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SMG4: The Mario Purge (Halloween 2018) REACTION - Duration: 13:02.
SMG4: The Mario Purge (Halloween 2018) REACTION
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Como Criar Aplicativo Web Radio em Multiplataforma com Ionic 4 part 02 - Duration: 7:25.
For more infomation >> Como Criar Aplicativo Web Radio em Multiplataforma com Ionic 4 part 02 - Duration: 7:25. -------------------------------------------
Pesan Semangat Pemuda Indonesia | 28 Oktober - Duration: 1:27.
For more infomation >> Pesan Semangat Pemuda Indonesia | 28 Oktober - Duration: 1:27. -------------------------------------------
Pickleball Scoring Basics- Make it Easy with Me, You, Who? - Duration: 5:12.
The hardest part about teaching somebody pickleball is usually teaching them how
to score. Stay tuned.
If you're new to this channel welcome! We talk about all
things pickleball from instruction to fitness and everything in between. If you
haven't already done so please hit the subscribe and then the bell, that way
you'll get a notification when I post a new video every Saturday.
Hey everybody it's CJ Johnson
I can't tell you how many times somebody has looked at me and said
0-0-@? What the heck does that mean? I sympathize with them when I first
started playing this game I was confused with the scoring. And today we're going to
talk about scoring basics.
First let's start with some terms that will help you.
The right side is the even side, and the left side is odd
After a side out or at the start of the game the serve always starts on the even side.
We'll talk about that in just a moment.
There are three numbers in a pickleball score.
The player who is serving calls the score.
An easy way to think of it is Me, You and Who.
It's usually the WHO that confuses people.
So if you followed this so far put a little thumbs-up down in the
comments below.
When your team gets a sideout the who starts all over again. Whoever the
player is that's standing in the even or the right side of the box is server
one and the odd side will be server two.
In this game the score is 0-0 and
Cheri and Lori have just gotten a sideout. Since Cheri is standing on the
even or the right side of the court she serves first. Using Me -You -Who
she says her score first which is 0. Her opponents score second which is
O and since she is the first server since the sideout she's a 1 so the
score is 0-0-1.
There's a fault made by the serving team so they don't
win a point and the other player on the team Lori now gets a chance to serve.
The score remains the same. She says her score first which is 0, her
opponents score second which is still 0 but now since she's the second
person on the team to serve since the sideout she's a 2. So the score is
0-0-2.
Since another fault is made by the serving team it's a sideout
and my team gets to serve. I'm the first person to serve since I'm standing on
the even side of the court. I say our score first which is 0, their score
second which is 0 and since I'm the first server I'm a 1.
The score is 0-0-1
We win that rally and finally win a point. The server keeps serving and
we simply change sides until the serving team commits a fault.
My team commits a fault and ends the rally it's now my partner's turn to serve.
The score is still me 1- 0 but since she is the second person to serve
for our team since the last sideout the score is 1-0 and who is 2.
Earlier I mentioned there is one exception to each team getting two serves. That's the first
service series of the game.
They start from the even side of the court.
but they would be considered 2.
If you're new here check out the beginner's playlist
it's designed with you in mind.
If this video helped you learn how to keep score a little bit better give it a
thumbs up or if you know somebody who's struggling with scoring share it with
your pickleball playing friends. Because
together we can
Train Smart, Live Bold, Age Well
-------------------------------------------
Video Games That Originally Were Totally Different - Duration: 6:31.
Remember all those classic video games you grew up with and how iconic many of them are?
Well, odds are, they didn't start out the way you remember them.
Any great art goes through multiple drafts, changes, chops, screws and alterations before
the final product, and video game development is no different.
Final Fantasy VII
"Now… the most anticipated, epic adventure of the year… will never come to a theater
near you!"
Final Fantasy 7 is often cited as one of the best, most revolutionary RPGS ever.
Of course, the game didn't begin this way, and wasn't even intended for the PlayStation
at first.
The story also took a few twists and turns into what was finally released, but the original
concept probably would have still made for a pretty good game.
When FF7 was first envisioned in 1994, series creator Hironobu Sakaguchi planned for a 2D
Super Nintendo game.
He envisioned the game would take place in New York City in 1999, and would be more akin
to a detective story than what we actually got.
It was meant to follow a character named — and we are not kidding here — Detective Joe.
Cloud.
Aeris.
Sephiroth.
Detective Joe.
"One of these things is not like the others."
Soon, development on the video game was stalled, due to JRPG mega hit Chrono Trigger taking
precedent for the company.
When development resumed in 1995, the original 2D SNES thing was scrapped, and the designers
began to focus on the incoming Nintendo 64.
Development costs ballooned, and it became the most expensive project of its kind for
the time, costing an estimated $45 million in 1995.
As it progressed, it became clear the game wouldn't work on the cartridge-based Nintendo
64, since the game's graphics and cinematics would require the extra storage space allowed
by CD-ROMs.
Ties were severed with Nintendo, Joe and New York got the boot, and gaming was changed
forever.
GoldenEye 007
Nintendo 64's GoldenEye 007, even years later, is still widely seen as one of the best first-person
shooters ever.
And yet, during its development, it was never intended to be that.
Instead, like many other games of its era, GoldenEye's life began as a standard 2D side-scrolling
platformer for the Super Nintendo.
The video game's development came towards the end of the SNES's life cycle, so the game's
director, Martin Hollis, proposed to instead utilize the power of the Nintendo 64 console
to realize the game's true power.
"Load a Rumble Pak and see how it feels when 007 meets N64!"
With this switch, the plan for a 2D side-scroller was scrapped for an on-rails shooter using
a light gun.
This would have been pretty similar to the hit Sega game Virtua Cop but, like the 2D
plan, this too was eventually scrapped for the familiar first-person shooter people still
play today.
Sonic the Hedgehog
Nintendo has Mario, and Sega has Sonic.
But while Nintendo's plumber protagonist has basically stayed the same throughout the years,
the same cannot be said for Sonic.
The hedgehog we all know and love actually began life as a rabbit who could use his ears
to throw objects.
This was ultimately scrapped, as the chips available on the Genesis weren't advanced
enough to properly animate the ears in action.
Other Sonic appearance considerations included a sloppy bulldog, a dude in a crown, a creepy
jester, and a chick wearing a cap, until finally they settled on the familiar, little blue
hedgehog we have all come to love.
Some people, too much.
"Let's act out my Sonic fan fiction!
I'll pick something family friendly."
Banjo Kazooie
Banjo Kazooie is one of the more popular games for the Nintendo 64, but it started out as
something completely different when development began in 1997.
The original concept came from a game called Project Dream, which was in development for
the Super Nintendo by Rare.
The video game starred Edison, a boy armed with a wooden sword who would become entangled
with pirates on an adventure.
After some work, Rare switched gears and reworked the game for the Nintendo 64 — only then
did they realize that Edison wasn't exactly working out.
"Initially, we had a rabbit for some reason.
I really have no idea why we picked a rabbit."
A few incarnations later, the rabbit evolved into the honey bear that became Banjo, and
an icon was born.
Halo
Follow us as we travel back in time to an ancient era called "the late '90s."
In July 1999, Steve Jobs announced Bungie's Halo at the annual Macworld Conference & Expo,
as a game planned for both the Macintosh and PC platforms.
The original concept was similar to the hit strategy game Myth, but in a sci-fi setting.
By the time the game was displayed at E3 in 2000, however, it was completely different.
The game was no longer a real-time strategy game, and had evolved into a third-person
action game.
Still, there was no Master Chief, and players assumed the role of a regular soldier — Bungie
was far from realizing its future flagship's potential.
Everything changed when Microsoft bought Bungie Studios in 2000.
With the purchase of the studio, the video game became an exclusive Xbox title.
The game was modified into the first-person shooter it is today, with Master Chief as
the main character, improved graphics, and an extensive backstory — and, for a brief
and shining moment, all was right in the world.
Doom
Doom didn't start out as an iconic franchise in the making.
Rather, the original concept for Doom was just another licensed game, based on the Alien
movie franchise.
iD Software later chose to abandon the license in order to get more creative control over
the video game.
And thus the legendary Doom was born.
"We basically put out a press release before we even started programming the game — and
the press release basically said 'Doom is going to be the best game on the planet Earth."
If you've ever played the granddaddy of the FPS genre — and let's face it: you have
— it's not hard to imagine swapping out those nasty demons for Alien's equally iconic
xenomorphs.
In retrospect, it's kinda hard to ignore the similarities when you really think about it.
Space marines?
Check.
Nightmarish creatures?
Check.
Lots and lots of firepower?
What do you think?
-------------------------------------------
Sanctuary • S01E19 • TPN's Angel Guide - Duration: 16:16.
After the blistering and gritty Five by Five, Sanctuary attempts to pick up the pieces and
move everyone forward.
I love these kinds of morning-after stories.
Morning after the happily ever.
Morning after the collapse.
But I think they're episodes that beg for an intimate character study because trying
to maintain the same level of action, emotion, and scale can too often creates a sense of
anti-climax.
For example, the most familiar icon from one of my other favorite shows Star Trek the Next
Generation is The Best of Both Worlds.
In it, the Borg capture Picard, brainwash him, and use him to destroy most of earths
defenses.
In the episode that follows, Family, one of my favorites, the crew take shore leave and
Pircard returns to France and his brother to try and process his trauma.
The morning after story is supposed to be overshadowed by what came before.
Generally speaking, they're stories about consequences.
Unfortunately, despite a wonderful opening 10 minutes, Sanctuary doesn't give it's
characters enough time to breath after the stunning Five by Five.
Instead it favors a plot driven story that ends in a shootout, misses an opportunity,
and has some characters driving drama by not behaving them like themselves.
It's a fun-at-times, adequate episode.
But after what came before, it feels like it could've been something special.
101
In
a lovely contrast to the brutal violent ending of the previous episode, Sanctuary opens...quietly.
I was immediately taken by the opening shot of the awkward elevator ride.
Faith and Angel wearing the evidence of their battle on their faces and a shell shocked
silence between them.
Things are now different and you can even see it in how out of place her outfit now
feels.
The black leather pants, the high boots.
The super-villain clothing no longer appears to fit her.
Kind of awesome really as it makes her seem somehow even MORE emotionally vulnerable in
the opening sequence.
Faith's armor is now transparent.
Angel, please get her an oversized sweater, some HUGE baggy sweatpants, and a pint of
ice cream STAT.
She NEEDS comfort clothing.
Angel puts her in his bed and wraps a warm fuzzy around her.
As he steps away we get a vision into the cauldron of violence still playing out in
Faith's head.
Is she...stabbing him in the face with a butcher knife?
YEESH.
The violent cutaways are appropriately horrifying, and setup via contrast to Angel's compassion.
Upstairs, the two brutalized other members of Angel Investigations are mending their
wounds together, feeling resentful that their attacker is getting a hug for it.
4:00 "She's still here I assume."
- "...he gave her his bed."
This is a crackling little scene that I could watch on repeat if I had to.
Wesley, understandably irate after nearly being tortured and murdered the night before,
is confused as to why Faith is receiving no punishment for what she's done.
5:00 "I know what to do with a rabid dog."
- "She's not a dog she's a person.
And in case you forgot, we're not in the business of giving up on people."
THAT one stings.
*torture cutaway
Their exchange essentially sets up the moral and philosophical questions of the episode.
Judgement vs rehabilitation.
Punishment vs atonement.
"There is evil in that girl Angel.
You set her free and she'll kill again."
"You can't just arbitrarily decide whose soul is worth saving and whose isn't?"
Back at the loft, Kate has taken an interest in the destruction from Faith and Angel's
fight.
Her spiral from her father's death and investigation into the paranormal has clearly had an impact
on her status with the rest of the police.
8:00 "Come on Kate.
Everyone knows you've gone all Scully."
- "Scully's the skeptic."
The English goobersquad that captured Buffy in the previous two parter try and cut a deal
with the spurned Wesley to let him back into the Watcher's again, in exchange for the
capture of Faith.
There's a minor bit of lore raised here that I couldn't help but notice.
14:00 "All those alchemists on the board of directors and they still make us fly coach."
Nor do they bother to paying the living expenses of the current Slayer which, presumably, would
help them keep her under their wing.
Faith was living in a rat trap motel.
The first thing the Mayor did was put her in a nice place.
The Watchers are stupid.
Back at Angel's Faith appears to be having some dissociative episodes.
"I need you to give me that knife."
201
The memories she has been using violence to numb herself from are pouring back.
She tries to leave and Angel appeals to her familiarity with running away and it's lack
of effectiveness.
You can't clean a slate by moving or running.
Not when the slate, is you.
18:40 "It's supposed to hurt.
All that pain.
All that suffering you've caused.
It's all coming back on you.
Feel it.
Deal with it.
And maybe you've got a shot at being free."
There is some good stuff here.
Some emotional and philosophical morsels that I had hoped would make up the meal of the
entire episode.
Instead, it's all compressed into this short little scene which makes it land more like
treacly pablum.
18:20 "There are some scenes you just can't take back no matter how sorry you are right?"
Faith's journey from suicidal sadist in the previous episode to guilty hand wringing
in a single day doesn't feel grounded or earned.
There's no weight to this scene.
Worse, and in a bit that foreshadows this episodes real priorities, it's all capped
off by her accidentally revealing that Buffy has a new beau which, by virtue of the added
musical stinger carries more dramatic weight than anything else in the scene.
No no, Sanctuary.
You're forgetting one night ago there was a gruesome torture and suicide attempt.
Lets keep our priorities straight here.
Faith and Angel battle a Wolfram and Hart assassin and the blood on her hands brings
on a panic attack.
As Angel comforts her in the face of it, in comes the Sunnydale Slayer.
"Buffy...we were attacked."
- "We?
You and Faith?"
- "It's not what you think."
We're going to have to talk about this episodes portrayal of Buffy but, for the record, I
think righteous anger is...well pretty much justified here after the two-parter in her
own series.
But there's a point where Buffy doesn't feel like Buffy anymore.
Faith attempts to apologize to Buffy:
26:00 "Buffy, I'm sssssorrry…."
- "If you apologize to me I will beat you to death."
Angel steps in.
Faith flees.
Buffy goes to chase.
Angel grabs her arm.
And she punches him in the face.
And THEN goes to punch him in the face AGAIN.
Angel deflects and hits back and we get her, "How DARE YOU sir!?!"
expression as a reaction.
...really?
But you just.
Twice.
Angel apologizes repeatedly but holy hell does this moment just not play right.
Cue some more hearty Bangel fighting in which Buffy feels totally out of character and Angel
eminently rational.
Faith runs into Wesley and Wesley guides her back to the basement where he shares the Goobersquad's
plan to capture her.
29:30 "Angel, it wasn't for her.
It's because I trust you."
- "I know."
Star Wars: "I love you."
- "I know."
#WANGEL
Lindey and Lillah realize Angel has given Faith shelter and turn the police his way
for harboring a known fugitive.
On the roof Buffy and Angel have the argument most convincing of Buffy's perspective and
behavior in this episode.
301
B: I gave you EVERY chance.
And you SPAT on me.
My life was just something for you to play with.
Angel.
Riley.
Anything that you could take from me you took.
I've lost battles before.
But nobody else has ever made me a victim.
That's a great speech and Faith makes an existential appeal after it.
**FAITH'S LINE
The Goobersquad attacks and are repelled.
Kate does her now frustrating delight at Angel's expense.
Buffy steps in.
And everyone turns to discover, Faith has turned herself in.
'I'd like to make a confession.'
And then what might be the best and the worst scene in the episode happens between Buffy
and Angel.
Worst because the way Buffy is written she learns nothing from the episode, acts like
a jerk saying 'haha I have a boyfriend now who is better than you,' and walks away
with an 'I told you so.'
Let's tackle that first.
There is some precedent for Buffy being bratty with Angel but it has always been counterbalanced
by a consequence or redeeming action of hers.
In Homecoming, in a scene which echoes this one, she tells post-traumatic-hell-dimension-tortured
Angel that she has a new boyfriend now who treats her right.
It always seemed kind of mean spirited to me but that scene is IMMEDIATELY followed
by:
"I don't think we should go out anymore."
In The Prom, Angel says his heart is telling him they need to breakup and Buffy says:
"You have a heart?
It isn't even beating."
That scene is immediately followed up by Buffy confessing to Willow.
"He's right Will."
And in Graduation Day Part 1, when Buffy acts out against Angel to try and replace heartache
with anger he is shot by a poison arrow and she saves his life in another act of self
sacrifice.
Finally, after all their talk, when Angel tries to talk even more in Graduation Day
Part 2 Buffy silences him.
"I'm just going to leave.
After Graduation."
The moment indicates she's ready to move forward.
You can't think your way into letting go of something or someone.
That's like trying to drop a ball by squeezing it tighter.
I've always enjoyed that bit.
And this.
Episode.
Backpedals. on every one of those moments, under the guise of Buffy seeking justice for
all the wrongs Faith did to her.
Which leads to the part of the scene I like where Angel redefines what his show is about.
38:30 "That you went behind my back…"
- "Buffy this wasn't about you.
This was about saving somebody's soul.
That's what I do here and you're not a part of it."
And that's the line between them and their two shows.
Buffy is the Slayer, the one in all the world (kind of.)
As of this episode, the paragon judge when it comes to all things mystical
"I'm sorry I can't be in your club.
I've never murdered anyone."
- and Sunnydale is her courtroom.
LA is where people come to be redeemed.
To atone and seek forgiveness.
And Angel is their champion whose own wrong doings eliminate him from laying down judgement.
Hmm...feels oddly familiar.
*Civil War Shot
Where Five by Five had a fairly singular focus (even Angel's flashbacks were really about
Faith) Sanctuary takes on trying to wrap up the events of Five by Five, Who Are You, AND
Graduation Day Part 2 with varying degrees of success.
401
-The relationship between Buffy and Angel has been in a sort of undistinguished limbo
since Graduation Day.
Angel told Buffy he was leaving in The Prom, they experienced their last dance, and Angel
walked away, but the spectre of their relationship has remained for them both.
*Angel hanging up the phone.
*Buffy coming to LA in I Will Remember You.
I Will Remember You showed that any change in their circumstances might drive them back
into each other's arms.
Their breakup was one of responsibility, not one of desire.
But in this episode Angel draws a hard line to indicate that their relationship is over
and done with because neither of them are the people they once were anymore.
"You don't know me, so don't come down to my city…"
Somehow this element of the episode is both the most emotionally satisfying and the one
I was least interested in.
It ends up being the most significant development of the episode but at this point, I'm over
the Bangel drama and ye gads did it's insertion at this moment in time feel tonally inappropriate.
Both Buffy and Angel have established themselves now as independent entities and the punch
for punch scene in the episode felt both silly and overwrought.
But by the end, FINALLY an adult boundary between them by the end.
-The episode also tries to address the events of Who Are You? but does such a bad job of
it that it ends up making Buffy (who was raped and whose boyfriend was also raped by Faith,
whose mother was kidnapped by Faith, and whose friends were all assaulted by Faith) into
the BAD guy.
There is essentially no difference in this episode between Buffy and the Goobersquad.
They are both completely assured of themselves and morally inflexible.
She both begins and ends the episode as the aggressor, somehow using the events of the
episode to justify her perspective and an 'I Told You So.'
"See?
Faith wins again."
I'm not suggesting that anyone in her position should be expected to just forgive and forget
but from a storytelling perspective revisiting those beats from her series here without developing
her at all makes the crossover feel a little cheap.
It's Angel's show but the universes are so intertwined Buffy and Angel BOTH feel like
main characters.
Something to consider as a thought experiment: Would someone who'd only watched Angel have
an accurate representation of Buffy's character?
Or even, would someone who'd watched only Angel have an accurate sense of ANGEL's
perception of Buffy?
Buffy who saw good in him early in their relationship.
Who Angel saw sacrifice herself to save the world?
Who risked her own life to save his before, again, saving the world?
Or…
501
"What gives you the right?"
*WHAM "I have someone now."
"See?
Faith wins again."
-Lastly there is the resolution to Five by Five, the element of the story I was MOST
invested in that ends up dwarfed by all these Bangel bits.
The first ten minutes of the episode are, to me, the most compelling.
Angel being Faith's sponsor on the road to evil-rehab had rich potential.
There was a chance to do something genuinely interesting with Faith's character and,
by association, his.
Faith's attempt at suicide in Five by Five echoed Angel's in Amends but, remember,
I mentioned in the Amends review that that episode didn't represent Angel choosing
a path yet.
That comes after much soul searching (see what I did there?) in Season 3 before he makes
the choice to not take comfort in Buffy and a relationship that can never be, but rather
to leave Sunnydale and pursue his redemption.
The Faith parallel here is her turning herself into the police at the end of the episode,
but the journey to get there occurs in the shadow of the Bangel and in the bombastic
noise of the goobersquad b-story.
I'm not entirely sure when Faith's moment of clarity in the episode happens because
there is so much superfluous stuff here that it may actually occur offscreen.
The Bangel bits were important as was addressing Buffy's feelings after Who Are You? but
they're so inadequately handled here that there is a wonderful if completely tangential
Angel cameo in the next Buffy episode, The Yoko Factor, in order to properly tie everything
off.
And in a manner that actually feels in character for them both.
Somewhere in the middle of the two perspectives is Wesley.
Who is initially tempted back to the absolutes of Watcher's council but, after having had
to come to grips this season with his own fallibility...
"I'm a fraud."
...embraces Angel's mission and, in doing so, his own journey for redemption.
Sanctuary is such an oddly mixed bag.
There is a lot here that I enjoy but it never feels like it gels and comes together.
The writing credit for the show went to both Joss and Tim Minear, who both have very distinct
voices.
I think you can hear them alternating in this one rather than singing in harmony.
But it's possible what I wanted Sanctuary to be had some undue influence on my experience
of what it actually was.
It is a VERY different episode from Five by Five.
In fairness, Angel had the bulk of a season to make the journey from Amends to Graduation
Day - and maybe there was no way to deliver that same story with Faith and have it be
satisfying.
So, they reached for the threads they knew they could handle and ended the episode with
Faith's first step (in her own body at least.)
It works well enough.
After all, the decision to change, to be better, is usually not something that happens in sharp
turns but by degrees.
We are creatures of habit that have carved familiar avenues in our brains by making the
same mistake over and over again.
At some point, those avenues may call to us for the rest of our lives.
But true freedom is choice, and choice is something that flickers only in the present
moment.
601
41:00 "I hope she's strong enough to make it.
Peace is not an easy thing to find."
-------------------------------------------
The Perfect Guy or The Perfect Cheater? (Full Episode) | Couples Court - Duration: 17:03.
This is Couples Court With The Cutlers.
This is the case of Briggs v. Maxwell.
You've been dating one year, is that correct?
Yes, Your Honor.
Yes, Your Honor.
And why did you bring your boyfriend here?
I brought him here
because I need someone to help me crack this case on whether he is the...
Perfect guy or the perfect cheater.
JUDGE DANA: And, Mr. Maxwell,
why are you here?
JAMAL MAXWELL: Uh, I wanna
prove to her that I'm not lying,
that I'm not a cheater.
And give her assurance, you know,
so that way we could just...
Move forward.
But you've only been together a year.
If it ain't good the first year,
I'm kind of concerned about
what it looks like two years from now.
JUDGE KEITH: Yeah.
MODESTY BRIGGS: I need to find out
if he's telling the truth.
He's very convincing.
Like, he acts like
nothing is happening. You ask him a question,
he knows nothing about it,
even though everything points to him knowing.
If I find out today that he's lying,
that's it. I'm done.
JUDGE DANA: All right. So what is on the line here
is your relationship.
Either you're in,
or you out.
It's either we right, or we not.
JUDGE DANA: And you understand that if it comes back
that you have cheated,
she's gone.
That's what she says, yeah.
(AUDIENCE GROANS)
JUDGE DANA: I know what she said.
I asked you did you understand?
BRIGGS: You see what I'm talking about?
You see how he answers questions?
No, I get it. I mean, I get what she's saying, you know.
JUDGE DANA: Well, Ms. Briggs, here's what I want to know.
How did you all become a couple?
Tell me about how you met.
I met him at a friend's gathering.
And I noticed him.
He had a nice little swag, or whatever.
He came over, we talked,
and one thing went to another.
We went out.
He used to pay me, like, compliments.
I mean, just the way he carried himself,
that's why I said, like, he knows what to do.
So, he just made me believe
that chivalry wasn't dead.
JUDGE KEITH: All right, Mr. Maxwell,
what do you remember about the first time you saw her?
I mean, it's exactly like what she said.
We met, like, through... (CLEARS THROAT) Through a mutual friend.
And when I seen her, I mean, she's beautiful.
I mean, just look at her. She's very beautiful.
You were a little reluctant to, you know, step to her?
MAXWELL: No, not at all.
I'm not that... I'm not reluctant to step to any female.
Look at this.
Oh, okay.
(AUDIENCE LAUGHING)
Of course!
MAXWELL: But it's more so, like, look at her,
I need to have her in my life,
so I had to step to her.
JUDGE DANA: Aah.
After, like, getting to talk to her
and getting to know her...
I mean, she's a really humble spirit.
Wow.
MAXWELL: She put a lot of people in front of her.
Um, and that's just, like, some of the qualities
that I really admire about her.
On our first date, like, he kind of planned this whole thing.
We went and we had dinner.
Um, and even during the dinner,
he was telling me how...
Like, I was wifey material and...
He's saying all the right things, and...
Right, right.
On the first date?
So, I could... You know, I was into that.
And then afterwards, we went to this reggae club.
And, you know, I'm, like, dancin',
doin' all this stuff, like...
Showin' him my Beyonce or whatever.
And he just...
(AUDIENCE LAUGHING)
He's just, like... Hey!
He is just, like, doin' his little two-step the whole time.
But, I mean, it was all good.
It was a nice little time,
and, I mean, that's really where we started vibing and...
Okay, so she said on the first date,
you popped out with, "You wifey material"?
That's strong, man!
(CHUCKLES) No, no, I mean, you don't understand, like,
she looks amazing, right?
JUDGE DANA: Absolutely.
MAXWELL: Standing next to me, I look even better...
Amen!
MAXWELL: Just having a woman like this next to you?
See? There you go!
Dude, I feel you.
MAXWELL: You know how good he look
just because you next to him?
Yeah!
I had to have her.
So, you know, she said it was a nice night out. Man, that night
was more than just a nice night.
It was, like... It was a magical night.
That's how I remember it.
JUDGE DANA: Oh!
AUDIENCE: Aww.
MAXWELL: I just knew at that moment, like...
All right, I gotta have this woman even more, so...
JUDGE KEITH: Okay, so, I mean...
JUDGE DANA: But when you...
Oh, I'm sorry, love.
Go ahead. Go ahead.
No, go ahead, go ahead.
Okay.
I see the smiles on your faces...
Mmm-hmm.
...as you talk about the past,
but when we opened this case,
you looked mad and you looked mad.
So I wanna know
what brought us to where we're standing here today.
I have suspected that he has been cheating.
He's done some things that has made me feel that way.
And it started by, um, last July.
We went to a club and afterwards,
everyone decided to go back
to his house. When everybody got there,
and my friend told me, she was like,
"Oh, you need to go check on Mr. Maxwell."
So I went into the room,
and there's this girl sitting on his bed.
And I'm like, "Is he in the bathroom?"
And so she was like, "Yeah, he's in the bathroom."
So I knock on the bathroom door,
and it took him a minute, he opened the door,
and, you know, I'm just trying to be, like, a nice girl
and just see if my man is okay,
and so, we both come out the room.
Me and him.
JUDGE DANA: Okay.
The girl is still in the room.
You found a woman sitting on his bed.
BRIGGS: Yes, like, by the headboard.
JUDGE KEITH: Is she dressed? Is she not dressed?
Is she partially dressed?
Yes, she's fully dressed.
I mean, it was a bunch of people at my house.
I mean, some girls there, they did like me.
There was some that liked me.
But, I wasn't obligated to...
But we need to know about the girl in the bed.
Right.
JUDGE DANA: Did she like you?
She liked me, too.
JUDGE DANA: Okay.
She did. I mean...
How did she end up on your bed?
She walked in there.
Where were you? Were you in the room...
MAXWELL: I was in the bathroom.
Okay, so you... Did you know
she was in the bedroom?
No, I didn't.
JUDGE KEITH: All right.
That wasn't the bad part, though.
So, we're in the kitchen, and this girl,
she says this comment like, "You're doing too much."
What did she mean by that?
BRIGGS: Exactly!
That's where all of this starts, okay?
So, I'm asking the girl, like,
what does she... You know, "Are you talking to me?
"Are you talking to him? Who are you talking to?
"Because I don't even know... Like, how are you in our business?"
Right!
BRIGGS: And I literally asked her
I was, like, "Are you sleeping with him?"
JUDGE KEITH: Oh, you just went straight there.
And she was like, "No."
I look him dead in his face,
and I said, "Why is she saying this?"
And I said back...
And he said,
BOTH: "I don't know."
"I don't know why she's saying this."
JUDGE DANA: Okay, but what does that mean?
"You doing too much."
What were you doing?
BRIGGS: Exactly!
What were you doing?
BRIGGS: Long story short,
she never explained that night, why she said that.
He never explained that night why she said that.
That other girl was making it seem like
I was in a relationship with the girl that was in my bed and I wasn't.
I mean, not at all.
But she was making it seem like, "Oh.
"You supposed to be with her,"
or, "He's supposed to be with her."
But I didn't get that news!
All right, so is this the only incident that you have?
BRIGGS: No, um...
He ended giving me his password to his phone.
I gave him my password to my phone,
so after that, it was cool. It was, like, back to how it was.
JUDGE DANA: 'Cause you're figuring if he's giving me the password
to his phone, he's an open book.
BRIGGS: Yes, yes, yes.
Then, all of a sudden, again, like...
Just randomly, I would walk in a room,
and he would clearly be on his phone texting.
And when he'd see me walk in, he'd just put it down.
Is it possible he was just texting his friends and just,
when he came in he wanted to turn his attention to you?
MAXWELL: Here's my thing with the phone, all right?
One, it's my phone.
All right.
MAXWELL: Right?
I pay the bill on this phone.
And if I wanna text somebody on it,
I text somebody on it.
If I wanna call somebody on it, I'll call somebody on it.
Was there anything in the phone that she shouldn't find?
No, there's nothing in the phone at all! She got
the password, she ain't gonna find nothing in my phone!
Ha!
Um, question.
How long have you guys been married?
Twenty-eight years.
We've been married 28 years.
MAXWELL: 28 years you've been married, right?
Yeah.
And I'm quite sure, those 28 years,
you ain't been happy the whole 28 years, right?
JUDGE DANA: Oh, I have been.
(AUDIENCE LAUGHS)
MAXWELL: Yeah, okay, right.
(MAXWELL STUTTERING)
The whole...
I'm teasing.
MAXWELL: So, the goal
to a successful marriage is to try to stay happy, right?
So why would you look for something to be unhappy?
JUDGE KEITH: So you're not questioning why she's looking
in your phone, you're questioning why
she's looking for something, anything!
MAXWELL: She don't wanna be happy!
That is one situation.
Another situation...
JUDGE DANA: All right.
I spent the night over there and it must have been about 2:00 a.m.
I see this light from the wall blinking up.
He's laid over the bed, like...
Looking on his phone.
Like, his head is clearly off of the bed.
So I'm like, I try to get to see what he was doing.
And he instantly, like, turned it down
so I can't see the light anymore.
But, I mean, I didn't say anything,
I just acted like I was just turning,
you know, like, in my sleep or whatever.
Right.
So a couple of days later,
I went in the phone and I opened the phone.
The password still worked.
And I see all these social media, like, different apps.
Okay.
And so, I tried to open the apps,
and he had it logged off.
So I don't know his username or passwords
to these social media apps.
But I have a friend that knows everything about social media.
JUDGE DANA: Okay.
BRIGGS: So she goes on there,
and less than 30 minutes...
MAXWELL: See, again,
we looking to be unhappy.
...she finds a profile of his
on a dating site.
AUDIENCE: Oh!
BRIGGS: And I have
the screenshot that she sent.
If I could submit it.
JUDGE DANA: Ron,
would you please pick that up for us?
RON: Yes, Your Honor.
Thank you, ma'am.
Oh, boy.
It says Max.
MAXWELL: Right.
JUDGE DANA: And do you go by "Max" at times?
MAXWELL: Yup.
JUDGE KEITH: Is that you?
That's me.
JUDGE DANA: Okay. Age 31.
MAXWELL: See? There we go, right there, I'm not 31.
It's old! That stuff is old.
Wait a minute, wait a minute.
This looks very similar to some of the pictures
we've been flashing up of you all.
Your couple pictures.
AUDIENCE: Ooh!
It's me.
JUDGE DANA: This is you on your dating profile, right?
Mmm-hmm.
Can you put up one of the pictures
that you submitted to the court?
MAXWELL: Mmm-hmm.
JUDGE DANA: That's you two together, right?
BRIGGS: Look at the glasses, same.
MAXWELL: Them ain't the same glasses. They're both Gucci shades,
but they ain't the same one.
Oh, Jesus!
Look at 'em, go into close-up!
(INDISTINCT ARGUING)
...help us.
I got more than one pair of Gucci shades.
Look at the Gucci frame up here and then look on the side.
Go closer. Y'all ain't about to catch me up on that.
Okay.
But is that the same hat?
(AUDIENCE GROANS)
MAXWELL: Hey, you know how many hats I got?
JUDGE DANA: I don't know how many,
but I'm asking you about this hat.
Uh, no, it can't be.
Well, why still have it up all these years?
I don't have it up! They got it up! (STUTTERS)
When was the last time you used this dating profile?
I don't use it.
So, it's just out there?
MAXWELL: I guess so.
This guy right here,
he knows what he's doing.
He knows what he's doing.
JUDGE KEITH: All right. Mr. Maxwell
and Ms. Briggs, at this time,
the court would like to call cyber security expert,
Gregory Evans.
Ron, would you please escort
Mr. Evans into the court room?
GREGORY: Hello, Your Honors.
JUDGE DANA: Hello, how are you, Mr. Evans?
JUDGE KEITH: Good to see you.
GREGORY: Doin' great, yourselves?
JUDGE KEITH: All right.
GREGORY: All right.
Mr. Evans, you had access to
Mr. Maxwell's phone, is that correct?
Yes.
JUDGE KEITH: And what kind of things can you get from phones?
Oh, we can get text messages,
emails, videos, pictures.
Anything that's ever been on a phone can be retrieved.
Even if it's deleted?
Even if it's deleted.
That's where forensics comes in.
JUDGE DANA: What did you uncover, Mr. Evans?
If you go through the homepage on the iPhone,
and use your thumb and swipe down,
it shows the apps you use the most on there.
Okay.
That's universal.
On his, it showed
that he uses Mail, Notes,
Tinder, and a new one I never heard of, SoulSwipe.
SoulSwipe. Wow.
JUDGE DANA: What is SoulSwipe?
GREGORY: (STUTTERS) Their definition,
and here's the evidence for that, Your Honor.
Oh, thank you.
The definition is...
(BRIGGS CHUCKLES)
"SoulSwipe: Black Dating."
Whoa.
Mr. Maxwell, are you a participating member
in SoulSwipe?
JUDGE DANA: Or Tinder?
No, I'm not.
JUDGE DANA: Can you explain why they come up
as one of your top four?
MAXWELL: 'Cause he probably put it
on there, I didn't do that.
(AUDIENCE GROANS)
BRIGGS: Exactly!
GREGORY: Okay, so...
(CHUCKLES) We use forensics.
And we use forensic software.
See, computers don't lie.
It shows his device name,
his EMI name, the serial number to his phone,
the firmware in his phone.
So we were able to look at all the apps that was on his phone.
Okay.
So, and we're also able to see apps that were also deleted.
But these ones were not deleted,
and it still showed
that these were the top two on his phone.
If we were to add these apps, like he's claiming,
we would have needed his iCloud password to go into the Apple store
to download 'em.
Well, what was funny was is when I was going through his phone,
I had just received it from the court,
I did ask for the iCloud username and password.
He said he couldn't find the iCloud username and password, he forgot it.
So he gave us five passwords, none of them worked.
So I'm just looking through the phone
and I'm looking through his notes.
Now, an hour before he turned in the phone,
he had just put a brand new note in
of a restaurant, a popular restaurant here.
Right? I got out of that note, went back into
another note, came back out...
That note was deleted.
I was like, "What happened to that note?"
One of my team member says,
"Well, when I went in there to talk to him, it looked like
"he was logged in to his iCloud account."
And he might have been deleting... I just know one thing.
That note was there.
And then it wasn't there.
I had one note that said the name of a restaurant
because I wanted to go eat
at a restaurant and somebody told me about it.
I put the note in there to remember the name of the restaurant.
But Mr. Evans, if you had the phone,
how else could it have been deleted?
Where's the guilt in that?
By being logged in to the iCloud account
using the password he said he couldn't remember.
How can I log in if you got my phone?
Can you log in from another device?
Yeah, you can log in from anything, you just go to iCloud.com,
and just log in with your email address and your password,
to your iCloud account.
Mr. Maxwell?
Did you delete that information from the phone?
No. Everything that he said is hearsay, speculation
of what anybody could do.
No, the only person who gets to make that decision is me.
And him.
Mr. Cutler's question to you was,
did you delete it?
MAXWELL: No.
No, I did not.
It's a restaurant, like, why would I delete a restaurant?
JUDGE DANA: We don't know.
I don't either.
I, I mean, this is what I deal with all the time.
Every time we have a situation,
he's always backpedaling,
you know, skating around,
what it really is when all the proof is right there.
All right, Ms. Briggs, we're gonna get you
some additional information, because we had Mr. Maxwell
to sit down with a certified polygraph examiner.
Are you ready for the results?
Yes, Your Honor.
(AUDIENCE APPLAUDS)
Thank you, sir.
Here you go, love.
Mr. Maxwell, you were asked,
prior to July 2016,
"Had you had sex with the woman who was sitting on your bed during your party?"
And you answered, "No."
The lie detector determined that you were being...
Deceptive.
Oh!
(AUDIENCE GROANS)
What's going through your mind?
Just the fact, like, you act like
you did not know what was going on! Nothing!
I did not know her,
until after that.
BRIGGS: (SIGHS) Oh, my God.
What did she have a trash bag on? Like, really.
JUDGE KEITH: All right, well,
Ms. Briggs and Mr. Maxwell, we have a second question.
Mr. Maxwell, you were asked,
"Have you had any sexual intercourse with other women
"while dating Ms. Briggs?"
And you answered, "No."
The lie detector determined...
That you were being...
Deceptive.
Okay.
MAXWELL: No, I'm telling the truth.
BRIGGS: We're done.
We're done.
JUDGE DANA: Our court offers resources to you
so you can figure out how to move positively forward.
JUDGE KEITH: Because you need to change your ways,
so that neither one of you is cheated
out of an opportunity for a great relationship.
Court is adjourned.
(AUDIENCE CHEERS AND APPLAUDS)
-------------------------------------------
Jess Glynne Performs 'Thursday' (Live Performance) | TRL - Duration: 3:49.
lI won't wear make up on Thursday
I'm sick of covering up
I'm tired of feeling so broken
I'm tired of falling in love
Sometimes I'm shy and I'm anxious
Sometimes I'm down on my knees
Sometimes I try to embrace all my insecurities
So I won't wear makeup on Thursday
Cos who I am is enough
And there are many things that I could change so slightly
But why would I succumb to something so unlike me
I was always taught to just be myself,
don't change, for anyone.
I don't wanna lie, I don't wanna cry,
don't want these tears inside my eyes
Don't want to wake up and feel insecure
I want to sing, I wanna dance,
I want to feel love inside my hands again
I just wanna feel beautiful
Oh oh oh oh I
Oh oh oh oh I
Oh oh oh I just wanna feel beautiful
I'll swear my sweatpants on Thursday
And I'll drink sloe gin from a can
I'll build my own independence
I don't always need a man
You know sometimes I feel lonely could do with the company
Oh I get high when I'm down but you know that's alright with me
So I will do nothing on Thursday, sit alone and be.
And there are many things that I could change so slightly
But why would I succumb to something so unlike me
I was always taught to just be myself,
don't change, for anyone.
I don't wanna lie, I don't wanna cry,
don't want these tears inside my eyes
Don't want to wake up and feel insecure
I want to sing, I wanna dance,
I want to feel love inside my hands again
I just wanna feel beautiful
Oh oh oh oh I
Oh oh oh oh I
Oh oh oh I just wanna feel beautiful
Oh oh oh oh I
Oh oh oh oh I
Oh oh oh I just wanna feel beautiful
I won't wear make up on Thursday
Cos who I am is enough
I don't wanna lie,
I don't wanna cry, don't want these tears inside my eyes
Don't want to wake up and feel insecure
I want to sing, I wanna dance,
I want to feel love inside my hands again
I just wanna feel beautiful
Oh oh oh oh I
Oh oh oh oh I
Oh oh oh I just wanna feel beautiful
Oh oh oh oh I
Oh oh oh oh I
Oh oh oh I just wanna feel beautiful
-------------------------------------------
Skorpios Gets Stung | BattleBots: Resurrection - Duration: 8:48.
Rose: LET THE BOT BATTLE BEGIN!
Narrator: IN THE Battlebox ARENA,
ARMOR IS SHREDDED, SPARKS FLY,
AND ROBOTS ARE TORN TO PIECES.
-WHOA! -SKORPIOS HAS COME OFF.
Narrator: WHEN THE SMOKE CLEARS,
THE TEAMS ARE LEFT WITH THE CARNAGE THAT REMAINS.
Florian: OH!
TODAY, TEAM AXE BACKWARDS GETS SPLIT IN TWO,
AND TEAM SKORPIOS LOSES THEIR ONLY WEAPON.
CAN THEIR BOTS BE REPAIRED IN TIME FOR THE NEXT FIGHT,
OR WILL THEIR CHAMPIONSHIP DREAMS END HERE?
THIS IS "BattleBots: RESURRECTION."
LED BY TEAM CAPTAIN KURT DURJAN FROM FLORIDA,
TEAM AXE BACKWARDS RUNS A HUGE BARREL-SPINNER
UNLIKE ANY OTHER BOT IN THE COMPETITION.
ITS LARGE SET OF RUBBER WHEELS MAKES IT FAST AND POWERFUL,
BUT ALSO EXPOSES IT TO SOME VULNERABILITIES.
THEY CAME INTO THE FIRST MATCH FEELING CONFIDENT,
BUT TOOK A HARD HIT FROM WAR HAWK
THAT SPLIT THE WHOLE LEFT WHEEL OFF,
RENDERING THE BOT MOTIONLESS.
THEY QUICKLY REALIZE THAT THEY WILL NOT
ONLY HAVE TO REPAIR THE BOT,
BUT READJUST THE DESIGN IF THEY WANT TO HAVE A CHANCE
AT WINNING THE CHAMPIONSHIP TITLE.
I JUST WATCHED THE REPLAY, AND SO I KIND OF UNDERSTAND
EXACTLY WHY THE WHEEL BROKE OFF THAT IT DID.
WHEN WE LANDED ON OUR WHEEL, WE LANDED, LIKE,
PERFECTLY AT A 45, AND IT JUST BROKE
THE PINK MOTOR MOUNTS THERE ON THE FRONT.
WE'VE TAKEN ALL OF THE ELECTRONICS OUT
OF THIS BOX IN THE BACK THAT GOT CRUSHED PRETTY BAD.
IT'S A LITTLE EXTRA WORK THAT WE DON'T USUALLY DO.
WE'RE GONNA TAKE THAT OUTSIDE.
WE'LL HAMMER IT UP AT THE WELDING CENTER OVER THERE.
AND WE HAVE A SPARE ONE OF THESE SIDE PLATES FOR THAT SIDE,
SO WE'LL PUT THAT BACK IN.
WE'LL GET THE DRUM-ALIGN BACK ON,
AND WE'LL PUT A NEW SET OF MOTOR MOUNTS ON
AND JUST SWAP OUT TIRES.
Narrator: CAPTAIN ORION BEACH AND THE REST OF HIS TEAM
CREATED A HYBRID SAW-AND-GRAPPLE-BOT
CALLED SKORPIOS,
COMPLETE WITH AN ARTICULATING ARM TO GRAB WITH
AND A SOLID STEEL BLADE TO DO SOME SERIOUS DAMAGE.
UNFORTUNATELY, IN THEIR LAST MATCH AGAINST ROTATOR,
THIS DUAL-USE WEAPON WAS RIPPED OFF THEIR BOT,
LEAVING THEM WITHOUT A WAY TO FIGHT BACK.
WITH THEIR NEXT MATCH IN LESS THAN 24 HOURS,
THEY'LL NEED A MIRACLE TO GET THE MANGLED SAW
AND SHATTERED ARM REPAIRED IN TIME.
I DON'T KNOW WHAT WAS UP WITH THAT WEAPON MOTOR.
-IT JUST DIDN'T WORK. -NO.
IT WAS HAVING TROUBLE SPINNING UP.
YOU GUYS MISSING THIS?
-OH, YEAH. -YES!
EARLY ON, WE LOST THE SAW MOTOR.
I'M ASSUMING THAT OUR BACK BRUSH-HOUSING SUPPORT
SHATTERED RIGHT AWAY.
Rose: OH! PIECE OF SKORPIOS HAS COME OFF.
AND SO WHEN WE HAD A CHANCE TO GO AFTER ROTATOR'S TIRE,
WE JUST DIDN'T HAVE ANY POWER IN THE SAW,
'CAUSE THE MOTOR WAS JUST FIGHTING ITSELF.
SO I'M SURE IT'S ALL BEAT UP IN THERE.
Narrator: BACK AT TEAM AXE BACKWARDS,
KURT IS WORKING ON MANUALLY TOOLING
AN IMPROVED PIECE FOR HIS BROKEN GEARBOX,
GIVING HIM TOTAL CONTROL
BUT ALSO RISKING HUMAN ERROR IN THE PROCESS.
♪♪
HE'S HOPING THAT THE NEW PIECE
WILL BE THE RIGHT SIZE FOR THE WHEEL,
AND WILL KEEP IT FROM FALLING OFF AGAIN
IN THEIR NEXT BATTLE.
Durjan: SO, WE MADE THIS ON THE LATHE.
WE GOT THIS PIECE ORDERED IN.
WE WELDED THIS ON. WE MILLED A KEY SHAFT IN IT.
NOW WE'RE ACTUALLY GONNA INSERT IT IN THE GEARBOX,
AND THEN WE WILL CUT IT OFF AFTER WE PUT THE WHEEL ON
AND USE CLAMP COLLARS TO HOLD IT.
SO THIS IS -- THIS IS THE FINAL PIECE --
THE FINAL STEP OF THE PIECE WHERE IT GETS MARRIED TO THE --
OH, ARE YOU, LIKE, EATING GREASE BACK THERE?
UGH.
MMM, FROSTING.
HOPEFULLY, IT FITS. OH, IT FITS.
IF IT FITS, IT SHIPS.
♪♪
MAGIC.
OOH, A LITTLE TIGHT.
SO AS LONG AS THIS SPINS, I CAN DRIVE IT.
AND THAT'S THAT. IT SPINS, IT WINS.
SPIN IT TO WIN IT.
Narrator: THE NEXT MORNING, TEAM SKORPIOS MAKES
THE DECISION THAT THEIR PREVIOUS PRIMARY WEAPON IS,
IN FACT, IRREPARABLE,
AND, IN DESPERATION, DECIDE TO REPLACE IT
WITH AN IMPROVISED SOLUTION FROM THE HARDWARE STORE.
WE KEEP BREAKING WEAPON MOTORS, AND THEY KEEP NOT RUNNING RIGHT.
SO WE JUST BOUGHT AN ANGLE GRINDER,
AND WE'RE JUST GONNA STICK IT ON THE BUTT
AND SEE HOW IT DOES.
I FOUND THIS DIAMOND BLADE THAT FITS IT PRETTY EASY.
LET'S SEE HOW THIS FITS.
GO AHEAD AND PUT THAT IN.
SO, I'M NOT SURE
IF WE'RE GONNA USE THIS PIECE OR NOT.
I THINK WE'RE GONNA MAKE SOMETHING ELSE --
SOME KIND OF BENT PIECE TO COME UP
AND SUPPORT THE OTHER SIDE OF THE ANGLE GRINDER.
OH, YEAH.
NOT THE BEST, BUT, UH...
WE'LL GET IT WORKING FOR THE FIGHT.
-YEP. -CHEAPEST STUFF IN TOWN --
LET'S THROW IT IN COMBAT.
Narrator: BACK AT THE TEST BOXES,
KURT IS PIECING AXE BACKWARDS BACK TOGETHER
AS THEY PREPARE FOR THEIR FINAL TEST BEFORE BATTLE.
BUT THE WHEELS DON'T SPIN QUITE AS PLANNED.
I GOT A SUNBURN FROM THE WELDER, SO I GUESS, A WELD-BURN.
GOT A BUNCH OF LIGHTS IN HERE.
IF I CAN HOOK THEM UP, THAT WOULD LOOK REALLY PRETTY.
LET'S SEE.
FIRE IN THE HOLE.
OH, YAY, THERE WE GO -- LOTS OF GREEN LIGHTS.
OKAY. COOL.
AND IF WE MOVE THIS, WE SHOULD HAVE SOME SORT OF MOVEMENT.
♪♪
HOW DID THAT GET SO DIFFERENT?
NOT THRILLED.
Narrator: WITH ONLY FOUR HOURS LEFT,
KURT DISCOVERS THE PROBLEM IS A BROKEN SPEED CONTROLLER --
A CRUCIAL PIECE THAT CONTROLS THE BOT'S MOVEMENT.
HAVING NO REPLACEMENTS ON HAND,
HE TURNS TO HIS FELLOW BUILDERS FOR HELP.
Durjan: WE BOUGHT ONE FROM WILL BALES
OVER AT TEAM HyperShock.
HE WAS HAPPY TO SELL US ONE, AND IT'S A GOOD THING,
'CAUSE THERE'S NOT MANY OF THEM OUT THERE LEFT.
SOON AS THEY SAY "BattleBots,"
EVERYTHING GETS KIND OF BOUGHT UP.
Narrator: WITH SKORPIOS QUICKLY RUNNING OUT OF TIME
BEFORE THEIR NEXT MATCH AGAINST HyperShock,
THEY HAVE NO CHOICE
BUT TO MAKE MAJOR SACRIFICES TO THEIR ARMOR.
INSTEAD OF WELDS,
THEY'RE GONNA HAVE TO USE DUCT TAPE.
Beach: YEAH, WE DIDN'T HAVE TIME FOR A PROPER WELD NUT,
SO WE'RE TAPING OUR LAST SEASON'S
TOP ARMOR ON OUR ROBOT.
Narrator: AS COMMENTATORS CHRIS AND KENNY
SHOW UP BACKSTAGE TO SEE THE BOTS BEFORE THE FIGHT,
TEAM SKORPIOS LAYS OUT
THE CHALLENGES THEY FACED IN REPAIR.
IN OUR ROTATOR FIGHT, THIS ARM, AS YOU SAW,
GOT ALL MANGLED UP.
IN THE AMOUNT OF TIME WE HAD, THIS IS THE FIX WE COULD GET.
WE WENT DOWN TO THE HARDWARE STORE
AND BOUGHT A CHEAP, LARGE ANGLE GRINDER
AND A DIAMOND TILE SAW.
HOW MUCH OF A PERCENTAGE DECREASE
IN EFFECTIVENESS IS THIS THING?
25% OF ORIGINAL.
25% OF THE ORIGINAL FIREPOWER?
YEAH.
-ARE YOU SERIOUS? -EVERY PART.
OH, MY GOD.
WHAT ABOUT THE DRIVE SYSTEM FOR THE --
WE HAD TO REBUILD OUR MOTORS.
REALLY? YEAH.
FULL AXLE THAT OUR GEARS ATTACHED TO
HAD TO BE TOTALLY RECONSTRUCTED.
I MEAN, THIS IS GLORIOUS.
BEST WE COULD DO.
Narrator: AFTER PERFORMING A SUCCESSFUL
BUT TIMID TEST IN THE BOX,
SKORPIOS HEADS INSIDE FOR THEIR BATTLE.
Narrator: AS THE SUN SETS,
AXE BACKWARDS EMERGES FOR THEIR FINAL SAFETY CHECK
ONLY MINUTES BEFORE THEIR NEXT FIGHT,
HOPING THEIR NEW DESIGN KEEPS THEM IN ONE PIECE.
♪♪
-YEAH. -DID IT DO ANYTHING?
♪♪
-OOH, LOOK AT IT. -SEE HOW IT TRIES TO LIFT THAT?
-OH, OKAY. -ISN'T THAT COOL?
THAT'S THE MOMENT WE WERE TALKING ABOUT.
ALL RIGHT. LET'S SEE THE WEAPON.
-OH. -OH, GOD.
-YEAH, THAT WORKS. -IT'S ALIVE!
THAT'S LIKE, 10%.
THAT'S WAY FASTER THAN WE'VE EVER HAD IT
WITH ANY RATIO.
OOH, IT DOES THE GYRO, DUDE! OH, WE GET THE GYRO!
I DIDN'T EVEN KNOW WE COULD DO THE DANCE.
I WANNA DO THAT AGAIN. Man: NO.
NO, YOU DON'T WANNA DO THAT AGAIN.
OH.
I'LL LAY IT BACK DOWN GENTLY.
OH, MY GOD. I CAN DRIVE.
HOLD ON, READY? READY? HERE WE GO.
YEAH! WHOA!
THAT'S AWESOME, ISN'T IT?
IT'S GOT SO MUCH BETTER MOTION THAN IT DID BEFORE.
[ RAPID BEEPING ]
WHOO!
Durjan: SPECTACULAR.
THAT WAS, LIKE, THE BEST TEST ANYBODY COULD EVER DO.
SO NOT ONLY WAS IT, LIKE, THE CULMINATION OF FIVE WEEKS
OF EVERYTHING COMING TOGETHER,
BUT WE HAD TO GET OUR BUTTS KICKED
TO REALLY INSPIRE US TO UPGRADE THE WHOLE THING
AND BE ABLE TO DO THE GYRO.
AND THAT'S EXACTLY WHAT WE HAD IN MIND
WHEN WE BUILT THIS ROBOT, AND THEN, ALL OF A SUDDEN,
IT WORKS, LIKE, FOR THE FIRST TIME EVER.
EVEN BEFORE THE COMPETITION,
WE'D NEVER SEEN IT DO ANYTHING LIKE THAT.
SO WE ARE SUPER HAPPY,
AND WE ARE READY FOR COMPETITION.
HOLD ON, READY? READY? HERE WE GO.
YEAH!
-[ LAUGHS ] -YEAH!
-WHOO! -UH!
I'M READY FOR WAR!
-PRETTY GIRL. -WHOO!
Narrator: WITH THEIR NEWLY-FOUND CONFIDENCE,
WILL AXE BACKWARDS BE ABLE TO STEP UP IN THE Battlebox?
AND WILL SKORPIOS,
WITH AN IMPROVISED WEAPON AND DUCT-TAPE ARMOR,
BE ABLE TO OUTDRIVE AND OUTLAST TEAM HyperShock,
OR WILL THIS BE THEIR FINAL CHAPTER?
FIND OUT ON "BattleBots."
♪♪
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FAIRY TAIL Opening 23 || Power Of The Dream || Cover POKEDRA Español Latino - Duration: 1:45.
For more infomation >> FAIRY TAIL Opening 23 || Power Of The Dream || Cover POKEDRA Español Latino - Duration: 1:45. -------------------------------------------
Investigators studying large cat bones found at Joe Exotic's former animal park - Duration: 1:17.
For more infomation >> Investigators studying large cat bones found at Joe Exotic's former animal park - Duration: 1:17. -------------------------------------------
鏡音リンのLINEスタンプ描いてみた4／SAI2 - Duration: 3:56.
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Dry stretch of days - Duration: 2:05.
For more infomation >> Dry stretch of days - Duration: 2:05. -------------------------------------------
First Alert: Windy, cooler for your Sunday - Duration: 1:09.
For more infomation >> First Alert: Windy, cooler for your Sunday - Duration: 1:09. -------------------------------------------
How To Hire The Right People? #AskAnything - Duration: 1:59.
Hi Everyone.... Scott Bintz here along with
my side kick, Caleb
I'm catching up on ask anything questions
One of the questions is
How do I hire?
I hire by culture fit first
& skill set second
to make sure, they fit with our guiding principles @ our company Red Headed Rebel
We interview based on that
To make sure people have or want to the values we work and live by
If they don't have them
Often there's good people, that just don't fit our culture
like back in the RealTruck.com days
perhaps an accountant, wasn't cool with someone wearing clown shoes
or maybe
like Caleb likes to wear
a superman cape from time to time
then at that time RealTruck might not been a good place for them to work
Because one of the guiding principles was "Include Fun"
which could include many things
also How do you know if someone is hired already, if it's a fit or not?
I went with
If I would hire them again
then I have the right person
if I would hire them again, but am frustrated with them
then i probably have them in the wrong job role
and if I wouldn't hire them again
then we should
part ways because I'm holding up their life and they are mine
and that's my answer
& I'm sticking to it
Learn more at RedHeadedRebel.com
You can get Scott's book, Principles To Fortune online everyone
or visit PrinciplesToFortune.com
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Pittsburgh native, Temple Beth-El member reacts to synagogue shooting - Duration: 1:30.
For more infomation >> Pittsburgh native, Temple Beth-El member reacts to synagogue shooting - Duration: 1:30. -------------------------------------------
Bangla Hot Song 14 | একটু ভালোবাসা দাও আমারে - বাংলা হট গান | Bangla Gorom Masala Song - Duration: 4:29.
Bangla Hot Song 14 একটু ভালোবাসা দাও আমারে - বাংলা হট গান Bangla Gorom Masala Song
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The Tallest Dog In The World | Kritter Klub - Duration: 2:09.
Tall, dark and handsome
Wow
Wow22
The size of human hands
Both cute
Y'all better recognize~
Giddy up
Fan meeting on the streets
This is being extraordinary☆
All I've seen are my grandma's two big dogs
But this dog is bigger than them!
fan service
Even gets a wave on the road
He's happy. He's proud
He's proud of himself
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