Chủ Nhật, 4 tháng 2, 2018

Waching daily Feb 4 2018

førget - no matter how far, no matter how long. i will be there

For more infomation >> førget - no matter how far, no matter how long. i will be there - Duration: 2:39.

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Whatever Happened To The Women Of Flavor Of Love - Duration: 5:38.

The ladies of VH1's Flavor of Love provided some of the wildest moments to ever grace

the reality screen scene.

And even a decade after Flavor Flav's TV time clock ran out, we still can't forget the women

who made his shows, and the spin-offs, so unforgettable.

So, what have the women of Flavor of Love been up to lately?

Let's take a look at what became of the rapper's former flames.

Tiffany "New York" Pollard

After getting dumped not once but twice by Flavor Flav on his shows, Tiffany "New York"

Pollard became the star of her own series of reality programs where she'd be the one

breaking all the hearts.

"You KNOW you love New York."

After appearing in a few series for the network, though, Pollard's relationship with VH1 cooled

off for a spell.

In recent years, however, New York has begun making a comeback with appearances on reality

shows like Famously Single and Celebrity Big Brother: U.K.

And in 2017, she even landed her own TV short series for VH1 called Brunch with Tiffany.

Brooke "Pumkin" Thompson

Flavor of Love wasn't Brooke "Pumkin" Thompson's last stint on the reality scene, either.

She went on to star in Charm School and I Love Money, and even appeared on a Playboy

channel special before returning to her hometown of Bakersfield, California.

In 2016, she told VH1:

"I have a real job now.

I work for an accounting firm.

Booooring!"

However, Thompson also revealed that her time away from the spotlight hasn't necessarily

been by choice.

She admitted:

"I would still be on reality TV if [someone was] still doing those types of shows.

Not to say that I would never do reality television again because I would totally do it again."

Some people never learn.

Nicole "Hoopz" Alexander

Although her relationship with Flavor Flav didn't last long, Season 1 winner Nicole "Hoopz"

Alexander soon found love with another famous man: basketball icon Shaquille O'Neal.

The couple started dating in 2010 and eventually got engaged before calling it quits in 2012.

She went on to date UFC fighter Ovince St. Preux, so clearly, her affinity for athletes

hasn't wavered.

On the professional side, Alexander began her own clothing boutique in Knoxville, Tennessee

and starred alongside her family in the Oxygen reality series It Takes a Sister.

London "Deelishis" Charles

Flavor Flav wasn't any better at making love last with Season 2 winner London "Deelishis"

Charles.

But Charles was able to eke out an entertainment career all her own after the showmance came

to an end.

She first dabbled in the recording business but settled into a spot as morning host of

a Detroit radio show.

She told VH1 of her vocal career:

"I am getting older … I want something in entertainment that's going to have longevity—and

radio's just that."

As for her personal relationships, Charles reportedly welcomed her second child with

then-husband Orlando Gordon in 2010 before the two divorced.

Charles has since been linked to rapper Wiz Khalifa and Stevie J, and she has implied

that she hooked up with Drake.

Larissa "Bootz" Hodge

Arguably best known for her feud with New York, Larissa "Bootz" Hodge returned to TV

on VH1's Charm School, alongside many of her fellow Flavor of Love alums, but her reality

show days are over now.

Hodge has since become a proud mother of two and lives in Las Vegas.

She told VH1 of her work status:

"I am collecting my checks, going to school to get a degree in business.

What people don't know is I was in a car accident two and and a half years ago so I have not

been able to continue my position as a reality [personality] because of injuries and legal

reasons."

In 2016, Hodge hinted that she might be able to make a comeback eventually and that she

was preparing by taking acting and voiceover classes just in case the limelight crosses

her path again.

Saaphyri Windsor

Although her stint on Flavor of Love didn't last long, Saaphyri Windsor's quickness to

fight was enough to make her popular with fans and earn her a spot on Charm School,

where she walked away with the winning prize of $50,000.

Windsor went on to launch a lip balm line but found herself in the slammer for identity

theft for a short stint before returning to reality TV for the E! series Botched.

Becky "Buckwild" Johnston

If anyone was going to spill the beans about Flavor Flav having a girlfriend during Flavor

of Love Season 2, it was Becky "Buckwild" Johnston.

Even so, she was able to make some hay of the situation by earning a spot on both Charm

School and I Love Money and has been spending her subsequent time working at Toys R Us and

sharing updates with her fans online.

Schatar "Hottie" Sapphira

Of all the Flavor of Love success stories, Schatar "Hottie" Sapphira's perhaps the busiest.

After Charm School, she married Maxie Collier, a filmmaker and publisher, and together they

founded New Vista Studios, co-authored a red carpet survival book, and produced a musical

film.

Under the pen name Star Sugarman, Sapphira also released the first novel in her Kinky

Perfect trilogy in 2017, so clearly, she's not given up trying to make it to the big

time.

Shay "Buckeey" Johnson

After appearing on Charm School, Shay "Buckeey" Johnson returned to VH1 in 2012 with a stint

on Love & Hip Hop: Atlanta.

She then launched her own line of luxury hair extensions called Shay J Bliss, and eventually

found her way back to VH1 again in 2018 when she joined the cast of Love & Hip Hop: Miami.

She's also undergone something of a body transformation, having lost 35-40 pounds.

She revealed:

"I decided to get my mind right first, get into fitness and health—I transitioned my

life to what it is now."

Of all the Flavor of Love stars, who'd have guessed it'd be Buckeey who could make her

15 minutes of fame last the longest.

Thanks for watching!

Click the Nicki Swift icon to subscribe to our YouTube channel.

Plus check out all this cool stuff we know you'll love, too!

For more infomation >> Whatever Happened To The Women Of Flavor Of Love - Duration: 5:38.

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Gel Printed Furniture Tutorial // Colorful & Fun! - Duration: 12:29.

Hi there! Lindsay here, the Frugal Crafter, and today I have a really fun home decor

project for you, we're gonna refinish this little table, it's a cute little

table, it's probably about oh no more than a foot wide and probably about 20

inches long, it's meant to sit next to like an easy chair and hold books, and I

just threw a couple DVDs in here, actually there's stamp cases, just kind

of show you how it would go in there right along that shelf I thought this

would be really cute in one of my daughter's bedrooms next to their

reading chair, just because it gives you a nice place to keep the books that

you're currently working on and you always need more space for books, at

least if you live in this house you do, because we're all avid readers. This

video is brought to you by Lava Soap and I'm gonna have a link in the video

description so you can find a retailer near you and the reason that I wanted to

mention Lava is that not only are they a sponsor, but I use this everyday pretty

much, I have a cake of this under my kitchen sink any time I've been using

inks or paints, and like you get paint stuck on your fingernails, it is so hard

to remove, or you get your fingers stained with spray inks, this stuff will

take it off without drying your hands, and so I appreciate them sponsoring this

video and I also want to let you know what a great product it is. I've been

using it for years and I totally recommend it, so without further ado,

let's clean this off and then start painting. The first step whenever you do

any painting project is to make sure your surface is ready and since I'm

going to be using chalk paint all I have to do to get this surface ready for

paint is just spritz it with some water and wipe it down with a paper towel or a

rag, you just want to make sure that it's clean and dust free, and I'm going to be

using a combination of some chalk paint I have lying around, basically I'm using

up dribs and drabs of stuff from other projects. I've used a lot of different

brands, my favorite is the Home Decor chalk by Folk Art. I just find it covers

a little bit better and I'm gonna mix those two colors together. I've got a

light blue and that dark teal, and I'm going to just apply a coat over the

whole the whole piece of furniture. I had done the legs in the paler blue which

was a Martha Stewart chalk paint, but it was kind of streaky so I just decided to

go over the entire thing with this pale teal mix which covered really well.

I let the furniture dry overnight before starting the gel printing process, and

I've got a variety of gel printing plates from a couple

different companies. I have the Gelli Arts printing plates, and also the Gel

Press plates, I couldn't really tell the difference between the two of them. You

can use whatever you have, and I'm gonna be applying these smaller plates to

stamp blocks and the larger two plates, I have a 5 inch square and a 6 inch circle,

I'll be putting those on large pieces of plexiglass

so I have something that I can use kind of like a jumbo stamp, so to ink

these up, what you want to do is just put out a couple drops of paint and then

brayer them on, so what I have here is a plastic rolly cart that I'm using as a

taboret. I have it over to the right-hand side of the table so I can kind of sit

between the table I'm painting and my workspace with my jelli plate, and I can

transfer paint over there it just gives me a nice place to work, and I

like this method of putting a piece of tempered glass over my rolly

cart. I can drop all my paint lids underneath there so I don't lose them, so

what I'm going to be doing is using stencils and these printing plates to

create some really interesting patterns on my table, now if you don't have jelli

plates you can do a very similar project here a very similar look, simply by

stenciling through your stencils with a paintbrush, now if you

look at that polka dot pattern that I have there, it's pretty opaque, but I just

decided that it didn't have that pop of color I want, so I'll be adding white

to my paints from now on to get them a little more opaque. I found out that ghost

printing on furniture did not look quite as good. I don't really see the

detail that I would get on paper and the surface of my table is a little warped,

so it's not working that well to get a really good ghost print, but it works

really great with the stencils, so that's what I recommend. I'm now gonna speed up

the video because this gets really pretty repetitive and would be pretty

dull after a while. On these first layers you're pretty much just covering up the

surface so don't feel bad if it's a hot mess, you're definitely gonna hit the hot

mess stage, and since it's a large space, the hot mess stage kind of hangs around

a little longer than you might expect, and you can also clean off the brayer or

add larger patches of color just by rolling the brayer on there, and you

just keep adding until you get a look that you like. If you get to a point

where it starts to feel very much the same, you need to add a little contrast,

so here I'm using some bright yellow, that's yellow and white, and I am both

gel printing and also using the brayer, so anytime you feel like you've gotten

everything like too much the same, vary the color temperature, so if you have a

bunch of blues and purples and greens, then maybe use some pinks and yellows,

but try not to grab new colors once you've started like with your six or so

tubes of paint that you're gonna work with, keep mixing from those, so that you

end up with some color harmony. Now I'm not sure if I like this after I did it, but

I decided that the shelf on the bottom I would go ahead and add some color right

from the brayer. I thought that gave it kind of a funky artsy twist, you could

leave that on if you want to. It's completely up to you. I tend to be a

little daring. It's only paint, you can always paint over it later, especially

when you're a gel printing, these techniques are very flat, you're not

gonna have a lot of ridges, so you will be able to bring that back to a

solid color again if you wanted to. I'm using this pack of inspirational word

art stencils that I got from Faber- Castell about a month and a half ago. I

ordered them online. I got them because I thought they'd be really fun for craft

projects with my daughters, because they love those kind of inspirational quotes

and this one says be-you-tiful (beautiful), and I thought that would be great to go in my

daughter's room. I simply used a makeup sponge and some white to stencil that on,

and I used a gel plate as my palette so that's another great use for them. I

think it's a great idea to repeat design elements whenever you can, so I took this

star stencil which was one of the stencils I used in the gel printing

stage ,and I actually used it to stencil stars from opposing corners on the top

and I'm using bright white again because I want these to really stand out. These

are my final layers, so whereas I mix the white to make other colors opaque as we

were doing our gel printing, I used it straight on to do the "beautiful" which is

the focal point, and also my stars, and then I'm also going to do some of those

stars on the shelf underneath. This next technique is the one that I regretted as

soon as I did it. I just took a brayer loaded with orange and hit the legs with

color, but then I ended up liking it, so sometimes you just have to sleep on one

of your design elements and just realize that if you really

don't like it in the morning, you can always paint over it. There are some flat

areas on either end of the shelf and I thought that would be a nice area to add

some pattern to, but since it's kind of an awkward area and the legs actually

come out so this panel is recessed, you're much better off to use a small

stencil and a cosmetic sponge to do your stenciling there.

I wanted the quote I stenciled on the top of the table to have a little more

prominence, so I just took my darkest color of paint, which was the purple, and

I thinned it down with some water, and I added a drop shadow since the paint was

thinned down with water to make it more transparent. You still see the beautiful

patterns underneath, but it just gives out that a little extra pop. If you end

up going over some of the letters by accident, you could wipe them out with a

wet paintbrush or you could always just repaint them in later. I laid a piece of

scrap paper over my words and spattered on some of that same purple paint just

to give it a little bit of an artsy flair

and after splattering purple on both sides, I decided to speckle on some white

and I didn't bother masking for that because if any white went on top of the

the words it really wouldn't matter. I'm really happy with the way the table is

looking at this point. My hands are a mess. I've got to go wash my hands and

also clean up my area, and I'm gonna let this dry overnight so that I can varnish

it in the morning. So I just wanted to let you see how messy my space is, I've

got stencils lying around everywhere, and I don't typically clean my stencils if

it's acrylic paint. I'll just stick them back in the bin when they're dry. I do

need to clean up my paintbrushes, and I need to clean up my jelli plates, because

the gel plates will get ridges on them if there's like thick paint on there, and

I think that affects the printing quality, so I'm gonna take those soak

them in the water, clean my hands with the Lava Soap and then we'll see everything

tomorrow when we do our varnish coat. Okay, it's the next day and let's take a

look at our project all dry. This is the tabletop, "be you tiful", I think it's

beautiful. I don't know about you, but I like all these crazy colors here. Of

course if you want to change anything, make it your own, obviously do that, I'm

not sure if I actually like the spattering after it was all dry, but I

don't know, I mean that's totally up to you. I decided that I didn't like all the

different colors the legs, so what I did was I took some

more of that chalk paint that I had been using, the teal, and then I painted it

over just with a brayer really quick and dirty, and then I took some of that

orange which was just that kind of yellow orange acrylic paint mixed with

white so it would be nice and opaque, and I just dry brushed it on the legs,

because I thought that was a nice touch, now to finish this you want to put a

clear coating on there, you can choose whether you want it satin or gloss,

completely up to you, I'm gonna go with a gloss just cuz it gives it a little more

protection, and this is gonna go into a kid's room, and I'm gonna use polycrylic

which is a water-based varnish and the way I decide whether I want to use a

water-based or an oil-based, because you can use an oil-based varnish on top of

acrylic, as long as it's your last layer. I go by what kind of colors I have, if I

have cool, bright, crisp colors, I want to use a water based ,because that's not

gonna alter those colors. They're gonna stay nice and fresh and bright. If I was

doing earth tones or I had stained the wood underneath and I had a lot of

warmer tones, like browns, yellows, reds just you know, warmer, earthier colors,

then I would use the polyurethane because that would give it a even warmer

glow to it, and just kind of intensify those warm colors. Polyurethane just has

kind of like a slightly yellowish warm cast as it ages over the wood, so just

keep that in mind so if you're going over earth tones, the oil-based

polyurethane works great, if you're going over something really bright and poppy

or cool in color, like this, then go with the polyurethane, and if you're using the

water-based polyurethane like I'm using today, the polycrylic, you want to use a

synthetic brush, nice and smooth, look for the smooth blond bristles or smooth white

bristles, they're plasticky. If you are using an oil-based polyurethane you want

to use a natural bristle brush, and when you're purchasing brushes for those

different types of things it'll tell you what they're best for, so when

in doubt read the package on the brush, and then for cleanup, I can clean up my

water-based polyurethane with just soap and water, if I was using

the oil-based polyurethane I would need to use mineral spirits or some other

solvent to clean it, and then clean it up with soap and water. So you really do

want to make sure you protect your brushes, because they will last you a

lifetime if you use them properly, so you just want to

apply a smooth thin coat. You might want two coats depending on how the first one

covers, sometimes I notice that I miss a few spots when I'm varnishing,

so then you want to just give it a another coat. I like to also use a

smaller brush if I'm doing like the legs or any like smaller edges, and also

the smaller brush is really good if you want to go and get any drips as you're

painting, cuz sometimes with a bigger brush, especially on the edges

where you have those router details, it can catch the varnish because the

varnish is a little thin and it can cause drips, so you want to get those

drips while they're wet so that you don't have any anything you have to pick

off later. You may want to lightly sand it before you put a second coat on.

That's up to you, just give it a decent coat so that it will be protected and

that's really all you have to do. I want to thank you for watching today I want

to thank Lava Soap for sponsoring this video. This stuff really is great, I wish

they made it for clothes, because I get so much paint on myself when I'm creating,

if I could rescue my clothes as easily as I can rescue my hands, that would be

fantastic, and you can find their products at a retailer near you. I'll have a

link in the video description to help you out, and until next time, happy crafting!

For more infomation >> Gel Printed Furniture Tutorial // Colorful & Fun! - Duration: 12:29.

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Fatal Frame I #3 - Apanhei feio! - Duration: 27:51.

For more infomation >> Fatal Frame I #3 - Apanhei feio! - Duration: 27:51.

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How Do You Know If You're An Empath - Duration: 4:59.

How Do You Know If You�re An Empath

by Erik Chavez,

Many people are feeling intense from the energies coming in.

If you are an empath this will naturally be heightened as your senses are at a heightened

state originally.

It�s not just this new energy coming in, most empathic people have felt deeply their

whole life.

Most star seeds have come in great love now to support this grand master plan of ascension.

If you have read and felt anything up to this point, chances are you are not only an empath

you are a star seed!

It may be a lot of information all balled up in one short paragraph, so it will be best

explained further.

First off, the only thing in your way is your own emotions.

So what we must all do as empaths is master these emotions through love.

Every person who has the capacity to perceive feelings and emotions is already to some degree

empathic.

This means yes, we are all responsible for our own emotions.

Those emotions are always shared and felt in some way shape or form by the collective.

This article is written to induce emotion and contemplation with that deeper question

we should all be asking!

How Do You Know If You�re An Empath?

The question all hearts ask in the deepest desire, is how to receive truth of self-discovery.

Why is all of this so important (star seeds), and how does it involve ascension?

Many reasons can be explained, so for the sake of time awareness of all, we will discuss

some key reasons.

One major reason is that our thoughts create the shared reality that we exist in currently.

If we as a collective consciousness understand what we are, what we like and dis like, would

that not be exactly the road map we need to shift this realized reality to the most harmonic

temporal reality.

When all on this planet or most are connected to their hearts, this shift would be easy.

Yet we are still living in this reality because many are still not connecting.

So what about being an empath and how is it important for this time line?

The sensitive ones are like the markers that allow the collective to receive direct feed-back.

Collective and direct feed-back, what does this mean some may ask?

The collective consciousness is the combined accumulative thought form that blankets the

created reality in which we all exist.

Simply this information would be available to any being sharing the reality.

So here you are: if you are experiencing a raised heart rate, it is okay.

Remember that in most trying moments all that is required of you, is simply to breathe.

When you take that moment and inhale slowly, remember that it is not just air and oxygen,

it is the Prana.

The life force consciousness you are receiving in to your body and awareness is pure divine

love.

So you feel deep and you are connected to all things giving you the ability to feel

so much more of what other people are feeling.

Some may not like feeling overwhelmed with emotion, so remember the breath as stated

before.

Now for the star seed, this may be a mystery in itself; but it can also be very simple

at the same time.

You may or may not know how or where your soul originated, and that is fine.

Again, a way to a complicated story of self-discovery.

For those of you that get a positive feeling inside your core when you hear or read the

words star seed, you either are one or you are an Earth soul that prayed for us.

With that being said search your feelings and allow intuition to guide you to your truth.

In conclusion time may not exist or even reality, so what we have is what we have always had,

consciousness!

These so called times that are always changing have been trying to the emotional body, so

collectively let us use these bodies to transform these times in to the best times.

If you feel deep, you are an empath to your own heart; and that in its self is one of

the best blessings a being can have.

So if moments and times seem trying, take that moment to breathe in solace, and find

gratitude for the wisdom of the lesson that moment has to offer.

Together we can discover how truly amazing and powerful we are and take that wisdom forward

in a co-creative step to having Heaven on Earth.

In service to love and light, may all hearts that read these words be blessed with joy

and enlightenment.

Namaste.

For more infomation >> How Do You Know If You're An Empath - Duration: 4:59.

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Network Marketing Accountancy Specialists - Partnership Tax Return - Duration: 0:55.

Hi, I'm Chris Whitley-Jones from PRB Accountants down in Sussex, and we

specialise in acting for network marketing businesses. If you have a

business partner in your network marketing business, it's important to

remember that you have to register the partnership from the outset with HM

Revenue and Customs, and that will generate a partnership tax reference

number. And also you have to do a partnership tax return which, like

self-assessment returns, has to be filed by the 31st of January after the end of

the tax year. So it's important to remember that because if you're late -

just like self-assessment tax returns - you will get fined if you file your

partnership tax return late. I hope you found this video useful. If you have any

further queries give me a call (on 01444 458 252) or take a look at our YouTube channel (PRB Accountants Network Marketing Specialists). Thank you.

For more infomation >> Network Marketing Accountancy Specialists - Partnership Tax Return - Duration: 0:55.

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Salt - Free Homemade Taco Seasoning Mix - Duration: 2:58.

hello everyone it's stephanie manley with copykat.com today i'm going to show

you how to me homemade taco seasoning and it happens

to be salt free and you could have it spicy or mild so let's get started I am

going to add 6 tablespoons of mild chili powder a regular chili powder into this

container 5 tablespoons of paprika you could use smoked paprika if you have it

on hand that adds a really nice touch 5 tablespoons of cumin you know what I

love about this recipe is everything's probably already in your pantry and if

you haven't subscribed already be sure to go ahead and subscribe too and a half

tablespoons of dehydrated onion flakes or you can use onion powder whatever you

like two teaspoons of garlic powder and you know what goes in next all right you

know oregano adds a really nice depth to your taco seasoning and then it becomes

the heat the heat is coming from cayenne pepper I use 1/2 a teaspoon for mild if

you like your spicy go ahead and add in you know a teaspoon a teaspoon and a

half or you can experiment and see what you like best makes a lot of taco

seasoning to make it really easy and quick for me sometimes I packaged it up

in these old used spice jars I stick about 3 tablespoons in each jar for one

pound of taco seasoning so how do you use this stuff we made it up let's go

ahead and make some taco meat right here now in my skillet I am heating it over

medium heat and I am going to add in my ground beef now I have about 2 pounds of

ground beef in here and for this I'm gonna use 6 tablespoons or two of those

spice jars to make it you're also gonna need water to make it up as well for

each 1 pound I use about 3/4 cup of water it's important to add the water it

helps cook down the chili flakes and it also helps get the onion to rehydrate so

when it's about 90% done I want you to take out that meat drain it and then put

it back in the pot and then again we're gonna add in 2

of those jars or a total of six tablespoons of the spice blend and then

I'm going to add and one and a half cups of water and that's 3/4 cup times two to

make up this mix and we're gonna cook it for about 15 minutes

this will give the onions a chance to rehydrate it'll give the chili flakes a

chance to start to break down and really get blended in this really well so what

can you use this for tacos burritos nachos you know what whatever you like

it's really easy to do it could go great in a Mexican corporate castle roll you

can see it looks wonderful rich and meaty so if you enjoyed this video

please give me a big thumbs up drop me a comment down below know what you'd like

to see next thanks for watching

For more infomation >> Salt - Free Homemade Taco Seasoning Mix - Duration: 2:58.

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Primitive Survival: Cooking Meat on a Rock - Duration: 6:54.

Cooking on a rock is a method of cooking since ancient times. By putting the rock on the fire the heat will make the meat cooked. This method of cooking will make the meat less dry and tastier when baked directly on the fire

For more infomation >> Primitive Survival: Cooking Meat on a Rock - Duration: 6:54.

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Vegeta's Nipples! Episode 126 Animation Breakdown - Dragon Ball Super - Duration: 10:05.

Welcome back to another Animation Breakdown.

We are so close to the end of Super now, it's kind of hard to believe.

After a few shaky weeks as far as animation goes, last week brought us back around to

the good stuff, with fan-favourite Shuuichiro Manabe making a brief appearance to round

things off.

This week we're continuing the trend of well-animated episodes, and while the high

points aren't quite as high as what Manabe brought us last week, the overall average

is significantly higher thanks to a nice array of talented animators.

Not too surprising considering Yashima solo'd last week, but worth keeping in mind.

The first half comes to us supervised by Tsutomo Ono.

Who, despite being on the series since episode 60, has been a bit of a mystery, with the

two animators on his team that were familiar to me - Taiichiro Ohara and Shin Young-soon

– not taking part in this episode.

Thankfully that's not quite the end of the world as far as this video goes.

Miyako Tsuji, the chief animation supervisor, is all over this episode correcting huge chunks

of artwork, and I have to say I'm seriously impressed by her output here.

The edge to her drawings that seemed to be missing from previous episodes is back, and

it's doing wonders for Vegeta in this episode.

It's maybe not quite as good as some of my favourite Vegeta shots of hers from the

Future Trunks arc, but I'd be lying if I said I wasn't all about what she's doing

this week.

A great showing from her that means I don't have to rack my brain trying to work out what

the other supervisor, Yasuhiro Namtame, looks like either.

On to the animation then, this first half is a little bit inconsistent.

It opens up with Toppo vs #17, which is reasonably well done – there's a great sequence of

17 running away from Toppo's blasts which I think might be my favourite cut in the episode.

It's got some absolutely gorgeous effects work, and I think what's sort of bittersweet

about it is that Toei's compositing team forgot to blur one plume of smoke, so the

lovely detailed effects are on full display for a split second.

Comparing it to the other shots that weren't quite so lucky to escape the blur, and I'm

sure you can see why I'm so vehemently against the practise.

It really destroys the detail, and you'll see this with one scene in the second half

especially.

While that scene was great in spite on that, I can't say the same for what follows.

There's a lengthy period of action here that's really poorly done.

Toppo firing his blasts is really just a still with some screenshake added, and when you

stabilise the shot, you can see it's a pretty big corner-cut.

I'd normally waive this away because it's pretty inconsequential on the whole, but it

really is pretty extensive – it carries right through to where Freeza chimes in with

the same thing.

When combined with the reused scenes and the digital effects work, it's an unfortunate

blemish in the middle of this quality sandwich.

And I call it that because right afterwards, the effects god Kenji Miuma's turn rolls

around, as he animates the tail end of this section, leading into Goku and Vegeta vs Jiren.

I really can't understate just how beautiful his smoke is.

Effects work often goes undervalued in anime, but interesting shapes and dynamic smoke behaviour

isn't easy to animate, but he does so effortlessly.

I love this section where the beam is whipping against the smoke.

It's not super complex, but it feels really premium thanks to those great shapes.

Moving on, Goku and Vegeta against Jiren is yet another example of what I spoke about

last week with Nikaido's contribution.

Looped or limited animation is not bad animation, it's entirely down to how it's executed,

and I think Miuma's done a wonderful job here.

Although it's looped and although it's not animated with many frames, you get this

feeling that the two characters are stylishly rotating around Jiren thanks to the way he

poses and moves the characters between each frame.

It's very effective conservative animation, and with little moments like Jiren throwing

his beam breaking up the loop, it comes together nicely without making the limited approach

stand out in any meaningful way.

Again, it's like I said with Nikaido last week, and again with Shida's work in 110

and 95.

It can be frustrating when good animators don't have the time to deliver scenes with

stacks of movement, but their abilities will always allow them to excel over others, regardless.

That might sound obvious – good animators are always better than mediocre animators

– but I've seen unfortunate trends of people devaluing strong limited work because

they know they're capable of doing better.

That might be the case, but a scene being limited does not make it bad, in the same

way a scene with lots of movement isn't always more competently executed than a limited

approach.

I think the anime Hand Shakers sure proved that one for us.

If you value your eyes, I'd suggest avoiding it.

Anyway, with that tangent out of the way, I wanna touch on the storyboarding in this

episode.

The first half's board comes to us from Yoshitaka Yashima.

If you've been watching my videos for a while now, you'll know I'm usually a big

fan of Yashima's storyboards.

They're typically filled with interesting angles, and do a nice job of showcasing scale.

Unfortunately, that's not quite the case with his board in this first half – it's

a little bit flat, and the action isn't framed in particularly interesting ways, either.

It feels really small and by the numbers, which is so unusual for him.

Although boards are done well in advance of episode animation, I can only imagine his

schedule was probably knocked a little out of whack by this coming so soon after his

own episode, especially considering just how many boards he's done lately.

The second half's board, however, is pretty damn fantastic, and it comes from Tadayoshi

Yamamuro.

I have to say, I'm really surprised and impressed by what he's come up with here.

We all know my thoughts on Resurrection F's very amateur and flat storyboarding, which

was of course his first foray into that field.

His board for the Future Trunks arc special was a significant improvement, but with it

being so heavily referenced from the manga, it was hard to really say whether he'd improved

in any meaningful way.

This definitely confirms it, though.

This is one dynamic board that bests Yashima's efforts in pretty much every way.

He's got some very creative angles going on here, and the scale is definitely realised

very nicely.

I do think there are areas where he falls back on flat compositions, but I'd be lying

if I said this wasn't a significant step up over anything he's shown us before.

I'm now quite curious to see how he evolves in this role in the future – was this a

bit of a luck or is he actively learning?

It'd be interesting to see him transition from an animation role to a directorial one

permanently.

Back to the animation, this second half kicks off with Vegeta vs Toppo, which I think may

come from Jin Inaba.

This guess is based entirely on process of elimination as you'll soon see.

It's several minutes long, Inaba's the top credited key animator on the episode,

and the rest of the scenes seem pretty easy to identify, so I can't imagine who else

this would be from if not him.

Just a guess, but there you go.

At the tail end of his scene, it looks like Tu Yong-ce takes over as Vegeta punches Toppo

into the rocks.

You can see Tu's smoke effects, which look pretty much identical to his scene in 122.

It's a great little cut, actually.

There's a good chunk of well executed movement, with some neat smears, and a nice bit of the

on-model character art we've come to expect from him.

There's a lot of on-model work scattered sporadically throughout this episode actually,

so I do think Yamamuro played a part in tidying things up, particularly since Namatame, the

supervisor of this half, hasn't demonstrated a particularly strong ability on his work

on the series so far.

Next up, as Vegeta starts up his suicide-but-not-suicide attack, Kenta Yokoya steps in.

Yokoya's a superstar freelance animator with great ties to Studio Bones.

We last saw him do a very tiny scene at the end of episode 116, thanks to Ken Otsuka,

and now he's back presumably of his own volition, doing a very similar scene.

It's pretty limited and effects based, but showcases his trademark debris and smoke.

Unfortunately, it's also the scene that suffers the most thanks to the overzealous

blurring I mentioned earlier.

Instead of us enjoying the lovely shapes that fans of his work are used to, we're left

with a bit of an incomprehensible smeary mess.

It still has the impact the scene needs, but as far as respecting the effort put into the

drawings, it's pretty depressing.

But that's about it as far as noteworthy animation goes.

This was a bit of strange episode for me.

It was written by Ayumu Hisao who's a pretty horrible Dragon Ball writer – he last handled

episode 119, which if you remember was the very disconnected one just after Universe

6 was erased.

I think this suffered similar issues, actually.

After Freeza hit the deck last week, having him pop back up again for a split second felt

very strange.

And again, with how few opponents are left, it's bizarre that this is being written

so episodically.

In spite of the animation this week being pretty satisfactory, I will say that I'm

still not 100% optimistic about the state of the production at the moment.

This episode was still filled with a good chunk of BANK animation.

From the recap after the recap at the start, to the Final Flash from last week, and of

course, the overly lengthy flashback of Vegeta's sacrifice.

These are all ways of saving time, and many of them are clearly not there by choice.

I do feel like we're on up part of the curve now, so I expect the episodes to get stronger

and stronger from here on out, but it's probably not going to be smooth sailing.

I just hope this all makes some sort of sense by the time Super ends.

But that's it from me for now.

Let me know down below how you felt about today's episode, and this time, I'd like

to hear about your thoughts in terms of story too.

I know this episode has been pretty divisive, so I'm curious to hear where you guys stand

on it.

As always, be sure to rate the video, subscribe if you're new, and I will see you next time.

For more infomation >> Vegeta's Nipples! Episode 126 Animation Breakdown - Dragon Ball Super - Duration: 10:05.

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7 Organs You Could Totally Live Without - Duration: 10:19.

[♪ INTRO]

The human body is an incredibly complex machine made up of systems of organs all working together

to keep things humming along smoothly.

So you'd think that taking anything out would make the whole thing break down.

But of course, lots of people live without some of their organs.

Like, you're better off without an appendix if it's giving you a problem, for example.

And you can afford to lose all kinds of more important organs, too, like a giant chunk

of your liver or even an entire lung.

Because yeah, your body is a finely tuned machine — if you don't mind me saying

so — but it also has a bunch of redundancies that allow it to adapt to some pretty extreme

changes.

So here are just a few of the bits you can live without.

Number one, the brain.

You didn't think we were gonna go there!

Of all of the organs in the human body to lose, even partially, you would think that

the brain would be a total dealbreaker.

I mean, it controls or coordinates basically everything else.

But it turns out that sometimes, it's better to live with just one hemisphere — half

a brain, in other words.

Like when people have a kind of epilepsy where seizures stem from one side of the brain.

This can happen with some developmental brain disorders, or with rare conditions like when

one brain hemisphere is abnormally large.

One-sided seizures are often difficult to treat, and they can be debilitating.

So sometimes doctors recommend a hemispherectomy: the removal of some or all of the half of

the brain that's affected.

It's a very rare, extreme operation, obviously, but when it's successful, it can result

in a relatively normal life.

After a hemispherectomy, between 50-90% of patients become completely seizure free.

They do experience some paralysis in the half of the body normally controlled by the missing

brain hemisphere, but most are still able to walk if they could before the procedure.

And the surgery doesn't usually result in cognitive deficits, either.

Younger patients tend to have fewer side effects because the remaining healthy hemisphere is

still developing, allowing it to compensate for what's missing.

Still, it's a difficult procedure with major risks, so doctors don't just chop out half

of somebody's brain without carefully weighing other options.

But the idea that you can lose half of your brain and still be alive at all is pretty

incredible.

You might even say it's … mind-blowing.

Breathing is another thing that's kind of essential for human life, so you would think

that losing a lung would cause a lot of problems.

But you can get by just fine with just one lung.

Lung diseases like chronic obstructive pulmonary disease, cancer, or tuberculosis can wreck

someone's lung tissues.

So in some cases, part of a lung or even the entire lung will be removed in a surgery called

a pneumonectomy.

When one lung is removed, the extra space allows other organs to shift a bit, giving

the remaining lung some more room to expand.

Studies have shown that in some animals like dogs and rats, the remaining lung can actually

grow new alveoli—the little sacs where gas exchange happens.

It's thought that children who get a pneumonectomy might also do this since their lungs are still

developing.

But in adults, it's more likely that the alveoli just stretch and expand a little to

move more air through.

Ultimately, one lung is able to do about 70-80% of what two lungs can, and that is usually

enough.

Depending on age and other health factors, it might be a bit more difficult to do strenuous

activities, but some people who have had this surgery go on to run marathons, which is more

than I can say for me.

Your stomach has to be tough enough to mush around your meals in gastric acid before passing

them along to the small intestine.

So it's fairly resilient.

But it can still become impaired or diseased to the point that the patient needs surgery

to redirect the digestive tract around their stomach or to remove part of it.

And in some cases, surgeons perform a total gastrectomy to take out the whole thing

and just connect the esophagus directly to the small intestine.

Oddly enough, this doesn't really affect the overall process of digestion since most

of it occurs in the small intestine anyway.

But since there is no stomach to store food in, patients often need to eat smaller, more

frequent meals.

Sometimes they also need additional vitamin supplements for things that aren't absorbed

well by the small intestine, like vitamin B12 or vitamin D.

And some patients might develop a side effect called dumping syndrome, which, no, does not

refer to the 'dumping' that you may be thinking of right now.

Sugars and starches are usually digested in the stomach, but after a gastrectomy, they

"dump" straight into the small intestine.

Since the intestine isn't used to that, it recruits water to help break those things

down, and a lot of that water comes from your blood, causing a drop in blood pressure.

With dumping syndrome, that can cause all kinds of unpleasant symptoms after a meal:

cramping and bloating, nausea, weakness, dizziness, and low blood pressure.

But generally, dietary changes are enough to overcome these issues, and people without

a stomach get enough calories to go back to their lives.

The spleen, which sits to the left of the stomach, is also a pretty useful organ.

It's involved in filtering blood, including removing and breaking down old red blood cells,

and it's one of the places where infection-fighting white blood cells are produced.

But when bad things happen to someone's abdomen—like if they get shot or stabbed

or get in a motorcycle accident like my father-in-law, the spleen can rupture.

That's super dangerous because it can result in internal bleeding that could be fatal.

The spleen can also cause problems if it becomes enlarged from an infection, because the swelling

can trap and destroy healthy blood cells, leading to anemia.

In those cases, doctors will do a splenectomy, where they remove part or all of the spleen.

It's typically considered a safe procedure, but because of its role in the immune system,

people without a spleen are more prone to infections, especially from certain bacteria.

So for people without spleens, it's important for them to boost their immune system by taking

preventative antibiotics and staying vaccinated.

But the redundancy of the human body means the immune system isn't completely destroyed.

And the liver can pick up the slack when it comes to filtering blood.

Speaking of which…

Your liver does a lot—it processes nutrients, detoxifies your blood, and produces bile,

a fluid that helps digestion.

And yet, while you can't have your whole liver removed, you can donate more than half

of it to help someone whose liver is diseased.

What's really amazing, though, is that unlike your other organs, your liver will grow back.

Your liver is made of hepatocytes, specialized cells that don't actively replicate…that

is, until some are missing.

When a piece of liver is removed, hepatocytes reactivate and start replicating again, growing

new liver cells.

Liver regeneration is so efficient that you can lose up to 65% of your liver and it'll

grow back within a year.

Just a quarter of a liver can become a completely new liver in a transplant recipient.

Like any major surgery, there are risks and potential complications.

But if you're in good health and feeling altruistic, liver donation is a thing that

you can do and probably be totally fine afterwards.

Tucked underneath your liver is a small, pear-shaped organ: the gallbladder.

Its main job is to store the bile that the liver produces until it's needed for digestion.

But sometimes, the components of bile harden into small pebble-like stones, and if those

stones become a problem, doctors just yank out the whole thing.

Bile is mostly made up of cholesterol, bile salts, and a waste compound called bilirubin

that's responsible for the color of your poop.

In the small intestine, bile's job is to help digest fats and break down fat-soluble

vitamins like vitamin A and vitamin D.

But for reasons that actually aren't well-understood, the cholesterol and bilirubin in bile can

harden into gallstones, which can cause blockages in the bile duct, the tube that leads to the

small intestine.

Problematic gallstones are super painful, and without treatment, they can lead to infections

and inflammation and even be deadly.

Unlike kidney stones, which can often be peed out, gallstones don't exit willingly.

Sometimes they can be dissolved with medication, but usually they return after the meds are

stopped.

So in most cases, the treatment for gallstones is to remove the gallbladder entirely by performing

a cholecystectomy.

This surgery was first performed in 1882.

A German surgeon noted that other mammals don't have a gallbladder, so he figured

ours probably wasn't too important.

And he was kind of right.

The bile still gets to your small intestine without it — it just doesn't get temporarily

stored along the way.

If your gallbladder is removed and the surgery goes smoothly, usually all you have to show

for it is a tiny scar and maybe a little bit of extra indigestion.

Each of your kidneys is made up of more than a million filtering units called nephrons,

which remove waste and excess fluid from the blood.

If that doesn't seem too important to you, just imagine what would happen to your house

if you couldn't take out the trash for a couple months.

In your body, increased levels of waste can cause vomiting, diarrhea, dehydration...

The whole body can swell, increasing blood pressure and imparing breathing.

And chemical imbalances from improper fluid management can lead to serious issues like

bone and muscle loss.

Ultimately, kidney failure can be fatal.

Yet, you only really need one of your kidneys.

Each day, a pair of kidneys filters about 150 liters of blood to produce about a liter

and a half of urine.

But even one healthy kidney can do all that work on its own, which is why live kidney

donation is a thing.

When one kidney is removed, the other kidney's nephrons compensate by getting bigger so they

can each do more filtering.

It becomes just as effective as two kidneys would be.

And weirdly, leaving a bad kidney or even two inside of you isn't a problem, either.

Recipients don't always get their faulty kidneys removed, so they actually end up living

with a total of three kidneys, even though only one is doing all of the work.

Obviously, your body works best and is the healthiest when all of the parts are present

and functioning.

But it is definitely possible to live a healthy and relatively normal life without some organs,

because the human body is incredibly good at adapting to change.

Remove an organ or two, and it just takes it in stride, it's like, "I'm gonna

be one big lung now, I'm fine!"

I mean, it doesn't look that impressive, I don't think, but it is pretty wonderful,

thank you body!

Thanks for watching this episode of SciShow.

If you liked hearing about your various removable body parts, you might also enjoy this episode

on how some people have bits replaced with animal parts.

[♪ OUTRO]

For more infomation >> 7 Organs You Could Totally Live Without - Duration: 10:19.

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¡DUERME Y BAJA DE PESO! El Secreto Chino Para Reducir la Panza MIENTRAS DUERMES - Duration: 3:16.

For more infomation >> ¡DUERME Y BAJA DE PESO! El Secreto Chino Para Reducir la Panza MIENTRAS DUERMES - Duration: 3:16.

-------------------------------------------

Learn Colors with Colorful Dragon Xylophone Funny Animals Colors Videos for Kids Babies Toddlers - Duration: 3:49.

Suti Channel

Suti Channel

For more infomation >> Learn Colors with Colorful Dragon Xylophone Funny Animals Colors Videos for Kids Babies Toddlers - Duration: 3:49.

-------------------------------------------

HOW TO MAKE BANANA BREAD - Perfect Dark Banana Bread - Duration: 6:04.

Hi a huge welcome to Steve's Kitchen Today I'm going to make that delicious

banana bread we made a couple of days ago on the live

show but I'm going to do it in a condensed version so it's nice and simple for you

to follow. Now I'm using about 2/3 of a cup of sugar, if you like a sweeter

banana bread then you can use a full cup of sugar

but if you like something a little bit healthier just follow along with this

recipe. Come on, let's get on and make this fantastic delicious banana bread.

Now a couple of days after the live show my bananas have got even softer and

squishy. Oh these are red tips Organic and they're so delicious, these are going

to be so sweet. You'll see the skins have become super thin and the bananas are so

so soft which is going to make them wonderful and sweet. Now I'm adding two

bananas into the bowl, the softer and sweeter these bananas are the better the

banana bread is going to be and it's also going to make them very easy to

mash. Now you want to get a fork in there and just mash the bananas up into a

paste, there's a strong smell of sweet bananas coming off of here. So it's

approximately a cup of bananas and into that we're just going to break in two

fresh eggs and when I use eggs I like to mask the flavor a little bit with a

teaspoon of vanilla. I'm using 2/3 of a cup of a soft brown sugar, which I've

compacted because I want that molasses flavor ,I'm going to scoop out a little

bit of that brown sugar and I'm replacing the volume with some thick

dark molasses and that's going to add to the richness and the darkness of my

banana bread. Next up by way of fat I'm adding in half a cup of coconut oil, you

could use butter or any fat really just to add some moisture and some extra

depth to this banana bread and now I'm going to get my hand whisk in there and

just whisk this up until we get a nice smooth batter. Now set the whisk aside,

I've got 200 grams that's about 7 ounces or a cup and a half of wholemeal flour,

I'm just going to add some powdered cinnamon about a teaspoon of powdered

cinnamon on top of the flour. We'll add that in with our batter, one teaspoon of

baking powder and about half a teaspoon of salt.

Often I don't like to use all wholemeal flour in baking but I find with a banana

bread it works really well. I'm also going to be using poppy seeds and sesame

seeds, now this is an optional ingredient. I think it really makes the banana bread

but if you're not a fan you could leave this out. So quarter of a cup of poppy

seeds and a quarter cup of sesame seeds and this will add a lovely nuttiness to

the bread. Now we're gently going to fold that in, we don't want to over fold the

batter and the last thing I've got some walnuts which I've roasted a little bit

in the oven, just to give them extra flavor. That's about a cup of walnuts and

I'm not going to dice them up I want to keep them whole, I want lots of texture

in the banana bread and gently fold those walnuts in. Now often I like to put

some dried fruit in with my banana bread, I'm not going to do that today but if

you want to add some apricots or some cranberries in there they go really well.

Now I've preheated my oven 170 degrees Celsius that's about 350 Fahrenheit.

We've got a 1 pound loaf tin which I've just greased the inside with a little

bit of butter. Next we want to take a little bit of flour and we just want to

coat the inside of the bread tin and let the excess flour drop into the mix, a

little tap and that'll just help our loaf release when it comes out of the

oven and just pour that banana loaf batter into the tray, I'll give that a

little tap. Now before I bake it, I like to sprinkle a

little bit of sugar over the top just to help caramelize the top of the loaf and

here I've got some more sesame and poppy seeds, just give them a little mix

through and I'm going to evenly sprinkle them over the top of my loaf. We're going

to pop that loaf into the oven and we're going to bake for about 50 to 60 minutes

until we got a lovely golden brown dark crust on top. The house smells of baked

banana bread, I'm just going to take that out of the oven. Now I'm going to leave it

for about 10 minutes to cool on a rack and then I'm going to tip it out and

you'll see how easily that drops out of there

and then we place it on a cooling rack and let it completely cool down.

It's a beautiful day so I've come outside to enjoy this banana bread it

still smells delicious. It's cooled down, just a little bit warm, I'm going to cut

myself off the end piece of the bread. Look at the way the walnuts are running

through that, it looks delicious, the colors are rich and dark which is what

I've got from that wholemeal flour and the dark sugars we put in there. The

walnuts are running right the way through.

How would you serve this? Somebody mentioned to me the other day, a bit of

cream cheese, I like just a little bit of salted butter. Sweet treacly smells

coming off there, this is delicious. I know I've had this banana bread so many

times before and I love all the little nutty seeds in there, you have to give

this a try, take some photographs, share them across with me on any social media.

Have some fun, I'm going to tuck in and give this a try.

Oh yeah the bananas were perfect, he's got a great balance of sweetness, there's

that rich caramel flavor in there as well.

This is delicious, not too much sugar, if you want more sugar in of course you can

add it. If you decide to make this, send me some pictures across on any social

media and don't forget join me for another episode of Steve's kitchen for

some fun very shortly, be good and I'll see you there.

For more infomation >> HOW TO MAKE BANANA BREAD - Perfect Dark Banana Bread - Duration: 6:04.

-------------------------------------------

Former CIA Official Threatens Trump: "You've Been Around for 13 Months – We've Been Around Since 19… - Duration: 2:58.

Former CIA Official Threatens Trump: "You've Been Around for 13 Months We've Been Around

Since 1908.

We're Going to Win"

Former CIA counterterrorism official Phil Mudd threatened President Trump after the

release of the House Intelligence FISA memo.

This is the same guy who called him self a "proud sh*tholer" a couple weeks ago.

Phil Mudd: The workforce is going to look and this and say, this is an attack on our

ability to conduct an investigation with integrity…

The FBI people, I'm going to tell you, "are ticked" and they're going to be saying,

I guarantee you, "You think you can push this off this?"…

You better think again, Mr. President.

You've been around for 13 months.

We've been around since 1908.

I know how this game is going to be played.

We're going

to win.

It's not the first time this guy hurled threats at the President.

Their colleague, Democratic Sen. Jeanne Shaheen of New Hampshire, also criticized the release

of the memo, echoing that it's "dangerous.

She tweeted, "DonaldTrump's decision to declassify the partisan memo, made in cooperation

w Congressional Republicans, is a dangerous attack on our justice system and the rule

of law."

Democratic Sen. Jeff Merkley of Oregon called the memo "cherry-picked classified information"

in a statement.

"This puts us in extremely dangerous territory," he said.

"It upends the relationship between the intelligence community and Congress, threatening

the ability for different branches of government to work together to protect the American people's

safety."

Tim Kaine Tweeted:

"Law enforcement opposes this," tweeted Sen. Tim Kaine, a Virginia Democrat.

"The intelligence community opposes this.

Even many Republicans oppose this.

This is dangerous territory, it disrespects law enforcement, and it's an alarming partisan

attack on efforts to investigate hostile foreign interference in our democracy."

What do you think about this?

Please share this news and scroll down to Comment below and don't forget to subscribe

Top Stories Today.

For more infomation >> Former CIA Official Threatens Trump: "You've Been Around for 13 Months – We've Been Around Since 19… - Duration: 2:58.

-------------------------------------------

Great Animation Channels Under 1000 Subscribers! - Duration: 1:44.

Ok, so first on the list is illymation. She is a story-time YouTuber who makes

videos similar to TheOdd1sOut and Jaiden Animations. Her videos are very

funny and well made and they're definitely worth checking out.

Next is Mister. Addison. This is another story-time YouTuber. I actually found out about him

because for a while TheOdd1sOut was subscribed to him. So be sure to check

out this channel.

Next is Panel Penguin. She makes story-time videos as well as other animations.

I really like her animation style, and I would definitely recommend checking out

her channel.

Next up is ScribbleNinja.

He posts story-time animations as well. I really like his style of drawing and his

videos are really funny. So be sure to check out his channel.

Last but not least, we have Atomic Frontier. This is actually not an animation channel, but it's

actually a really cool science channel. And you might be wondering, "If it's not

an animation channel, why did I included on the animation channel list?"

That's because he combines animations with his live-action videos. He usually does this

so we can have visual representations of charts as well as other things

(Click the Chicken if you want to subscribe to my channel!)

(Click the video on the right to watch my previous video!)

(Thanks for watching!)

For more infomation >> Great Animation Channels Under 1000 Subscribers! - Duration: 1:44.

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Which Hearing Aids do we Recommend? | Scottsdale | Southwest Hearing Center - Duration: 5:15.

in the past 30 years that I've been an audiologist, I have worked with nearly

every hearing aid manufacturer that's out there. One of our favorite companies

is Oticon. Oticon is the oldest hearing aid manufacturer in the industry. They

have a long history of providing excellent research and development to

produce quality hearing devices that not only are durable but have the technology

that enables a patient to process speech in the presence of background

noise, and to be able to participate actively in life. What impresses me about

Oticon is that this company was founded by a man whose wife was hard of hearing.

This man tried to find appropriate hearing healthcare for his wife but was

unable to, and so he developed a company that would produce hearing devices not

only for his wife but for anyone else that might have difficulties in hearing.

Oticon is based out of Denmark. Another manufacturer that we really enjoy

working with is Phonak. Similar to Oticon, Phonak uses all of their resources for

hearing healthcare only. We can always rely on a product purchased from Phonak.

Phonak is based out of Switzerland. They also produce a product called the Lyric.

It is a device that is very small. It fits deep in the ear canal, and is

completely invisible. The battery in the Lyric lasts two and a half months, and

every two and a half months the patient will come into our office. We will change

out the device for a new one, and they can go on living their lives sleeping

with the hearing devices in, showering with them in, working out at the gym and

any other activity in their life that they enjoy. A convenient aspect of the

Lyric that many people enjoy is they don't have to worry about remembering to

put the hearing aid in or to take it out at night. They don't have to worry about

changing the batteries. So this is a solution that a lot of

people like. It may not be appropriate for everyone, but for those that the

Lyric is not appropriate for, we can talk about daily wear devices from Oticon or

Phonak that would be appropriate for them. Depending on the patient's hearing

loss and what their preference is, they may select a hearing device that is

custom molded to the shape and size of their ear. Some of these are very, very

small custom-made hearing devices. Others are devices that would fit over the ear

with a custom-made mold that fits into the ear canal. Another popular type of

device is something called the receiver in the ear technology. This is something

that in recent years has become very popular. These devices are not only

incredibly comfortable but enable the speaker to sit in the patient's ear

canal, getting a direct, smooth, clear clean sound quality. The receiver in the

ear technology is technology where the speaker itself seats down into the

patient's ear canal. There are other devices that would have the speaker or

the receiver up at ear level and then the sound is then sent through a tube

that enters into a mold that is made for the patient's ear. With the new

technology that is available, patients can select any style of hearing device

they want to assist them in their listening needs. Some of the latest

advances in hearing technology enable a patient to be able to control their

hearing devices utilizing an app on their smartphone. It has been very

satisfying to see patients really enjoy their hearing technology where they can

have the phone signal sent directly to their hearing devices without having to

use any additional technology. They can have their television technology

transmitted directly to their hearing devices. They can use the app on their

smartphone to change listening programs for them.

That is something that we have not in previous years seen. That is an exciting

component that we have added to our technology. When you come to Southwest

Hearing Center, at either our Phoenix or our Scottsdale location, you will be

entering into a relationship with us that will hopefully last for years. We

don't just fit a patient with hearing aids and then send them on their way and

forget about them. We have them come in for regular follow-up visits. We

re-evaluate their hearing loss annually. We inform the patients about newer

technology should their hearing devices become old or not function the way they

should anymore. As a result we have patients who have

been coming to see us for decades, knowing that they can trust us to

provide them with hearing aids that will allow them to hear the very best

possible in all their listening environments.

For more infomation >> Which Hearing Aids do we Recommend? | Scottsdale | Southwest Hearing Center - Duration: 5:15.

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JOHN CENA'S SUIC1DE: GMOD (ENGLISH SUBTITLES IN PROGRESS) - Duration: 18:08.

*Handy makes strange sounds*

This men. What was that? It sounded like, like an ape

Having an ORG4SM

Open yourself please. OPEN SESAMUS

That did not sounded pretty well...

YA YA YA

It's the, the, the Nicolas Paige. NICOLAS PAIGE

WTF

Left 4 dead or garrys mod, you choose sir.

Garrys mod because

we have to configure everything, it's the first time

that we will play together.

Star-lord. GG, i'm ready.

There it is

I'm ready, I'm ready

This is going very slow you know...

Let me change... your weapon looks pink

I'll change my weapon, because...

But how can it look pink if it's the revolver

of the game.

Oh, because my garrys mod fails a lot.

So, what do the chinese girl says here???

*Reading instructions*

This gun that lift everything...

it's the one we can't use

But we can use this one.

OH NO, OH NOOOOOO

OOOOH NOOOOOOOO

*#HorseMoaning*

Oh, in japanese.

Says random things***

Kenny Omega sucks (it's sarcasm)

Shut up. AAAAAAAAAAH

Well, let's start

Let's start man, let's start stop killing me, stop, how

How do we start?

NONONO

WHAT WHAT???? WHAT'S HAPPENING HERE???

OH OH.. OHOHOHOH

OHOH WE ARE CLOSE TO THE BEDS OHHHHHH

What can we do here Handy?

Which idea do you have?

Why are we...

like with bugs?

There it is. Stop killing me plox.

Stop killing me.

I'm not coach, I'm not Coach (from L4D2)

I do not have Coach's skin or something like that.

Look, even beds

Look pink

These are obviously mistakes on my Garrys Mod. ¿CAN WE OPEN THIS OR NOT?

It can't be open. It's closed.

WHAT? WHAT WAS THAT?

WHAT WAS THAT?

Oh, it opened, it opened

LET'S GO

LET'S GO

With a pair of testicl3s

Tell me it's open

THANKS. WHAT WAS THAT?

A corpse, a corpse

LET'S SEE...

-Oh what is that? -I don't know, it's like a mammoth

Everything good, everything right?

It's closed dammit!!!!

F*king lag

He is like... he is crossing his legs, look man. He is dancing for us.

OH IT'S TRUE (IT'S DAMN TRUE)

I feel like an screamer will appear

Which key is the one to crouch?

*SCREAMER APPEARS, LIKE HANDY PREDICTED*

-Don't kill me. -Okey.

WHAT'S THAT? WHAT DID IT THREW???

WHAT WAS THAT?

A disintigration ball.

HOLY CHRIST

-Do you see my weapon or does it appear wrongly. -It says error

ENOUGH. LET'S GO

LET'S GO

I'm going

Like a man. I'm a man

I'm the man, I'm the man.

YEP

I got scared

But not too much

WHAT DO I DO?

WHAT CAN WE DO?

Hit it with the crowbar

WHAT'S THAT? A LION OR WHAT?

A zombie

I have an idea

WHAT CAN WE DO?

Let's use the antigravity gun

I, I know I know

Let's use the head!!!!

-You'd try it. -I realized, it was a troll way

It was to make us eat the screamer.

Oh, you're right. Don't manches :v

How can I be so blind???

If you want I can solve that with this disintegrator.

NONONONO, not now Handy, not now.

STAR-LORD NEED TO SAVE THE WORLD.

Oh, look, half-life

WHAT WAS THAT?

A corpse right there

You already know that I am good with the pistol.

What can we find here? WHAT?

THEY'RE DANCING... MJ'S MUSIC

HOW YOU DOIN?

I thought it was a stupid screamer

Are you

Are you subscribed to my channel?

LETS GO... WHAT'S THAT?

Is there a girl?

Hello daughter

The ladder is...

a.... what? what does that say?

Xavier Woods fcked Paige WHAT?

WHAT?

For more infomation >> JOHN CENA'S SUIC1DE: GMOD (ENGLISH SUBTITLES IN PROGRESS) - Duration: 18:08.

-------------------------------------------

What isTinnitus? | Scottsdale | Southwest Hearing Center - Duration: 3:39.

A common condition that we often see at Southwest Hearing Center, is something

called tinnitus. Tinnitus is a ringing or other noise that a person hears in their

ears or their head, and this is generally caused by some sort of damage to the

inner ear. This damage can be caused in a number of ways. For example a person

might be diabetic or they might have high blood pressure. They might have

allergies. They might have adverse reactions to medications. If you research

the American Tinnitus Association, you will find a huge list of many, many

different things that can contribute to tinnitus. The most common contributor to

tinnitus is hearing loss. There have been studies performed on individuals who

have both tinnitus and hearing loss and they found that eighty to ninety percent

of the people who have both tinnitus and hearing loss notice some sort of relief

from that through the use of hearing devices. Sometimes a person may not

notice the tinnitus at all while they're wearing their hearing device. For others

the tinnitus might be diminished. There is a small percentage of individuals who

may not notice any relief from the tinnitus when they wear a hearing device.

There are hearing devices out there that not only provide amplification, but also

provide tinnitus masking. A variety of different noises to mask the tinnitus

are found in some types of hearing aids. Among them are white noise, or frequency

shaped noise to the patient's hearing loss, red noise, pink noise, ocean sounds,

or other nature sounds. There are even tinnitus applications for smartphones

where individuals can listen to nature sounds, waterfalls. Hearing devices that

do provide tinnitus relief are generally not something that is found in a big-box

store. When patients consult with us about tinnitus,

we first recommend that we perform a hearing evaluation on the patient. We

also recommend that they see their family doctor, obtain a complete physical,

and in some cases they may want to be referred to an otologist, who is a

physician that specializes in diseases of the ear. This can help rule out

serious health issues that could be causing the tinnitus. Assistance for

patients with tinnitus is generally not available at a big-box store, but if you

consult with an audiologist who is university-trained, you'll be able to

obtain advice and direction on what the best course of action would be for your

individual case of tinnitus. A very important thing to remember about

tinnitus is to not attach a feeling of danger to the tinnitus. Stress has been

known to exacerbate or make worse tinnitus. If you or a loved one is

suffering from tinnitus, I would recommend that you give Southwest

Hearing Center a call. We would be glad to make an appointment for you and

schedule a time for a consultation and evaluation, and we have offices in

Phoenix and Scottsdale.

For more infomation >> What isTinnitus? | Scottsdale | Southwest Hearing Center - Duration: 3:39.

-------------------------------------------

5 Ways To Lower Your Golf Score In 2018 - Duration: 9:39.

Hello.

I'm Brian Fitzgerald The Golf Doctor.

And here we are in early 2018.

And today I am going to give you the 5 things that yu can do that's going to help improve

your score.

If you are interested in this stay tuned.

[MUSIC]

So if this is your first time to my channel.

Welcome.

This channel is all about helping you play better golf.

And as I said before we are in early 2018 and I am going to give you 5 things that you

can work on to improve your score.

So the first thing we can do to help improve our golf is to try and make sure that we hit

the right club into the green.

And in doing that we probably should add 1.

So most people when I go out and do an on course session with them.

They just don't hit enough club.

They are thinking that if I hit my absolute best shot the ball is going to go that distance.

And they are right.

But invariably they are not great golfers.

They are just very average golfers.

And if they do hit their absolute best shot it will be perfect.

But they don't hit their absolute best shot most of the time.

Most of the time they are hitting the shot slightly less than perfect.

So if you just think it's an 8 iron, if you hit a 7 iron I think you are going to find

that you are going to hit your ball on to the putting surface more often.

And a lot of my clients when we go out on to the course and we talk about this they

say "oh gee it's an 8 iron.

If I hit a 7 iron it's going to go over the back".

Well you really won't.

Unless you hit a really bad shot and you hit it skinny and it rolls and it goes over the

back.

Sure it will go over the back then.

But if you think about it.

Most greens are 30 yards front to back.

That would be the average green.

There is about 7 to 8 yards difference between every club in the bag.

So if you're hitting it to the middle of the green.

That's going to be about 15 yards.

So you have still got 15 yards beyond where the flag is to get to the back of the green

without going over.

15 yards is 2 clubs.

So if you think it's a 7 iron to the middle of the green.

You could take a 6 iron and still hot your best shot and it is still going to be on the

green.

Not even on the back of the green.

It's just going to be on the green.

You are going to be about 7 or 8 yards from the hole.

You could even hit 2 more and be right on the back edge.

So there is not a lot of danger in you hitting it over the back.

Of course if the pin is right up the back of the green.

That then puts you in the category of you might hit it over the back.

But just as a general rule.

If you can try and hit 1 more club than you think.

I think you will find you will hit the ball on the green more often so that will be saving

you a shot.

Hopefully you 2 putt it.

And then you walk off with a par.

The second thing is when it comes to putting.

Too many people are standing over the ball with their putter.

In fact I will grab my putter.

So they are standing over the ball with their putter and they are thinking how hard do I

have to hit this putt to get to the hole?

So they are thinking in terms of how hard or how soft.

And that's really the wrong thought.

Because that is subjective.

It's subjective to how you feel.

Did you get enough sleep?

Have you been working too hard?

Are you a bit lethargic.

Have you gone to the gym?

Did you have some car rage on the way to the golf course.

All of these things effect how you feel.

Feel based systems can work.

But they are not consistent.

I want a much more consistent putting method.

So instead of thinking in terms of how hard or how soft you hit the putt.

I'd really like you thinking more in terms of what legth of swing do I need.

To get the ball the distance that I want it to go.

So timig is important.

And we want to work on our timing.

But if you can just think in terms of how long your back swing should be and how long

your follow through should be to produce the putt that you want.

I think you are going to find you will hit the ball closer to the hole with your first

putt.

And if you can get the ball close to the hole with your first putt.

You are going to 3 putt a lot less.

You might even knock one in.

But that's not always the aim.

Sure it's the ultimate aim.

But if you can just get that ball close to the hole with that first putt.

You will have less 3 putts and tht's going to save you some shots.

Ok.

So the 3rd thing we can do to help lower our score is to just improve our alignment.

A lot of people really don't pay enough attention to alignment.

They are always trying to align themselves down the fairway.

Now that's good if you hit it straight.

But really.

How many people hit it straight?

I know I certainly don't hit the ball staright.

I hit the ball where I want it to go.

I am very accurate.

But I do not have a straight ball flight.

My ball flight is a slight draw.

Which means it spins right to left about 10 yards.

So the worst thing I can do is aim the ball down the middle of the fairway.

If I hit my standard shot I am going to go 10 yards left.

Which is ok if the fairway is wide.

I tend to aim 10 yards right.

Now other people hit it with a fade or even a slice.

That's ok.

I have made a video on how you can hit the fairway with a 30 yard slice.

And I can put a link at the top of the page there to that video.

What I am talking about today is just the number 1 mistake I see people make with their

alignment.

They pay a lot of attention to their feet.

And they think I have got to get my feet right.

And then they take their set up.

But if I do my set up there.

Which is actually in correct.

But you will see what I mean in a minute.

My shoulders are aiming a lot further left than where my feet are going.

Now I don't feel like they are.

But they are.

You can see it in the that camera view right there.

Now the reason most people get this wrong.

Is it's where the left hand sits on the driver.

We have our left hand on top.

We want to put our right hand on.

And the way most people do it is they do this.

And you can see there that my shoulder is open to my feet.

It just doesn't feel it.

But what I would like you to do is either try to practice taking your grip in this position

here and you can see that the left shoulder is higher on the club sorry that the left

shoulder is higher than than the right.

Because my right hand is underneath.

SO we tilt the shoulder up rather than turning the shoulder.

It's a much easier way of doing it.

It's going to feel strange the first few times you do it.

Your brain is ging to tell you that you are aiming a log way right.

But you won't be.

You will actually be aiming it quite straight.

So on the subject of alignment.

The 4th think we can do to improve our alignment.

Let's say we have got our feet right and our shoulder right.

The next thing we have to do is align the club face.

So if you have a 10 meter fade.

You are aiming 10 meters left of center.

So your feet are aiming 10 feet left of center.

Ah sorry 10 yards left of center.

Your shoulders are aiming 10 yards left of center.

But I see so many people then have a square club face to the middle of the fairway.

So if you're aiming for a little fade.

I want you to pretend that everything is straight but you are standing on a lazy Susan.

One of those little spinning table tops So we want everything to move a little to the

left.

So we align our feet.

We make sure our shoulders are in line with our feet.

Then we have to make sure that our club face is at a right angle to our feet.

We don't want that clubface aiming straight.

That's a sure fire recipe for you blocking it further right than you want it to do.

So we just aim everything slightly left.

The club face, feet, hips and shoulders.

The whole thing.

And that's going to help you to hit ore fairways.

So you are saving shots from chipping it out of the trees, hitting it on the fairway.

That will definitely lower your score.

And the final thing is in the grip.

So many people get the grip wrong.

They pay a lot of attention to how the grip sits up on top there.

But unfortunately most people get the grip in the wrong part.

They ctually get the grip in this part of the hand.

We really need to get the grip in those middle joints.

It's just so important to get that there.

If you keep it in that last joint there.

And you do the correct movement in the swing you are going to get back with a closed club

face.

It's going to make you hook it.

The self adjusting mechanism kicks in and tries to compensate and you then tend to just

block it a little bit and the club face opens too much and you hit it with a slice.

I have made a whole video on this and I will put a link at the top of the page on that

video.

So there you go.

There are my 5 things to work on.

Of course is there more?

A lot more.

But they're just 5 that I have isolated.

If you can work on those 5 you will start to score better in 2018.

Thank you for letting me help you with your golf.

I'm Brian Fitzgerald The Golf Doctor.

And if you like my videos you can click on the round avatar to Subscribe down the bottom

there.

You can get further information on my FaceBook page or my Twitter feed.

You can also sign up to my electronic newsletter or listen to any of my podcasts at thegolfdoctor.com.au

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