Waching daily Jun 15 2017

Corporate Media Just Exposed CIA Using Prostitutes To Drug Victims With LSD For Mind Control

Studies

Your government will, indeed, perform experiments on you if it so chooses, and while some are

undertaken with Nazi-esque malevolence � like the atrocities committed in the Tuskegee Study,

a 40-year operation infecting innocent Black men with syphilis � others, like Midnight

Climax, out the State�s utterly twisted flirtation with mind control.

Part of the notorious MKULTRA program, Midnight Climax � every bit as lascivious as one

would expect from an agency founded in duplicity � might be one of the CIA�s most revealing

experiments in thought control through substances, as well as its lesser-known entr�e into

the business of drugs and prostitution.

And now the corporate, mainstream media has finally decided to address the abhorrent crimes

committed under the green light by nefarious CIA Director Allen Dulles � who signed off

on MKULTRA and, thus, its iterations, on April 13, 1953.

One part in a series on the History Channel, America�s War on Drugs, reveals in documents

and interviews how the CIA paid prostitutes to entice unwitting, working-class johns with

illicit sex in order to dose them unknowingly with pure LSD � acid, lysergic acid diethylamide,

one of the psychedelics exploding into America�s drug scene in the 1960s � for the project

known as Midnight Climax.

Amid fears The Russians might perfect mind control before the United States government

could manage to do so, the CIA turned unapologetically to experiments with LSD, leaving victims none

the wiser � setting up fake brothels in San Francisco and, later, Marin County, where

hired prostitutes would bring the agency�s prey: the unremarkable men of the lower and

working classes who would be unlikely to retaliate if anything went awry.

�The CIA was scared stiff the KGB was going to get all this LSD and come over and start

dosing people,� Richard Stratton, a former hippie pot kingpin ultimately caught and imprisoned,

explains of Midnight Climax for a preview of the History Channel show. �So, we bought

every drop of LSD in existence at that point.

�They gave it to George White, and let George White start dosing people.�

George Hunter White, a federal narcotics agent and covert captain with the CIA precursor

agency, Office of Strategic Services, sought to develop or discover a substance with potential

to control the minds of prisoners-of-war � a reportedly failed attempt to best the KGB

� so they would reveal privy and classified information upon interrogation.

�American chemist Sidney Gottlieb was the brains behind White�s brawn,� Troy Hooper

wrote for SF Weekly in 2012. �It was the height of McCarthyism in the early �50s,

and government intelligence leaders, claiming fear of communist regimes, were using hallucinogens

to induce confessions from prisoners of war held in Korea, and brainwash spies into changing

allegiances. What better way to examine the effects of LSD than to dose unsuspecting citizens

in New York City and San Francisco?�

Stocked with booze and attempting to mimic a �French whorehouse,� rooms in the agency�s

bogus brothels � replete with images of women in bondage and prints by artist Henri

Toulouse-Lautrec � also came complete with two-way mirrors for operatives to kick back

with martinis, watch the drug-fogged sexual activity, and scribble notes on what they

observed.

�It was supposed to look rich, but it was furnished like crap,� a narcotics agent

and frequent visitor to one of the elaborate brothels told John Marks, who authored, The

Search for the �Manchurian Candidate:� The CIA and Mind Control.

�An unsuspecting john would think he had bought a night of pleasure,� Marks penned,

but would �go back to a strange apartment, and wind up zonked.�

Employing various code words and the sterile terminology to be expected of the CIA, agents

recorded the encounters diligently � and although the bulk of those documents were

destroyed in a purge of information on MKULTRA and Midnight Climax, seven boxes escaped the

agency�s attention, surviving to provide insight into both those programs and the psychology

of the agency.

One example, quoted by LewRockwell.com, states plainly,

Knowing the prostitutes faced inherent risks in the operation and that the program could

be derailed easily � particularly as its illegal nature might raise eyebrows around

the agency and elsewhere � the CIA�s hired sex workers were not required to keep receipts

or otherwise account for spent funds.

As such untenable toeing of the lines tends to do, Midnight Climax quickly devolved into

an authoritarian operation, devoid of medical screening and care for its forced test subjects,

and ultimately expanding to multiple brothels � and myriad drugs.

In fact, one of the first brothels set up by the CIA in New York City saw the program�s

first tragedy � U.S. biological warfare specialist Frank Olson either leapt or was

pushed from a tenth-story window in 1953.

Sans sufficient scientific controls and medical pre-screening, a 1976 Senate Select Committee

on Intelligence Activities asserted,

Indeed, Midnight Climax failed � and miserably, shamefully so.

No employable tactics in LSD were discovered and no efficacious counter-intelligence operations

or methods were ever derived � but the program, and its parent MKULTRA certainly succeeded

in ruining the lives of many of the program�s unfortunate victims.

Considering the wholly egregious manifestation of Midnight Climax � its mendacious premise,

disgustingly manipulative facets, and the eagerness with which depraved operatives carried

out their tasks � it�s a wonder the CIA managed to concede it had dismissed scruples

to carry out these human experiments.

It must be noted that psychedelics, in themselves, are not necessarily harmful substances � it

was the surreptitious slipping of LSD to victims without their knowledge and without medical

screening or care which led to deleterious effects for an untold number of people which

caused direct harm by the CIA.

Programs like MKULTRA might have officially ended decades ago, but given the current climate

of heightened xenophobia, Red Scare-anoia, and ruthless and unforgiving domestic surveillance,

it would be imprudent � if not foolhardy � to grant the U.S. government a clean slate

of trust.

To wit � and to what should be the consternation of the American public and a remarkably inarguable

cause for citizen vigilance � White, who died in 1975, later recalled of

the odious attempts at mind control,

For more infomation >> Corporate Media Just Exposed CIA Using Prostitutes To Drug - politics - Duration: 7:29.

-------------------------------------------

Fidia. Big, sporty and luxurious - S1E6 - The Iso Rivolta Chronicles [ENG SUB] - Duration: 9:41.

Winston Goodfellow

Turns up one day, at Iso,

telling us he is the president of

the Iso Rivolta Bizzarini in the U.S.A.

"Ok" I say..

"You know, I'd like to write a book

about Iso Rivolta and Bizzarini"

And I say: "Fine, what do you need?"

We took him around for two weeks!

He interviewed Nuccio Bertone

and other people involved

involved in the Iso. The mechanics...

and then the book was due

in two three years, then four years...

If I am not wrong, it was eventually published 11 years later.

But it was a success.

My name is Axel Gottschalk.

I was born in Cologne, in Germany

and I came to Italy in 1975,

to work for a German firm, here in Milan.

I bought the Fidia

in 1995.

Being a car lover, in general,

too drive such a car

was the dream of my life.

Above all, for its powerful American engine,

the Chevrolet Corvette V8.

When I tried it, I tought: "Ok, this has to be mine".

I have driven the Iso several times at Monza,

giving it a try on the circuit. I used to go there every saturday and sunday.

I wore out brakes, tyres, and all the rest..

though I have never caused any damage.

They were rare stuff, then,

you couldn't find them so easily.

Also because nobody would look for them, to be honest.

Because it was a peculiar car,

but I liked it.

I liked the Fidia more than the GT300.

Even if some of my friends, who own the Isos,

say: "come on man, what are you saying?" etc.

But I fell in love with the Fidia,

especially when I drove it for the first time.

The Iso S4 was

presented in 1967.

It was intended as a competitor

to the Maserati Quattroporte.

Which meant a GT

with a high performance.

With an inside designed like

a comfortable living room.

This time Ghia was in charge of it,

and it designed a sedan

of enormous dimensions.

They started producing the S4 in 1968,

but it wasn't as successful as expected.

The car underwent some changes,

so, the S4 became the Fidia.

Despite this... let's call it a restyling.

Fidia's performance on the market

has never been so great.

You can never say,

like for mainstream car producers,

in which of the chassis

the change has occurred.

there are no aesthetic differences between S4 and Fidia.

I own an Iso Rivolta Fidia,

mounting a 300Hp engine.

The car has not

run many miles.

It was bought by the "Tutto Sport" magazine,

and used, as an agency car, until 1973.

The S4, for sure, was being assembled by Ghia,

with faults, according to Rivolta,

that made it necessary

to take the car home to be better assembled.

The Fidia was presented in '68, in Athens,

on the Acropolis,

most probably because of the association between the name of the car,

and that of the Parthenon's architect,

to try and boost the new model.

Ghia, at that time,

was going through a very troublesome period.

That's why Rivolta was suggested

to try to improve that model

instead of developing on a new one,

talk over all the problems, and building processes,

to produce a car that was up to the brand's standards.

Let's remind that Iso Rivolta concentrated

on craftsmanship

and quality in its cars.

By the way, building a Fidia

was as expensive as making a Rolls Royce Silver Shadow.

So, this gives you a clear idea

of what they wanted to put in the car.

The Iso is an artisan car,

practically handmade.

If you have a car

and something gets damaged,

and, indeed you want to buy

a spare part, a door, a hood,

and think there is one,

you are wrong.

Because a few millimeters can make a difference.

Meaning each car is unique.

And they made just a few of them.

A German friend and I,

had bought a second S4.

We said: "Fine,

let's sell this one to Adam, who was interested.

And then, with the money,

we restore the other,

which was also an S4 but had a more powerful engine.

Unfortunately, my German friend

is not doing very well, he has health problems

and he had to give up this project, and...

But, we'll see, sooner or later I'll get another one.

My S4 is before restoration.

I think there were only 47 S4 cars

and that's why it's really very rare.

I prefer the s4.

It's more from the Grifo.

So, the seats are very close to the Grifo seats.

The instruments are the same like in a Grifo,

so, I think it's a little bit more sporty for me.

This is really a sports car with four seats.

It's fantastic to drive.

There is a flow of lines

in this huge body

that usually gives you the impression of a cube.

On the contrary, there is movement inside the car.

Driving it was so incredibly light

I could not believe it.

I thought it was my emotion,

but it was just real, instead.

The car was so easy to drive,

also on normal routes.

It was aerodynamic, too...

Very agile and very elegant

in spite of its measures.

it is so dissimilar from a big, squared car.

It's a big car, but also has...

as you say... grace, it has grace.

its shape...

its design...

It's fluid! It's fluid...

For more infomation >> Fidia. Big, sporty and luxurious - S1E6 - The Iso Rivolta Chronicles [ENG SUB] - Duration: 9:41.

-------------------------------------------

Lizzy Goodman's Oral History of NYC's 21st Century Rock Scene - Duration: 4:11.

-The book is fantastic. -Thank you.

-It took you six years? -Yeah, give or take.

-Six years.

And you basically had to collect interviews from everybody

who was sort of essential to this 2001-2011 period.

-Yeah.

-And you -- One of the things you've said

as far as getting the idea for this book

is that it began where it ended. Can you explain that?

-Yeah. The sort of culmination of the book is these two shows

at Madison Square Garden in 2011.

The Strokes played, and LCD Soundsystem played

what was then considered their final show, so-called.

Very happy that they're back.

But I attended both of them and I sort of had this moment

at either right after or in the midst of being at those shows

where it was like, "Wait a second.

Like, these are bands that were my peers, so to speak."

Not that I knew them personally, necessarily, exactly,

but sort of a sense of these are my people

and they were our bands.

-Their youth sort of was was parallel with yours.

-Yeah, but they were like grown-up rock stars

on big stages, and that was something else.

-So, the Strokes sort of become one of the thrusts of the story,

and how they came about in a time

where there really wasn't much of what was considered

New York music as there had been in other eras.

Did you decide going into it

that the Strokes would be as important,

or did you kind of find your way to that during the interviews?

-I mean, it was really -- Like, I knew they were important.

But I kind of went in thinking,

"Let's see how this plays out in terms of what people tell me."

And it was this -- Every single artist I spoke to,

some of them grudgingly, some of them celebratorily --

which is not a word, but it's fine --

were like, "Okay, it all started with The Strokes."

Or they would be like, "It all started with The Strokes!"

Either way, there was this consensus

that The Strokes' success paved the way for everything

that you read about in the book that came after that.

And as you say, it paved the way for reinventing guitar music

in New York City, but also globally.

-And, you know, obviously the trick to the book like this

is unless you get almost everybody to participate,

it will feel sort of thin and empty.

So, where did you start to get --

Because, you know, you sort of have everybody.

You know, everybody from The Strokes,

everybody in the Yeah Yeah Yeahs.

You have LCD Soundsystem. You have all these people.

How did you convince them all to get involved?

-Yeah. I know, even hearing you say it would be thin and empty,

I still feel this sort of latent panic of like, "I know!

Please, God, don't let that happen."

I mean, I think it's just hubris, right?

Like, you sort of start saying, "I'm going to do this."

And that's crazy, but it's fine.

I'll just get them all to talk to me, and then you do.

I mean, I think in this case, it's like --

There's a behind-the-scene executive producer cast of

people who helped make introductions,

tell other managers that I wasn't a crazy person,

like sort of vouch for me to people.

Ryan Gentles, The Strokes' manager,

who's a big character in the book as well,

my friend Imran, who signed Vampire Weekend and was kind of

the English counterpart for that work.

Like, these were friends that I basically called every other day

going, "Please, can you just introduce me to them?"

-So even then, though, you get the interviews, how do you --

You've gotten such interesting stories.

-Thank you.

-Do you think people immediately opened up

or do you think it happened over time?

How did you get people to give their take

on things that happened?

-There's two kinds of --

There's loosely two kinds of character for this book.

It was, like, either people that really didn't want to do it

and I sort of boxed them in by saying, like,

"Hey, this is not like regular journalism.

It's an oral history. I just need a few quotes from you."

Like, "Tell me anything you want about New York City

between 2001 and 2011."

But then when they realized that other people are saying more,

perhaps, like, either their band mates or friends or whatever,

that kind of elicits more.

Or they're the people that are just your dream interviews.

And there were a lot of them, I have to say,

who just kind of sat down and were like, "All right. Game on.

You're doing a book about this era. What do you want to know?"

For more infomation >> Lizzy Goodman's Oral History of NYC's 21st Century Rock Scene - Duration: 4:11.

-------------------------------------------

10 Fattest NBA Players Ever - Duration: 5:01.

Yea, you would think that there's no way a NBA player can get fat.

It's said that during a practice or a game, the average player burns around 1000 calories.

But with fat contracts, comes fat dinners..

And probably fat breakfast burritos...

With that being said, we're back to our list of the 10 Fattest NBA Players Ever

Number 10: Jared Sullinger at 275 LBS Kicking off our fat boy list is Toronto Raptors

power forward and first round draft pick of the Celtics in 2012, Jared "I love Hamburgers"

Sullinger.

The Ohio native keeps it thick throughout the season, when a bizarre story was made

about Jared's hunger in Toronto/.

It was alleged, that Raptors star DeMar DeRozan threw a hamburger across the locker room in

anger.

Jared then went to pick it up and eat it..

Sullinger's fatty fuck emoji on twitter says it all.

Number 9: Sean May at 280 LBS As another Charlotte Bobcat draft flop, Sean

May was considered unfit to play from coach Larry Brown.

As May stuffed his face and rode the bench for most of the years in the NBA, this once

Most Outstanding Player in the NCAA tournament, is now retired from the NBA and free to eat

as many Big Macs he wants.

I'm Loving it (make it sound like a fat boy stuffed mouth)

Number 8: Glen Davis at 300 LBS In a funny interview interruption while Big

baby was on the Orlando Magics.

Big Baby asks rookie Andrew Nicholson if he brought him his Peanut Butter and Jelly Sandwich.

As the rookie looks surprised, Big Baby says he has to pay 100$ for not having his sandwich

ready for him.

Big baby then shows the camera his candy stash.

Fucking hilarious.

The only other fatass i know who has a candy stash, is fatass hd flat.

Number 7: Shawn Kemp at 300LBS Once known as one of the highest flying players

the NBA has ever seen..Shawn Kemp went from 'the Reign Man' to the "Pour Donuts

down my throat man"..

From his peak playing weight at 230 pounds, Kemp gained 70 LB's by 2001 by the time

he got to the Portland trailblazers..when color commentators like Bill Walton start

clowning your weight, you probably should lay off the co co puffs.

Number 6: Robert Traylor 320 LBS Known as the Tractor, this beast of a man

once broke the backboard while playing for Michigan wolverines..

Playing in the association for 7 years, Robert was drafted and traded for Dirk Nowitzki in

one of the more lopsided draft day trades.

Sadly for Robert Tractor Traylor, the 6 foot 8 gentle giant, was found dead in his apartment

in Puerto rico of an apparent heart attack at 34.

Rest in peace, too many chicken mcnuggets.

Number 5: Michael Sweetney at 348 LBS Coming in at the whopping weight of 3 Bills

and a half, this big man's metabolism is as slow as the DMV line.

In 2003, Sweetney, was drafted as a lottery pick at number 9 for the New York Knicks..

And the only thing the knicks got from him, was buckets....... of KFC.

In 09, he played for the Celtics summer league team, and lets just say he got dropped faster

than a plate of vegetables that hd-flat didn't want.

Number 4: Eddy Curry at 350 LBS As the 4th pick right out of high school for

the Chicago Bulls.

Eddy Curry ate himself out of the league for good in 2013.

Although Curry, did play for the Miami Heat's 2012 Championship team, but you probably don't

remember him on that squad, as he was at the end of the bench.. grubbing.. just kidding...

Number 3: Sim Bhullar at 359 LBS As an un-drafted player, Sim makes the list

by a chin hair.

As he played for the Sacramento Kings on a 10 day contract.

The 7 feet 5 inch player was always big, but this guy took big to the next extreme..

Sim Bhullar, now plays for the Dacin Tigers of the Taiwanese super basketball league.

His curry meals from home, are roughly the size of Steph Curry.

Number 2: Shaquille O'Neal at 360 LBS Sandwiched in the middle of two mediocre players

on this list, get it? sandwich?

Hall of famer Shaq, went from Superman to Super fat.

Snacking down on anything not bolted down, Shaq went from 290 pounds to 360 by the end

of his career.

And what upset Kobe and Phil Jackson the most, was when Shaq showed up to pre season looking

in shape.

As in the shape of an oval.

Number 1: Oliver Miller at 375 LBS Known as a pretty decent player during his

8 year career.. Oliver Miller's weight has always been an issue for the 6 foot 9 center.

As he ballooned to 380 big fat LB's by his 4th year in the league..Oliver made his debut

as a Harlem Globetrotter in 2001, but was released for showing no appreciation for what

it takes mentally and physically to be a Harlem Globetrotter, end quote.

Oliver Miller is now the mascot for the Houston Rockets. just playin'..

And there you have it, our list of the 10 Fattest NBA Players Ever.

Did we miss any other jelly donut finger having ass players?

If so, mention them in the comment section below, and as always/don't forget to like,

share, and subscribe.

For more infomation >> 10 Fattest NBA Players Ever - Duration: 5:01.

-------------------------------------------

🎮 Fun Baby Care - Kids Games Back To School, Learn Colors Dress Up Feed Bath | Games For Kids - Duration: 12:46.

Fun Baby Care - Kids Games Back To School, Learn Colors Dress Up Feed Bath | Games For Kids.

For more infomation >> 🎮 Fun Baby Care - Kids Games Back To School, Learn Colors Dress Up Feed Bath | Games For Kids - Duration: 12:46.

-------------------------------------------

Baby Xin Đừng Quay Gót - Bao Thy | Prod by Hoaprox x Phuc Thien - Duration: 4:24.

For more infomation >> Baby Xin Đừng Quay Gót - Bao Thy | Prod by Hoaprox x Phuc Thien - Duration: 4:24.

-------------------------------------------

Jim O'Heir Made Out with Aubrey Plaza and Got Kissing Advice from Rob Lowe - Duration: 5:41.

-The last time you were here, we had the entire cast

of "Parks and Rec." -We did.

-And it was the night the final episode aired.

And Chris Pratt was singing a fantastic song from that show,

"Bye-bye, L'il Sebastian." -Yes.

-And everybody was singing along.

And you and Aubrey Plaza -- if you'd notice,

you guys are just fully making out.

[ Cheers and applause ]

Now, how -- How did that come to pass?

-Well, I like to call that the night

that Aubrey became a real woman. -Yeah, there you go.

-Number one. -I'm sure she does, as well.

-I'm sure she does.

Aubrey is a genius. She's very funny.

So you had us all -- first of all, thank you.

You had us all for the whole hour.

-It was lovely. -What a treat.

So, we're all lined up. Aubrey is between --

Adam Scott is between us, and she leans over.

All we knew that we were doing that whole show was,

at the end, we were going to sing "Bye-bye, L'il Sebastian."

-Yeah. -So, Aubrey leans over,

and she goes, "You want to make out during the song?"

[ Laughter ] -Whoa!

-Yeah. -Yeah.

[ Laughter ]

-Why not? -Why not?

-Why wouldn't I?

So, then I was getting a little nervous.

But, you know, I learned something from Rob Lowe,

who has made out with everybody. -Yeah.

-You know, literally, probably most of the people out here.

-Made a career of it. -He's made a career.

Read his book. He has made out with everybody.

So, he had said to me -- 'cause I don't get those roles.

I am the character actor who I don't get the girl.

That never happens. So, he said,

when you go in for the kiss,

if you notice her mouth opens a little,

then can you reciprocate.

If she's giving you pressure, you can give pressure back.

And then, if the tongue comes in,

let's hit it. -Got it.

[ Laughter and applause ]

-I got to tell you, Aubrey had that tongue in my mouth,

and, boom, we hit it. -And it was great,

because a lot of people -- a lot of people didn't notice.

Except Aziz and Retta fully are enjoying.

They are the ones... [ Laughter ]

-Yeah, poor Pratt is out here playing "Bye-bye."

He doesn't have a clue

what's happening. -No.

-Retta is about to lose her [Bleep].

-It is true that, the next day, TMZ came to your house?

-TMZ -- you know, they find out where you are.

They don't normally give a crap about me.

But they were like, "So, dude,

what's going on with you and Aubrey?

Is it true what they're saying?" Yes!

Yes, Aubrey is dumping her fiancé for this.

Yes. [ Laughter ]

Aubrey is so smart.

It wouldn't have been funny to make out with Pratt.

It wouldn't have been funny to make out with Adam.

Who cares? Get the old, fat guy.

That's funny. -Jackpot.

-Jackpot. -So, congrats on the film.

-Thank you. -Your character, Lenny,

maybe a little bit like Jerry.

a guy who the world is maybe conspiring against a little bit.

Tell us about the film. -He's an innocent.

He's a very sweet guy.

And the film begins very much like a Jerry.

He's -- His mother has died.

He's dreamt of being a stand-up comic.

He has absolutely no comic abilities whatever.

He was raised on old, you know,

Charlie McCarthy and Edgar Bergen,

and Stiller & Meara and Abbott & Costello.

This is what he thought comedy was and still is.

So, the mother dies. He goes out on the road.

And he makes one terrible, terrible decision

and picks up a hitchhiker, played by Andy West,

who was in that clip.

And it just changed -- his whole world changes.

He ends up -- His stand-up is so terrible,

but as terrible things start happening around him

that he's involved in, he just tells what's happening.

And the more he tells, the funnier he becomes.

So he's literally -- It's a bloodbath at some points.

But the audience thinks

that this is, like, avant garde kind of comedy,

and they're loving it. So it also becomes,

"What is the price you will pay for fame?"

-There you go. -And I'll pay high.

-You'll pay high. [ Laughter ]

-I'll pay high, yeah.

-You -- This is some of your early comedy.

You mentioned some people -- Edgar Bergen, people like that.

You did some puppet work early in your career.

-Yes, I did.

-So here's -- Tell us about this show,

because these are two very distressing puppets.

[ Laughter ] -Yes.

That is a show called "stumpy's gang,"

written by Patrick Cannon. And I will tell you this.

It is the show that I -- the reason

I feel I'm sitting here today is because of this show.

We did it in Chicago.

It became, like, this kind of cult crazy thing.

These puppets spewed blood. I was covered in blood.

There seems to be a trend, now that I think about it.

-Yeah, yeah. [ Laughter ]

-And so we brought it to L.A., and it was just crazy enough

that it got me the attention to get agents and managers and --

So I really -- I give "Stumpy's" all the credit.

Where "Middle Man" is different, it's -- this was written

by one of my comedy friends from Chicago.

"Middle Man" was also written

by one of my comedy friends from Chicago, Ned Crowley,

who directed it and wrote it

and made a very small film look very big,

along with the greatest D.P., Dick Buckley,

who, without them, it wouldn't have happened.

-That's fantastic.

How was this show reviewed back in the day in Chicago?

-Oh, it was really nice. One of the reviews said --

'cause you remember certain things when it stabs you.

-Yeah. -One of them said --

and this is a quote, "Jim O'Heir, though

seems like a nice enough fellow,

should be embarrassed to do what he's doing

in the privacy of his own home, let alone on the stage."

-[ Laughing ] [ Audience groans ]

That is a true quote.

And you know, people are always like, you know,

"Have you been --" you know, I have never done stand-up,

so I don't really get heckled, but reviews are heckles.

-Oh, sure. -You know?

'Cause in every review I've ever been in --

I'm a big guy, I get it -- I am, you know --

but even if they're complimenting me.

"the talentedly ursine Jim O'Heir."

You know what I mean? Which means "fat."

It's another word for "fat."

So, like, they always had to put body type.

-Well, it's funny, the difference was a --

you can always write off a heckle

as saying, "Well, they had too much to drink."

But you know reviewers really sat down and thought about it.

-Oh, they thought. And it's out there forever.

-Yeah, really. -The hecklers come and go.

You move on. My stuff is out there forever.

-Well, fortunately, in this film,

things happen to hecklers

that I think a lot of comedians would enjoy.

For more infomation >> Jim O'Heir Made Out with Aubrey Plaza and Got Kissing Advice from Rob Lowe - Duration: 5:41.

-------------------------------------------

Metal Dawn Gameplay Runthrough - Duration: 31:25.

For more infomation >> Metal Dawn Gameplay Runthrough - Duration: 31:25.

-------------------------------------------

Blackheart Bar Scene | Ghost Rider (2007) | Movie Clip 4K - Duration: 4:34.

There you go.

Took you long enough.

I think you might be lost, boy.

You deaf or something?

Angels only in there.

Angels. Really?

Yeah, really. You got a problem with that?

As a matter of fact...

...I do.

I knew you were here. I could smell your fear.

Hello, Gressil.

Why are you here?

Wallow.

And what do you want from us?

I've come for the contract of San Venganza.

Legend has it that the contract was stolen and hidden...

...in a graveyard not far from here.

And now you're gonna help me find it.

Abigor.

And when we find it, then what?

Then we'll take this world...

...one city...

...at a time.

Blackheart!

- What the hell are you doing here? - It's my time now, old man.

Your time will come. But not now.

We both know you can't harm me here.

I'm not like you. I've never fallen. I never will.

I may not have power over you in this world, but my rider does.

The Ghost Rider?

Your favorite creation?

The power of hellfire wasted on a pathetic human?

If you had trusted me...

...if you had given me what was rightfully mine--

It's all mine. Until the end of days.

Go ahead.

Send the rider.

I'll bury him.

And then I'll bury you.

Father.

For more infomation >> Blackheart Bar Scene | Ghost Rider (2007) | Movie Clip 4K - Duration: 4:34.

-------------------------------------------

Sergey Saveliev - Fundamentals of human communication on the example of instinctive behavior - Duration: 1:02:38.

For more infomation >> Sergey Saveliev - Fundamentals of human communication on the example of instinctive behavior - Duration: 1:02:38.

-------------------------------------------

Ghost Rider vs Blackheart Final Fight (Part 1) | Ghost Rider (2007) | Movie Clip 4K - Duration: 4:23.

Stop.

You change, she dies.

Do it, Johnny.

Let her go first.

Looks like you're out of time.

"This is the contract of San Venganza.

All of you...

...come to me!"

Johnny!

My name is Legion...

...for we are...

...many.

Let's go. He got what he wanted.

You go. I gotta get him to the shadows. I gotta end this.

Why? Why you?

It's been me since the day I made the deal.

I'm the only one who can walk in both worlds.

I'm Ghost Rider.

Run!

Come on, you son of a bitch.

For more infomation >> Ghost Rider vs Blackheart Final Fight (Part 1) | Ghost Rider (2007) | Movie Clip 4K - Duration: 4:23.

-------------------------------------------

Ghost Rider vs Blackheart Final Fight (Part 2) | Ghost Rider (2007) | Movie Clip 4K - Duration: 3:40.

All of your world...

...all of your souls...

...will be mine now.

- Throw me the gun! - It's out!

Throw it!

How does it feel to have all that evil inside of you?

All their power.

All their souls.

A thousand souls to burn.

Look into my eyes.

Your souls are stained by the blood of the innocent.

No.

Feel their pain.

--Father, the Son and the Holy Spirit.

Kill you!

Stop it!

Oh, God!

Monster.

I'm not afraid.

For more infomation >> Ghost Rider vs Blackheart Final Fight (Part 2) | Ghost Rider (2007) | Movie Clip 4K - Duration: 3:40.

-------------------------------------------

[Poor travel澳門] 氹仔上將軍！賣相勁得！一人火鍋！$78蚊雙重芝士雞鍋！$68蚊北海道牛奶鍋！Macau Travel 2017 - Duration: 4:47.

For more infomation >> [Poor travel澳門] 氹仔上將軍！賣相勁得！一人火鍋！$78蚊雙重芝士雞鍋！$68蚊北海道牛奶鍋！Macau Travel 2017 - Duration: 4:47.

-------------------------------------------

Slime 7 Ways! MUST TRY !!!, REAL!! No Glue Slime Recipes, No Glue, No Borax, No Cornstarch - Duration: 30:39.

For more infomation >> Slime 7 Ways! MUST TRY !!!, REAL!! No Glue Slime Recipes, No Glue, No Borax, No Cornstarch - Duration: 30:39.

-------------------------------------------

Johnny Blaze First Transformation | Ghost Rider (2007) | Movie Clip 4K - Duration: 4:15.

Looking for someone?

Back to hell.

We're not gonna have a meaningful conversation now, are we?

You're going down.

I don't think so.

He ain't so tough.

Hey. Dirtbag.

Have mercy.

Sorry. All out of mercy.

Help me!

For more infomation >> Johnny Blaze First Transformation | Ghost Rider (2007) | Movie Clip 4K - Duration: 4:15.

-------------------------------------------

Annuncio 2018 GamePlay #2 Dragon Ball FighterZ XB1/PS4/PC (ITA) 1080pHD (4) - Duration: 1:04.

For more infomation >> Annuncio 2018 GamePlay #2 Dragon Ball FighterZ XB1/PS4/PC (ITA) 1080pHD (4) - Duration: 1:04.

-------------------------------------------

Ghost Rider vs Blackheart (Apartment Fight) | Ghost Rider (2007) | Movie Clip 4K - Duration: 2:29.

Where's Roxanne?

Dude. Where've you been? Everybody's out looking--

- Where is she? - She's out looking for you.

Jesus.

Not even close.

You have his heart.

Now I'm gonna break it.

Roxanne?

Mack.

Roxanne.

Look into my eyes.

Your Penance Stare doesn't work on me.

I have no soul to burn.

I guess the Caretaker forgot to mention that, huh?

Surprise!

He sent you to bring me back.

I'm not going back.

I like it here.

He thinks you're better than me?

I don't know who's more pathetic, you or him.

Now, listen to me. And try to get it through that thick skull of yours.

You don't work for my father anymore. You work for me.

Get the contract from the Caretaker.

Bring it to me in San Venganza and maybe I'll spare your girl's life.

And, Johnny...

...don't make me wait.

For more infomation >> Ghost Rider vs Blackheart (Apartment Fight) | Ghost Rider (2007) | Movie Clip 4K - Duration: 2:29.

-------------------------------------------

5 Powerful Grounding Techniques to Balance Your Root Chakra - Duration: 4:04.

5 Powerful Grounding Techniques to Balance Your Root Chakra

BY GOSTICA

Humans have been bestowed with seven centers of energy known as chakras.

One of the most important chakras that we must keep balanced is our root chakra.

This center of energy is located at the base of our spines and are responsible for providing

us with a stable foundation in which we feel a sense of trust and or security.

This chakra is also our connection to the earth itself, allowing us to be one with our

surroundings.

Here are five grounding techniques as to how you can realign your root chakra.

Admit To Asking For Help

By this I mean if you have a certain faith, god, spirit, or angel that you go to for guidance,

ask that same spirit for help with realigning yourself.

Admitting to yourself that you need assistance from another source of guidance is key to

receiving the aid you require.

When you feel despair or detached from the earth, call upon your energy of love to help

realign your root chakra.

Acquire Gemstones

crystals2Certain colored gemstones are perfect for realigning your root chakra.

Colors such as black, brown, or red are what you should look for when communing with gemstones.

Find red jasper, smoky quartz, black obsidian, or black tourmaline gemstones to aid you in

your times of despair and detachment.

Eat Organic Food

Organic food is one of the best ways to refocus yourself into being one with the earth around

you.

Certain root foods such as beats, radishes, onions, ginger, garlic, and potatoes are all

really good foods to help yourself re- balance your root chakra.

Feel The Earth Around YouLonely-girl-sun-rise-natural-hd-wallpaper

Just by going outside and walking around barefoot in the grass or wherever can send a feeling

of warmth and safety from the world around you.

Our root chakra is one of the many ways we can communicate with the earth, so allow yourself

to feel all that you can in the grass, trees, wind, and everything else.

Meditation For Your Root Chakra

compassion-meditationMeditating to re-balance your root chakra is a very mentally reinvigorating

process.

Since the color of the root chakra is red, imagine this focal point of yourself as the

same color.

Even by chanting �Lam� (�LUM� for pronunciation) is said to be a cleansing mantra

that has a vibration frequency that helps balance your root chakra.

Good luck in your journey and keep your root chakra aligned

with

the earth!

For more infomation >> 5 Powerful Grounding Techniques to Balance Your Root Chakra - Duration: 4:04.

-------------------------------------------

Macross Delta / Hametsu No Junjou (Nika Lenina Russian Version) - Duration: 4:40.

For more infomation >> Macross Delta / Hametsu No Junjou (Nika Lenina Russian Version) - Duration: 4:40.

-------------------------------------------

Lizzy Goodman Lived the 2000s NY Rock Scene to the Fullest - Duration: 4:25.

-The really lovely thing is, these bands were so cool.

And sometimes you think that cool people

are maybe not going to be kind or warm people.

There's so much warmth from all these people, I feel,

not just the way they feel about their fellow band mates

but the way they feel about the audience,

the way they feel about the city.

Because again, you know, 9/11 is sort of a big moment

in this book, as well,

that this music sort of started right after that.

We both lived here for this entire period.

-Yes. -I don't know --

I had both felt nostalgic for the music,

and I felt like I completely missed out

on being here for 10 years.

Other than the fact that some of these bands

would come through "SNL" and I would get to meet them there,

like, I did not --

I felt like I missed my opportunity

to take advantage of the scene.

Do you look back on those 10 years and say,

"Oh, I really took advantage of being part of this world"?

-A little bit, yeah. -Yeah.

-I mean, there's -- it's --

Yeah, it's sort of like you have the hangovers to prove it.

[ Laughter ]

I think, I -- I --

Yeah.

And I'm sort of surprised no one has asked me that.

I think that it -- I think you --

I did feel like I actually lived it

to the extent that I wanted to.

I mean, I think that's an important distinction.

Like, you'll hear --

One of the themes in the book

is this moment in certain characters' lives

where it's like, "I had to kind of back off at this stage."

Like, I definitely had that moment, too.

-And I should note that there's, you know, warmth and kindness

and all those things I said.

There's also great stories

about people taking way too many drugs.

-Yes. And being mean to each other.

-Yeah, it's not just --

-But it's -- Now, they're all very loving.

-Well, that is the reflective --

And it's sort of true, because this is not, um...

This isn't a hundred years ago.

Did you think you were taking on

something that was too recent history?

-I didn't, but a lot of other people did.

-Yeah.

-That was a big concern

when we were shopping the book at the beginning.

Obviously, when I was trying to sell it,

it was, like, right --

These shows -- I don't know.

I was selling it in 2012. -Yeah.

-And everyone was like, "What?

Is this a magazine feature?"

I mean, there was sort of a sense of "It's too soon."

But I think --

Basically, I think, in a post-Internet world,

it's almost never too soon. -Yeah.

Also, if you're gonna talk to people who partied super hard,

it's best to get them while their memories are locked in.

-Yeah. No, for real.

And the number-one comment, in addition to, like,

"Yeah, okay, The Strokes started it all,"

was, "I don't remember anything,

so there's no point in you talking to me."

And it's like, "I'll be the judge of that."

But I did --

And in some cases, people really --

But that's also what's fun about oral histories.

It's like, "Then, great -- We'll have disagreement."

'Cause the truth is, nobody -- It's "Rashomon," right?

Like, nobody remembers anything ever.

-My favorite moment in the book is two members of Kings of Leon

remember the same thing that someone said

to a member of Interpol,

but there's slightly different versions of it.

-Yes. That's a good thing.

-Like, in one, they call somebody

a vampire-looking mother[bleep] -Yes.

-And then, another guy remembers it as, like,

a mortician-looking mother[bleep]

-Important distinction.

-Yeah, it's a very important distinction,

but you're kind of like, "Oh, that is a really nice

version of how you can reme--

They're both kind of right, but it's nice that --

-And the collective memory

is so much richer than any individual --

You know what I mean?

-And this -- I mean, again, you know,

not just getting the interviews,

but it must have been so exciting,

that puzzle piece of --

which you do so wonderfully in the book --

is someone will say, "I really think

if you talk to this person,

they would say that we are super cool now,

and despite our difference in the past, you know,

that we did great work."

And then you hear --

The next person you have is that guy being like,

"I hate him. I still hate him.

I'm always gonna hate him."

-Yes. "Why'd you talk to him?"

-"Why you would ever talk to him?"

-"He shouldn't be in this book, and let me tell you why,"

and here's 20 quotes from that.

Yeah, there was a lot of -- I mean, that is really --

The puzzle of it --

Like, once you get going --

The beginning is really hard

'cause you just don't have anything to work with,

so it sort of feels like

you have to cast this super-wide net with your interviews,

But you also have to start to try to hone in on

specific scenes that you're gonna ask other people about.

Like days, not scenes, like rock scenes.

Like, moments in time that you'll help hang these --

build anecdotes around to make the book work.

But after it starts to get moving,

that part is really fun.

because, yeah, you're sort of sitting there, going,

"That's not what he said." -Yeah.

-"But, anyway, tell me more."

-[ Laughs ]

Well, it's really wonderful.

-Thank you.

-And again, it was a time that was really important to me,

and it was so wonderful to have somebody

who was important to put this much effort into it.

It's a wonderful book. I highly recommend it.

Thanks so much for being here, Lizzy.

-Thank you so much for having me.

-Lizzy Goodman, everybody!