Thứ Tư, 17 tháng 10, 2018

Waching daily Oct 17 2018

If one's mother and wife are involved in a never-ending dispute,

and there is a danger of their rights being violated, what should he do?

The best option is that he should go on French leave.

This is not only a joke.

There is no better option when your mom and wife indulge themselves in an argument.

It means that when such a situation occurs, you should avoid taking sides.

Since the arguers are your mother and your wife, you must make sure

that the step you take should be based on truth and justice.

Allah Almighty has clearly told us in a verse of Surah al-Nisa (4) which reads:

O you who have believed, be persistently standing firm in justice, witnesses for Allah,

even if it be against yourselves or parents and relatives. (Q 4:135)

It also says that this truth should be spoken for Allah.

At the end of the verse He says that you must speak truth and do justice even if

you are speaking against your mother, father or any other family member.

Therefore, a Muslim must remain steadfast on truth.

However, in matters of mother, you need to act wisely while telling the truth.

You should try to avoid causing any injustice.

You should also avoid taking sides and try to prevent such testing situations.

However, after all these efforts, if you need to stand with someone,

you must make sure that you stand with truth, not with mother or wife.

For more infomation >> Conflict Between Mother and Wife | Javed Ahmed Ghamidi - Duration: 2:15.

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[SORI] Behind The Scene @ MBC Show Champion! EP2 - Duration: 4:58.

Sori's YouTube Channel

What's the highlight of today's outfit?

The highlight would be...

The color, black!

The dance crew will also be wearing black outfits.

Even though my hair color's black,

I wore this "zig-zag cup" for the first time too.

I didn't think I'd be able to wear this on national television...

(Sori getting pumped)

Today, I really wanna dance like this...

(The camera's following along as well.)

I look like a drunkard.

Someone commented, "I'm not sure if Sori's pale or the dancers are tanned"

Someone asked that question. To answer that,

It's both, she's pale and we're darker-skinned

I would have answered like,

The dancers are way hotter than Sori.

I've gotta agree.

That's because we are way darker than you are.

The most important thing is that all these dancers...

They're in their early 20's, they're still young'uns

How come I'm not sexier than they're?

This pisses me off!

What do you kids know about being sexy?

(Sori on LIVE stage for Show Champion!)

Thanks for the hard work!

I made some bold dance moves wearing this outfit today,

I ended up messing up my hair.

I'm not sure how well I did,

but I had a great time up there, I heard fans screaming and chanting my name too!

I saw cards with my name on, and could hear fans cheering!

Fan manager has been doing a great job it seems.

(Thanks for your hard work!)

- How was it? - You're so pretty, Sori unnie!

All of you guys are trying to suck up, so I'm not gonna pay attention to what you're saying.

Seriously, you looked really sexy on stage today!

Show Champion stage has come to its successful end!

I'm gonna give my best tomorrow too!

I'm heading back to the studio, because...

Say hi~

- Are you shooting for YouTube channel? (Si-yeon and Yoo-hyeon of DREAMCATCHER)

(DREAMCATCHER-JiU)

Your song's so awesome!

Being a solo artist is lonely sometimes! I wish I had other members...

Fighting, Sori unnie!

Pretty Sori unnie fighting!

DREAMCATCHER fighting! DREAMCATCHER the best!

Could you say hello to my YouTube channel?

Also ran into High Soul, who has worked with Mint before.

- This is the 2nd time running into each other. - Right, the 2nd time!

You have my support!

(I'm gonna go to the curtain call, brb)

It's finished~~~

Today's schedule has come to its end without a hitch! I noticed that my fans' voices got so much louder!

Even though it's a shame that this is the last week

I'm excited to see some growth and progress.

Meantime, I'll work harder tomorrow!

SHOW CHAMPION staff, thank you very much!

Thank you very much, I love you all~ (Fans were waiting outside!)

For more infomation >> [SORI] Behind The Scene @ MBC Show Champion! EP2 - Duration: 4:58.

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Norse Spirituality - The Parts of the Self - Duration: 36:33.

Hello my dear friends, my name is Arith Härger and today I'm going to talk about the Parts of the Self in the Norse spiritual understanding

When speaking about Norse spirituality it's inevitable talking about certain concepts belonging to the spiritual reality of each individual

and how they influence our very existence and our relation with the natural world, the gods and the cosmos

And so far in many videos I've often mention certain terms such as Fylgja, Hamr, Hugr, Hamingja, etc.

but I usually give you a superficial understanding of what those are to avoid creating a second subject within a video whose main purpose is not to explain any of these concepts

So today I've decided to create a video solely to develop each concept belonging to the parts of the self

and this video shall serve as your "note book" to consult whenever you need to remember these concepts.

Now, this subject is extremely complex to put in one single video, but I've tried my best

but even so I'll advise you to take out your actual note books to write these down

I'm going to talk about Lik, Ond, Hugr, Minni, Fylgja, Vard, Hamr, Od, Hamingja, and finally Maegen

So, with no more delay, let's get started my dear friends

Unlike the religious realities we are so familiar with, in terms of the concept of the soul the Nordic spirituality does not include a simplified separation between body and soul

For instance, Christianity is clear on this subject, the soul lives within the body but upon death there is a clear detachment from the physical-self

the body is one thing and the soul is another which sooner or later travels into some unreachable place and disconnects itself from our reality

A clear separation from the body, mind and soul, quite simple

But to the Norse the self was a more complicated entity

It wasn't a single entity, there wasn't a clear union

instead there is a sort of compression of different parts that made the self and those parts coexist and can detach themselves from one another in certain circumstances

and some of these parts have a conscious of their own

In the Norse description of the human being

there are many aspects of the soul and these aspects compose the individual both the physical and the psychological

And if we take a look at how humans came to be in the Norse myths we have a clear perception of the parts of the self:

Humans were not created by the gods

Humans already existed in the form of two trees – Ask and Embla, Ash and Elm

These two logs were found on a shore by Odin, Honer and Lodur

Humans had been cast out from the primordial sea, but they did not have the form and capacities of today.

We had our own existence but then the gods gifted us with something that would makes us whole

Humans had no Hug, no blood, and no godlikeness

So Odin and Honer gave them Spirit and Hug

and Lodur gave them godlikeness, character and behaviour

Odin gave them breath

Honer gave them understanding and movement

Lodur gave them senses and emotions

So humans only existed in a physical level, as logs, as tress

nothing more than the physical existence

Odin gave them the spiritual level – Life and breath

Honer gave them the mental level – Understanding and movement

Lodur gave them everything else that gives humans the capacity to travel between realities – Senses and emotions

None of these levels correspond to the concept of a "soul" in the traditional Christian sense-

a unique and non-transferable essence of a person

To the Norse there was no concept of the soul before Christianity,

so they had various concepts that together formed the individual

which means the self was able to experience different realities during life and after death,

experiencing different levels of existence and different spiritual levels

Let's take a look at the detailed arrangement of the different aspects of a person,

the different parts that comprise the human self

Lik, the physical body

It's the Matter itself, the physical self in its raw state just like Ask and Embla before the gods gave them the levels of existence

Lik is the structure of the body, the foundations that hold the physical self

the skeleton and framework of the other aspects

The physical body was called Lik

which was also often the term to refer to a dead body

the physicalself without the other aspects that make a person

just the hull, the very thing that gives us the ability to live and manifest ourselves in this world, in Midgard

Ond, the spirit, the breath

he breath is the closest thing connected to the spiritual-self in the Norse perspective

We have been given life through the breathing of nature: the wind itself

Odin, used to be known as being a god of the wind as well, of the weather

The Norse often said that one's breath is one's spirit

Ond is the essence of life

It is what awakens life in the physical existence, the spark of life

All life has this Ond in its core

Nature itself has Ond

and the stronger it is the more powerful a place can be

Everything from rock to tree, from animal to human can have a higher amount of Ond and therefore be more powerful

This is the divine spark and it's the very thing that connects us to every reality, be that spiritual or our own reality

The Ond flows up and down like a force which connects us to everything

It's this very Ond that is the key to open up the power of the voice in Galdr

Galdr isn't about the incantations or the words spoken,

but how you let them out, the sound, the vibration of the voice

letting out your own spirit and giving part of yourself, giving your breath to create life, to give existence to something

It's your own essence that comes forth, and the vibration of the voice travels and spreads

I cannot help to think that this exact concept may have something to do with the ǫndvegissúlur

as you can see the name itself starts with Ond

These are the high-seat pillars which in pagan Scandinavia played a particular religious role

These were the pillars of the highseat on the north side of the house

which most certainly have a link to the cult of the ancestors and the cult of the world-pillar

represented by the pillars supporting the house roof

The Icelandic sagas tell us that settlers threw their ondvegissulur, their high-seat pillars, into the sea in sight of land

and then settled wherever these pillars were washed ashore

Such pillars also came from temples which in certain sagas have the images of gods carved on them

The same principle of the myth of Ask and Embla, being tree logs in a shore

So Ond in this particular tradition and cult seems to be precisely that which sustains life

because the physical is nothing without its spiritual foundations

Then we have the Hugr

Hugen or Hugr is the thought, the mind and conscious qualities of the soul

It corresponds to someone's personality and the conscious cognitive process

Hugr and Minni, thought and memory, personified in the figures of Odin's two ravens, Hugin and Munin

The Hugr is the analytical thinking and it represents the functions of the side of the brain that holds our thoughts

The Hugr is free and flows easily, which gives us the ability to have journeys of the mind and of the intellect

The hugr belongs to us and it's in us

but those who have an exceptionally strong hugr sometimes can affect someone else just by thinking about them

Expressing a spiritual connection we have with someone through the physical

Minni

Minni is a very important aspect of the soul

Minni is the memory-

but it isn't just an idea that slowly fades away with time, it goes much deeper than that

It represents the ability to travel to the memories of the past of ancient days

The well of Mimer, or Mimir, represents this concept, and it's in this well that Odin sacrifices an eye to obtain ancient wisdom

the wisdom of the past and the wisdom of those who are gone

A magical memory which contains the information of the past

It doesn't fade away, because it remains in the self like something carved on the very soul

Not only is our own memories but the memories of the ancestors which flow in us and we are able to reach such memories

Which is a pretty interesting concept given the latest DNA researches that have been going on

The memory of our ancestors stays in our DNA, which helps us to survive

Past traumas or the very skills and abilities of our ancestors that remain in our bloodline and give us abilities that come natural to us

because our ancestors already had those same abilities

For instance, knowing how to draw and paint, playing a certain instrument without having been taught in how to do it

because a certain ancestor did it and that memory is printed in our DNA, stored in our DNA and then it expresses itself in our Brain

in the part that hold memory and is able to recreate that memory through our physical-self

Minni is the ancestral wisdom

Minni is the associative thinking that represents the functions of the other half of the brain, the opposite side of Hugr, but both complement themselves

Then we have the Fylgja, or the plural form, Fylgjur

This is a sort of guardian spirit or guide

The Fylgja usually appears in three distinct forms:

as an animal, as a person of the opposite sex and as an abstract form

Each individual has a Fylgja, but so do families and tribes

This is closely connected to Totem-animals and a Totemic view of the spiritual-self

The fylgja is generally perceived in an animal form

It's an attendant spirit whose well-being is intimately tied to that of its owner

the Fylgja dies and so does its owner

although if the person dies first, the Fylgja having its own conscious existence, can remain existing on its own

or can pass on to the decedent or the family of the previous owner, thus continuing to guide and help individuals

The character of the Fylgja and also its form are closely connected to the character of its owner

The Fylgjur are what would later be called the companions of witches, familiar spirits

So it takes the form of the character of the person, a sort of doppelganger of the person which can act or appear on behalf of the person

But we also have Fylgjur belonging to a certain group

for instance a warrior-group can adopt a wolf or a bear as their Fylgja and then the members of the group adopt this Fylgja as their animal totem

and being in contact with this fylgja a person ends up adopting the traits and personality of the Fylgja in question

In this case it's not the Fylgja that represents the person, but it's the person that adopts the character of that Fylgja

which ends up having the opposite effect

nstead of the Fylgja having the shape of the person, the person starts to have the shape of the Fylgja

which is understood as Shapeshifting

Adopting the physical appearance and personality of the animal totem and acting as such

The Fylgja follows a person through life

It watches over the birth of the person and guides the person in dreams

and then guides the person through life until death

The Fylgja is usually perceived as a follower

but most often is depicted as traveling ahead of its owner, arriving at a certain destination before its owner

or appearing in the dreams of someone who will meet the owner of the Fylgja the following day

And this can be better perceived in Seidr

The practitioner of Seidr makes sure to have a good relation with his/her Fylgja and learn how to communicate with it

ince this Fylgja is part of the person, the doppelganger of the person

s I've said it can manifest itself on behalf of the person

So the practitioner of Seidr can send forth its mind and give it shape to physically do things of influence events

This manifestation of the mind comes in the form of an animal, because that is the Fylgja

The Fylgja is the physical and spiritual manifestation of the mind itself

which is reflected on spiritual journeys when the person shapeshifts into his or her animal spirit, to travel in the spiritual world

So the Fylgja is the closest thing to an understanding of the Soul in the sense of a spiritual doppelganger of the person

our own physical appearance reflected on our spiritual form

although the Fylgjur are definitely different from the Christian concept of the soul in that they leave the person at his death and become independent beings

On the other hand the Fylgja can transfer to family-relations so that a certain relationship of the Fylgjur to the family of the previous owner remains and endures

The Fylgja is also associated with the personified luck of a person, which is the hamingja that I will talk about further ahead

Speaking of the Fylgja, we have the Vard, or Vård or even vǫrðr

Which can be understood as a warden or a watcher, which is a spirit that follows a person from birth to death

Much like the Fylgja, the Vard can manifest itself in the shape of a person,

the Hamr, which is the physical appearance, which I will talk about next

When a person dies, its Vard can still manifest itself in the actual physical body, as a Draugr

The Draugr are seen like Nordic zombies, which is wrong but perfectly understandable for lack of a better understanding of the spiritual-self in the Norse spirituality

The Vard is connected to both the Hugr - memory - Hamr - the physical appearance - and acts like a Fylgja

so therefore it can inhabit the body of a person and manifest itself after the person is dead

The Draugr is exactly that, a conscious undead which contains memory and essence of its previous owner

And because the Vard inhabits the dead body, a necromancer can control this Vard

this spiritual entity, and use the Draugr

This was one of the ways to acquire knowledge from the dead, waking up the dead

because the body wasn't seen as something apart from the spiritual

The body still contained memory, essence, and a dead person could be called upon and inhabit its body once again and share knowledge

This is perfectly reflected on the Voluspa, when Odin wakes up a dead seeress, a prophetess

and she tells him what he wants and what he doesn't want to know

However, certain people during their lifetime could send away their Vard on journeys to other worlds

For everyone, the Vard is disconnected from the body when the physical body dies

The Vard is the same as the ghost or wraith, a spectrum

So I'm sure it already crossed your mind the term Vardlokkur,

the name of a magical song (Galdr) which was sung at prophetic sessions by Scandinavian seeresses

and in this shamanic practice probably had a function of calling up the spirits from whom the seeresses received their knowledge

This type of Galdr was used in Seidr,

and the knowledge was given to the seeresses by the spirits, either from the Vard of others or the Vard of the seer herself

Now let's move on to the Hamr, our shape, our appearance

The hamr is one's form or appearance

There is a clear difference between the Lik, body, and the Hamr which is the appearance of that body

The Hamr is that which others perceive through their physical senses

But, it's important to take notice that unlike we nowadays perceive the appearance of another as something static and unaltered

to the Norse the Hamr is directly associated with shapeshifting

Our appearance is controlled by our Hamr, which is also called Hamn or Ham

The Hamr controls the outer shape of all living things

This is the principle of giving form

Certain people were able to use their Hugr, their mind/thought to change the Hamr, changing the appearance and form

This can be better understood during trance work

During ecstatic trance or "deep-sleep" a person releases its mind or soul and leaves the body

and the body stays there with its own appearance

The person takes the form of something else, usually and animal, usually its own Fylgja

So this process is changing the Hamr, or in other words, shapeshifiting

This is the exact same thing I've spoken earlier, a practitioner of Seidr sending forth its mind in the form of an animal

it's the use of Hugr, to change the Hamr

and send out the Fylgja

so as you can see, this entire process in Seidr one must be aware of the parts of the self to be able to understand them and therefore control them

According to the myths and folklore, if the animal, the Fylgja is hurt, the practitioner of Seidr is also hurt

I've spoken this in the videos about Seidr

It can occur, one person being able to encounter a practitioner of Seidr in another Hamr

and this person becomes sleepy and might indeed fall asleep,

which indicates that the person is entering the same world perception of that of the practitioner of Seidr

You cannot change in this reality, in this existence

but you can change the Hamr in other levels of existence where other people might also be encountered

So this is exactly what's like to be aware of the different parts of the self, it's being aware of different levels of existence

different realities tied to our own, and in order to move in other realities you must change your form

Think about it as going into space

you need a special suit to go into space,

and in this world you need this physical body to wander about, as you need other forms to wander about other realities

his sounds completely mental, I know, but it's part of the Norse spirituality,

and most of us are limited to this reality only because we are too afraid to step forward into the unknown

because the unknown is scary, and fear causes limitations to the mind, but once you step forward, your mind is free

Anyway, in the Norse myths we have a couple of gods who are the masters in the change of Hamr, like Odin, Freyja and Loki

Those who had the ability to change shape were hamramr

In the Norse society were men who took on battle frenzy were called Berserkir or Ulfhedinn

They were men who wore bear pelts or wolf skins to acquire the power of these fearsome wild animals

The belief was that these men could actually transform themselves into real bears or wolves

apparently an uncontrollable technique

But this sort of shapeshifting is the remnants of a shamanic past in the Norse culture and the use of changing the hamr

Od, the word Od means "ecstasy", or "ecstatically raving" and gave rise to the name of Odin

Odin was simply called Od, who in this alter-ego aspect of himself was a lover of Freyja

Od is the power of divine inspiration

The ecstasy that causes the mind to transcend outside the physical

Odrorir, what causes ecstasy, is the name of the divine mead that symbolically induces the divine ecstasy

The mead of the Skalds

Odrorir is also the cauldron, or in some accounts the chalice where the mead is kept

So Odrorir is that which induced ecstasy, the intoxicating drink,

while Od itself is the expanded consciousness, in which one experiences the deeper meaning of the world

Od is the very force that makes it possible to travel between the worlds

Which leads me to speak about the Hamingja, the total amount of power and illumination a person is in possession of

Hamingja is the personification of the good fortune of a person

Not in an abstract sense, but as a kind of soul-like protective entity and this it is closely associated with the Fylgjur

Although, there is another meaning to Hamingja

which is connected to the changing of the Hamr, changing of appearance of people who are able to change their shape

The word in this case probably comes from han-gengja, referring to people who could let their hamr be altered

But this Hamingja can be transferred to another person after death

It denotes both happiness and luck which was inherent in the person and his/her lineage

part of the person's personality similar to strength, intelligence, skill, abilities

that which can be used to influence wealth, power, success, to the individual and the family

This is a sort of identity of the individual, personal entity, and when a person dies, his or her hamingja can reincarnate in one of his or her descendants

This is why it was tradition to give a child the name of the original owner of the hamingja,

to call upon the ancestor to aid the child and pass on the Hamingja or to influence the hamingja of the child

But it wasn't just upon death that the Hamingja could be released or pass on,

it could also be lent to others during life to assist them in particularly events when luck needed

The hamingja can be seen as a supernatural power that some people can achieve

With such a power one can change the hamr and by doing so being connected to his or her Fylgja

which in turn will make a person more knowledgeable, more resilient, more powerful

The hamingja is empowered when the other aspects of the soul are awakened

the other parts of the self

when you are conscious of their existence and can create a balance between all the aspects

Don't get the Hamingja the wrong way as being the sort of luck that takes away one's accomplishments

or something that limits us to a sealed fate

Luck has nothing to do with that

Our abilities are our own, our skills, our power and knowledge, all acquired not through luck but through hard work

Luck is just a power that influences circumstances and we take advantage of those circumstances and act accordingly-

if we are smart and put to practice our own wisdom

Everyone has the great potential to become powerful

The mind has secret knowledge locked and safe deep inside the self

But it's sealed inside our minds

When we find the key to open up such abilities, power becomes limitless

and that's exactly why it's safe and sealed within our minds, otherwise everyone would be able to cause great destruction, once again

It's through hard work that we open up the ancestral power hidden in our minds

and the key to that power is through awareness of the different parts of the self

I would like to finish this video with one last concept that I shall probably make a video of solely about it

The maegen or also known and megin

Megin is power and magic or magical power

Men have Megin and gods have asmegin – divine power

Everything has megin

It wasn't uncommon for Norse pagans to trust solely in their own might and strength

trusting in themselves and not in the gods and other supernatural forces

Yes, our Norse ancestors believed in the gods, but many believed in their own power

It's not a form of atheism among the ancient heathens

it's just the belief in their own power which was exactly what they gave to the gods and the gods gave them back

I'll focus on this concept later on, on another video, but suffice to say for now that the maegen or megin was the reason why people gave offerings to the gods

People were not giving the objects as a gift but their own essence contained within the objects

We can have a better perception of this during the Bronze Age when people gift the gods with broken objects

Braking the object was precisely to release the megin in it, to give it to the gods

Giving our own essence to the gods, our power, our spiritual might

The gods in turn gave their asmegin, their divine power, which we could use to empower us to do all the things we need to do

to survive, to achieve our goals, to have more power, to influence luck, success, wealth

All it takes is the enthusiasm to gives us that push to do everything

That enthusiasm is the power given by the gods in exchange of our own power, our megin

And I'm quite sure you have seen hundreds of times rock engravings of anthropomorphic figures with hands towards the sky or a great emphasis of the hands

as if they had been stung by a bee and are swollen to the point of looking as if they are going to burst

This was the way to transfer the megin, our essence to the gods and the gods gave some of their own essence to us

Communication through the hands, through the palms,

receiving the divine power

and this is why even nowadays many religions retained this position with hands towards the sky to receive the power of the divine

But this shall be a concept for another video

Alright my dear friends I hope you have enjoyed this video

and I'm sorry if I went a little bit slower than usual on this video but-

I really wanted you to understand all these concepts because I know it's complex,

so I thought if I take it slowly you would better understand all these concepts and the different parts of the soul

Anyway...

Thank you so much for watching, and see you on the next video

and of course, as always... tack för idag!

For more infomation >> Norse Spirituality - The Parts of the Self - Duration: 36:33.

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ROXI Vị Tướng làm Trùm Đường Trên Trong tay MSUONG Sẽ Như Thế Nào ? - Duration: 11:42.

For more infomation >> ROXI Vị Tướng làm Trùm Đường Trên Trong tay MSUONG Sẽ Như Thế Nào ? - Duration: 11:42.

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[귤라디오] Ep.13 - Duration: 23:40.

I used to fall asleep with my snacks

to share with my friends at my bedside

I woke up to the sound of my mom cooking something

I tasted the ingredients of kimbap, watched TV

and headed out hurriedly with my mom's lunch box

It felt like I became a cartoon character

who went on an adventure with friends

How does DJ Tangerine remember this day?

Hello, I'm DJ Tangerine Haknyeon

As I have previously announced

today's topic is fall picnic

A lot of precious memories have been shared on V LIVE message board

I really appreciate that

Today I'm going to read your stories

Here's the first one

It's from nickname Gyuljjang

Hi, DJ Tangerine

I can't remember the last fall picnic I had

But let me share the most memorable one

My friends and I went on a picnic to the park near the school

We didn't do anything special

but as we'd been tired of preparing for college admission

that moment when we enjoyed a cool autumn breeze

with my friends became a fond memory

We took so many pictures together and laughed so much

Since we were going through a hard time together

even a little thing felt more meaningful and precious

We scattered like the wind starting college life in different places

But the word "picnic" reminds me of my friends back then

I need to call them today in a long time

Do you happen to take song request?

SunnyHill's "Goodbye to Romance" always makes me feel reminiscent

I get a bit sentimental in fall with cool breeze

It's a great season to feel nostalgic

Do you have any memories about picnic, DJ Mandarin?

Fall picnic

As a child I just got too excited about picnic

to remember if it was fall or summer

I was a trainee for a long time since my childhood

So memories of my school days

are mostly elementary and middle school, rather than high school

You know every lunch box was different

Some friend had bacon wraps

Interestingly enough, some friend had saury in their lunch

There were so many things to eat including fruit

I always shared food with my friends

My favorite was bacon wraps

Hard to remember as I was so young

I really loved the snack "Homerun Ball" as a child

I still like it, but I loved it like crazy

There won't be any chance for me to go on a picnic with my mom's lunch box

I realize how precious those moments of going on a picnic

with my mom's lunch box were

If you still have a chance to go on a picnic with friends

I hope you build precious memories to treasure with your friends

Once time passes it never comes back

Let's check out the song requested by Gyuljjang

"Goodbye to Romance" by SunnyHill

All the songs by SunnyHill are so amazing

It's a great song

Let's move on to the next story

This is a story from user name Han Woo-Jin

Hello, DJ Tangerine

I'm 19 years old, the last year of your teenage period

By the time you read this, I would be busy going to college interviews

Once when I was 11, I was watching how the river flows

with my friend, arm in arm

Suddenly something flew down very quickly

It was a baby snake

My classmate had killed it with a stick

So my PE teacher picked it up with a stick to bury it

Then he suddenly push the dead snake in my face

I still remember myself screaming aloud

Since entering the middle school, I haven't thought that school picnic

Thanks to you I could recall my precious memory

Thank you for coming back when my heart needed the vitamin the most

I'll pass the early college admission interview

Snake.. I really hate snake

As you all know,

I am not afraid of other things

but snake, I really hate it

When I was young, they surprised me several times

On a rainy day, on my way back to home from the school

Something long and slim jumped out of the drain

I was seriously surprised

That was a snake

When a person feels too scared, he cannot even scream

I was that much scared

Phew..

Argh, I don't even want to think about it

You must have felt surprised then too, Han Woo-Jin.

You told us that you've got college interviews

Hope you can work at where you want to work

I, DJ Tangerine, will be cheering for you

Let's listen to the song Han Woo-Jin sent us

Sondia-Adult

I heard this song for the first time thanks to Han Woo-Jin

It's so good

Thanks for recommending such a nice song

So today's topic was 'picnic'

As my job is my job,

I usually talk about myself to others more

Compared to that, I don't have many chances to hear your stories

So! When I read the stories like this,

It feels like I learn more about you which makes my heart full

Don't you feel we became little closer?

Please share more of your stories with me

I'll try my best to become DJ Tangerine,

Who can be more close with you through those stories

Oops! Oh.. It's already time to finish Tangerine Radio

I'll come back with more interesting stories

Tangerine Radio! I'll surprise you with another show when you need some vitamin

This was Ju Haknyeon from THE BOYZ

(Sasa Soso)

(Q. How many times can Haknyeon wink in 5 seconds?)

1

2

3

4

5

Haknyeon said he is interested in architecture these days

Does Haknyeon like a neat urban style?

Or a garden style with dirt and grass?

This was the question

Hmm..

I cannot answer within those categories

When we did the pictorial shoot for Allure

There was this hotel

That antique building.. I like that style

I like the way it looks

For more infomation >> [귤라디오] Ep.13 - Duration: 23:40.

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Yasak Elma 19. Bölüm 2. Fragman - Duration: 1:01.

ABONE OLURMUSUN

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No Subtitle / No Lyrics

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Listening and Speaking Practice for Beginners - Speak English Clearly! - Duration: 1:08:20.

⏩Please like and subscribe and click the bell icon to get new video updates.

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【Kman】究竟一千元打台是否會回本呢?[台湾UFOキャッチャー UFO catcher]#407 - Duration: 11:10.

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Phim Chiếu Rạp 2018 Mới Nhất ✔ Phim Kiếm Hiệp Võ Thuật | CHIẾN THẦN TRUYỀN THUYẾT - Duration: 1:45:01.

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Karın Germe Ameliyatı Öncesi Yapılması Gerekenler - Duration: 2:10.

tummy tuck surgery

abdominal aesthetics

tummy tuck liposuction

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Movex TLR15 on Renault Maxity Chassis for Sale - Duration: 3:16.

Lifting capacity : 225kg

Platform Height : 12.20m

Horizontal : 8.6m

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History of Temples By Sadhguru - Duration: 13:21.

What is a temple let's understand this generally when we are to the word temple

immediately people are thinking of a rich religion yeah

if temple belongs to you or me on to a particular group you cannot call it a

temple temple is an invitation to the divine if we can set up a space and the

necessary tools where divine is more manifests not that it is not there

everywhere it's just that more experience for the sound was waves

everywhere you but you cannot hear it you need a cellphone to catch the

transmission otherwise you can't catch it so we can say a temple is at larger

cell phone you can talk just to listen one way cell phone is it okay I always

set it up set up the temple in such a way that you can't yep there okay what

do you want to talk if you want to listen to a dimension beyond if you want

to be receptive to that possibility we can create a space like that we can

create a device or a tool like that when I use the word - there seems to be a

certain sense of lack of reverence in me that I particularly used it were to when

I refer to the Deanna Linga as a tool people feel offended Satguru don't say

that in our experience it's everything don't call it a - I said so - because

the word tool means that which works it is not a piece of art that you can just

appreciate it's a tool because it works if I this is just one screw in the door

if I ask you to unscrew it with your hands can you do it but if I give you a

screwdriver you can do that isn't it similarly to open the doors for the

beyond there is a tool with your own hands if you try to unscrew that simple

screw in the in the door all your 10 nails will go but still it will not come

yes you can try with your teeth you know people do when they have no tools

they'll try their hands if it doesn't work don't you do you may lose your

teeth still it may not come but if you had a simple tool how easily you could

do it so this is a tool to open the doors of the beyond and I don't think a

tool is a reverential nor do I think a tool is insulting a tool is a tremendous

possibility isn't the significant development in human societies happened

only when we started making tools isn't it No

why is it offensive if I say a temple is a tool a temple is a tool there are

different ways of using different tools for this tool you have to be in a

certain mode because this is not a physical tool you have to approach it in

a certain way so that certain way may also include a certain level of

reverence because that attitude is needed to be able to use the tool so

it's very important that it is understood and used as a tool not as a

destination but just as a possibility a temple is not a destination a temple is

only a doorway a doorway is not a destination a doorway is just a doorway

opens up something so what does it take to build a temple of course we need some

stone and many other material but what does it take within a human being to

build a temple why I'm telling you all this is I'm trying to discourage you

a temple will not happen unless at least a band of people at least a handful of

people hold it about their own life not as a part of their life not as a side

thing that they do in their life temple building is not a hobby or a profession

you have to see it as something beyond your life more important than your life

you must understand at least in the east in India temples were built so

elaborately some of the temples took three to four generations to complete

for example the kailash temple in agenda Alaura in the indigent area in

maharashtra the man in Tamilnadu this temple was carved or to the rock they

did not build it a huge mountain of a rock they called the temple into it

three floors all called out they must have really removed hundreds of tons of

stone probably thousands of tons of stone because all the empty space that

you see in the temple has been called out and they made three storeys

elaborate you know decorations and there are at least about 600 statues all

caught out if you make one mistake you have to rebuild the whole temple yes

because it's not built it's not something you can take it off and put

something it is carved into the rock it took 135 years at least four generations

of people working to the same plant three three to four generations of

people working to the same plan for 135 years to complete the temple and know

where their names are written such phenomenal work

any of them must have started working at 14 15 years of age and order they were

out died there okay doing the work but nobody's name is written arkad it's

architect's name is not written the kings who sponsored the temple their

names are not written that's a temple I understand he's not a

place for us to leave a footprint of who we are a very beautiful story there was

an old man there was a man men get old

slowly he had two sons father and two sons worked hard built a big farm they

became prosperous then for the old man time to die came when he was going away

he told his two sons whatever comes out of this land both of

you should share equally and you must always keep it up at no point there

should be any dispute between the two ocean they agreed in front of their

father and they kept to it I'm saying not dividing the land dividing the land

has come only in the last four to five generations in India maybe three to four

generations before that there was no such thing as this Islam island this is

your land only the produce was divided never the land so conceptually it was

not there in people's minds that you can actually divide the land so he said you

must divide the produce equally and they stirred to it after some time one of the

brothers got married one two three four five five children he had

the other one never got married so he was alone but still the crop was

shared 5050 because those are the father's words you can't change it

that's his wish so the brother who was married and had five children one day a

worm entered into his mind you know sometimes worms get into your

mind a worm entered his mind and then I thought a rose and he thought I have a

wife and five children I get 50% my brother he's alone by himself and he

gets 50% when I grow old my sons will grow up five of them they will came

mortal and we will become more prosperous and we will have much more

but my brother is alone when he gets old he will have only 50% of what we have

now this is not fair but he's so proud if I try to give him little more he will

not take it if I try to share my produce from the new lands that my sons have

broken he will not take it only from their father's land he will take 50% so

what to do so in the night when everybody's asleep he carries a bag of

grain and takes it and puts it into his brother's store so it unknowingly he's

donating to his brother the other brother who was alone thought my brother

has a wife and five children he needs more I'm just alone what will I do with

all this but if I try to offer anything he will not take so he started carrying

grains and dropping it into his brothers store reverse osmosis

was happening and nobody knew in the night quietly once in a way this brother

puts one back that broke up was another bag this went on they became old one day

two old men were carrying sacks of grain in the night and they came and they

faced each of them both of them realized what's been happening but they looked

away and continued their journey put the sacks on ran back then they died after

some time the townsfolk were wanting to build a temple they were looking for the

site they went to many places after much looking they decided to build the temple

where these two brothers met on that night they looked at each of them and

suddenly they were so embarrassed of their own generosity they looked the

other way and continued their job they thought this the best place to build the

temple because that's what a temple means that looking beyond yourself if

that is not there there is no temple

you

For more infomation >> History of Temples By Sadhguru - Duration: 13:21.

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AGATHA CHRISTIE'S BIOGRAPHY - Duration: 19:39.

Agatha Mary Clarissa Miller was born on the 15th of September 1890 in Torquay

Devon southwest England into a comfortably well-off middle-class family

what made her upbringing unusual even for its time was that she was

home-schooled largely by her father an American her mother Clara who was an

excellent storyteller did not want her to learn to read until she was 8 but

Agatha bored and as the only child at home she was a much-loved afterthought

with two older siblings taught herself to read by the age of five where did her

creativity come from she absorbed the children's stories of the time Edith

Nesbit the story of the treasure-seekers the railway children and Louise em all

cut little women but also poetry and startling thrillers from America

Agatha invented imaginary friends played with her animals attended dance classes

and began writing poems when she was still a child when she was five the

family spent some time in France having rented out the family home of Ashfield

to economize and it was here with her governess Marie that Agatha learned her

idiomatic but erratically spelt French at the age of eleven there was a shock

her father not well since the advent of financial difficulties died after a

series of heart attacks Clara was distraught and Agatha became her

mother's closest companion there were more money worries and talk of selling

Ashfield but Clara and Agatha found a way forward and from the age of 15

Agatha boarded at a succession of pensions and took piano and singing

lessons she could have been a professional pianist but for her

excruciating shyness in front of those she did not know by the age of 18 she

was amusing herself with writing short stories some of which were published in

much revised form in the 1930s with family friend and author Eden Philpott's

offering shrewd and constructive advice the artist is only the glass through

which we see nature and the clearer and more absolutely pure

at glass so much the more perfect picture we can see through it never

intrude yourself Clara's health and the need for

economies dictated their next move in 1910 they set off for Cairo and a

three-month season at the Jazeera Palace Hotel

there were evening dresses and parties and young Agatha showed more interest in

these than the local archaeological sites the friends and young couples she

met in Cairo invited her to house parties back home on her return various

marriage proposals followed it was in 1912 that Agatha met Archie Christie a

qualified aviator had applied to join the Royal Flying Corps their courtship

was a whirlwind affair both were desperate to marry but with no money

according to her autobiography it was the excitement of the stranger that

attracted them both they married on Christmas Eve 1914 after both had

experienced war Archie in France and Agatha nan the homefront now working

with the voluntary a detachment in a Red Cross hospital in Torquay they spent

their honeymoon night in the Grand Hotel Torquay and on the 27th December Archie

returned to France they met infrequently during the war years and it wasn't until

January 1918 when Archie was posted to the war office in London that Agatha

felt her married life truly began it was during the first world war that Agatha

turned to writing detective stories her debut novel the mysterious affair at

styles took some time to finish and even longer to find a publisher she started

writing partly in response to a bet from her sister Madge that she couldn't write

a good detective story and partly to relieve the monotony of The Dispensing

work which she was now doing when the hospital opened a dispensary she

accepted an offer to work there and completed the examination of the Society

of apothecaries she first worked out her plot and then found her characters on a

tram in Torquay she finished the manuscript during her two-week holiday

which she spent at the mall and hotel at a tour on Dartmoor and you found

expertise in poisons was also put to good use the murder as you

of poison was so well described that when the book was eventually published

Agatha received an unprecedented honor for a writer of fiction a review in the

pharmaceutical journal 1919 was a momentous year for Agatha with the end

of the war but she had found a job in the city and they had just enough money

to rent and furnish a flat in London later that year on the 5th August

Agatha gave birth to their only daughter Rosalind it was also the year that a

publisher John Lane of the Bodley head and the 4th to have received the

manuscript accepted the mysterious affair at styles for publication and

contracted Agatha to produce five more books John Lane insisted on a couple of

changes to her manuscript including a reworked final chapter instead of a

courtroom climax Lane proposed the now-familiar de new mon in the library

so where did the inspiration for Hercule Poirot come from during the first world

war there were Belgian refugees in most parts of the English countryside Torquay

being no exception although he was not based on any particular person

Agatha thought that a Belgian refugee a former great Belgian policeman would

make an excellent detective for the mysterious affair at styles Hercule

Poirot was born following the war Agatha continued to

write experimenting with different types of thriller and murder mystery stories

creating first Tommy and tuppence and then Miss Marple in quick succession in

1922 leaving Rosalind with her nurse and her mother she and Archie traveled

across the then British Empire promoting the Empire exhibition of 1924 she

continued to write agatha received the joyous news of good reviews for the

secret adversary while in Cape Town where she also became the first British

woman to surf standing up and Archie's boss proved the inspiration for So You

stands pedlar in the man in the brown suit also set in Africa by this time

Christie had already decided to change publishers fed up with what she saw as

the unfair terms offered by the Bodley head she sought out an agent edmund cork

of Hughes Massey and he found her a new publisher William Collins and son

now harpercollins once returned from the Grand Tour the family were reunited and

settled in a house they named styles in the suburbs outside London it was a

difficult time for Agatha her mother had died and she was often alone clearing

out the family home in Torquay and struggling to write the next novel for

Collins Archie and Agatha's relationship strained by the sadness in her life

broke down when Archie fell in love with a fellow golfer and friend of the family

Nancy Niall Archie was a keen golfer Agatha not one night in early December

overwhelmed and with close friend and secretary Carlo away for the night

Agatha left Rosalind and the house to the care of the mates without saying

where she was going her car was found abandoned the next morning several miles

away a nationwide search ensued the present public enjoyed various

speculations as to what might have happened and why but no one knew for

sure it eventually transpired that Agatha had somehow travelled to Kings

Cross station where she took the train to Harrogate and checked into the

Harrogate spa hotel under the name of Teresa neele previously of South Africa

having been recognised by the hotel staff who alerted the police she did not

recognise Archie when he came to meet her

possibly concussed but certainly suffering from amnesia Agatha had no

recollection of who she was an intensely private person made even more so by the

hue and cry of the press Agatha never spoke of this time with friends or

family Agatha and Archie remained apart Agartha living with Rosalind and Carlo

in London and following a course of psychiatric treatment in Harley Street

needing an income and unable to write new material her brother-in-law Campbell

Christie suggested she combine waro short stories composed for the sketch

magazine thus creating the big four finally accepting that her marriage was

over divorce from Archie was granted in 1928 Agatha and Rosalind immediately

escaped England to the Canary Islands where Agatha painfully finished the

mystery of the blue train the book she had struggled with as she mourned her

mother late in 90 twenty-eight Agatha wrote her first

merry Westmacott novel giant spread not a detective novel but a work of fiction

about a composer forced to work for financial reasons on of Agatha's

lifelong ambitions had been to travel on the Orient Express and her first journey

took place in the autumn of 1928 persuaded by a chance dinner party

conversation Agatha set off for Baghdad and from

there traveled to the archeological site etre where she became friends with the

Woolies who ran the dig invited back the following year she met the 25 year old

archaeologist in training max Malone who was to become her second husband asked

by Katherine Woolley to show agatha the sights each found the other's company

relaxing their relationship was forged by travel max could rough it and so

could Agatha max proposed on the last evening of his visit to Agatha's family

home of Ashfield they were married on September 11th 1930 at st. Cuthbert's

Church in Edinburgh and a girth only slightly reduced her age in her new

passport acquired for the honeymoon max returned to the Woolies dick for the

last time alone and Agatha to London and writing thus began a productive and

recurring annual writing and travelling routine for Agatha and max summers at

ashfield with Rosalind Christmas with her sister's family at Abney Hall late

autumn and spring on digs and the rest of the year in London and their country

house in winter Brook on the edge of Wallingford Oxfordshire as a rule Agatha

wrote two or three books the air and when with Max often wrote a chapter or

two during quiet mornings and helped out on site in the afternoons the atmosphere

of the Middle East was not lost on Agatha as can be seen in books such as

Murder on the Orient Express death on the Nile murder in Mesopotamia

appointment with death and they came to Baghdad as well as many short stories

written within this period

World War two saw max get a wartime job in Cairo using his languages to assist

the war effort while Agatha remained in England writing and also volunteering at

the dispensary at University College Hospital in London an or M was her own

patriotic gesture to the war effort and she was disconcerted to see its

publication delayed in the US until after the Americans had joined the

Allies Rosalind having married Hubert Pritchard gave birth to Mathew on 21st

of September 1943 max was in Cairo but Agatha was a doting grandmother and

often went to help look after the baby Agatha was focused and prolific during

this period missing Max and with external entertainment more limited in

wartime she wrote and/or published such classics

as and then there were none evil Under the Sun the body in the library five

little pigs and the moving finger

by 1945 and the return of max with the end of the war Agatha had realized the

tax implications of writing so much she became less prolific and now in her mid

fifties enjoyed a slower pace of life like the rest of the country the last

years of the 40s were full of shortages along Chile depressing Hall food

rationing did not end until 1954 at the end of 1946 Agatha's cover as Mary

Westmacott was blown by an American reviewer of absent in the spring she was

disappointed as she had enjoyed the freedom to write without the pressure of

being Agatha Christie the 1940s and 50s saw much time-consuming work with

theatrical productions which also limited the time Agatha could devote to

writing Agatha's last public appearance was at the opening night of the 1974

film version of Murder on the Orient Express starring Albert Finney as

Hercule Poirot her verdict a good adaptation with the minor point that why

arroz moustaches weren't luxurious enough after a hugely successful career

and a very happy life Agatha died peacefully on the 12th of January 1976

she is buried in the churchyard of st. Mary's chowsie near Wallingford Christie

wrote this in 1972 my own 10 would certainly vary from time to time because

every now and then I reread an early book for some particular reason to

answer a question that has been asked me perhaps

and then I alter my opinion sometimes thinking it is much better than I

thought it was or not so good as I had thought at the moment my own list would

possibly be and then there were none a difficult technique which was a

challenge and so I enjoyed it and I think dealt with it satisfactorily the

murder of Roger Ackroyd a general favorite a murder is announced I thought

all the characters interesting to write about and felt I knew them quite well by

the time the book was finished Murder on the Orient Express again because it was

a new idea for a plot the 13 problems a good series of stories towards zero I

found it interesting to work on the idea of people from different places coming

towards a murder instead of starting with the murder and working from that

endless night my own favorite at present crooked house I found a study of a

certain family interesting to explore ordeal by innocence an idea I had had

for some time before starting to work upon it spending most of her time with

imaginary friends back Ithaca Larissa Miller's unconventional childhood

fostered an extraordinary imagination against her mother's wishes she taught

herself to read and had little or no formal education until the age of

fifteen or sixteen when she was sent to a finishing school in Paris Agatha

Christie always said that she had no ambition to be a writer although she

made her debut in print at the age of eleven with a poem printed in a local

London newspaper finding herself in bed with influenza her mother suggested she

write down the stories she was so fond of telling and so a lifelong passion

began by her late teens she had had several poems published in the poetry

review and had written a number of short stories but it was her sisters challenge

to write a detective story that would later spark what would become her

illustrious career Agatha Christie wrote about the world she knew and saw drawing

on the military gentlemen lords and ladies spinsters widows and doctors of

her family's circle of friends and acquaintances she was a natural observer

and her descriptions of village politics local rivalries and family jealousies

are often painfully accurate Matthew Pritchard describes her as a person who

listened more than she talked who saw more than she was seen the most every

day events and casual observations could trigger the idea for a new plot her

second book the secret adversary stemmed from a conversation overheard in a tea

shop two people were talking at a table nearby discussing somebody called Jane

fish that I thought would make a good beginning to a story a name overheard at

a tea shop an unusual name so that whoever heard it remembered it

a name like Jane fish or perhaps Jane Finn would be even better and how are

these ideas turned into novels she made endless notes in dozens of notebooks

jotting down erratic ideas and potential plots and characters as they came to her

I usually have about half a dozen notebooks on hand and I used to make

notes in them of ideas that struck me or about some poison or drug or a clever

little bit of swindling that I had read about in the paper of the more than 100

notebooks that must have existed 73 have survived and John Karen's detailed and

thorough analysis provides a veritable treasure trove of revelations about her

stories and how they evolved see Agatha Christie's secret notebooks the

notebooks themselves include previously unpublished material and are an

intriguing look into her mind and craft the seeds for several stories are easily

identified in 1963 a notebook held details of a plot in development West

Indian book Miss M Poirot B and D apparently devoted actually B

and G Georgina had a fair four years old frog major

nose has seen him before he is killed a Caribbean mystery was published in 1964

with the old frog as the novel's first victim the Caribbean island is

beautifully described and was probably based on st. Lucia an island that

Christie had visited on holiday but many of the hundreds of plots and red

herrings from her fertile imagination never actually made it into print and as

she herself said nothing turns out quite in the way that you thought it would

when you were sketching out notes for the first chapter or walking about

muttering to yourself and seeing a story unroll as Mathew Pritchard explains she

then used to dictate her stories into a machine called a dictaphone and then a

secretary typed this up into a type script which my grandmother would

correct by hand I think that before the war before dictaphones were invented she

probably used to write the stories out in longhand and then somebody used to

type them she wasn't very mechanical she wrote in a very natural way and she

wrote very I think havoc used to take her in the

1950s just a couple of months - right and then a month to revise before it was

sent off to the publishers once the whole process of writing the book had

finished then sometimes she used to read the stories to us after dinner one

chapter or two chapters at a time I think we were used as her guinea pigs at

that stage to find out what the reaction of the general public would be of course

apart from my family there were usually some other guests here and reactions

were very different only my mother always knew who the murderer was

the rest of us were sometimes successful and sometimes not

my grandfather was usually asleep for most of the time that these stories were

read but the rest of us were usually very attentive it was a lovely family

occasion and then a couple of months later we would see these stories in the

book shops

you

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