was such a step up from his terrible work on the Resurrection F movie.
It was actually filled with interesting angles and a great sense of scale, and I so wish
he could have continued that upwards trend, but unfortunately, we're all the way back
down to Resurrection 'F' tier here, with one of the flattest and most uninspired boards
of this arc.
It is filled to the brim with flat shot after flat shot after flat shot, all framed with
the same basic film-school rule of thirds composition that plagued Resurrection F. The
poses are super uninspired too, with characters standing with their fist up over and over
again, which is one of those generic poses Yamamuro's used time and time again for
home release covers.
All of the pans that have the potential to be great are just so bland too, and of course,
there's no sense of scale whatsoever – it's flat as a pancake.
The arena's no different to last week yet it feels a thousand times smaller.
It really is just Resurrection F all over again.
Yamamuro's great understanding of martial arts choreography is on full display here,
and much like with the movie, I really appreciate that, but it's wasted on yet more bland
compositions, and of course, the fact that it's exceptionally slow paced.
I just don't understand how he's managed to regress so much after such a strong showing
in the last episode – it's like he used up all of his creative ideas last episode,
and now we're left with the most stock-looking shots he could think of.
I'm seriously disappointed – I honestly thought he might be improving in this area.
The fact that it happened during such a climactic episode only makes it hurt so much more.
On a positive note, in spite of the bland composition, the actual animation quality
was very well polished, and I'm sure for many of you, that'll be more than enough.
This first half is supervised by Osamu Ishikawa, and I think this is probably his strongest
episode on Super to date.
Yukihiro Kitano was the top-credited key animator here, and yet you can barely see his poor
art here thanks to Ishikawa.
It's exceptionally well-drawn, and considering how Ishikawa typically struggles to draw Vegeta,
his output here is even more impressive.
Kitano's animation under those corrections was actually pretty decent too, displaying
some competent movement that conveyed Vegeta's struggle quite nicely.
In the second half, Yuji Hakamada takes over supervising, and although his work is once
again mostly corrected by Miyako Tsuji, we do actually get to see his style clearly in
a few shots, and it's actually not too far away from his output on GT.
The highlight of this half, and the highlight of the episode however, come from Tu Yong-ce,
who animates Goku vs Jiren's initial fight in this half.
Like we've come to expect from Tu, there's real finesse to the movement, and it's laden
with his great looking smoke and effects.
It's really nicely done, and I wish we could have seen more lengthy action from him in
this tournament.
But that's kind of it as far as animation goes.
You can see Hiroyuki Itai for a split second in one scene, and Yamamuro appears to have
corrected some scenes once again, but the rest of the episode kinda just peters out
with still after still.
This was definitely very action light on the whole.
So that's how this episode stands: a decent script, polished if mostly static animation,
and then an absolutely dreadful storyboard and seriously lacklustre direction.
The negatives seriously outweigh the positives for me, and that's such a damn shame.
Direction and storyboarding are so, so important, and middling animation can never make up for
shortcomings in that department.
They dictate the best the animation can ever be, so if they're lacking in the first place,
everything starts to fall apart, and that's exactly what's happened here.
I know a lot of people really enjoyed this episode, and I can totally understand why
given the content.
But I think it really is Resurrection 'F' 2.0 – it's something a lot of people are
going to be wowed by initially, but once that initial spectacle wears off, the lack of lasting
value is really going to show, and it is not going to age well.
Next week should hopefully be the total opposite.
It's being directed by Masato Mitsuka who's Super's best director, and I hope you guys
notice the inevitable difference in quality between his work and what's on display this
week.
It looks like Hirotaka Nii is indeed still taking cues from Takahashi after 122, with
some fantastic looking artwork on display in the NEP.
I can also see what looks to be Yuichi Karasawa doing some animation, along with some unknown
work filled with fun looking smears.
I'm all ready to put this latest episode behind me and enjoy next, so fingers crossed
they deliver in a big way.
Once again, if you enjoyed this episode, that's awesome, and I hope you can at least understand
where I'm coming from in this video.
But either way, do let me know down below how you felt about the episode, because I'd
love to hear some different perspectives, and maybe understand the appeal a little more.
Today's intro came from AaronWGamer, and I laughed so hard when he sent me it, so make
sure you tweet at him and let him know what you thought.
As always, be sure to thumbs up the video if thought my points were presented well,
subscribe if you're new, and I will see you next time.
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Autobots Vs Unicron - Unicron Transforming | The Transformers: The Movie (1986) CLIP (+CC) - Duration: 5:00.For a time...
I considered sparing
your wretched little planet, Cybertron.
But now...
you shall witness... its dismemberment!
GALVATRON: No!
Decepticons, we're under attack!
Scramble!
KUP: I don't believe it.
Doesn't this remind you of anything, Kup?
No.
I've never seen anything like this before.
What happened to Moon Base Two? Where's my dad?!
That's what we're gonna find out.
JUNKION: Framed in enamel!
Resists fire, rain and corrosion for up to 5 years.
Satisfaction guaranteed.
ALL: Or your money back!
- Where's Hotrod? - I don't know.
But I hope they didn't get him!
ARCEE: Quick, this way!
[power humming]
The Matrix!
It will do you no good, Autobot. It cannot be opened.
Not by a Decepticon.
Like it or not, we are allies now against a common foe.
Ah!
UNICRON: Destroy him, Galvatron. Now!
Or you yourself shall be obliterated.
Of course, my master!
Puny Autobot, you lack even Prime's courage!
Me Grimlock kick butt!
[roars]
[robotic pulsing]
Me Grimlock need new strategy.
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