Chủ Nhật, 12 tháng 11, 2017

Waching daily Nov 12 2017

Theme parks can be found worldwide, attracting millions of visitors,

by allowing them to experience a multitude of exciting and thrilling attractions.

Guests are often drawn to the size and scale of the parks flagship rides, roller coasters.

But from first impressions, these huge structures of wood and steel

have an intimidating and dangerous appearance.

The perception that theme park rides are unsafe, and somewhat perilous,

has been highly exploited by the media over the recent years.

Various news articles exaggerate circumstances to make routine operations seem like terrifying events.

This form of scaremongering, for the attention of the public,

has led to many questioning the safety of roller coasters, and theme parks in general.

In this video, we'll explore what's really happening during the events seen in the news,

as well as recognise the multitude of protective measures in place to keep guests safe.

One of the most common concerns of roller coaster safety occurs when a ride has broken down.

To the uninformed, a roller coaster temporarily closing to the public could seem like a huge issue.

This is however far from the truth.

Roller coasters that have temporarily ceased operation, often referred to as ride stoppages,

are widely seen in the media.

Ride stoppages occur regularly at a functional and safe theme park for a large number of reasons:

In adverse weather conditions roller coasters may cease operation.

Aside from giving an uncomfortable experience; heavy rain, lightning storms,

and other extreme weather types may cause a ride to stop until conditions have improved.

Throughout the tight twists and turns of a roller coaster,

some riders might become ill.

If they do so, the ride operator may stop the ride so the guest can be attended too.

The attraction can also temporarily close so that part of the ride area can be cleaned

as a result of unwell guests.

Cameras and Mobile Phones: Unless you have the correct permission,

it is unsafe to attempt to record the ride experience while on a roller coaster.

As a result, some parks may temporarily stop the ride so the recording device can be retrieved.

Loose items can often fall from the pockets of riders.

This can be dangerous as these items can collide with people on, or around the ride.

If the item needs to be retrieved, the attraction must be stopped,

allowing for a member of staff to safely enter the ride area and collect the lost property.

To reduce this happening, loose items should be stored in the designated ride baggage zones.

To ensure a smooth and safe ride experience,

roller coasters are equipped with hundreds of sensors.

These sensors monitor all aspects of the ride, from ensuring the attraction is operating correctly,

to locating the position of the trains.

Sometimes, sensors can be overly sensitive.

This can cause the computer system to stop the ride, as it detects there may be an issue.

These problems are quickly rectified by the operators of the ride,

who follow predetermined procedures to analyse and fix the issue.

Once the attraction is operating again, several empty trains are sent around the circuit,

before guests can board.

The most unlikely, and extremely rare reason for a ride stoppage is a mechanical fault.

If a mechanical fault of some degree does occur,

the computer system will shut the ride down, protecting all those on board.

On top of these reasons for why a ride stoppage can occur, at any point in time,

the operators of the attraction can force the ride to stop.

If staff believe that certain guests on, or around the attraction are at risk,

they will temporarily close the roller coaster.

If a ride stoppage does occur, there are two main solutions.

The first involves solving the issue and restarting the roller coaster.

This means that guests can complete the remainder of the ride layout, and return,

as normal, to the station.

While the second solution involves removing guests from the attraction.

This method, referred to as a ride evacuation,

results in the hosts of the roller coaster manually releasing the guests from the trains of the ride.

They are safely escorted out of the ride area by members of staff.

Fortunately, due to the way in which roller coasters are designed,

the trains of the ride commonly come to a stop in two key locations,

both of which feature specific methods to bring guests to a stop.

The first location, the ride's lift hill, features an anti-rollback system,

which prevents the train from moving back towards the base of the hill.

Instead, the train of the ride will remain stationary if the chain fails to move forwards.

The second stopping location can be found along the brake run of the roller coaster.

Throughout the ride's layout, various brakes cause the trains to slow down,

and stop, if necessary.

These brakes are engaged by default, meaning they function regardless of any ride system issue.

Located beside these two common stopping points are catwalks,

small platforms that allow riders to walk harmlessly out of the ride area.

Catwalks, as well as the regularly trained ride hosts, make evacuations a painless,

yet crucial part of a safely operating roller coaster.

A secondary concern of those riding roller coasters can often be the restraint,

located on the seats of the trains.

Riders can feel insecure when they pull the restraint into position, as it may be loose.

The ride vehicles have been designed to accommodate all guests above the height restriction.

Therefore, if you are tall enough to ride the attraction,

and can close the restraint comfortably, you will be safely held within the ride.

On top of this, seat restraints feature a multitude of additional

and redundant safety features.

A clear example of this is the seatbelt often attached to the over the shoulder restraints,

found on some rides.

The seatbelt is an extra security measure and not crucial to rider safety.

As a result, a seat belt coming undone throughout the experience poses no threat to riders.

Similar to all other aspects of roller coasters, the restraints also feature sensors,

which feed information back to the ride computer system.

The computer system itself is extremely extensive, as it ensures the ride is functioning correctly at all times.

The systems consistently and accurately monitors the progress of the trains around the ride circuit,

as well as the statistics of the entire coaster itself.

Through the hundreds of sensors scattered around the attraction,

the computer system can determine the location of every train on the track.

This information is crucial due to the way in which roller coasters operate.

The track layout of a roller coaster is split up into various sections,

known effectively as block sections.

The computer system allows for only a single train to exist in each block section at any point in time.

As a result, a new train cannot enter a specific segment of track until it is empty.

Areas of brakes can be found before and after each block section,

allowing for the progress of a train to be paused until the track in front is clear.

This system, which in principle is very similar to those found on commuter railway networks,

removes the possibility of two different trains interacting.

On top of these highly advanced computer systems, which monitor every aspect of the ride in real time,

roller coasters and theme park attractions are inspected daily.

Alton Towers, one of the UK's leading Theme Parks, state:

"It takes 8 man-hours to get one of our big coasters ready for opening every morning".

During this time, the track and trains are inspected,

the systems are tested, and the cars complete several circuits of the layout.

Only after the entire inspection has been completed can guests begin to board the ride.

Larger scale maintenance work is completed on all theme park attractions

during out of season months.

At this point in time, the trains of the ride are disassembled and reassembled,

the track is finely inspected,

and the roller coaster is often certified as safe to operate by an external inspection body.

Right now, there are thousands of people riding roller coasters around the globe.

Over the course of a year, hundreds of millions of people visit theme parks,

and enjoy the diverse variety of attractions they have to offer.

As a result theme parks and amusement parks

have become one of the safest and most popular forms of recreational activities.

With new parks appearing around the world, and existing ones gaining new and more exciting attractions,

the enjoyment of roller coasters and other rides will only increase in the future.

The point to remember, is that the world of theme parks revolves constantly

around the satisfaction and well being of its guests.

Thank you for watching, and I'll see you all next time.

For more infomation >> Roller Coaster Safety: Explained - Duration: 9:30.

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ТОП девушки мега идиоты 80 уровня #2 видео - Duration: 2:45.

For more infomation >> ТОП девушки мега идиоты 80 уровня #2 видео - Duration: 2:45.

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Transalp by bicycle 2017 - Splügenpass [DE with ENG subtitle] - Duration: 15:01.

Transalp 2017 travelling by bike on the Splügenpass over the Alps

Behind me is the Lake Constance and behind the lake are the Alps.

And that's where I will cycle next: over the Alps towards Italy.

For my route I have chosen the Splügenpass, which is around 2.100 m high.

Let's see how exhausting the way will be and how cold it is up there.

Right now the weather is quite good, but on 2.100 m it could be much colder.

Shit rain!

The first day is over now. I think have found a good place for tonight.

I want to set up my tent here later.

I am now in Austria, after crossing the borders between Germany, Swiss and Austria several times today.

Seems to be an nice place here. The sun is going down soon.

I think it's a good place for the night.

Liechtenstein - already the fourth country on this trip on the second day.

It's now just 4.30 PM, but I actually reached my target for the day.

I cycled around 60 km, but I didn't want to do much more.

I found this nice place nearby the Rhine.

I decided to stay here and have a relaxing evening.

Well, the tent is set up and I had dinner.

So I am actually ready to sleep now.

But it's just 7.40 PM and it's already getting dark.

When travelling at the end of the summer, it's getting dark so early. That's a pity!

The nights are longer than you need them.

Actually I could still cycle now,

but then it would be difficult to find a place to sleep in the dark.

Tomorrow I will cycle up to 1.500 m.

I wonder how the landscape will change.

But I really like, what I have seen today.

Good night!

It's going steep uphill now!

Until now the Rhine valley has been quite wide but it actually turned into a narrow canyon.

There has been a sign: "climbing 1360 for the next 46 km".

Because there are some tunnels I have put my reflective vest on my bicycle.

Let's see how deep it gets.

10 degrees!

It's getting colder.

9 degrees!

8 degrees!

Rain!

Shit!

This is the Sufner lake, which looks really nice at sunlight and on pictures on the internet.

But not so nice with such a bad weather.

I've found a place to sleep.

Under these trees it's not so wet.

There are 2 m² above there, which are more or less flat, so that I can set up my tent there.

Tomorrow I will get up to the pass and then I will come to Italy.

Hopefully there are better weather conditions.

Here it starts: the Splügenpass.

I am really exited.

My cycle computer shows 3,7 degrees.

So I put much more clothes on: two pairs of socks,

several jacket, gloves and I also covered my face.

Now it's going uphill.

There will be definitely snow up there.

Let's see how cold it will be.

And how long it will take me to get up there.

Let's go!

Quite warm!

So warm dressed, going uphill.

I think I will have to take something off.

The final meters.

Nearly done!

For more infomation >> Transalp by bicycle 2017 - Splügenpass [DE with ENG subtitle] - Duration: 15:01.

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Ravelfield стрим - gameplay - battlefield 6? - Duration: 47:27.

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Wolverine vs Sabretooth & Gambit | X-Men Origins: Wolverine (2009) Movie Clip - Duration: 2:59.

Two years I rotted in that hellhole and I ain't never going back.

Shiny.

Tell me something, Jimmy.

Do you even know how to kill me?

I'm gonna cut your goddamned head off.

See if that works.

You're getting slow, old man.

You son of a bitch.

You're gonna die for what you did to her.

Victor!

Well, that's a nice stick.

Okay, shithead, here's the deal.

See, you're gonna take me to this island, where I can kill Creed, Stryker

and pretty much everyone you hate in this world. Do you understand?

You're really gonna kill them?

As long as you stay out of my way, yeah.

For more infomation >> Wolverine vs Sabretooth & Gambit | X-Men Origins: Wolverine (2009) Movie Clip - Duration: 2:59.

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TF2動畫 計畫 [HDCC字幕] - Duration: 3:35.

For more infomation >> TF2動畫 計畫 [HDCC字幕] - Duration: 3:35.

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江原啓之 [2017.11.12] - Duration: 16:30.

For more infomation >> 江原啓之 [2017.11.12] - Duration: 16:30.

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Filming the Ranch - Duration: 10:01.

Our Wyoming life Take 1

Hi I'm Mike, everyday a rancher has to wear multiple hats, welder, mechanic, veterinarian

are all pretty common.

A silly little director's beret isn't one that I thought I would be wearing almost

every day here on the ranch.

Let's see how we film the ranch on Our Wyoming Life.

The very first video we put out as Our Wyoming Life was a simple one about feeding the cows

and by the next morning we knew that we were doing something that people wanted to see

more of.

It was then we made a commitment to begin bringing videos to anyone that would watch

them.

Detailing life on the ranch from the exciting to the mundane.

But one thing that is never mundane is the filming process.

No matter what we are doing, we not only face the challenges of doing that task, but also

the best way to film it and bring it to you.

Every week around here begins with thinking about that week's videos, and incorporating

it into what needs done on the ranch.

We don't make work just to make videos and everything you see us do is exactly what we

had going on that week.

We don't get ahead of ourselves because we want to bring you the real world of the

ranch, and that real world is full of unpredictability.

All the filming we do here is done with 4 cameras.

iPhone, a GoPro, a Canon DSLR Camera, or the Drone.

And the first part of any project anymore, it getting the cameras set up.

So that's where we start.

When we first started making videos, I used to have do everything three times for different

camera angles.

Drive the bobcat out of the shop, video from one angle.

Back it back in, move the camera, get it from a different angle, then do it again.

Since then I've gotten smarter and using more than one camera I can get different angles

and not have to repeat myself and save time.

That works for some things, but for other tasks it gets a little trickier.

Today we are heading out to the feed the pigs.

They have gotten quite a bit bigger from the last time you saw them and they are always

hungry.

Just this week we went to a friend's farm and picked up an entire trailer load of pumpkins

that were going to go bad, which the pigs will love.

Another bonus about pumpkins is that they are a natural de-wormer for the pigs so two

birds with one stone.

These pigs now weigh close to 200lbs apiece, a big difference from the day we brought them

to the ranch and carried them into their pen, each weighing less than 10lbs.

And they are solid, each one will eat over 10lbs of food per day and that's where the

pumpkins come in.

Even though they are frozen.

It takes a pick to break each one open but after we do the pigs go nuts and gobble them

up.

Even the simple act of feeding the pigs takes 2 cameras to video.

The Go Pro on the tripod and the iPhone to shoot close ups.

Arranging the cameras can also be a little tricky, with animals moving around there's

always the chance of knocking over a camera as we learned when preg checking and I thought

it would be a cool angle to get a cow coming out of the chute.

I honestly thought the cow would avoid the camera when she came out but I didn't think

that she would be more interested in getting away from us than watching out what was in

front of her.

Lesson learned and one camera down.

It was quickly apparent to us that cameras could get expensive in this adventure, so

we needed to protect our investment with common sense which sometimes was lacking but in the

case of the crashed drone was actually beyond my control.

We use the drone whenever we can, getting those wonderful aerial shots.

Showcasing the amazing Wyoming terrain and sky.

Not only does it get us the shots we need but it's fun to fly as well.

Growing up I always wanted to fly, and in high school I dabbled in radio controlled

airplanes.

I spend an entire summer scratch building my first plane and when it was done I took

it out and flew it for the first time.

And crashed it nose first in a wheat field.

That was the end of my radio-controlled airplane career but a few years ago I did get a DJI

Phantom 2 drone, which we used here on the ranch to catch a number of the original aerial

shots that you have seen.

Filming with the drone can be easy or hard, depending on the situation.

Sometimes it's just a matter of getting it up in the air and letting it hover, catching

the action happening below it.

Other times requires catching a moving subject, such as the gator as we head out to cake the

cows.

Flying and driving at the same is a trick, throw in dodging cows and it's a recipe

for disaster, another obstacle that the drone has to deal with is wind, and I have definitely

flown it in winds that were above the recommended wind tolerances for the drone.

Put together a few different obstacles and they all add up to something bad happening.

Like a drone falling out of the sky, and landing hard in the grass.

This landing killed the drone, and later I did find out that it was actually an electrical

issue and not my own pilot errors that caused the crash, but either way the drone was dead

and again we needed a replacement camera.

Because we didn't want the channel to suffer from what we felt were iconic shots that everyone

loved of the ranch we found and purchased another DJI phantom drone, the next generation

after the one that died but not the newest model they make for a decent price and we

were back in business.

After feeding the pigs I have some fence to fix in the corral and this is a perfect time

to put up the drone.

The wind is calm and chances for catastrophe are low.

This corral is where our lame bull had been hanging out since we brought him home, we

have since taken him to auction but before we can get new cows in this corral I have

to replace this board on the fence that he broke with his big bull head.

Filming does add time to some projects, like fixing this fence.

Moving cameras, getting closeups and trying to make it interesting, but with other projects,

we don't have time to do all the fancy camera stuff.

Like when we were sorting off calves to go to auction.

Situations like this is where I get to wear the GoPro on my chest.

Getting you right into the action, and in turn, making me look like an idiot with a

camera strapped to his chest.

These are some of the hardest videos to edit, because they can be hours long require sorting

through hours of video to find that one shot that I need.

After we have all the video we need for a story, then it's time to put it all together

in the editing process.

This is usually my night time project, you put the kids to bed and spend a few hours

a night putting together that days video.

My longest night is always Saturday night, when I am up til 2 am at times putting the

finishing touches on Sunday mornings video.

By no means is this a sob story, we love what we do, in a weird way, filming has started

to become as natural as ranching itself and I think that's because some of the payoffs

are the same.

The freedom to do what I want to do, and the excitement and satisfaction of a job well

done.

An added bonus that we only get from filming is the ability to bring you along with us,

we honestly couldn't do it without you.

If this is your first time here, hit that subscribe button and join me and our entire

community in a journey that we are taking together.

From ranching, to gardening, to living a life that is like no other.

Through hard work and dedication, you can accomplish anything.

Even when your life is turned upside down like ours was 9 years ago when we came to

the ranch.

Be sure to find us on Facebook for content you can't find anywhere else and as always

have a great week and thanks for joining us in Our Wyoming Life.

For more infomation >> Filming the Ranch - Duration: 10:01.

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Shah Rukh Khan Zero To Hero Transformation | Unbelievable !! - Duration: 5:24.

Shah Rukh Khan Zero To Hero Transformation | Unbelievable !!

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Ten Days in Tennessee VLOG - Day 4 - Duration: 9:44.

For more infomation >> Ten Days in Tennessee VLOG - Day 4 - Duration: 9:44.

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AABID - Dunya (prod. by Buckroll) - Duration: 2:43.

For more infomation >> AABID - Dunya (prod. by Buckroll) - Duration: 2:43.

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Korhan - Adına Türküler Yakacağım - Duration: 1:36.

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Kém Duyên Phiên Bản Phiêu - RUM x NiT [Masew MiX] - [HDL Drum] - Duration: 3:45.

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Coaching gratuit - Comment Planifier son Temps pour Commencer Rapidement la Journée? - Duration: 10:26.

For more infomation >> Coaching gratuit - Comment Planifier son Temps pour Commencer Rapidement la Journée? - Duration: 10:26.

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How to Make Homemade Apple Vinegar - Duration: 1:30.

Half tea glass of bulgur

Half tea glass of chickpea

2 table spoon honey

Fill half of the jar water

Apple shell and seed part

Until the jar fulfills put apple pieces in it

Close the jar with sheesecloth than wait 40 days at darkness place. Than filter the vinegar

If you want you can add 2 table spoon honey.

SHARE-LIKE-SUBSCRIBE

For more infomation >> How to Make Homemade Apple Vinegar - Duration: 1:30.

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Phố cổ Hội An - Những ngày Apec Việt Nam 2017- Phần 1 - Duration: 2:38.

For more infomation >> Phố cổ Hội An - Những ngày Apec Việt Nam 2017- Phần 1 - Duration: 2:38.

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Marcus & Martinus - Ett år siden Oslo Spektrum #2 - Duration: 4:10.

- Where are we now?

- It's very cool - Yes, its fantastic!

- You are going to be there Martinus.

- The only thing thats kind of dangerous.

- Is that I do like this...

- Yes, I love it

- Martinus, let's get ready for a test

- Ok.

- Any moment now

- We are very proud of this song, and one of our favourites.

This is "Bae".

- Let's start over here, and all the way over...

- Kristine, what have we been doing now?

- We've had general rehearsal all day.

- Marcus, I have a question for you.

What was the funniest thing we did today and what was the most boring?

What was most boring, and what was most fun tody?

-You were on the stage was the most boring.

And the funniest was when I was alone on stage.

- Eirik, what's going on?

- Today we are going to play in....

...Spektrum

Two times

For more infomation >> Marcus & Martinus - Ett år siden Oslo Spektrum #2 - Duration: 4:10.

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Babblarna Det bästa. Titta på vår kanal My Favorite Coloring Pages. - Duration: 15:36.

For more infomation >> Babblarna Det bästa. Titta på vår kanal My Favorite Coloring Pages. - Duration: 15:36.

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Fight Smart #1 Ljungqvist versus Novichenko Swordfish 2017 - Duration: 15:20.

Welcome to the Fight Smart module, episode 1.

For my first analysis I chose the most hotly debated fight of the season -

i.e. the final of the Open Longsword at Swordfish 2017.

Ivan Novichenko fought with Dennis Ljungqvist in a clash of two different styles.

Novichenko's fencing raised a lot of controversy and even open disdain sometimes, but its efficiency

is evident. Especially his sense of timing and confidence in switching from offence to defence

allowed him to successfully pull off moves which are commonly considered too risky (and so - not historical).

As Matt Galas later comments, this often involved sudden dives and strikes to lower openings, however

he clearly had very solid solutions for taking the fight high as well. Including some rarely seen historical moves - such as the reversed grip thrust (used a few times to score in the pools).

In this battle of styles, Dennis Ljungqvist is thought to represent the more historically accurate approach to combat.

Dennis feels good in longer exchanges, especially those started from his own initiative.

He establishes and maintains initiative by threatening with a thrust and pressing confidently thanks to his

long reach and decent defensive skills allowing him to clear telegraphed attacks.

He is also focused on openings, hard to distract and prefers counter-attacks over parries.

Matt Galas is right here: Novichenko doesn't waste time and and soon as he sees a promising opening, he will go for it.

Ljungqvist is also keen on attacking, but tends to spend a bit more time changing guards - especially at the early stage of a bout.

Later on he sticks to stances and moves he knows best, so possibly his guard-changing episodes are intended

as a way to emphasise the historical aspect of his fencing rather than tactical tool.

Novichenko, on the other hand, changes guards in a purely pragmatic way

- they always herald a certain shift in his tactical combinations.

In the intial stage, as most seasoned fencers do, both are trying to gather data on their opponent's reactions.

A moment ago Dennis used a feint attack to gauge Novichenko's default parry, but the result was rather inconclusive.

Here Novichenko lures out the default parry from Ljungqvist a bit more successfully, possibly due to more pronounced forward footwork

and greater uncertainty about the type of attack on the part of the Swede.

Neither dares to attack straight away, however it is Novichenko who has more data at this stage.

Throughout the tournament he learned that default defensive reflex among Nordic fencers is to cover the high line.

Now, he confirmed his assumption once more with an offensive body feint.

And uses the data to launch a strike going under the expected parry.

Had he commited a bit more with the body, it would have land.

Alarmed by this well-timed offence, Ljungqvist understands he is being decoded and

that the "circling stage" is over, so switches to offensive mode.

Novichenko is well aware of the shift and accepts his defensive role in the play.

Here Dennis manages to lure out Novichenko's preferred parry, but fails to make use of the information.

And unlike Novichenko before, he attacks exactly the same line. Unsurprisingly, he gets parried and struck back by a fluid riposte.

Knowing that his first attempt at avoiding a high parry failed but slightly, Novichenko launches

the same strike without any unnecessary delay. However, Ljungqvist knows better this time and parries.

Nevertheless, Novichenko's main assets: seemless switching from offence to defence (one-handed) and good fencing vision pay off.

Reluctant to shoot the same gun thrice, Novichenko changes to his high guard

Earlier in the tournament he used it to launch well-timed direct Oberhawen to the head.

However, he probably remembered Ljungqvist has a quick high parry, so he abandons it in favour of the Pflug.

Ljungqvist on the other hand stopped pressing with the point and switched to Vom Tag, which

heralds going from parries to counter-attacks, as he doesn't want to risk meeting another riposte.

Novichenko apparently does not notice the tactical shift and decides to repeat his surprise attack to the low line.

Ljungqvist responds with a counter-attack to the head, which is a fairly reasonable choice under this ruleset.

Having absorded the lesson, Novichenko switches to high guard for real this time.

However, when he sees Ljungqvist react to that by moving the point forward, he immediately

reverts back to his original strike, to which - as predicted - Ljungqvist reacts by lifting the hands up.

Luckily for him, he receives the strike on the crossguard. Unfortunately though, it is judged as a hit by Novichenko.

Seeing that his defences do not play well, he attempts a surprise attack to the leg from the high guard.

Quite cleverly, he follows it up with a thrust against Novichenko returning from his retreat.

However, Novichenko is able to void it with a slight off-line movement and land a hit to the head.

The slow motion highlights Novichenko uncanny ability to change one move into another in the mid-fly:

here from a thrust to a parry-riposte.

The judges do not see his riposte though, so both fencers are now square and even as far as "ref's gifts" are concerned.

Now Ljungqvist tries another change in his offensive line-up:

with his point low he threatens with a short-edge cut to the hands.

However, maybe a bit impatiently, he tries this new attack at Novichenko standing with his hands close to the chest

which makes it easy for the Russian to void and strike back with his favourite cut to the expected opening

created by Ljungqvist lifting his arms to charge for a follow-up cut.

And again, Novichenko's solid defensive skills almost allow him to get away with it unharmed.

(Actually, judging by the sound of it, I would say he parried the afterblow)

And once more: as soon as he sees the first suggestion of lifting the arms, Novichenko strikes for the hands.

This time, however, Ljungqvist is prepared, parries and starts what he likes: a longer exchange.

Unfortunately, instead of trying to overcome Novichenko's one-handed parries, he opts for feints

But Novichenko sees to much to go for blind swinging or parrying - instead, he waits calmly until the Swede expose his head during feinting

and hits it while receiving a solid strike to the torso.

Under this ruleset: it's a perfectly reasonable choice, analagous to the only exchange won so far by Ljungqvist.

Ljungqvist starts the second round refreshed.

He begins to press with the point and provoke with leg protruded a bit more to the front than previously.

His weight is distributed more evenly now, as he readies himself to slip the leg or parry.

Novichenko tries to bind the sword to push Ljungqvist away, but the Swede holds his ground firmly.

And surprises Novichenko with a daring taken-over attack to which the Russian responds a bit

panickly, gets into the bind and receives a hit to the leg - a smart choice by Ljungqvist

because going low is what allows him to avoid Novichenko's one-handed high parry.

This situation may illustrate a general pattern: with taller fencers it is good to go for the lower openings during

longer exchanges in close distance, since they have a longer way to cover in order to protect their legs with the weapon.

And if you have previously "taught" them to protect upper openings by default, then it's a sure-fire choice.

Quod erat demonstrandum ;)

Now it's Novichenko's turn to adapt to new circumstances: he goes back to the high guardish thing

which he still hasn't fired at Ljungqvist really.

And bam! Ljungqvist, in his counter-attack mode, expects a low-line attack and tries to strike into

Novichenko's attack in hopes for the 3 vs 2 points differentiation.

However, Novichenko cunningly goes directly for the head.

And exploits a gap in Ljungqvist's technique: a swing telegraphing his counter-attack and making it a two-tempi move.

Against a strike to leg it is not a problem under this ruleset, but here a direct strike by Novichenko

effectively closes the line and scores him a clean hit to the head (judged differently).

Having diverted his opponent's attention back to the high line, Novichenko wastes no time

and goes low again. Ljungqvist gets caught once more

as his lifts his weapon to cover the opening which is not under attack.

This time Novichenko seemed a bit slower with his parry, due to a closer initial distance of the exchange,

which in turn was something than Ljungqvist actively maintained - and justly so, considering his current high -vs-low counter-attack tactical paradigm.

Ljungqvists feels his approach is working and keeps pressing while maintaing a defensive body alignement.

And then decides to launch an attack with a thrust in hopes of forcing his opponent to parry, while covering his high line.

However, he decided to do so when Novichenko was retreating steadily, so the thrust misses

there is no parry and Ljungqvists proceeds with an Umbeschlagen without controlling Novichenko's blade

which gets him hit by Novichenko to the hands. His own touch on the head looks rather low-quality to me, but it was judged otherwise.

This is a good example of a general tactical pattern: if you launch a combination attack at a retreating opponent

you're asking for a messy brawl in which nobody really knows what's going on.

With the new exchange, Novichenko again tries to change the game by holding the sword high,

whereas Ljungqvist patiently carries out his tactical scheme knowing that the ruleset and judging patterns work for him.

His previous observation of Novichenko's behaviour finally pays off, as he manages to lure out an attack

by pressing forward with footwork and raising his hands - a signal so often triggering Novichenko before.

But this time Ljungqvist raised the hands without raising the point of his sword, which allowed for a secure parry

and an immediate riposte, which was very smartly directed at the sword hand of Novichenko,

whose attention was focused rather on choosing between parrying high and striking into a feinted riposte in the low line.

In my opinion, as far as fencing vision and cunning goes, this was the best action pulled off by Ljungqvist in the fight.

With the evened out, neither is willing to make any major changes in their game.

Novichenko is probably aware that he got lured a moment ago, so seeks a way to take initiative himself.

And tries his first intention feint high - strike low attack, which sees Ljungqvist make the same mistake as usually:

he raised his hands before counter-attacking and got so surprised by the different bodywork by Novichenko (two-handed strike and lunge)

that he abandoned his planned Unterhaw in the mid-fly, which resulted in a poor-quality touch on Novichenko's neck

and a fall to the ground.

In my opinion, this should go for Novichenko, but was judged as a double hit - and I can understand this,

for it was very difficult to judge properly.

A similar situation ensues - Ljungqvists presses with the body and Novichenko aims low trying to parry what he gets in return.

Again, Ljungqvist makes a mistake trying to parry high - counter-attacking directly would work much better for him here.

Nevertheless, by closing the distance he got near enough to make it impossible for Novichenko to get away unharmed.

It is evident at this stage that Ljungqvist already knows very well that pushing Novichenko with bold,

even blatant, advance is sure to trigger his attack in the low line.

With the ruleset favouring high targets and an even score, this is all he needs to win the fight.

And it is exactly what he does. He applies constant pressing

and occassional lifting of the arms (another trigger).

Unable to lure out the attack with his point forward, Ljungqvist switches to Vom Tag, still much in line with his counter-attack tactics.

Novichenko understands that Ljungqvist is not going to attack, so seeks the right moment for his strike.

And he makes a mistake - his first major one in this fight, which happened to be his last.

He uses a nice step-lunge footwork to get very close and aims for the hands which he rightly expects to go high

as Ljungqvist is charging for a powerful counter-attack. This move would normally be considered wrong,

it involves taking a hit in order to strike back with a "better" one.

However, under the current ruleset it was precisely what Ljungqvist needed for victory.

In that sense, the last several exchanges were a display of great consistency, patience, and tactical reasoning

by both fencers. But it was Ljungqvist who managed to use the rules to his advantage.

And now for some technical commentary.

It's interesting how Novichenko can move around with his legs almost straight most of the time.

It's even more curious if we look at some traces of this being used historically.

Despite it's static look, this body alignement allows for dynamic changes in rythm and long reaching attacks.

Especially the lunges there are peculiar, as they're fuelled almost exlusively by the rear foot and a swing of the front foot

The classic biomechanics with the whole rear leg working as a power generator is largely absent here.

If we have a look on Ljungqvist, we can use his example

to show why it's so important to go directly towards the target, especially if your plan is to counter-attack.

Telegraphing counter-attacks caused much trouble for Ljungqvist in his final fight as well as in some earlier bouts.

This obviously brings to mind some historical principles.

And I'm not saying that Ljungqvist doesn't know it.

This is simply one of his relatively few weaknesses.

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