Waching daily Apr 5 2017

La-La-La, La-La-La,

Happy Easter Day!

La-La-La,

Everyone! Celebrate today!

Magical Easter egg

I found on the way,

Wonderful!

Wonderful!

Easter Holiday!

La-La-La, La-La-La,

Easter Holiday!

La-La-La, I wish you

Have a happy day!

For more infomation >> Happy Easter Funny Bunny Song. Magical Easter Egg - Duration: 0:42.

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O Minuto da Terra precisa de você! - Duration: 1:32.

For more infomation >> O Minuto da Terra precisa de você! - Duration: 1:32.

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Nintendo Switch Pro Controller - UNBOXING/DÉBALLAGE - Duration: 6:27.

For more infomation >> Nintendo Switch Pro Controller - UNBOXING/DÉBALLAGE - Duration: 6:27.

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Dinâmica de grupo pode ser pior que desemprego | #Sensacionalista - Duration: 2:36.

For more infomation >> Dinâmica de grupo pode ser pior que desemprego | #Sensacionalista - Duration: 2:36.

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أغنية شارة فيروزة مع الكلمات - Duration: 1:39.

For more infomation >> أغنية شارة فيروزة مع الكلمات - Duration: 1:39.

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Korea's current account surplus grew in February - Duration: 2:43.

Korea recorded a current account surplus growth in February.

The on-year spike comes on the back of bigger surplus in the nation's goods account.

Still, weak domestic consumption could neutralize the boost provided by ongoing recovery in

exports Kim Min-ji explains why this may not be time

to sit back and celebrate.

Korea's current account surplus widened in February from a year ago.

According to preliminary data from the Bank of Korea,... the country logged a surplus

of 8-point-4 billion U.S. dollars in February,... compared to a surplus of 7-point-6 billion

last year.

That's the highest figure in three months... and extends the surplus streak for a 60th

straight month.

The rise was attributed to a strong goods account surplus -- which came to a five month

high of over 10-point-5 billion.

At the same time however, the services account deficit widened to over 2-point-2 billion,...

largely driven by a rise in overseas trips.

As for the overall trade figures -- exports rose 23 percent on-year to 44-point-6 billion

dollars,... while imports rose 20 percent to 34 billion.

Export growth in February was the highest in over five years,... thanks to a pick up

in global oil prices and a strong chip market.

Exports have been on an upward trend since last November,... putting an end to nearly

two years of decline.

But, there are lingering concerns that the trend could be short lived.

"Although the chances aren't that high, Korea may be listed a currency manipulator by the

U.S.

Even if it isn't but China is,... it will deal a blow to the country's exports, which

are sent via China.

On top of that, China's THAAD retaliation is also taking a hit on Korea's consumer products,..

and if it spreads to intermediate goods it may have a negative impact on trade numbers."

A prolonged slump in domestic consumption is also a concern for the country.

To fire up demand, Korea's top central banker says job creation is key.

Speaking at a meeting with economic experts in Seoul on Wednesday,...

Governor Lee Ju-yeol said the first task is to bring about a recovery in consumption...

using policies such as job creation... to raise incomes.

Monthly average household spending came to just under 3-thousand dollars in 2016,...

down 0-point-4 percent in real terms from a year ago.

Saying that the service sector has the capacity to create twice as many jobs as the manufacturing

sector,... he also expressed the need to get rid of excessive red tape hindering job growth

in the industry.

Kim Min-ji, Arirang News.

For more infomation >> Korea's current account surplus grew in February - Duration: 2:43.

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Chopped After Hours: Chefs in a Pickle | Food Network - Duration: 10:13.

TECH GUY: All right, standby, here we go.

I don't have any knives.

Don't they give knives here?

I usually sit over there.

What am I doing over here?

TECH GUY: And here we go, guys in three--

Do you guys need to do this thing?

This is called the slate.

TECH GUY: Mark it.

There we go.

And that's how we start it all off.

Out of their seats and at it again,

the judges are always enthused to take

on the "Chopped" kitchen after hours.

[music playing]

Good evening.

Good evening.

ALEX GUARNASCHELLI: Good evening.

TED ALLEN: Look at these crisp, clean chefs coats.

You guys ready to make a mess?

Yes.

I don't want to make a mess.

All right, Alex, Marc, Geoffrey,

serious business here.

We've got a pickle problem, namely,

the appetizer basket we gave to four chefs

in our pickle-themed competition.

We've got pickled pork, Brussels sprouts,

clotted cream, and pickleback.

OK, let's explain what is a pickleback.

MARC MURPHY: A pickleback is something that you might have

after hours, because you take the shot of whiskey

and then you take a shot of pickle juice,

and as it goes down, it feels like, to me, like a warm BLT.

That's strange.

It is strange, but I've got to tell you,

there's nothing better.

So, Alex, empress of acidity, how

do you like these ingredients?

ALEX GUARNASCHELLI: I mean, this is right up my alley.

This basket was made for me.

The pickle juice, briny, acidic, the whiskey

has even got that acidity to it, and the clotted cream

also has tang.

All of these ingredients fall under the empress's domain.

All right.

Well, we gave our chefs 20 minutes to cook this,

so I thought you ought to have about, eh, 15?

OK, all right, you can have 20.

Are you ready? - Yes.

TED ALLEN: Are you seriously ready?

ALEX GUARNASCHELLI: Yeah.

OK.

20 minutes.

Clock starts now.

[music playing]

MARC MURPHY: All right.

We're going to get some of this.

GEOFFREY ZAKARIAN: I'd like a knife.

I'd like to cut.

Oh, thank you.

You know what I think I'm going to go?

I'm going to make it pickled pork with bacon taco.

I need some tortillas shells.

You know where the tortilla shells are?

Because Aaron's not here, I'm going

to use the flour tortillas, which should really upset him.

What's with these knives?

I don't need these knives.

I'm only going to use my Chopped cleaver.

Get out of there!

OK, what I'm doing is I'm going to sweat down some

of that pickled pork with my bacon here,

and I'm going to make a taco.

So this is my first order of business,

to get the meat tasting good.

GEOFFREY ZAKARIAN: OK, I'm making a cross between a Reuben

and a Monte Cristo.

I'm calling it a Streuben.

I'm taking the pickled pork, I'm boiling it with bacon,

and then I'm going to mash it up in a sandwich.

Genius.

With the brine I'm going to make a Brussels sprout sauerkraut.

I know, it's just amazing how much

stuff I can come up with on the fly, but that's why I'm here.

ALEX GUARNASCHELLI: I'm making a pork pickleback miso soup.

Really?

ALEX GUARNASCHELLI: With a little powdered

dashi and stock and kombu.

TED ALLEN: Hey, Alex, are you going to just use the pork

to flavor your broth, then, or are you

going to have pork in the soup?

ALEX GUARNASCHELLI: Oh, I'm going to definitely

have pork be part of this soup.

Totally.

Yeah.

Oh my gosh, guys, you've got 12 minutes and 36 seconds.

ALEX GUARNASCHELLI: Oh my god!

TED ALLEN: Right?

Which you got there, Sean?

That's a really big bottle of whiskey you got there.

If someone says bring me a whiskey and leave the bottle,

and the bottle is this big, you might want to get some help.

Uh, special delivery for chef Marc Murphy.

Chef Marc Murphy.

Ah, (BAD IRISH ACCENT) Boy, my lads, look at this.

- Do you think that's-- - Aye.

Is that big enough?

I tell ya.

Mmm.

No, it's staying right here, baby.

All right then.

OK.

MARC MURPHY: Hold on.

Forgot what I was doing.

Coming through.

GEOFFREY ZAKARIAN: Hi, Marc.

So we're making a little clotted cream mayonnaise mixture

for the outside of the bread, because that's

how you get a nice crisp crust.

So this is going on the outside.

And then what's going on the inside?

You guessed it.

Butter.

How's it look to you?

This will be good meat for a taco.

There we go.

We're going to put a little chili powder in here.

I'm putting the pork mixed with pancetta

and a little bit of whiskey through the grinder.

[grinding]

I'm going to look to this pork for the potential

it has for great texture in this soup.

Mm-mm-mm.

Nothing like clotted cream and whiskey in miso soup.

TED ALLEN: Yum.

Classic.

MARC MURPHY: By the way, using my pickle juice right here.

Oh, I need more than that.

TED ALLEN: Pickle juice--

MARC MURPHY: And I need my--

my bourbon is going in here.

Pickle juice into your Brussels before they--

MARC MURPHY: A little [inaudible].

TED ALLEN: Oh boy.

MARC MURPHY: Ahh, smell that, eh?

TED ALLEN: Guys, I see green.

I see green in the room.

GEOFFREY ZAKARIAN: Thank you very much.

TED ALLEN: Special delivery.

MARC MURPHY: Oh, I could put some of that in there.

ALEX GUARNASCHELLI: Oh, you're so cute

TED ALLEN: A little extra pickle?

MARC MURPHY: I love a pickle.

ALEX GUARNASCHELLI: I'm putting this right in my dish.

This is so good.

TED ALLEN: I'm all set, thank you, sir.

Delicious.

And judges, less than 10 minutes to go.

[rapid chopping]

Marc, do you mind?

I'm trying to do a time call here.

GEOFFREY ZAKARIAN: Yeah, baby, look at that.

Aw, mama.

Mama.

Mama.

Mama never made a sandwich like that.

MARC MURPHY: I'm taking a little chipotle in here

with my clotted cream, it's going to go on my taco.

There we go.

I think we're there.

TED ALLEN: Alex, you setting up for a party over there?

ALEX GUARNASCHELLI: I'm going to do

a very elaborate presentation for very little.

TED ALLEN: Oh, I like it.

This is for you, Geoffrey.

GEOFFREY ZAKARIAN: Thank you, my love.

OK, so what we've done here, we've done

the Brussels sprouts two ways.

One, I made a sauerkraut for my Streuben.

Here I'm making a fried Brussels sprouts with pickle cream

and apple salad.

Someone give me an espresso, please, short.

TED ALLEN: Judges, you're on your final minutes.

ALEX GUARNASCHELLI: So I'm putting

all my garnishes for my soup.

Pickles, scallions, ginger, miso paste,

pork, and just some white mushrooms for a little texture.

Here I have the classic clotted cream-soy sauce sauce.

Here's the espresso, sir.

Thank you so much.

MARC MURPHY: Stir that in for me, would you?

- Sure. - That'd be great, man.

Putting me to work.

That's not half bad.

Thank you.

All right, judges, 10, nine, eight, seven, six,

five, four, three, two, one.

Time is up.

Cut it out.

[applause]

Hold on, wait.

I gotta Snapchat.

TED ALLEN: What is going on here?

Yes!

Tacos, look at that.

I just Snapchatted it.

A lot of people are going to like that one.

ALEX GUARNASCHELLI: What a bouquet.

GEOFFREY ZAKARIAN: Let's raise our glasses

and lower our expectations.

TED ALLEN: Oh, very nice.

You guys had to work with pickled pork,

Brussels sprouts, clotted cream, and a pickleback.

All right, Geoffrey, what did you make?

GEOFFREY ZAKARIAN: This is a Reuben

mixed with a Monte Cristo, and I call it a Streuben.

So what I've done here is I've taken some rye bread

and buttered it with the clotted cream and mayonnaise.

ALEX GUARNASCHELLI: Ooh.

Then inside, I made a quick sauerkraut

out of shredded Brussels sprouts with the pickleback juice.

ALEX GUARNASCHELLI: Yum.

And then I confited the pickled pork with bacon in

olive oil and a lot of butter.

I put that all together with Gruyere cheese,

pressed the hell out of it, and then on the side here,

I made fried Brussels sprout salad with a clotted cream

vinaigrette and fresh apples.

Bon appetit.

ALEX GUARNASCHELLI: Mmm.

I grew up across the street from a deli.

This tastes like that.

TED ALLEN: This is so balanced.

You really taste the Brussels sprouts,

and you really made that kind of unimpressive pork

taste really bacon-y.

MARC MURPHY: I got to say, I love

the crunch on the outside of the bread,

and the inside is just delicious.

For me, I would have served the whiskey on the side,

because a bite of that and a little shot,

that would have been delicious.

That would be an improvement.

TED ALLEN: Marc, haven't you had enough whiskey already?

Oh right, Well, you know, I was goofing off.

That was actually tea in that bottle.

Yeah, that's what they all say.

No, I swear.

Alex, what do you have?

ALEX GUARNASCHELLI: This is a miso soup.

So Brussels sprouts, ground pork with pancetta with the whiskey,

miso paste with clotted cream and the pickle juice,

chopped pickles, scallions, charred Brussels sprouts,

and a little bit of jalapeno.

I'm amazed how the clotted cream works in here.

Very good.

GEOFFREY ZAKARIAN: Unusual flavors, very

comforting at the same time.

All I can say is, me so happy.

TED ALLEN: Oh my goodness.

He didn't just say that, did he?

Oh my gosh, that's so delicious.

Like maybe half of my sandwich with that?

Oh, I think that'd great.

That'd be a good dunk.

Chef Marc, what did you make?

MARC MURPHY: I know Aaron's not here,

but I figured I'd make a taco.

So in the taco, I took the meat, I just diced it up,

and then I chopped up a little bit

of bacon in that as well to bring

a little bacon flavor into it.

I put the whiskey in there, I shook

a little chili powder in there.

The clotted cream, I put a little bit

of chipotle in there, and some cilantro

and a little lime juice.

Then I took red onion, Brussels sprouts,

pickle juice, and the jalapeno and I

let that cook nice and slowly.

And then a little cojita cheese on top, and put it together.

That's it.

GEOFFREY ZAKARIAN: That bite is delicious.

You get the pickle, you get the pork, you get the smoke.

Very tasty.

TED ALLEN: I love the crunch of the Brussels sprout,

and I like the very subtle use of chipotle.

It's good, Tasty.

GEOFFREY ZAKARIAN: Ted, it just goes to prove

how good we really are here.

Does it ever.

You did it again, chefs.

You did it again.

Well, some delicious pickleback pickle apps, thank you judges.

You're welcome, Ted.

Cheers.

TED ALLEN: Cheers.

MARC MURPHY: And to you guys.

Don't forget where to go to find

more judges' after hours rounds, foodnetwork.com/chopped.

[music playing]

For more infomation >> Chopped After Hours: Chefs in a Pickle | Food Network - Duration: 10:13.

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Shades of Blue - Everyone Has a Role (Digital Exclusive) - Duration: 1:07.

-Every member of his team has a role.

Um, Harlee is the surrogate daughter.

[ Gunshot ] -[ Grunts ]

♪♪♪♪

-Tess is the perp whisperer.

-From now on, you are personally responsible for that storefront.

[ Glass shatters ]

[ Indistinct shouting ]

-Espada, the heavy lifter.

-You know what they say, right?

A bullet never lies, so you take the gun,

and you let fate decide. -No.

-I were you, I'd take my chances with fate, Loman.

-Tufo, loyal foot soldier.

♪♪♪♪

-I wonder what yours is.

-I think I'll go with paperwork completer.

-Ah. Hope you're right.

I have a different theory, Michael.

I think you're the fall guy.

♪♪♪♪

For more infomation >> Shades of Blue - Everyone Has a Role (Digital Exclusive) - Duration: 1:07.

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#ModacıKardeşlerMutfakta2 | Kolay Tarif | - Duration: 12:23.

For more infomation >> #ModacıKardeşlerMutfakta2 | Kolay Tarif | - Duration: 12:23.

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VLOG My horse kicks the bucket | fun with clickertraining - Duration: 11:49.

For more infomation >> VLOG My horse kicks the bucket | fun with clickertraining - Duration: 11:49.

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Générateurs D'ozone Air Ou De L'eau - Duration: 1:45.

For more infomation >> Générateurs D'ozone Air Ou De L'eau - Duration: 1:45.

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How to export LinkedIn Connections 2017 - Duration: 4:24.

For more infomation >> How to export LinkedIn Connections 2017 - Duration: 4:24.

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[SPOILERS] HAJIME NO IPPO #1177 (subtítulos en español/subtitles in English) - Duration: 2:25.

For more infomation >> [SPOILERS] HAJIME NO IPPO #1177 (subtítulos en español/subtitles in English) - Duration: 2:25.

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Big Data - BiTS - ARTE - Duration: 12:31.

For more infomation >> Big Data - BiTS - ARTE - Duration: 12:31.

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Castlevania: Legacy of Darkness | Nintendo 64 Review - Duration: 13:09.

Hey, what's up? Wes here, thanks a lot for tuning in.

So, I recently played through Castlevania 64 after not touching it for eighteen years,

basically because I completely despised it, and it was actually the subject of my latest

episode of 'I Haven't Played This Game in Years'.

In fact, it seems like I just reviewed it yesterday….

"The camera will even turn on you in mid-jump.

C'mon! Gimmie a fuckin' break!"

"Oh, good lord!"

"Let's be honest here.

A game that's challenging because of broken cameras and terrible jumping mechanics is

not a good game.

These faults stick out horribly like a gangrenous thumb, and arguably ruins the entire experience."

Anyway, Castlevania 64, back in the day is the reason why I completely avoided Legacy of

Darkness like it were church, and I actually enjoyed Castlevania 64 a lot more this time

around, so it encouraged me to pick up Legacy of Darkness—and I got a helluva deal on

it, too.

So, is it as good as Castlevania 64?

Is it better?

Is it worse?

How does it hold up?

Let's take a look.

Castlevania: Legacy of Darkness was released in North America on November 30th, 1999—only

ten short months after the original Castlevania was for the Nintendo 64.

Legacy of Darkness resembles more of what the developers at Konami had originally envisioned

with Castlevania 64—including a campaign starring a man-wolf named Cornell, which was

scrapped from the initial game to avoid release delays.

Cornell arrives at his hometown only to find it engulfed in flames, and his adoptive sister,

Ada, kidnapped, in order to be used as a sacrifice to resurrect Dracula.

Cornell retrieves her pendant, and using his wolf abilities, tracks Ada by her scent.

Cornell's adventure takes place eight years before Reinhardt Schneider and Carrie Fernandez's,

and serves as a prequel to Castlevania 64.

The quest begins with Cornell embarking on a haunted ship en route to Wallachia, where

we reach familiar ground in a remade setting of Castlevania 64's first stage.

Legacy of Darkness utilizes Nintendo's Expansion Pak, culminating in crisper and sharper visuals,

while at the same time, unfortunately, compromising the game's frame-rate, resulting in some

choppy gameplay.

This bothered the hell out of me initially, but the game does allows you to select high

or low resolution each time you turn the system on.

Playing in low resolution fixes the frame-rate issue, but unfortunately, the fog which plagued

Castlevania 64 is abundantly present here as well, and I decided that the choppy frame-rate

was the lesser of two evils.

Here's a side-by-side comparison.

What do you think?

The forest is aesthetically comparable to its Castlevania 64 counterpart, but that's

where the similarities end.

The layouts are completely different, making it much easier to navigate this time around.

The enemies consist of the same skeletons with additional baddies present, such as fishmen,

and the boss is the same from Castlevania 64 with slightly different attacks.

The next stage is a return to the castle wall where you can, oh my god, adjust the camera!

Hallelujah!

It's amazing how much a difference a somewhat, efficiently functioning camera can make in

a game.

The camera is such a huge improvement over its predecessor; that the difference is night

and day.

If you hated the camera in Castlevania 64 like I did, then you'll be absolutely ecstatic

to know that it's been fixed here.

While not perfect by any means, compared to how broken it was before, I can't really

complain.

Many of the stages in Castlevania 64 return in this one, and while some of those have

been completely overhauled—including the Duel Tower, thank god—some remain exactly

the same, such as the Villa.

Since the game takes place eight years prior to that of its predecessor, Legacy of Darkness

requires new puzzles to be solved, and new obstacles to overcome.

While Castlevania 64 consists of ten stages, it would seem extremely cheap if Legacy had

the same amount, with many of them just being rehashes.

Put those concerns at ease, cuz Cornell's campaign is made up of fourteen stages, with

several new and refreshing maps such as The Outer Wall, and the extremely disorienting

Tower of Ruins.

I actually had to draw a map to get through this stage.

Yeah, a map.

When was the last time I had to draw a map for a game?

Sure it looks janky as hell, but hey, I couldn't have made it through this stage without it.

While many of the settings are the same as that of Castlevania 64, the stages are "remixed"

enough to where it feels like completely different levels.

While I do prefer some of the layouts in parts of the original stages versus the new ones,

ultimately the sacrifice of a halfway decent camera from the original annuls the sometimes

less-favorable layouts of the newer stages.

It's really no contest.

For me, gameplay will always supersede somewhat more desirable maps.

Legacy of Darkness, while for the most part is almost a 100% improvement over its predecessor,

for some reason decided to fix one of the few things that Castlevania 64 actually got

right.

In Castlevania 64, the lock-on feature will automatically home in on the nearest enemy,

regardless of which direction you're facing.

Not anymore.

In Legacy, you have to be facing the enemy nearest to you in order to lock-on.

While this isn't that big of a deal, it does soil one of the few pearls that can be

unearthed from a mountain of shit that makes up a majority of Castlevania 64.

Growing up with a father whose favorite hobby was to fix things that weren't broken, I

have a profound disdain for the "If it ain't broke, fix it" mentality.

But hey, that's just me.

One thing that Legacy did get right though, is adding some new music tracks to the game,

including a remixed version of one my all-time favorite Castlevania tunes, "The Sinking

Old Sanctuary", which first appeared in Bloodlines.

The bosses are also changed up from the original, with Cornell at one point confronting his

long-time acquaintance and rival, Ortega.

His boss battle replaces the encounter between Death and Reinhardt on top of the clock tower,

with Ortega transforming into a bloodthirsty chimera.

The Clock Tower is like three times the size of the original, with brand new obstacles

to overcome.

Thankfully, the save crystals in Legacy of Darkness are generously placed throughout

the game, as opposed to Castlevania 64.

Notch one more improvement for Legacy.

Add another with the ability to now power up your sub weapons up to three times stronger

than when initially obtained.

Now that's Castlevania!

And seeing as Cornell is a man-beast, the ability to transform into a wolf using the

L button can also be utilized here.

Now, if I didn't have the instruction manual, I would've never known that this feature

even existed since nowhere in the game does it tell you that you can do this.

Since it completely drains you of your crystals, which is the ammo for your sub-weapons, I

never used it, except for the final boss.

While Konami should have figured out a better way to use what could have otherwise been

a really cool additional gameplay mechanic, taking wolf-form unfortunately is a big swing

and a miss.

But like I said, I may have never known about it to begin with, so it's not really a big

deal at all.

And that's Castlevania Legacy of Darkness.

The game that Castlevania 64 should've been.

If you're only gonna play one of these games, Legacy of Darkness is definitely the way to

go.

Wait!

Where are you going?

There's more.

A shit-ton more.

After completing Legacy of Darkness with Cornell, you then unlock Henry, a child rescued earlier

in Cornell's campaign.

Henry returns as an adult, festooned with armor and packing heat.

How awesome is it running through Wallachia blasting monsters back to hell with a six-shooter?!

Pretty freakin' sweet, let me tell ya. Henry is set on a quest to rescue six children hidden

throughout as many stages, with a time limit of seven days to complete.

The children are cleverly hidden, and each youngling you save unlocks a new feature in

the game, including Reinhardt and Carrie's campaigns.

That's right.

Basically the entirety of Castlevania 64 is packed within Legacy of Darkness' tiny cart,

with the original stages replaced with the remixed ones, of course.

Reinhardt's quest throughout the dark caves is present here, now with a boss battle against

against a giant spider.

Carrie's plight through the Waterway is here as well, as is her climb up the Tower

of Science.

And some of our favorites return as well, such as—

Let's not start that shit again!

Castlevania Legacy of Darkness is what Castlevania 64 should've been.

Konami scrapped Cornell and Henry from the original in order to shit out an unpolished

product to appease ravenous fans and critics alike, who had been waiting patiently through

delay after delay to get their hands on Castlevania's first foray into the 3D realm.

In a practice that would become commonplace for Konami in the ensuing years, they screwed

over their loyal fanbase and unloaded a huge dump upon us, and then rectified that mess

with the game that they had originally intended—at full price!

C'mon, Konami!

I would have loved to have seen Konami take full responsibility for this disaster, by

exchanging copies of Castlevania 64 for Legacy of Darkness, plus a small fee of course, to

give the fans what they had truly deserved from the beginning.

Of course, Dracula would've had a better chance with a holiday in the sun than that

ever happening, but what the hell?

I could use yet another reason to resent Konami wholeheartedly.

Meh, whatever.

It's in the past now.

But make no bones about it.

If you only want to experience one Castlevania game on the Nintendo 64, make sure that it's

Legacy of Darkness.

Castlevania: Legacy of Darkness is a great game!

Everything that was wrong with Castlevania 64 was pretty much fixed here.

So, this is definitely the way to go.

If you avoided Legacy of Darkness like I did, because you didn't want to go through another

Castlevania 64, don't worry, this one is WAY better.

Way better.

So, if you've played Castlevania: Legacy of Darkness, what do you think of it?

I highly recommend it.

If you're a Castlevania fan and haven't played it yet, take a look at this one.

It's pretty good.

So anyway, thanks a lot for checking out this review, I hope you enjoyed it.

Until next time, I will catch you all later.

For more infomation >> Castlevania: Legacy of Darkness | Nintendo 64 Review - Duration: 13:09.

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🌍 Высокодоходное вложение - инвестиции в стиль жизни. Lifestyle. Андрей Ховратов. - Duration: 13:27.

For more infomation >> 🌍 Высокодоходное вложение - инвестиции в стиль жизни. Lifestyle. Андрей Ховратов. - Duration: 13:27.

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BTS THEORIES: Boy Meets Evil + WINGS - Duration: 12:18.

Hey! I finished analysing the short films and I hope you liked it and everything seems a bit more clear and understandable now

It is also possible that now you have even more questions left in your heads

Many of you asked if I'm going to analyse Boy Meets Evil

Yes, I will do it! Even though it's mostly choreography

After analysing the short films and reading 'Demian', everything makes more sense

Here we go!

If you thought that you won't hear that the film starts from the 'Demian' quote...

You were wrong. It's a tradition now

My sin was not specifically this or that but consisted of having shaken hands with the devil.

The devil held me in his clutches, the enemy was behind me.

After seeing this quote, we can be brought back to the Demian's world,

The world of sin and the 'other' side of the world

I immediately think of the quotes I already gave you in the previous videos,

Sinclair lived in his bright world and he was the boy who met evil

He committed the sin for the first time in his life and this sin never left him

It was really hard to find any theories for this video,

it's probably because it focuses on choreography

There is really nothing to analyse but I will tell you what I noticed anyway

We can see a light movement at the very beginning and it gives us an illusion of a train or a car

But the sound we hear tells us it was a car

It's J-Hope who lost his conscience at the street,

so it makes sense

The question is - why?

I'm not an expert when it comes to choreography but I will try to analyse it somehow

And not to focus on Hoseok's dance skills

and his perfection

I will try to look at this video from another point of view

The lyrics seem the most important here and the choreography makes the whole thing complete and it's kind of visualization

Hoseok is in a dark room and we see that the light and colorful smoke have a really important role

Some of his moves remind us of his solo - MAMA

and this kinda possession

As always, we have two ways for the interpretation. First one - in a general way,

verse after verse and I'm gonna do it in this video

The other one is based on 'Demian'

It's always interesting but let's start from the beginning

It's getting dark, the light in my future

This verse can mean that the future doesn't seem so bright anymore and something bad is about to happen

Because of my childish love, I lost my way on a path of dream

Devoting yourself to love, we give up our dreams and we loose the way to fulfill them

Especially if it's the so-called puppy love which is not the love of our lives,

and it's irrational

It can also mean that love gets in the way to fulfill our dreams

I sharpened my knife of poisonous ambition, But because of my uncontrollable greed, My knife became dull

Those poisonous ambition and greed make us not care about anything,

the poison fills and changes us

I know it all. This love is another name for evil. Don't hold my hand. Even though I shout it, I betrayed my conscience.

Love can be toxic sometimes and even though we know about it, we last in it

On the one hand, we want it and on the other hand, we don't want it

We betray our conscience and we do something against our reason

As days go by, feeling acute reality I shed crimson blood cut by the reality I didn't think that the greed would become a horn calling upon hell

It can mean that the reality hits us hard and suddenly

and it leaves a bloody mark on the soul

We don't expect this greed to cause self destruction

and come into the 'dark side'

Closing my eyes to a distorted reality each night Crying orgel of tragedy but to be freed from this sin I cannot give up forgetting it

It's probably about the nightmares coming back every night,

and the distorted reality caused by the sin

We have to escape from the sin

Because those lips were too sweet My future was abandoned to the love for you When I wake up, traps are everywhere

Untouchably cold gazes I cry for miracles, in this reality

This verse means getting trapped by the toxic, bad love

and letting go of our dreams and goals

I didn't want to let go, the touch of evil

It's too bad

it's too sweet

Too bad

but it's too sweet

This sin and love were too sweet so we cannot stop

This evil is also a pleasure

The same verse repeats till the end of the song

However we also see J-Hope with wings

Just like he did in his short film

It can whether be directly related to Abraxas

or to a Fallen Angel

I already mentioned before that the Angels fall when they commit sins and stand against God

If you want to know the connections between this movie and Hermann Hesse's book 'Demian', I recommend you watching my previous vids

But in my opinion it's a relation to Sinclair's love to Eva

It makes even more sense if we think about the fact that it's J-Hope and his solo was called MAMA

We also saw Eva in his short film and, as you already know, Eva was Demian's mother

As always, I found a perfect quote for that!

in the house itself my mother was coming toward me--but as I entered and wanted to embrace her, it was not she but a form I had never set eyes on before,

tall and strong, resembling Max Demian and the picture I had painted; yet different, for despite its strength it was completely feminine.

This form drew me to itself and enveloped me in a deep, tremulous embrace. I felt a mixture of ecstasy and horror--the embrace was at once an act of divine worship and a crime.

Its embrace violated all sense of reverence, yet it was bliss.

Sometimes I awoke from this dream with a feeling of profound ecstasy, at others in mortal fear and with a racked conscience as though I had committed some terrible crime.

If we compare this quote with the lyrics, everything seems a bit more clear

Especially the mixture of ecstasy and horror,

good and evil, worship and crime

all of those make a whole

The quote about profound ecstasy and racked conscience can be connected to the verse about distorted reality, sin and being insanely happy

Being insanely happy, I was a fool addicted to your sweetness

All the lyrics can be related to 'Deman' and Sinclair's feelings towards Eva

but not only towards Eva; we can find a description of Sinclair's feelings and the urge he feels,

he feels it when he becomes an adult

It is described as evil and sin

Then came those years in which I was forced to recognize the existence of a drive within me that had to make itself small and hide from the world of light.

The slowly awakening sense of my own sexuality overcame me, as it does every person, like an enemy and terrorist, as something forbidden, tempting and sinful.

I'm not sure whether I should analyse those lyrics in a general way or make an analysis based on the book

because both ways seem true

Suga's First Love fits both - him and 'Demian'

Awake also has many symbols and is very meaningful

The interpretation depends on you

We are still analysing WINGS so I'll go back to the trailer for a moment

So many things happen there that we have no idea what to look at

We have Jungkook swinging and it's related to Blood Sweat & Tears

He was also swinging there and he was Icarus

The swing comes back... without Jungkook

we see fire on it and it can mean that he flew towards sun on his wax wings

the wings melted and he fell

The temptation won, the fire won and consumed him

Suga lies on the ground, the burned piano is behind him and so is the forest

The forest reminds us of the Garden of Eden

But Suga is outside the forest

It can mean that he also committed the sin and the fire consumed him

He was banished from Eden

Jimin lies on the grass and it also reminds us of the Garden of Eden

He has an apple in his hand, he is blindfolded and tied,

he is trapped and he can't escape from this sin

J-Hope is surrounded by the arrows and we see Michelangelo's Pieta

There are some kind of pools on the ground... And it looks like the pools of blood

We can say that J-Hope also lost the fight with the evil

And if we talk about Pieta,

we can say it's related to the love feelings towards mother

Jin stands in front of something which looks like a sheet of water

In my opinion, it should be a mirror

but in this case - if we touch this water,

it shows a completely different picture

We don't see ourselves but we see a completely different person

Jimin hovers above the ground and the ribbons disappear

We see V and we also see Rap Monster surrounded by the broken mirror

Again, J-Hope surrounded by the arrows

And Jungkook who, again,

what we already saw in BST

He licks the wax of his fingers

And we also see an apple afterwards so it proves us it's related to the evil and sin

Many things happen really fast

The elements of 'possessed' choreography,

J-Hope hovers above the ground

Jin kisses his own reflection

and if Jin is Sinclair - this theory is based on the book and it makes sense

The painting is flooded with a black paint and we already saw it in Jungkook's short film

And suddenly we see a huge amount of symbols

V has wings, we see the green smoke again

The butterflies, being trapped, the Rorschach test

the one we already saw in Jimin's film

everything happens all of a sudden

And it makes a perfect trailer

We can come into one conclusion after all of those films,

V and Jin seem the most important

We can assume that V is Abraxas because he has wings

He is the bad guy but Abraxas was a god mixing good and evil

Everything was in one god - good and evil

Jin becomes a sculpture at the end of this trailer

His hand falls off and as we all know, all the ancient sculptures didn't have hands

Jin lived in a bright world of light before

and the sculpture suddenly breaks

it can mean that the sin filled him and tore his soul into pieces

He comes into the 'dark' side and he is broken and ruined

I would say that it's all about WINGS, the videos, lyrics and so on

but we all know that the repackage album You Never Walk Alone was also released

and there we have Spring Day and Not Today also full of symbols

But I will talk about it in the next videos... Of course if you want more videos like that!

Let me know in the comments and also write your own theories

because I will take those theories from the comments and make a video about that as well. I'm waiting!

For more infomation >> BTS THEORIES: Boy Meets Evil + WINGS - Duration: 12:18.

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WORKING ON DISNEY'S BEAUTY & THE BEAST 2017: STORYTIME - Duration: 7:20.

It's a cat baking a cake. Hey guys!

CottonBun here. Today I want to talk a

little bit about my experience working

on Disney's Beauty and the Beast as some

of you may know I was lucky enough to

work on the live action version of

beauty the beast and in today's video I

just wanted to talk a little bit about

my experience and what it's like to work

on a movie I thought I'd just go through

some of the questions that I get asked

quite a lot when I'm talking about the film

so if you have any more then just

comment below and I read all the

comments on my videos so I'll make sure

I'll look through them. Okay so the first

thing I get asked a lot and this is

surprising is did you meet the actors

and actresses and this is a bit of an

awkward one because I didn't really meet

them when you're working on the same

film as an actor and actress you're

going to see them quite a lot because

obviously you're helping to bring things

on set or you'll just be walking through the

film studio and you'll see one of the

actors so obviously you'll see them

walking around and stuff but everyone's

at work so it's not really a thing to go

up and just randomly talk to people that

are at work. Generally everyone just lets

everyone else get on with their job and

there's so much to be done so it's not

like the lead actresses and actors

really have time to like stop and have a

conversation with everyone other than the

passing "good morning" or "hi"

I didn't really get to talk to any of the

actors or actresses properly but I did

see them in costume quite often and that

was really nice. What did you work on on

the film it's actually quite weird

talking about it now as I worked on the

movie in 2015 from around February / March

to the summer. I was part of the props

Department and for a major budget movie

like this there's usually two props

departments one is like buying and set

dressing kind of props and the other is

making so I was on the making side of

things and in terms of what I worked on,

the whole props crew

generally comes together to form a big

team so no one's really assigned one

prop that they work on solely throughout

the whole film. You have sculptors model

makers mold makers and painters and

everyone works together to produce

the amazing props that are made. Most of

the time I was working on Maurice's music

boxes so if you've seen the film which

I'm hoping you have you see Belle and her Father

Maurice working on some of his

inventions so I was quite involved in

those lots of sanding finishing

polishing and towards the end of my time

on the film I was painting some of the

miniatures too so in the film if you see

the music boxes have miniature

elephants and rhinos and

each music box is based on a different

part of the world supposedly where

Maurice travels and is inspired to make

these beautiful music boxes for belle so

each one has a different theme like

Venice and india. The indian one had a tiny

taj mahal on so i was helping to decorate

that and some of it was really intricate

work so i needed to like this giant

magnifying glass. I also helped to paint

a little bit of garderobe the

singing wardrobe and sometimes when a

prop or object is on set and it needs

touching up so someone needs to go and

paint it and I got to do that for

garderobe as well so a few of us

were actually in Belle's bedroom painting

garderobe and I'll was just like this is a

really surreal moment! I was helping out

with some of the character models as

well so before they were animated, the

characters such as Cogsworth, Lumiere and

Frou Frou were all

3D models which the props

Department made so I was helping to

shape polish sand lacquer spray and

generally finished some of the character

models. But the best thing was just getting

to see it all come to life some of my

crew mates were just so talented

they've been making props for years and

just seeing them sculpt the set

pieces and do their work was just

phenomenal. Watching it come

together, everyone worked so hard on this

film they absolutely worked their socks

off but it is strange thinking back to two

years ago now it's kind of weird I can't

remember when but a few months ago we

got given a crew hoodie as well I'll

just show it to you. On some films you

get a small memento for working with the

crew and for beauty and beast we got

this hoodie and I've worn it to death

already so it's a bit worn! But it

has some embroidery on it which is quite

nice and beauty and beast 2015 London

it's also got a logo so you've got

Belle inside the Beast

and then on the front it's got

a little rose. That was

something quite nice to get from the

production. I'm going to keep it forever!

Something I will never forget and

will always stay in my mind is walking

into the ballroom for the first time

because oh my word that was just

- just breathtaking

everything was dusty pink or a

French blue and then there was gold leaf

everywhere yeah I did a lot of gold

leafing on this film which is where you

get small and flakes of gold and you

kind of dab it on to objects to make it

gold pretty much everything was covered

in gold. Here I'll put the photo of the

props Department and you can see me in

the front row there and this was my

family whilst I was on Beauty and the

Beast and I love them all so much

they're all just so immensely talented

my friend Niz took this photo for the

crew so I'll leave her Instagram handle

in the corner you can go check out her

photography she does loads of really

beautiful travel images.

As you can tell by my channel

I am a massive Disney fan. I've always

wanted to work for Disney and to get to

be able to do it in this way was just so

much fun and I'm really happy with how

the final film turned out as well.

That's it guys I hope you liked the

video comment below if you have any more

questions and if you're not already

subscribed then hit that subscribe

button for more Disney related goodness.

Thanks so much for watching - Bye!