-------------------------------------------
Teddy Bear Teddy Bear Turn Around | Luke And Lily Nursery Rhymes - Duration: 1:31.
Look whose here?
Teddy bear, teddy bear, Turn around.
Teddy Bear, Teddy Bear, Touch the ground.
Teddy Bear, Teddy bear, polish your shoes.
Teddy Bear, Teddy Bear, off to school...
Teddy Bear, Teddy Bear, jump up high.
Teddy Bear, Teddy Bear, Touch the sky
Teddy Bear, Teddy Bear, Bend down low.
Teddy Bear, Teddy Bear, Touch your toes.
Teddy Bear, Teddy Bear, Turn off the light.
Everybody say Shhhh Shhhhh...
Teddy Bear, Teddy Bear, Say goodnight.
-------------------------------------------
Idol Master - NU'EST [KBS World Idol Show K-RUSH3 / ENG,CHN / 2018.07.20] - Duration: 15:36.
- Hello. / - Hello.
Hello.
- We're NU'EST W. / - Yeah.
We're back after six... No, eight months.
It's been nearly eight months.
Shooting from so high up hurts my neck.
The producers wait for NU'EST W.
I want to see NU'EST W!
They're playing our song.
That's our song.
Hello.
NU'EST W!
Welcome to K-RUSH!
Idol Master!
Welcome! Hello!
Here is NU'EST W!
That surprised me.
Doing that stung my hand.
Please take turns at introducing yourselves.
Hello, I'm REN from NU'EST W!
Hold up.
This is Idol Master. You need to be more unique.
That's right! Nice thinking! Go again.
Hello, I'm REN from NU'EST W!
Great!
That was intense.
We'll have to top that.
Yeah, we're in trouble.
Hello, I'm ARON from NU'EST W.
ARON, that was great!
Hello, I'm BAEKHO from NU'EST W.
Thank goodness they started with us.
This time, in your seat.
This time, in your seat.
Hello, I'm JR from NU'EST W.
They've all done their introductions.
Have you heard about K-RUSH Idol Master?
Yes, and we've also been on it.
Right.
About two times.
I heard about you in season 2.
Right, right.
Back then, NU'EST W
gave us amazing views and clicks.
And you played the games so hard
that you made history in flopping!
Spin, spin.
Three, four!
Take a step back.
That brings back memories.
Who was the MC then?
Though I'm inexperienced, I was.
Right, I heard you were clumsy.
These trending idols are on the road to success.
Idols with infinite charm.
Here is NU'EST W!
Come on, I deserve a compliment.
I was only joking, just joking.
Aren't you curious who we have here?
I noticed them from the start.
These two are from China
and your L.O.V.E. fans.
She's L.O. and he's V.E.
- Ni hao (hello). / - Oh! Chinese!
Go ahead and talk to them.
I love you.
From the start, you love them?
Amazing.
Because they're L.O.V.E.
I wanted to give them my love.
How do you like seeing NU'EST W?
They're handsome.
She speaks Korean well.
They're very popular.
Hot idols.
Hot idols! I knew it!
Trending idols! Hot idols!
Tell us about "Dejavu" and your new album.
Fans from 117 countries are watching.
For one minute,
promote your album in a relay.
Like a home-shopping show.
Hello, this is our new album.
That's it? I thought you'd take long.
Hello, we are NU'EST W.
This is a great album.
I hope you listen to it.
Hello, we are NU'EST W.
Great!
- Is that it? / - Yup.
We're running out of time.
What's up, guys! This is our new album.
The title of it is called "Who, You."
It released last week, so show us lots of support.
All the photos inside are different.
So, uh... Oh my god.
- So, uh... Oh my god. / - Oh my god!
Photo cards come with the album. Look, it's me.
ARON is so fluent in English!
What is your title song "Dejavu" about?
Tell us about that.
Like the title, it's a first-time experience
that feels like you've been through it before.
That's what "Dejavu" is about.
And it's in the Latin-pop genre.
What is your killer part?
That would be our intro.
Want to sing that together?
Up to here.
The lyrics are so...
You put a lot of work into it.
Durutu, durutu, durututu.
I won't ever forget the words.
We wanted the song to have
a part where everyone sings along.
This part does just that.
Tell us about your key dance.
Our dance this time
has very delicate movements.
Like these moves.
Before, we were more powerful.
Right, like tough guys.
That was our dance style before.
But now, we make delicate moves.
With restrained beauty.
Wang Pum-ho dreams of acting.
How about you learn this dance?
(Chinese)
I won't be good at it.
I'm sure you can learn.
He nailed it, right off.
Amazing.
BAEKHO, how was he?
He learned it faster than us.
Many more are waiting to become fans
for NU'EST W.
Why don't we make clips for fans?
- Sounds good. / - Clips for fans.
Like a boyfriend, affectionate.
L.O.V.E., don't be mad.
That won't do the trick.
You'd anger them more.
L.O.V.E., don't be mad.
I'll be better to you.
Be better? How?
You should be good from the start.
What did you do wrong?
Huh? What did you do wrong?
REN, that's your problem.
You're good at this.
I've nothing to say. Sorry.
What kind of boyfriend are you?
- I'm not sure. / - Just you wait.
- Hurry up. / - What kind?
It can be a morning or goodnight call.
The morning call's mine, so don't.
Yeah? Then I'm calling before bed.
A call before bed!
L.O.V.E., I bet you're tired.
Get some rest.
See you in my dreams.
Goodnight!
Goodnight!
You're laughing while you shoot!
Sorry. Dear me.
Did you sleep well?
Did you sleep well?
Don't laugh!
- Here I go. / - Okay.
Good morning. Did you sleep well?
I'll sing you a song.
It's my turn, right?
- L.O.V.E.! / - What?
How about we have a date today?
Nope.
How about we have a date today?
Nope.
Okay, let's do that next time. Bye!
You wanted to date, but now it's goodbye?
You're good.
Because the answer was no.
So I offered to meet next time.
Great.
Your worldwide L.O.V.E. fans must be delighted.
Meeting worldwide fans!
You met L.O.V.E.s from China,
but we picked another country out of 117.
Let's see what country.
Here are NU'EST W fans from Singapore!
Hello! It's great to see you! Hello!
Hi guys.
They have.
They were showing us our "Who, You" album.
- Oh! / - Right.
They understand Korean.
How do you feel meeting NU'EST W?
We love it!
Hold up.
Are they from Daejeon?
What?
What part of Singapore are you from?
- We're from Singapore! / - Yeah.
We know that, but what part of Singapore?
- Singapore is a city-state. / - I see.
Oh yeah, why did I ask that question?
What's your favorite song from us?
"Polaris."
"Polaris."
The song from our new album.
Ask for a pose you want to see.
Something to show love for your fans.
Make sure you take a screenshot.
One, two, three!
Thank you!
Thank you!
This time, let's play a game!
- Great. / - Let's do that.
I'm great at games.
- Any good at rock-paper-scissors? / - Yeah.
Get ready. Rock-paper-scissors.
- See? / - Wow!
Rock-paper-scissors. You're good.
You surprised me.
Give us the watermelon.
Here you go.
Ready, go!
You can do this! You have a big nose.
That makes it easy.
We're now on KBS K-RUSH!
Watermelon...
Watermelon...
Stop!
Did you get it on?
It's not next to your nose.
But that's not too bad.
It's right here. See? Right here.
Pretty. That's a pretty mole.
Great. Want to go again?
Yes, one more try.
Okay, once more.
Sexy! Sexy! That's sexy!
Why does it land here?
- You look sexy! / - Thank you.
Next up, ARON.
This tastes sweet.
This tastes sweet.
Are you just enjoying the watermelon?
The seeds are further down.
He's good.
Face the camera.
This slice doesn't have any seeds.
You'll find one inside, maybe one.
Here is one.
- Isn't it delicious? / - Yeah.
Don't eat all of it.
Okay!
Look over here.
Maybe it got on me.
Here! Here! Here!
Your second try!
Your second try!
That's like a teardrop.
Isn't his seed the closest?
So far, BAEKHO is 1st place!
You got it on well.
It's the closest to the nose.
JR gives it a go!
Hang on. Did he eat it again?
Hang on. Did he eat it again?
He spat it out, then caught it to eat again!
Does it count?
No, that one doesn't count.
Let's try that again.
That's never happened before.
Once again!
Just like season 2.
Flopping backward in season 3.
Take a step back.
BAEKHO wins the game!
BAEKHO won, so give him the camera.
Shoot with the coolest boyfriend comment.
With the watermelon seed.
Hey, L.O.V.E.
I got first place.
See this?
I'll buy you a treat to celebrate.
We have a gift for NU'EST W.
Our gift is watermelon!
Summer fruit!
Thank you.
It's ripe, ready to eat.
Let's wrap up now and say goodbye.
K-RUSH was really fun today.
We gave it all we had.
So give NU'EST W your big love.
And please support K-RUSH.
This has been NU'EST W!
- Thank you. / - Thank you.
-------------------------------------------
Become part of the shadow army !!!! - Duration: 1:17.
Welcome to yet another video on my channel
Yeah, where else
Yes, but today with something different
a little bit of advertising
Fuck ads!
And yeah, something like that may be what u're writing just now
but yes it's an ad, but not for somebody else
Contrary to what u're thinking
Customplaymat has a sale going on
17,99€ and 21,99€
but only this month
so be quick
and I'll also start a sale
as you may know, I have my own playmat
(link in description)
normally for 18,99€
but for a short time it will be available for 13,99€
meaning if u want one, but thought it was too expensive
now is the time for that
check out the link in the description
If youn want one yourself
and that's all I gotta say
stay tuned for sunday
so, good bye
-------------------------------------------
Star Wars: NEUE CLONE WARS FOLGEN angekündigt! - Neue Star Wars The Clone Wars Staffel - Duration: 3:29.
For more infomation >> Star Wars: NEUE CLONE WARS FOLGEN angekündigt! - Neue Star Wars The Clone Wars Staffel - Duration: 3:29. -------------------------------------------
證明：二次公式 | Mo 仔 Math - Duration: 8:27.
For more infomation >> 證明：二次公式 | Mo 仔 Math - Duration: 8:27. -------------------------------------------
moving on. - Duration: 3:59.
For more infomation >> moving on. - Duration: 3:59. -------------------------------------------
KHUDDAR - ABHI PAYLA (Lyrical Video) | Latest Hindi Song 2018 - Duration: 1:43.
Please Subscribe Channel
-------------------------------------------
HUGE SUMMER SALE from all BRANDS! What did Stefi & Emi buy? - Duration: 10:02.
For more infomation >> HUGE SUMMER SALE from all BRANDS! What did Stefi & Emi buy? - Duration: 10:02. -------------------------------------------
Μωωωωωρή #3: Φρούτα | BUD PLUG - Duration: 9:58.
For more infomation >> Μωωωωωρή #3: Φρούτα | BUD PLUG - Duration: 9:58. -------------------------------------------
Minecraft Animation | Noob VS Pro!!! (Vietsub) | HGR - Duration: 6:41.
For more infomation >> Minecraft Animation | Noob VS Pro!!! (Vietsub) | HGR - Duration: 6:41. -------------------------------------------
The Romanesca - Duration: 19:31.
Hello and welcome to Early Music Sources.com,
my name is Elam Rotem and today we'll talk about the Romanesca.
In our episode about improvisation we mentioned the Romanesca;
one of the popular harmonic sequences that was used
in countless vocal and instrumental pieces in the 16th and 17th centuries.
In this episode we will have a close look at the Romanesca;
its form, its history, and how it was used in compositions. Let's start.
Why don't we just cut to the chase,
here is the basic form of the Romanesca.
We'll now listen to a very simple rendition of it.
Unless explicitly noted, all the examples played in this episode
were created especially for this occasion.
As you see, the Romanesca is in triple time.
Mostly, it's also in this tonality; second mode if you like,
and always starting on the third degree of the mode.
A very close form to the Romanesca is the Passamezzo,
here is a simple rendition of the Passamezzo.
The only differences from the Romanesca
are the first note of the sequence and the meter;
the Passamezzo starts on the first degree of the mode and is in duple meter.
Pieces based on the Romanesca sequence first appeared
in musical sources in Spain in the middle of the 16th century.
Probably the earliest example is found in a collection by Luys de Narváez in 1538.
Under a variation piece tited "Guárdame las vacas"
there is a piece with the harmonic sequence that will later be called Romanesca
Eight year later, when Alonso Muddara
used the term Romanesca for the first time in a publication,
he titled the piece "Romanesca, or Guárdame las vacas".
In Spain the form remained connected with its original title,
at times indicated simply as Las vacas.
By the way, Guárdame las vacas in English means "look out for the cows".
From that moment and well into the 17th century,
countless pieces were composed using the Romanesca sequence;
from instrumental variation pieces, or partite,
to vocal monodies and duets with basso continuo.
In instrumental pieces the sequence will be repeated with variations,
and in vocal pieces, the sequence would commonly be
the accompaniment for one verse of text,
and then repeated for further verses.
See the footnotes page for a database made especially for this episode
with more than 50 Romanesca pieces.
An explanation for why so many Romanesca pieces were written
could be the fact that, at least in Italy,
the Romanesca was often used as a generic accompaniment for singing poetry,
a bit like the psalm tones in church,
where on a simple musical formula one can sing different texts.
This might also explain how come the Romanesca sequence,
or parts of it or variants of it, are found in so many Renaissance songs.
Here is just a random example from a famous English tune
Now that we have a better idea of what the Romanesca is,
we can examine its form in more details. Let's see.
The Romanesca can be divided into two short musical sentences:
the opening A, and the closing B.
In actual Romanesca pieces there is normally an additional section:
either a repetition of the B part, or a little ritornello or ripresa,
that can sometime be repeated as well.
This additional part might have stemmed
from the original function of the Romanesca
as a generic accompaniment for poetry:
on the A and B the text was sung,
and before the next verse, a little instrumental interlude took place.
Anyhow, it seems that the form was not strict,
as even within one Romanesca piece of a single composer,
one can find variety in the form in the different variations.
Now, while the A is always the same throughout the Romanesca repertoire,
the B, as well as the little ritornelli are sometimes different.
The B part very often will touche the C during the cadence, like this.
I'll play this B part from Ascanio Mayone's Romanesca, published in 1609.
I intentionally won't show you Mayone's score while I play it,
so you can stay focused on the Romanesca's skeleton.
As in many elaborated versions of the Romanesca,
the pace of the sequence is very slow, so there will be place for creativity.
Another variation of the B part, includes skipping the G
and arriving on the C immediately, like this.
In fact, as far as I know it is used only by Bernardo Storace,
in a publication from 1664, but as it so nice, let's have a listen to it.
The ritornello also has several variants throughout the repertoire.
In one of the earliest keyboard versions, by Antonio Valente in 1576,
it looks like that. I'll play from the B part
Here is a later version of the same thing,
but slower and with some diminutions,
an excerpt from a Romanesca found in the Chigi manuscripts,
again starting from the B part.
Another common ritornello form, is just the same,
only detached from the triple meter;
the A and B end with a fermata, and then comes the ritornello.
As an example I'll play the end of Storace's variation we heard before.
In his case, the ritornello is repeated twice.
Now we know the possible forms of the Romanesca, its most basic structure.
Let's see now, in what ways
composers filled the gaps between the given structural points.
The most basic way to elaborate things in the 16th and 17th century
is simply by adding diminutions.
Fundamentally, it keeps the harmonic sequence
and the changes of harmony equal.
This was the case in the first Romanesca pieces.
Mostly however, the notes of the Romanesca were used more as cornerstones,
and in between those, composers were sometimes very creative.
One way to elaborate the Romanesca is by using cadences.
Let's see what happens if we apply different cadences
to each of the notes of the Romanesca.
Let's start with two-step tenor cadences.
By the way, If you are not sure about cadences,
feel free to check out our special episode about that.
Needless to say, these examples are just
for the sake of demonstrating the use of cadences;
such a repetition of a single concept would be considered
by most of the Romanesca composers as not varied enough.
Let's go on with adding an authentic cadence
to each of the notes of the Romanesca.
And now, let's add a plagal cadence to each of the notes of the Romanesca.
The last option would be to put a cantizans clause before each note.
To categorize all these cases as cadences might be a bit theoretical,
so another way to describe it would be to simply arrive
at each of the notes of the Romanesca by ascending stepwise.
Let's listen to an example.
So, by using diminutions and contrapuntal building blocks,
one can arrive at many different renditions of the Romanesca.
Let's continue to some early baroque tricks
one can pull when making a Romanesca.
Some of the differences between the "classical polyphony"
of the high Renaissance and the music of the 17th century
are the texture of the music, and the number of dissonant clashes it contains.
In terms of texture, the complete equality between parts
changed towards the dominance of two upper parts,
often moving in parallels, and a bass.
A nice example for that is the famous Ritornello from Monteverdi's Orfeo.
The two upper parts are often moving in parallel thirds or sixths,
but the main point is that these two parts together
with the bass function perfectly without the two remaining parts;
this five part piece is in fact a trio
with two additional and in fact optional filling parts.
This kind of texture based on two upper parts and a bass
was very prominent from around 1600,
and seem to reflect in some cases the new way in which
composers were thinking about music.
This kind of texture can be seen in many of the 17th century Romanesca settings,
as we will soon demonstrate.
The second characteristic of early 17th century music we mentioned
is the number of dissonant clashes found in the music.
They are often created when different parts
are making diminutions at the same time.
If we take, for example, this simple progression,
and we want to spice it up, we should add simple diminutions.
If we add some diminution in the bass it sounds fine,
and if we add some diminutions in our two upper parts
it also sounds fine,
but what if we add diminutions in the bass
and in upper parts at the same time?
we get a Monteverdian flavoured moment
where most notes are just dissonances.
This is fun, let's make a complete Romanesca variation based on this concept.
Again, this is for demonstration purposes only,
no decent composer from that period would accept
such lack of variety across a complete variation.
Although we have played examples from actual romanesca pieces,
we didn't really look at the scores of any of them.
One reason for that, as I said,
was to make sure you'd be focusing
on the Romanesca's skeleton when listening to the examples,
but another reason, is that in most cases,
Romanesca pieces are notated in a very weird way. Let's see.
So, as the Romanesca is in triple time,
all the examples presented here were in triple time.
But this was only to simplify things;
here is what a typical notation of a Romanesca bass actually looks like.
As you see, it's not in triple time, or is it?
If we look from the second step of the Romanesca,
and ignore the bar lines, it is just like our model.
The only real difference is the first note,
that has four beats instead of three.
This extra beat in the beginning might be explained
by some early Romanesca pieces, that have an upbeat.
So when notating a Romanesca with an upbeat,
and for some reason that is not at all clear to me
using a duple meter for the notation, this would be the result.
This is one of these cases that a rather odd and "unnatural" thing
got standardized and was repeated many times in practice.
You can see how Frescobaldi tries to overcome this
by starting with a pause in some of his variations.
In short, you should remember that
the first note of the Romanesca often has 4 beats instead of 3,
and that there is no correlation between the triple meter of the music
and the meter of the notation.
This phenomenon must be understood
whenever playing or examining a Romanesca.
Now, although we were talking about
how free and creative composers were when making Romanescas,
it should be said that in most ensemble Romanesca pieces,
that is, those for voice or instruments and basso continuo,
the bass was often canonized.
That is, it was already a fixed melody that repeated itself exactly
for every verse or variation.
The composer's creativity in those cases manifested itself
only in the top part or parts.
However, in the case of single instrument variations,
composers were only bound to the skeleton of the romanesca
and were much freer.
Before we finish, let's have a quick look
at the first Romanesca variation of Girolamo Frescobaldi.
As we said, when analyzing a Romanesca,
we should first find the basic skeleton and meter.
After we have found that,
we can mark more musical, and therefore less confusing barlines.
In terms of form we see that Frescobaldi,
at least in this variation, is using A and B, and then repeats the B.
We see that he uses cadential formulas leading to the main points,
we see that he often uses the trio concept
of two dominant and parallel upper voices,
and because it's Frescobaldi,
he also plants some imitations within the variation. Let's listen.
This was our show about the Romanesca, we hope that you enjoyed it!
Don't forget to check the special page on our website
with all the footnotes and other extra information.
Feel free to comment, share, and like, and see you next time at EMS.com.
-------------------------------------------
S. Korea's Blue House unveils documents indicating martial law proposal was more deliberate - Duration: 2:33.
South Korea's Blue House has unveiled new documents that show a controversial proposal
for a martial law believed to have been drafted by the military in 2017 may have been much
more deliberate than initially believed.
Our chief Blue House correspondent Moon Connyoung reports.
Army generals rolling tanks and armored vehicles into downtown Seoul to prevent mass public
protests.
Total control over the media and social network services.
Such scenes of military intervention have not been existent in South Korea since the
country achieved democracy in the late 1980s but, they could have very well played out
in 2017... according to documents unveiled by the presidential Blue House on Friday.
"The 67-page contingency plan states that the key to a successful martial law imposition
are strict confidentiality, swift declaration, and proactive measures by the martial law
army such as taking hold of major pathways.
It also includes a proclamation of an emergency martial law as well as a declaration statement."
A controversy over the military plans arose last week when a ruling party lawmaker disclosed
a document drafted by the Defense Security Command that showed plans to deploy troops
if protests grew violent following a constitutional court ruling in March 2017 that would determine
the fate of then-President Park Geun-hye.
The additional documents unveiled on Friday, however, show that proposal to declare martial
law may have been much more deliberate than initially thought.
The Blue House spokesperson said included in the proposal were plans to swifting deploying
martial law troops on tanks and armored vehicles to more than 490 critical facilities and two
areas in downtown Seoul where mass rallies are expected.
He said the proposal even included plans to bring total control over the media and social
network services by censoring the news, putting the Army Chief of Staff in control of command
instead of the chairman of the Joint Chiefs of Staff under conventional military plans;
having the National Intelligence Service chief be subject to leadership of the top military
commander and outlining measures to prevent parliament from lifting the martial law, once
imposed.
A special investigation team has been probing the case upon a direct order from President
Moon since last week.
"We expect the defense ministry's special investigation team to thoroughly investigate
the legality of the documents and whether the military had intentions to put the proposal
into action... strictly based on law and principles."
Moon Connyoung, Arirang News, the Blue House.
-------------------------------------------
North Korean economy sees sharpest decline in 20 years in 2017:BOK - Duration: 2:05.
A report on North Korea's economy is released.
The estimates by the nation's central bank shows...
Pyongyang experienced the sharpest decline in GDP growth since decades back.
This time the driving factors do not come from within the regime.
Our Ko Roon-hee help us look beyond the digits.
South Korea's central bank released a report on Friday about North Korea's estimated economy.
The Bank of Korea has been releasing data about the North's economy since 1991…using
figures compiled by South Korea's Unification Ministry and intelligence agency.
According to the report, North Korea's estimated GDP shrank 3-point-5 percent on-year in 2017.
This is the biggest decline in two decades.
A BOK official attributed the change to one significant reason: tougher international
sanctions.
Last year, the United Nations Security Council imposed the strongest sanctions ever on the
regime over its continuous provocations including nuclear test and missile launches.
Breaking it down by major industries, North Korea's mining sector shrunk 11 percent in
2017 on year…due to a decrease in coal production.
This is comparable to a 8-point-4 percent growth in 2016.
The manufacturing business also saw a 6-point-9 percent decline in 2017 on year.
This comes after China strictly enforced sanctions in the second half of 2017.
North Korea's agricultural and fisheries output both fell 1-point-3 percent during the same
period, according to the data.
BOK said bad weather conditions hit the already contracting economy.
Meanwhile…
North Korea's Gross National Income per capita stood at around 1,290 U.S. dollars…or around
4-percent the size of South Korea's.
The central bank added this downward trend is likely to continue…especially with the
UN imposing additional sanctions last August and September.
Ko Roon-hee, Arirang News.
-------------------------------------------
Алкоголь и похудение. Как алкоголь влияет на вес #2 - Duration: 4:45.
For more infomation >> Алкоголь и похудение. Как алкоголь влияет на вес #2 - Duration: 4:45. -------------------------------------------
Modificación y mejora de unos Nunchakus - Duration: 5:39.
Modification and improvement of some Nunchakus
Thanks for watching!!!
-------------------------------------------
ЭКСТРЕМАЛЬНЫЙ ПАРКУР | ПОБЕГ ОТ ОХРАНЫ | TEMA BLACK - Duration: 3:39.
For more infomation >> ЭКСТРЕМАЛЬНЫЙ ПАРКУР | ПОБЕГ ОТ ОХРАНЫ | TEMA BLACK - Duration: 3:39. -------------------------------------------
Consumo no etanol da picak-up toro 1.8 flex inacreditável; pônei maldito - Duration: 3:00.
For more infomation >> Consumo no etanol da picak-up toro 1.8 flex inacreditável; pônei maldito - Duration: 3:00. -------------------------------------------
Parodi orang kaya mati orang miskinmati - Duration: 0:11.
the rich die, the poor die, the kings die, ordinary people die
Không có nhận xét nào:
Đăng nhận xét