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twenty one pilots - Jumpsuit (Elijah Hill Remix) [Lyrics]
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Сметанное желе с клубникой, как сделать - Duration: 1:33.
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( Satsujin ) Cherry Gum * NightCore* - Duration: 3:01.
～( 'ω'～ )
( ～'ω')～
～( 'ω'～ )
( ～'ω')～
My head spins 'round and 'round
I can't remember what I did last night
(I did last night)
I can't recall a thing
It must have been over a stupid fight
(stupid fight)
Oh, no, what you say
Don't stop anyway
What you say
What, what you say
Ah, ah, don't you dare
Hah, Hah, I don't care
What you say
What, what you say
You will hear me when I come
When I pop my cherry gum
I will never stop, pop
Never ever stop, pop
You will hear me when I come
When I pop my cherry gum
I will never stop, pop
Never ever stop, pop
So
So oh, oh, oh, oh, oh
oh, oh, oh, oh, oh
A taste so sweet
I can't get enough
So here we go
Oh, oh, oh
Oh, oh, oh
A taste so sweet
I can't get enough
I can't resist to show
I think that something is about to blow
(about to blow)
If pink will blue on you
You better move, there's nothing you can do
you can do
Oh, no
Oh, no what you say
Don't stop
Don't stop anyway
What you say
What, what you say
Ah, Ah
Ah, Ah don't you dare
Hah, hah
Hah, hah I don't care
What you say
What, what you say
You will hear me when I come
When I pop my cherry gum
I will never stop, pop
Never ever stop, pop
You will hear me when I come
When I pop my cherry gum
I will never stop, pop
Never ever stop, pop
So
So oh, oh, oh, oh, oh
oh, oh, oh, oh, oh
A taste so sweet
I can't get enough
So here we go
Oh, oh, oh
Oh, oh, oh
A taste so sweet
I can't get enough
Ah, ah
Ah, ah what you say
No, no
No, no anyway
Go
Go
Go
Go
Hah, hah
Hah, hah what you say
No, no
No, no, anyway
Go
Go
Go
Go
You will hear me when I come
When I pop my cherry gum
I will never stop, pop
Never ever stop
(What you say) ✧◝(⁰▿⁰)◜✧
(What, what you say) ✧◝(⁰▿⁰)(⁰▿⁰)◜✧
(What you say) ✧◝(⁰▿⁰)◜✧
(What, what you say) ✧◝(⁰▿⁰)(⁰▿⁰)◜✧
You will
You will hear me when I come
When I pop my cherry gum
I will never stop, pop
Never ever stop, pop
You will hear me when I come
When I pop my cherry gum
I will never stop, pop
Never ever stop, pop
So
So oh, oh, oh, oh, oh
oh, oh, oh, oh, oh
A taste so sweet
I can't get enough
So here we go
Oh, oh, oh
Oh, oh, oh
A taste so sweet
I can't get enough
Build with ꧁༺Yenwan༻꧂ ⸜(* ॑꒳ ॑* )⸝
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Texas Drag Queen's Parents Evolve From "You're Going To Hell" To "Being Presidents Of My Fan Club." - Duration: 6:59.
My name is Timothy Byars.
I'm from Wichita Falls, Texas.
Every time the church doors were open, we were there.
My granny was - played the piano every Sunday and Wednesday.
My dad was the praise and worship minister.
My mom worked in the nursery and she was the youth minister.
I didn't know what gay was until about the second grade when I realized I was full-on
in love with this boy in school and I was crying and I because I didn't ever find a
boy who felt the same way.
And then I heard somebody call me gay and I was like, "Maybe that's what I am."
And then they said in a bad way and they kept saying over and over again what a bad thing
it was.
And my parents were always using me as the butt of those kind of jokes growing up.
When I was 17, I was kinda outed because there's a thing called XY.com and I wasn't really
good at deleting my cookies at the moment, and my parents found that.
And so they outed me and it was painful.
I was going to hell.
Immediately they called my pastor over to talk some sense into me.
They said they would never love my choice in a lover.
They would never be at my wedding.
They would never invite him over for dinner.
You can never stay the night.
They would never come to my house if he was going to be there.
Things like that.
And then October of my senior year, they wanted to get me away from that gay kid at school,
so they moved me to The Dalles, Oregon.
Population about 10,000.
The nearest city: Portland, Oregon.
And at that time I'd already been outed and so I was like, I'm not going back in.
So I started with a clean slate.
I got on Myspace and started looking for some gay people, found my drag mother Jersey Scities,
and started going to the all-ages nightclub and sort of performing as a boy.
And then we did drag as a gag one night for my grandmother, and my mom and dad were like,
"Oh, we were just - knew this was a matter of time until this happened.
Ugh.
We knew.
Does this mean you want to be a woman, Timothy?"
Using my whole name and everything.
Now, at this point, me getting into drag was not even a big deal because my parents had
started being okay with me being gay.
My boyfriend would take my mom to lunch while I was at school and I didn't know about that.
Every now and then, he could come over for dinner.
After we broke up, I started going to Portland a lot and I actually moved in with a couple
friends and I started doing drag.
My mom was like, "Well, I guess you're gonna be a girl now, aren't you?"
And I was like, "No, I don't want to be a girl.
I've never wanted to be a girl.
I just think it's fun to perform."
They would never ever want to see a picture.
They don't even care to know her name, nothing.
Talked about her like, you know, an ex-girlfriend that stole a lot of money.
They just don't like her.
Then I ran for Miss Junior Pride and I have a lot of pictures and for the first time,
I remember sitting in my mom's front yard - they were doing a yard sale and I'd drive
in from Portland, where I was living in the time, to The Dalles to spend the weekend with
them.
And she was like, "So what have you been up to?
You still dressing like a girl?"
And I was like, "Actually, I made a lot of friends.
I'm really good at this.
People like me.
People tip me.
I feel like a little star.
I moved from doing amateur nights to now I'm on cast."
And she finally looked at it and she goes, "Wow, you are pretty."
And the little curiosity bug was planted into my mom's head that day.
And then one night I am at the show just finished my first number and I'm going downstairs.
My co-host is running the show.
And I'm talking people - dadadadada - all of a sudden, I hear upstairs on the microphone
music in between and I was like, why is this break taking so long?
And I hear my co-host talking to somebody.
I'm like, god, there's a drunk lady here.
And then - "Do you want to hear about Timothy when he was a little boy?"
Immediately I grab my microphone and I'm like, "Robert, hit play.
The next person to the stage, please welcome…"
I was like, "Get her off the microphone.
Get her off the microphone right now."
Everybody's loving it, like "Your mom is so much fun."
And I was like, "Oh my god."
Then one night, I was backstage and I just - I was feeling real good about my body again.
Shaved my legs up and I was just wearing, like, this little patch, this little piece
of fabric glued to my butt and like this thing glued around my neck to cover my tits.
And I'm doing the song that I do by Sweet Pussy Pauline.
Thirty seconds before I go on stage, my overtures on, I'm ready.
All of a sudden, Jersey goes, "You didn't tell me your dad was coming in tonight."
And I was like, "Hmm?"
Dad would never come to a show.
"Girl look out there.
He is front and center with your mom right now."
And I was like, "I'm doing Sweet Pussy Pauline first.
Can we change -"
All of a sudden, "Welcome to the stage…"
And I had to go on stage.
There was no way to change the song.
No way to change my costume.
So almost as naked as the day I was born doing every word I was sworn not to do as a kid.
My dad is front row laughing and cutting up.
My mom is having a good time, too.
She already drunk, too.
And then they started coming all the days after that.
One of the days that really I know changed the way that I knew my dad saw me was when
I won the trip from New York - er, from Portland to New York and I decided to move out there.
The last night before my show, I'm on stage doing "Leaving on a Jet Plane.
And my dad comes up with two dozen roses.
And I lose it.
And I just see him standing there and I spent half of the song crying into my daddy's arms,
who was there to see his daughter doing her final number before she goes to pursue her
dreams in New York.
That was one of the most life-changing moments I've ever had, to see that.
To the point where we had to start the song over again so everybody else could tip during
my number because I was just a mess.
Now, my dad, he runs my website.
He made my first line of merch, my first tee shirts, my first stickers, my first fan cards
that I sign and give out - my fan cards at my show.
My mom, now she does embroidery for my hats and for my tote bags.
And they flew out to Dallas, two weeks ago to go watch me to compete in a pageant.
To go from, "I'm going to hell" and that they'll never love any of my lovers, to
now: they're the presidents of my fan club and my dad is pushing for me to be on Drag
Race.
And when I do get on Drag Race, he wants to be my manager, you know, and if I never make
it on Drag Race and I hit it big in some other way, he wants to be my manager.
And I think I'm a trust him to do that.
I call it his retirement plan.
He can take care of me.
It's a pretty amazing change.
I gotta remind myself constantly how lucky I am because there's so many kids who are
still kicked out, who were still exiled, who were still verbally being categorized by their
parents.
You know, they're still using them for jokes in the family.
And that's not me anymore.
Surround yourself with people who love you that much that people who love you are either
going to rise to the occasion or they're going to fall behind.
Either way, you're going to have a family who loves you.
And if you can be the loving person - if you can bring the loving people around - that's
just as contagious as hate is.
And if there's parents who need to know what to do, give it a try.
I'm not saying go to the bar and get messed up or go to a brunch show.
I'm saying get to know the people before you judge what kind of people they are.
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كيف زيادة متابعين مشاهدات السناب شات الى اكثر من مليون متابع سناب شات - Duration: 12:10.
Hi I'm 2FIQ
and today I will learn how to be famous on Snapchat
in another way how to push all people to follow us on Snapchat
Stay tuned
haters I don't cheat haters I don't cheat
haters cheat haters I don't cheat
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ОГРОМНЫЙ ШАР ОРБИЗ НАШЛИ КУКЛЫ ЛОЛ Играют в Прятки распаковка Мультик лол от канала TOYS AND DOLLS - Duration: 16:48.
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NON SAI COSA TI ASPETTA Only Good Vibes (sub.ENG) - Duration: 3:12.
YOU DO NOT KNOW WHAT YOU EXPECT
Goodmorning, also today without the positivity jar.
..because...
I have talked with a dear friend
about certain things
and a reasoning came out
and I wanna share with you.
to both, yesterday, happened things that made us happy
that made us go to bed with smile and charges
Different things one from the other
but they have united us in the same feeling
in a positive vibration.
And they were unanticipated things in the morning
I mean
we woke up with a perspective
and throughout the day everything has turned upside down
And so we started to think
And indeed, by reasoning, whatever happens in this way
I explain better
Yes, we can plan a day,
I have to go to work, a dinner party, a concert..
but then you don't know how things will go
who you can meet, what situations you can live in
Unpleasant things can happen
but it can also happen wonderful
and when this happens,
you think that basically there is always a reason to fight
that those were not just coincidences,
but that everything had been designed so that you could live that special moment
A realized dream,
or approach it.
Finally settling a situation
Find yourself having a pleasant trip unexpectedly
And all this had not been planned
It was born on that day
It grew up there, slowly, hour by hour,
and at the end of the evening you find yourself with a treasure in your hands
And believe me: every beautiful things is worth twice as much as a negative one
..maybe more..
Next week I'll try to show you, in a video
what is happening to me on these days
If I can edit..well.. above all if I can record something,
'cause is not happen yet.
but it is in expectation.. prevision...
I explained? .. yes..
They are all experiences that are part of us
that make our journey, our everyday life, special.
and sometimes they are trains, opportunities,
that you do not know if they go over again
often we find ourselves in situations for which we do not know how to act
but we follow the instict.
and that leads us to make a choice
..right.. wrong.. we don't know,
but we needed it in that moment.
The right situation, the right moment, the perfect thing
we needed
And a new challenge comes from Switzerland
produce 900lt of eco-fuel made from 1 ton of plastic
at 0 emissions harmful to the environment
hairdresser? booked up
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A Child's Imagination: an introduction to Faith and John Hubley - Duration: 5:52.
When thinking about children's entertainment, the artistry behind its creation often takes
a backseat to production cost and marketability.
If the quality is substandard, its excused by saying, "well, it's for kids," as
if their taste is indiscriminate or unrefined.
However, an exception can be found in Faith and John Hubley, two animators whose experimental
work literally spoke to kids on their level.
John Hubley began his career at Disney, where he worked as background animator and art director
on their earliest feature films.
In 1939, architect Frank Lloyd Wright visited Disney Studios, bringing with him a copy of
Ivan Ivanov-Vano's The Tale of the Czar Durandai.
Now clearly this animation style was in stark contrast to Disney, and this made an impression
on Hubley, who believed the medium had potential beyond what Walt was offering.
The economic instability of the Great Depression gave way to the rise of unions, and due to
a strike at Fleischer Studios, animators would organize the Screen Cartoonist's Guild in
1938.
By 1941, all studios had signed contracts except Disney.
In Walt Disney's opinion his was exempt, because he provided the best pay and working
conditions, neglecting the fact that only a select few got to enjoy these privileges.
On May 29 of that year, over 200 studio employees went on a strike that would last five weeks,
ending with Disney eventually signing.
Hubley would leave the studio during this strike, producing several films for Screen
Gems before moving to United Productions of America.
It was here he created Mr. Magoo, maybe his most enduring character, but I think more
importantly it was at UPA where he began experimenting with form.
My favourite example of this is 1951's Rooty Toot Toot.
While the animation is somewhat limited, its style is striking, particularly the use of
colour and textures.
A year later he was forced to leave UPA for refusing to name names before the House Committee
on Un-American Activities, unlike his old boss, and was subsequently blacklisted from
the industry.
Faith Elliott left home at fifteen to pursue a career in theatre and at eighteen headed
for Hollywood, where she worked as a music editor and script supervisor on such films as 12 Angry Men.
Her and John would meet here and together founded Storyboard Studios in 1953, vowing
to independently produce and release one animated film a year.
They were married in 1955, the same year the studio moved to New York and would collaborate
on every project for the next 22 years, beginning with 1957's Harlem Wednesday.
This featured no traditional animation.
Instead the couple filmed paintings by Gregorio Prestopino, using camera movement to create
rhythm and motion.
In 1958 they produced Tender Game, this was their first animated collaboration, a short
depicting love abstractly to a score composed by Oscar Peterson.
The images move to the music as though they were improvised, a feeling that would become
a staple of the Hubleys and taken to the next level with 1959's Moonbird.
In perhaps their best-known work, John and Faith recorded their two young sons rambling
as they were falling asleep.
They then took the story the children fabricated and animated it.
The result is a surreal, stream of consciousness in which the boys search for an elusive bird.
The film captures an emotional realism that would've been impossible to script and provides
a glimpse into the wonder of a child's imagination.
Moonbird won the Hubleys their first Oscar and was the first independently produced short
to win the award.
They would win again for The Hole and A Herb Alpert and Tijuana Brass Double Feature in
1962 and '66 respectively.
As the Hubley family grew, their films came to include the imaginations of their other
children, Georgia and Emily.
Both appeared in Cockaboody, a spiritual sequel to Moonbird, in which the children's playing
is interspersed with conversation about childbirth and adulthood.
The Hubleys' final collaboration was with cartoonist Gary Trudeau on A Doonesbury Special,
released in 1977.
In February of that year, John underwent heart surgery and passed away during the procedure.
In honour of his death, Storyboard Studios was renamed Hubley Studios and the family
continued creating animation.
Faith's solo work leaned heavily into the abstract and explored the natural world, drawing
inspiration from Indigenous art and mythology.
Her films have a distinct look thanks to the use of a technique known as under-lighting.
Now in traditional animation, the drawings are filmed with light from above but in under-lighting,
they are illuminated from below, which produces a warm, glowing effect.
What I find most exciting about these films is that they are free of the restraints of
conventional story-telling.
They're alive in the way that form and mood can, and usually will, shift at any time.
It's a show, don't tell approach, where the message is conveyed rather than explained,
and I think this is an extremely useful method of educating - again, a lot of these films
were geared towards children, for educational purposes.
The Hubleys understood that just because they were kids didn't mean they were incapable
of comprehending certain concepts, perhaps because their own children so perceptive,
and would go on to become accomplished artists in their own right, Emily as an animator,
and Georgia as a musician.
They existed outside of the studio system and this gave them the freedom to take the
medium to places where their better-known contemporaries simply couldn't go.
Because of this, the films of Faith and John Hubley managed to capture not only the joy
and wonder of childhood, but of creating, and life itself.
If you would like to learn more about the Hubleys I've posted several links to their
work in the description, and if you enjoyed this video, be sure to give us a like, subscribe,
and share it, tell a friend.
You can check out some of our other videos as well, like the early history of computer
animation and a similar video on Dave and Max Flesicher.
Thank you so much for watching.
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I'm trying to put the music back on
There we go
Just looking at the controls to change the button
Yes! Made it to tier 2
Level 6, oh yea!!
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Why you should use a hardware wallet for your bitcoin - Duration: 4:48.
it's bright out here hold on come on garage there we go so I had to
go do something that I really hate doing because reality is that it's 2018
and I don't understand why anybody in 2018 would have to go to the bank but
yet Here I am don't to the bank it's not that I have anything against the bank
personally it's just I feel like it's unnecessary but we're gonna be traveling
out of the country soon and so anytime you do that it helps to have passion and
the crazy part in all this is that you know we have things available to us
already that we shouldn't have to do this stuff so I think about digital
currency Bitcoin so what it means to have money you'd have to have a bank
it's gonna change I don't know when I don't know how long but it will so one
question that always comes up from folks when they say hey I bought my first
Bitcoin I just bought some etherium what do I do
with it where do I keep it it's crazy to me how many people buy Bitcoin or just
start to get into crypto and they leave all of their coins and online wallets
not a good plan that's probably the worst place you can keep it now it's
nice from either you standpoint it's always online and available but
depending on how much you care about the principles of you know Bitcoin and
decentralized currency again you're putting trust in a company you're
putting trust in people you're putting trust in an exchange to keep your money
safe that's a choice you have to make but the challenge with Bitcoin and you
know crypto is that unless you're a person with a technical background it's
confusing and it's not real intuitive in terms of how it should work and what you
should do and really one of the biggest issues and gaps that needs to be
addressed before it can be more mainstream is that some level it needs
to become less technical because your average person isn't going to know how
to do these things I don't know if I'ma make it actually I
might be late so where should you be storing your Bitcoin in your crypto I'm
the huge fan of hardware wallets because they're a relatively easy way to store
your keys offline and have them be a hundred percent within your control and
those are two critical things the other ways to do that are pretty technical and
require people to know quite a bit which is just not realistic for the average
person hardware wallets are the closest thing we have to really allowing people
to be safe and have it be easy enough to use that you can get most people there
people drive we can drive as baby
hardware wallets are also relatively cheap you can get them for under a
hundred bucks and even if you got the latest Trezor Model T with the
touchscreen it's still gonna cost you under $200 and that's a relatively cheap
price to pay to basically have an encrypted bank in your pocket we just
recently did an unboxing for the Ledger Nano S that's obviously a popular one and a
good one I've also used Trezor before which is also great either one of those
should work for most people just another benefit of having it on
that physical device it makes it easy to store so if you have a safe deposit box
you have a safe at home it's easy to kind of put it in there for added
security drive it to the bank sucks
I barely made it but it's all good but crazy but is instead of carrying
something like this around we could be carrying something like this around I
know what y'all think you know look at the big baller you know those are all
ones I'm balling with ones yeah alright here we go
whoa so obviously as you guys can tell I'm a huge fan of hardware wallets if
you have Bitcoin you hold any cryptocurrency today and you're not
using a hardware wallet I strongly advise that you give one it's one of the
safest most cost effective in easiest ways to store your keys offline just
driving dropping knowledge on hardware wallets doing it all so if you like this
video just like my ability to multitask as I Drive hit that like button down
below if you haven't had a chance yet join the family by hitting that
subscribe button cuz he's a man is a life and tech and I'll see y'all next
time Peace!
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twenty one pilots - Jumpsuit (Elijah Hill Remix) [Lyrics] - Duration: 2:57.
twenty one pilots - Jumpsuit (Elijah Hill Remix) [Lyrics]
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