Thứ Sáu, 31 tháng 8, 2018

Waching daily Aug 31 2018

Hi there, Initiates! If you'll read discussions about Harvester on the internet

you always come up with the accusation that Kurt Kistler,

the actor of our hero Steve, is a convicted pedophile.

People claim that on Steam and on Twitter and basically everywhere.

So is Kurt really a convicted pedophile?

Yes he is. I knew it before anyone else and I know much more about it than anyone else.

Still I've been silent about the subject and many fans have wondered why.

I'll tell you why.

I'll tell you guys the truth about Kurt.

Well, yes it is.

I tracked down Kurt in 2012.

I found a site called Kurt Kistler Creative and I sent a message there asking if he was the actor of Steve.

He said yes so I sent him an email.

He replied to me and he was as excited as I was.

Yeah, back then no-one was interested in Harvester, no-one even remembered the game.

Not until I changed that. So I sent Kurt a big bunch of questions and waited for his reply.

And I waited more.

And more. I sent him an email asking if he was OK but he didn't reply to me.

I was confused and I tried to find some information on him. Then I found this:

These days this mug shot is very well known among Harvester fans and among gamers in general

but back in 2012 it was quite a shock in many ways.

Well, I though, Kurt is a criminal but maybe his crime wasn't so bad.

Maybe he fed birds in a place where it's forbidden. Or...

maybe he robbed a bank to give the money to the poor. Or maybe...

Oh fuck, child porn! The moment I realized Kurt was a pedophile I was like

Why did he have to be a pedophile? Why not anything but that?

Even a serial killer would've been better.

Actually that would've been much better.

About the mug shot... there's something really weird in it. Take a look at his shirt.

Now who has a similar shirt? Oh yeah, Steve!

They have the same haircut, too. They are identical!

It's like Steve has jumped out of Harvester and committed a crime in reality.

I'm sure you guys remember Karin, Edna's little daughter.

In the game you can buy a girlie magazine and show it to Karin.

That makes Edna mad and she'll call the police.

So in Harvester you can harrass sexually a little girl with a player character

who exists in the real world and is a pedophile.

Well, you might think that's weird but if you'll deal with Harvester every day like me

believe me, you'll get to the point to where this is routine.

Back to the email I sent Kurt. He replied to me eventually but it took nine months until he did that.

Yeah, after nine months I received a really long email where he answered to all of my questions

and to some questions he made up.

Kurt didn't give any reason for the long silence, he didn't even mention the whole thing.

He just acted like there was nothing strange about it.

Of course I realized what was going on. Kurt had been in prison where you can't write emails.

Now he was free but avoided talking about the conviction.

Therefore I couldn't ask anything about it either. Or what do you think would have been his reaction?

Probably. Or more likely I would have never even heard about him anymore.

Being in touch with Kurt was a really big thing for me

and I didn't want to drive him away by telling the fans that he was a pedophile.

So I did what people usually do in a situation like this: I denied the truth.

Maybe Kurt had done nothing wrong.

Maybe all the "child porn" he had was a photo of some nude teen who Kurt thought was an adult.

Maybe someone even forced poor Kurt to receive that photo.

Or some shit like that.

So I continued doing the interview and I acted like I knew nothing about the conviction.

He did the same. I wanted to know as much about Kurt as possible.

On his IMDb page it's mentioned that besides Harvester he has been acting in a short flick named Chat.

I saw that years ago but unfortunately I can't find it anymore.

Take a look at his character's name on Chat: Steve. That's pretty funny.

It's not mentioned on IMDb but Kurt did a role of a priest in a movie called Dead Reckonning.

Actually it was not a movie, it was only a movie trailer released in 2011.

As far as I know the movie itself was never released. You can see even more of Kurt on the trailer.

There you could hear Kurt's real voice btw. You can hear it also on the Harvester teaser released in 1994.

In the finished game released in 1996 Kurt didn't say a word.

There the voice actor of Steve was Ryan Wickerham, same guy who did the voice acting of Sergeant at Arms.

He sure did. (And so do you, Jake!)

Anyway, I released the interview with Kurt in May 2013.

It was a great success and I was happy that Kurt finally received some credit for his performance on Harvester.

Besides this mug shot there's also another well known mug shot of Kurt.

You can't miss them if you'll Google him.

As time passed by other Harvester fans also discovered that Kurt was a pedophile

and they began to write comments about it to the Fan Page.

That's when I did something I regret now.

I wanted to believe that Kurt had learned his lesson and would never deal with child porn again.

I honestly though he deserved a second chance

so I deleted all the pedophile comments the fans wrote to the Fan Page.

Yeah, I kind of protected Kurt and I kept doing that for years.

That ended in July 2016 when I wrote an email to him and he didn't reply to me.

We used to write to each other occassionally and usually he replied to me pretty quickly so I became suspicious.

I did some detective work and found this:

Yep, he was behind bars again.

He had been since May 2016 and the charge was the same as before:

the fucking child porn.

When I figured this out I was like

There was no turning back anymore. I had protected Kurt for years and this was the result of it.

I was really disappointed and I felt like a dunce.

There are companies in U.S. that sell people's background reports.

I bought Kurt's background report which includes also his criminal record.

That proved what I already knew: He is a convicted pedophile and a registered sex offender.

I can tell you guys that he has had much more problems with the law than you would think.

Kurt didn't write me back until November 2017

so obviously he was behind bars more than 18 months.

Again he acted like nothing had happened, like it was totally normal to disappear like that.

I told Kurt I know all about him and I don't want to be in contact with him anymore. I haven't heard of him since.

That's it. The end of the story.

The story wasn't a very happy one but maybe it had some educational value.

Like Harvester does.

The next episode of The Harvester Show will be released in the end of September.

I've launched a Patreon and thanks to that I'm now releasing an episode in every month.

I would like to add a link to the Patreon here somewhere but YouTube won't allow me to do that

because my channel is not popular enough.

Therefore all the important links are under the video.

Please check out my Patreon and support the Lodge.

See you in September!

For more infomation >> Harvester Show #10: The Pedophile We All Know - Duration: 12:00.

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INDIAN HISTORY-3 - Duration: 20:16.

For more infomation >> INDIAN HISTORY-3 - Duration: 20:16.

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Tân Vua Hài Kịch 4K 💥 BVNR ⚡️ Các trận đánh của khỉ con ☄️ Phần 5 - Duration: 1:06:29.

For more infomation >> Tân Vua Hài Kịch 4K 💥 BVNR ⚡️ Các trận đánh của khỉ con ☄️ Phần 5 - Duration: 1:06:29.

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Beautiful Quotes about Love - Love Quotes - Duration: 2:17.

Its a seesaw life. With no one to share the ride, you're always on the ground

Love is metaphysical gravity

Life without love is meaningless and goodness without love is impossible

Tell me who admires and loves you, and I will tell you who you are

Love, free as air at sight of human ties, spreads his light wings, and in a moment flies

Talk not of wasted affection; affection never is wasted

Love is the magician that pulls man out of his own hat

Love should never be a promise of a rose garden unless it is showered with light of faith, water of sincerity and air of passion

For more infomation >> Beautiful Quotes about Love - Love Quotes - Duration: 2:17.

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El horóscopo de hoy, 31 de agosto de 2018, por el astrólogo Mario Vannucci - Duration: 3:35.

For more infomation >> El horóscopo de hoy, 31 de agosto de 2018, por el astrólogo Mario Vannucci - Duration: 3:35.

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Column of Fire Final Thoughts - Duration: 7:31.

For more infomation >> Column of Fire Final Thoughts - Duration: 7:31.

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Lightweight Travel Tech Backpack | ARCIDO FAROE - Duration: 6:58.

Hey everybody and welcome to the video. This is Josh here.

Today we're taking a look at the Arcido Faroe travel backpack.

I was lucky enough to have the kind folks over at Arcido

send this out for me to try and test and review a few months

ago. I'm going to start by going over a few of the positives and

the things that I like about this bag. First off loved

the design loved the color loved the look.

This heathered fabric is has always been a favorite of mine.

It's clean, it's minimal. I wish it did have a little bit

more structure. Ran into the same issue with my my

Aer Tech pack. Part of the reason why it is that way

and why it's a little bit of a looser structure. It weighs

in at 900 grams according to their website. So this is meant

for ultralight one bag sort of travel that's definitely

something I've been working towards. More and more over

the past year I rarely travel with any more than a backpack.

This is a 35 liter bag. If memory serves me right.

Going over a few of the compartments here will

start with the exterior. There are two water bottle

holders. I have my travel tripod here that is actually able

to fit in here in conjunction with my one liter hydro flask.

It's not the it's not the easiest fit but it will

definitely get in there and feeling you know I'm not

worried about this falling out. Especially this in this front

outside pouch here. Have just a little compartment.

Easy access so I currently have in here just my sunglasses and

then if you flip it around here this is another thing I really

really like. You have this privacy. Quick access pouch.

I'm always concerned about theft when I'm traveling.

So this kind of gives you that easy access pocket

without having to worry about someone coming up behind

you and stealing your valuables so I just have my wallet and my

headphones my phone. Also in here and this is designed

to be kind of a top loader just like a regular suitcase.

You have these nice little strings here to help tie

everything down and compress everything. But I was able

to fit three or 4 days worth of outfits in here.

I've been running into the issue more and more with them

with traveling with camera gear not being able to fit everything

I actually hold to carry all of my clothes an extra pair

shoes which is unheard of. My toiletries. All of my

clothes. Everything fits in here with room to spare.

And you can see too even taking some of the items out.

It still fits and holds well you can really tight

and everything down really nice and taunt the other really big

plus with this. Is you have this completely lay flat design

it'll hold a 15 inch laptop with ease. I would I would say pretty

safely you could fit a 17 Inch laptoo if you needed to.

The laptop compartment is completely adjustable

when many have lots of extra room for cables and charging

and pens and all that sort of stuff in here. This also opens

up towards the whole bottom and back here. So that's the inside

of the bag. I should mention as well it does use YKK zippers

and if you do look on the back here you have these nice really

wide straps which I do enjoy and have a little bit

of this foam padding that kind of makes for some breathing

areas on your back so it's getting a little bit

less sweaty. The only real con I've been able to discover

from my own personal testing is just the lack of back padding.

There's very little in between you and your flat hard big

laptop. Gotten a little spoiled with some of my other backpacks

being a bit more comfortable. I have a pretty severe lumbar

curve so that extra lumbar support in that kind

of flexibility in the back is really important for me for

comfort standpoint. So it does hold quite a bit but it is not

a very comfortable backpack to honest.

I did test it with and without the laptop and that makes a huge

huge difference. But if you can see I just have this whole big

area here in my lumbar I would be hesitant to carry my laptop.

If I knew I was going to be carrying around this bag all day

everyday. So that is really the only flaw. Luckily enough for me

though I don't typically travel with my laptop and I totally

understand why they designed it this way with such minimal

padding there after the people that are trying to save every

single gram when they're traveling so I can definitely

appreciate it. The other thing I noticed this is not a big deal

for me either but you have no waist strap or you have no chest

strap so that is something that make a note of if you do

usually like to use those chest straps. Know these are a little

bit thicker and wider so they help hold the weight

a little bit easier but you're not going to have that extra

support there. But overall and this is then an excellent bag.

I going to be looking into some packing cubes for this.

I think I would be a huge help. You know you have this big wide

open compartment here. And if you're able

to compartmentalize your clothes a little bit better I think this

would make for a great organized long weekend or even a week long

travel bag depending on how you usually go. A couple of other

points to mention as well. It's not waterproof

but it is water resistant which I'll usually take water

resistance for most scenarios is going to be more than enough

for me and the other big thing as well this bag comes in at

ninety nine dollars. Very inexpensive for the

quality. You can tell it's made purposefully lightweight

but it doesn't give off any sort of feeling that it's cheap.

So make sure you pick this up if you are in need of a good travel

bag. I'm going to look on Amazon too and I'll link some packing

cubes that I think will be helpful for this.

I know Arcido is actually coming out with some packing cubes in

the near future. So maybe we'll get to see those at some point.

But be sure to like the video if did enjoy this,

it helps Me out a ton. Be sure to subscribe if you want to see

more. I do a lot of weight loss videos but I do all sorts

of content every Monday and Friday on the channel here

and leave me a comment down below. What's your favorite

travel backpack. I always love doing research and always on the

hunt for the best bag. But so far this thing has been great.

So has enjoyed this. Until next time I'll talk to you

all later. Have a good one.

For more infomation >> Lightweight Travel Tech Backpack | ARCIDO FAROE - Duration: 6:58.

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CineStill df96: does it work? - Duration: 18:04.

For more infomation >> CineStill df96: does it work? - Duration: 18:04.

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Planning Sewing Projects | Week in the Life | Whitney's Tiny Life - Duration: 21:44.

everyone it is Saturday so today is the

start of another week in the life video

here on Whitney's tiny life and I am

exhausted

I offered to mow the lawn earlier

because Jeremiah has been really busy

and his shoulders been bothering him and

he was helping someone out we finally

found someone to take our dryer because

our washer went out a while back but we

still had a functioning dryer and we

were given a brand new washer and dryer

so we wanted to pass along to someone

who could use it and we finally found

someone that I used to work with who

needed a dryer so he was helping get

that to their house and so I said oh

I'll mow while you're gone because the

kids should be napping

it's hot it is hot out today and I've

only mode like two times before I think

and yeah it was a lot of work I did end

up falling at one point I was backing up

and stumbled over something and fell on

some gravel and it hurt pretty bad and I

got about two-thirds of the way done

mowing and I came inside to take a

little break and cool off and drink some

water and that's when Jeremiah got home

and he finished the mowing for me which

was nice um but yeah like it felt good

to get out and exercise some but it was

it was a lot of work so I'm exhausted I

just took a shower so yeah I definitely

am not doing anything today um I I mean

I'm gonna like cook dinner and stuff but

I'm not doing any sewing or anything um

but I'm glad I could help out because I

didn't take him very long to do the

other like third of the yard so I'm glad

I could help out even though I'm

definitely gonna be feeling it tomorrow

but yeah that's just I wanted to do a

little update and get this video started

and yeah I will have more to share later

in the week it is Monday and I just got

done recording my voice over for this

week's Whitney Sews tutorial I got my

here then not because of that but

because we're having to reshoot photos

by the time you see this the tutorial

will happen up but I'm doing a step by

step video for Butterick 60 94 and we

had already shot the finished photos a

couple weeks ago but my camera was on

the wrong settings and I had forgotten

that I had turned the ISO up super high

to take some pictures of the kids

because they never stopped moving so I

had to have a really high ISO for that

and I forgot to turn it back down so all

of my pictures are super grainy looking

and I thought I was ok with that I was

like ad we fine I'll make it work

but like the more I looked at him the

more I hated him and I felt like I

didn't feel like anyone would actually

say it but I thought some people might

think like oh well here she is doing

this tutorial for the dress and then

she's using these really sketchy photos

like is her dress even that good or is

she trying to hide like flaws in it or

something and I just want everything I

make something I want it to be something

I can be proud of because I I did do a

really good job on the dress I'm really

proud of it and I want to show all the

nice details so that other people know

that they can follow the tutorial and

make something really nice too so long

story short as soon as Jeremiah gets

home from work tonight we are going to

reshoot photos so I've already fixed my

hair hopefully I can keep it looking

nice for three more hours

if not I'll redo it but you know

hopefully I don't have to and then I can

get some better pictures I have to like

triple check that the settings are right

on the camera yeah and yeah I lost my

train of thought just now anyway so I'm

about to shoot some close-ups of the

dress of like the inside furnishings and

stuff like that

that can't really be done while I'm

wearing it so I'm going to shoot those

and then go ahead and import my

voiceover I might go ahead and start

editing that into the video I'm not sure

and yeah

I feel like I'm doing pretty good I

still have my work night tonight so I'm

hoping I will get this video done and

posted in everything and then have time

to get started on the video that's going

to come out later in the week I forget

which one it is I have tons of videos

planned so sometimes I lose track of the

schedule okay so the one for later this

week is all of my 1940s and 50s inspired

clothing so it's like a clothing haul a

slash clothes I've made that all kind of

fit into the 1940s and 50s theme because

I am kind of trying to change up the way

I dress so that it's more of a classic

inspired wardrobe I know most the time

you all see me in t-shirt and shorts and

stuff but that's because I'm at home

like cooking and taking care of kids but

when I go out places I've been trying to

be more mindful of what I'm wearing and

dressing vintage and stuff just it's fun

it it makes me feel good and it's fun

and yeah I'm really excited about it and

I want to show what I've got so far

I definitely am far from having like a

full wardrobe or I would be wearing it

more often but I think I'm off to a good

start and I can't wait to put that video

together I hope it turns out really good

because I spent a lot of time working on

it so I have a lot of fun things coming

up I also have another sampler so a long

video coming soon

a sew your stash update and

a bag tutorial bag tutorials are very

popular and this is one that I filmed

almost three years ago and then I don't

even really remember what happened but

for some reason I never edited it like

it's one that I'm having to do a PDF

along with it to have all the

measurements and everything's there are

tons of measurements so I think at the

time I got discouraged it was like oh I

don't really know like how to put PDF

together that's gonna look decent but

I've done several PDFs since then so

okay weird but I'm really excited about

I hope that video turns out really good

because it's like three years in the

making

yeah I've got a lot of fun stuff coming

up that I'm really excited about and I

hope everyone likes it and then soon

I'll be having a hundred thousand

subscriber giveaway that is so crazy I

cannot believe that my channel is almost

to 100 thousand subscribers my Whitney

Sews channel so anyway lots of

rambling but I need to stop talking and

photograph the details of my dress so

that I can get started on computer work

it is Wednesday and I just got the kids

down for a nap we actually went to

Joanne's this morning I was wanting to

buy the denim for my 1940s jeans that

I'll be making I had thought the denim

was full price so I was planning on

going and using a 50% off coupon on

about 4 yards of denim which is probably

almost a yard more than what I need but

I want to buy enough just in case but we

got there and come to find out the denim

was 30% off so I didn't end up

purchasing it because I know 20%

difference like from the 30 to 50% off

doesn't seem like a whole lot but when

the original price is 17

dollars a yard and I'll be getting four

yards of it it's a pretty big difference

so even though it is quite a ways to

jo-ann's I decided to not get the denim

the sell runs for another week so I'm

going to go back after that and

hopefully I can get it at a price that

doesn't make me cringe quite so much so

at 50% off it's going to cost me thirty

four dollars for the denim which is more

than I pay for like regular jeans the on

the rare occasion that I buy them full

price or buy them brand-new rather so

yeah it hurts a little to spend that

much on denim but if I bought pre-made

1940s reproduction jeans they would be

about a hundred dollars at the least so

I am still coming out on top in that

sense but I don't really know where else

to look

I looked online at a couple websites and

for the weight of denim that I'm wanting

which is 11 ounce weight or even 11 and

a half possibly 12 ounce I'm not sure

that is the thickness the higher the

number the thicker the denim so I looked

online and the prices I saw online were

about the same as the 30% off price at

Joanns so unless anyone knows of a good

place to get good quality really dark

blue denim that is 100% cotton

I think Joanne's is going to have to be

what I go with there aren't any other

fabric stores really around here anymore

because Hancock's closed helen Enox

fine fabrics closed the discount fabric

store closed because the gentleman

passed away a few years ago and actually

speaking of the fine fabrics place

there's a fine fabrics place that went

out of business a couple months ago I

did several whole videos from there on

my other channel and they were super

nice I got a lot of amazing deals when

they were closing I actually ran into

one of the employees today at Joanns

from Helen Enox and she remembered me

and at first she just had that look like

I know you which is always kind of

interesting because I've been recognized

several times as Whitney from YouTube

and so anytime someone gives me that

look of oh I think I know you I'm always

like do I know this person in real life

or do they know me through the internet

like I don't know what to say and then

she goes you you came into Helen Enox

didn't you I was like yeah yeah I did

and at first I was like man how did she

remember me you know and then I realized

it's the kids I had both kids with me

they're fairly loud they're fairly loud

most of the time and they had been with

me almost every time I've gone into

Helen Enox so um that's how she

remembered me it was because when you

have a two year old and a three year old

and you are a fairly young seamstress or

you know fairly young looking it makes

you kind of memorable but it was super

nice to see her and talk to her and

everything anyway

I am off my point I had hoped to get

denim so I could start in on my pants

but it's gonna be at least another week

before I can get the denim but I did

pick up one thing while we're there I

looked at the remnants and I found this

cute little dinosaur print fabric it was

regular $9.99 a yard and I got 0.945

yards so almost a yard and the fabric

was 40% off right now so the remnant was

50% off whatever the current price is so

it is so $9.99 a yard and then 40% off

so six dollars the yard and

and half off because it's a remnant so

it came down to $3 a yard so not a bad

price and it's so cute I am trying to

come up with something I could make for

Peyton or Skyler out of it I thought

maybe a dress would be really cute but

we're going to come into like fall in

winter time soon so I'm not really sure

I may just put off making it I'm not

sure I also thought an overall dress

would be cute where it's like denim or

or chambray or something up at the top

and then a little skirt at the bottom

that's made out of this print or I could

like use one of their button-up shirts

it's getting a little too short and add

like a skirt to it and so lots of

different options I'm not really sure

what I'll do and like I said I might

wait until next spring so I don't make

it right before winter hits and then

they not get to wear very often because

of the cold and then outgrow it by next

year so but I did want to go ahead and

pick it up because it's just so stinking

cute yeah and a really good deal too so

that's a tip if you're ever at Joanns

and you're looking at the remnants they

say they're half off but they're

actually half off whatever the current

price is my mom and I have gotten some

really good deals on enjoyin remnants in

the past so it's always a good idea to

go and check them out if you make things

that use less than a yard of fabric so I

think that is it for today I need to sew

but I think I would leave some more

computer work today I need to edit my

vlog that's gonna go up in a couple days

and I also have some other things to

work on on my computer so I think I'll

do that today it is a Thursday and I

wanted to tell a little story from the

thrift store today we went to the thirst

or because it's half-price Thursday and

normally we go buy the kids toys and

which is right across from at the crafts

and sewing fiction that's usually one of

the first areas we go past just to kind

of get it out

way so the kids aren't complaining the

whole time going I want to go look at

the toys I want to go look at the toys

so instead we actually went and looked

at clothes first and because I had a few

things that I wanted to look for and

then we looked at books and we roamed

all around the store and everything and

then we finally made it over to the kids

area which is like I said across from

the sewing section like right at the end

and lo and behold they had three big

boxes of sewing patterns they hardly

ever have good sewing patterns at this

thrift store so it was a total surprise

and I went through all three boxes and I

ended up getting three patterns they

were regular fifty-five cents each so it

was half off of that today and a lot of

the patterns were from like the 80s and

90s which doesn't really appeal to me

that much but then so we get in line for

the checkout and this lady gets in line

behind us and she had at least thirty

sewing patterns in her cart and of

course she had ones that I was super

interested in so apparently we had been

in the store for like an hour and a half

so we had actually gotten in the store

before that lady but since we roamed

around the whole rest of the store

before going and looking at the patterns

that other lady went to the patterns

first and got all the good ones which

I'm not complaining she was super nice

she actually let me look at some of them

just for the heck of it you know I

wasn't gonna like stealing from her but

um she had some from like the early 50s

that really appealed to me and all of

that so I'm glad somebody got them but I

wish it would have been me but it's

probably a good thing because I would

have wanted to buy a ton of them and we

all know I don't really need more sewing

patterns and that lady also got fabric

too because we didn't head straight to

the fabric either so she did get some

fabric that kind of interested me but

yeah so I did want to show the three

patterns that I did end up getting

I don't have a whole lot of men's

patterns in my sewing stash and I did

not check these to make sure they are

whole but hopefully they are but the

first one that I grabbed is this one it

is from 1971 and it's kind of like a

robe or smoking jacket kind of pattern I

just thought it was kind of interesting

and then I have this shirt that Jeremiah

had found a thrift store

that's like 3x or 4x or something crazy

and it has like old cars on it and he

wanted it resized to a wearable size for

him so I've been on the lookout for a

nice men's shirt pattern so I did grab

this one

it's from 1995 so I'm gonna see if I can

use this as my pattern to resize the

other shirt I could probably do it

without a pattern but I just feel more

comfortable if I take the original shirt

apart and then at least have a guide on

what I can cut this I the pieces down to

to make it look right and then sew it

all back together so I'm going to show

this to Jeremiah see if that interest is

interests him at all and then the last

pattern I picked up is from 1951 I think

it said where to say it on 1959 and it

is his and her robes and Beach cover-ups

yeah so it says men and women monogram

robe in two lengths with shoulder seams

for lounging or beach wear this pattern

though is in the men's size it is size

large men's I think maybe yeah yeah

so this is the men's size and I just

thought it was kind of cute I don't know

if I'll use it or not

yeah fun to have so those are the three

patterns that I picked up they did have

a couple of other ones that interested

me that were from the 50s I brand called

an Addams or something like that I think

they used to come a sewing magazines I

could be wrong but I've never seen them

in an envelope I've always just seen

them except like the instructions and

pattered pieces folded together so I

think they came like mail order one of

them was a cute design that actually

thought would be something that I might

would make but it was size 22 and a half

and I looked at their sizing guide and

in that brand I am about a twelve and a

half so it was enormously larger than

my measurements so I didn't figure it

was worth it I do have a lot of vintage

patterns that aren't my size but I

bought them more freely inspiration and

this one I was looking at for actually

using so I just felt it was better to

leave it in the store and maybe someone

who is closer to the right size will

find it and want to buy it so anyway

that's my little haul today we did get

some other stuff but I just wanted to

share the patterns with you and then I'm

going to do some sewing on memory bears

so that is it for today

For more infomation >> Planning Sewing Projects | Week in the Life | Whitney's Tiny Life - Duration: 21:44.

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50+ Creative Backyard Dog House Ideas | Garden Ideas - Duration: 6:30.

For more infomation >> 50+ Creative Backyard Dog House Ideas | Garden Ideas - Duration: 6:30.

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Sailing Messenger Ep 13 algarve - Duration: 11:41.

For more infomation >> Sailing Messenger Ep 13 algarve - Duration: 11:41.

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😎Speed Run 7# ραи∂α ραякσυя [900k] 😎 KoGaMa (Lisiasty dostał makaronem?) - Duration: 5:29.

For more infomation >> 😎Speed Run 7# ραи∂α ραякσυя [900k] 😎 KoGaMa (Lisiasty dostał makaronem?) - Duration: 5:29.

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PUBG EFSANE VURUŞLARI ! (OHA) - Duration: 5:15.

For more infomation >> PUBG EFSANE VURUŞLARI ! (OHA) - Duration: 5:15.

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What is Love? (Collab. Kind of!) - Duration: 10:17.

The English subtitle starts from 0:21

Hey guys, so I recently met up with a youtuber in Korea and his name is Sharoon.

And on his channel

he mainly deals with the topic of relationship and love. I'll put the link to his channel in the description box.

Anyways, we met up and we sat down and we talked for hours and it was really fun.

And we had a really good time.

But the video did not turn out to be you know that much

satisfactory for both of us so we decided not to edit it

but there were some parts that I thought would be pretty fun to share with you guys

So what I decided to do is in this video

I'm going to talk about what is love alone and

I'll put some parts of the conversation that we had at the end of this video.

So let's get started!

My straightforward answer to the question what is love is,

love is when the happiness of others is more important than yourself

and I understand that what I just said is very much likely

to leave room for misunderstanding and

misinterpretation, and it might even sound like sacrifice

you know giving up my well-being for

another person's well-being, whatever that well-being means.

So now I want to share some of what's written in the book called The Road Less Traveled

which is a book that's amazing. I recommend that you read when you have free time.

It's a book about

spiritual growth and love both of which are mutually inclusive. So the first part it goes like this:

I define love tha's the will to extend oneself for the purpose of nurturing one's own or

another person's spiritual growth.

And I think before we even understand what love or a loving relationship is,

we need to first understand what happiness and spiritual growth is

which I believe go together.

um

There's a novel that I read a few years ago, and it's called by the river Piedra

I sat down and wept written by Paulo Coelho and it's a beautiful story about love between two people who fall

deeply and madly in love with each other

and deepen their spiritual wisdom and understanding through that love.

But at the end of the book, Pillar, which is the name of the female character,

and by the way, the man's name is nowhere written in the book. So I'll just call him the man.

So pillar makes a voluntary choice that is painful for both him and her

which is to give up their relationship

for the sake of what she knows is important for him.

So it would be safe to say that she gave him up for the sake of love and it was a perfect love.

To understand why their love can be considered perfect and beautiful,

I want to share another part of the book The Road Less Traveled.

It's a bit long, but it's more interesting

So it goes like this:

Love is not a feeling. The feeling of love is the emotion that accompanies the experience of cathecting.

Cathecting is the process where an object becomes important to us.

Once cathected, the object, commonly referred to as a love object, is

invested with our energy as if it were part of ourselves.

And this relationship between us and the invested object is called a cathexis.

The misconception that love is a feeling exists because we confuse cathecting with loving.

This confusion is understandable since they are similar processes, but there are also striking differences.

First of all, we may cathect any object animate or or inanimate with or without spirit.

Thus a person may cathect the stock market or a piece of jewelry and may feel love for these things.

Second the fact that we have cathected another human being does not mean that we care a whit for that person spiritual development.

The dependent person, in fact, usually fears the spiritual development of a cathected spouse.

Third, the intensity of our cathexis frequently has nothing to do with wisdom or commitment

Two strangers may meet in a bar and

cathect each other in such a way that nothing is more important for the moment than their sexual consummation.

Finally, our cathexis may be fleeting and momentary.

Immediately following their sexual consummation the couple may find each other unattractive and undesirable.

We may decathect something almost as soon as we have cathected it.

That is not to say though that the partners in a stable and constructive relationship do not cathect each other.

They do.

What it does say is that genuine love transcends the matter of cathexis.

When love exists, it does so with or without cathexis and with or without a loving feeling.

It is easier and fun indeed to love with a feeling of cathexis or

with a feeling of love

It is possible to love without cathexis and cathect without loving feelings

and it is in the fulfillment of this possibility that genuine and transcendent love is

distinguished from simple cathexis.

The key word in this distinction is will.

I have defined the love as the will to extend oneself for the purpose of nurturing one's own or another's spiritual growth.

Genuine love is

volitional, which means voluntary, rather than emotional.

The person who truly loves does so because of a decision to love.

This person has made a commitment to be loving

whether or not the loving feeling is there.

True love is not a feeling by which we are overwhelmed.

It is a committed,

thoughtful decision.

So Pillar and the man's love was

beautiful from the beginning because it was mutual and it was committed

and the cathexis was there as well.

But it became even more

beautiful and genuine at the end, because pillar loved him perfectly.

I won't go into details because it could be a spoiler

but she gave up herself,

she gave up her need and want of him or the fear of pain after the split

because she felt that

protecting the man's spiritual power and the influence that will have on others

is way more important than her fear and her desire.

So their love was made perfect, even if they didn't end up together and

because of that love both of them were able to continue on with a spiritually growing self and

recognize and rejoice the true bliss that come through that love.

So that's all I want to share in this video and I hope this video reminded you or at least made you think about

what true love is

if you ever dreamed of you know genuine and true perfect love

I guess like everybody else.

Bye.

For more infomation >> What is Love? (Collab. Kind of!) - Duration: 10:17.

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【pupa】START:DASH【歌ってみた】 - Duration: 1:55.

For more infomation >> 【pupa】START:DASH【歌ってみた】 - Duration: 1:55.

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A Quiet Place — Telling a Story with Sound - Duration: 12:09.

Hi, I'm Michael.

This is Lessons from the Screenplay.

(monster lands)

Sound always plays a particularly important role in the horror genre,

whether it's a hair-raising score, a terrifying effect,

or just a noise that gives away a character's location.

(crash)

But "A Quiet Place" takes this a step further,

making sound itself a key element of the story.

(noise on roof)

As writer/director John Krasinski said:

"The sound design is a main character in the movie...

The guys designing the sound, Ethan and Erik,

they're the most talented guys in the world.

You really got to see the art form of sound design at the highest level.

"Alright. Ethan, take one."

"Hi, I'm Ethan Van der Ryn."

"My name is Erik Aadahl.

I'm one of the supervising sound editor-…

(together) …sound designers on 'A Quiet Place.'"

Through my friend, Michael Coleman over at SoundWorks Collection,

I actually had a chance to visit the Warner Brothers lot

and sit down with Ethan and Erik to discuss the sound design process.

So today, I'll be asking for their input

as we look at the ways sound can be used to affect the emotion of a story…

Why thinking about sound during the screenwriting stage is so important...

And how contrast and dynamics can make or break a film.

Let's take a listen to "A Quiet Place."

In his book, "Screenplay," Syd Field says of writing sound into a script...

...almost nothing.

He all but dismisses it as something that will be added after the movie is finished.

In fact, most screenwriting material has very little to say on the subject of sound.

So when Scott Beck and Bryan Woods set out to start writing "A Quiet Place,"

they knew they had a challenging and unusual task ahead of them.

In a blog the duo wrote for Indiewire, they said of the process:

"Writing a silent movie isn't easy.

You can't use dialogue as a crutch.

And you can't bore the reader with blocks of description…

This process forced us to take an unorthodox approach to screenwriting,

in which we threw formatting styles to the wind."

In a normal screenplay, sound is often just written plainly in the action lines,

or sometimes it may be in all caps.

But one glance at the original script for "A Quiet Place" immediately shows

how far Beck and Woods took their experimental formatting,

which includes handwritten words, pictures of props,

and even charts and facts which may be fun for the reader

but are pretty useless to a filmmaker.

This screenplay breaks almost all the formatting rules,

but I will admit that the stylized nature is particularly effective

in its representation of sound.

Looking at the first two pages,

certain words are underlined to draw focus to the silence of the environment.

These underlined words stand out and give us a clear sense

that silence plays an important role in this family's life.

Similarly, Beck and Woods play with caps, font size, and word placement

to communicate silence, tension, and pacing.

In an especially tense moment, as the monster stands between the father and his family,

the script goes so far as to limit each page to a few words.

With each page the font size increases, highlighting the tension and need for absolute silence.

Ethan: "I love it when there's sound directions written into the script.

I think that it's so important for screenwriters when they're when they're writing

to actually be thinking about what is happening sonically in the world,

because it's a big part of the storytelling."

In many ways sound is one of the most under-appreciated

and under-utilized storytelling tools.

Erik: "We experience movies with two senses: our sight and our hearing.

I believe strongly that the hearing part of it is half of the experience."

We tend not to notice how important sound is until it's absent,

and it's precisely because it affects us in this unconscious way that it is so powerful.

Erik: "Walter Murch had this great saying, he said:

'Images come in through the front door but sound comes in through the back door.'

So you can be a lot sneakier with manipulation."

(creature sound)

Erik: "You can dig into that reptilian part of the human senses

and in a way with sound become kind of in a puppet master of emotions."

When writing, one of the most important goals

is to make the audience empathize with your characters,

and the same is true of the the sound design process.

Ethan: "Within every storytelling process there's going to be moments

where we want to experience what the characters are experiencing in a visceral way

and I think sound is really one of the key tools that we have as filmmakers

to help create that experience."

An example of this is found in the original screenplay for "A Quiet Place."

There is a moment that is written in such a way

that the reader perceives the action from a single characters perspective because the sound.

"Exterior: woods.

Path, afternoon.

April gets very still.

She turns up the volume on her hearing aid.

Just faintly, through the high frequency static, we hear the baby crying in the distance.

April stifles her breathing.

The sound of something else continues breathing behind her.

Out of focus, just ten feet away, we see it move slowly towards the sounds."

Writing the moment this way makes the audience experience the story events

through the point of view of the character,

and this technique was utilized several times in the final film.

(heartbeat)

Erik: "There's a number of different sonic points of view in the film from the creatures

and the family members…"

(monster's perspective of clock ticking)

Erik: "One of the central ones for us, design-wise, was for the daughter

Regan played by Millicent Simmonds,

who, in real life she's deaf.

And in the film her character is deaf as well.

So for a film that is so much about sound,

we felt it was really important to right from the beginning sequence

put the audience into her shoes and what it's like to live with a cochlear implant."

(toy beeping)

Erik: "So we get these shifts in the sound..."

(toy beeping)

(sound cuts out)

"...that I think helped connect the audience to her character."

(silence)

Experiencing the film from the sonic perspective of Regan

helps the audience empathize with her character,

but it's also the fact that these shifts are so stark that helps make them so powerful.

Erik: "We wanted to do really nice, hard cuts into it.

So you could really feel the shift of contrast between:

'here's atmospheric sounds that the other characters would be hearing, and woosh—

now we go into her head and there's this sort of low tone going under it.' "

This underscores the idea

that whether you're designing the sound for a film, or the plot of a film,

it's important to remember the need for dynamics.

When Beck and Woods began working on "A Quiet Place,"

it didn't take them long to realize it couldn't just be a movie devoid of sound.

Scott Beck said of the process,

"You had to figure out the pacing,

because you couldn't constantly have silence permeate the entire film.

You had to envision where there might be sound design moments."

But why?

Why was that such a crucial part of the development of the story?

Ethan: "Imagine a wavelength, of little difference between the top amplitude and the

lowest amplitude.

Everything starts to flatten out,

and what that does is it starts to flatten the experience out for the audience.

You start to disengage, and you push back from the screen,

and you push back from the experience."

If every sound in a movie was played at a loud volume from beginning to end,

not only would it be really annoying,

it would prevent any particular loud moment from being impactful.

So in "A Quiet Place," the sound is designed to be dynamic.

Sequences often begin at a low volume, and increase over time.

(yell)

What's important to note is that this mirrors the plot design of these sequences as well.

As tension builds, the sound builds...

...until they both reach the climactic breaking point...

(screaming / explosions)

But even then, neither the plot or sound stays at 100% for long…

(explosions trail off)

as the volume drops low again as the tension is reset.

This dynamic flow can play out not only over the course of an entire sequence,

but within a few moments of a scene.

Erik: "My favorite moment there is at the very end of the film where

the two kids are in this pickup truck.

Regan's hearing aids starts 'fritzing' and she switches it off.

Complete digital silence.

She's looking at her brother, who's looking past her,

and his face just blossoms into this look of sheer terror…

(crash / snarling)

…and that counterpoint—having this incredible performance, this really intense situation,

but just nothing supporting you, sound-wise it's just…

silence.

To me, that's like the most terrifying thing I've ever experienced.

So that was really fun."

This is a good reminder that sometimes silence is the best way to create suspense,

but after a long period of tension,

it's good to give the audience some catharsis before they're ready for more.

(muffled hoot)

Erik: "I think the best movies are scripted with sound in mind.

If you can build sound into the into the DNA of your script

then you're just gonna have a better movie every time."

Scott Beck and Bryan Woods's unconventional approach to screenwriting

may not supplant the decades-old formatting we're used to,

but it is a good example of what storytellers can do

when they appreciate the importance of sound.

It can connect us to a character in an emotional way,

making us immediately empathize with their situation.

And just like any element of filmmaking,

sound is most effective when it's utilized in dynamic ways to create moments of contrast.

(clanging)

And it underscores the power of dynamics—

reminding us that the plot of a film should flow between emotional states,

and that the loudest sound can only come

from a quiet place.

When I sit down to watch a movie,

it's often hard to turn off the analytical part of my brain and just enjoy it.

But when I listen to a story,

the emotion bypasses my conscious self and is often a much more moving experience.

Which is why I love listening to Audible.

Audible has the largest selection of audiobooks on the planet,

and since I just released a video on No Country for Old Men,

I think its the perfect time to recommend checking out the book.

While the film is fantastic for many reasons,

the amazing story all came from Cormac McCarthy's book.

And you can get the audiobook for No Country for Old Men for free

when you start a thirty-day trial by going to audible.com/lfts

or texting "lfts" to 500500.

Once again that's audible.com/lfts or text "lfts" to 500500

to start a thirty-day free trial.

Thanks to Audible for sponsoring this video.

Hey guys, hope you enjoyed the video.

I want to say a big thank you to Ethan and Erik for taking time out of their very busy

schedules to talk about the importance of sound.

I also want to thank my friend Michael Coleman for connecting me with Ethan and Erik.

If you want to learn more about sound for film, you should definitely check out his

website, soundworkscollection.com.

He has a ton of awesome blog articles, and an audio podcast, and video profiles—

all filled with great information about sound for film.

Thank you, as always to my patrons on Patreon and supporters here on YouTube

for making this channel possible.

If you enjoyed the interviews consider supporting the channel on Patreon so I can do more,

and as extra content, I'll be sharing the full interview with Ethan and Erik

with all my supporters and patrons.

Thank you for watching, and I'll see you next time.

For more infomation >> A Quiet Place — Telling a Story with Sound - Duration: 12:09.

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SİYAH PİLAV NASIL YAPILIR ? - Tuğba Turan Yıldız - Sağlıklı Tarifler - Duration: 3:40.

Materials 1 water black black rice (2-3 hours in water) Half-watered peas Fresh onion Parsley Mint 1 squash Bacon Salt Black pepper Cinnamon Cumin

We cook black rice for 15 minutes 2-3 hours in advance in water

Half-watered peas

Bacon

Oil

Fresh onion

1 squash

Parsley

Mint

Salt

Black pepper

Cumin

Cinnamon

Half a teaspoon of water

For more infomation >> SİYAH PİLAV NASIL YAPILIR ? - Tuğba Turan Yıldız - Sağlıklı Tarifler - Duration: 3:40.

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How urban spaces can preserve history and build community | Walter Hood - Duration: 14:15.

How can landscapes imbue memory?

When we think about this notion "e pluribus unum" --

"out of many, one,"

it's a pretty strange concept, right?

I mean, with all different races and cultures of people,

how do you boil it down to one thing?

I want to share with you today this idea of "e pluribus unum"

and how our landscape might imbue those memories of diverse perspectives,

as well as force us to stop trying to narrow things down

to a single, clean set of identities.

As an educator, designer,

I'd like to share with you five simple concepts

that I've developed through my work.

And I'd like to share with you five projects

where we can begin to see how the memory around us,

where things have happened,

can actually force us to look at one another in a different way.

And lastly: this is not just an American motto anymore.

I think e pluribus unum is global.

We're in this thing together.

First, great things happen when we exist in each other's world --

like today, right?

The world of community gardens --

most of you have probably seen a community garden.

They're all about subsistence and food. Right?

I'll tell you a little story,

what happened in New York more than a decade ago.

They tried to sell all of their community gardens,

and Bette Midler developed a nonprofit, the New York Restoration Project.

They literally brought all the gardens

and decided to save them.

And then they had another novel idea:

let's bring in world-class designers

and let them go out into communities and make these beautiful gardens,

and maybe they might not just be about food.

And so they called me,

and I designed one in Jamaica, Queens.

And on the way to designing this garden,

I went to the New York Restoration Project Office,

and I noticed a familiar name on the door downstairs.

I go upstairs, and I said,

"Do you guys know who is downstairs?"

And they said, "Gunit."

And I said, "Gunit?

You mean G-Unit?

Curtis '50 Cent' Jackson?"

(Laughter)

And they said, "Yeah?"

And I said, "Yes."

And so we went downstairs, and before you knew it,

Curtis, Bette and the rest of them formed this collaboration,

and they built this garden in Jamaica, Queens.

And it turned out Curtis, 50 Cent, grew up in Jamaica.

And so again, when you start bringing these worlds together --

me, Curtis, Bette --

you get something more incredible.

You get a garden

that last year was voted one of the top 10 secret gardens in New York.

Right?

(Applause)

It's for young and old,

but more importantly, it's a place --

there was a story in the Times about six months ago

where this young woman found solace in going to the garden.

It had nothing to do with me. It had more to do with 50, I'm sure,

but it has inspired people to think about gardens

and sharing each other's worlds in a different way.

This next concept, "two-ness" --

it's not as simple as I thought it would be to explain,

but as I left to go to college, my father looked at me,

and said, "Junior, you're going to have to be both black and white

when you go out there."

And if you go back to the early parts of the 20th century,

W.E.B. Du Bois, the famous activist,

said it's this peculiar sensation

that the Negro has to walk around

being viewed through the lens of other people,

and this two-ness, this double consciousness.

And I want to argue that more than a hundred years later,

that two-ness has made us strong and resilient,

and I would say for brown people, women --

all of us who have had to navigate the world through the eyes of others --

we should now share that strength to the rest of those

who have had the privilege to be singular.

I'd like to share with you a project,

because I do think this two-ness can find itself in the world around us.

And it's beginning to happen where we're beginning to share these stories.

At the University of Virginia,

the academical village by Thomas Jefferson,

it's a place that we're beginning to notice now was built by African hands.

So we have to begin to say,

"OK, how do we talk about that?"

As the University was expanding to the south,

they found a site that was the house of Kitty Foster,

free African American woman.

And she was there,

and her descendants,

they all lived there,

and she cleaned for the boys of UVA.

But as they found the archaeology,

they asked me if I would do a commemorative piece.

So the two-ness of this landscape, both black and white ...

I decided to do a piece based on shadows and light.

And through that, we were able to develop a shadow-catcher

that would talk about this two-ness in a different way.

So when the light came down,

there would be this ride to heaven.

When there's no light, it's silent.

And in the landscape of Thomas Jefferson,

it's a strange thing.

It's not made of brick.

It's a strange thing,

and it allows these two things to be unresolved.

And we don't have to resolve these things.

I want to live in a world

where the resolution --

there's an ambiguity between things,

because that ambiguity allows us to have a conversation.

When things are clear and defined,

we forget.

The next example? Empathy.

And I've heard that a couple of times in this conference,

this notion of caring.

Twenty-five years ago, when I was a young pup,

very optimistic,

we wanted to design a park in downtown Oakland, California

for the homeless people.

And we said, homeless people can be in the same space

as people who wear suits.

And everyone was like, "That's never going to work.

People are not going to eat lunch with the homeless people."

We built the park.

It cost 1.1 million dollars.

We wanted a bathroom.

We wanted horseshoes, barbecue pits, smokers,

picnic tables, shelter and all of that.

We had the design, we went to the then-mayor

and said, "Mr. Mayor, it's only going to cost you 1.1 million dollars."

And he looked at me.

"For homeless people?"

And he didn't give us the money.

So we walked out, unfettered, and we raised the money.

Clorox gave us money.

The National Park Service built the bathroom.

So we were able to go ahead

because we had empathy.

Now, 25 years later,

we have an even larger homeless problem in the Bay Area.

But the park is still there,

and the people are still there.

So for me, that's a success.

And when people see that,

hopefully, they'll have empathy for the people under freeways and tents,

and why can't our public spaces

house them and force us to be empathetic?

The image on the left is Lafayette Square Park today.

The image on the right is 1906, Golden Gate Park after the earthquake.

Why do we have to have cataclysmic events

to be empathetic?

Our fellow men are out there starving,

women sleeping on the street, and we don't see them.

Put them in those spaces, and they'll be visible.

(Applause)

And to show you that there are still people out there with empathy,

the Oakland Raiders' Bruce Irvin

fries fish every Friday afternoon

for anyone who wants it.

And by going to that park, that park became the vehicle for him.

The traditional belongs to all of us,

and this is a simple one.

You go into some neighborhoods -- beautiful architecture, beautiful parks --

but if people look a different way,

it's not traditional.

It's not until they leave and then new people come in

where the traditional gets valued.

A little quick story here:

1888 opera house,

the oldest in San Francisco,

sits in Bayview–Hunters Point.

Over its history,

it's provided theater,

places for businesses, places for community gatherings, etc.

It's also a place where Ruth Williams taught many black actors.

Think: Danny Glover --

came from this place.

But over time, with our 1980s federal practices,

a lot of these community institutions fell into disrepair.

With the San Francisco Arts Council, we were able to raise money

and to actually refurbish the place.

And we were able to have a community meeting.

And within the community meeting, people got up and said,

"This place feels like a plantation. Why are we locked in?

Why can't we learn theater?"

Over the years, people had started putting in chicken coops, hay bales,

community gardens and all of these things,

and they could not see that traditional thing behind them.

But we said, we're bringing the community back.

American Disability Act -- we were able to get five million dollars.

And now, the tradition belongs to these brown and black people,

and they use it.

And they learn theater,

after-school programs.

There's no more chickens.

But there is art.

And lastly, I want to share with you a project that we're currently working on,

and I think it will force us all to remember in a really different way.

There are lots of things in the landscape around us,

and most of the time we don't know what's below the ground.

Here in Charleston, South Carolina,

a verdant piece of grass.

Most people just pass by it daily.

But underneath it,

it's where they discovered Gadsden's Wharf.

We think more than 40 percent of the African diaspora landed here.

How could you forget that?

How could you forget?

So we dug, dug, and we found the wharf.

And so in 2020,

Harry Cobb and myself and others

are building the International African American Museum.

And it will celebrate --

(Applause)

this place where we know, beneath the ground,

thousands died, perished,

the food chain of the bay changed.

Sharks came closer to the bay.

It's where slaves were stored.

Imagine this hallowed ground.

So in this new design, the ground will erupt,

and it will talk about this tension that sits below.

The columns and the ground is made of tabby shales

scooped up from the Atlantic,

a reminder of that awful crossing.

And as you make your way through on the other side,

you are forced to walk through the remains of the warehouse,

where slaves were stored

on hot, sultry days, for days,

and perished.

And you'll have to come face-to-face

with the Negro,

who worked in the marshes,

who was able to, with the sickle-cell trait,

able to stand in high waters for long, long days.

And at night, it'll be open 24/7,

for everybody to experience.

But we'll also talk about those other beautiful things

that my African ancestors brought with them:

a love of landscape,

a respect for the spirits that live in trees and rocks and water,

the ethnobotanical aspects,

the plants that we use for medicinal purposes.

But more importantly,

we want to remind people in Charleston, South Carolina,

of the black bodies,

because when you go to Charleston today,

the Confederacy is celebrated,

probably more than any other city,

and you don't have a sense of blackness at all.

The Brookes map,

which was an image that helped abolitionists see

and be merciful for that condition of the crossing,

is something that we want to repeat.

And I was taken by the conceptuality

of this kind of digital print that sits in a museum in Charleston.

So we decided to bring the water up on top of the surface,

seven feet above tide,

and then cast the figures full length, six feet,

multiply them across the surface,

in tabby,

and then allow people to walk across that divide.

And hopefully, as people come,

the water will drain out,

fill up,

drain out and fill up.

And you'll be forced to come to terms with that memory of place,

that memory of that crossing,

that at times seems very lucid and clear,

but at other times, forces us again to reconcile the scale.

And hopefully, as people move through this landscape every day,

unreconciled, they'll remember,

and hopefully when we remember,

e pluribus unum.

Thank you.

(Applause)

For more infomation >> How urban spaces can preserve history and build community | Walter Hood - Duration: 14:15.

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Votre rapport à la pub - Duration: 1:24.

For more infomation >> Votre rapport à la pub - Duration: 1:24.

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Player Spotlight: Episode 1 | ISURUS Gaming BEAST - Duration: 36:19.

Welcome everybody!

this is just a head up to let you know that

this series started and will continue on my twitch channel

the link will be down in the description

But right now we're importing it to video format here

to give the series more exposure

You may ask "what's this series about?"

The series consists of Overwatch Contenders South America

players analyzing their own plays from this regular season (Season 2)

so that you guys can have an inside view

of what goes inside the players mind "live"

I hope you enjoy the video

I'll leave you with an incredible analysis with BEAST, from Isurus Gaming

Ok, let's start

Welcome BEAST!

We're here peeps, with a new content series

that I'm trying to pull out to enhance the exposure

South American Contenders players receive

seeing that apparently, it's not enough for them to be amongst

the highest rated world wide,

and that they play international championships with lag...

We gotta do more things, so, here we are!.

In this series I'll take Contenders South America players

and have them analyze their own plays from this regular season (season 2)

HIGHLIGHTED PLAYS, in this case:

we have BEAST

and the play is the one we put aside for our contenders recap

which you can check out on facebook (blizzardesportslatam)

and, well. BEAST will try to, nay, will give you.

an insight or a "behind the scenes"

of how he thinks or runs things

why he did what he did, and what makes that elevetad level of gameplay

So, welcome again BEAST.

Hey Onarr,

first off, thanks for making this space for us

It'll be my pleasure to break this play

from the match vs pain down for everybody.

Yeah, It was a great match between you two, honestly.

We'll be able to pick up on a lot of data that usually goes overseen.

Also, we didn't run the whole play,

since it was pretty long.

But from where we pinned it down until where the play ends,

where you guys come up with that defense on point B

You can see a lot of interesting stuff

Specially, a nice camera angle where we can see your position,

and then, due to the fact that you provided with your POV

(Point of View from that play)

I think that people will have "both sides of the story"

what the casters see,

which I pulled directly from our stream

and then what YOU saw, that gives a lot more data of course.

So, if you agree, we can set off

with the analysis of the play...

Great!, let's start with long camera shot (casters view)

and you can start commenting what's going on, lightly

the reason of each players's position

or how do you manage to regroup

after this attack from pain (which let them capture point A)

First off, Pain was very pressured

time wise.

This is due to the fact that

they took too long to capture A

Well, they didn't take too long to capture the point, they were short on time

to like.... finish the push.

They needed to get to the end of the 3rd point,

so... we weren't going to waste many resources on

teamfights that we didn't necessarily have to win

What we did then, is to force a fight

in the first part of point B

with the precondition that we would only commit if one of the supports died

which we assumed, had their ults

We specifically thought mercy had ult,

and the zenny aswell.

Actually, zenny was a bit short of ult in my mind.

but for logistics reasons, we assumed he did have it.

Seeing that, we said "ok, if none of the supports die",

we won't commit.

we'll make what's known as a "dry push" or "eco"

Once we DO lose the fight,

I recall xRavaged is the only one left alive. At that point, he knew we had to reset

cause everybody was calling out "reset"

we pull back, we regroup.

While we were regrouping we used that time to call out enemy ultimates

and I think the only one we weren't sure on was

the D.VA one if I'm not mistaken. But it wasn't too relevant after all.

When we're about to go out,

I think that

Klaus is the one that's able to sneak in from a diferent angle.

And the rest of us come out of the exit on the right (defender's view)

the right side choke

the "attack" was led by xRavaged and myself,

So the first I do, since I'm the first one out of the choke

I call the enemy tanks positions, the tanks were really presurring us on the front.

the D.VA was in one of the highgrounds, the monkey on the other one behind it.

So in order to leave the choke without so much presurre,

I jump ON the monkey (which was on the further back high-ground

so that the enemy would have to retaliate on me

and so, letting my team leave the choke without contest

I get the Winston OFF his high-ground

D.VA turns back onto me, winston has to waste his jump to leave.

We forced winston's ult cause he was about to die

then we took out D.VA's mech, although she calls it back using her ult.

so

winston ults

(He was basically "feeding" behind us cause he got zoned out)

and in the moment their D.VA calls the mech back, and the winston used up his bubble, his jump

ults and then we beat him up really hard

and then JUMPS onto the payload, in that moment, I thought "I gotta ult"

"they don't have any cd's left", "they don't have dome" "they don't have jump or any mobility left"

I knew that D.VA and Winston will die for sure

the supports were a plus, I didn't intend to kill them, it just happened.

I think Hanzo also died to my ult.

My ultimate was meant to "clean up" the payload

but I was certain Winston and D.VA would die, and they did.

I threw the ult mid-range in the air since I knew there was a Mercy,

and maybe I'd be able to kill her, or maybe not.

Also, the great thing about throwing the ult mid-range in the air when there's a payload

is that you can't hide behind the payload

they can't crouch or anything

If you throw it up correctly, that is.

that's how I planned my ult.

It came with a "retake" plan

Cause I didn't PLAN the ult itself prior to the fight

It was completely circumstancial

I saw the opportunity and I seized it.

It's not like we said "we got a fight on the payload, I'll ult"

Right, and that's something that we can clearly see right now with this video with your POV

and you can really tell, more than when you see if from the long shot.

What we get from the bird's eye view/long shot is a more enhanced view ofthe enemyand ally positioning

which, as you mentioned, the enemy had both high-ground under their tanks's control

and at the same time, you can see where you guys are going to come out from,

since we have that trace over the walls, the "observer view"

and that let's us see your pathing plus

(pathing through the right side)

And so, I think the way you initiated was

VERY efficient

just for the fact that

you guys have an amazing coordination on the engage,

to go out the door and not loose any time

you guys opened SO much space up for Klaus

and we know what Klaus is capable of with Tracer

or Valen with any DPS

So by opening that much space, I also think

you guys adapted really well, which isn't easy at all

in any Contenders or Overwatch League

because you're playing against people of the same level,

and they'll try to push you, and any mistake can cost you a lot,

specially when you're that close

But after being able to see the play from your POV

You positioned yourself, you jump on the monkey,

You get him OFF the high-ground and do MASSIVE dmg to him

and then you instantly switch focus to D.VA's mech

That's what I wanna highlight the most

and I'd like you to explain to me: "what's on your mind when you adapt like that?", in this case, you prioritized D.VA's mech right after denying them high-ground

what's it added value instead of the winston, or going straight for the backline

As I said, Winston had ult,

so I knew that up to certain point,

if I focused him, he would ult and D.VA would have been able to get away.

so....

Winston was in a bad position already, he had wasted cd's

specially his jump and bubble

so he didn't have a clear way to escape

but I knew he had ULT

So...

in the exact moment I...

do certain dmg to him, he was gonna ult

and I had thought he'd escape or

he would do some dmg and leave

the D.VA, instead,

was much more compromised

she had ult and a D.VA ult in overtime is very dangerous, so you wanna deny it if possible

So as she was mispositioned and had already wasted her boosters,

so I just switched focus to her, Alan (DDX) put discord on her and pinned her down

which he had called out, as you can hear in the video

so we kill the D.VA and inmediately

we switch focus back to the Winston which was behind us by himself

cause if there's no D.VA

Winston doesn't have too much survivability

there's very little healing Zenyatta can provide

and if he doesn't have the pressence of a D.VA to split the dmg

or her matrix to absorb some dmg

the Winston will die instantly, even if he has Primal Rage on

his ult won't last much if there's 6 people focusing him with discord

that 1000 hp will drop in 3 seconds

that's why the D.VA is so important, on top of her being very easy to kill compared to the Winston

because....

if the Winston has primal on, or his cd's come back up

he'll just flee

but D.VA's boosters are much slower

that's why we prioritized D.VA

we knew both of them had ult, and the most important ult for us to force from them was the Self-Destruct

the one that we wanted them to burn

Right, I see...

It's very important for people to understand

all that, cause

They're not decisions that one would normally have to make

those are cases that I assume

not only you've developed by being one of the best D.VA's

(which you have played a lot, mainly during dive meta)

but the

experience from competing in many regions

on an intense level

cause we know Isurus Gaming is one of the teams with the most trajectory

as a group, formerly known as Karma

and at the same time

the players individually have been playing for a very long time, since the start

so I think

that experience is reflected on your gameplay.

But leading on with that statement, I want to ask you "What are your thoughts on the actual meta?"

Why did you stick with the D.VA and not a Zarya

"Why was it a DIVE composition and not a BLOCK composition?"

Well, the second point of Eichenwalde is a point where

it's mainly based on high-ground control

Controlling the high-ground lets you control half the point (map size wise)

It's got 3 important high-grounds

first one's the top floor of the tower at the entrance

the other one's the lowe part of the same tower

and the last is the bridge itself

You gotta dominate those 3 spots, or at least be constantly contesting or fighting control over them

If two snipers and a Zenny come up, you can't just snipe back or walk through the payload

(unless you wanna force a fight on the payload)

but that's a very risky strategy to pull off

that's not our style

there are teams that do go for that, you've seen it in OWL

they played.... uhm...

triple tank, two dps and one support

(Orisa + Hog + D.VA)

and they played back, from the payload

forcing them to concede the high-ground

but yeah, it's a very special game style

from the teams that actually play it

but that's not our style

our style (and most of the region's teams's) it's a more aggressive/aggro DIVE style

we play a more control-based style by diving the most important spaces, engaging and disengaging accordingly

and Eich is THE map for that

a strong map for DIVE

because

as I said,

you control the high-grounds, and if you do, you can place your pieces as you wish

like snipers, supports

or whatever

and you can literally maintain full control of the high-ground and the majority of that section of the map

so....

It's also VERY important to pull off retakes

because...

If you DON'T have DIVE, and you play with Rein/Zarya in point B

as you may see in this play I'm currently going over,

there were two of them

camping BOTH choke-points of point B

there were both tanks

putting up pressure on both exits

and if we were to exit with Rein-Zarya

we would take too long to get out

and we can't open up space for our team to push forward comfortable enough to

deal damage, to reposition

Cause we'd come out very slowly

and too close to each other

and we wouldn't be able to go by ourselves individually

so with Winston-D.VA you can jump

to a place far back, away from the choke

for example, the monkey that was on the high-ground opposite to our exit

so they're forced to

retaliate on us

and they loose focus on the choke point (where the rest of the team is coming from

so if I

jump behind them or towards them

they will turn their attention to me

so then

the supports, the dps, etc. Can leave the choke

without any type of pressure

from the tanks or the dps

but yeah, that's basically why it's so important to play DIVE in that point

That's a very "in-depth" analysis, very consice

and It's great to people to have access to this type of information

because, as we know

that's something that usually, if you're not a player on the highest level,

or at least of what we call "tier 1"

which in this case would be:

the majority of the contenders players

usually the people that would have access to that would be analysts, coaches or casters

and not everybody has access in that way

that's why

I like this instance where you can provide them with so much insight

mainly

of how you guys manage yourselves on Isurus

with these type of situations

which are very complex situations, as we know, because,

it's not that it was the first push from pain and the enemy had, I don't know, 1:45 minutes

Pain had less than a minute

You're up 5-3 (which ends up being 5-4 after they cap A)

and you still manage to reorganize to pull out a clutch defense on point B

with very little resources compared to your enemy

that's why

this is a very INTENSE situation

mechanically wise

but well, with that, I wanna open the space up to the chat for questions

Tonello asks

"Mr. Beast, what do you think of our region's (SA) D.VA's?,

which players do you think are the best Offtank playeres on this region?"

He wants to know which are the best D.VA's of our region to you

and then

they wanna know,

which offtanks players do you prefer

I think that

The issue with D.VA players is kinda complex,

the tank role itself is complex by itself

in our region(SA), it's the toughest role to main and to play.

I think that playing tank in SA is harder than playing support or dps

Just for the fact that...

It's not the case for other regions,

in those regions I am certain that the hardest role will be DPS.

(For obvious reasons)

Let's say you wanna play Tracer and..

you wanna be the best, or one of the best

you gotta be on point in every aspect

mechanically,

reflexes,

gamesense

decision making, etc.

It's a must that you always have the highest level possible on all those traits.

but in SA, the tank role is more complex to play due to

it being a more gamesense-relying role, even though it still lies a bit in the mechanical aspect.

It's mostly decision-making and what you know about the game

and that data,

and those...

and those gameplay styles

or those decisions you make as a tank

you only develop them when you start playing against other teams

or in scrimms, etc.

and the power level of teams in SA,

and their foundations

is not as high as in other regions.

for example: a North American tank in contenders has access to play with players from Overwatch League

so you get more data, you can see what their tanks do, and you can pick-up stuff

The level in SA (cause we basically only play vs each other) is much more complicated to come up with that type of stuff

to get bettter as a tank

So it basically comes down to

reviewing VODs , etc.

(NON POV)

because there's no POVs inside the game

you can watch tanks you like and pick-up useful tips

from the VOD

and if you have a coach that can help you improve aswell

so yeah... I think D.VA is the most complicated offtank to play

because it's the only non-static offtank

hog is, zarya is

you can flank with hog and stuff....

or making plays with zarya

but at the end, they're very static.

D.VA is a hero you can play

VERY aggressively, but sometimes you have to play passively

there are a lot of D.VA's that....

have a hard time knowing when to switch from attack to defense

when you gotta follow your Winston, when NOT to follow him

because a lot of people think that

you ALWAYS gotta jump alongside your Winston, 100% of the time

as if D.VA and Winston were the same character

and... to some extent it is true but,

a lot of times Winston doesn't need your help

because..

If the enemy Winston and D.VA are diving on your backline

your Winston then won't go through any danger

he'll probably be against a Tracer,

a Sombra, a genji that's bothering him

and you would have to stick with your backline

to make sure they survive

and then your Winston and Tracer trade

against the enemy tanks

So that's why I consider it a complex role in SA, and I think there's not many

good offtank players (IN SA)

I consider that regarding D.VA, the only player that

I respect a lot and think is really good

is Honorato

because him and I, we are

the only two players that you could say

are a bit further than the rest.

Although there are good Offtank players,

but specifically with D.VA

I gotta go with Honorato (Brasil Gaming House)

he's an amazing D.VA player.

He improved SO much, because he wasn't that good of a D.VA before, he was a great zarya.

In fact, since Contenders Season 1 I've seen him grow SO much as a D.VA

and you can really tell when a D.VA does her job right

specially decision-making wise and gameplay wise

but yeah, that's my take on it.

I mean there's still GOOD D.VA players, but I was referring to players on a higher level, contenders NA level

And in that level I only think Honorato and I qualify right now

But Offtank wise, there's a lot of good offtanks

you got Wetter (BD)

you got Honorato (BGH)

Frix (LFORG) has algo gotten a lot better

yeah, Frix is a good player

he's more of a revelation, because he hasn't for as long as we have

He just played his first contenders with an actual team

While Honorato or Wetter I've known since last year....

we played many times...

Honorato used to play on KEEP Gaming

before that on FIRST

while Frix,

xRavaged and the rest, you're JUST seeing them right now

there's not much data to qualify them

Frix mainly played D.VA

because the meta used to only let him play that

I haven't seen much Zarya from him, or Roadhog

But yeah, he's a revelation from this past contenders

Yeah, I'll stick with those, Wetter/Honorato/Frix

Oh!, Fastie's also decent, his D.VA is good.

Let's put him up there aswell

Fastie is a player that, with the old D.VA

the one without the rockets and

couldn't shoot while flying

was VERY good , maybe the best in the region back then.

Also, he's great at ulting with D.VA

Maybe with the rest of the kit (new D.VA)

he's not at the same level

but he's one of the best at using his ult with D.VA

he puts in thought into each ult

I don't know if he practices that

He's got a great knowledge of D.VA's ult

they're usually VERY impactful

I think one thing that marks the difference

and let's you define who's the better D.VA

and I wanna clarify,

we're answering Tonello's question,

On which players are your top Offtank and D.VA of the region

which doesn't mean the other Offtanks aren't good

but the question was specifically targeted at D.VA and best Offtank

And I totally agree with you on your statement

but I think that

the difference between a GREAT D.VA and a good D.VA

is having the capacity to "switch"

when you're in the middle of the team

and he knows when to go forward and push, and when to come back and peel

HOW to effectively go back and forth

from WHERE

there you can see their work in pathing (which is the path you take to X situation)

in case your first pathing fails, how do you adapt

the cooldowns on EVERY skill and your character's maximum efficiency/potential

knowing up to where do the boosters reach,

how much they last,

the time it takes to get to a point A to B with the boosters

all these mechanics

People usually DON'T see

they tend to think "oh yeah, to play D.VA you just use boosters once in a while...

then use the rockets a bit aswell...

but it's got a sciencie behind itself (hero)

I think offtank is one of the roles with the most mechanical baggage

it's not only the character, it trascends beyond that

towards what is the "Generic Gameplay"

with Winston instead,

You gotta know WHEN to jump and when not to

but you don't have a certain way to get out instantly

So by default you'll play with much more restraint

I agree....

that's what makes the difference between a good and a great D.VA

It comes down to decision-making and...

when to use your cd's and when not....

but not JUST that,

but being able to use them in ANY situation

be it a scrimm, a tournament...

so that you don't do stuff in a tournament that you haven't practiced on scrimms...

(That also comes with experience)

being able to keep the same level on a tournament like Contenders

or in situations where you're under heavy pressure

But yeah, D.VA itself is not....

(many people might disagree) tank is the toughest role to play in SA

Maybe people say "no, but DPS is harder

but the thing is, playing DPS...

if you're not pacing up to the level you gotta be at....

or you see there's people doing better than you

you can sharpen your mechanics, you can play scrimms...

you can go over your gamesense

but

the DPS role is mainly mechanical

and mechanically wise, you KNOW how to improve as a DPS main

you gotta play the game

you play the game, maybe look or come up with a warm-up routine

and if you do a lot dmg already...

then the only thing remaining is for you to learn some conceptual stuff

that you'll start learning like we tanks do

but it's not much .....

a DPS can rely solely on his mechanics, there are a lot of....

players that

they don't have a lot of gamesense

and I'm not referring to South America, I'm talking about a general level, Overwatch League

there are a lot of DPS that I don't consider the brightest regarding gamesense

for example, babybay (SFShock)

I don't find him "bright" as other DPS (gamesense wise)

but he's got a lot of firepower

he hits a lot

maybe just enough for SF to have an impact

but if you hit all your

rays with Winston or all your hits with D.VA, it's

pretty irrelevant, honestly

maybe that's not the case with Zarya, maybe the aim matters a bit more, but not SO much more.

that's why, I go back to what I said

tank (IN THIS REGION ONLY)

(In the other regions I think tank is one of the easier roles)

but here,

playing tank is hard because

you gotta have ALL that knowledge I mentioned before

(which is 70% of your core gamelpay)

relies on the information you have

and the data we have in SA is always much slower, very delayed

and we get less information aswell compared to NA

This is due to the fact that NA plays vs Korea,

and Korea is the region that always does all the theory-crafting

On top of that, they got Overwatch League...

You got a lof of Korean players there,

and you also got good European teams..

with great EU players, etc.

but here we only get the "breadcrumbs" of what goes on in OWL/Contenders NA/KR and we try to take advantage of them

Well, but they're very well used, because it shows through the results.

Because since season 1

up to season 2 of Contenders,

we were able to see a lot of improvement from a lot of players

yourself included, you look more

dynamic, like the roster change helped you out

it lets you play more to your style.

But since we're talking about the scene,

first off, since registration for Open Division season 3 already closed

(to qualify for Contenders Trials s3)

(wich is starting in a few day)

I'd like to ask you to give some advice to the people watching this video,

Let's say I'm a new player (new to the e-sports scene)

and I register for Open Division with my team

what should I work on first?

should I prioritize my aim first?, my gamesense?

Or what can I do to improve overall and be a better Offtank

Well... that varies a lot, because...

Open Division DOESN'T have a Skill Rating limit,

Everybody can play,

So it depends on the player itself...

what he has to prioritize

because we could be talking about a person who's in Platinum

or someone who's Grand Master or Top 500

but never proved himself on a competitive level, in any game

so...

I'd say...

If you're not at least GM

that person should....

Well, I don't know if he should, but.... depends, if he's Master,

well it doesn't matter, I don't take SR into account

but I think that, to be one of the best you gotta be AT LEAST GM

It's sort of a filter, you know.

Because ....

If you got top player mechanics, or a

Contenders player level

Just that will be enough to get to Master, even if you don't like ranked or whatever.

If he's not GM I'll advice to go over his mechanics first,

and If you have already gotten GM or you didnt' make it cause you dropped due to decay..

or, I don't know

a bad losing streak...

whatever the reason

I'd recommend him to....

first off

a thing that happens a lot here is that teams get frustrated very easily

like they sign up for OD, and if they don't make it to playoffs, don't make it to Trials or don't make it to Contenders

they disband..

To the new players that are going to play their first OD season,

I'd advice them to BE PATIENT

with the disband topic

For them to take every experience in

because nobody can get it right the first time

Even I was playing Overwatch...

and the first season ....

that I played

actually, even up to season 4

I lost almost every tournament I played

I started winning Argentinian tournaments

right on season 3, I recall

But when I faced the brazilian teams I lost a lot

It was a constant thing, playing vs the top 5 brazilian teams and always lose.

but the team always stuck together

maybe we had a couple roster changes, but that's it,

not because one guy was so bad we needed to get rid of him

but because the game didn't motivate you enough, and the person had personal reasons

and well, we gotta get a new member

but the team stuck together

up until we built a new team, thanks to the Argentinian Overwatch World Cup Roster (2017)

and then we started winning

but it took a lot of patience

So the new players gotta have that mindset

maybe at the start you don't make OD playoffs...

or you don't win a single match

well, if you don't win a single game it'd be worrysome

let's stick with "not making playoffs", but you still did something, you improved,

you gotta take in the experience, what you learned, you now know what a scrimm is

you know what having a team is,

that there's a space with different people that you gotta coexist with

you know you gotta be patient with them

you get to know there's different personalities

that you gotta be responsible

never skip a scrimm without giving notice first...

or being late to one..

that affects your team, more than it seems

You learned that team morale matters, etc. You'll learn a lot of stuff with time,

so maybe the first run didn't work out, maybe the second one neither, but,

you'll learn

And if you think.... it comes to the point where you say

(and it's wrong to think like this at first)

"I think the level between my team and I is considerable", then you move to something else and join another team.

but you don't gotta be angry at that

or tilted

because everything's an experience, and everything plays a part on your formation as a player

(Speaking about Open Division)

maybe your first team is not meant for you, maybe it fails

but maybe the second team doesn't, maybe even the third one.

but what's wrong is to say:

"the objective was to get to playoffs,

we didn't make it?, then we gota disband"

that's wrong, you gotta be calm about it

If you disband due to personal issues, like a player studying or working, then that's ok,

the team doesn't have the conditions to run.

But if the team's fine,

they train,

you're all on the same path,

and you still DON'T make the goal,

DON'T DISBAND

at the utmost do some changes to the roster,

make some reforms,

if they're even urgent or necessary.

but you gotta be VERY objective in that scenario.

a lot of the time, the one that gets pinned on with all the blame is the one that takes all the criticism

and just for that fact, he eats up all the criticism

because

the team knows he can be criticized and he won't talk back with anything but "you're right".

and that person is always the first to leave

the first that, in this region,

the "nicest" one

is the one they always kick out

cause he takes up all the critics,

all the anger from the team... etc.

so that why you gotta be objective,

you gotta be able to recognize who's doing good, who's not doing good

who to criticize, when not to, etc.

again, have A LOT of patience

I think that's it,

the best advice, that is.

:

More than just advice, you...

Explained the play,

you told them HOW you play and how you think through a play,

you broke down how Isurus plays in that type of situations,

you told them how to handle those situations

and just now you explained

and now you showed them what type of mentality you gotta go into this "path to pro" circuit

that, as we know,

not only it's a very long process

maybe sometimes it doesn't show,

but you gotta go through:

OD Regular Season

OD Playoffs

Contender Trials

JUST to make it to contenders,

and THAT'S where the actual work starts to show

you gotta play scrimms, you gotta get enough level to play against the best of the region, but not just that;

you can't just stick to scrimming in SA, you gotta go outside and scrimm other regions

But with that BEAST, we're gonna wrap up this segment,

the idea is to keep these analysis not too short but not too long, but dynamic

but enough for you to explain, for people to understand and interact with you and me via chat

from my part,

I don't have anything left to say,

I open up the floor to you BEAST, to promote whatever you'd like

and then we'll leave them with the play so they can go over it again

well, the stream....

I only stream every now and then... but if you guys wanna come by my stream

I don't have a schedule or anything

I just stream when I can, and want to

because...

it's pretty hard to play and stream at the same time

so...

leave a follow and maybe you'll catch me streaming

I usually stream once or twice a week,

at random times... to say the least

Well, but that give them the opportunity to do what you adviced them to,

being able to see through a players POV

high level Contenders players like yourself

So that summs up guys,

I'll remind you that this next weekend starts the official spanish cast for Overwatch World Cup

we'll have Brazil as a representative for South America,

and we'll have Contenders players such as

such as

Wetter

the guys from BGH

we'll also have Ole

many top tier players, so pay attention to our social medias

Shoutout to Okku, Searchy, thanks for the follow Ponchi

shoutout to Lowlife

thanks again BEAST

And I'll see you guys on the next series!

see you guys!

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