Hi there, Initiates! If you'll read discussions about Harvester on the internet
you always come up with the accusation that Kurt Kistler,
the actor of our hero Steve, is a convicted pedophile.
People claim that on Steam and on Twitter and basically everywhere.
So is Kurt really a convicted pedophile?
Yes he is. I knew it before anyone else and I know much more about it than anyone else.
Still I've been silent about the subject and many fans have wondered why.
I'll tell you why.
I'll tell you guys the truth about Kurt.
Well, yes it is.
I tracked down Kurt in 2012.
I found a site called Kurt Kistler Creative and I sent a message there asking if he was the actor of Steve.
He said yes so I sent him an email.
He replied to me and he was as excited as I was.
Yeah, back then no-one was interested in Harvester, no-one even remembered the game.
Not until I changed that. So I sent Kurt a big bunch of questions and waited for his reply.
And I waited more.
And more. I sent him an email asking if he was OK but he didn't reply to me.
I was confused and I tried to find some information on him. Then I found this:
These days this mug shot is very well known among Harvester fans and among gamers in general
but back in 2012 it was quite a shock in many ways.
Well, I though, Kurt is a criminal but maybe his crime wasn't so bad.
Maybe he fed birds in a place where it's forbidden. Or...
maybe he robbed a bank to give the money to the poor. Or maybe...
Oh fuck, child porn! The moment I realized Kurt was a pedophile I was like
Why did he have to be a pedophile? Why not anything but that?
Even a serial killer would've been better.
Actually that would've been much better.
About the mug shot... there's something really weird in it. Take a look at his shirt.
Now who has a similar shirt? Oh yeah, Steve!
They have the same haircut, too. They are identical!
It's like Steve has jumped out of Harvester and committed a crime in reality.
I'm sure you guys remember Karin, Edna's little daughter.
In the game you can buy a girlie magazine and show it to Karin.
That makes Edna mad and she'll call the police.
So in Harvester you can harrass sexually a little girl with a player character
who exists in the real world and is a pedophile.
Well, you might think that's weird but if you'll deal with Harvester every day like me
believe me, you'll get to the point to where this is routine.
Back to the email I sent Kurt. He replied to me eventually but it took nine months until he did that.
Yeah, after nine months I received a really long email where he answered to all of my questions
and to some questions he made up.
Kurt didn't give any reason for the long silence, he didn't even mention the whole thing.
He just acted like there was nothing strange about it.
Of course I realized what was going on. Kurt had been in prison where you can't write emails.
Now he was free but avoided talking about the conviction.
Therefore I couldn't ask anything about it either. Or what do you think would have been his reaction?
Probably. Or more likely I would have never even heard about him anymore.
Being in touch with Kurt was a really big thing for me
and I didn't want to drive him away by telling the fans that he was a pedophile.
So I did what people usually do in a situation like this: I denied the truth.
Maybe Kurt had done nothing wrong.
Maybe all the "child porn" he had was a photo of some nude teen who Kurt thought was an adult.
Maybe someone even forced poor Kurt to receive that photo.
Or some shit like that.
So I continued doing the interview and I acted like I knew nothing about the conviction.
He did the same. I wanted to know as much about Kurt as possible.
On his IMDb page it's mentioned that besides Harvester he has been acting in a short flick named Chat.
I saw that years ago but unfortunately I can't find it anymore.
Take a look at his character's name on Chat: Steve. That's pretty funny.
It's not mentioned on IMDb but Kurt did a role of a priest in a movie called Dead Reckonning.
Actually it was not a movie, it was only a movie trailer released in 2011.
As far as I know the movie itself was never released. You can see even more of Kurt on the trailer.
There you could hear Kurt's real voice btw. You can hear it also on the Harvester teaser released in 1994.
In the finished game released in 1996 Kurt didn't say a word.
There the voice actor of Steve was Ryan Wickerham, same guy who did the voice acting of Sergeant at Arms.
He sure did. (And so do you, Jake!)
Anyway, I released the interview with Kurt in May 2013.
It was a great success and I was happy that Kurt finally received some credit for his performance on Harvester.
Besides this mug shot there's also another well known mug shot of Kurt.
You can't miss them if you'll Google him.
As time passed by other Harvester fans also discovered that Kurt was a pedophile
and they began to write comments about it to the Fan Page.
That's when I did something I regret now.
I wanted to believe that Kurt had learned his lesson and would never deal with child porn again.
I honestly though he deserved a second chance
so I deleted all the pedophile comments the fans wrote to the Fan Page.
Yeah, I kind of protected Kurt and I kept doing that for years.
That ended in July 2016 when I wrote an email to him and he didn't reply to me.
We used to write to each other occassionally and usually he replied to me pretty quickly so I became suspicious.
I did some detective work and found this:
Yep, he was behind bars again.
He had been since May 2016 and the charge was the same as before:
the fucking child porn.
When I figured this out I was like
There was no turning back anymore. I had protected Kurt for years and this was the result of it.
I was really disappointed and I felt like a dunce.
There are companies in U.S. that sell people's background reports.
I bought Kurt's background report which includes also his criminal record.
That proved what I already knew: He is a convicted pedophile and a registered sex offender.
I can tell you guys that he has had much more problems with the law than you would think.
Kurt didn't write me back until November 2017
so obviously he was behind bars more than 18 months.
Again he acted like nothing had happened, like it was totally normal to disappear like that.
I told Kurt I know all about him and I don't want to be in contact with him anymore. I haven't heard of him since.
That's it. The end of the story.
The story wasn't a very happy one but maybe it had some educational value.
Like Harvester does.
The next episode of The Harvester Show will be released in the end of September.
I've launched a Patreon and thanks to that I'm now releasing an episode in every month.
I would like to add a link to the Patreon here somewhere but YouTube won't allow me to do that
because my channel is not popular enough.
Therefore all the important links are under the video.
Please check out my Patreon and support the Lodge.
See you in September!
For more infomation >> Harvester Show #10: The Pedophile We All Know - Duration: 12:00.-------------------------------------------
INDIAN HISTORY-3 - Duration: 20:16.
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Tân Vua Hài Kịch 4K 💥 BVNR ⚡️ Các trận đánh của khỉ con ☄️ Phần 5 - Duration: 1:06:29.
For more infomation >> Tân Vua Hài Kịch 4K 💥 BVNR ⚡️ Các trận đánh của khỉ con ☄️ Phần 5 - Duration: 1:06:29. -------------------------------------------
Beautiful Quotes about Love - Love Quotes - Duration: 2:17.
Its a seesaw life. With no one to share the ride, you're always on the ground
Love is metaphysical gravity
Life without love is meaningless and goodness without love is impossible
Tell me who admires and loves you, and I will tell you who you are
Love, free as air at sight of human ties, spreads his light wings, and in a moment flies
Talk not of wasted affection; affection never is wasted
Love is the magician that pulls man out of his own hat
Love should never be a promise of a rose garden unless it is showered with light of faith, water of sincerity and air of passion
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El horóscopo de hoy, 31 de agosto de 2018, por el astrólogo Mario Vannucci - Duration: 3:35.
For more infomation >> El horóscopo de hoy, 31 de agosto de 2018, por el astrólogo Mario Vannucci - Duration: 3:35. -------------------------------------------
Column of Fire Final Thoughts - Duration: 7:31.
For more infomation >> Column of Fire Final Thoughts - Duration: 7:31. -------------------------------------------
Lightweight Travel Tech Backpack | ARCIDO FAROE - Duration: 6:58.
Hey everybody and welcome to the video. This is Josh here.
Today we're taking a look at the Arcido Faroe travel backpack.
I was lucky enough to have the kind folks over at Arcido
send this out for me to try and test and review a few months
ago. I'm going to start by going over a few of the positives and
the things that I like about this bag. First off loved
the design loved the color loved the look.
This heathered fabric is has always been a favorite of mine.
It's clean, it's minimal. I wish it did have a little bit
more structure. Ran into the same issue with my my
Aer Tech pack. Part of the reason why it is that way
and why it's a little bit of a looser structure. It weighs
in at 900 grams according to their website. So this is meant
for ultralight one bag sort of travel that's definitely
something I've been working towards. More and more over
the past year I rarely travel with any more than a backpack.
This is a 35 liter bag. If memory serves me right.
Going over a few of the compartments here will
start with the exterior. There are two water bottle
holders. I have my travel tripod here that is actually able
to fit in here in conjunction with my one liter hydro flask.
It's not the it's not the easiest fit but it will
definitely get in there and feeling you know I'm not
worried about this falling out. Especially this in this front
outside pouch here. Have just a little compartment.
Easy access so I currently have in here just my sunglasses and
then if you flip it around here this is another thing I really
really like. You have this privacy. Quick access pouch.
I'm always concerned about theft when I'm traveling.
So this kind of gives you that easy access pocket
without having to worry about someone coming up behind
you and stealing your valuables so I just have my wallet and my
headphones my phone. Also in here and this is designed
to be kind of a top loader just like a regular suitcase.
You have these nice little strings here to help tie
everything down and compress everything. But I was able
to fit three or 4 days worth of outfits in here.
I've been running into the issue more and more with them
with traveling with camera gear not being able to fit everything
I actually hold to carry all of my clothes an extra pair
shoes which is unheard of. My toiletries. All of my
clothes. Everything fits in here with room to spare.
And you can see too even taking some of the items out.
It still fits and holds well you can really tight
and everything down really nice and taunt the other really big
plus with this. Is you have this completely lay flat design
it'll hold a 15 inch laptop with ease. I would I would say pretty
safely you could fit a 17 Inch laptoo if you needed to.
The laptop compartment is completely adjustable
when many have lots of extra room for cables and charging
and pens and all that sort of stuff in here. This also opens
up towards the whole bottom and back here. So that's the inside
of the bag. I should mention as well it does use YKK zippers
and if you do look on the back here you have these nice really
wide straps which I do enjoy and have a little bit
of this foam padding that kind of makes for some breathing
areas on your back so it's getting a little bit
less sweaty. The only real con I've been able to discover
from my own personal testing is just the lack of back padding.
There's very little in between you and your flat hard big
laptop. Gotten a little spoiled with some of my other backpacks
being a bit more comfortable. I have a pretty severe lumbar
curve so that extra lumbar support in that kind
of flexibility in the back is really important for me for
comfort standpoint. So it does hold quite a bit but it is not
a very comfortable backpack to honest.
I did test it with and without the laptop and that makes a huge
huge difference. But if you can see I just have this whole big
area here in my lumbar I would be hesitant to carry my laptop.
If I knew I was going to be carrying around this bag all day
everyday. So that is really the only flaw. Luckily enough for me
though I don't typically travel with my laptop and I totally
understand why they designed it this way with such minimal
padding there after the people that are trying to save every
single gram when they're traveling so I can definitely
appreciate it. The other thing I noticed this is not a big deal
for me either but you have no waist strap or you have no chest
strap so that is something that make a note of if you do
usually like to use those chest straps. Know these are a little
bit thicker and wider so they help hold the weight
a little bit easier but you're not going to have that extra
support there. But overall and this is then an excellent bag.
I going to be looking into some packing cubes for this.
I think I would be a huge help. You know you have this big wide
open compartment here. And if you're able
to compartmentalize your clothes a little bit better I think this
would make for a great organized long weekend or even a week long
travel bag depending on how you usually go. A couple of other
points to mention as well. It's not waterproof
but it is water resistant which I'll usually take water
resistance for most scenarios is going to be more than enough
for me and the other big thing as well this bag comes in at
ninety nine dollars. Very inexpensive for the
quality. You can tell it's made purposefully lightweight
but it doesn't give off any sort of feeling that it's cheap.
So make sure you pick this up if you are in need of a good travel
bag. I'm going to look on Amazon too and I'll link some packing
cubes that I think will be helpful for this.
I know Arcido is actually coming out with some packing cubes in
the near future. So maybe we'll get to see those at some point.
But be sure to like the video if did enjoy this,
it helps Me out a ton. Be sure to subscribe if you want to see
more. I do a lot of weight loss videos but I do all sorts
of content every Monday and Friday on the channel here
and leave me a comment down below. What's your favorite
travel backpack. I always love doing research and always on the
hunt for the best bag. But so far this thing has been great.
So has enjoyed this. Until next time I'll talk to you
all later. Have a good one.
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CineStill df96: does it work? - Duration: 18:04.
For more infomation >> CineStill df96: does it work? - Duration: 18:04. -------------------------------------------
Planning Sewing Projects | Week in the Life | Whitney's Tiny Life - Duration: 21:44.
everyone it is Saturday so today is the
start of another week in the life video
here on Whitney's tiny life and I am
exhausted
I offered to mow the lawn earlier
because Jeremiah has been really busy
and his shoulders been bothering him and
he was helping someone out we finally
found someone to take our dryer because
our washer went out a while back but we
still had a functioning dryer and we
were given a brand new washer and dryer
so we wanted to pass along to someone
who could use it and we finally found
someone that I used to work with who
needed a dryer so he was helping get
that to their house and so I said oh
I'll mow while you're gone because the
kids should be napping
it's hot it is hot out today and I've
only mode like two times before I think
and yeah it was a lot of work I did end
up falling at one point I was backing up
and stumbled over something and fell on
some gravel and it hurt pretty bad and I
got about two-thirds of the way done
mowing and I came inside to take a
little break and cool off and drink some
water and that's when Jeremiah got home
and he finished the mowing for me which
was nice um but yeah like it felt good
to get out and exercise some but it was
it was a lot of work so I'm exhausted I
just took a shower so yeah I definitely
am not doing anything today um I I mean
I'm gonna like cook dinner and stuff but
I'm not doing any sewing or anything um
but I'm glad I could help out because I
didn't take him very long to do the
other like third of the yard so I'm glad
I could help out even though I'm
definitely gonna be feeling it tomorrow
but yeah that's just I wanted to do a
little update and get this video started
and yeah I will have more to share later
in the week it is Monday and I just got
done recording my voice over for this
week's Whitney Sews tutorial I got my
here then not because of that but
because we're having to reshoot photos
by the time you see this the tutorial
will happen up but I'm doing a step by
step video for Butterick 60 94 and we
had already shot the finished photos a
couple weeks ago but my camera was on
the wrong settings and I had forgotten
that I had turned the ISO up super high
to take some pictures of the kids
because they never stopped moving so I
had to have a really high ISO for that
and I forgot to turn it back down so all
of my pictures are super grainy looking
and I thought I was ok with that I was
like ad we fine I'll make it work
but like the more I looked at him the
more I hated him and I felt like I
didn't feel like anyone would actually
say it but I thought some people might
think like oh well here she is doing
this tutorial for the dress and then
she's using these really sketchy photos
like is her dress even that good or is
she trying to hide like flaws in it or
something and I just want everything I
make something I want it to be something
I can be proud of because I I did do a
really good job on the dress I'm really
proud of it and I want to show all the
nice details so that other people know
that they can follow the tutorial and
make something really nice too so long
story short as soon as Jeremiah gets
home from work tonight we are going to
reshoot photos so I've already fixed my
hair hopefully I can keep it looking
nice for three more hours
if not I'll redo it but you know
hopefully I don't have to and then I can
get some better pictures I have to like
triple check that the settings are right
on the camera yeah and yeah I lost my
train of thought just now anyway so I'm
about to shoot some close-ups of the
dress of like the inside furnishings and
stuff like that
that can't really be done while I'm
wearing it so I'm going to shoot those
and then go ahead and import my
voiceover I might go ahead and start
editing that into the video I'm not sure
and yeah
I feel like I'm doing pretty good I
still have my work night tonight so I'm
hoping I will get this video done and
posted in everything and then have time
to get started on the video that's going
to come out later in the week I forget
which one it is I have tons of videos
planned so sometimes I lose track of the
schedule okay so the one for later this
week is all of my 1940s and 50s inspired
clothing so it's like a clothing haul a
slash clothes I've made that all kind of
fit into the 1940s and 50s theme because
I am kind of trying to change up the way
I dress so that it's more of a classic
inspired wardrobe I know most the time
you all see me in t-shirt and shorts and
stuff but that's because I'm at home
like cooking and taking care of kids but
when I go out places I've been trying to
be more mindful of what I'm wearing and
dressing vintage and stuff just it's fun
it it makes me feel good and it's fun
and yeah I'm really excited about it and
I want to show what I've got so far
I definitely am far from having like a
full wardrobe or I would be wearing it
more often but I think I'm off to a good
start and I can't wait to put that video
together I hope it turns out really good
because I spent a lot of time working on
it so I have a lot of fun things coming
up I also have another sampler so a long
video coming soon
a sew your stash update and
a bag tutorial bag tutorials are very
popular and this is one that I filmed
almost three years ago and then I don't
even really remember what happened but
for some reason I never edited it like
it's one that I'm having to do a PDF
along with it to have all the
measurements and everything's there are
tons of measurements so I think at the
time I got discouraged it was like oh I
don't really know like how to put PDF
together that's gonna look decent but
I've done several PDFs since then so
okay weird but I'm really excited about
I hope that video turns out really good
because it's like three years in the
making
yeah I've got a lot of fun stuff coming
up that I'm really excited about and I
hope everyone likes it and then soon
I'll be having a hundred thousand
subscriber giveaway that is so crazy I
cannot believe that my channel is almost
to 100 thousand subscribers my Whitney
Sews channel so anyway lots of
rambling but I need to stop talking and
photograph the details of my dress so
that I can get started on computer work
it is Wednesday and I just got the kids
down for a nap we actually went to
Joanne's this morning I was wanting to
buy the denim for my 1940s jeans that
I'll be making I had thought the denim
was full price so I was planning on
going and using a 50% off coupon on
about 4 yards of denim which is probably
almost a yard more than what I need but
I want to buy enough just in case but we
got there and come to find out the denim
was 30% off so I didn't end up
purchasing it because I know 20%
difference like from the 30 to 50% off
doesn't seem like a whole lot but when
the original price is 17
dollars a yard and I'll be getting four
yards of it it's a pretty big difference
so even though it is quite a ways to
jo-ann's I decided to not get the denim
the sell runs for another week so I'm
going to go back after that and
hopefully I can get it at a price that
doesn't make me cringe quite so much so
at 50% off it's going to cost me thirty
four dollars for the denim which is more
than I pay for like regular jeans the on
the rare occasion that I buy them full
price or buy them brand-new rather so
yeah it hurts a little to spend that
much on denim but if I bought pre-made
1940s reproduction jeans they would be
about a hundred dollars at the least so
I am still coming out on top in that
sense but I don't really know where else
to look
I looked online at a couple websites and
for the weight of denim that I'm wanting
which is 11 ounce weight or even 11 and
a half possibly 12 ounce I'm not sure
that is the thickness the higher the
number the thicker the denim so I looked
online and the prices I saw online were
about the same as the 30% off price at
Joanns so unless anyone knows of a good
place to get good quality really dark
blue denim that is 100% cotton
I think Joanne's is going to have to be
what I go with there aren't any other
fabric stores really around here anymore
because Hancock's closed helen Enox
fine fabrics closed the discount fabric
store closed because the gentleman
passed away a few years ago and actually
speaking of the fine fabrics place
there's a fine fabrics place that went
out of business a couple months ago I
did several whole videos from there on
my other channel and they were super
nice I got a lot of amazing deals when
they were closing I actually ran into
one of the employees today at Joanns
from Helen Enox and she remembered me
and at first she just had that look like
I know you which is always kind of
interesting because I've been recognized
several times as Whitney from YouTube
and so anytime someone gives me that
look of oh I think I know you I'm always
like do I know this person in real life
or do they know me through the internet
like I don't know what to say and then
she goes you you came into Helen Enox
didn't you I was like yeah yeah I did
and at first I was like man how did she
remember me you know and then I realized
it's the kids I had both kids with me
they're fairly loud they're fairly loud
most of the time and they had been with
me almost every time I've gone into
Helen Enox so um that's how she
remembered me it was because when you
have a two year old and a three year old
and you are a fairly young seamstress or
you know fairly young looking it makes
you kind of memorable but it was super
nice to see her and talk to her and
everything anyway
I am off my point I had hoped to get
denim so I could start in on my pants
but it's gonna be at least another week
before I can get the denim but I did
pick up one thing while we're there I
looked at the remnants and I found this
cute little dinosaur print fabric it was
regular $9.99 a yard and I got 0.945
yards so almost a yard and the fabric
was 40% off right now so the remnant was
50% off whatever the current price is so
it is so $9.99 a yard and then 40% off
so six dollars the yard and
and half off because it's a remnant so
it came down to $3 a yard so not a bad
price and it's so cute I am trying to
come up with something I could make for
Peyton or Skyler out of it I thought
maybe a dress would be really cute but
we're going to come into like fall in
winter time soon so I'm not really sure
I may just put off making it I'm not
sure I also thought an overall dress
would be cute where it's like denim or
or chambray or something up at the top
and then a little skirt at the bottom
that's made out of this print or I could
like use one of their button-up shirts
it's getting a little too short and add
like a skirt to it and so lots of
different options I'm not really sure
what I'll do and like I said I might
wait until next spring so I don't make
it right before winter hits and then
they not get to wear very often because
of the cold and then outgrow it by next
year so but I did want to go ahead and
pick it up because it's just so stinking
cute yeah and a really good deal too so
that's a tip if you're ever at Joanns
and you're looking at the remnants they
say they're half off but they're
actually half off whatever the current
price is my mom and I have gotten some
really good deals on enjoyin remnants in
the past so it's always a good idea to
go and check them out if you make things
that use less than a yard of fabric so I
think that is it for today I need to sew
but I think I would leave some more
computer work today I need to edit my
vlog that's gonna go up in a couple days
and I also have some other things to
work on on my computer so I think I'll
do that today it is a Thursday and I
wanted to tell a little story from the
thrift store today we went to the thirst
or because it's half-price Thursday and
normally we go buy the kids toys and
which is right across from at the crafts
and sewing fiction that's usually one of
the first areas we go past just to kind
of get it out
way so the kids aren't complaining the
whole time going I want to go look at
the toys I want to go look at the toys
so instead we actually went and looked
at clothes first and because I had a few
things that I wanted to look for and
then we looked at books and we roamed
all around the store and everything and
then we finally made it over to the kids
area which is like I said across from
the sewing section like right at the end
and lo and behold they had three big
boxes of sewing patterns they hardly
ever have good sewing patterns at this
thrift store so it was a total surprise
and I went through all three boxes and I
ended up getting three patterns they
were regular fifty-five cents each so it
was half off of that today and a lot of
the patterns were from like the 80s and
90s which doesn't really appeal to me
that much but then so we get in line for
the checkout and this lady gets in line
behind us and she had at least thirty
sewing patterns in her cart and of
course she had ones that I was super
interested in so apparently we had been
in the store for like an hour and a half
so we had actually gotten in the store
before that lady but since we roamed
around the whole rest of the store
before going and looking at the patterns
that other lady went to the patterns
first and got all the good ones which
I'm not complaining she was super nice
she actually let me look at some of them
just for the heck of it you know I
wasn't gonna like stealing from her but
um she had some from like the early 50s
that really appealed to me and all of
that so I'm glad somebody got them but I
wish it would have been me but it's
probably a good thing because I would
have wanted to buy a ton of them and we
all know I don't really need more sewing
patterns and that lady also got fabric
too because we didn't head straight to
the fabric either so she did get some
fabric that kind of interested me but
yeah so I did want to show the three
patterns that I did end up getting
I don't have a whole lot of men's
patterns in my sewing stash and I did
not check these to make sure they are
whole but hopefully they are but the
first one that I grabbed is this one it
is from 1971 and it's kind of like a
robe or smoking jacket kind of pattern I
just thought it was kind of interesting
and then I have this shirt that Jeremiah
had found a thrift store
that's like 3x or 4x or something crazy
and it has like old cars on it and he
wanted it resized to a wearable size for
him so I've been on the lookout for a
nice men's shirt pattern so I did grab
this one
it's from 1995 so I'm gonna see if I can
use this as my pattern to resize the
other shirt I could probably do it
without a pattern but I just feel more
comfortable if I take the original shirt
apart and then at least have a guide on
what I can cut this I the pieces down to
to make it look right and then sew it
all back together so I'm going to show
this to Jeremiah see if that interest is
interests him at all and then the last
pattern I picked up is from 1951 I think
it said where to say it on 1959 and it
is his and her robes and Beach cover-ups
yeah so it says men and women monogram
robe in two lengths with shoulder seams
for lounging or beach wear this pattern
though is in the men's size it is size
large men's I think maybe yeah yeah
so this is the men's size and I just
thought it was kind of cute I don't know
if I'll use it or not
yeah fun to have so those are the three
patterns that I picked up they did have
a couple of other ones that interested
me that were from the 50s I brand called
an Addams or something like that I think
they used to come a sewing magazines I
could be wrong but I've never seen them
in an envelope I've always just seen
them except like the instructions and
pattered pieces folded together so I
think they came like mail order one of
them was a cute design that actually
thought would be something that I might
would make but it was size 22 and a half
and I looked at their sizing guide and
in that brand I am about a twelve and a
half so it was enormously larger than
my measurements so I didn't figure it
was worth it I do have a lot of vintage
patterns that aren't my size but I
bought them more freely inspiration and
this one I was looking at for actually
using so I just felt it was better to
leave it in the store and maybe someone
who is closer to the right size will
find it and want to buy it so anyway
that's my little haul today we did get
some other stuff but I just wanted to
share the patterns with you and then I'm
going to do some sewing on memory bears
so that is it for today
-------------------------------------------
50+ Creative Backyard Dog House Ideas | Garden Ideas - Duration: 6:30.
For more infomation >> 50+ Creative Backyard Dog House Ideas | Garden Ideas - Duration: 6:30. -------------------------------------------
Sailing Messenger Ep 13 algarve - Duration: 11:41.
For more infomation >> Sailing Messenger Ep 13 algarve - Duration: 11:41. -------------------------------------------
😎Speed Run 7# ραи∂α ραякσυя [900k] 😎 KoGaMa (Lisiasty dostał makaronem?) - Duration: 5:29.
For more infomation >> 😎Speed Run 7# ραи∂α ραякσυя [900k] 😎 KoGaMa (Lisiasty dostał makaronem?) - Duration: 5:29. -------------------------------------------
PUBG EFSANE VURUŞLARI ! (OHA) - Duration: 5:15.
For more infomation >> PUBG EFSANE VURUŞLARI ! (OHA) - Duration: 5:15. -------------------------------------------
What is Love? (Collab. Kind of!) - Duration: 10:17.
The English subtitle starts from 0:21
Hey guys, so I recently met up with a youtuber in Korea and his name is Sharoon.
And on his channel
he mainly deals with the topic of relationship and love. I'll put the link to his channel in the description box.
Anyways, we met up and we sat down and we talked for hours and it was really fun.
And we had a really good time.
But the video did not turn out to be you know that much
satisfactory for both of us so we decided not to edit it
but there were some parts that I thought would be pretty fun to share with you guys
So what I decided to do is in this video
I'm going to talk about what is love alone and
I'll put some parts of the conversation that we had at the end of this video.
So let's get started!
My straightforward answer to the question what is love is,
love is when the happiness of others is more important than yourself
and I understand that what I just said is very much likely
to leave room for misunderstanding and
misinterpretation, and it might even sound like sacrifice
you know giving up my well-being for
another person's well-being, whatever that well-being means.
So now I want to share some of what's written in the book called The Road Less Traveled
which is a book that's amazing. I recommend that you read when you have free time.
It's a book about
spiritual growth and love both of which are mutually inclusive. So the first part it goes like this:
I define love tha's the will to extend oneself for the purpose of nurturing one's own or
another person's spiritual growth.
And I think before we even understand what love or a loving relationship is,
we need to first understand what happiness and spiritual growth is
which I believe go together.
um
There's a novel that I read a few years ago, and it's called by the river Piedra
I sat down and wept written by Paulo Coelho and it's a beautiful story about love between two people who fall
deeply and madly in love with each other
and deepen their spiritual wisdom and understanding through that love.
But at the end of the book, Pillar, which is the name of the female character,
and by the way, the man's name is nowhere written in the book. So I'll just call him the man.
So pillar makes a voluntary choice that is painful for both him and her
which is to give up their relationship
for the sake of what she knows is important for him.
So it would be safe to say that she gave him up for the sake of love and it was a perfect love.
To understand why their love can be considered perfect and beautiful,
I want to share another part of the book The Road Less Traveled.
It's a bit long, but it's more interesting
So it goes like this:
Love is not a feeling. The feeling of love is the emotion that accompanies the experience of cathecting.
Cathecting is the process where an object becomes important to us.
Once cathected, the object, commonly referred to as a love object, is
invested with our energy as if it were part of ourselves.
And this relationship between us and the invested object is called a cathexis.
The misconception that love is a feeling exists because we confuse cathecting with loving.
This confusion is understandable since they are similar processes, but there are also striking differences.
First of all, we may cathect any object animate or or inanimate with or without spirit.
Thus a person may cathect the stock market or a piece of jewelry and may feel love for these things.
Second the fact that we have cathected another human being does not mean that we care a whit for that person spiritual development.
The dependent person, in fact, usually fears the spiritual development of a cathected spouse.
Third, the intensity of our cathexis frequently has nothing to do with wisdom or commitment
Two strangers may meet in a bar and
cathect each other in such a way that nothing is more important for the moment than their sexual consummation.
Finally, our cathexis may be fleeting and momentary.
Immediately following their sexual consummation the couple may find each other unattractive and undesirable.
We may decathect something almost as soon as we have cathected it.
That is not to say though that the partners in a stable and constructive relationship do not cathect each other.
They do.
What it does say is that genuine love transcends the matter of cathexis.
When love exists, it does so with or without cathexis and with or without a loving feeling.
It is easier and fun indeed to love with a feeling of cathexis or
with a feeling of love
It is possible to love without cathexis and cathect without loving feelings
and it is in the fulfillment of this possibility that genuine and transcendent love is
distinguished from simple cathexis.
The key word in this distinction is will.
I have defined the love as the will to extend oneself for the purpose of nurturing one's own or another's spiritual growth.
Genuine love is
volitional, which means voluntary, rather than emotional.
The person who truly loves does so because of a decision to love.
This person has made a commitment to be loving
whether or not the loving feeling is there.
True love is not a feeling by which we are overwhelmed.
It is a committed,
thoughtful decision.
So Pillar and the man's love was
beautiful from the beginning because it was mutual and it was committed
and the cathexis was there as well.
But it became even more
beautiful and genuine at the end, because pillar loved him perfectly.
I won't go into details because it could be a spoiler
but she gave up herself,
she gave up her need and want of him or the fear of pain after the split
because she felt that
protecting the man's spiritual power and the influence that will have on others
is way more important than her fear and her desire.
So their love was made perfect, even if they didn't end up together and
because of that love both of them were able to continue on with a spiritually growing self and
recognize and rejoice the true bliss that come through that love.
So that's all I want to share in this video and I hope this video reminded you or at least made you think about
what true love is
if you ever dreamed of you know genuine and true perfect love
I guess like everybody else.
Bye.
-------------------------------------------
【pupa】START:DASH【歌ってみた】 - Duration: 1:55.
For more infomation >> 【pupa】START:DASH【歌ってみた】 - Duration: 1:55. -------------------------------------------
A Quiet Place — Telling a Story with Sound - Duration: 12:09.
Hi, I'm Michael.
This is Lessons from the Screenplay.
(monster lands)
Sound always plays a particularly important role in the horror genre,
whether it's a hair-raising score, a terrifying effect,
or just a noise that gives away a character's location.
(crash)
But "A Quiet Place" takes this a step further,
making sound itself a key element of the story.
(noise on roof)
As writer/director John Krasinski said:
"The sound design is a main character in the movie...
The guys designing the sound, Ethan and Erik,
they're the most talented guys in the world.
You really got to see the art form of sound design at the highest level.
"Alright. Ethan, take one."
"Hi, I'm Ethan Van der Ryn."
"My name is Erik Aadahl.
I'm one of the supervising sound editor-…
(together) …sound designers on 'A Quiet Place.'"
Through my friend, Michael Coleman over at SoundWorks Collection,
I actually had a chance to visit the Warner Brothers lot
and sit down with Ethan and Erik to discuss the sound design process.
So today, I'll be asking for their input
as we look at the ways sound can be used to affect the emotion of a story…
Why thinking about sound during the screenwriting stage is so important...
And how contrast and dynamics can make or break a film.
Let's take a listen to "A Quiet Place."
In his book, "Screenplay," Syd Field says of writing sound into a script...
...almost nothing.
He all but dismisses it as something that will be added after the movie is finished.
In fact, most screenwriting material has very little to say on the subject of sound.
So when Scott Beck and Bryan Woods set out to start writing "A Quiet Place,"
they knew they had a challenging and unusual task ahead of them.
In a blog the duo wrote for Indiewire, they said of the process:
"Writing a silent movie isn't easy.
You can't use dialogue as a crutch.
And you can't bore the reader with blocks of description…
This process forced us to take an unorthodox approach to screenwriting,
in which we threw formatting styles to the wind."
In a normal screenplay, sound is often just written plainly in the action lines,
or sometimes it may be in all caps.
But one glance at the original script for "A Quiet Place" immediately shows
how far Beck and Woods took their experimental formatting,
which includes handwritten words, pictures of props,
and even charts and facts which may be fun for the reader
but are pretty useless to a filmmaker.
This screenplay breaks almost all the formatting rules,
but I will admit that the stylized nature is particularly effective
in its representation of sound.
Looking at the first two pages,
certain words are underlined to draw focus to the silence of the environment.
These underlined words stand out and give us a clear sense
that silence plays an important role in this family's life.
Similarly, Beck and Woods play with caps, font size, and word placement
to communicate silence, tension, and pacing.
In an especially tense moment, as the monster stands between the father and his family,
the script goes so far as to limit each page to a few words.
With each page the font size increases, highlighting the tension and need for absolute silence.
Ethan: "I love it when there's sound directions written into the script.
I think that it's so important for screenwriters when they're when they're writing
to actually be thinking about what is happening sonically in the world,
because it's a big part of the storytelling."
In many ways sound is one of the most under-appreciated
and under-utilized storytelling tools.
Erik: "We experience movies with two senses: our sight and our hearing.
I believe strongly that the hearing part of it is half of the experience."
We tend not to notice how important sound is until it's absent,
and it's precisely because it affects us in this unconscious way that it is so powerful.
Erik: "Walter Murch had this great saying, he said:
'Images come in through the front door but sound comes in through the back door.'
So you can be a lot sneakier with manipulation."
(creature sound)
Erik: "You can dig into that reptilian part of the human senses
and in a way with sound become kind of in a puppet master of emotions."
When writing, one of the most important goals
is to make the audience empathize with your characters,
and the same is true of the the sound design process.
Ethan: "Within every storytelling process there's going to be moments
where we want to experience what the characters are experiencing in a visceral way
and I think sound is really one of the key tools that we have as filmmakers
to help create that experience."
An example of this is found in the original screenplay for "A Quiet Place."
There is a moment that is written in such a way
that the reader perceives the action from a single characters perspective because the sound.
"Exterior: woods.
Path, afternoon.
April gets very still.
She turns up the volume on her hearing aid.
Just faintly, through the high frequency static, we hear the baby crying in the distance.
April stifles her breathing.
The sound of something else continues breathing behind her.
Out of focus, just ten feet away, we see it move slowly towards the sounds."
Writing the moment this way makes the audience experience the story events
through the point of view of the character,
and this technique was utilized several times in the final film.
(heartbeat)
Erik: "There's a number of different sonic points of view in the film from the creatures
and the family members…"
(monster's perspective of clock ticking)
Erik: "One of the central ones for us, design-wise, was for the daughter
Regan played by Millicent Simmonds,
who, in real life she's deaf.
And in the film her character is deaf as well.
So for a film that is so much about sound,
we felt it was really important to right from the beginning sequence
put the audience into her shoes and what it's like to live with a cochlear implant."
(toy beeping)
Erik: "So we get these shifts in the sound..."
(toy beeping)
(sound cuts out)
"...that I think helped connect the audience to her character."
(silence)
Experiencing the film from the sonic perspective of Regan
helps the audience empathize with her character,
but it's also the fact that these shifts are so stark that helps make them so powerful.
Erik: "We wanted to do really nice, hard cuts into it.
So you could really feel the shift of contrast between:
'here's atmospheric sounds that the other characters would be hearing, and woosh—
now we go into her head and there's this sort of low tone going under it.' "
This underscores the idea
that whether you're designing the sound for a film, or the plot of a film,
it's important to remember the need for dynamics.
When Beck and Woods began working on "A Quiet Place,"
it didn't take them long to realize it couldn't just be a movie devoid of sound.
Scott Beck said of the process,
"You had to figure out the pacing,
because you couldn't constantly have silence permeate the entire film.
You had to envision where there might be sound design moments."
But why?
Why was that such a crucial part of the development of the story?
Ethan: "Imagine a wavelength, of little difference between the top amplitude and the
lowest amplitude.
Everything starts to flatten out,
and what that does is it starts to flatten the experience out for the audience.
You start to disengage, and you push back from the screen,
and you push back from the experience."
If every sound in a movie was played at a loud volume from beginning to end,
not only would it be really annoying,
it would prevent any particular loud moment from being impactful.
So in "A Quiet Place," the sound is designed to be dynamic.
Sequences often begin at a low volume, and increase over time.
(yell)
What's important to note is that this mirrors the plot design of these sequences as well.
As tension builds, the sound builds...
...until they both reach the climactic breaking point...
(screaming / explosions)
But even then, neither the plot or sound stays at 100% for long…
(explosions trail off)
as the volume drops low again as the tension is reset.
This dynamic flow can play out not only over the course of an entire sequence,
but within a few moments of a scene.
Erik: "My favorite moment there is at the very end of the film where
the two kids are in this pickup truck.
Regan's hearing aids starts 'fritzing' and she switches it off.
Complete digital silence.
She's looking at her brother, who's looking past her,
and his face just blossoms into this look of sheer terror…
(crash / snarling)
…and that counterpoint—having this incredible performance, this really intense situation,
but just nothing supporting you, sound-wise it's just…
silence.
To me, that's like the most terrifying thing I've ever experienced.
So that was really fun."
This is a good reminder that sometimes silence is the best way to create suspense,
but after a long period of tension,
it's good to give the audience some catharsis before they're ready for more.
(muffled hoot)
Erik: "I think the best movies are scripted with sound in mind.
If you can build sound into the into the DNA of your script
then you're just gonna have a better movie every time."
Scott Beck and Bryan Woods's unconventional approach to screenwriting
may not supplant the decades-old formatting we're used to,
but it is a good example of what storytellers can do
when they appreciate the importance of sound.
It can connect us to a character in an emotional way,
making us immediately empathize with their situation.
And just like any element of filmmaking,
sound is most effective when it's utilized in dynamic ways to create moments of contrast.
(clanging)
And it underscores the power of dynamics—
reminding us that the plot of a film should flow between emotional states,
and that the loudest sound can only come
from a quiet place.
When I sit down to watch a movie,
it's often hard to turn off the analytical part of my brain and just enjoy it.
But when I listen to a story,
the emotion bypasses my conscious self and is often a much more moving experience.
Which is why I love listening to Audible.
Audible has the largest selection of audiobooks on the planet,
and since I just released a video on No Country for Old Men,
I think its the perfect time to recommend checking out the book.
While the film is fantastic for many reasons,
the amazing story all came from Cormac McCarthy's book.
And you can get the audiobook for No Country for Old Men for free
when you start a thirty-day trial by going to audible.com/lfts
or texting "lfts" to 500500.
Once again that's audible.com/lfts or text "lfts" to 500500
to start a thirty-day free trial.
Thanks to Audible for sponsoring this video.
Hey guys, hope you enjoyed the video.
I want to say a big thank you to Ethan and Erik for taking time out of their very busy
schedules to talk about the importance of sound.
I also want to thank my friend Michael Coleman for connecting me with Ethan and Erik.
If you want to learn more about sound for film, you should definitely check out his
website, soundworkscollection.com.
He has a ton of awesome blog articles, and an audio podcast, and video profiles—
all filled with great information about sound for film.
Thank you, as always to my patrons on Patreon and supporters here on YouTube
for making this channel possible.
If you enjoyed the interviews consider supporting the channel on Patreon so I can do more,
and as extra content, I'll be sharing the full interview with Ethan and Erik
with all my supporters and patrons.
Thank you for watching, and I'll see you next time.
-------------------------------------------
SİYAH PİLAV NASIL YAPILIR ? - Tuğba Turan Yıldız - Sağlıklı Tarifler - Duration: 3:40.
Materials 1 water black black rice (2-3 hours in water) Half-watered peas Fresh onion Parsley Mint 1 squash Bacon Salt Black pepper Cinnamon Cumin
We cook black rice for 15 minutes 2-3 hours in advance in water
Half-watered peas
Bacon
Oil
Fresh onion
1 squash
Parsley
Mint
Salt
Black pepper
Cumin
Cinnamon
Half a teaspoon of water
-------------------------------------------
How urban spaces can preserve history and build community | Walter Hood - Duration: 14:15.
How can landscapes imbue memory?
When we think about this notion "e pluribus unum" --
"out of many, one,"
it's a pretty strange concept, right?
I mean, with all different races and cultures of people,
how do you boil it down to one thing?
I want to share with you today this idea of "e pluribus unum"
and how our landscape might imbue those memories of diverse perspectives,
as well as force us to stop trying to narrow things down
to a single, clean set of identities.
As an educator, designer,
I'd like to share with you five simple concepts
that I've developed through my work.
And I'd like to share with you five projects
where we can begin to see how the memory around us,
where things have happened,
can actually force us to look at one another in a different way.
And lastly: this is not just an American motto anymore.
I think e pluribus unum is global.
We're in this thing together.
First, great things happen when we exist in each other's world --
like today, right?
The world of community gardens --
most of you have probably seen a community garden.
They're all about subsistence and food. Right?
I'll tell you a little story,
what happened in New York more than a decade ago.
They tried to sell all of their community gardens,
and Bette Midler developed a nonprofit, the New York Restoration Project.
They literally brought all the gardens
and decided to save them.
And then they had another novel idea:
let's bring in world-class designers
and let them go out into communities and make these beautiful gardens,
and maybe they might not just be about food.
And so they called me,
and I designed one in Jamaica, Queens.
And on the way to designing this garden,
I went to the New York Restoration Project Office,
and I noticed a familiar name on the door downstairs.
I go upstairs, and I said,
"Do you guys know who is downstairs?"
And they said, "Gunit."
And I said, "Gunit?
You mean G-Unit?
Curtis '50 Cent' Jackson?"
(Laughter)
And they said, "Yeah?"
And I said, "Yes."
And so we went downstairs, and before you knew it,
Curtis, Bette and the rest of them formed this collaboration,
and they built this garden in Jamaica, Queens.
And it turned out Curtis, 50 Cent, grew up in Jamaica.
And so again, when you start bringing these worlds together --
me, Curtis, Bette --
you get something more incredible.
You get a garden
that last year was voted one of the top 10 secret gardens in New York.
Right?
(Applause)
It's for young and old,
but more importantly, it's a place --
there was a story in the Times about six months ago
where this young woman found solace in going to the garden.
It had nothing to do with me. It had more to do with 50, I'm sure,
but it has inspired people to think about gardens
and sharing each other's worlds in a different way.
This next concept, "two-ness" --
it's not as simple as I thought it would be to explain,
but as I left to go to college, my father looked at me,
and said, "Junior, you're going to have to be both black and white
when you go out there."
And if you go back to the early parts of the 20th century,
W.E.B. Du Bois, the famous activist,
said it's this peculiar sensation
that the Negro has to walk around
being viewed through the lens of other people,
and this two-ness, this double consciousness.
And I want to argue that more than a hundred years later,
that two-ness has made us strong and resilient,
and I would say for brown people, women --
all of us who have had to navigate the world through the eyes of others --
we should now share that strength to the rest of those
who have had the privilege to be singular.
I'd like to share with you a project,
because I do think this two-ness can find itself in the world around us.
And it's beginning to happen where we're beginning to share these stories.
At the University of Virginia,
the academical village by Thomas Jefferson,
it's a place that we're beginning to notice now was built by African hands.
So we have to begin to say,
"OK, how do we talk about that?"
As the University was expanding to the south,
they found a site that was the house of Kitty Foster,
free African American woman.
And she was there,
and her descendants,
they all lived there,
and she cleaned for the boys of UVA.
But as they found the archaeology,
they asked me if I would do a commemorative piece.
So the two-ness of this landscape, both black and white ...
I decided to do a piece based on shadows and light.
And through that, we were able to develop a shadow-catcher
that would talk about this two-ness in a different way.
So when the light came down,
there would be this ride to heaven.
When there's no light, it's silent.
And in the landscape of Thomas Jefferson,
it's a strange thing.
It's not made of brick.
It's a strange thing,
and it allows these two things to be unresolved.
And we don't have to resolve these things.
I want to live in a world
where the resolution --
there's an ambiguity between things,
because that ambiguity allows us to have a conversation.
When things are clear and defined,
we forget.
The next example? Empathy.
And I've heard that a couple of times in this conference,
this notion of caring.
Twenty-five years ago, when I was a young pup,
very optimistic,
we wanted to design a park in downtown Oakland, California
for the homeless people.
And we said, homeless people can be in the same space
as people who wear suits.
And everyone was like, "That's never going to work.
People are not going to eat lunch with the homeless people."
We built the park.
It cost 1.1 million dollars.
We wanted a bathroom.
We wanted horseshoes, barbecue pits, smokers,
picnic tables, shelter and all of that.
We had the design, we went to the then-mayor
and said, "Mr. Mayor, it's only going to cost you 1.1 million dollars."
And he looked at me.
"For homeless people?"
And he didn't give us the money.
So we walked out, unfettered, and we raised the money.
Clorox gave us money.
The National Park Service built the bathroom.
So we were able to go ahead
because we had empathy.
Now, 25 years later,
we have an even larger homeless problem in the Bay Area.
But the park is still there,
and the people are still there.
So for me, that's a success.
And when people see that,
hopefully, they'll have empathy for the people under freeways and tents,
and why can't our public spaces
house them and force us to be empathetic?
The image on the left is Lafayette Square Park today.
The image on the right is 1906, Golden Gate Park after the earthquake.
Why do we have to have cataclysmic events
to be empathetic?
Our fellow men are out there starving,
women sleeping on the street, and we don't see them.
Put them in those spaces, and they'll be visible.
(Applause)
And to show you that there are still people out there with empathy,
the Oakland Raiders' Bruce Irvin
fries fish every Friday afternoon
for anyone who wants it.
And by going to that park, that park became the vehicle for him.
The traditional belongs to all of us,
and this is a simple one.
You go into some neighborhoods -- beautiful architecture, beautiful parks --
but if people look a different way,
it's not traditional.
It's not until they leave and then new people come in
where the traditional gets valued.
A little quick story here:
1888 opera house,
the oldest in San Francisco,
sits in Bayview–Hunters Point.
Over its history,
it's provided theater,
places for businesses, places for community gatherings, etc.
It's also a place where Ruth Williams taught many black actors.
Think: Danny Glover --
came from this place.
But over time, with our 1980s federal practices,
a lot of these community institutions fell into disrepair.
With the San Francisco Arts Council, we were able to raise money
and to actually refurbish the place.
And we were able to have a community meeting.
And within the community meeting, people got up and said,
"This place feels like a plantation. Why are we locked in?
Why can't we learn theater?"
Over the years, people had started putting in chicken coops, hay bales,
community gardens and all of these things,
and they could not see that traditional thing behind them.
But we said, we're bringing the community back.
American Disability Act -- we were able to get five million dollars.
And now, the tradition belongs to these brown and black people,
and they use it.
And they learn theater,
after-school programs.
There's no more chickens.
But there is art.
And lastly, I want to share with you a project that we're currently working on,
and I think it will force us all to remember in a really different way.
There are lots of things in the landscape around us,
and most of the time we don't know what's below the ground.
Here in Charleston, South Carolina,
a verdant piece of grass.
Most people just pass by it daily.
But underneath it,
it's where they discovered Gadsden's Wharf.
We think more than 40 percent of the African diaspora landed here.
How could you forget that?
How could you forget?
So we dug, dug, and we found the wharf.
And so in 2020,
Harry Cobb and myself and others
are building the International African American Museum.
And it will celebrate --
(Applause)
this place where we know, beneath the ground,
thousands died, perished,
the food chain of the bay changed.
Sharks came closer to the bay.
It's where slaves were stored.
Imagine this hallowed ground.
So in this new design, the ground will erupt,
and it will talk about this tension that sits below.
The columns and the ground is made of tabby shales
scooped up from the Atlantic,
a reminder of that awful crossing.
And as you make your way through on the other side,
you are forced to walk through the remains of the warehouse,
where slaves were stored
on hot, sultry days, for days,
and perished.
And you'll have to come face-to-face
with the Negro,
who worked in the marshes,
who was able to, with the sickle-cell trait,
able to stand in high waters for long, long days.
And at night, it'll be open 24/7,
for everybody to experience.
But we'll also talk about those other beautiful things
that my African ancestors brought with them:
a love of landscape,
a respect for the spirits that live in trees and rocks and water,
the ethnobotanical aspects,
the plants that we use for medicinal purposes.
But more importantly,
we want to remind people in Charleston, South Carolina,
of the black bodies,
because when you go to Charleston today,
the Confederacy is celebrated,
probably more than any other city,
and you don't have a sense of blackness at all.
The Brookes map,
which was an image that helped abolitionists see
and be merciful for that condition of the crossing,
is something that we want to repeat.
And I was taken by the conceptuality
of this kind of digital print that sits in a museum in Charleston.
So we decided to bring the water up on top of the surface,
seven feet above tide,
and then cast the figures full length, six feet,
multiply them across the surface,
in tabby,
and then allow people to walk across that divide.
And hopefully, as people come,
the water will drain out,
fill up,
drain out and fill up.
And you'll be forced to come to terms with that memory of place,
that memory of that crossing,
that at times seems very lucid and clear,
but at other times, forces us again to reconcile the scale.
And hopefully, as people move through this landscape every day,
unreconciled, they'll remember,
and hopefully when we remember,
e pluribus unum.
Thank you.
(Applause)
-------------------------------------------
Votre rapport à la pub - Duration: 1:24.
For more infomation >> Votre rapport à la pub - Duration: 1:24. -------------------------------------------
Player Spotlight: Episode 1 | ISURUS Gaming BEAST - Duration: 36:19.
Welcome everybody!
this is just a head up to let you know that
this series started and will continue on my twitch channel
the link will be down in the description
But right now we're importing it to video format here
to give the series more exposure
You may ask "what's this series about?"
The series consists of Overwatch Contenders South America
players analyzing their own plays from this regular season (Season 2)
so that you guys can have an inside view
of what goes inside the players mind "live"
I hope you enjoy the video
I'll leave you with an incredible analysis with BEAST, from Isurus Gaming
Ok, let's start
Welcome BEAST!
We're here peeps, with a new content series
that I'm trying to pull out to enhance the exposure
South American Contenders players receive
seeing that apparently, it's not enough for them to be amongst
the highest rated world wide,
and that they play international championships with lag...
We gotta do more things, so, here we are!.
In this series I'll take Contenders South America players
and have them analyze their own plays from this regular season (season 2)
HIGHLIGHTED PLAYS, in this case:
we have BEAST
and the play is the one we put aside for our contenders recap
which you can check out on facebook (blizzardesportslatam)
and, well. BEAST will try to, nay, will give you.
an insight or a "behind the scenes"
of how he thinks or runs things
why he did what he did, and what makes that elevetad level of gameplay
So, welcome again BEAST.
Hey Onarr,
first off, thanks for making this space for us
It'll be my pleasure to break this play
from the match vs pain down for everybody.
Yeah, It was a great match between you two, honestly.
We'll be able to pick up on a lot of data that usually goes overseen.
Also, we didn't run the whole play,
since it was pretty long.
But from where we pinned it down until where the play ends,
where you guys come up with that defense on point B
You can see a lot of interesting stuff
Specially, a nice camera angle where we can see your position,
and then, due to the fact that you provided with your POV
(Point of View from that play)
I think that people will have "both sides of the story"
what the casters see,
which I pulled directly from our stream
and then what YOU saw, that gives a lot more data of course.
So, if you agree, we can set off
with the analysis of the play...
Great!, let's start with long camera shot (casters view)
and you can start commenting what's going on, lightly
the reason of each players's position
or how do you manage to regroup
after this attack from pain (which let them capture point A)
First off, Pain was very pressured
time wise.
This is due to the fact that
they took too long to capture A
Well, they didn't take too long to capture the point, they were short on time
to like.... finish the push.
They needed to get to the end of the 3rd point,
so... we weren't going to waste many resources on
teamfights that we didn't necessarily have to win
What we did then, is to force a fight
in the first part of point B
with the precondition that we would only commit if one of the supports died
which we assumed, had their ults
We specifically thought mercy had ult,
and the zenny aswell.
Actually, zenny was a bit short of ult in my mind.
but for logistics reasons, we assumed he did have it.
Seeing that, we said "ok, if none of the supports die",
we won't commit.
we'll make what's known as a "dry push" or "eco"
Once we DO lose the fight,
I recall xRavaged is the only one left alive. At that point, he knew we had to reset
cause everybody was calling out "reset"
we pull back, we regroup.
While we were regrouping we used that time to call out enemy ultimates
and I think the only one we weren't sure on was
the D.VA one if I'm not mistaken. But it wasn't too relevant after all.
When we're about to go out,
I think that
Klaus is the one that's able to sneak in from a diferent angle.
And the rest of us come out of the exit on the right (defender's view)
the right side choke
the "attack" was led by xRavaged and myself,
So the first I do, since I'm the first one out of the choke
I call the enemy tanks positions, the tanks were really presurring us on the front.
the D.VA was in one of the highgrounds, the monkey on the other one behind it.
So in order to leave the choke without so much presurre,
I jump ON the monkey (which was on the further back high-ground
so that the enemy would have to retaliate on me
and so, letting my team leave the choke without contest
I get the Winston OFF his high-ground
D.VA turns back onto me, winston has to waste his jump to leave.
We forced winston's ult cause he was about to die
then we took out D.VA's mech, although she calls it back using her ult.
so
winston ults
(He was basically "feeding" behind us cause he got zoned out)
and in the moment their D.VA calls the mech back, and the winston used up his bubble, his jump
ults and then we beat him up really hard
and then JUMPS onto the payload, in that moment, I thought "I gotta ult"
"they don't have any cd's left", "they don't have dome" "they don't have jump or any mobility left"
I knew that D.VA and Winston will die for sure
the supports were a plus, I didn't intend to kill them, it just happened.
I think Hanzo also died to my ult.
My ultimate was meant to "clean up" the payload
but I was certain Winston and D.VA would die, and they did.
I threw the ult mid-range in the air since I knew there was a Mercy,
and maybe I'd be able to kill her, or maybe not.
Also, the great thing about throwing the ult mid-range in the air when there's a payload
is that you can't hide behind the payload
they can't crouch or anything
If you throw it up correctly, that is.
that's how I planned my ult.
It came with a "retake" plan
Cause I didn't PLAN the ult itself prior to the fight
It was completely circumstancial
I saw the opportunity and I seized it.
It's not like we said "we got a fight on the payload, I'll ult"
Right, and that's something that we can clearly see right now with this video with your POV
and you can really tell, more than when you see if from the long shot.
What we get from the bird's eye view/long shot is a more enhanced view ofthe enemyand ally positioning
which, as you mentioned, the enemy had both high-ground under their tanks's control
and at the same time, you can see where you guys are going to come out from,
since we have that trace over the walls, the "observer view"
and that let's us see your pathing plus
(pathing through the right side)
And so, I think the way you initiated was
VERY efficient
just for the fact that
you guys have an amazing coordination on the engage,
to go out the door and not loose any time
you guys opened SO much space up for Klaus
and we know what Klaus is capable of with Tracer
or Valen with any DPS
So by opening that much space, I also think
you guys adapted really well, which isn't easy at all
in any Contenders or Overwatch League
because you're playing against people of the same level,
and they'll try to push you, and any mistake can cost you a lot,
specially when you're that close
But after being able to see the play from your POV
You positioned yourself, you jump on the monkey,
You get him OFF the high-ground and do MASSIVE dmg to him
and then you instantly switch focus to D.VA's mech
That's what I wanna highlight the most
and I'd like you to explain to me: "what's on your mind when you adapt like that?", in this case, you prioritized D.VA's mech right after denying them high-ground
what's it added value instead of the winston, or going straight for the backline
As I said, Winston had ult,
so I knew that up to certain point,
if I focused him, he would ult and D.VA would have been able to get away.
so....
Winston was in a bad position already, he had wasted cd's
specially his jump and bubble
so he didn't have a clear way to escape
but I knew he had ULT
So...
in the exact moment I...
do certain dmg to him, he was gonna ult
and I had thought he'd escape or
he would do some dmg and leave
the D.VA, instead,
was much more compromised
she had ult and a D.VA ult in overtime is very dangerous, so you wanna deny it if possible
So as she was mispositioned and had already wasted her boosters,
so I just switched focus to her, Alan (DDX) put discord on her and pinned her down
which he had called out, as you can hear in the video
so we kill the D.VA and inmediately
we switch focus back to the Winston which was behind us by himself
cause if there's no D.VA
Winston doesn't have too much survivability
there's very little healing Zenyatta can provide
and if he doesn't have the pressence of a D.VA to split the dmg
or her matrix to absorb some dmg
the Winston will die instantly, even if he has Primal Rage on
his ult won't last much if there's 6 people focusing him with discord
that 1000 hp will drop in 3 seconds
that's why the D.VA is so important, on top of her being very easy to kill compared to the Winston
because....
if the Winston has primal on, or his cd's come back up
he'll just flee
but D.VA's boosters are much slower
that's why we prioritized D.VA
we knew both of them had ult, and the most important ult for us to force from them was the Self-Destruct
the one that we wanted them to burn
Right, I see...
It's very important for people to understand
all that, cause
They're not decisions that one would normally have to make
those are cases that I assume
not only you've developed by being one of the best D.VA's
(which you have played a lot, mainly during dive meta)
but the
experience from competing in many regions
on an intense level
cause we know Isurus Gaming is one of the teams with the most trajectory
as a group, formerly known as Karma
and at the same time
the players individually have been playing for a very long time, since the start
so I think
that experience is reflected on your gameplay.
But leading on with that statement, I want to ask you "What are your thoughts on the actual meta?"
Why did you stick with the D.VA and not a Zarya
"Why was it a DIVE composition and not a BLOCK composition?"
Well, the second point of Eichenwalde is a point where
it's mainly based on high-ground control
Controlling the high-ground lets you control half the point (map size wise)
It's got 3 important high-grounds
first one's the top floor of the tower at the entrance
the other one's the lowe part of the same tower
and the last is the bridge itself
You gotta dominate those 3 spots, or at least be constantly contesting or fighting control over them
If two snipers and a Zenny come up, you can't just snipe back or walk through the payload
(unless you wanna force a fight on the payload)
but that's a very risky strategy to pull off
that's not our style
there are teams that do go for that, you've seen it in OWL
they played.... uhm...
triple tank, two dps and one support
(Orisa + Hog + D.VA)
and they played back, from the payload
forcing them to concede the high-ground
but yeah, it's a very special game style
from the teams that actually play it
but that's not our style
our style (and most of the region's teams's) it's a more aggressive/aggro DIVE style
we play a more control-based style by diving the most important spaces, engaging and disengaging accordingly
and Eich is THE map for that
a strong map for DIVE
because
as I said,
you control the high-grounds, and if you do, you can place your pieces as you wish
like snipers, supports
or whatever
and you can literally maintain full control of the high-ground and the majority of that section of the map
so....
It's also VERY important to pull off retakes
because...
If you DON'T have DIVE, and you play with Rein/Zarya in point B
as you may see in this play I'm currently going over,
there were two of them
camping BOTH choke-points of point B
there were both tanks
putting up pressure on both exits
and if we were to exit with Rein-Zarya
we would take too long to get out
and we can't open up space for our team to push forward comfortable enough to
deal damage, to reposition
Cause we'd come out very slowly
and too close to each other
and we wouldn't be able to go by ourselves individually
so with Winston-D.VA you can jump
to a place far back, away from the choke
for example, the monkey that was on the high-ground opposite to our exit
so they're forced to
retaliate on us
and they loose focus on the choke point (where the rest of the team is coming from
so if I
jump behind them or towards them
they will turn their attention to me
so then
the supports, the dps, etc. Can leave the choke
without any type of pressure
from the tanks or the dps
but yeah, that's basically why it's so important to play DIVE in that point
That's a very "in-depth" analysis, very consice
and It's great to people to have access to this type of information
because, as we know
that's something that usually, if you're not a player on the highest level,
or at least of what we call "tier 1"
which in this case would be:
the majority of the contenders players
usually the people that would have access to that would be analysts, coaches or casters
and not everybody has access in that way
that's why
I like this instance where you can provide them with so much insight
mainly
of how you guys manage yourselves on Isurus
with these type of situations
which are very complex situations, as we know, because,
it's not that it was the first push from pain and the enemy had, I don't know, 1:45 minutes
Pain had less than a minute
You're up 5-3 (which ends up being 5-4 after they cap A)
and you still manage to reorganize to pull out a clutch defense on point B
with very little resources compared to your enemy
that's why
this is a very INTENSE situation
mechanically wise
but well, with that, I wanna open the space up to the chat for questions
Tonello asks
"Mr. Beast, what do you think of our region's (SA) D.VA's?,
which players do you think are the best Offtank playeres on this region?"
He wants to know which are the best D.VA's of our region to you
and then
they wanna know,
which offtanks players do you prefer
I think that
The issue with D.VA players is kinda complex,
the tank role itself is complex by itself
in our region(SA), it's the toughest role to main and to play.
I think that playing tank in SA is harder than playing support or dps
Just for the fact that...
It's not the case for other regions,
in those regions I am certain that the hardest role will be DPS.
(For obvious reasons)
Let's say you wanna play Tracer and..
you wanna be the best, or one of the best
you gotta be on point in every aspect
mechanically,
reflexes,
gamesense
decision making, etc.
It's a must that you always have the highest level possible on all those traits.
but in SA, the tank role is more complex to play due to
it being a more gamesense-relying role, even though it still lies a bit in the mechanical aspect.
It's mostly decision-making and what you know about the game
and that data,
and those...
and those gameplay styles
or those decisions you make as a tank
you only develop them when you start playing against other teams
or in scrimms, etc.
and the power level of teams in SA,
and their foundations
is not as high as in other regions.
for example: a North American tank in contenders has access to play with players from Overwatch League
so you get more data, you can see what their tanks do, and you can pick-up stuff
The level in SA (cause we basically only play vs each other) is much more complicated to come up with that type of stuff
to get bettter as a tank
So it basically comes down to
reviewing VODs , etc.
(NON POV)
because there's no POVs inside the game
you can watch tanks you like and pick-up useful tips
from the VOD
and if you have a coach that can help you improve aswell
so yeah... I think D.VA is the most complicated offtank to play
because it's the only non-static offtank
hog is, zarya is
you can flank with hog and stuff....
or making plays with zarya
but at the end, they're very static.
D.VA is a hero you can play
VERY aggressively, but sometimes you have to play passively
there are a lot of D.VA's that....
have a hard time knowing when to switch from attack to defense
when you gotta follow your Winston, when NOT to follow him
because a lot of people think that
you ALWAYS gotta jump alongside your Winston, 100% of the time
as if D.VA and Winston were the same character
and... to some extent it is true but,
a lot of times Winston doesn't need your help
because..
If the enemy Winston and D.VA are diving on your backline
your Winston then won't go through any danger
he'll probably be against a Tracer,
a Sombra, a genji that's bothering him
and you would have to stick with your backline
to make sure they survive
and then your Winston and Tracer trade
against the enemy tanks
So that's why I consider it a complex role in SA, and I think there's not many
good offtank players (IN SA)
I consider that regarding D.VA, the only player that
I respect a lot and think is really good
is Honorato
because him and I, we are
the only two players that you could say
are a bit further than the rest.
Although there are good Offtank players,
but specifically with D.VA
I gotta go with Honorato (Brasil Gaming House)
he's an amazing D.VA player.
He improved SO much, because he wasn't that good of a D.VA before, he was a great zarya.
In fact, since Contenders Season 1 I've seen him grow SO much as a D.VA
and you can really tell when a D.VA does her job right
specially decision-making wise and gameplay wise
but yeah, that's my take on it.
I mean there's still GOOD D.VA players, but I was referring to players on a higher level, contenders NA level
And in that level I only think Honorato and I qualify right now
But Offtank wise, there's a lot of good offtanks
you got Wetter (BD)
you got Honorato (BGH)
Frix (LFORG) has algo gotten a lot better
yeah, Frix is a good player
he's more of a revelation, because he hasn't for as long as we have
He just played his first contenders with an actual team
While Honorato or Wetter I've known since last year....
we played many times...
Honorato used to play on KEEP Gaming
before that on FIRST
while Frix,
xRavaged and the rest, you're JUST seeing them right now
there's not much data to qualify them
Frix mainly played D.VA
because the meta used to only let him play that
I haven't seen much Zarya from him, or Roadhog
But yeah, he's a revelation from this past contenders
Yeah, I'll stick with those, Wetter/Honorato/Frix
Oh!, Fastie's also decent, his D.VA is good.
Let's put him up there aswell
Fastie is a player that, with the old D.VA
the one without the rockets and
couldn't shoot while flying
was VERY good , maybe the best in the region back then.
Also, he's great at ulting with D.VA
Maybe with the rest of the kit (new D.VA)
he's not at the same level
but he's one of the best at using his ult with D.VA
he puts in thought into each ult
I don't know if he practices that
He's got a great knowledge of D.VA's ult
they're usually VERY impactful
I think one thing that marks the difference
and let's you define who's the better D.VA
and I wanna clarify,
we're answering Tonello's question,
On which players are your top Offtank and D.VA of the region
which doesn't mean the other Offtanks aren't good
but the question was specifically targeted at D.VA and best Offtank
And I totally agree with you on your statement
but I think that
the difference between a GREAT D.VA and a good D.VA
is having the capacity to "switch"
when you're in the middle of the team
and he knows when to go forward and push, and when to come back and peel
HOW to effectively go back and forth
from WHERE
there you can see their work in pathing (which is the path you take to X situation)
in case your first pathing fails, how do you adapt
the cooldowns on EVERY skill and your character's maximum efficiency/potential
knowing up to where do the boosters reach,
how much they last,
the time it takes to get to a point A to B with the boosters
all these mechanics
People usually DON'T see
they tend to think "oh yeah, to play D.VA you just use boosters once in a while...
then use the rockets a bit aswell...
but it's got a sciencie behind itself (hero)
I think offtank is one of the roles with the most mechanical baggage
it's not only the character, it trascends beyond that
towards what is the "Generic Gameplay"
with Winston instead,
You gotta know WHEN to jump and when not to
but you don't have a certain way to get out instantly
So by default you'll play with much more restraint
I agree....
that's what makes the difference between a good and a great D.VA
It comes down to decision-making and...
when to use your cd's and when not....
but not JUST that,
but being able to use them in ANY situation
be it a scrimm, a tournament...
so that you don't do stuff in a tournament that you haven't practiced on scrimms...
(That also comes with experience)
being able to keep the same level on a tournament like Contenders
or in situations where you're under heavy pressure
But yeah, D.VA itself is not....
(many people might disagree) tank is the toughest role to play in SA
Maybe people say "no, but DPS is harder
but the thing is, playing DPS...
if you're not pacing up to the level you gotta be at....
or you see there's people doing better than you
you can sharpen your mechanics, you can play scrimms...
you can go over your gamesense
but
the DPS role is mainly mechanical
and mechanically wise, you KNOW how to improve as a DPS main
you gotta play the game
you play the game, maybe look or come up with a warm-up routine
and if you do a lot dmg already...
then the only thing remaining is for you to learn some conceptual stuff
that you'll start learning like we tanks do
but it's not much .....
a DPS can rely solely on his mechanics, there are a lot of....
players that
they don't have a lot of gamesense
and I'm not referring to South America, I'm talking about a general level, Overwatch League
there are a lot of DPS that I don't consider the brightest regarding gamesense
for example, babybay (SFShock)
I don't find him "bright" as other DPS (gamesense wise)
but he's got a lot of firepower
he hits a lot
maybe just enough for SF to have an impact
but if you hit all your
rays with Winston or all your hits with D.VA, it's
pretty irrelevant, honestly
maybe that's not the case with Zarya, maybe the aim matters a bit more, but not SO much more.
that's why, I go back to what I said
tank (IN THIS REGION ONLY)
(In the other regions I think tank is one of the easier roles)
but here,
playing tank is hard because
you gotta have ALL that knowledge I mentioned before
(which is 70% of your core gamelpay)
relies on the information you have
and the data we have in SA is always much slower, very delayed
and we get less information aswell compared to NA
This is due to the fact that NA plays vs Korea,
and Korea is the region that always does all the theory-crafting
On top of that, they got Overwatch League...
You got a lof of Korean players there,
and you also got good European teams..
with great EU players, etc.
but here we only get the "breadcrumbs" of what goes on in OWL/Contenders NA/KR and we try to take advantage of them
Well, but they're very well used, because it shows through the results.
Because since season 1
up to season 2 of Contenders,
we were able to see a lot of improvement from a lot of players
yourself included, you look more
dynamic, like the roster change helped you out
it lets you play more to your style.
But since we're talking about the scene,
first off, since registration for Open Division season 3 already closed
(to qualify for Contenders Trials s3)
(wich is starting in a few day)
I'd like to ask you to give some advice to the people watching this video,
Let's say I'm a new player (new to the e-sports scene)
and I register for Open Division with my team
what should I work on first?
should I prioritize my aim first?, my gamesense?
Or what can I do to improve overall and be a better Offtank
Well... that varies a lot, because...
Open Division DOESN'T have a Skill Rating limit,
Everybody can play,
So it depends on the player itself...
what he has to prioritize
because we could be talking about a person who's in Platinum
or someone who's Grand Master or Top 500
but never proved himself on a competitive level, in any game
so...
I'd say...
If you're not at least GM
that person should....
Well, I don't know if he should, but.... depends, if he's Master,
well it doesn't matter, I don't take SR into account
but I think that, to be one of the best you gotta be AT LEAST GM
It's sort of a filter, you know.
Because ....
If you got top player mechanics, or a
Contenders player level
Just that will be enough to get to Master, even if you don't like ranked or whatever.
If he's not GM I'll advice to go over his mechanics first,
and If you have already gotten GM or you didnt' make it cause you dropped due to decay..
or, I don't know
a bad losing streak...
whatever the reason
I'd recommend him to....
first off
a thing that happens a lot here is that teams get frustrated very easily
like they sign up for OD, and if they don't make it to playoffs, don't make it to Trials or don't make it to Contenders
they disband..
To the new players that are going to play their first OD season,
I'd advice them to BE PATIENT
with the disband topic
For them to take every experience in
because nobody can get it right the first time
Even I was playing Overwatch...
and the first season ....
that I played
actually, even up to season 4
I lost almost every tournament I played
I started winning Argentinian tournaments
right on season 3, I recall
But when I faced the brazilian teams I lost a lot
It was a constant thing, playing vs the top 5 brazilian teams and always lose.
but the team always stuck together
maybe we had a couple roster changes, but that's it,
not because one guy was so bad we needed to get rid of him
but because the game didn't motivate you enough, and the person had personal reasons
and well, we gotta get a new member
but the team stuck together
up until we built a new team, thanks to the Argentinian Overwatch World Cup Roster (2017)
and then we started winning
but it took a lot of patience
So the new players gotta have that mindset
maybe at the start you don't make OD playoffs...
or you don't win a single match
well, if you don't win a single game it'd be worrysome
let's stick with "not making playoffs", but you still did something, you improved,
you gotta take in the experience, what you learned, you now know what a scrimm is
you know what having a team is,
that there's a space with different people that you gotta coexist with
you know you gotta be patient with them
you get to know there's different personalities
that you gotta be responsible
never skip a scrimm without giving notice first...
or being late to one..
that affects your team, more than it seems
You learned that team morale matters, etc. You'll learn a lot of stuff with time,
so maybe the first run didn't work out, maybe the second one neither, but,
you'll learn
And if you think.... it comes to the point where you say
(and it's wrong to think like this at first)
"I think the level between my team and I is considerable", then you move to something else and join another team.
but you don't gotta be angry at that
or tilted
because everything's an experience, and everything plays a part on your formation as a player
(Speaking about Open Division)
maybe your first team is not meant for you, maybe it fails
but maybe the second team doesn't, maybe even the third one.
but what's wrong is to say:
"the objective was to get to playoffs,
we didn't make it?, then we gota disband"
that's wrong, you gotta be calm about it
If you disband due to personal issues, like a player studying or working, then that's ok,
the team doesn't have the conditions to run.
But if the team's fine,
they train,
you're all on the same path,
and you still DON'T make the goal,
DON'T DISBAND
at the utmost do some changes to the roster,
make some reforms,
if they're even urgent or necessary.
but you gotta be VERY objective in that scenario.
a lot of the time, the one that gets pinned on with all the blame is the one that takes all the criticism
and just for that fact, he eats up all the criticism
because
the team knows he can be criticized and he won't talk back with anything but "you're right".
and that person is always the first to leave
the first that, in this region,
the "nicest" one
is the one they always kick out
cause he takes up all the critics,
all the anger from the team... etc.
so that why you gotta be objective,
you gotta be able to recognize who's doing good, who's not doing good
who to criticize, when not to, etc.
again, have A LOT of patience
I think that's it,
the best advice, that is.
:
More than just advice, you...
Explained the play,
you told them HOW you play and how you think through a play,
you broke down how Isurus plays in that type of situations,
you told them how to handle those situations
and just now you explained
and now you showed them what type of mentality you gotta go into this "path to pro" circuit
that, as we know,
not only it's a very long process
maybe sometimes it doesn't show,
but you gotta go through:
OD Regular Season
OD Playoffs
Contender Trials
JUST to make it to contenders,
and THAT'S where the actual work starts to show
you gotta play scrimms, you gotta get enough level to play against the best of the region, but not just that;
you can't just stick to scrimming in SA, you gotta go outside and scrimm other regions
But with that BEAST, we're gonna wrap up this segment,
the idea is to keep these analysis not too short but not too long, but dynamic
but enough for you to explain, for people to understand and interact with you and me via chat
from my part,
I don't have anything left to say,
I open up the floor to you BEAST, to promote whatever you'd like
and then we'll leave them with the play so they can go over it again
well, the stream....
I only stream every now and then... but if you guys wanna come by my stream
I don't have a schedule or anything
I just stream when I can, and want to
because...
it's pretty hard to play and stream at the same time
so...
leave a follow and maybe you'll catch me streaming
I usually stream once or twice a week,
at random times... to say the least
Well, but that give them the opportunity to do what you adviced them to,
being able to see through a players POV
high level Contenders players like yourself
So that summs up guys,
I'll remind you that this next weekend starts the official spanish cast for Overwatch World Cup
we'll have Brazil as a representative for South America,
and we'll have Contenders players such as
such as
Wetter
the guys from BGH
we'll also have Ole
many top tier players, so pay attention to our social medias
Shoutout to Okku, Searchy, thanks for the follow Ponchi
shoutout to Lowlife
thanks again BEAST
And I'll see you guys on the next series!
see you guys!
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