Thứ Ba, 6 tháng 6, 2017

Waching daily Jun 6 2017

Hi everyone ! I'm Darya Space and today I'm finally doing a review of my spring sketchbook

The weather is nice so I decided to record on my balcony, so you'll probably hear noises from outside, but the lighting is pretty good though :)

As usual, first I'll talk a little about the sketchbook itself and then show you what's inside

This one as well as many others of mine is handmade, it has 40 pages, paper for pastels as a cover

Here I used Canson paper and stitch it together instead of using a stapler

This time middle pages didn't fall out, so from now on I will use stitch binding method for my future sketchbooks

As for the cover, there're 3 of my own stickers ( the bird, stylish lady and Steve with Bucky), some stickers from Etsy and 2 random pictures from the web

Let's start! As you can see, I filled the first page on February 20th

Honestly, I might finish it in 1 - 1,5 month, if I didn't participate in a convention

I filled like half of it in 2-3 weeks and then had to work on my merch and first zine for the whole March and April

Maybe someday I'll be able to finish a sketchbook in a month or so, but not now :)

Here as well as in my latest sketchbook, I wrote some things to draw in case I have free time but don't have any ideas

And I didn't use it at all actually, there are some homo sketches, but other than that nothing from this list

This guy is my part of an art trade ( there will be a lot of trade sketches here, so be ready to get bored )

In this sketchbook I tried to use my fine-liner pens more often and it actually worked pretty well

I've also used Pinterest for reference photos pretty often, it's a great resource to look for ideas and get some inspiration

Some veggies just for fun and a sticker with a story

It should have been a bonus sticker for those who watched my streams and ordered a Stucky sticker set and said a secret word

But none of them bought this set, so I just stuck it in my sketchbook

Here I tried to create my own outfits without any references and it looks nice, I think

I've also used tempera paint here and surprisingly it works pretty well with this paper

And a toilet, yes, one day I realized that I've never drawn a toilet, so I drew one :)

I really like this outfit with these belts and the skirt looks nice

Here I tried to use ink and nib pen for the lineart , it works on this paper, but I like fine-liner pens much more

I also have a huge problem with composition , I always draw fullbody sketches either too high or too low

I don't know what "in the middle" means, it doesn't exist for me :)

Here I tried to draw roller derby girls, it's such a shame that we don't have many places here in Kazan where people can roller skate

Roller derby was in my mind since I watched Whip it with Ellen Page for the first time, it's so cool that this is a female game, all girls look so strong, brave and passionate

Here ,of course, I used reference photos from Pinterest and I'm happy that they don't look like stick figures, there's still a feel of motion

On the top of the right page there's a list of actions that people can do, I asked my followers to write what they do during the day so I could draw something when I have time

But it actually turned into a theme for my first zine called Activity, I drew 15 illustration with people doing something like running, talking on the phone, knitting and so on

Here I turned on my inner fashion designer once again

And all these outfits are pretty nice, I really like the top left sketch with this couple

I think it has a story and the guy looks emotional, i don't know , I just like it a lot :)

Fun story about this colorful lady. At first I drew her with colored pencils like other ones, but I didn't like her face

So I covered it with paint and tried to draw it again , it didn't work, so I painted over once again and decided to color her whole body and this is how she looks now

I adore ice skating, so drawing these ladies was super fun

I even posted this page on my Instagram

Here I also tried to design outfits. I like clothes, but not the technique, I think I should have used only colored pencils or only nib pen, because all together it looks like a mess

But on the other hand mess is totally appropriate for sketchbooks , so that's fine :)

Here I used Pinterest once again, same problems with the technique, but they look better

Sometimes I draw things just to fill up pages with no particular reason

These two pages are my part of the art trade, most of the time when I do a sketch trade, I get simple halfbody sketches in return

So I drew one sketch with a couple on the right page , but ... I got a super awesome full colored art in return

So I felt ashamed and decided to draw more stuff for her

With this girl and one on the bottom I tried to use ink again, but , as before, it looks too messy for me

And sometimes I just use sticker in random places, that are too small to draw something

It's time to say NO HOMO :)

There will be some more sketches with blind people ( pewds reference ) , so be ready

I tried to hard with this sketch, as you can see, I don't draw thumbnails or something super quick

I always finish my sketches and they look clean and nice , so I just couldn't leave this one as it is

I drew Lukas in a minute or two and spend like 20 minutes on Phillip, which is super weird, because I always struggle with Lukas more

( for those, who don't know, these are character from the TV show Eyewitness )

These guys are super hot and it was such a shame that the whole season wasn't as good as the first episode :(

Here I tried to learn anatomy, but to be honest, this won't work if you don't have a bunch of sketchbooks for anatomy only and sketch in them like every day

I think that only that way you'll remember all these forms and be able to draw something from your mind that is anatomically correct

More gay people ( Dante and Vergil from DmC ) and a gift page for one girl, who has awesome characters

From this point I even started to write dates when I draw something in here :) At this period I didn't have free time to sketch

so the difference between these pages and next ones might be 2-3 weeks

Here I used Pinterest once again

Some stylish girls and one that probably has a stomach ache

And a sketch commission, I needed money to print stuff for the convention, so I openned waist up commissions

I'm always open for commissions, but this time I just reminded people about it more often :)

And 4 or 5 people actually ordered something , so big thanks to them

Girl with a bicycle from Pinterest, random guy and girl with a hat, she's placed too low as always

And another commission

Commissioned trio and asian guys that don't look like asian at all

From the trio I like the right one the most, even if I didn't come up with a pose by myself

For others I tried to pick a pose by my own and they look nice, I think

2 weeks after :) Don't have much to say about the left page , only that this pure girl lost her feet because I don't know how to place sketches in the middle of the page

As for the right, the bottom girl took me a whole movie to draw (I like to draw while watching movies, so I don't waste time)

It's probably because I paused the movie a lot , so I could make myself some tea, check my mail and so on

This girl is for another sketch trade with my friend that I met at the convention, he was my table neighbor

Later I drew her again for his birthday

I drew these ladies at my first day in Moscow (where the con took place), I was so stressed out, so I thought that drawing might be a good way to relax a little

Here I used watercolor and it worked well to my surprise

Here I tried to draw Alice (I might draw a series with her awesome dresses, I like the style of the second game too much)

And it was a week after I filled the previous page, such long breaks

Here I was sitting in the mall with my friend, she's also an artist ( on the right I asked her to draw a mermaid in armor )

It's so cool to have someone to walk or watch a movie with (Lonely, I'm Mr. Lonely, I have nobody for my own ...)

And this fish sticker is a gift from my follower, she just send me a letter with a bunch of stickers and they all are so cool

Once again, a week or two later :)

Here I was watching the second season of Versailles

It's an amazing show, if you like history, France, fashion and gay drama, it's definitely for you :)

Here I also used watercolor, it doesn't lay flat, it's much more patchy then on watercolor paper

But since I don't have any markers, it works fine for me

Someone watched Alien : Covenant 3 times , yeeeeah

I still can't get myself together and draw David (or Walter, or David x Walter) more, because when characters are regular people I always want my drawings of them to look similar to actors

The same thing happened with Shameless, Supernatural, Eyewitness and a lot of other shows/movies

I drew this sketch on the second try, which is not so bad, so I really don't know why I worry so much

And I'm so proud of this sketch, I showed it on my stream and even showed to my mom right after it was done

I actually saw Alien for the first time with her on May 19th , it was her 50th birthday

So I just ran to her to show the sketch :) Good job, Darya, you get a star

Here I drew dancing people a lot, because it's pretty damn fun

*very important information* I was watching a video about Steven Universe while filling the right page and videos about Cystic Fibrosis while filling the left side

Here I was so tired of this sketchbook, that I took about 7 sketch art trades and just drew what people asked

On the right there should have been Neighthan only, but I love Invisi Billy too much, so I drew them together

( these are character from Monster High )

More trades, on the side I just didn't know what to draw, so I used my old sticker to cover the blank space

More dancing people :)

Another dancing guy and Lagoona and Spectra from Monster High

I got these cat stickers as a gift from the seller, but I don't like cats that much, so I just used them here

And last two pages . Invisi Billy and Porter Geiss from Monster High and more art trades

As I said, I like to watch something while drawing, so I was watching rant videos about Transformers movies while filling the right page

and the movie Raw while drawing these blind people

it's a french movie about ... a girl who's a vegan at first but during her first week at veterinary school she becomes a cannibal of sorts

I saw the trailer in winter, I think, and was super pumped for the movie, but after watching the whole thing I'm not sure if I like it or not

I'm proud that this cat looks normal, because usually all cats that I draw look high (if this is the word)

This is a sketch from my follower from Moscow, I just wrote a note asking if someone wants to meet me and 3 people came, I drew some things for them and showed my zine

And that's it. As usual, you can buy this sketchbook in my Gumroad store, the link will be in the description

To summer up, I'm really proud of this sketchbook, Ive never drawn so many fullbody sketches , here I also tried to come up with poses and outfits by myself and it worked pretty nice

So, write in the comments what page is your favourite and say hi in general, I'm always glad to know that subtitles are useful for someone

I hope you liked this video and I'll do my best to make another review in a month or two :)

So that's it, I'll see you in my next video, bye ^ ^

For more infomation >> Обзор Скетчбука / Sketchbook February - May 2017 / ENG SUB - Duration: 21:56.

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World of Warships - Atualização 0.6.6 - Duration: 4:37.

For more infomation >> World of Warships - Atualização 0.6.6 - Duration: 4:37.

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When did Video Games Stop Innovating? | Nostalgia Nerd - Duration: 8:44.

Do games lack creativity?

Many say modern games do, but this is quite a contentious topic, and I don't plan on answering

the question in this video, as for the most part, it's very much a subjective opinion.

But I do want to discuss it, and I want to discuss it in a very particular context, a

context of 1986.

The reason for that is because of this.

This is Your Sinclair issue 5.

For those outside of the UK, this was one of the most popular monthly magazines for

our beloved ZX Spectrum, and along with Crash, was one of my regular reads.

This issue is from May 1986, which sounds pretty early in terms of video game history,

but in the back we find an article by Iolo Davidson, although you could easily mistake

it for Lolo Davidson, given the font.

So I'll use both, just to spice proceedings up a little.

Anyway, the article, entitled "Backlash" - a monthly opinion column in each issue - is

slating the video games industry for the very same things we hear today.

He begins with "Maybe I'm not the best person to judge, not being a convicted arcade addict,

but isn't it all getting a bit samesish?

It seems that whenever any slight innovation in gamesware appears (and I can't actually

remember the last time it happened), it's instantly submerged in a flood of me-too's

and sequels, and even sequels of me-too's.

Floods of rubbish are one thing.

We don't expect all that much from the producers of entertainment products like television

and pop music, so why lean on the computer games people?

What I object to are floods of high priced identical rubbish.

So he's not taking a dig at the programming skill from developers, simply their innovation.

Their creative visions.

Now, this is a year - to name a few - where we witnessed such classics as Bubble Bobble,

Rampage, Outrun and The Sentinel, which we look back today on with giddy eyed amazement,

and indeed, at the time, these titles were all raved about.

Even Outrun, as a racer had innovation in it's split track progression routes.

Indeed, if you look at every year in video game history up to today, you'll find astonishingly

good, incredibly creative games from every single year.

But it's evident that people often focus on the negatives rather than the positives, after

all, nothing beats bad news, right?

We're always going to have critiques, ready to slam a particular industry for not living

up to their expectations (to be fair this guy has

But maybe Lolo, had a point, even back in 1986.

There were hundreds of titles released in that year alone, in fact, World of Spectrum

alone reports a whopping 1,973 titles.

So how many of these were "high priced identical rubbish?".

Well, undoubtedly, there were a fair few.

A thriving industry is always going to have people trying to cash in, and usually this

involves copying where others have already laid foundations.

But it's up to reviewers and general consumer opinion to then weed out the crap.

But Lolo seems to be taking a stab at bigger producers...

"Now that top flight games cost at least a tenner, no one seems willing to try out a

theme unless some other company has already had a success with it".

His point is that developers and publishers were already playing the safe card, even in

the mid-80s, which seems pretty reasonable.

People usually get into development for creative freedom, but companies exist to make profit.

So if the public demand a type of game they're already familiar with, then why not churn

out more titles?

It's easier, quicker and it's what sells.. and that's the thing isn't it?

If these "appalling lack of new ideas" are selling, then why wouldn't you continue making

them?

It feels to me that there's always innovation in gaming.

Developers and creatives would just get bored doing the same old stuff, and that boredom

would start to show in the software, leading to fewer sales.

It's the same with bands... they often change their sound over the years, simply for creative

freedom... doing the same thing over and over just becomes soul destroying.

It feels, to me at least, that there's always just the right amount of innovation compared

to duplication, and it feels like this because demand should naturally balance this out.

There's always going to be periods where a particular type of game is king, and it just

so happens we're witnessing a prolonged first person, blow brains out of people period of

time.

But, who the hell cares?

It's bloody fun.

So what's the beef?

Well, even back in 1986, the video game industry was more than 10 years old, so it's not a

shocker that the level of innovation seen at the start had to drop off to some degree,

and maybe this was the gripe stirring in Lolo's belly.

He writes "Maybe there just aren't any new ideas...

I think that really new ideas look wrong to established publishers", which we know in

the face of risk is true.

But it's no where near as bad as we often make out.

With a sarcastic tone, Lolo continues, "The charts have been dominated by a series of

games based upon the ancient oriental arts of punching and kicking.

Also the more domestic art of just punching.

The fact that so many of these games have found a willing market is particularly disappointing

to me.

Not merely because they're all the same, but because the basic idea is nasty and uncivilised".

The more you read these words, the more it feels like our writer is concentrating on

things he doesn't like, rather than the swathe of alternatives that he perhaps might like,

and he goes on to write "Young people with little experience of genuine violence might

end up wit the idea that it's exciting, rather than painful and debilitating".

It's hard to look at Spectrum graphics now days and think that anyone could connect this

on screen experience to the real word, especially with the amount of horror and gore we have

no days.

Do we really believe that IK+'s barely perceivable fists prompted school kids to smash their

friends in the faces?

After all, we know pain is pain, despite the reactions of our on screen characters.

But perhaps we've all just become more decensitised.

Perhaps we've equally become desenitised to originality games... although clearly taking

a brief look through Steam's greenlight will show us otherwise.

But what I generally think is that, if you look hard enough, the human brain will draw

all sorts of patterns to fit a particular mood - after all our brains are pattern recognition

machines - and if you want to you'll find something you don't like, where-ever you look.

Maybe when we start to play video games, we see innovation everywhere because every thing

is brand new to us.

But as time goes on, we see patterns in the games we play which harp back to games gone

by, and it's this which triggers "innovation rage"...

Perhaps we, like Lolo just like diversity in top 10 gaming charts, to provide warmth

that the human race isn't as subjectible as we all know it is.

People talking about lack of innovation in games isn't a modern thing.

It's been going on almost since the dawn of gaming... well, lunch time at least.

Opinions will cancel other opinions out for all of eternity until we're just left with

raw fact.... and that fact is there's a shed tonne of games to play on a huge variety of

systems, and the genius behind them blows me away every single time.

In any case, I'm off to find things I do like,

and to play some new and creative games I find appealing... to be fair, it would take

me a lifetime just to get through the Spectrum titles of 1986!

I hope Lolo did the same before the year was out.

For more infomation >> When did Video Games Stop Innovating? | Nostalgia Nerd - Duration: 8:44.

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網易雲音樂2017年五月最热新歌 - Duration: 11:57.

For more infomation >> 網易雲音樂2017年五月最热新歌 - Duration: 11:57.

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نصائح تجعلك مدير مبيعات ناجح - Duration: 2:48.

For more infomation >> نصائح تجعلك مدير مبيعات ناجح - Duration: 2:48.

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Fallout 4 - Mod Suggestions #1 | FUEL MY ROBOT!! - Duration: 2:49.

hi guys so yesterday whilst I was on my fallout 4 playthrough I had an idea for

a new video series and this series would be based around mod suggestions as most

of you should be aware the other week I reviewed a mod called live-action mr.

handy and essentially this mod adds light to codsworth and all the handy

models with that in mind whilst I was on my Commonwealth adventures I had an idea

for a mod now before I explain what it is please know I have no money and

experience myself and I just want these ideas to be for any model others looking

to create mods and they might be stuck on what to do

but anyway so many of you will have come across mr. handy fueled he's a junk item

and which you get a three steal from and two oil from so it's quite a handy item

to pick up and one thing just hit me why are all these handy fuels throughout the

Commonwealth when no mr. handy robot needs to use them number one I thought

robots were nuclear-powered anyway so they wouldn't need liquid fuel as such

and also why couldn't we add a system where the Handy's big required a fuel so

just hear me out we already have mods such as the lone wanderer which adds a

motorbike and an APC mod which both need fuel to operate we also have the

survival needs so this is just from normal survival mode so why couldn't we

add these features to a companion or NPC now obviously codsworth for example has

an inventory so I see it like this you give Cod worse some pods worth some

handy fuel or flame if you'll just add some variety and over time the fuel

starts to deplete and like with survival hunger if he starts getting too low he

starts to have negative effects so let's say to start with he has a movement

speed debuff then when it gets worse he's unable to take any commands and

finally he goes into shutdown and has to be repaired and maybe it can work the

other way as well so if you give him a lot of fuel he has a movement speed buff

or more damage also maybe it would depend on what fuel he has so if

has a fusion core for fuel maybe he has a different book - let's say flame of

fuel where he does more damage with this flamethrower or something now obviously

I don't know if this is possible how much work is involved but it would

definitely add something different to the companion mechanics and make robots

more unique so tell me what you guys think in the comments is this a good

idea for a video series do you think this mod is a good suggestion anyway as

always I hope you enjoyed would appreciate a like or a comment if you

did as it helps me and it does aid at the search ranking keep updated follow

me on Twitter or like me on Facebook other than that I shall see you next

time

For more infomation >> Fallout 4 - Mod Suggestions #1 | FUEL MY ROBOT!! - Duration: 2:49.

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Hitman (2007) - Türkçe Altyazılı Red Band Fragman #1 / Timothy Olyphant, Olga Kurylenko - Duration: 1:50.

For more infomation >> Hitman (2007) - Türkçe Altyazılı Red Band Fragman #1 / Timothy Olyphant, Olga Kurylenko - Duration: 1:50.

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RULER OF BOOKS TAG 2.0 - Duration: 6:52.

Hi everyone. For today's video we are going to be doing the ruler of books tag.

So this tag was created by Ariel Bisset last year and I actually did it last

year and I really loved the questions in this tag and I thought that I would do

it again because I have some new books as responses for y'all. So the basic

concept of this tag is that you are the ruler of books, you are essentially the

new queen, you are the Beyonce of the literary world. Hence, you control

publishing, authors, all of these things I really wish I could be the rule of books,

oh my God it would be so much fun. So it goes a little something like this; if you

were the ruler of books dot dot dot... What book would you make everyone read? I would

make everyone read Purple Hibiscus by Chimamanda Ngozi Adichie. So this book is

set in Nigeria, it follows fifteen-year-old Kambili and it is

about her experience with her family She, her mother and her brother are the

victims of domestic abuse by their father who is very rich and affluent and

well-known, but a lot of people don't know what goes on within their household.

She then kind of has an awakening or an epiphany when she goes to live with her

aunt Ifeoma and her cousins who live a much more liberal life and a

different kind of life in many other aspects as well. It's just such a fun and

wonderful character development novel and I think it really does kind of show

you the extent to how domestic abuse and violence can really affect somebody how

it shapes their personality how it shapes the understanding of their world

and how these things are often supported by institutional biases. A few months ago

the prime minister of my country made a statement that was very problematic

about victims of domestic violence and I used this book to come up with a video

response to that so you can go ahead and click up here or in the description down

below to take a look at that video, but other than that this is an absolutely

important and essential book. What would you abolish in book

construction? Cheap-ass paperbacks, listen! I don't care if they are less expensive

than hard covers, I am still spending my hard-earned money... I am still spending my

mother's hard earned money on your books and you are profiting from that. I don't

understand why every time I buy these books the covers are like peeling away,

the plastic is like coming off of it like, the spines are- you

open it like more than like 30 degrees and the spines break. I'm specifically

looking at you UK publishers for that last one those spines are stiffer than a

Republican. Y'all need to fix it, y'all need to do something about that. I am NOT

spending how much of our money on a book for its a break no, no honey. What author

would you commissioned to write you any book? I would definitely commission Angie

Thomas who is the author of The Hate U Give. This is her first published

novel that came out earlier this year and it is just such an absolutely

incredible book. I loved it and I know she's working on a second book right now

but I think this book in particular, not only does it deal with all of those

really important themes and its use but it's just such a well-constructed book

in terms of writing in terms of plot in terms of characters and you can really

see the immense talent that Angie Thomas has as a writer. I would love to read

something else by her I would love to immerse myself in characters like

this again. I really do look forward to her next book and any other book she

decides to publish because she's just absolutely an incredible author and an

incredible person at that as well. What book would you demote to the library

basement to make room for new books? I think I would demote The Boy in the

Striped Pyjamas by John Boyne. Now, I know I shaded this book in my unpopular

opinions book tag, but I think it doesn't get enough shade. Basically this

book is just, it's about, it's set in World War II and I think we all will know

this story of it, it's about a boy he makes friends with this this Jewish boy

who lives on side of the fence. While the concept of this

story was actually really good, the plot wasn't executed well

the writing was completely lackluster, the characters were as blank as Melania

Trump's facial expressions. I just didn't really like this book and I don't think

it deserves a lot of the hype that it gets. What cover artist would you

commissioned to make a mural. I would definitely Commission on Dominique

Falla who did the cover for the Sun is Also a Star by Nicola Yoon. Now, I don't

know if you can see on the camera, but if you have a copy of this book you can

definitely tell that this is actually a photograph, it's not an illustration.

Basically what she did was she pounded a bunch of nails into a white background

and she connected a whole bunch of strings to them, different color strings.

I will leave a link to a video down below where you actually see her doing

it, like they recorded it and she was telling you about her process and stuff

like that. She's an Australian artist and she's just absolutely incredible because

this is just such a beautiful cover. For a mural on the wall I think it would be

really cool if she could do the same thing but on a wall like punch nails

into the wall and then like tie it up with like things, the strings that would

look beautiful. Also this book is absolutely incredible, make sure and go

check it out. I reviewed it together with The Hate U Give, so you can go ahead

and click on that to see what I thought of it, but it was a good book as well.

What characters face would you put on a coin? I would definitely put cinder on a

coin I think she absolutely deserves that, not only is she actually royalty

but given all of the crap that she went through throughout this entire series.

She is like half robot, like a lot of her parts break

she spent like how much of her years in this kind of like phase where they

had to like repair her. She almost died many different times,

she broke many different times. She had to fix herself so many different- she went

trough a whole lot of shit. Like, for some lil human robot girl to handle that was a lot

and I think that if anybody needs to be put on a coin she absolutely deserves to

be put on a coin. What would you avoid the ruler of books

2016 a prize - we'll change that 2017 because it's no longer 2016, and thank God.

But I would definitely give that prize to Homegoing by Yaa Gyasi. This book

deserves every single prize that it will ever get and I feel like a lot of the

hype has died down, like when it came out everybody was

talking about it and it just kind of faded into oblivion, nobody talks about

it anymore. But this is just one of the most incredible books that I've ever read, it

blew me away in a way that no other book has ever been able to do. There are no

words to describe how amazing and important and incredible and

well-executed this book is. It deserves every single prize as I've said and it

definitely gets my prize for Ruler of books 2016, 2017 award 2018, 2019, 2020 20

everything everything everything infinity timeless Everything Everything

Everything Everything Everything. This book is amazing. So that is the ruler of

books tag 2.0 for me. I'm going to tag people who have done this tag before but

feel like they want to do it again, so if anybody has done this time for and they

feel like they want to do it again you have been tagged by me. But other than

that, make sure to share your thoughts in the comments down below on any of these

books if you have any. Thank you all so much for watching, I hope you have a

lovely lovely day and until next time Insha'Allah,

keep reading.

For more infomation >> RULER OF BOOKS TAG 2.0 - Duration: 6:52.

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كيف تقوم بإرجاع الجبس شبيه جدا بالحجارة - Duration: 8:59.

Hello Hello hello and welcome Ramadan Mubarak to everyone

As Hhtm in the previous episode you do you explain how to paint Koavoz

But I have not finished explaining it Besbab strong odors of paints are tough in Ramadan

Willing, we will complete the second part you until after Ramadan

But today I will be doing my job another series in Ramadan

We will learn about the species that we can paint work in Ramadan paints without smell

In the name of God. First, this is a form that will explain today

Appeared in these days, some types of gypsum-shaped stones

Materials vary to paint these types of gypsum-shaped stones

Specify your materials that will I need in this explanation

We apologize for the remote translation hours ...........

For more infomation >> كيف تقوم بإرجاع الجبس شبيه جدا بالحجارة - Duration: 8:59.

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Six-Day War: 50th Anniversary with Ziad Asali | VIEWPOINT - Duration: 35:59.

Ziad: The only thing that we are missing is a state.

So, tell us dear world, why don't we have a state?

That was the idea.

Danielle: Dr. Ziad Asali I'm so

delighted to welcome you...

Ziad: My pleasure.

Danielle: …to AEI for this conversation about the 50th Anniversary of the Six-Day

War.

You are the president and the founder of the American Taskforce for Palestine and so a

perfect person with whom to discuss this.

In some ways, what's so incredible is how little has changed in the 50 years since the

Six-Day War.

How do you see it?

Ziad: Well, the Arabic word for 1967 War defeat was Naksa, which is a setback as compared

to the catastrophe of 1948…

Danielle: The Nakba.

Ziad: …which was acknowledged to be Nakba, catastrophe.

So, this is the reaction of governments and people at the time.

This is a setback.

We'll get over it.

Things will improve.

It's been a long march not to make any move forward.

That is the meaning of the 50-year commemoration of really a huge catastrophe

for the Palestinian cause and for the Arabs.

It has not been dealt with as a problem to solve but it has been a source of lamentation.

Danielle: That's a fascinating difference, really.

It is not been, in some ways, it is not been a call to action. Or if it's

been a call to action it's not been more than that, it's been a lamentation.

Ziad: It has been a lamentation.

I have to make one exception, it's the only meaningful exception, the only leader and

hence the country that took it seriously was Egypt.

Danielle: Let's talk about '67 itself.

You wrote a wonderful piece about your attitude towards it as a young man in Beirut.

Tell us a little bit about that?

Ziad: Well, I was finishing up my medical school and we were all kind of, you know,

everybody was excited.

We were waiting what's gonna happen in a few days.

It's gonna be a huge war and we'll reclaim back the land of Palestine and redress the

grievance of history.

Across the table from me, at the dinner table, was a professor of surgery, a highly respected

person in our circle as a professor and as a man.

And, so we were talking, and I was telling him how we're gonna now go back and win

and stuff.

He said, "Look, what makes you think that you're gonna win?"

I started counting to him, a bunch were adding to this conversation, the Syrians have so

many tanks and so many airplanes and the Egyptians have so many and the Arab, everybody has so

many and we're ready.

And he said, "Look, I'm not sure as much as you are that anything like this would happen.

All I know, I was born in Haifa, lived in Haifa, was driven out in '48 and could not

make my way back and I've been moving from one city to the other since then.

Now, I'm here and I'm doing fine."

He was a professor and a successful surgeon, "And, I just don't wanna be driven away

again."

So, I was upset.

"What are you talking about?

What do you mean a defeat?"

And, "What kind of an atti…"

I was not polite to my professor.

To my dying day, I will regret how insensitive I was and unwise to the extreme, of course.

I had occasions to apologize to him in person and in writing, like the piece that you said.

Later on, when I came to this country and started working on the Palestinian issue I

could see, you know, there are compromises to be made, realities to be faced.

We have to adjust our self to reality, not to our own ideology.

So, I started, you know, believing in things that are I'd like to think are realistic,

consistent with everybody's dignity but realizing there is a fact of life that's

called Israel and we must start out by accepting that.

We can talk about it but not accept it and that will be the standard conversation, discourse

or we can speak up publicly.

So, young people in this country started focusing on me saying, "What is this guy?

What is he doing, you know, making all these concessions?"

Danielle: Doesn't understand.

He's a defeatist.

Ziad: He doesn't understand, yeah.

You know, he doesn't know there is a revolution going on.

That is when I wrote that piece, 40 years after the fact.

The 10 following years were not more merciful in having people understand that, you know,

there are two stories and there's only one piece of land and you have to find a way for

a future built on a newer narrative rather than on a prevailing narrative.

We understand the previous narrative and commitment but we have to carve out a new narrative for

both.

Danielle: So, it is interesting to look at how the Middle East has evolved…

Ziad: Yes.

Danielle: …since that time.

As you say, in 1967 the Arabs had a pretense of strength.

Ziad: Yes.

Danielle: The reclamation of all of the land that was to be divided between Israel and

the Palestinians by the United Nations, the annihilation of the Jewish state.

This was shown to be a complete lie by the Six-Day War and so quickly.

And since then as you say the Arab world has changed.

So, that was the first.

But I would say that over the last 10, 15 years there's been a further transformation

in the Arab world.

Would you agree with that?

Ziad: Absolutely. One real successful story in U.S.-Arab relations and Israel-Arab relations

has been Jordan.

And similarly, I think that applies to Egypt since then, is that this is it.

This is the last war.

We're gonna have to find a way to live together and accommodate and call for a compromise.

The call for compromise was on putting some real commitment behind a two-state solution.

I think right now the Arabs in general or the collectivity of the Arabs submitted an

initiative early in the century to call for an end of hostilities on the base of a two-state

solution which essentially normalizes Israel in the Middle East to all of the Arabs and

makes them relinquish the historic claims in order to get a state of Palestine independent.

That was, still is, the only formula any serious people talk about if they wanna

have an end of conflict.

Look, first off I wanna give some credit to the Arabs that not enough Palestinians do.

They have actually supported the Palestinian cause, so to speak, before '48 and after

'48 and made sacrifices and accommodated refugees and etc., etc., etc.

They could not deliver.

It's a question of commitment and power.

You know, they could not deliver.

They did not deliver.

That part of their contribution is not sufficiently recognized why the people who were the recipients

of that generosity.

So, in terms of sacrifices...

So, that has to be said.

On the other hand, there's the issue of fatigue.

How much do you go on, you know, supporting a cause that does not seem real anymore?

You know, fighting Israel forever, this is nonsense.

So, they made that accommodation.

Danielle: But, of course, what was interesting was that the Arabs had always been willing,

previously, to stand on principle at the expense of the Palestinian people, if you want to

say.

Ziad: Yes.

Danielle: But, one thing that I wonder is whether the Palestinians have evolved as much?

Ziad: The Palestinians have been victims of many things.

One of them is the fact that they never had the ability to bring about the cause that

they said they were fighting for.

We want to regain Palestine.

Well, nobody told them realistically you don't have the power to do that.

They depended on others to do it until others got tired of fighting and not being able to

deliver.

The leadership consistently from pre-1948 to the present time have not really leveled

with the people like, look, we can't do this.

Let us, you know, move on on a different path.

In 1988, the PLO in the Arab League meeting accepted the two-state solutions which was a huge step

forward.

The problem that we have lived with since then is that, yes you accepted it and you continue

to preach otherwise.

There was a disconnect between the reality of governance in the Palestinian territories

after '93 and a discourse. The discourse continued to be belligerent and, you know,

Palestines…

So, the public has received confusing dual messages and that continues until now.

It is much more of a source of legitimacy with the Palestinian people patriotic commitment

and manhood is to speak about, you know, the very old Palestine and not giving up anything

and get applause from all kinds of authorities while talking seriously about okay how do

we do this compromise?

How do we make it work?

Was limited to the people who were running the show.

Danielle: And not even them to a certain extent.

Ziad: Let me say something that I will pay for.

[laughs] But, in the new privileges of ruling under occupation it was under occupation no

question about it there were constraints initially by direct Israeli army presence in the Palestinian

territories and gradually by a surrogate power.

But, within the East, there was a Palestinian structure that was being built up.

It delivered several things to the Palestinians.

Eventually the absence of direct presence of the Israeli army but many other things.

But the folks who were in charge were allowed to continue the belligerent talk, the discourse,

to continue that but at the same time they understood the privileges that that class

had many privileges at many levels, which made the status quo to them more acceptable

than it was for the rest of the people who continued to have so many problems in their

day-to-day lives.

And, it is this class that is called upon to negotiate.This particular status quo is

not a plateau.

It is a descending curve.

The status quo of today is worse than the one we had in 1973 or '78 or yesterday.

Danielle: So, there's a certain complacency with the fate of the Palestinian people…

Ziad: Yes, of course, there is.

Danielle: …among the Palestinian leaders.

So, this is an interesting question.

I had a talk with Elliot Abrams on this topic.

We had the same kind of a discussion as we are today.

And I spent plenty of time in the West Bank prior to the First Intifada.

One of the things, and prior to the return of Yasser Arafat and Fatah, and it is striking

that, and I wonder if you share this impression, that the return of Fatah introduced a sense

of Arab governance to the Palestinians that perhaps had not been present after 1967. There

was an indigenous Palestinian leadership that flourished at that time that seems to have

disappeared since Oslo.

And I wonder what you think about that?

Ziad: Yes, generally speaking, I was born in Palestine before the mandate so I'm a

legitimate refugee.

I can make any compromises I want because I'm legitimate about this issue.

Danielle: There you go.

Ziad: But we grew up in Jordan.

We were Jordanian citizens...

Danielle: Right.

Ziad: …under the Hashemites.

I have to say that we did not consider it occupation growing up, you know, sensing things

like okay so the Jordanians have power.

But the Palestinians were very much part of government.

They were part of the army.

They were part of the police and they were part of the educated class that dominated

institutions and the economy etc.

So, it was a very organic process.

And things have changed, of course, after Oslo because almost 300 to 350 Palestinians

came back from Tunis and other places and they took over the power.

Danielle: Yes.

Ziad: So, this is the mindset that they brought to a very interesting group of people which

is the Palestinians under the direct Israeli occupation after '67.

These people could talk.

Danielle: Right.

Ziad: These people could converse and they could develop an intifada, the First Intifada where

there was not a single weapon as far as I know.

It was just organized resistance by a network of academics and intellectuals and activists.

Danielle: It certainly began differently, yes.

Ziad: It began, anyway.

So, these people were not allowed to continue as is after the return of PLO from Tunis.

These people were submerged into what the Palestinians, up 'til now call the Tunisians,

the power of, you know, the refugees who did the fighting outside.

This is their claim.

Why did we come back here?

Because we fought and so we are to be acknowledged.

It is a source of tension up 'til now and these people ended up with a lot of privileges.

Therein lies one major lost opportunity -- people always talk about lost opportunities for that very sense--

that they could have a democracy, that is functional, and respectful of others without

guns, without fighting and to live by some standards that are agreeable.

That's not what we reclaimed, actually.

Danielle: And now, 50 years after the loss of, again, these lands, at least in the Palestinian

narrative, are they on their way to reclaiming this?

Are they on their way to a solution any more than in the last few years in your estimation?

Ziad: Not really.

We have a huge problem.

We have an issue of governance.

Right now, the Palestinians are split into two entities both ideologically and geographically.

Hamas and Fatah, PLO, PA without distinct margins because you have Hamas people in the

West Bank and you have Fatah people in Gaza.

But nevertheless, the power structure is divided along these two huge…

In this system, there's not been any elections for the past 11 years.

I have two remarks about this: one, is whenever you listen to anybody in New York or the U.S.

in general and in Europe and in other places they are always calling for elections.

Danielle: Yes.

Ziad: In Namibia, in whatever, Kenya they want elections.

Danielle: Yes.

Ziad: Everybody is pretty silent about Palestinian elections.

It's convenient.

Okay?

Danielle: Yeah, absolutely.

Ziad: As it is.

And so, you start sensing that something is changing when people start taking the idea

of elections more seriously.

Now, elections, if the people are not prepared to participate in the political process, is

a farce.

So, you need to open up the system.

You need to have the opportunity to speak freely, have a judicial system that protects

you as you speak, have a police enforcement that, you know, can apply the laws that exist

and to have the right to form parties, to compete.

Now, none of that is really present now and these are the two structures that exist Fatah

and Hamas and they don't do elections anymore.

They're very happy.

They talk about doing internal elections which is a conference.

Danielle: And they blame each other and the Israelis.

Ziad: Of course.

Of course.

You have to develop a system of accountability within the Palestinian body politic that

would develop the kinds of leadership that would represent their people and then open

up all the other things that come up after good governance.

Improving the economy, improving the education, the standard of living, hospitals, schools,

etc. etc.

It has to be an organic process that develops out of the Palestinians themselves.

Another opportunity that was missed that I wanna discuss is this state and institution

building program.

You remember?

Danielle: Yes, of course.

Ziad: It was real.

It was serious.

We witnessed this.

This was nothing that we advocated ourselves in this country more than this business of

improving government, governance and allowing the people to develop the ability to go to

the world and say, "Look at us.

We're doing things fine.

We have good schools, good laws, good, etc. and we implement it.

The only thing that we're missing is a state.

So, tell us dear world why don't we have a state?"

That was the idea.

There were several years, until the IMF and the World Bank, etc. gave the Palestinian leadership

at the time a clean bill of health.

These guys are doing things right.

Accountability, all this stuff…

Danielle: Then what happened?

Then what happened?

Ziad: It ended a while ago, three, four years ago.

And this is actually a very interesting question, the Palestinian cause became a cause in 1967.

We can say that the PLO, the Palestine Liberation Organization, was created before, we can say

that for the Palestinian people it was a cause but for the world, it became a cause only

in 1967.

I think that's not an unfair statement.

Ziad: Yeah, I think that's right.

Danielle: And in the eyes of many in the Middle East, Israel only really became the state that

it now is in 1967.

And I would say that that's true for the relationship with the United States.

Danielle: It's true for its image in the Middle East which was really indelibly etched

as a dominant, decisive power that was here to stay.

Is that a fair…

Ziad: It is along with the other things that Israeli's managed to build over decades.

They started building way before 1948 their institutions.

Danielle: True.

Ziad: You know, there were a bunch of departments that were present.

Danielle: Yes, during the mandate.

Ziad: During the mandate that just became ministries in 1948.

But they all existed, education, health, whatever, defense, all existed.

Danielle: And, it's that education…

Ziad: It is that.

So, the other thing is that, of course, the leadership of the Jewish community in Palestine

under the mandate was mostly a group of Europeans who are familiar with the way things are done

in the world, in the West in general.

So, it was not a hardship for them to do this, it was natural.

Danielle: There was more of a democratic instinct, okay.

All right.

So, this happened.

What would've happened - this is a horrible hypothetical question but it is an interesting

thing to talk about for a Palestinian. What would've happened if the Six-Day War had

never happened?

Where would the Palestinians people be?

Ziad: There would have been oh so many things that never happened.

'67 was crucial.

You know, '67 is what defined the outcome of '48.

Okay, '48 everybody was on the Arab side was sensing, well this is a score that we

need to settle at some point in time.

Danielle: Temporary, right.

Ziad: Okay.

After '67 the immediate reaction of the Arab states when they met in Khartoum, Sudan

and a few months after that was no, no, no.

Basically no, Three No's is called.

Danielle: Yes.

Ziad: No compromise, no deals, etc.

It was time and reality itself imposed on everybody they thought that this is permanent.

So, how do we deal with it?

It was easier to have the thought and talk among friends than to have it a subject of

public discourse up to this moment.

The finality of the presence and strength of Israel is not acknowledged publicly as,

you know, even some of the leadership would say.

So, there is this contention.

But, this is a major change in appreciation of the presence of Israel.

Arabs automatically have taken this position, you know, we want the Palestine and the Palestinian

leadership and they continued that dialogue until the last decade where the conversation

started with the Saudi Initiative and then the Arab Spring.

Danielle: Which there was no Arab Spring among the Palestinians.

Ziad: There was no Arab Spring.

This was five years ago.

Now, I think we need to factor that in a serious way.

Danielle: How?

Ziad: The Arab Spring is an expression of dissatisfaction across the Arab world with

governance.

That's what it was about.

Danielle: Of course.

Ziad: People lived like, you know, they knew…

Danielle: Like victims of the state.

Ziad: …that individually they could excel and be smart and go to the West and manage,

fine.

It's in that system that things were not working out.

So, it was a rebellion against the system.

It had many implications.

Still does.

And, this is catastrophic in so many ways.

To many countries this is destructive but essentially there is a need to adjust, everybody

concludes, adjust their relation with Israel.

This is combined with an emerging influence of Iran…

Danielle: Absolutely.

Ziad: …in the region which, you know, there's no sugarcoating this thing.

The United States changed its position on Iran with time under the leadership of…

Danielle: Barack Obama.

Ziad: …President Obama, okay, whom, he called a rational actor in his conversation with

Jeff…

A rational actor while the Arabs need to get their act together.

You know, it was fine to get a nuclear deal.

It wasn't fine to give Iran a carte blanche - military carte blanche - economic and social

culture intrusion in all the Arab countries around it.

That is new.

Why do I tie it up with the previous project is because the sense of threat by the Arabs

has usually been directed against Israel for decades and decades.

The reality, the recent reality, is that the real threat now is perceived to be Iran. And

it's not Iran in Tehran. It's Iran in Aleppo.

It's Iran inside of Yemen, it's Iran in Libya now.

Danielle: It's Iran in Gaza.

Ziad: In Gaza, you're kidding, of course.

So, there is a new variable that has nothing to do with Palestine per se but it has to

do with the sense of threat and insecurity by the Arabs, especially the Gulf people,

who have basically been interested in Palestine, Israel justice, and religious issues now to

a sense of maybe we have shared enemies here with the Israelis.

A shared enemy, okay, that is Iran.

So, that brings up a new way of looking at things that are related to both Iran and Israel

in the Gulf and the conversation has already started.

And I don't mean just started, you know, amongst the elite.

Danielle: No, of course, it's…

Ziad: It is consequential.

Danielle: What does that mean for the Palestinians?

Ziad: Well, this is a question that I have to be at least clear as far as I can about

how to get to it.

There is no shortcut.

There's no immediate deal to be made.

Let's be clear in the context of visits or whatever, the Palestinians and Israelis

are not ready structurally, politically, the body politic of both is not ready for a deal

now.

So, it's ready for a transition to a deal.

Now, what were the three avenues to get to Palestine?

One was the peace process, final status, sorry, and the other was build the infrastructure,

you know, build the infrastructure.

Danielle: Yes, yes, of course.

Ziad: These were the two.

A new and interesting element has been introduced now recently by the Arab Spring and the Iran

issue which is what it's called outside in.

So, we're not talking about building it from top down.

We're not talking only about down, up, now we're talking also about a new factor outside

in where the Arabs and other forces in the Middle East under an American umbrella are

looking to bring the joint efforts, collective political efforts, in order to put this thing

to bed under a new security regime in the region.

Danielle: I wanna ask you an exit question but I wanna ask you one important thing first

because anybody who cares about the future of Israeli security, of Palestinian security,

of the Middle East, looks at the rise of the use of violence and terrorism among the Palestinians

and the condoning, the comfort level with terrorism that has risen over the last 50

years as a cause for concern.

How do you see this?

Ziad: Terrorism…

Danielle: And it is not just Hamas.

Ziad: Terrorism across the region is a subject, you know, that needs several sessions for

conversations.

Danielle: Absolutely.

Ziad: So, we cannot…

And we cannot isolate what's happening with Palestinians, Hamas, from the wide regional implications

as to the rise of political Islam and all these things.

But on this issue of security and terror the one thing that I mention some transition of

measures to be made you cannot allow the Palestinians to go on living like this subjected to external

control from the Israelis and to internal control by a police non-democratic regime

without any prospect for economic let alone political solutions and expect them to be

quiet.

They will go crazy and they have.

They have resorted as a very natural outcome of their living circumstances.

So, when we talk about a transition, the powers that be who are gonna be shaping this thing,

have to factor in how do we improve the level of lifestyle of the Palestinians as far as

in both the West Bank and Gaza in order to make them less hospitable to terrorism which

is a process of capturing their mind.

There is a process of capturing the mind of the victims and making them feel victimized

so their violence is a redressing of an injustice rather than violence and killing people.

There is much to be done…

Danielle: Right, the rationalization of their own violence.

Ziad: Yeah, so you have to think of how and this will need external forces.

I hate to say it.

Danielle: It's gonna need a lot of force.

Ziad: And time, and time.

Danielle: And time.

Ziad: …to improve education, to improve hospital, to improve governance, to improve

all of these things as a transition.

You don't start with this.

You don't start with a final status agreement.

You start with preparing people and this will have an impact on the Israelis.

All they see right now is what they think is Palestinian terrorists.

If they see somebody who looks like a Palestinian, they're afraid of him.

So, we need to adjust the living conditions of the Palestinians and make them less subject

to this process of capturing their mind and turning into terrorists.

Danielle: Of course, they were the single largest per capita recipients of foreign economic

assistance for a very long time.

And that, at the same time, that violence arose. We can talk about the reasons why, and

we can talk a lot about the outside exploitation of the Palestinian cause to encourage that

violence for reasons that have nothing to do with the well-being of the Palestinian

Ziad: It's policy.

people. But certainly the Iranians have been very engaged in that aggressively and have

no interest in the future of the Palestinian people.

But this is a curse not for the Israelis this is a curse for the Palestinians.

The Israelis will manage.

The Palestinians need to get out of this.

If you look over the last 50 years, it seems in many ways this is a trap that has…

Ziad: Yeah, of course.

Danielle: …hurt them desperately.

Okay.

The hardest question of all and this whole conversation is all hard questions.

Fifty years from now: You and I will both be extremely old.

Ziad: Yeah.

Yeah.

Danielle: Okay.

Everybody was wrong in 1967.

Everybody said, "Oh, yes in a few years they'll take their territory.

It'll sort out.

Israel will go back to the green lines.

Jerusalem is something complex."

But, where do you see it?

Ziad: Nobody has any experience in the future.

So, let's be modest.

But, it depends on what we do.

The decisions that are made here and now and next year etc. will shape that future.

The reason I am always hesitant to say the Palestinians think this or the Israelis think

this is just a meaningless generalization because the many thoughts within the Palestinians

and if we are able to link up people who, lawful people, educated people, secular people,

people whose forward look to life determines the way they live and their children are reared,

if we interlink at that level and empower the people who want to live like the Italians

live in Italy.

Danielle: Well, or even better.

Ziad: I'll settle for Italy.

It's fun.

But, that mindset needs to be interlinked and needs to be empowered.

Danielle: Are you an optimist about it?

Ziad: I have seen too many setbacks on my own path the last 15 years to be an optimist.

But I'm optimistic in the sense that no people can't be misled forever or no abnormal

conditions like the ones they live under right now can last forever.

Things will give eventually and…

Danielle: A cautious optimism then?

Ziad: Cautious, guarded.

Danielle: Guarded, guarded but better than pessimism.

Ziad: Pessimism is useless anyway but…

Danielle: That is a wise and philosophical statement.

And with that thank you so much.

Ziad: Thank you.

Danielle: It's been a fascinating conversation.

Danielle: And, I'm delighted you were willing to join us.

Ziad: Thank you for the invitation, I enjoyed it too.

So folks that's the end of our conversation with Ziad Asali.

Thank you for watching.

As always, let us know what other topics you'd like AEI scholars to cover on Viewpoint

and be sure to check out the rest of our videos and research from AEI.

For more infomation >> Six-Day War: 50th Anniversary with Ziad Asali | VIEWPOINT - Duration: 35:59.

-------------------------------------------

NASA Interns Arrive at Goddard - Summer 2017 - Duration: 4:39.

>>KATRINA: It's summer! So thousands of students across the

country are on break from school and at work for NASA. Over 450

are interning for the Goddard Space Flight Center this summer,

and a lot of them are in the Visitor's Center right now

picking up their badges and everything they need to start

their first day. So let's go inside and meet a few, and stick

a camera in their face.

[music]

>>KATRINA: Violet, what are you going to be working on this summer? >>VIOLET: I'm going

to be doing X-ray astrophysics. So I'm going to be... there's a new

instrument going up, and I'm going to be modeling it in

Python. >> RALEIGH: So what projects will you be working on

specifically this summer? >>NICOLE: Micrometeorite science

with LISA Pathfinder. >>HÉCTOR: Well I'm going to be a web

developer for Code 585, the Software Engineering Department.

>>ONYEOZIRI: Well, I'm not 100% sure. >>KAYLA: This summer I'll

be doing the particle fallout measuring methods internship.

>>QASIM: So I'll be working on some spectrometer work.

Essentially I'll be doing some of the hardware and software

designing for NASA, and I'm pretty excited to do that.

>>KATRINA: What made you choose Goddard specifically out of all

off the 10 NASA centers? >>HÉCTOR: I think that what

motivated me to choose Goddard was the amount of Puerto Ricans

like me, graduated from my school, who are working here on

the different divisions. >>IMAN: I went to high school like

really nearby here, and so I'd always pass by Goddard. And I

never really thought about coming here until it was

suggested to me. I'm like, 'Wait a second, I know Goddard!"

>>JACOB: It's closest to where I live, but it also had the things

that I'm interested in. >>VIOLET: Most of the research

is being done here. It's kind of the most exciting center for me,

honestly. >>VISHNU: I came to graduate school in the U.S. just

to come to NASA. So, I mean, I traveled like 9,000 miles just

to be here. So it is a big day for me. >>KATRINA: If you could

create any sort of hypothetical planet that had anything on it

-- was composed of anything -- what would this planet be like?

>>KAYLA: It would be a lot of great scenes, great sunsets. So

like, I just love sunsets -- it would be colorful. >>QASIM: I

think there would definitely be some fantasy things going on. So

in terms of, um, I would definitely have, like, rainbow

skittles that were just coming down from rain. >>IMAN: I like

Earth. I think we should keep Earth. >>HÉCTOR: Planet Earth.

But cleaner. >>JACOB: Probably somewhere a little more

interesting than Earth. Like maybe things we could see sort

of right outside of, like, the atmosphere I guess. >>VIOLET:

Life forms don't have to be carbon-based, so it would be

really interesting to see just a planet with life forms that are

completely different, and kind of change our view of what life

is. >>RALEIGH: And so what do you think will be, I guess, the

future of the space industry? >>NICOLE: Well I think everyone

is going towards Mars right now. >>VIOLET: Definitely the concept

of us going to Mars has been a driving factor for a while.

>>ONYEOZIRI: Now that we've explored space -- to an extent

-- I feel like now it's more like how do we get to live in

space, can I get a vacation home in space. >>KATRINA: So you

think space tourism will be a big thing coming up?

>>ONYEOZIRI: Yes, yes. >>KAYLA: A lot of people think it's just

the movies, but reaching out and trying to go beyond just our

solar system is probably where everyone is headed next.

>>VISHNU: The best part of the space industry right now is that

private players are coming in. And it's not that they're

competing with us at NASA, but they're kind of going together

with NASA and that's kind of amazing. >>KATRINA: What are you

most excited about for the summer? >>ONYEOZIRI: I get to do

what I love, which is program. So, and work with robots.

>>JACOB: It's really exciting to be here, and just to kind of

learn how everything that I'll be working with works. >>QASIM:

I'm most excited about the workshops here, and making new

connections with all the people here. >>NICOLE: Just meeting all

the other fellow astrophysics nerds and stuff like that, so.

>>IMAN: Honestly I have no idea what to expect. But I'm most

excited about being able to share physics with the rest of

the community here in Maryland and D.C. >>HÉCTOR: It's my first

internship. I think I'm really excited, like, for everything.

>>KATRINA: Well good luck, I hope you have a great summer, I

know you will -- Goddard's great, so good luck! >>HÉCTOR:

Thank you. >>RALEIGH: Now that the interns have been oriented

on everything they need to know working here at Goddard, it's

time for them to meet their mentors and start their

projects. If you're interested in learning more about what it

takes to be a NASA intern, you can visit intern.nasa.gov for

more information -- and also keep an eye on nasa.gov/goddard

throughout the summer to hear more intern stories.

[music]

For more infomation >> NASA Interns Arrive at Goddard - Summer 2017 - Duration: 4:39.

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Мультики Лего. LEGO Ninjago Tournament. Part 2. Ллойд и золотой ниндзя. - Duration: 12:02.

For more infomation >> Мультики Лего. LEGO Ninjago Tournament. Part 2. Ллойд и золотой ниндзя. - Duration: 12:02.

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World Of Warships - Armada: Kaga - Duration: 4:32.

For more infomation >> World Of Warships - Armada: Kaga - Duration: 4:32.

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Baby Socks Order Line www.gulenbebekler.com - Duration: 1:11.

For more infomation >> Baby Socks Order Line www.gulenbebekler.com - Duration: 1:11.

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Improve your sleep - Tip No 20 from my 21 Days of Self-care Tips - Duration: 1:33.

everyone this is day 20 of my challenge were providing self-care tips today I

want to talk about sleep when you're sleeping that's when your body is doing

most of its repairing that's when your body is regenerating itself and many of

us don't get enough sleep we ought to go to bed too late or we wake up during the

night several times or we just wake up too early what we need to make sleep a

priority because sleep is one of the ways where we get our energy to do what

we need to do in our day to day lives and if we're going to have the energy to do

some of the things I suggested in this series we need to sleep properly

Perhaps I

should have done this one first really I've included some links to some useful

YouTube videos down in my description bar below take a look at those have a

look there be bound to be something that you can find that's going to work for

you I don't recommend any benzodiazepines or any medication from

the doctors because those can be very addictive but there is a lot of herbal

remedies out there that work very well I hope you enjoyed my video and coming up

to the last one tomorrow and I hope you can join me again tomorrow for the final

one in this series and I'll see you then bye

For more infomation >> Improve your sleep - Tip No 20 from my 21 Days of Self-care Tips - Duration: 1:33.

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"I Forgot You're Disabled" | #SpinaBifida - Duration: 0:51.

"Oh, I forgot you were disabled."

You forgot I was disabled?

You forgot my slow pace whenever we walk to the store?

You forgot the times I asked if we could sit

for a while as I catch my breath?

You forgot telling me that my feet are swollen and turning purple?

You forgot seeing me take my medicine out during the day?

You forgot liking my posts online about disability rights?

You forgot the videos that I make

speaking about my disability?

You forgot that I'm disabled because I don't fit

your stereotype of disability.

You forgot that I was disabled because for you

forgetting that I'm disabled means that we can do "normal things".

Forgetting means you forget to treat me as whole.

To treat me as a person you care for

even though I'm not like you.

"Oh! I forgot that you're disabled."

Really means that you forgot to accept me for every part of my being.

You didn't forget that I was disabled.

You just forgot how to care.

For more infomation >> "I Forgot You're Disabled" | #SpinaBifida - Duration: 0:51.

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HAPPY 1st BIRTHDAY CELEBRATION | HIGHLIGHTS | VIDEO 🎂 🎁 🎬 - Duration: 1:50.

For more infomation >> HAPPY 1st BIRTHDAY CELEBRATION | HIGHLIGHTS | VIDEO 🎂 🎁 🎬 - Duration: 1:50.

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JORD Wooden Watch - WOW - Duration: 3:48.

Hello InnerTubers, I am about to open a really amazing present.

I saw the pictures of these things on their website, and I'm like, "well, there's no way

that somebody with only 58 thousand subscribers would be somebody they wanted to do business

with" but it turns, it was, because they're one of my fans.

[music plays softly] [gasp of surprise] Oh, my word.

Look inside.

Is that just too fuckin' gorgeous, or what?

It's so beautiful, I almost feel like I shouldn't be swearing.

So there's this beautiful wooden box, got the name etched into the wood right here.

Oh My Word.

Oh My Word!

You see, for years, I've just been wearing this simple Timex.

I'm gonna take this baby off right now.

[quietly sings "stripper" song]

And, before I go any further, you guys, there's a way

for you to enter a contest to win a $180 gift certificate.

I'm splashing the details all over the screen right here, and there'll be a link in the

description.

It looks like JORD, but it is pronounced YOAD, like TOAD.

The watch band and the watch housing is made out of wood, and these are all naturally sourced.

Oh, my gosh.

This thing is just stunning.

I have to figure out how to get into this.

I squeeze these little guys right here and it opens up.

This should be easy right?

Since I'm gonna actually keep it, I should probably take this blue stuff off.

So, the trick is that you fold this over, like so, and then it goes on your wrist.

Is that just too gorgeous, or what?

I - I'm sorry.

I'm a little overcome.

You guys, I actually think I'm gonna cry.

The trick is, I had to turn my hand over so I wasn't working against gravity.

But, will you look at that.

I just don't know how many different ways I can show you how amazingly gorgeous this is.

Can...can you just see how stunning that is? and tapered? and beautiful?

And it's - it's very very light weight.

Sort of a cross between funky and outdoorsy and frikkin' amazing.

This is the tits.

For sure.

And, the coolest thing is?

There's a way for you to win one of these.

Fuck yeah.

If you haven't picked up on it already, this is a seriously major good shit gift for just

about anybody, and even you.

It's never a bad thing to buy yourself a present.

I showed this to a bunch of my friends tonight, and they were all goo goo gah gah about it.

And they wanted to know: "where can I get one? is there any discount?"

I bet you're asking the very same thing.

Well, the answer to that is scrolling right across the screen, and anybody who orders

between now and the 30th of June gets a twenty-five dollar discount.

How fucking cool is that?

Oh, by the way, the company offers FREE shipping all over the frikkin' world.

WhoooooAAAAA!

June 30th is the very last day that you can use that coupon code.

That's all over the screen here and it's in the description as well.

I think this is just the tits.

Thank you, Jord, for sending me this beautiful beautiful watch so I could share it with all

of my InnerTubers.

Everybody deserves something this gorgeous in their lifetime.

There it is, everybody, the Jord Wooden Watch.

Thank you, Jord, for doing this for me.

[music plays softly]

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