Waching daily Aug 29 2018

(slow serene music)

(upbeat instrumental music)

- Hi, my name's Brenda Cantrell and I'm the brand ambassador

at Unclaimed Baggage Center.

We kinda say you know, we're an amusement park of shopping.

You just, it's a fun thing to do,

it's a fun place to come

and it's, we're a lot of fun people to be around.

(upbeat music)

So Unclaimed Baggage Center started almost 50 years ago

in a tiny town in Alabama.

And now it's a national tourism destination.

And when people come in they just truly never know

what they're gonna find.

(upbeat music)

You can tell the people that have never been here before

when they just walk a few steps into the store

and they just stop and look around in amazement.

They're shocked at the sheer size of our building.

It's over 40,000 square feet, and we cover a city block.

But we stock about 5 to 7,000 unique items

to our sales floor everyday.

Some of the craziest things that we have found

would of course top the list is the live rattle snake.

Mummified falcons we've had in the past,

headdresses that are very old.

Things that belonged to celebrities at one point.

Vacuum packed frogs in a suitcase.

Probably take the cake.

(frog croaks)

Another interesting thing is the movie Labyrinth,

the character Hoggle,

is actually in our showcase.

There was only one made for that movie.

And there's a cult following for that

and we have Hoggle here in our showcase.

The found treasures are really just a highlight

of your time here in the store.

(upbeat music)

- So this is just our unclaimed baggage experience.

It's where a guest gets to go through an unprocessed bag

only one person on staff has seen the contents.

They've just taken out anything harmful, embarrassing

or dangerous, but other than that,

it is strictly an unprocessed bag.

You're gonna choose to trash it, give it away,

sell it or clean it.

And we clean about 50,000 items a month,

which is more than the average laundromat

does in an entire year.

- Wow.

- Wow, that's intense.

(upbeat instrumental music)

- [Woman] We sell pieces that are $10,000 every week.

- [Customer] Wow.

- That's not uncommon for us to sell something like that.

- Can I touch it?

- Yeah, you wanna put it on?

- $21,000 on my wrist right now.

Who would leave this in a suitcase?

That's crazy.

- The single most expensive item

that we've ever had on our sales floor

is a men's Presidential latinum Rolex watch.

We had it appraised and it was valued at $64,000

and a gentleman bought it for $32,000.

- But I'm like, can you imagine not only being the person

that owns this, but the person who like, forgot it?

It's just like, wow.

That's goals.

(upbeat music)

- [Man] Oh it is a ab doer.

- [Woman] Wait, so you're supposed to sit like that on it?

(man laughs)

- I don't know.

(laughs)

That's probably part of the fun.

(upbeat saxophone music)

- [Woman] That's good.

(upbeat saxophone music)

- Cha ching!

(all laugh)

- [Woman] Nailed it.

(upbeat saxophone music)

For more infomation >> We Shopped At The Country's Only Unclaimed Baggage Store - Duration: 4:02.

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Overwatch Lucioball Guide From a Top500 - Lucioball 2018 Mastery | OverwatchDojo - Duration: 9:29.

Hey there!

This guide is going to give you some tips and tricks to Lucioball!

Whether you want to get better in quickplay or climb that last few SR in Competitive.

INTRO

Hello guys and welcome to the dojo!

One of the most popular game modes in Overwatch today is Lucioball.

It's a gamemode that a majority look forward to every year, playing it non-stop 'till

the end of the summer games event.

This video is a collaboration with our good friend Fresco, a Top 500 Lucioball Player.

Welcome, Fresco, please introduce yourself!

Hello my name is Fresco and I am a Top 500 Lucioball player.

When it first came out in 2016, I played it casually with friends, but when Copa Lucioball

came out in 2017 I peaked at 3999 SR and finished at Rank #417 (that was top 500 at that time).

This season I peaked at 4091 SR and Ranked #156.

That is my Lucioball journey.

Wow, that is one heck of climb there.

Now as with any competitive mode there are some major and minor differences between the

different ranks of play.

Does Lucioball have differences in play depending on ranks?

(What is the biggest difference between low SR and High SR games?)

I would say that teamplay and mechanics are better in higher ranks because in lower rank

games they just play solo and trying to make goals instead of the strikers passing the

ball to each other to try and bait the goalkeeper and make good plays together like high sr

players do in those games.

In the higher rank games people use their mechanics and team play more.

For example using your punch to score goals or trying to bait the goalkeeper into making

an opening.

Strikers use the jump pads a lot because the goalkeeper shoots a high ball then the striker

jumps on the jump pad and can score a goal.

It's a good method to use and they pass a lot in higher ranks.

Interesting, how do you communicate with your team during a match?

Any special call outs in voice comes or chat?(How do you communicate, if at all?

Any terms or phrases shouted out during the game?)

I usually use "I need help in goal" or "Guys go up and stay on each side", those

are the callouts I use the most when in a game.

I also use "pass me" when I play striker and I am trying to get the ball passed around

to bait out an opening.

You can use "I'm in the middle" and that means you are between the jump pads on

the attack side when you play striker.

Now we have some proper terms!

But what do you do if your teammates do not want to partake in team communication?(How

do you play with a team that is not in comms?)

When i play with a team that has no comms then I usually play goalkeeper because I don't

like playing striker when we have no comms.

So when I play goalkeeper and my teammates are playing strikers, I usually pass the ball

to the side that they are on and I just do my best to not let the enemy team score.

So if you get a team with no comms then just try to do your best at the role you are put

into and try to win.

That is a creative way of handling that situation.

As is with normal comp there are roles to fill and certain positioning that works well

with different skill levels.

What are some of the best formations for Lucioball?

(How should everyone position themselves? (should there be two goalies 1 striker or

goalie, midfielder, and striker)

One setup that works well is having 2 goalkeepers and 1 striker can work when there is no strong

goalkeeper on the team, this is more of a defensive set up so you won't be in a high

scoring game.

But if you do have a good goalkeeper then it is a good idea to play 2 strikers and 1

goalkeeper.

The strikers stay on each jump pad on the attacking side and wait for a pass from the

goalkeeper.

Another setup is playing 1 striker, 1 defender, and 1 goalkeeper, using this formation depends

on how skilled the teams are in the game because when it's a really high-level game you need

a defender because your goalkeeper may struggle if the 2 enemy strikers outplay him and bait

him.

Positioning is key no matter what version of comp you are playing.

Sadly that does not always play out when we solo que.

So when we Solo Queue which position should we be prepare to play?

(Which position should you try and fill if you are solo queing?)

In my opinion it is goalkeeper because when you Solo Que most players play as strikers

in your games.

When I Solo Que and I don't get a good goalkeeper often, so i just play goalkeeper to avoid

conflict.

Now that we have gone over positioning, let us look into the different roles that are

in Lucioball.

Walk us through the lifestyle of a Striker!

(Striker tips: Positioning, callouts, how to practice them)

If you wanna practice your Striker moves, you go to a Custom game and start up lucioball

with a friend.

Tell him to do high balls to you while you are jumping on the jump pads and trying to

a score.

Callouts could be "Pass me on the left" when you are on the left or "pass me on

the right" when you are on the right.

Positioning as a Striker is that you stay on the jump pads on the left and right then

just wait for a pass and you can go for the balls in the middle as a striker/defender.

As a striker you need to be able to get back to your goal to help your goalkeeper.

Grinding can be a good way to practice on getting back to your goal.

Those are some good pointers.

So moving on to the next role, the Defender!

(Defender tips: Positioning, callouts, how to practice them)

I don't know much about the defender role but if you want to practice as a defender,

play Lucioball and focus on your playstyle.

Learning the mechanics of this position is best done while playing a game.

For example you punch onto the wall and then shoot the ball to try and bait the person

that's coming to you or you can punch over him and wallride behind him and then shot

or pass.

A few call outs can be "i got it" and it means that you take the ball instead of

the goalkeeper or "im middle" that means that you are between the jump pads and then

the striker will know that you are there so he can pass you if needed.

Solid Tips, now to the final and one of the most important roles.

How does one play and practice as a Goalie?

(Goalie tips: Positioning, callouts, how to practice them)

As goalkeeper you wanna stay in the goal and not go out too far to try and get the ball

because then a enemy player can come for the ball and when you shot it the enemy player

will just shot it over you after you shot it and then they get a goal.

So never go out to far from the goal.

In my opinion your gonna need to grind goalkeeper in comp because they play to win, at least

most of the time.

After you have grinded then will you learn how the enemy strikers try to make a goal

and you will get better as goalkeeper if you practice to save goals.

Ask a friend and go to a Custom game and start Lucioball and you stay in goal and your friend

is gonna shot the ball at you and you are gonna try to save it and do it in different

scenarios.

One such scenario is up close guarding, when the enemy striker uses a jump pad and shoots

it in the air and you try to save it, goal to goal.

Others are when he punches the ball to the wall and then he shots it or when he uses

ultimate.

Then you can bring another friend so they play 2 strikers against 1 gk and you try to

save the ball while they are passing each other and trying to score a goal on you.

If you do this then will you be able to be a good goalkeeper or you can grind goalkeeper

and learn the role on the way and same with striker and defender

Great tips all around!

Now we know everything that we need for getting prepared for Competitive Lucioball.

But we can't do this guide without asking, what are some of your favorite trick shots

and how can we do them to live out our inner Lucio Beckham.

(What is you favorite trick shot and how do you do it?)

I have 3 Favorite trick shots actually.

The first one is you get a high pass by your goalkeeper and then you jump on the jump pad

and punch the ball onto the wall then you turn around so you look at the goal and shoot

to make the goal, the enemy goalkeeper might save it so it is not a sure thing but you

look cool doing it!

The other one is when you are goalkeeper and just do a high ball to their goal from your

goal, it's pretty easy to do just shot a highball to their goal.

Unfortunately every goalkeeper can save that one but you can score if the enemy goalkeeper

makes a mistake.

The last one is when you use your ultimate and just shoot around the goal so its bounces

back to you a few times and then you shoot and try to make a score unless you see an

opportunity before when you are dancing around the goal, this one will be a bit harder if

they have defenders because then can they just shoot the ball away but it's worth a

try.

Thank you for your attention,thanks again to Fresco for joining us in creating this

guide, hopefully this helps increase your SR in Lucioball!

We hope that you enjoyed this video, if you did, don't forget to like, and subscribe

to the channel.

And we will see you guys in the next one!

Bye!

For more infomation >> Overwatch Lucioball Guide From a Top500 - Lucioball 2018 Mastery | OverwatchDojo - Duration: 9:29.

-------------------------------------------

Iron Man vs Loki / "We Have a Hulk" Scene | The Avengers (2012) Movie Clip - Duration: 3:36.

The barrier is pure energy.

It's unbreachable.

Yeah, I got that.

Plan B.

Sir, the Mark 7 is not ready for deployment.

Then skip the spinning rims. We're on the clock.

Please tell me you're going to appeal to my humanity.

Actually, I'm planning to threaten you.

You should have left your armour on for that.

Yeah.

It's seen a bit of mileage,

and you've got the glow stick of destiny.

Would you like a drink?

Stalling me won't change anything.

No, no. Threatening.

No drink? Are you sure?

I'm having one.

The Chitauri are coming. Nothing will change that.

What have I to fear?

The Avengers.

That's what we call ourselves. We're sort of like a team.

"Earth's mightiest heroes"-type thing.

Yes, I've met them.

Yeah.

It takes us a while to get any traction,

I'll give you that one.

But let's do a head count, here.

Your brother, the demigod,

a super soldier, a living legend who kind of lives up to the legend.

A man with breathtaking anger-management issues,

a couple of master assassins, and you, big fella,

you've managed to piss off every single one of them.

That was the plan.

Not a great plan.

When they come,

and they will,

they'll come for you.

I have an army.

We have a Hulk.

I thought the beast had wandered off.

You're missing the point. There is no throne.

There is no version of this where you come out on top.

Maybe your army comes and maybe it's too much for us,

but it's all on you.

Because if we can't protect the Earth,

you can be damn well sure we'll avenge it.

How will your friends have time for me

when they are so busy fighting you?

This usually works.

Well, performance issues, it's not uncommon.

One out of five...

Jarvis, anytime now.

You will all fall before me.

Deploy!

Deploy!

And there's one other person you pissed off.

His name was Phil.

For more infomation >> Iron Man vs Loki / "We Have a Hulk" Scene | The Avengers (2012) Movie Clip - Duration: 3:36.

-------------------------------------------

How Do You Run A Workshop That Touches People's Lives? - Duration: 10:15.

Cathy: So do you ever wanted to run a workshop and facilitate something and just didn't know

what to do?

We're going to give you some really good tips here.

I'm Cathy Vartuli from the intimacy Dojo.com and I'm here with Monique Darling and Peter

Petersen from EverydayTantra.com.

Cathy: Thanks so much for being here.

Monique: Thanks for having us.

And we're super excited to invite you to a weekend intensive getting to dive into the

basically how we lived our life for the past 10 years and really getting to dive into what

makes an amazing facilitated events.

Cathy: Yeah, I know that when I would go to events when I was new into the community or

watch, ah...

I really wish I could do that.

That looks so cool.

And you know, when you're sitting in the audience you don't know all the work that's going on

behind the scenes, but I know I did this the hard way for a lot of time.

Cathy: Like the first classes I taught it was just like brute strength and fear and

nervous.

Am I doing the right thing?

So we have between all of us, I think, thousands of workshops that leaves experience in different

varieties.

From QiGong and dance as well, play parties, cuddle parties, energy sex, pujas.

I teach marketing as well.

So we have this breadth of different experiences and one thing we found is there's a commonality

to it.

So there's an actual toolbox that we use over and over again to generate workshops and facilitate

them in a way that's really easy.

In fact, Monique and I had never taught a workshop before, a particular workshop.

We posted it, we knew that we could teach on it.

We had the topic...

Monique: Either of us could have taught by ourselves.

Cathy: Yes, yes.

But we had never taught together and we didn't actually have a plan for it and everything

was kind of running a little late that day.

We sat down in 10 minutes using these very tools and generated a really powerful workshop.

I was so proud of that workshop.

It was so good.

People were like, "Oh my God, I never thought of it that way."

Cathy: So we're going to show you those tools so that you can have a framework.

We're calling it the Facilitator Toolbox Intensive.

Where you actually leave with these toolboxes that you can build the things you want to

create really easily without all the fear and worry as you go forward in your career.

Peter: Can I ask you a question?

What was the difference between this workshop you facilitated the other day and one you

did early in your career...

Where you said, this was really hard, a big struggle?

Can you explain the dichotomy between the two different types of workshops that you've

done?

Monique: Perfectionism!

Cathy: There was a whole bunch of perfectionism, but I also didn't know what people needed.

So well, like I was guessing and part of it's experience you learn it, but we're going to

distill our experience so you can walk in with that.

I didn't know how to warm up the room back then.

I didn't know how to anchor the ideas.

I didn't know when to give them a break and how to get them back from breaks.

I didn't know how to mix intellectual thoughts and experiential things that you're so amazing

at, Monique.

Cathy: I didn't know how to blend that with like some physical movement like you do so

well because that really helps the body calm down.

I was really smart on how trauma works and how the brain can be afraid, but I didn't

know how to integrate that in a way so that whether I was teaching an hour event or a

five day event to keep people engaged, inspired and flowing along that versus like, here's

all the information.

Cathy: I would get so nervous.

I would over-prepare I'd have five times too much information.

And I would throw it all out as hard as I could.

And then they would leave drained and stun.

Monique: They're blown out.

Cathy: Yeah, some of them left and, I feel so bad about it, but I'm sure some of the

people left my earlier workshops going, oh, I'm really bad at this.

There's too much information.

I don't know and I can't get it all.

It's going too fast.

And maybe more than some of the more advanced people were fine, but the new people, the

people who are shyer, a little intimidated by the topic, were probably just overwhelmed.

Peter: I think when you're a beginning facilitator you tend to think that logic is the way to

get that information out and and we're very logic based and we're like, "OK, I'm just

going to get all this information," where when you become more of an experienced facilitator,

you start listening to more of your intuition and realize that there are certain little

nuances to how to keep the audience compelled and interested on every single word that's

coming out of your mouth.

Cathy: Get them to embody the information.

I can give you a checklist right now, but you have the checklist.

It's not in your body and your not going to use it very well.

And that's one of the things we're going to do for the facilitator weekend.

We're going to invite you to two events that we're running and let you participate a little

bit so you get a taste of what's actually happening.

So you can experience it even if you're afraid and we promise to make a gentle and easy.

But so you can embody that and try it out.

Get a taste of it and be like, oh, I would like to do it a little bit this way.

Monique: When I started, I didn't trust my intuition at all.

And so I started with Cuddle Parties because it was a way I can sit and hold the script

and you read something, but it was so scary still.

At least it helped me be able to get up there in front of people and I'd practice every

single night whether I had one person or 30 people in the room.

And so it really started helping me acclimate to what does it feel like, what does it feel

like when I'm offering this?

And so I would sit and write a whole outline like Cathy's talking about and have 30 exercises

and have all this information and make sure I need to give this to you.

And as you start facilitating more and more then you realize the rooms giving you way

more than you could give the room.

Monique: So I set this intention and I'm like, OK, here's what I'm wanting to bring to the

table.

And then in whatever is alive in the room, than I allow that aliveness and that energy

and what's coming up to be able to help teach the intention that I brought.

Peter: The more facilitation that you do... you do start to realize or certain cues in

the audience of who's listening, who's checking out, and how to augment your delivery so that

everybody is really more encapsulated with the information that's coming from who you

are.

People want to listen to compelling stories.

They want to listen to people that have some vim and vigor and passion and desire for what

they're doing.

If you're just kind of drab sitting there spewing out all this logical information,

you're going to lose people in the first few minutes.

Cathy: If you can't engage their brain and their heart, you're not going to teach them..

You're throwing information like little sticks versus like, I'm going to feed it to you and

help you integrate it.

Monique: You want to create this container where people feel like it's OK to get it wrong.

It's OK to experiment.

It's OK to test new waters and see what's available to you because that's the majority

of people that are coming to the workshops or wanting to try something new or they're

wanting to integrate something that they've been called to.

So if you're throwing stuff at them, that's not going to make them feel safe to want to

experiment because it's just another to do list that they can't do.

Peter: So have a guideline, have an agenda, but be willing to throw the agenda out the

window if there's certain people in the room that are not understanding what's happening.

So we're going to help you learn how to trust yourself to be able to hold a room with people

and offering what it is that you have experience on, that you love, and helping them co-create

with you.

Cathy: Yeah, and if some of you are like...intuition, reading the room?

I'm a very analytical person.

I'm somewhere I more on the right of woo.

I'm a PhD.

Monique: Cathy's a pragmatist.

Cathy: We're going to actually walk you through the steps.

We're going to talk about how you get prepared before, how you build up anticipation in the

audience.

How you build relationships with the venue, the people at the venue that you're going

to work with.

Monique: Your hosts, if you're traveling around the world, but that networking with others.

Cathy: You're so good at that.

Yeah.

And then just bringing people in and like how do you get them in the room so that they

feel comfortable.

How do you start the event?

How do you give them breaks so they actually come back.

We'll walk you through all the steps including self-care afterwards and how you can follow

up so you can engage more deeply.

Peter: Even engineers and scientists have intuition.

Cathy: I absolutely agree, but I know some people that want to facilitate may actually

use their intuition and notice energy, but that's not their focus.

And that's one thing I love about how we teach together as we have that balance.

We all speak the language of pragmatic, and intuition and experiential and logical.

Peter: it's a blend.

It's a balance.

Monique: You get to come play in your spectrum.

And here's the pieces.

So many people do workshops.

And for me, I, and Peter and Cathy, we love doing play shops.

Because if you're not loving it, if you're not enjoying it, if you're not diving in to

the places that feel good to you, then you're not going to want to continue doing it.

And so the whole idea of this weekend is to help you succeed and offering what your gifts

are and then giving you this toolbox, and the set of plans like this whole container.

Cathy: A recipe.

Yeah, recipe can make a difference.

You can make it enough for 10 people or 30 people or a thousand people.

You can make different varieties, oh, you're vegetarian, OK, I'll leave that part out.

So you have like, flexibility.

You can mix the flavors and change up what you're delivering.

Monique: We hope that you'll come join us.

Cathy: Yeah, it's in May and it's going to be in San Jose, California.

Monique: So thanks for listening.

And if any of this calling to your soul or your heart or you're just like, wow, I'm really

curious and intrigued, then please click on the link below and find out more.

Cathy: And if you're feeling like you're too shy, too big, too old, too young, please realize

that your audience has those same fears.

The peoples whose lives you want to touch had those same fears and you can help them

past that just by modeling that very thing.

I used to think I was too much, too shy, too old, whatever.

I used to think it was too big.

I can still make a difference for people.

You can make a difference for people and they are calling for you.

There are people at three in the morning praying they will come forward and share your information.

Monique: Yeah,

Cathy: Thanks guys.

Have to see you there!

For more infomation >> How Do You Run A Workshop That Touches People's Lives? - Duration: 10:15.

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MOMO EN LA ROSA DE GUADALUPE - Critica El Reto del Momo La Rosa de Guadalupe - Duration: 10:06.

For more infomation >> MOMO EN LA ROSA DE GUADALUPE - Critica El Reto del Momo La Rosa de Guadalupe - Duration: 10:06.

-------------------------------------------

¿Qué meter en la maleta del perro cuando viajas? 🐶 - Duration: 3:20.

For more infomation >> ¿Qué meter en la maleta del perro cuando viajas? 🐶 - Duration: 3:20.

-------------------------------------------

Lee Daniels Had a Creative Childhood | BREAKING BIG | PBS - Duration: 1:19.

- [Carlos] For those who don't know your story,

- All right. -You grew up where?

- In west Philadelphia.

I've watched, as a kid,

kids get killed in the streets.

I've dodged bullets.

But even at five,

I knew that was not going to be my life.

- [Carlos] Where were your siblings? You had four siblings--

- [Lee] I was the oldest of five.

- And so did they also think this is not me?

- They said I was different.

(playful jazzy music)

- I do remember Lee having interest

in the arts at a very young age.

- My first book I read, I was in second grade.

I went to the public library in Philadelphia.

I was led to the theatre section.

- He used to get these books, and he would give out scenes,

and we would do these plays.

- And I would tell 'em,

"Ah, do it like this, do it like this."

- [Leah] The neighbors on the block, our friends,

would watch, and sometimes he would charge, too.

- [Carlos] Recognizing that passion so young,

and having limited resources,

Lee drew from what he knew, his family.

For more infomation >> Lee Daniels Had a Creative Childhood | BREAKING BIG | PBS - Duration: 1:19.

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LOOM KNITTING Hat for Beginners - Brimless Slouchy (On a Round Loom) - Duration: 12:06.

Yes you can knit the Bottom-up brimless slouchy with any extra-large loom you

have on hand, right now. Hey it's Denise from Loomahat.com. For

a complete list of supplies visit the website or see the description below.

Alright let's begin. I added stitch markers to my loom and

I'm doing every other peg with the exception of the first and last. My loom

is an odd number loom and so these two pegs will have the same stitch as always.

Now I take my working yarn I'm going to secure it to the anchor peg. Then I'm

putting my yarn between the first and last. I'm going to the right, you can

go to the left, that has no effect on this pattern. Then I'm going to zig-

zag the working yarn, in and out in and out in and out, until I get back to the

front of my loom. My first and last may not be like yours, but I go behind my

last and in front of my first peg and then I lay the yarn loosely in front of

those.. With my hook I'm going to knit off every peg that has two loops.

Remember that my first and last may not look like your first and last only

because we might have a different number of pegs. Don't overthink it, just do like

I did, when you get to the last one just place your yarn loosely in front of the

ones that follow and then you're just going to knit off every peg with two

loops . This peg kept coming out so I added a little paper there. FYI, I don't

glue my pegs, I do that instead, I add a little paper and put it back in. My

peg lives there happily without a problem.

Now here's my last peg, you see that it only has one loop and so I'm gonna lay

it in front of that one and my first peg and now I'm going to wrap all of my pegs.

This is my first row, this is Row 1 and for Row 1 I'm doing e-Wrap and so I'm

gonna wrap all of my pegs and the last one I wrap is the first one

that I knit off. That secures my yarn and now I don't have to worry about it, now I

can just knit off all of my loops. So you see I have some loops on the top some on

the bottom. I just knit off all of the loops that are on the bottom. I keep

going all around the loom and that was my e-Wrap row which was Row 1. I'm ready

for Row 2 but before I do that, I'm going to take

this knot off my anchor peg. My yarn is pretty secure at this point and I'm not

too concerned. So I started on peg 1 by wrapping and knitting off and then for

peg 2 I'm going to do a purl stitch. So from the top I take my hook, I scoop it

up, create a new loop, take the old loop off, put the new loop on and pull. I'm

going to repeat that process. I'm gonna wrap the next peg, knit off and then I'm

going to, from the top, scoop up, create a new loop, take the old one off, put the

new one on and pull. Then my next one is an e-wrap. These are called e-Wraps

because the yarn looks like an e-Wrap. But I'm not going to knit it off, I'm

just gonna go to the next one and do my purl. Now I'm gonna do an e-Wrap and

then my purl. Just to make things go faster, I'm not gonna knit off my e-Wrap.

I'm just gonna go ahead and go on and do the purl, I will knit off later when I've

done my whole loom.

Okay, so I'm on my last one, I'm gonna knit off and remember I get the knit-off

here, I also did it here, so I'm gonna start knitting off the ones that I

didn't at the beginning. So I'm just knitting off every other one which or my

e_Wraps. Alright you're done with Row 2 and now what you're gonna do is repeat

the pattern. You're gonna do one row of knit and one row of knit 1, purl 1

until you reach your desired length. In my case it was a total of 52 rows. For

those of you unfamiliar or not comfortable with the understanding of

repeating a pattern, we are on Row 3 and I am repeating Row 1. So that's what I'm

going to do, I'm going to start with Row 1 which is a row of knit and to be more

exact the e-Wrap version of the knit stitch. So, I wrapped all my pegs and

I'm going now to knit off. Row 3 is a repeat of Row 1. Once I finish with my

knit- off. Then I'm on to Row 4 which is the same as Row 2 because first I repeat Row

1 and then I repeat Row 2 in that order. So Row 4 is a repeat of Row 2, it is a

knit 1 purl 1.

I do want you to keep in mind that I'm using a large gauge loom and that is

determined by the space between one peg and the other. So if you have a smaller

space between one peg and the other, you have a small gauge loom which means you

probably have a lot more pegs than I do. It may take more rows for you to get the

same length I did. For my 52 rolls I got a length 13 inches. I'm also using chunky

yarn, if you're using medium weight yarn which is called worsted weight, you may

need to knit with two strands as one. I'll give you a link to a video on how

to do that. When you're done knitting your rows, we're ready for the cast-off

and we're going to be using the super stretchy bind-off. It is a hacked up

version and I'll show you when I hack it. For this you're gonna wrap the working

yarn around your loom two times. If you don't have enough yarn and then do at

least one and a half, get your scissors cut the working yarn. Now with the

hook, you're going to put the yarn under the next two pegs. You're actually

skipping the first one, right here peg 1, you're gonna skip it go to peg two,

take your hook from the top and you're gonna scoop your yarn up and through. You

want to feed it through your yarn, through your loop completely, pull on the

working yarn and then go back to the one you skipped, put it on the top of the

existing loops and scoop down and through those two loops. You're going

to repeat that process. You're going to skip one, go to the next one, scoop the

yarn upward and through the loop, tighten it a little bit, go back to the

peg that you skipped and from the top you're gonna scoop the yarn down and

through those two loops. Then here's my hack, you're gonna go back and take

off that loop. Now repeat the process. You're skipping one, going to the next

one, from the top, scoop up, go back to the peg that you

skipped. From the top, scoop down and again I am tightening my loop in every

process and removing that previous one. Now I wanted to show you that I am

gonna be using my needle. This is an option for me. I find it easier, you can

continue to use your hook. I like this because I can fold the working yarn in

half and when I pull through this, see how long that needle, that working yarn

was and how long it took me to pull it through but if I fold it in half when I

feed my yarn through the loop its half of it. Okay and don't skip any parts, that

includes the one where you go back and remove the loop from the peg. If you

follow this pattern exactly you're gonna have a nice clean edge, then if you leave

them on. I will give you a link to a video that focuses on at this particular

technique and it will show you the difference if leave the loops

on the pegs for last. You can clearly see the difference when you do that and when

you don't. When you remove the loops which is really important. So continue

until you get all the way back to the front of the Loom and you're on that

last peg and you're gonna do the regular thing you, skip it, go through it but the

difference here on that last one is that it needs for you to go back again. So

you're gonna go through that one two times. Your work is now off the loom and

you're going to sew these stitches together, it's just gonna give you a

cleaner finished look. I'm gonna put a knot here, but you don't have to.

Then just bring my yarn into the inside. There you have a nice clean edge, on

the other side is your drawstring. You could just pull it and it closes the top

of your hat. I was going to sew until I remembered that my needle is on the

other end and so I'm going to go ahead and weave in my ends. I go upward towards

the head and I like to kind of turn my

working yarn back in the opposite direction in case I need to wash the hat

it's bit more secure. Like I said, now you can take your needle and we can go

back to the top of the Hat to close it nicely. You're going to take the work

and put it inside out, so that you're on the inside of the Hat, pull on your

drawstring to try to close that opening as much as you can. You are going to need

to sew this and we're going to sew in a circular manner. So you will see those

loops when you created that cast on. And I do cut off some of the excess yarn

just so that out to feed, it I don't have to feed so much yarn through these loops

up here on the very top. And like I said you are sewing in

the circle. Pull on your yarn as you sew so that you're closing the opening and

it will close up nicely. You just have to sew and pull so and pull until it's at

the point where you want and then make a knot. You can bring your working yarn

back to the top and there you have it. I love this stitch. It is the broken rib, it

works so well. Guys I hope you liked this project as much as I do. I want to thank

Carol from Promise Learning and Lori Kopaczewski for covering the cost of closed

captioning. I want to say thanks for watching the video, if you liked it share

it that helps me a lot and don't forget to comment and if you haven't already

done so subscribe.

For more infomation >> LOOM KNITTING Hat for Beginners - Brimless Slouchy (On a Round Loom) - Duration: 12:06.

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Hướng Dẩn Cách Dùng Tinh Bột Nghệ Làm Trắng Da Có 1 Không 2 Hiệu Quả 100 // Mẹo Vặt Và Khám Phá - Duration: 5:29.

For more infomation >> Hướng Dẩn Cách Dùng Tinh Bột Nghệ Làm Trắng Da Có 1 Không 2 Hiệu Quả 100 // Mẹo Vặt Và Khám Phá - Duration: 5:29.

-------------------------------------------

Professional Divorce Photographer - Mini-Mocks - Duration: 1:29.

Photographs capture the most formative moments of our lives, positive or negative.

My job is to document that special day when one becomes two.

I'm Tom Byrd, and I'm a divorce photographer.

For a lot of people, the day their divorce is finalized is the new happiest day of their

life.

They feel reborn, unshackled from years of resentment and lies.

I encourage people to get personal, vulnerable.

Before we get to the "I don'ts," sometimes the couple and I will return to location of

their first big fight and rekindle that energy.

Occasionally, we have to deal with a divorce-zilla, but who doesn't get a little crazy when planning

their first divorce?

There's no wedding party, but there are lawyers, and they're often more enthusiastic than maid-of-honor

that I've ever seen.

We're gonna be rich!

I'd argue that the glow returning to a woman's eyes after a long and sexless marriage is

more beautiful than a sunset.

Reconciliation does happen and when it does, I'll capture it.

But those photos don't go on the website, and I charge double.

You guys just going to give up like that?

I've even watched divorcees surprise their ex by bringing a new lover to the shoot.

Couldn't wait to see you.

What's going on man?

Will you marry me?

For more infomation >> Professional Divorce Photographer - Mini-Mocks - Duration: 1:29.

-------------------------------------------

Global Profit System Review - Duration: 5:42.

For more infomation >> Global Profit System Review - Duration: 5:42.

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Höhere Mobilfunkgrenzwerte in CH durch Trickserei ... | 29.08.2018 | www.kla.tv/12935 - Duration: 7:01.

For more infomation >> Höhere Mobilfunkgrenzwerte in CH durch Trickserei ... | 29.08.2018 | www.kla.tv/12935 - Duration: 7:01.

-------------------------------------------

Tudo Sobre Flexibilidade - Dicas de Boxe - Duration: 14:34.

For more infomation >> Tudo Sobre Flexibilidade - Dicas de Boxe - Duration: 14:34.

-------------------------------------------

Samsung Smartphone Price list In 2018 - Duration: 2:36.

Samsung Smartphone Price list In 2018

For more infomation >> Samsung Smartphone Price list In 2018 - Duration: 2:36.

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TRYING ASIAN FOOD | Yasmine & Lorraine - Duration: 12:28.

sorry for not uploading last week

there were important appointments why we couldn't upload

hii

welcome back by a new video

today is a special video, because we have

all kinds of cookies, candies, sweets, drinks and other food bought at a Toko (asian store)

to try out

like really crazy sweets and crazy taste

for example we have durian

cookies

drink that taste like grass

or honey tea milk

pizza chips or buffalo wings chips

and some sort of

pocky strawberry flavor

we have these purple buns

it's called Taro buns, and all kinds of other food

okay let's start

with the purple, yeah that's okay

this is really a bit

doughy

it smells like those Surinamese buns, yeah like

bapao

there is something very sweet inside

it is nice, yeah it is

then I go

start with the bubble tea

to drink

and i'll start with the coconut drinks

this is..

yeah...

oh this taste like dawet

dawet is a Surinamese coconut drink

this like like this

that, this

this is really tasty, this taste to

I want to taste yours, tea with milk

really

ohyeah cold tea with milk

oh this is the coconut

this is just cold tea with milk

but really nice

okay

i like it

strawberries

super cute bag

mine color i think it's nice

it smells very sweet, it is really sweet

i like it

it is really nice

the durian

candies

i'm really scared for this, this smells really bad

from the creepy crawly challange

how the insects taste

so does it smell

pretty serious, i'm really scared

it smells less bad

it smells a bit sweeter

it taste.... F*cking gross, AGAIN

I thought if you suck, it is not that bad

but if you chew it, it's so gross. not ment for me

oh what gross

it is so bad taste

i already told you so

i thought i try it again, but it is

not recommended

i choose this

it is bon bon tamari, tamarin

tamarin also fine

there are those things in it

type of sugar layer around it

realy hard

it tastes good

is a pit in it

it's spicy

there is a pit in it

oh yes

it is sweet first

wauw WTF poeople

it is really sweet, kind of dried fruit

after that it becomes very spicy

it is very spicy

first extreme sweet

sort dried fruit

it is very spicy

not tasty spicy

i thought i might be dumb

or something because it's so spicy

really spicy

okay i wanna try this one

what does it smell like

nothing

don't say anything

mhh grass is really tasty, it just taste like...

kind of tea

little green bitter tea

it does taste like green tea

or smoked tea, that is cooled down

i kinda like it

okay now i may choose, and i go for the buffalo wings chips

there is no

weird stuff in it, like meat

or that kind of things, because she is vegetarian

is in vegetable oil and others

mess

woow

there is some tabasco in it, it does smell like it

it smells like tabasco

kinda sour taste, after that no more

it's a little bit spicy

yes

That is nice

you may choose

i choose this

and it is, Taro

it is Taro rice ckaes

rice cakes

oh wow it is so fluffy

look this, it feels nice

so fluffy

what is this?

it feels like it is still dough

it feels like...

some kind of worms

oh it's white inside

it is sticky and slimy

it is really sticky, I do not know if I like the structure

to eat

it doesn't taste like anything, the inside is really sweet

I think it is not that bad

I think this is a very strange thing

kind of substance, we have two things to taste

and one thing to drink

i go for the matcha pocky

sticks

it's like the strawberry

now we have matcha

it smells

oh yes

i don't like it

no

then we have a drink

that is lod chong drink

with cognac jelly

i'm really curious

it is green

does it smell? no

oh wow

it does smell a bit like...

I do not know very well, I recognize this

I do not know very well

if i like it or not

it does have a really weird taste

I really can not describe this

it will be something with milk again

coconut milk or something, it has a slight taste of it

coconut milk

it has a bit of this taste

but then with to much milk, then with a...

a bit , sweet

very different sweet taste, it is green

i don't know if you can see it, there is jelly in it

there is jelly in the bottom

I do not know If i like it

i liked this one more

then we have one thing left to try

an that is...

the pizza chips

nice

now cheers

i think this taste like pizza salami

no, it is nice, but...

it doesn't taste like pizza

pizza, i don't know if i like it

which one you liked the most

which was the gross one?

durian was the most gross, yes this one i agree

not recommended, i like the most...

i think it is.. , i likes this one

the buns where nice

and those sticks

the strawberry ones

yes

yes, and the drinks?

these too i liked the most

i liked that one the most, let us know what you thought about it

which product do you want us to try from which store?

certainly, do you have things that you think

i would never eat that, let us know in the comment below

till the next video

byee!

For more infomation >> TRYING ASIAN FOOD | Yasmine & Lorraine - Duration: 12:28.

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Chris Trevino: Melding Texas Traditional and Western Japanese - Duration: 6:23.

♪

So, do you want me to write out a card?

You want to take a picture of this?

I mean, I just saved it to my phone.

Oh, you got it? Okay.

I'll remind you the day before.

- Yeah, cool. - Yeah, I'll call you up.

When I was about 15,

I got a Spaulding and Rogers catalogue.

When I saw that stuff, especially the Japanese stuff,

I was blown away; that's kind of what did it.

And then, the fellow who taught me, named Bob Moreau,

opened Perfection Tattoo in San Antonio.

I guess it was about '86.

I'd never really seen a tattoo,

like these like screaming neon green colors.

He loved to use it.

It's what attracted me to tattooing at first.

And of course, Dave Lum.

Dave Lum was taught by my teacher Bob Moreau.

And Dave was doing the most outrageous

full-color beautiful, heavy duty tattoos.

Doing all the whacked out, crazy dicks and pussies,

and any crazy thing you could think of,

you know, he's putting on people.

Titties all over the place and...

And he put pee in the mouth of mine.

He's like, you know-- I was like, "What is that yellow?"

He's like, "He's got a mouth full of pee," you know.

(Laughs)

Chris bought Dave Lum's shop when he moved,

so that's how Chris ended up in Austin.

I guess it could be Texas traditional or Texas trad.

It was this take on American traditional tattooing and

they always added their Texas flavour,

so you could tell where Chris Trevino did something.

People in Austin were totally open to just getting

the craziest tattoos that you can imagine.

I mean, no tattoos could look like this.

I'd never seen anything like it:

so big, so bright, so crisp.

This stuff looked like spray paint.

When I started working with him in the late 90s,

it had shifted.

And then there was more and more Japanese elements

brought into the tattooing, and then,

he completely broke off into Japanese and

it was almost an overnight thing.

That was fun. It was part of a body suit.

Jidai - that was another back piece that was fun.

It's whatever I need to stencil. The rest I'll--

like most of the stuff has a lot more going on.

Money frogs, these are fun. I did these in Japan.

When I first went to Japan, was in '96.

That's when it really hit me,

going to see Horiyoshi, getting tattooed by Horiyoshi,

I always knew it was the best,

but watching him work one piece after another just

going through the methodical steps every day,

I was like, this is how it's done.

I went to the first Tokyo Tattoo Convention in 1999.

My buddy Matt Rollins I did a body suit on,

I'd sent him to Horiyoshi to get a rib piece.

Horiyoshi insisted that Three Tides invite me

after seeing what I'd done on Matt.

Three Tides is an American style tattoo studio in Osaka,

so I ended up there, you know, somehow.

By fate, I think.

From then on, I didn't stop going for eleven years.

♪

This is the first copy Horiyoshi sent me of my name.

This is the fax he sent me.

This is Horimana, showing me how it looked and

what it was gonna be and what it meant.

This is a skateboard.

I cut my ankle and I was dipping the brush in my ankle,

and the butterfly...

I made a blood butterfly. Horiyoshi did it first.

It wasn't my idea; I copied him.

No, I'd already been tattooing a long time.

I wasn't gonna be good as an apprentice anyway.

He's like more of a friend and he would help me a little bit.

He did something that no other American did.

He tried to almost invade Japan.

I was working six days a week,

12 hours a day.

I love that about Japanese stuff.

You know, you don't do anything that takes you

away from your main craft or your focus.

You become part of a bigger thing.

Everything's already kind of-- it's all decided.

How do you do a leaf? This is how you do a leaf.

Make it four or five different ways.

You can't just do this stuff without knowing what

you're doing and what it means and understand it.

For a long time, I wouldn't even read any books other

than something pertaining to Japanese tattooing

or tradition or history or culture.

He's a sorcerer-warrior. I love doing these things.

Most of it's all from stories.

It's all, you know, based in history and tradition.

If you don't understand what they mean,

you can't do it.

You have to-- that's a big part of it, yeah, so...

You could read all you want, but being there in person

makes a huge difference.

Drawing on the vomit bag from JL on the way home

one time from Japan.

He took what he learned from copying Horiyoshi's tattoos,

and then, incorporated his own personality,

his own flavour.

And that's when I decided to get a back piece from him.

I was super influenced by him.

Five trips, ten sessions...

70 hours.

You look, look at it, and it's...

it's beautiful.

It's fucking sick.

I had been looking and looking because

I'm part Japanese, so...

I wanted Japanese art.

I called him and the first thing I said,

"Do you still do Japanese tattoos?"

And he goes, "Yes."

He goes, "What are you looking for?"

I forgot what I said.

You wanted a koi and a tiger--

Koi and a tiger, yeah.

A koi and a tiger or something together, you know,

'cause I seen his work and the kois were beautiful.

And then the tigers. He said,

"That combination don't work."

When I talk to somebody about their first arm,

they're like, "Well, I want to get a tiger and a koi."

And it's like, no, because it doesn't make sense.

You can get, you know,

if you want a tiger on one arm, that's fine.

But you're gonna get a dragon on the other arm,

otherwise it's gonna not fit.

So I'll start to name options before we even do

anything to make sure we're not painting into a corner.

I had to wait 'til my mother died 'cause she's Japanese,

so obviously, when I came home with the snake on my leg,

"Oh my God! (Japanese) Oh!"

(Laughs)

(Tattoo machine buzzing)

And then she passed, and that's when

I started back up again.

After this one, we're gonna do the full back one.

I may be 64 years old, but I feel young.

For more infomation >> Chris Trevino: Melding Texas Traditional and Western Japanese - Duration: 6:23.

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Nightwatch Presents: First Responders - In the Line of Fire (Bonus) | A&E - Duration: 1:01.

For more infomation >> Nightwatch Presents: First Responders - In the Line of Fire (Bonus) | A&E - Duration: 1:01.

-------------------------------------------

MSIGWA, SUMAYE Walichokisema Msibani wa MAMA 'SUGU' - Duration: 2:15.

For more infomation >> MSIGWA, SUMAYE Walichokisema Msibani wa MAMA 'SUGU' - Duration: 2:15.

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"Why is my light flickering?" Haunted Farm House Exploration! *Bonus Clip at end! - Duration: 11:10.

officials say when the house collapsed three people were inside a mother and

her two daughters drivers how that kind of good stuff

cameras freaking out good my legs for you

Oh

what is going on guys knife coming at you with another video vlog video

abandoned Trek so we're gonna check out another event in place I hope you guys

enjoy this it's a little bit different we're gonna see we can check out a

couple not hundred percent sure though we're also going to check out Tom's old

abandoned house that apparently is gone now so we'll check it out

either way guys I do appreciate all the support on the channel all the help you

guys been having sharing the video dropping like subscribe to the channel

always helps so guys I do appreciate it either way less stolen let's get into it

all right so we made it to our first location I hope you guys can hear me

we've got a highway not too far from here locations not too bad but we're

definitely gonna work our way into the building and see what we can find inside

all right so we made it into the building we're gonna check it out work

our way around and see if this building is actually worth it to work our way

through so you've got a nice little dining room area living room the main

living quarters of the house windows with a nice blue tint to them with the

coverings on even give you some free insulation on the ground already so

fairly for more insulation they used some free stuff on the ground nice

hardwood floor so far nothing looks too beaten up in here which is kind of

amazing ceiling paint starting to come down only in certain spots so this might

be a little bit of a fixer-upper but shouldn't be all too bad you got a

secondary small little I guess bedrooms slash everything storage unit room again

nice window coverings from house wrap oh yeah even give you a free double bed

comes with the house

work her way through the main entrance getting into the kitchen area kitchen

nice open-concept no island or anything you got the cupboards on one side with

the backsplash tile

get the invitation granite countertops look all fancy big nice window on the

back end and then of course the sink side of the kitchen area and work our

way over to the backside in the backside if you come into here we got a small

little back half bath so it's where they put it put the washers and dryers

really put the washers dryers and all that kind of good stuff

cameras freaking out good and my legs freaking out

what's going on with this alright anyways let's keep working away or work

our way to the back as you can see there is a little bit of a fixer-upper for the

fact that the whole back side is completely the floor is gone there's a

big hole in the back side it looks like me the Foundation's starting to go so

they're trying to work on it obviously it doesn't look like they're gonna be

finishing up anytime soon I'm assuming yeah I'm gonna turn my light off cuz

this just spazzing out right now I don't know why work our way up the

stairs to the second floor it's is gonna be a three-bedroom house

it looks like once you get to the top of the stairs small little staircase work

your way left it looks like this is probably going to be the main master

bedroom or one of the secondary it's not a hundred percent sugar but you can tell

the rid the roof you've got a small little attic up there which I can't

imagine anything being up there just storage room got a small little vanity

bookcase on one side nice little cupboard here you can store whatever you

want Nick even being food whatever you feel like clothing and then work our way

back down the other hall to the right of the staircase we'll come into a larger

room this one here like I said could also be

considered to use as the master bedroom depending on which way they wanted to do

it where they wanted to go but another

access point to the Attic as well

hardwood flooring still pretty good the flooring is a little wonky though it's

not too bad this one has have also two little closets one on that side and then

one over on that side as well and then work our way back into the third bedroom

up here so the smaller of the two on the end of the buildings on the end of the

house not too bad for size-wise the house is actually a pretty good

condition besides some paint billing and the back porch pretty much given out you

checked out the whole building we checked out all the rooms were upstairs

right now and what we're gonna do is rewrite this

so what do you guys see leave a comment in the section below let me know it's

this place worth it wild factor Wow for the fact that it's still in a wicked

condition not a lot of people actually meeting here and vandalize it yet we're

just amazing number two I'd give it probably blog to say an 8 out of 10 for

a WOW factor of cleanliness and everything location it's not too bad so

given another 7 out of the 10 foot location it's a little bit of a sign of

Ottawa but all in all not too bad at all and spook factor if you want to call it

I don't know nothing too spooky about it it's kind of spooky when we first got

here to see the big hole in the ground not knowing who's inside but smooth

factor at this point I'm going to go with bill half boys both and even five

of the ten alright guys hope you enjoyed it

let's work our way to the next

alright guys we made it down to Tom's old house it is completely gone I'll

leave some screenshots in the video here as you can see there is nothing left

they tore everything up they filled in the basement tore up the house tore down

all the barns around it trees are all still there that are falling down and

that it would have gone down into their basement so they've completely filled

all of this in now at this point I also heard - that the barn initially I was a

fire that one more I guess the larger burns had burnt down

and that's one reason they tore the whole house down

Busby's he was all the way back in right there was where the other burn was and

also the well would have been back there - we'll work our way over this way let's

see I'm curious where the actual well is it is a big trees that have been burnt

down you know that well would have been over to this direction around in here

somewhere this would have been I guess where the fire was that the more recent

house had burnt down or the burn part of it because this tree wasn't burnt last

time we were here so this must have all gone up in flames and then you work her

way all the way over back here is where the further back burn was another small

one and it appears to be there's some kind of bricks or old foundation from

building maybe or a washbasin or a spot for horses to drink out of

pretty much one of the only things left back here is a little wash basin for the

horsies probably back in the day and there's part of it over there as you can

see guys it is completely gone so it's not going to much longer this is here

but I hope you guys enjoyed it drop a like on the video subscribe if you guys

are new it always helps the channel grow always helps them there's support to the

channel makes Cretan content a little bit easier a little bit fun either way

guys I hope you enjoyed it

so those are still walking around Tom's old abandoned burn house it looks like

they haven't got rid of everything the basement might still be here not 100%

sure but we were just messing around and a lot of this is part of the house this

is part of the front porch which would have led to the kitchen and essentially

their basement but as you can see a lot of these boards you can move out you can

pull most of these out so who knows this building might actually still be here

the basement is Tom here or is he at the new location that's moe moved him to let

me know what you guys think down below

For more infomation >> "Why is my light flickering?" Haunted Farm House Exploration! *Bonus Clip at end! - Duration: 11:10.

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Nightcore - Broken Dreams (NEFFEX) - (Lyrics) - Duration: 2:13.

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