One, two three, four...
- It's cool to alternate the chords! - Sorry?
It's cool to alternate the chords, too.
Yes. Come here to sing a bit, Fabito.
Everybody has to listen.
Wow, wow, wow...
- This is it. But the second... - The last chord didn't work well.
Not like this, but it works with the note.
Very good!
- Is that it? - That is it!
This is it.
This is it, what?
I think it worked better.
Yes, the tone is good.
We have the chorus, huh?
We have a chorus.
What's up there?
Sorry?
We are working for the pre recordings.
I'm taking care of this kid, man.
Are you okay?
- How do you do it? - I'll lose my job. Do it.
He's doing good.
How do you do the 5 and 4?
Can you do it this way?
Gosh!
Surprised?
I got it. Bruno, you're fired!
- Fabio? - You are fired.
Can you sing and play at once?
No, no.
Phil Collins.
I have to practice.
I can sing and play.
And then?
Show it. Let's see.
But I only sing to myself.
No. It's not this way, but it could be.
For now any weld has been lost. But, maybe some of them must be fragile.
The thing is that I can't see. I have to touch this and see what happens.
- That's fucking good. It fits the vibes. - Yes!
It really fits.
- It is in E, right? - Yes it is E.
I was thinking about the vibes, the sounds. I thought like that when I was playing:
- A part with acoustic guitar. - Yes.
Very...
- It's not equal. - No it's not. The vibe reminds, but no...
- The good aspect of it, got it? - Yes, yes, yes.
It reminds the good aspect.
- Reminds is minds again, yes? - Yes.
I hope you remind. If you mind just once it's...
- Fabio is thinking about the melodies. - Fabio, what did you think about it?
- Your face was indifferent. - I like it.
It's unique.
Unique.
- There's the main part. - How is that?
This must be cool.
I'm trying to get some energies from the kitchen to let it more visceral.
We have to review all the harmonies, let the same vibe, structures,
- then we change the details. - Fixing.
- There's no sense at all. - Yes.
And it's mentally tiring. You know, to organize.
Yes, man... music is hard.
I am trying to think about the song and...
I am trying to take some juice from it.
What kind of juice it will be.
It's kind of cliché, yes?
There are many clichés. There are moments we can do it better.
My suggestion is to record it all. I can record here or with the camera,
when we are relaxed, we watch it.
Then, the solutions come.
It's better now. It's much better.
Fabio... did you think about it?
It's complicated.
If I understand the verse, bridge and chorus, then it's ok.
There are two parts here. This is one.
Oh, my boy.
That's the game, huh?
Excited I do it.
Excited it worked.
The camera is recording. When it's red it's recording. Right?
Yes, it's recording.
- This one you created. - No, there was something on this part.
You would do it like...
- Like this? - I'm not sure, but something like that.
What a dirty man... there was some fucking thing this part.
Gosh! Take that!
There's something here.
There is something heavy here.
Put it on that chair. I wanna do something here.
I wanna do something heavy. A heavy improvise.
Not just like...
I wanna do something interesting.
- Let's record. - No. It's gonna be very...
- This will not happen. - Let's record.
Calm down, Everton... just a sec.
Calm down, Vertão.
Hold on for a while, brother.
Talking about recordings. Somebody is giving up to record the ideas.
Yes. Rafa is there in the living room.
Traveling. We said "Come here, Rafa. Let's do it".
"Rafa, come on". But, this is it.
This ambience is inspiring.
Not only because we are in a beutiful place, a good place, a comfortable house
with all we need not to worry about day-by-day things, but also because
we are here isolated. Almost not checking the cellphone. Trying to not distract
so we can be concentrated and let our attentions only on what we are doing.
It's interesting. This is it.
- There's nothing else to say. - Add something, say.
Ok. I'll add something.
This is it because... To be isolated from the outside world,
brings all of it for us.
What a shit.
This one you put that black and white filter.
- Have you taken the wine for you? - I took this one here.
I'm fine, I'm fine.
- There's more here. - It's finishing.
And this one?
This one is special for dad.
Do you know this one?
Yes, yes!
This one, right? Brazilian!
- It's important. Brazilian culture. - You know nothing about Brazilian culture?
It's good. Good.
Whose song is this?
I don't know.
- This song is beautiful. - Fabio is heart touched, look.
Fabio cried, man.
Not cried!
The band was good.
Good!
Myth.
Myth.
That's the following, guys.
One, two, three, four, five, six, seven, eight, nice, ten, eleven, twelve.
These two here can be X and Y.
We have something good. If we have, we can have a ballad, a prog...
- One more speed. - One more speed. Whatever.
This song is lost in limbo.
Yes. Since the other time.
Some ideas are flowing. The styles, and where they are.
They were on Felipe's phone. Now we are producing them. Right?
There are some ideas that we have to put there.
Just like... this one I did it small.
Barbosa's ballad.
What we can do tomorrow... because on my computer I have that folder
with the ideas. It's very important to do this now:
What are the Speed Metal? We'll have a folder for these ones.
- Cool. Let's organize it by the morning. - A folder Mid Term, another for ballads.
Ethnic ideas. Got it? Because I don't have this notion yet.
We have 50 ideas. What is more prog... got it?
D'you remember the other time we had some spreadsheet?
- Ethnic. - We saved all our ideas.
- We put a color code. Like, blue is Speed. - Yes.
Red is ballad and so on and on. Then, we put "intro ok", "verse ok"...
- Yes. - "bridge ok", "chorus ok" for each one.
- The parts. I remember. Yes I do. - Yes.
- If there's a solo, instrumental... - Yes, I did it this way.
- We could do like that. - Okay.
- Actually... - I have this on my folder.
- So, we can take it back... - I can take it and write the new songs.
This is one that I did on...
But you did it. You recorded the guitars.
The song we recorded in São Paulo, in the studio?
Also this one.
- The one we did it in São Paulo is... - It's happy.
It's not here on this list.
- But, let's not forget it. - Tomorrow we organize it, then.
I have to know what we have. I'm lost. Because we need to give some preference.
We have about 50 ideas.
We to say "Ok, this one is for the next".
- It's cool, but... I have many cool ideas. - No.
But I think "That's gonna be hard to explain the new ideas, to start new ones".
It's not exactly these chords, but bass does it. There's something that needs...
This song is very beautiful, man.
If we spend some time on it... That's gonna rock.
There's a riff, there's acoustic guitar, there's verse, bridge and chorus...
- If we put a solo... - Yes.
- ... on the groove in the begining. - Okay.
- It's enough to include it in our demo project. - Yes, yes.
Because there's an easy solution and it's easy to finish it.
Oh. That's bad.
Ah... this is the one we did on the studio.
What a modern band, this one.
What audacity!
What an audacious Axé band.
It's like...
Subtitles by: TIAGO ANDERSON
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