Now, one of the reasons that we are captivated  by horror cinema - is for the incredible display
  of creative talent from special effects artists  and visual designers that somehow manage to
  capture the physical form of nightmarish monsters  and gruesome creations, breathing life into
  an idea from a script all the way to the silver  screen.
  Sometimes though, their creative talent is  a little too real - and historically, in some
  cases any way, it's left audiences a little  -- too shocked, to say the least.
  And horror cinema - particularly grindhouse  and splatter horror - sometimes just so happens
  to BE a little -- too - real.
  Well, let's take a look shall we?
  Hello horror fans, and once again welcome  back to the scariest channel on YouTube, Top
  5 Scary Videos.
  As per usual, I'll be your horror host Jack  Finch - as today, we circumvent the BBFC - and
  take a look at the Top 5 Horror Movies That  Were Almost Too Real.
  Roll the clip.
  For the curious amongst you, that clip was  from 1987's Evil Dead 2 - and in no way
  is it tied to this list, I just love it and  thought it was rather fitting.
  So in the immortal words of Ash Williams.
  Let's go.
  Kicking off at Number 5 - A Lizard in a Woman's  Skin, 1971
  For those of you that don't know, giallo  cinema was a very specific style of Italian
  horror, particularly tied to the mid-to-late  1960s, which often employed murder mystery
  tropes with dramatic suspense building, peaked  with bursts of slasher violence and fantasy
  eroticisim.
  It's not for everyone, but it had a massive  impact on later American slasher horror - and
  perhaps one of the most intriguing examples  of giallo cinema is 1971's A Lizard in a
  Woman's Skin, directed and written by Lucio  Fulci.
  Well, as chance would have it - legendary  special effects artist Carlo Rambaldi was
  actually tied to this film before his work  on Steven Spielberg's E.T - and his eye for
  visual nasties was so convincing that it actually  landed the director in an Italian criminal
  court.
  During the events of the film, the lead character  Carol finds herself wrapped up in a LSD-fuelled
  crime story involving murderous dreams and  mind bending altercations - and at one point
  finds herself confronted with four vivisected  dogs, their chests open and their hearts still
  being.
  The physical effects were so convincing that  the courts charged Lucio Fulci with animal
  cruelty, and the director faced a two-year  prison sentence.
  In the end, Carlo Rambaldi had to present  the animatronic creations in front of a court
  - where the charges were eventually dropped.
  Now, that's a close call.
  Coming in at Number 4 - Guinea Pig: Flowers  of Flesh and Blood, 1985
  Perhaps one of the most controversial depictions  of horror cinema in the whole of Japanese
  history, if not the rest of the world.
  The Guinea Pig films are a series of six Japanese  horror films from the early 1980s and 90s
  - based off of the filmmaker, Hideshi Hino's,  own horror manga series of a similar nature
  - that depicts incredibly graphic and grotesque  Japanese body horror and violence.
  Now listen, this style of horror cinema isn't  really for me - but fringe filmmaking has
  often pushed the boundaries, so that the mainstream  can further develop the genre as a whole.
  But, on the flip side - Hideshi Hino's work  had a pretty rough time, to say the least
  - and the filmmaker had to constantly prove  that no one was actually hurt or murdered
  during production.
  Well, in a bizarre turn of events - that involved  Charlie Sheen of all people - it had The Guinea
  Pig series being investigated by the FBI.
  In 1991, actor Charlie Sheen was given a copy  of the second film in the series, Flowers
  of Flesh and Blood - and after watching it,  Sheen mistook it for a genuine snuff film
  - claiming that the graphic depictions on  screen were so lifelike that there was no
  way special effects could have pulled it off.
  He was so convinced that he contacted the  FBI to report it, only to find that they were
  in fact already investigating the filmmakers  - who were then summoned to a Japanese court
  to prove that the special effects were fake.
  Must have been all of that Tiger Blood.
  Swinging in at Number 3 - August Underground,  2001
  Alright - let's not beat around the bush.
  This film isn't for me, and after speaking  to a few of you in the comment section a few
  months back - it's not for most people,  really.
  Although, there is something to be said about  director Fred Vogel's audacity to make this
  film - and the fact that August Underground  was even made is worthy of a commendation.
  Vogel intended to make the most messed up  film he possibly could - and he did exactly
  that.
  Written, directed and produced by Fred Vogel,  with a writing credit going to his offscreen
  supporting actor Allen Peters - August Underground  depicts the exploits of a serial killer named
  Peter Mountain while being filmed by his unseen  accomplice.
  The thing is though, Fred Vogel's sadistic  cinematic interpretation was a little too
  real for some.
  While travelling to Canada to attend the Rue  Morgue Festival of Fear in Toronto - Vogel
  was arrested at the airport - pending charges  of transporting obscene materials into Canada
  - after copies of August Underground and its  sequels were found by customs officials that
  he intended to sell at the convention.
  Vogel was held for roughly ten hours in customs  prison, while his films were sent to Ottawa
  for analysis.
  Eventually, he was released without charge  - and ultimately, Vogel probably got the reaction
  that he'd been hoping for all along.
  Next up at Number 2 - Snuff, 1976
  And
  much like August Underground, the creators  of Snuff actually made this film with the
  intention of convincing people that it was  real - in what proved to be one of the most
  calamitous and opportunistic turn of events  in horror history.
  In 1971 - notorious Grindhouse husband and  wife duo Michael and Roberta Findlay, had
  made a low-budget exploitation film known  as Slaughter, filmed in Argentina on a budget
  of 30 thousand dollars.
  And well, obviously - it was terrible - and  suffered a string of limited releases - until
  it was picked up by Allan Shackleton, an independent  low budget film distributor, where he kept
  it in his archive for four years.
  Until 1976 - when the urban legend of snuff  cinema was at its highest peak, and Shackleton
  figured he could cash in.
  He retitled it Snuff, as well as refilming  the ending - this time depicting what appeared
  to be a real murder after the filmmakers had  supposedly finished rolling.
  The audience saw the crew members brutally  murder the films lead actress before cutting
  to black and removing the films credits.
  To add insult, it was also marketed with the  tagline - The Film that could only be made
  in South America -- where life is cheap.
  And well, it worked.
  The public genuinely believed that it was  a snuff movie, and contained video evidence
  of a murder.
  So much so, that Shackleton and crew were  investigated by the District Attorney of New
  York - who wasn't appeased until he actually  saw the lead actress alive and well.
  Obviously, she was - but still.
  I'd consider that a pretty close call.
  And finally - at our Number 1 spot - Cannibal  Holocaust, 1980
  And it has to be really.
  Perhaps the most notorious exploitation film  of all time, that eventually saw the films
  creator, Ruggero Deodato, charged with multiple  counts of murder after it's release in 1980.
  Cannibal Holocaust is a title synonymous with  exactly how far filmmakers can push the boundaries
  of cinematic violence and depravity - but  in the end, has proved to be a retrospection
  of the ethics of journalism, the exploitation  of developing countries - and the nature of
  an expansive society versus indigenous peoples.
  Also noted as one of the most important found  footage films of all time, Cannibal Holocaust
  depicts a multi-layered narrative, initially  focusing on a team of film crew members who
  go missing in an area of the Amazon rainforest  known as the Green Inferno - a title later
  used by Eli Roth in his own homage to Deodato's  work.
  After its release, the world was so shocked  by the depiction of graphic violence that
  the vast majority of the public were convinced  it was real, exacerbated by a rumour that
  several actors had indeed been killed on camera  while filming.
  Of course, Deodato was eventually cleared  of all charges after the film's actors finally
  appeared in a television interview - but the  legacy of Cannibal Holocaust lived on.
  Well, unfortunately folks, I hope that you've  enjoyed this list - but that's all we've
  got time for in today's video - why don't  you let us know your thoughts in the comment
  section down below.
  Before we depart, let's read out some of  your more creative comments from over the
  past few days.
  First up, Catharina_ell says -- I've seen  Lucy's Instagram story - and I have to say,
  you sing good!
  -- Well, Catharina, all I can say is I'm  glad that Instagram stories are only temporary!
  Hey, also, what can I say.
  Karaoke is serious business.
  Go big, or go home - or sing Bring me to Life  by Evanescence like my girl Rebecca Felgate.
  Next up, Daniel norse Northey says -- Jack  you could narrate anything, your awesome mate
  -- Well Daniel norse Northey, that's incredibly  kind of you pal - and I'm glad that you've
  said that because I was actually planning  on reading out an anthology series of Ikea's
  best instruction manuals, and you've just  give me the confidence to carry it out.
  Just kidding.
  Well on that note, cheers for sticking around  all the way until the end.
  If you were a fan of this video, make sure  to hit that thumbs up button - as well as
  that subscribe bell, and I'll be see you  in the next one.
  As per usual, I've been your horror host  Jack Finch - you've been watching Top 5
  Scary Videos - and until next time, you take  it easy.
     
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