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Sorteio dia dos namorados - Blog Dicas da Bia - Duration: 3:39.
For more infomation >> Sorteio dia dos namorados - Blog Dicas da Bia - Duration: 3:39. -------------------------------------------
OCEANOGRAPHER STATES DEEP BELOW THE 'BERMUDA TRIANGLE' IS OTHERWORDLY TECHNOLOGY! - Duration: 2:40.
OCEANOGRAPHER STATES DEEP BELOW THE 'BERMUDA TRIANGLE' IS OTHERWORDLY TECHNOLOGY!
What can we tell about the mysterious phenomena that occur in the massive watery region known
as the 'Bermuda Triangle', also called 'The Devil's Triangle'?
One thing is for sure, that mysterious disappearances of airplanes and ships did occur around the
area and nobody knows why sparking all sorts of crazy theories about the place.
The Bermuda Triangle connects from Florida, Puerto Rico and Bermuda and stretches across
less than a thousand miles between each point.
According to a German oceanographer, his team and he found that deep below the Devil's Triangle
are strange massive structures.
These structures seem to have a flat surface, and all indicates to a pyramidal shape and
perhaps of glass nature.
All according to Sonar analyzes.
The pyramids appear to be incredibly big, far bigger than the megalithic Pyramid of
Giza.
Experts claim that deep below the Bermuda's Triangle, is something otherwordly and that
current technology is not capable of further researching the bizarre region.
Watch the following video to know more!
See Oceanographer States: Deep Below The 'Bermuda Triangle' Is Otherwordly Technology!.
The link is below in our description
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Judge hears final motions before 3rd Dalia Dippolito trial - Duration: 1:52.
FROM
THE COURTROOM.
TERRI: DALIA DIPPOLITO'S EXPERT
WITNESS TESTIFIED SHE HAS TAUGHT
COURSES ON THINGS CALLED HOW TO
SPOT A LIAR AND SHE TESTIFIED
THAT SHE DOES NOT THINK DALIA
DIPPOLITO REALLY MEANT IT WHEN
SHE SAID SHE WANTED TO HIRE A
HITMAN TO KILL HER HUSBAND.
SHE SAYS THE VIDEO OF DIPPOLITO
HIRING A HITMAN TO KILL HER
HUSBAND, SHOWS THAT DIPPOLITO
DIDN'T REALLY MEAN IT, OR WANT
HIM DEAD, EVEN THOUGH SHE SAYS
ON TAPE SHE'S 5000% SURE.
>> A LOT OF TIME PEOPLE SAY
THINGS BUT THEIR FACIAL
EXPRESSIONS BETRAY THEM.
THIS IS WHAT THE CASE WAS.
SHE DIDN'T BELIEVE WHAT SHE WAS
SAYING.
TERRI: DIPPOLITO'S CLAIMS SHE
WAS SET UP BY COPS.
THEY FORCED AN UNDERCOVER
INFORMANT TO PRESSURE HER TO GO
ALONG WITH THE PLAN TO HIRE A
HITMAN JUST SO THE COPS COULD
MAKE AN ARREST.
AND SHE DID IT, HER LAWYER SAYS,
BECAUSE DIPPOLITO WAS A BATTERED
WIFE WHOSE MENTAL STATE MADE IT
EASY FOR A MAN TO COERCE.
BUT THE STATE SAYS THIS EXPERT
DOESN'T HAVE ENOUGH TRAINING IN
BODY LANGUAGE TO TELL THE JURY
HER ANALYSIS OF WHETHER
DIPPOLITO HAD MURDEROUS INTENT
OR NOT.
>> ARE YOU SURE YOU WANT TO DO
THIS AND SHE GOES, 5000% SURE.
BUT SHE SHAKES HER HEAD NO.
TERRI: THE JUDGE OF SAYS THAT IS
NOT EVEN A CLOSE CALL.
SHE WILL NOT LET THE BODY
LANGUAGE EXPERT TESTIFY.
HE WILL LET THE OTHER EXPERT
WITNESS TESTIFIED ONLY UNDER
CERTAIN CONDITIONS.
DALIA DIPPOLITO FIRST TEST TO
-------------------------------------------
MCSO temporarily suspends search for missing man - Duration: 1:17.
HINDERING TODAY'S SEARCH.
>> ALL THESE TRAILS HAVE BEE
DONE BY FOUR WHEELERS.
OUR GUYS WALKED ALL OF THIS
TODAY THIS MORNING.
>> WE HAVE WALKED THIS ENTIRE
AREA RIGHT HERE.
ANGELA: SEARCH CREWS ARE GOING
OVER THE AREAS ALREADY COVERED.
THEY RETURNED TO SAVANNAH
PRESERVE STATE PARK THURSDAY
MORNING ONE LAST TIME TO
CONTINUE LOOKING FOR 61-YEAR-OLD
JAMES YOUNG.
THE PORT ST. LUCIE MAN WITH
DEMENTIA WAS LAST SEEN MONDAY
MORNING LEAVING HIS HOME.
POLICE SPENT TWO DAYS SEARCHING
FOR HIM.
BUT ON WEDNESDAY, HIS WIFE
MENTIONED HE USED TO LIKE RIDING
HIS BIKE THROUGH SAVANNAH
PRESERVE STATE PARK.
POLICE ALERTED PARK RANGERS WHO
FOUND YOUNG'S BICYCLE ABOUT A
MILE INSIDE THE PARK.
>> SO ALL THIS HAS BEEN TRACKED
BY THE DOGS.
>> BUT THE DOGS CONTINUOUSLY
KEEPS GOING HERE, RIGHT?
>> YEAH.
ANGELA: SEVERAL AGENCIES
INCLUDING THE FWC AND DEPARTMENT
OF CORRECTIONS ARE HELPING WITH
THE SEARCH.
THE MARTIN COUNTY SHERIFF'S
OFFICE SAYS THEY WILL NOT GIVE
UP.
BUT WITH SEVERE WEATHER
APPROACHING, RESCUERS SUSPENDED
THE SEARCH AT AROUND 2:30 IN THE
AFTERNOON.
THEY SAY FROM THIS POINT ON, LAW
ENFORCEMENT OFFICERS WILL
CONTINUE ROUTINE AIR AND GROUND
PATROLS.
>> THE ULTIMATE HOPE IS TO FIND
MR. YOUNG ALIVE.
WE WOULD LIKE TO BE ABLE TO
-------------------------------------------
BUILDING A MUSIC FESTIVAL BUSINESS?! - Duration: 8:37.
For more infomation >> BUILDING A MUSIC FESTIVAL BUSINESS?! - Duration: 8:37. -------------------------------------------
Donald Trump gives the world "covfefe" and the internet goes crazy - Duration: 1:22.
Donald Trump gives the world �covfefe� and the internet goes crazy
As of 5:53 a.m. ET Wednesday morning, President Trump�s �covfefe� tweet has been deleted
from his personal account, a violation of the Presidential Records Act if there ever
was one.
Because, you see, �covfefe� was no mere grammatical error on POTUS�s part.
Those are legion.
When the president had bestowed his latest neologistic turd unto the world at 12:06 a.m.,
�covfefe� instantly became a historical swath of the American fabric, a symbol of
our nation�s indefatigable commitment to be known as idiots across the globe.
And we will continue to prevail.
For those of you who were asleep during this six-hour window, the meaning and import of
the tweet is not clear.
The safest bet is that the president was upset at the media coverage on his incompetence
or corruption or weight gain and lashed out at the press.
And, in a childish kneejerk, �Despite the constant negative press covfefe� was born.
-------------------------------------------
She bad girl Brayrri (Audio) - Duration: 3:17.
For more infomation >> She bad girl Brayrri (Audio) - Duration: 3:17. -------------------------------------------
Beer of the Month: June – Great Lakes Dortmunder Gold - Duration: 1:03.
Jonny: Hey Wisconsin! I'm Jonny.
Danny: I'm Danny.
Jonny: And today we've got our featured beer for June from Cleveland, Ohio,
Jonny: Great Lakes Brewing Company's Dortmunder Gold.
Jonny: What's so gold about it, Danny?
Danny: Jonny, this beer is gold because it won all the gold.
Danny: It's like the Mr. T of beers, pretty much. <i><b><u><font color=#00000000></font></u></b></i>
Danny: This beer won sixteen championships-- medals over the World Beer Cup
Danny: and pick up some gold at the Great American Beer Festival.
Jonny: That's pretty golden.
Jonny: This is a type of beer you can serve in basically, in any function.
Danny: Yeah.
Jonny: It's classy enough for dressed-up event,
Jonny: and it's attainable enough for your backyard on a Wednesday night.
Danny: Yeah, it's got character, but at the same time it's pretty light.
Danny: It's a very approachable beer, but elegant at the same time.
Jonny: So this is the perfect summer time beer to put in your Build-Your-Own Six-Pack at Pick 'n Save.
Jonny: You probably want to build a couple of them.
Danny: Yeah, I'd agree with that.
Jonny: Until next time, Wisconsin! I'm Jonny.
Danny: And I'm Danny.
Both: And we're The Full Pint.
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Magpie Syndrome - the danger of not sticking to your plan - Duration: 5:19.
'Magpie Syndrome' - have you got it? Now Magpie Syndrome, (there's a magpie, look) is
a very dangerous temptation to see something new and shiny and kind of go
and chase after it instead of sticking to what you do. It's dangerous because
much of our success in business comes from exactly the opposite, from sticking
to something and following through and not getting distracted by new shiny
things like that Magpie. I've drawn you some little pictures
to explain what I mean. Often, in business we imagine success.
It goes like that, someone starts here and they get to there and it's kind of a
straight journey along the way that's a fantasy is not real. With a Magpie
Syndrome, you don't even get there. If you're not careful, you can end up going
nowhere or right back where you started. And that's no good. A more true picture
is probably something like this, where you kind of make your way, winding way
towards your ultimate goal because you keep dragging yourself back to that plan
you made and being disciplined about it. Now I'm Jon of course, I'm from Small
Fish. I'm a business coach. I work with tradies who want to grow and scale
their business, and I run that program called the Tradies Toolbox Coaching
Program. And part of scaling your business is doing exactly what I've just
been talking about, it's about making a plan and sticking to it, (underline that
in my notes here) and that's important but sticking to it a bit is the really
important bit. Most success in business comes from having that stamina and
sticking on the path, sticking to it, staying with the program and keep doing
the stuff. Most of the stuff we do takes time. We don't really call a
website and get rich suddenly. We don't really hire a person and suddenly
they're efficient and effective and we can go and sit on our yacht.
I think Gary Vaynerchuk is one of those internet millionaires who
sadi, "Most overnight success stories, had 10 years of hard work beforehand." So,
the sticking to it part is really important. So if you're constantly
changing direction, you can end up going nowhere like Mr. Magpie and of
course the problem for us is that we're constantly being shown shiny things that
we might like to go and investigate and play with right? We're constantly being
bombarded with stuff, we really ought to be doing. We should be doing SEO, we
should be doing AdWords, we should be doing Facebook marketing, you should be
advertising in Yellow Pages, HiPages, all those other pages. You
should be doing Facebook advertising, should be on Instagram, you should be
doing email marketing, you should get an app. You should buy this
software, or you should buy that software. You should advertise here or advertise
there, there's so many things you should be talking but that was really
only marketing I was talking about there. Some of them are good things, some of
those strategies are good strategies. In fact, many of them have validity
in our market and we can't do them all, and if you continually change your mind
and go off and try something new, and then give it up and try something new,
you're going to fail and you're going to end up back where you started. Most
of those strategies are good strategies, if you do them properly, if we kind of
commit to them, and see them through to the end. All right, hands up if you've got
a website that you've built that doesn't really bring you many leads. Or if you've
got a Facebook page, that ditto, that doesn't really bring you much stuff
because you know and you're honest with yourself, you're a bit half-ass with it.
It's quite common and you shouldn't feel too bad, you should guard
against Magpie Syndrome. So what to do? It's very simple isn't it, you make a
plan you, write it down (that's important) you stick to it and you keep on sticking
to it for long enough. Keep away from those Magpies. You ignore all that
noise, saying, "Try me. Do this." Now guess what I do. I'm a business coach and I help
people make a plan, write it down, and stick to it. And part of what I do
is say to people, "No don't do that, we've made a plan. Stop fiddling about with the
shiny things. Stick to your plan." It's important, that part is important. I've
spent a lot of my energy reminding people that we've got a plan and we need to
stick to it. And I've also done lots of work to make
sure that the planner I helped you write, is the right stuff. And I've
tried to show you some of that in these videos. So, here's my question for you.
Have you got a strategy? Have you written it down? Go on if you have, write me a
comment, and say, "Yes, Jon, I've been clever. I have a strategy. I've written it
down and I'm sticking to it." And if you haven't got one of those, maybe you
should get in touch. See you later.
-------------------------------------------
Step Into Liquid (2003): 37:29 - 37:39 (1080p) - Duration: 0:11.
Talent's fine, but funny's a lot better.
Those that are too serious are treated like Hare Krishnas at the airport.
Because after all, why surf if you're not having fun?
-------------------------------------------
Soviet Montage: Crash Course Film History #8 - Duration: 12:29.
The Russian Revolution marked the first major civil war fought in the age of cinema.
And the big winners in that struggle understood the unique ability of film to change minds
and inflame hearts.
Today, we'll meet a bunch of filmmakers who spent as much time studying films as
they did making them.
We'll see the founding of the world's first film school.
And we'll watch the rise of a cohesive, self-conscious, and game-changing film movement
that would unlock the power of the cut to create meaning, shape public opinion, and
call a hungry populace to action.
It's time to cut... to Soviet Montage.
[Opening Music Plays]
In 1917, the second of two violent revolts
in Russia, led by Vladimir Lenin, overthrew the Tsar and brought the Bolsheviks to power.
"Bolshevik" means "majority" in Russian, by the way, and this political movement grew
from the peasant and working classes who acquired their power through persuasion and force.
That's important.
You should remember that.
Because the resulting government, ruled by what would become the Communist Party, was
organized around principles of workers' rights, state control of industry, and the
suppression of dissent.
So the government took a strong interest in film, because it recognized cinema for what
it was – a powerful tool for social and political influence.
But before it could get that engine started, the party had a few obstacles to overcome.
First, it needed to centralize the Russian film industry.
Prior to the revolution, there were a lot of production companies, mostly making pro-Tsarist films.
In 1918, the new Bolshevik government did what Germany had done in creating UFA – which
we talked about last time.
They took over the studios, combining them to form one state-owned company called Narkompros,
also known as The People's Commissariat for Education.
Second, and more importantly, there was virtually no raw film stock in the country.
You're gonna need film stock if you're gonna make films.
The revolutionary government choked off imports,
and Russia didn't have the capacity to manufacture much of its own stock.
So, some enterprising Russian filmmakers took a different approach.
They started studying films.
What?!?! That's what you're doing right now!
And they didn't just watch them; they dissected them.
Literally.
They took the actual reels of film, cut them apart, and analyzed them.
How long were the shots?
What was the camera angle?
How was the image composed?
How did they do the thing?
And most importantly, how were the shots edited together?
In what order, and why?
Then they began experimenting – rearranging the order of the shots, shortening some, repeating
others – all to see what the effects might be.
To encourage this experimentation, the government founded the world's first film school in 1919.
It was called VGIK, or the State Institute of Cinematography.
The most well-known and influential teacher at this new school was the filmmaker Lev Kuleshov.
And his most famous discovery bears his name and provided his students with the cornerstone
of a new cinematic philosophy.
What he discovered is now known as the Kuleshov Effect, and it came to light like this:
Kuleshov took a shot of a well-known Russian matinee idol named Ivan Mosjoukine
staring off-camera with no expression.
He then cut to an image of a bowl of soup, and then back to the shot of Ivan.
When he asked viewers what Ivan was feeling, they said he was hungry.
Kuleshov then took the same footage of Ivan, but this time intercut it with a shot of a
girl in a coffin.
Now, the audience said Ivan felt sad.
Finally, Kuleshov projected the shot of Ivan, then cut to a woman on a couch.
The viewers said he was feeling desire.
The Kuleshov Effect suggests that viewers draw more meaning from two shots cut together,
than either shot on its own.
And the Soviet filmmakers believed that phenomenon was the true power of cinema, something
no other art form can do: juxtapose two images in real time to create a new, and sometimes
unrelated, meaning.
It's also one more example of film as an illusion of reality.
Kuleshov took Georges Méliès one step further: not only can a cut be used to hide a magic
trick, it is a magic trick!
And that wasn't Kuleshov's only contribution.
Or his only illusion.
He also developed a concept called Creative Geography, also known as Artificial Landscape.
This effect can be created when two segments of film shot in entirely different locations
are cut together to make them appear to be happening in a continuous space.
If you've watched Doctor Who, this is how they make it seem like the TARDIS is bigger
on the inside.
Just kidding. It actually is!
We call the overarching theory of film developed
by Kuleshov and his students Soviet Montage.
Montage comes from the French word, meaning "assembling" or "editing" or... "montage."
And the theory of montage proposes that films derive their ultimate power and meaning through
the way the shots are cut together – their order, duration, repetition, and rhythm.
Beyond that, Soviet Montage filmmakers believed that for film to reach its true potential,
the cuts themselves should be visible.
The audience should be aware of them.
That the illusion should be obviously constructed, and not hidden.
We call this style of editing discontinuity editing, and it fit quite neatly into another
political idea the Soviet Montage filmmakers had: that the artist was an engineer, simply
another worker, joining shots the way a brick-layer builds a wall or a factory worker assembles
a vehicle.
For these folks, the process of filmmaking was as much a political statement
as the movie itself.
Within Soviet Montage, there are a lot of ways to juxtapose images.
There's Intellectual Montage, for example, which refers to the juxtaposition of two otherwise
unrelated images to create a third idea in your mind.
This is the purest form of Soviet Montage, and Kuleshov's experiment is a perfect example.
Ivan's face juxtaposed against soup equals hunger.
Tonal Montage puts together two or more shots that have similar tonal or thematic qualities.
The idea here is that these shots build on one another and reinforce the emotional or
psychological meaning the film is trying to convey..
Two rams butting heads next to a fist next to people rioting and you've got images
that may make you think of conflict.
But, a flower opening next to a baby yawning next to a sunrise might be beginnings.
To take a great – and decidedly non-Soviet example – think about Dumbledore's death
scene in Harry Potter.
The shots between Snape and Dumbledore are drawn out, still, each wrestling with his
emotions, followed by Dumbledore's slow-motion fall.
Metric Montage dictates that shots are cut after a specified number of frames, regardless
of what's happening in the shot.
This can be quite jarring, as on-screen actions are interrupted, but the rhythm of the editing
itself has a psychological effect.
The speeding up or slowing down of edits can greatly affect the amount of tension the audience
is feeling.
There are moments in the famous shower scene from Psycho where Hitchcock uses this technique,
cutting between the knife and the victim without regard for continuity, tone, or musical rhythm.
And, any modern action movie tends to pick up the pace of the editing as the fight scenes
pick up intensity.
Rhythmic Montage, on the other hand, matches the cuts to music, sound effects, or action on screen.
Marching feet or beating drums.
Modern movie trailers do this all the time, using music to link various shots from a movie.
And finally, overtonal Montage is the combination of metric, rhythmic, and tonal montage.
One of the best examples of Overtonal Montage
comes from the final stand off in The Good, The Bad, and The Ugly.
we see Tonal Montage in the Mise en Scene. Desert, cracked Earth, tired and weathered faces,
a cemetery, this is the end, death is coming.
[Craig sings theme from The Good, The Bad, and The Ugly]
Rhythmic Montage is pretty obviously used as the scene is punctuated
with cuts of the 3 gunslingers based on the rhythm of Ennio Morricone's incredible score.
Finally, Metric Montage.
We begin the sequence is long cuts
but as the intensity picks up, we cut faster and faster and faster UNTIL!
Now, imagine you're a Soviet Montage filmmaker, and you've spent months or years studying
films and developing your theories.
What happens when you finally get your hands on some fresh film stock in the early 1920s?
That's right.
You start making films with a vengeance.
Not, like, films with "a vengeance" in the title, like Die Hard with A Vengence
but like, you make films with the attitude of vengeance.
One of the most influential Soviet Montage filmmakers was a former engineering student
named Sergei Eisenstein.
It was Eisenstein's second feature film, Battleship Potemkin, that launched him to
international fame and provided a blueprint for how filmmakers could incorporate Soviet
Montage theories – particularly intellectual montage – into fiction films.
Made in 1925, Battleship Potemkin tells the true story of a mutiny aboard a Russian battleship
in 1905.
Rather than focus on a single protagonist, the film dramatizes the miserable conditions
of the sailors as they toil under officers who beat them and deprive them of food.
In the film's most famous section, the Odessa Steps Sequence, the sailors are cheered on
by the people of Odessa… until Tsarist troops show up and slaughter the crowd.
The shots themselves are fairly horrifying – bullet wounds, trampled children, anguished
parents, a baby carriage rolling perilously through the middle of the battle.
But Eisenstein's real innovation lies in the use of montage to bring life to the chaos,
madness, and violence of the action.
Eisenstein wanted the juxtaposition of sometimes-unrelated images to jolt the audience out of their complacency.
The film is also a powerful piece of propaganda, which we'll define as a biased or misleading
communication designed to promote a particular point of view.
And just because something's propaganda doesn't mean that it's false.
The Tsarists really did put down a revolt in Odessa in 1905!
But by making the sailors and civilians so innocent and the officers and Tsarist troops
so cruel, the film comes down on one side and stokes the viewer's outrage against
the other.
We've seen this before – in the egregious re-writing of American history in Birth of
a Nation – and we see it today – in everything from political ads to issue documentaries.
Film was and remains one of the most powerful tools of persuasion in the world.
Another Soviet filmmaker who excelled at persuasion, but took a different approach to montage,
was the documentarian Dziga Vertov.
Vertov began his career as an editor in 1918, before becoming a cameraman and travelling
around the country taking newsreel footage.
Vertov was an opinionated and rigorous thinker, and he banded together with other like-minded
documentarians to propose their own ideas about film.
They called themselves "Kinoki" or "Cinema-Eye" and
wrote manifestos dissing fiction films.
They believed that only documentaries could be true and honest.
Vertov's goal was to use the camera to record quote-unquote "reality," and then arrange
his shots using montage to create pure meaning, rather than tell a story.
His masterwork is The Man with the Movie Camera, made in 1929.
It follows a day in the life of a city, from empty streets and sleeping figures through
work and meals and evening traffic.
Actually, the film is as much about the process of making the film as it is about anything else.
We see the cameraman shooting the footage.
We see the editor, Yelizaveta Svilova, who was also Vertov's wife, choosing shots and
cutting them together into sequences that we then see unfold on screen.
Vertov uses special effects, freeze frames, special camera rigs, animation, compositing,
even non-linear editing – all the tools cinema had at the time.
He painted a portrait of his city, its people, and the artist as an engineer, pulling back
the curtain to reveal the truth of how the film was made.
But of course, as we've talked about, film is ultimately an illusion of reality, not
reality itself.
Film scholars have long recognized that however useful Vertov's theories were in making
films, they don't account for the fact that all moving photographs are by nature constructed realities.
Whether they're in service of a fictional story or a documentary, they're chosen and
cut together to articulate a point of view.
Just as there's very little "reality" in reality TV, so Vertov's documentaries
are simply a different use of the magic trick of film.
As power shifted to Stalin, western films began to pour back into the U.S.S.R., and
film stock became more readily available.
And the government cooled on the esoteric Soviet Montage filmmakers.
Audiences wanted something more accessible, more emotional.
Socialist Realism, which began as a movement in literature, became the state-supported
style of cinema.
Filmmakers were told to focus on realistic stories that supported communist values.
A sort of propaganda-through-relatability, rather than abstract theory.
A prime example of this is the 1935 film Youth of Maxim.
The story follows a naive, young factory worker in pre-Revolutionary Russia who helps his
colleagues hide a subversive teacher from the police.
Over the course of the film, the young man is radicalized and eventually joins the Revolution.
Rather than use jarring cuts and juxtaposition, the film relies on a much more smooth, mainstream
style, encouraging viewers to identify with the character and buy into the reality of
the story.
That brought an end to the Soviet Montage movement.
As often happens, however, the techniques developed by the Soviet Montage filmmakers
continue to influence cinema to this day, in everything from the shower scene in Psycho,
to the latest music video.
And movie trailers… pretty much all the movie trailers.
Today we learned how the Russian Revolution led to a subsequent revolution in cinema.
We talked about how the Soviet Montage filmmakers believed editing was the most foundational
element of film technique.
We looked at some of the filmmakers who put those theories into practice, and how their
films worked as state-sponsored propaganda.
Next time, we'll cross back to Hollywood to witness the Golden Silent Era and the rise
of the studio system – where movies were made as art, entertainment, and commerce,
more often than political statements – as the story of film continues.
Crash Course Film History is produced in association with PBS Digital Studios.
You can head over to their channel to check out a playlist of their latest amazing shows,
like Brain Craft, It's Okay to Be Smart, and Physics Girl.
This episode of Crash Course was filmed in the Doctor Cheryl C. Kinney Studio with the
help of all these nice Kinoki and our amazing graphics team, is Thought Cafe.
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Family Finger (Daddy Finger), Sesame Style with Elmo, Big Bird, Bert, Ernie Brownies! - Duration: 1:19.
[intro music]
>> Daddy finger, Daddy finger, where are you?
>> Here I am. Here I am. How do you do?
>> Mommy Finger, Mommy Finger, where are you?
>> Here I am. Here I am. How do you do?
>> Brother Finger, Brother Finger, where are you?
>> Here I am. Here I am. How do you do?
>> Sister Finger, Sister Finger, where are you?
>> Here I am. Here I am. How do you do?
>> Baby Finger, Baby Finger, where are you?
>> Here I am. Here I am. How do you do?
[closing music]
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Social media brings new leads in missing girl case - Duration: 0:58.
TST ON THE INVESTIGATION.
TED: MCCALL BEACH COUNTY
SHERIFF'S OFFICE HAS TAKEN A
DIFFERENT APPROACH TO BRING
ATTENTION TO A DECADES-OLD
MURDER MYSTERY.
CHRISTY LUNA WAS EIGHT-YEAR-OLD
WHEN SHE DISAPPEARED FROM NEAR
HER GREENACRES HOME MAY 27,
1984.
SHE WAS NEVER FOUND.
LAST WEEKEND, THE SHERIFF'S
OFFICE DEDICATED THREE DAYS TO
SHARING LUNA'S STORY THROUGH THE
EYES OF THE EIGHT-YEAR-OLD GIRL.
THEY POSTED HEAVILY ON TWITTER
AND ALSO SHARE IT ON FACEBOOK
AND INSTAGRAM UNDER
#JUSTICE-4-LUNA.
>> IT HAS GENERATED SOME NEW
INFORMATION.
IT IS A GREAT WAY TO GET IT OUT.
I REALLY APPRECIATE EVERYTHING
WE DID TO PUT THIS OUT TO THE
PUBLIC AND MAKE MORE PEOPLE
AWARE OF IT.
>> I FEEL VERY GOOD ABOUT THIS.
TED: OFFICIALS SAY MORE THAN TWO
MILLION PEOPLE HAVE SEEN THE
POSTS ON SOCIAL MEDIA.
-------------------------------------------
Couple steals car during test drive - Duration: 1:46.
BEHIND.
FELICIA: ANGELA ROZIER SPOKE
WITH THE VICTIMS AND HAS THE
LATEST FROM PORT ST. LUCIE.
ANGELA: THIS PORT ST. LUCIE
WOMAN HAS A STORY TO TELL.
>> I HAD POSTED OUR VEHICLE FO
SALE ON LET GO, ON THE APP AND I
WAS CONTACTED BY A COUPLE WHO
WANTED TO COME AND BUY IT.
ANGELA: THIS IS A PHOTO OF CAR
-- OF THAT CAR THAT WAS FOR
SALE.
A 1999 MERCEDES SUV.
SHE SAYS THE COUPLE SHOWED UP AT
HER HOME AT AROUND 7:00
WEDNESDAY NIGHT.
>> THEY WERE HERE LOOKING AT IT
CHECKING IT OUT WANTED TO TAKE
IF FOR A TEST DRIVE AROUND THE
BLOC AND THEN NEVER CAME BACK
BUT THEY LEFT A VEHICLE HERE
WITH US.
ANGELA: SHE AND HER FIANCEE
WAITED FOR ABOUT 30 MINUTES
HOPING THE COUPLE WOULD RETURN
WITH THE CAR.
THE VEHICLE THEY ARRIVED IN WAS
STILL PARKED OUTSIDE THEIR
HOUSE.
>> IT WAS STARTING TO GET DARK
OUT AND I WAS GETTING CONCERNED
SO I ASKED HER CAN YOU PLEASE GO
AHEAD AND TRY TO CONTACT THESE
PEOPLE AND TRY TO FIND OUT WHERE
THEY WENT.
ANGELA: SHE DID AND WHEN SHE GOT
NO RESPONSE, SHE CALLED POLICE
AND STARTED CHECKING SOCIAL
MEDIA.
>> WHEN I WAS SEARCHING HER
FACEBOOK PAGE THERE WAS A PHOTO
OF HER AND HIM TOGETHER, SAYING
WE'RE BACK TOGETHER, BONNIE AND
CLYDE, AND THAT'S WHEN I WAS
STARTING TO GET A LITTLE BIT
MORE SUSPICIOUS AND LIKE OK,
THIS THE REAL THING, THIS IS
HAPPENING TO US.
OUR VEHICLE IS STOLEN.
ANGELA: ACCORDING TO A POLICE
REPORT, INVESTIGATORS ARE
LOOKING FOR BRIAN SPANKE.
SPANKE IS LISTED ON A BROWARD
COUNTY BOOKING REPORT ACCUSED OF
GRAND THEFT DOWN THERE BACK IN
FEBRUARY.
HE'S THE SAME MAN THE VICTIMS
SAY TOOK THEIR SUV.
>> WHETHER WE RECOVER THE
VEHICLE OR NOT, YOU KNOW, WE'RE
STILL TRYING TO KEEP HIGH
SPIRITS AND TRY TO MAKE IT
THROUGH THIS.
>> AND HOPEFULLY WARN PEOPLE
THAT THEY DON'T BECOME A VICTIM
LIKE WE WERE.
ANGELA: INVESTIGATORS SAY IF YOU
SELL SOMETHING ONLINE AND NEED A
-------------------------------------------
Peinados con gorro - Duration: 6:28.
For more infomation >> Peinados con gorro - Duration: 6:28. -------------------------------------------
Philip Morgan Lewis - Foxes On Red Leaves (Music Video) - Duration: 3:59.
Foxes on red leaves
Wake my baby at night
As she goes back to sleep
I feel safe for a while
Foxes on red leaves
Tear the shadows apart
As the lurk in the dark
They will dig up my heart
Am I too far gone
If there's a light please shine it on
I wanna shout
And wail 'til I'm wild
Just got a lot on my mind
Am i losing it babe
Just got a lot on my mind
Foxes on red leaves
Sink their jaws in my veins
As they go for the kil
And I can feel no pain
Foxes on red leaves
Keep on calling for more
As I roll up my sleeve
I shall fear them no more
Am I too far gone
If there's a light please shine it on
I was once bright
But I've gone all dark
Are we too blind to see
Life has been made a mockery
We were once strong
But it's gone all wrong
Just got a lot on my mind
Am I losing it babe
Just got a lot on my mind
Just got a lot on my mind
Am I losing it
-------------------------------------------
[ELRIS] Showcase Press - KSTATION TV - Duration: 20:35.
Today, ELRIS made their debut.
Hunus Entertainment's TOPP DOGG's little sisters took their first step in front of the press,
which came massively.
The 5 girls presented several tracks and covers,
including Sohee's one, who debuted solo a few days ago.
The lovely ELRIS are getting into it and they will work hard to have you fall for their music.
More showcases and videos, always on Kstation TV.
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