Waching daily Jun 13 2017

Do your mixes sound flat or muddy?

If so, you may be making one of these five reverb mistakes.

Keep watching to learn what they are and how to avoid them.

Hey, this is Jason Moss from BehindTheSpeakers.com, and today we're gonna talk all about reverb.

So if you're struggling with reverb, if you don't know how to use it properly, avoiding

these five mistakes is a great place to start.

Mistake number one is you put it on everything.

I want you to take a look at this image of this chess piece.

Notice that the chess piece looks like it's very sharply in focus, but the background

behind it is kind of blurred, right?

And so it feels like it's far away, and we have this contrast here.

So certain things feel like they're close to us and certain things feel like they're

far away, and that's what's giving this image depth.

Now the same concept applies in the mixing process.

So if we want our mixes to have depth, to feel like they're three-dimensional and we

can kind of reach inside them, we need certain things to feel close and other things to feel

far away.

So the key really is to create this contrast.

Reverb is actually gonna be one of the tools we can use to do this, because reverb will

push tracks back in a mix, it'll make them sound like they're farther away from us.

If you use reverb selectively and add reverb to certain tracks so those tracks feel far

away, and then leave other tracks dry or just put a little bit of reverb on other tracks

so maybe they feel closer, then we have this kind of hierarchy, right, where certain things

feel close, certain things feel far, and that's when our mixes sound like they have depth

and they really feel three-dimensional.

If you add reverb to everything, there's no contrast and so there is no depth when there's

no contrast.

So the key really is to add reverb selectively.

Don't put it on everything, but just put it on a few tracks and make those tracks feel

far away, and then leave it off other tracks so they feel close, and when you do this right,

your mix is gonna feel larger than life and three-dimensional, and you're gonna really

feel like you can reach inside it, and that's one of the things that makes mixes sound great.

Mistake number two is you use reverb to mask problems.

Now since reverb makes tracks sound farther away, a lot of people will use it to cover

up tracks that don't sound so good in their mixes.

So they'll add a ton of reverb to a vocal if it's kinda out of tune, or they'll add

a ton of reverb to a guitar if it isn't played so well.

This is a crutch.

Your mix ends up sounding kinda murky and unclear.

Instead, deal with the problem head on.

If there's a problem track in your mix, either replay it or re-record it or just mute it

entirely.

Don't use reverb to cover it up, and if you can do this your mixes are gonna sound a whole

lot better.

Mistake number three is you don't time the decay.

Now the decay time on a reverb is how long that reverb rings out, and this is one of

the most important parameters you can set.

Now a decay time that's too long is gonna trample over the groove of a track, it's gonna

make the mix sound muddy and murky.

But a decay time that's too short, on the other hand, isn't gonna adequately cover up

the spaces between the notes, so you end up making the mix sound kind of thin and just

anemic.

It sounds kinda amateur.

Your tempo is actually gonna have a large impact on what the appropriate decay time

is.

Longer reverbs usually work better on slower tracks and the faster your tracks are, the

shorter your reverbs are gonna need to be.

So I want to jump into my DAW real quick and show you an approach that you can use to set

the decay time in your mixes.

Okay, so I have a song here called "Heroes of Hope" by Clean Green Music Machine, and

I want to show you a little trick that I use to help me set my reverb decay times.

Let me play you the track first.

♫ Ready to fly ♫ We are strong together ♫ We are-- ♫

So you can hear we have that big backbeat on the snare on two and four.

It's really defining the groove of the track, and when you have a snare like that that's

really playing consistently on two and four, you can use it to help you set your reverb

decay time.

So I'm gonna go ahead and pull this reverb up here.

Now this snare track that I have here is being fed into this reverb on this aux track, and

we have the EMT 140 reverb pulled up.

And I'm just gonna solo this snare, and I'm gonna play these two together so you hear

the reverb coming off the snare, and I want you to listen to the way that reverb tail

is interacting with the snare.

So how long does it ring out?

Is it trampling over the snare?

Is it getting out of the way of the snare?

How is it interacting with the snare?

So take a listen.

So you can hear that that reverb tail is timed so it gets out of the way, it kinda fades

out right before that next snare hits.

So it's not ringing out so long that it's getting in the way of the next hit.

It's covering the space between the snare hits but it gets out of the way right before

that next snare hits.

So this is a good example of a proper reverb time.

It's covering the space but it's not getting in the way.

It's not causing muddiness by ringing out too long and kind of trampling over the groove

of the track.

So now I want to play this again and I'm gonna slow down the reverb time so you can get a

sense for what a reverb time sounds like when it's kind of getting in the way.

So you can hear that's much slower, right?

And it's ringing out over the next hits, so it's kind of smearing the groove.

And now on the other hand we can also set a reverb time that's too slow, so let's take

a listen to that.

So you can hear that reverb is really short and it doesn't adequately cover the space

between those snare hits, so there's kind of this empty space between the snare hits.

The trick is, you want to time the reverb so that it's covering the space between those

notes, but it doesn't ring out so long that it's getting in the way.

And if you have a snare drum like this, because it's defining the tempo of the song, it can

really help you figure out what that reverb time looks like.

So using the snare drum as a guide to time your reverbs can be really helpful, and whenever

I have a snare drum like this that's hitting consistently on two and four and really defining

the groove of the track, this is what I use to help me set the perfect reverb decay time.

Mistake number four is you use too much.

Now you want to be very careful when you're adding reverb, because too much can easily

obscure the clarity of tracks in your mix and it can easily tank a track.

You really want reverb to be something you feel more than you hear.

A good rule of thumb is if you're adding reverb to a track, turn the fader up until you can

start to hear the reverb and then back it off a little bit.

By doing this, you're gonna create a more subtle sense of depth in your mix.

It's not gonna be something you notice, but you'd miss it if you muted it.

If you can do this, your mixes are gonna sound a whole lot better.

You're just gonna create a much more natural sense of space without kind of clouding your

mixes up and making them sound kind of murky and muddy.

Mistake number five is you ignore pre-delay.

Now pre-delay is one of those parameters that a lot of people don't really understand or

maybe they ignore, but it's really important and you can use it to help craft space and

depth in your mixes while retaining clarity and really making sure that key tracks remain

up front in your mixes.

Let's say you're adding reverb to a vocal.

As you add reverb to a vocal, the vocal gets pulled back in the mix and it sounds like

it's farther away.

But oftentimes you want the vocal to stay upfront and right in the center of the mix.

You want it to kind of stick out in front of everything else, and so if you add a little

bit of pre-delay, what happens is there's a little bit of space between that vocal and

when the reverb hits, and so our ear actually separates the sound of the reverb from the

vocal instead of fusing them together.

Now we hear the sound of the vocal and then we hear the reverb a couple milliseconds later,

and our ear perceives them as two separate sounds.

So the vocal is actually gonna remain up front and center and then the reverb gets pushed

back.

It's kind of the best of both worlds.

It will give you that sense of space and depth on the vocal while keeping the vocal up front

in the mix.

So I want to show you exactly how this sounds, so let's jump into my DAW and I'll give you

kind of a before/after example of pre-delay on a vocal.

So this is a track called "Joshua" by Leah Capelle.

Let me play you a little bit of the bridge.

♫ I will be free, I will be free here ♫ I will be free, I will be free here ♫ I will

be free ♫

Cool.

So you can hear it's kind of an ethereal breakdown kind of section, and I wanted the vocal to

be drowned in reverb.

I wanted it to feel like we were ascending to heaven, but what I found was when I added

that much reverb, the vocal just kept getting pulled back in the soundstage and it just

felt like it was sitting behind the other instruments.

So what I ended up doing, you can see I'm going to pull up the reverb that I used, all

I did, there's a parameter on this UAD EMT 140 reverb, pre-delay, and I just dialed in

a little bit of that pre-delay.

So it's probably around, you know, 30 milliseconds or so.

The exact number doesn't matter so much, but essentially this allowed me to keep the vocal

up front in the mix while adding a lot of reverb so I got the benefit of both.

Now what I want to do is compare the sound of this reverb with the pre-delay and without

the pre-delay.

So I've gone ahead and duplicated this plugin, and the only thing that I've done, I haven't

changed any of the other settings except pull down this pre-delay back to zero where it

is by default when you pull up the plugin.

So this is gonna allow us to compare the reverb both with and without pre-delay.

So first I want to play it with pre-delay, and I want you to listen to where the vocal

is sitting in the soundstage, so almost close you eyes and imagine whether the vocal is

sitting right in front of you or maybe a couple feet back, or far back in the mix.

Just try to place that vocal in space.

So let me play you with the pre-delay first.

♫ I will be free, I will be free here ♫ I will be free, I will be free here ♫ I will--

♫

And now I'm gonna play you without the pre-delay.

♫ I will be free, I will be free here ♫ I will be free, I-- ♫

Again, with pre-delay.

♫ I will be free, I will be free here ♫ I will be free, I-- ♫

And without pre-delay.

♫ I will be free, I will be free here ♫ I will be free-- ♫

Now it's a really subtle change, so it might be a little bit difficult to hear, but to

me, the vocal sounds like it takes a step back without the pre-delay.

It almost feels like it just gets pushed a foot back in the mix.

And this might be okay.

I mean, it's not always a bad thing, but in this circumstance, since I really want that

vocal to be front and center, the pre-delay allows me to just bring the vocal forward

a little bit.

So it's a subtle shift and if you're listening on headphones, you might not get that sense

of switch because headphones are not gonna give you that same representation of the soundstage.

So I would recommend listening to this on speakers if you can.

But go ahead and go back and play this again and just listen for the difference, and try

to place the vocal in space, and you'll find that with that pre-delay engaged, the vocal

takes a step forward in the mix.

It sounds like it's just a little bit closer to us.

This is something that can make a big impact, particularly if you're working with a mix

that's really busy, where there are a lot of tracks competing for space.

This can just allow you to move the vocal forward and just make it cut through just

a little bit more in the mixing process.

So I hope you found this video helpful, and if you avoid these five mistakes your mixes

are gonna sound a lot more three-dimensional, they're gonna have a lot more depth, and they're

also gonna sound a lot clearer.

Now if you're looking to dive deeper, I put together a free reverb cheatsheet with tips

and tricks for adding reverb to common instruments, as well as my favorite reverb plugins.

This is gonna help you approach reverb with clarity and confidence, so you can use it

like a pro in your next mix.

You can download it by clicking the link in the description or in the video and you'll

get free instant access.

For more mixing tips, you can also check out my website, BehindTheSpeakers.com.

Thanks so much.

For more infomation >> 5 BIG Reverb Mistakes You Don't Know You're Making - BehindTheSpeakers.com - Duration: 12:34.

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Farming Simulator 17 Mod Contest ZETOR 6911 FL - Duration: 3:00.

HI GUYS !!!! Welcome to Farming Simulator 17 Mods Channel in this video I will make a short review of Giants Mod Contest ZETOR 6911 FL.

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If you enjoy watching my videos... Give thumb up SUBSCRIBE FOR MORE And for any question ( or just for say HI!!) LET comment I will be happy to answer you...... bb

For more infomation >> Farming Simulator 17 Mod Contest ZETOR 6911 FL - Duration: 3:00.

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Human Brain Discovered to Operate in 11 Dimensions Multiverse - Duration: 6:56.

Human Brain Discovered to Operate in 11 Dimensions --"Multiverse-Like Structures a World We Never

Imagined�

"We found a world that we had never imagined, said Henry Markram, director of Blue Brain

Project.

"There are tens of millions of these objects even in a small speck of the brain, up through

seven dimensions.

In some networks, we even found structures with up to eleven dimensions."

Swiss Scientists studying the brain using an advanced mathematical system have discovered

that it operates on up to 11 different dimensions, creating multiverse-like structures.

The researchers were able to uncover architectural structures that appears when the brain has

to process information, before they disintegrate into nothing.

The findings suggest that when we examine brain activity with low-dimensional representations,

we only get a shadow of the real activity taking place.

This means we can see some information, but not the full picture.

�So, in a sense our discoveries may explain why it has been so hard to understand the

relation between brain structure and function,� explains Swiss scientist Karen Hess, Associate

Professor in Life Sciences and Mathematics in the Schools of Life Sciences at EPFL.

Their findings, published in the journal Frontiers in Computational Neuroscience, reveals the

hugely complicated processes involved in the creation of neural structures, potentially

helping explain why the brain is so difficult to understand and tying together its structure

with its function.

The researchers focused on the neural network structures within the brain using for the

first time, algebraic topology�a system used to describe networks with constantly

changing spaces and structures.

The team, led by scientist Hess and colleagues at the EPFL, Switzerland, were carrying out

research as part of the Blue Brain Project�an initiative to create a biologically detailed

reconstruction of the human brain.

Working initially on rodent brains, the team used supercomputer simulations to study the

complex interactions within different regions, performing multiple tests on virtual brain

tissue to find brain structures that would never appear just by chance.

They then carried out the same experiments on real brain tissue to confirm their virtual

findings.

"Algebraic topology is like a telescope and microscope at the same time.

It can zoom into networks to find hidden structures�the trees in the forest�and see the empty spaces�the

clearings�all at the same time," study author Kathryn Hess said in a statement.

The EPFL team discovered that when they presented the virtual tissue with stimulus, groups of

neurons form a clique, with up to 11 different dimensions.

Each neuron connects to every other neuron in a very specific way to produce a precise

geometric object.

The more neurons in a clique, the higher the dimensions.

The structures assembled formed enclosures for high-dimensional holes that the team have

dubbed cavities.

Once the brain has processed the information, the clique and cavity disappears.

The left shows a digital copy of a part of the neocortex, the most evolved part of the

brain.

On the right is a representation of the structures with different dimensions.

The black hole in the middle symbolizes a complex of multi-dimensional spaces, or cavities.

(Project Blue Brain)

"The appearance of high-dimensional cavities when the brain is processing information means

that the neurons in the network react to stimuli in an extremely organized manner," said EPFL

researcher, Ran Levi.

"It is as if the brain reacts to a stimulus by building then razing a tower of multi-dimensional

blocks, starting with rods (1D), then planks (2D), then cubes (3D), and then more complex

geometries with 4D, 5D, etc.

The progression of activity through the brain resembles a multi-dimensional sandcastle that

materializes out of the sand and then disintegrates," he said.

The findings indicate the brain processes stimuli by creating these complex cliques

and cavities, so the next step will be to find out whether or not our ability to perform

complicated tasks requires the creation of these multi-dimensional structures.

By using algebraic topology, Hess says, the team was able to discover �the highly organized

structure hidden in the seemingly chaotic firing patterns of neurons, a structure which

was invisible until we looked through this particular mathematical filter.�

�The stereotypical response pattern that we discovered indicates that the circuit always

responds to stimuli by constructing a sequence of geometrical representations starting in

low dimensions and adding progressively higher dimensions, until the build-up suddenly stops

and then collapses: a mathematical signature for reactions to stimuli.

�In future work we intend to study the role of plasticity�the strengthening and weakening

of connections in response to stimuli�with the tools of algebraic topology.

Plasticity is fundamental to the mysterious process of learning, and we hope that we will

be able to provide new insight into this phenomenon,� she added.

The Daily Galaxy via Newsweek, Frontiers in Computational Neuroscience, EPFL

For more infomation >> Human Brain Discovered to Operate in 11 Dimensions Multiverse - Duration: 6:56.

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Stitchers 3x03 Promo "Perfect" (SUB ITA) - Duration: 0:41.

For more infomation >> Stitchers 3x03 Promo "Perfect" (SUB ITA) - Duration: 0:41.

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Aaron Lucas - Lost But Now Found - Duration: 3:56.

♪ ALL GLORY TO YOU ♪ ♪ EVERY KNEE WILL ONE DAY ♪

♪ BOW IN UNITY ♪ ♪ EVERY EYE ♪

♪ WILL ONE DAY COME ♪♪ AARON: SO FROM THE VERY

GET GO, I LOOK BACK ON MY LIFE, AND I, YOU KNOW, STARTED OFF

WITH NO CHANCE.

WHEN YOU'RE FIVE AND BEING ABLE TO FEEL THAT YOU ARE BROKEN AND

YOU'RE ABANDONED AND YOU'RE LONELY AND YOU'RE TRYING TO

FIGURE OUT LIFE ALMOST BY YOURSELF.

AND YOUR OLDER BROTHER IS MORE OF A FATHER FIGURE TO YOU THAN

YOUR DAD IS, YOU KNOW, THAT'S SOME CHALLENGE IN ITSELF.

ANNOUNCER: AARON GREW UP IN AN ANGRY HOUSEHOLD.

WITH CONSTANT FIGHTING AND STRIFE.

AT THE AGE OF FIVE, HIS PARENTS DIVORCED AND HIS MOTHER LATER

REMARRIED A MAN SIMILAR TO HIS FATHER.

A MAN WHO STRUGGLED WITH ALCOHOL AND ANGER.

AARON: YOU KNOW, I WAS TRYING TO FIND AN ESCAPE.

AND SO I FOUND AN ESCAPE THROUGH MARIJUANA.

I FOUND AN ESCAPE THROUGH ALCOHOL.

JUST FOUND MYSELF MORE AND MORE MORE DOWNWARD SPIRAL, INTO

NEGATIVITY, INTO HATRED, BECAUSE THAT'S--THERE WAS JUST SOMETHING

INSIDE OF ME THAT WAS JUST BROKEN.

ANNOUNCER: AARON WAS LOST.

BUT GOD HAS HIS HAND ON HIM AND TOUCHED HIS LIFE IN A POWERFUL

WAY DURING A SPRING BREAK TRIP TO MEXICO.

AARON: THE FIRST 3 DAYS OF THAT TRIP I WAS COMPLETELY,

JUST OFF MY FACE, YOU KNOW, IN OTHER WORDS, DRUNK.

AND FROM 10 AM IN THE MORNING TILL HOWEVER, YOU KNOW,

TIME AT NIGHT.

AND I REMEMBER WAKING UP WITH THIS DISCONTENTMENT INSIDE

MY SPIRIT.

I DIDN'T KNOW WHAT IT WAS.

AND I WENT DOWN TO THE POOL AND ALL OF MY FRIENDS STARTED

ORDERING DRINKS AND I WENT TO ORDER A DRINK BUT THEN ALL OF A

SUDDEN SOMETHING WAS NOT RIGHT.

AND I STARTED GOING FOR A WALK AND IT WAS THERE, RIGHT THERE ON

THE BEACH AT MAZATLAN THAT I WAS FILLED WITH THE SPIRIT OF GOD.

AND ALL OF A SUDDEN I STARTED PRAYING, LIKE I'VE NEVER PRAYED

BEFORE BECAUSE SOMETHING HAD SWITCHED.

GOD CARED SO MUCH ABOUT ME THAT, YOU KNOW, I WAS THAT ONE SHEEP

THAT HE WAS CHASING AFTER.

I WAS THAT ONE THAT HE LEFT THE 99 FOR.

YOU CAN FIND SALVATION.

YOU CAN FIND JESUS CHRIST AND ACCEPT HIM AND BELIEVE IN HIM,

BUT THE REALITY IS YOU CAN STILL LIVE A VERY MISERABLE LIFE.

AND, YOU KNOW, SO MY MOM GOES, "AARON, YOU NEED TO READ

THIS BOOK."

AND SHE HANDS ME JOYCE MEYER'S BOOK, "BATTLEFIELD OF THE MIND."

AND I OPENED UP THE BOOK AND I STARTED READING AND I'M TELLING

YOU, IT WAS LIKE THE WORLD JUST WENT SILENT.

AND IT WAS JUST ME, GOD AND WHAT JOYCE HAD HEARD FROM GOD, PUT IN

THESE BOOKS, PUT IN THIS BOOK AND EVERY PAGE JUST CAME ALIVE.

AND SOMETHING STARTED SHIFTING AND AT FIRST I DIDN'T KNOW WHAT

WAS GOING ON BUT ALL OF A SUDDEN THE REALIZATION OF THE WAY

I USED TO FEEL, AND THE FURY AND HATRED THAT I HAD TOWARDS

PAST AND PARENTS AND EVEN TOWARDS GOD

STARTED JUST MELTING AND JUST DIFFUSING ITSELF.

AND ALL OF A SUDDEN, I FOUND MYSELF CONNECTED TO MY DESTINY.

I FOUND MYSELF CONNECTED TO MY FUTURE.

AND SO, I FOUND MY SELF WORTH AND I REMIND MYSELF OF THAT

EVERY DAY.

IT'S ONE OF MY STARTING PRAYERS OF THE DAY, JUST THANK YOU GOD.

THANK YOU THAT I'M A SON OF GOD.

THAT YOU ADOPTED ME.

THAT YOU WOULD DO WHAT YOU DID, TAKE THAT HORRIFIC PATH TO

CALVARY AND ENDURE WHAT YOU HAD TO ENDURE WITH ME ON YOUR MIND

AND WITH THE INTENTION OF SEEING LIVES SET FREE, CHANGED,

DELIVERED.

For more infomation >> Aaron Lucas - Lost But Now Found - Duration: 3:56.

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★ Nightcore - Setting Fire | Best Nightcore 2017 | Live Stream | Sugu Music ★ - Duration: 3:34.

setting fire

nightcore live

nightcore radio

nightcore live stream

sugu music

For more infomation >> ★ Nightcore - Setting Fire | Best Nightcore 2017 | Live Stream | Sugu Music ★ - Duration: 3:34.

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Knack 2 (PS4) - Trailer - E3 2017 - LEGENDADO PT-BR - Duration: 1:19.

For more infomation >> Knack 2 (PS4) - Trailer - E3 2017 - LEGENDADO PT-BR - Duration: 1:19.

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Scientists Develop Vaccine That Brings Dead People Back To Life - tech and science - Duration: 4:14.

Scientists Develop Vaccine That Brings Dead People Back To Life

Scientists have developed the world�s first vaccine that is capable of bringing dead people

back to life, using advanced stem cell technology.

Bioquark CEO Ira Pastor says his firm has developed injections that are literally capable

of bringing dead people back to life.

The Philadelphia based firm plans to test the groundbreaking injections on brain-dead

patients in Latin America � in a series of experiments that has been criticized as

been highly unethical.

Naturalnews.com reports: The injections have not been tested on animals, which is a prerequisite

for human testing in many countries, so the trials will take place in an unspecified country

in Latin America. A trial that was planned for India last year was ultimately blocked

by the country�s Council of Medical Research.

According to the firm�s plans for that study, the subjects will be people aged 15 to 65

who have been declared brain dead following traumatic brain injury and are being kept

alive on life support. MRI scans will be used to search for signs of brain death reversal.

Their plans entail harvesting stem cells from a patient�s own blood and then injecting

them back into their bodies. This will be followed up by injections of peptides into

their spinal cords.

The final stage involves 15 days of nerve stimulation via laser and median nerve stimulation

to try to reverse the brain death, with the patients under regular monitoring through

MRI scans.

When a person�s brain stem function is lost permanently and they are technically no longer

considered to be alive, their bodies can still perform some functions in many cases. These

might include circulating blood, healing wounds, gestating, digesting food, excreting waste

and even growing and sexually maturing. Some electrical activity might even continue, but

it is not enough for the entire body to function.

The team thinks that based on their surrounding tissue, the brain�s stem cells might be

able to erase their history and essentially restart life again. While humans do not have

substantial regenerative central nervous system capabilities, they believe that a process

similar to the one used by animals like salamanders when they regrow entire limbs could occur.

Amphibians and some fish can repair and remodel parts of their brain and brain stem following

a life-threatening trauma.

Project raises many ethical questions

This study raises a whole host of ethical questions before it even gets off the ground,

beginning with the question of consent. In this case, the patients involved are technically

dead and can�t consent to anything. However, study documentation says that written informed

consent that comes from a legal representative of the patient is acceptable. Nevertheless,

it�s hard to know if a person would have wanted to be subjected to this because it�s

a topic that is extremely unlikely to have come up in their lifetime. Moreover, if some

brain function is actually restored, what quality of life can these people have? Will

they essentially become living science experiments? Will their memories be intact or will they

�wake up� confused and surrounded by people they no longer recognize?

If you think this sounds ambitious, the company has its sights set even higher in the future.

These Bioquark efforts are part of an even bigger project known as ReAnima that is looking

into the potential of biotechnology to bring about �human neuro-regeneration and neuro-reanimation.�

One thing is almost certain: One way or another, this project will likely serve as yet another

reminder of why it�s usually better to just let nature take its course.

For more infomation >> Scientists Develop Vaccine That Brings Dead People Back To Life - tech and science - Duration: 4:14.

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How to remove watermark from Camtasia video with subtitle? - Duration: 3:49.

Welcome Back To Jahanggir Tutorial Today I will show you

How to remove watermark from camtasia video Let's start

Just go to and Open Camtasia Now open your project which you want to produce

without watermark

Make sure that your internet connection is turn off

Then click on Share Click on Local File

Copy the Key and paste it This Key is given in the video description

So don't worry Now click on Produce without watermark

After several moments You can see a window

We're having trouble contacting our servers But you may still use Camtasia while we attempt

to validate your key

After this click on Ok To save it

Follow those steps Choose the format MP4 only (Upto 720)

Then click on next Give a production Name which you want

At last click on Finish Wait for a couple of Minutes while it's

saving

You can see in the video that Here no watermark in the video

So you can use this tricks To produce video with camtasia without any

watermark I hope

This tricks also working in your case Our Next Video on

How to reset camtasia free trial for lifetime So please subscribe our channel to get more

videos in future Don't forget to Like and Share this video

Please Give a feedback You can also give us suggestion

Which video I should make next?

Thank you for watching the video

For more infomation >> How to remove watermark from Camtasia video with subtitle? - Duration: 3:49.

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Sungkyu - Duration: 3:48.

For more infomation >> Sungkyu - Duration: 3:48.

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How To View/See Instagram Profile Picture In Full Size - Duration: 2:07.

hey everyone this is far from trueonlineriches.com and this is Bob's

Den. In this video I will show you how to view an Instagram profile picture in

full size with the help of a web browser.

Alright, to view an Instagram profile picture in full size on your Android

device what you need to do is to go to that particular profile and go press on

the three dots on upper right hand corner and go to copy profile URL press

on that and that will automatically copy the link on clipboard of your device

and now what you need to do is to go to your web browser I'm using Chrome here

so go to Chrome and paste this URL you just copied onto there and hit go and

that will pull up the particular profile from Instagram on that web browser

you're using and now what you need to do is press and long hold on that picture

and you have different options that you can download the image and I'm going to

open image a new tab that will actually open the image in a new tab I'm going to

go open that, So this is the image that has been uploaded to that profile but to

view the full size of that picture what you need to do is go to the URL and

scroll through that until you see this part which says in my case s 320 by 320

it could be different on your device depending on the resolution and once you

delete delete that part so that you'll get the full size of the image but keep

that front slash or that forward or backward slash there and hit go and that

will give you the full size image that has been uploaded to that profile as the

profile picture alright I really hope that now you know how to view an

Instagram profile picture in full size on your Android device and iPhones make

sure you subscribe to my channel here and you're also welcome to follow me on

instagram epic aperture and I'll see your next video bye

For more infomation >> How To View/See Instagram Profile Picture In Full Size - Duration: 2:07.

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Bay Focus - Radiant Church of Tampa and Hope Children's Home in Tampa - Duration: 28:31.

For more infomation >> Bay Focus - Radiant Church of Tampa and Hope Children's Home in Tampa - Duration: 28:31.

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BREAKING: Rex Tillerson Gets American Citizen FREED From North Korea's Wrath… - Duration: 1:14.

Otto Warmbier, the American citizen who's serving a 15-year prison term with hard labor,

has been released with the leadership and assistance of Secretary of State Rex Tillerson

and his department.

CBS reports:

Tillerson says that Warmbier is on his way back to the U.S. to be re-united with his

family.

He says in a statement that the State Department secured Warmbier's release at the direction

of President Trump.

Tillerson says the State Department continues discussing three other detained Americans

with North Korea.

The announcement comes as former NBA player Dennis Rodman is paying a return visit to

North Korea.

Rodman said ahead of his trip that the detained Americans were not on his agenda for the visit,

his fifth to the country but his first with President Trump in office.

Warmbier is a University of Virginia student from suburban Cincinnati.

He was sentenced in March 2016 after a televised tearful public confession to trying to steal

a propaganda banner.

What do you think about this?

Please SHARE this news if you're glad Rex Tillerson is in charge!

For more infomation >> BREAKING: Rex Tillerson Gets American Citizen FREED From North Korea's Wrath… - Duration: 1:14.

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Demi Moore makes a sexy return to the red carpet at the Rough Night premiere | Mlog TV - Duration: 3:38.

Demi Moore makes a sexy return to the red carpet at the Rough Night premiere

Demi Moore makes a sexy return to the big screen in Rough Night, starring Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer, Demi Moore attends the Rough Night premiere in New York City.

AFTER stepping away from the spotlight, Demi Moore is back — and she's looking hotter than ever.

The 54-year-old made a smoking return to the red carpet overnight for the New York City premiere of her latest film Rough Night. Looking effortlessly sexy in a rainbow Christian Dior gown, the star of iconic flicks Ghost and St.

Elmo's Fire showed her younger co-stars Scarlett Johansson and Zoe Kravitz how it's done on the red carpet.

Moore steals the show on the red carpet at the Rough Night premiere in New York. Source:AFP. Moore showed off her cleavage in the flirty gown and a series of colourful straps cinched around the bodice showed off her toned torso.

She kept the look relaxed by leaving her long black hair out and gathered over one shoulder.

The '90s star showed off her toned torso in the rainbow Christian Dior gown. Source:AFP.

Rough Night marks Moore's return to the big screen after several years of focusing on smaller projects. Last year, she starred alongside Shirley MacLaine and Jacki Weaver in the limited release movie Wild Oats and filmed Blind with Alec Baldwin.

In Rough Night — about five college girlfriends who reunite for a wild bachelorette weekend in Miami — Moore plays an overly sexual neighbour who tries to recruit one of the girls into having a threesome with her husband, played by Modern Family's Ty Burrell.

Busted. Moore and Burrell play a hypersexual couple in Rough Night.Source:YouTube.

Moore makes a sexy return to the big screen in Rough Night. Source:YouTube. In the trailer for the racy film, the hens party stumbles across a topless Moore and speedo-clad Burrell sunning themselves on a deck.

"They went for it," director Lucia Aniello said, describing a particular scene where Moore's character gets lucky with one of the girls.

"Demi's going down on her and she's like, 'I think we need to dig out some of the sand here so I can have this angle.

' She's at least a little bit making fun of the kinds of things she's done in the past, which she totally got and was so down for. Rough Night hits Aussie theatres on June 15.

For more infomation >> Demi Moore makes a sexy return to the red carpet at the Rough Night premiere | Mlog TV - Duration: 3:38.

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Into the Arctic | Cultural Guide & Entrepreneur - Duration: 2:28.

The Arctic has raw power.

Everything is so big here and untouched.

People are longing for that,

like, "What's my great adventure?"

For a lot of people it's going north.

My family has been here for generations and generations.

My connection is pretty deep to this place.

It's the Inuit culture, it's this land, it's the animals

it's the people, it's the sense of community.

I think the world needs to see this way of life,

just how beautiful it is

and so I decided when I was 16 that I wanted to do something

in that capacity and that formed into a tourism company.

I take a lot of pride in doing my homework and really studying

as much as I can and talking to the elders, because

anyone can build a fishing lodge, anybody can do boat trips

or plane tours, but only we can tell our story authentically.

"The first three or four rows are kinda the most

time consuming, the roof goes on so quick."

Everybody that comes up here and sees it through our eyes and

gets to experience our way of life, they go back home

with a better understanding of our culture

and who we are as a people.

I would be a really lost person if I never moved north

and never found this lifestyle.

I feel like this is what I'm supposed to be doing,

this is what makes me the happiest.

I love what I do, I love it, without swearing,

I love what I do, I think this is the coolest job ever.

There's days when I work 18 hours and people say like

"Aren't you tired?" and I say "No man, I'm not tired,

I'm doing what I love."

For more infomation >> Into the Arctic | Cultural Guide & Entrepreneur - Duration: 2:28.

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প্রাণ বাঁচাতে গিয়ে প্রাণ দিলেন দুই মেজর ! স্যালুট তোমাদের-- - Duration: 2:25.

For more infomation >> প্রাণ বাঁচাতে গিয়ে প্রাণ দিলেন দুই মেজর ! স্যালুট তোমাদের-- - Duration: 2:25.

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Apple working on self-driving car technology, CEO confirms - Duration: 2:22.

For more infomation >> Apple working on self-driving car technology, CEO confirms - Duration: 2:22.

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FS17-Timelapse-Goldcrest Valley 22-Plantando árboles - Duration: 15:18.

Episode 22 Planting trees

Good morning to all. Today we will begin the day by expanding our lands.

After buying field 18 we will plant grass.

Ready! Let's go back to the farm to pick up Paul and the truck.

As you will have deduced, today we will plant trees :-)

I have never driven this type of machinery, but Paul has experience with it.

It will definitely take a long time. We'll let Paul handle it and we'll take care of other jobs.

We will water and feed our sheep.

179 sheep !!!!! Soon we will start buying pigs :-)

Let's go for the harvest. Take a seat and enjoy.

Paul just planted trees and started plowing the fields of group 2.

And while I bale the straw, Mark is just harvesting the soy beans.

Harvest finished !!!

To optimize the collection and sale of bales, we will buy another trailer.

Finally, we will spread fertilizer in the fields to leave them ready for the next planting.

As always, I'll have dinner and rest. Good night and see you tomorrow.

For more infomation >> FS17-Timelapse-Goldcrest Valley 22-Plantando árboles - Duration: 15:18.

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Censorship In Wolfenstein II: The New Colossus - Duration: 3:32.

Bethesda has just revealed the highly anticipated sequel to 2014's Wolfenstein: The New Order.

Titled Wolfenstein II: The New Colossus, the AAA FPS title looks to be delivering even

more of that Nazi-killing carnage, cinematic narratives and some pretty violent gameplay.

As with previous games in the series, the prospect of Wolfenstein II is something that's

almost guarantees censorship and this is a fact that was confirmed in the new reveal

trailer.

Being a game heavy on Nazi themes, characters can be seen proudly displaying Nazi symbols

such as swastikas on their uniforms and, judging by past games, symbols and other Nazi references

like this will be contained all throughout the game.

Now as regulars of the channel will know, many Nazi references are banned from games

over in Germany.

This is all due to a law that prohibits the "Use of Symbols of Unconstitutional Organizations".

The law is quite complicated and we'd really need a full in-depth video about this to properly

to go into it, but, to summarise, the German government wants to stop these symbols from

being used to promote their previous ideology and whilst ok for things like education and

even movies, games are seen as only toys and thus are not allowed to contain these sorts

of things.

In fact if you check out the reveal trailer and scroll down to the bottom of the video's

description, you'll see that Bethesda has explained this issue over in Germany.

The statement reads: Please be advised that the international (non-German

language) versions of "Wolfenstein® 2: The New Colossus" (the "Game") includes

Nazi-related symbols and content – as a result, the sale, import, export, or distribution

of the international versions of the Game and its related images and assets to and in

Germany is strictly forbidden by German law, and would be, among other statutory violations,

a criminal offence which may result in a financial penalty or imprisonment.

Any person involved and/or responsible for such violation may be prosecuted and sentenced,

including officers and employees of companies involved.

On the basis of legal advice and industry standard practice, ZeniMax are also not making

such images or assets available to Austria This does not mean that Germany and Austria

won't be getting the game though.

If it's anything like previous releases, these regions will have a special version made for

them which removes anything that could potentially cause issues.

However, speaking of previous games, the risk of censorship in Wolfenstein II does not end

there.

Censored Gaming has previously covered the censorship made to Wolfenstein: The New Order

in-depth and there'll be a link in the description if you want to go check it out.

The New Order censored more than just the Nazi stuff over in Germany and, also, it's

a little known fact that the Japanese version of the game was also plagued with various

censorship.

Both Germany and Japan also toned down a violent cutscene, both countries' having rather strict

stances on video game violence.

Additionally, the Japanese version and only the Japanese version made edits to the title's

sexual content - with sex scenes being toned down and nudity covered.

Japan's console rating system has strict rules regarding graphic sexual depictions, and whilst

suggestive content is normally treated quite leniently, when it comes actually showing

graphic sexual acts and nudity such as nipples, censorship is forced for consoles games but

not PC releases.

So, Wolfenstein II: The New Colossus is defiantly a title that Censored Gaming will be watching

very closely.

You'll be able to find all new info right here as soon as it's known and it's scheduled

to be released on October 27th for PlayStation 4, Xbox One and PC.