Thứ Sáu, 24 tháng 11, 2017

Waching daily Nov 25 2017

Hello everyone and welcome back to ForB's English lesson video.

My name is Richard and today I'm going to say a sentence and I would like you to guess what is wrong.

Are you ready?

I noticed I left my luggages at the airport.

I noticed I left my luggages at the airport.

Could you catch that?

Alright.

Let's try that again but this time a little bit slower.

Are you ready?

I noticed I left my luggages at the airport.

I noticed I left my luggages at the airport.

Could you catch it?

Alright.

Let's try that again but this time I will show you the sentence.

And you try to see if you can find a mistake.

I noticed I left my luggages at the airport.

Could you find it?

Alright, the answer is luggages.

We should say luggage not luggages.

The reason is luggage is uncountable.

So should not have an "s".

Alright?

So let's practice the correct version of this sentence together.

Please repeat after me.

I noticed I left my luggage at the airport.

Great.

Let's do that again.

I noticed I left my luggage at the airport.

Great!

Now you know what to say if you forget your luggage and you notice you don't have it.

I noticed I left my luggage at the airport.

Alright.

Remember to please click like, share, and subscribe.

And I will catch you next time!

For more infomation >> What is wrong? (10) (Grammar Practice) [ ForB English Lesson ] - Duration: 2:10.

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Chris Justus's Complete Forecast - Duration: 3:11.

For more infomation >> Chris Justus's Complete Forecast - Duration: 3:11.

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DON'T Watch This Video! - Duration: 7:03.

Oh, so you clicked anyway?

Okay... now I will...

..layer you into the sixth dimension

Attention Interdimensional Travellers! Message follows...

Christmas is coming

and something mysterious is coming too

so if you like a little bit of mystery

a little bit of fun

if you can complete one very simple thing before Christmas

then you can contact Nata Lia (@tijacap) or Jinx (@jinxles) on instagram

we will explain the plan

and you can be involved in the torture of Vlado - I mean, the fun with Vlado!

don't be shy, everyone is welcome to play this little game

except Vlado of course

he gets to wait and see what will happen

whatever that will be hahahaha

End of announcement

If you are still reading, I suppose I should type something more

Okay, be comfortable, don't drop your phone on your face (ask me how I know about that)

Billy goats urinate on their own heads to attract females (guys, don't try this at home)

Ketchup was sold as medicine in the 1830's.

A second is called a second because it is the second division of the hour by 60, the first division being a minute.

The Price Is Right and Grand Theft Auto use the same font.

From a botanical standpoint, strawberries and raspberries aren't berries, but bananas and avocados are.

EasyASMR has a channel for his nature walk videos if you miss those, check the description for link

There is an island in the Bahamas known as Pig Beach, inhabited only by swimming pigs.

The national animal of Scotland is the unicorn.

The world's largest pineapple was 8.28 kilograms, grown in Australia in 2011

In 1969, a musician called Jim Sullivan recorded an album called UFO, featuring strange lyrics about being abducted by aliens. Six years later he vanished without trace, his abandoned car found on a desert road.

"Put a pillow on your fridge day" is May 29

Take your houseplants for a walk day is July 27th

Unintentionally squirting a bit of saliva when you yawn is called gleeking.

A group of pandas is called an embarrassment

A sheep, a duck, and a rooster were the first passengers in a hot air balloon.

Slugs have four noses

Anatidaephobia is the fear that somewhere there is a duck watching you (check your room for ducks)

in morse code -.- means k

Gorillas burp when they are happy. Burp too! Or smile, that's also good.

Two PS1 games had scratch and sniff disks - FIFA 2001 smelled like a soccer field, and Gran Turismo 2 smelled like car tyres

there that's enough right? Now continue to enjoy and relax

Yes, so

that's all for today

by the way

say hello to this video (HELLO VIDEO)

to this Saturday Surprise :D

now, bye

:)

For more infomation >> DON'T Watch This Video! - Duration: 7:03.

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Growers warn of Christmas tree shortage - Duration: 1:37.

For more infomation >> Growers warn of Christmas tree shortage - Duration: 1:37.

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Breaking Misconceptions About Tantra – See Further Than Your Limited Horizons - Duration: 4:15.

Breaking Misconceptions About Tantra � See Further Than Your Limited Horizons

by Conscious Reminder

Here in the West we have limited the perception of what Tantra is.

We have reduced it just to slow love making on soft cushions.

But Tantra is much more than that.

Here is the most common question related to Tantra answered for you.

Hope it will help you broaden your horizons on the topic.

In the West here, Tantra is basically reduced to something having to do with sex.

But what is Tantra really?

How can it help me?

Tantra works by exposing and transmuting the hidden energies of pre-conditioned mind, body

and speech complexes.

It also recalibrates the instruments of these parts that have just been purified.

It allows us to by attuned vibrationally, as until we are vibrationally attuned as communicating

conveyances of divine disclosure, we might misjudge the alchemical by which we�ll be

graced.

It is as if you can conceptualize all the history, disparate the elements that take

you from point A to point B. It is as from unrealized-realized to realized-realized.

But you might be really challenged to even speak in ways with which you can transmit

the real experience.

To know how tantra can help anybody, you might have to understand the working of kundalini

awakening.

Tantra proposes the use of body anchored processes of extended mind mastery and introspect.

It forces you to look really deep inside any task.

It is like the working of a scientist who is looking on the wonders of the universe

and trying to solve the unimaginable mystery.

It is the true expression of a free will.

In its truest of forms, tantra is not for people who cannot accept the reality; who

are with a weak metabolism of lies that we all are told and forced to accept; who are

not able to remove the addiction from their lives.

Thus, Tantra can be seen as one man�s poison and another man�s elixir.

The people for whom it acts like an elixir, it must be assimilated in their lives.

If not circulated and assimilated, it will stagnate to create toxic wastes, greed, unstable

energy levels and enslavement to fear of the void.

Tantra can never be pointed out.

It won�t always be this or never that.

By its nature of Non-dual dualism, it functions together as contextual and technical backing

for the embodied realization of the life�s work of One in all and all in one.

The word Tantra is rooted in the pre-Hindu times of India.

It is a continuously practiced system of ritual technologies for purification, sensitization.

The whole system is nature based geared towards creating generative alignment to the cosmic

principles of vibration.

Tantra is a form of �weakly interacting� general formlessness.

The primordial genesis of the Tantra as a nameless way of existing complies with and

defies the apparent constraints of space-time.

Th e simultaneity of the whole existence of the being enables precipitation of an electromagnetic

field of access into the core of the apparent paradox, where interdimensional co-activity

as a human/creature/divine personal becomes more than possible.

I know that this whole explanation of Tantra is a little baffling, but the subject at hand

is so complex yet so simple, it is so vast yet so clear, it takes us to the divine yet

keeps us grounded.

This is Tantra.

What do you think about it?

Share your experiences and practices with us in the comments section below!

For more infomation >> Breaking Misconceptions About Tantra – See Further Than Your Limited Horizons - Duration: 4:15.

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The Filmmaker's Secret To Finding Truth In A Documentary by Joe Berlinger - Duration: 4:16.

Film Courage: What's the secret to finding truth when making a documentary?

I mean…is there anything that you say or do that helps you find it?

Joe Berlinger: We could spend hours and hours and talk about truth in documentaries because

I…look…I'm a firm believer that all documentary filmmaking, all media is inherently

subjective.

You shoot hundreds of hours of footage.

Only a couple of hours end up in your final film.

There are days you are not there to cover a story.

You have to choose a camera angle.

Every camera angle communicates a different emotion potentially.

You make thousands of editorial decisions.

So what's guided me is that I'm not looking for the capital truth (capital "T" truth

in a situation) because I think the truth is very elusive and subjective depending on

from what point of view you are looking at.

What I look for in my films in as emotional truthfulness.

An emotional truthfulness about the human condition or the subject that you're looking

at.

You know, in PARADISE LOST it because clear that these guys were railroaded.

But a different filmmaker possibly would have made a different film.

So I think filmmakers who think they are presenting the absolute truth about a particular subject,

I have potentially…certain kinds of films, straightforward, history you know I think

the more you know hitting the truth whatever that means is possible.

But what I'm looking for is the emotional truthfulness of a situation.

The truth rises to the top if you allow both sides to have their say.

Treat the audience like a jury and not pound a specific message over people's heads.

It has always been the method that I've preferred.

Even in this film, even though it's a film about denial, there's a section of the film

in which those who don't believe that it took place, they've been given a chance

to air their views and we allow the audience to make up their own minds about it.

So to me that's what I mean about emotional truthfulness.

You air all sides of an issue.

Don't pound a message over the viewers head and you let the truth rise to the top.

In CRUDE, some people were surprised that I allowed the executives to be interviewed

and to present their point of view about the case.

But I think I trust the audience to come to the right conclusion about the emotional truthfulness

of the situation.

And sometimes the emotional truthfulness of a situation is not necessarily what you think

the film is about.

You know for example, in CRUDE the indigenous rainforest dwellers of Ecuador and their American

representatives were making a case and confronting this major gasoline corporation for creating

this cancer zone the size of Rhode Island through bad drilling practices.

This company was claiming that this was not the case and the pollution that is there is

the responsibility of the state oil company.

Some people may think that I was making a film about the absolute truth of that situation.

For me, the absolute truth of the situation (the emotional truth of the situation) that

I was trying to talk about is that we are destroying the rainforest, that the people

who most deserve to be treated well were being treated horribly.

And that there were a whole other set of reasons I was making that film, to bring justice to

these people.

So sometimes the subjective truth of a situation is not always what the filmmaker is necessarily

trying to present, at least that's how I look at it.

For more infomation >> The Filmmaker's Secret To Finding Truth In A Documentary by Joe Berlinger - Duration: 4:16.

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সরাসরি আজকের সকালের বাংলা খবর চ্যানেল 24 লাইভ ২৫ নভেম্বর ২০১৭ Channel 24 News Today - Duration: 18:41.

bangladesh news 24

For more infomation >> সরাসরি আজকের সকালের বাংলা খবর চ্যানেল 24 লাইভ ২৫ নভেম্বর ২০১৭ Channel 24 News Today - Duration: 18:41.

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Historic section of Upstate church catches fire - Duration: 2:19.

For more infomation >> Historic section of Upstate church catches fire - Duration: 2:19.

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Como Pintar - SHADESPIRE: Angharad: CELESTIAL WARBRINGERS - How to paint (ENG-Sub) - Duration: 28:27.

Greeting Wargamers & Players, Welcome to How to Paint Fast and Easy, I'm Meinkopt and in this painting guide we shall see how to give color to a Stormcast Angharad from the Shadespire Game.

As the same of the other two members of the band, I'm looking to paint each of them as a different Stormhost, to make them visually more interesting and to bring to the channel the other three styles of painting from the stormcast.

In the case of Angharad we shall give it the appearance of the Celestial Warbringers, that stand out because of the armor in a violet off tone with some touches of white.

The first step will be to get in the armor, starting with the base tone, that will be a mix of equal parts of Screamer Pink and Rhinox Hide. The mix will be of a very dark tone that the base Screamer Pink.

The layer base shall be covering completely the armor and even if this mix is made of concentrated pigmented tones, if it needs more than one layer we shall give it more.

Once the base layer applied, we proceed to give a wash with Agrax Earthshade, to add more depth to the tone, which will help us in the next steps.

Now we shall take again the tone used in the layer base and start to apply it in a degrading way in the armor, with soft strokes and diluted paint, we shall get the lights out standing out the form of the armor. It's important to keep the resulting tone of the wash in those parts that are more deep, nooks, and fold from the armor.

We apply the base tone, only once, because the next strokes will be getting up the color tone, adding more Screamer Pink to the mix to get up the light. Remember that the armors of the Celestial Warbringrs doesn't have a very vivid tone that's why we don't have to get up too much the light tones.

The armor it's finished, now we proceed to the rest of the details. In this case we're going to paint the golds that will have a off and old tone, that will go well with the armor tone.

Be careful to paint the zones where the armor is finished, we shall pain the edges of the shoulders, the symbols and some other extra detail with the base of Balthasar Gold.

Once dried, we give it a wash with Agrax Earthshade to add some depth.

Once the tint it's dried, we mix Balthasar Gold with Gehenna Gold in equal parts and apply it with soft strokes over it, avoiding that the paint strain in the nooks cause we're searching to give some shine and luster to the gold.

For this steps we used a small flat point brush and with hard hair that might help with the process.

We can get some shine in the golds adding more Gehenna Gold tot he mix and lately add Auric Armor Gold, until we get the intensity that we like. If we want to add a more strong point of light, like the edges, we only need to add a little of Runefang Steel or Ironbreaker Armor to create the intensity that it's need it for it.

Now we proceed to the other metals, in this case the grey color.

How to search for something intense and that wont be very blured, we give a layer base directly with Leadbelcher.

Once applied, we give it a very light wash with Nuln Oil to the metal and we wait for it to dry.

Once dry, we give it soft strokes with Ironbreaker Armor to stand out the light or give it some luster to the metal and create the effect of shine.

To give that appearance of celestial in the metal from the stormcast, we apply a wash with Drakenhof Nightshade over them and leave it to dry.

Lastly, with Runefang Steel, we give it some very soft strokes over the metals, mainly to stand out the edges and the more showy parts.

For the white tones, we start with a base of Celestra Grey, that will help us to settle well the white tone independently of the imprimation tone.

Then, we give it a light wash with Agrax Earthshade, mainly to add some background to the unions and nooks.

To get the light out and the white tone of this scheme, the next step will be to add a little of Agrax Earthshade to the Celestra Grey and with the technique of bluring little by little getting the tone more light, and finish it adding White Scar to the mix for the final lights.

For the belt, straps and leather, we use Abaddon Black for the base, and illuminate it adding little by little a grey tone like Celestra Grey.

For the edge of the tabard, we mix Screamer Pink with Kantor Blue in equal parts, then in this way we shall have a darker purple tone that will serve us for the base. Then we can get it more vivid adding for the light a little of Screamer Pink to the mix.

For the short sword and mace handles, it was given for the base Khorne Red and then illuminated with Mephistone Red.

For the scroll, it was used a mix of equal parts of Steel Legion Drab with Rakarth Flesh for the base.

Then it was applied a abundant wash with Agrax Earthshade and to add some depth to the gravings and after with the wash dried, illuminated it with the same base tone.

If we want more light, we add more Rakarth Flesh to the mix.

And with this steps you will have in no time any Stormcast from the Celestial Warbringers ready to expel the chaos in the name of Sigmar.

Hope that you Liked this painting guide. Give it a Like if you do so this video gets far. Suscribe if you're not, so you can keep up to date with our news, and you can follow us in the social media like Twitter, Facebook and Instagram. And if you like the channel and all the content and if you want to help us to get more in the channel, give it a look to my Patreon.

Thank you very much for watching Us and till next time!

For more infomation >> Como Pintar - SHADESPIRE: Angharad: CELESTIAL WARBRINGERS - How to paint (ENG-Sub) - Duration: 28:27.

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5-min MUG CAKES (no oven) - Duration: 4:43.

Hello, welcome back to my channel!

In today video, we are going to make mug cakes

For making this,

the ingredients are very simple

we don't have to use different baking tools

and especially no oven is needed

This cake takes only 5 minutes to make

So, let's do it together!

Firstly, we put milk and butter in a bowl

Then microwave it for 15 - 20 seconds

After that, whisk it well

When the butter is completely melted, we add yogurt

egg and vanilla into the bowl and mix it together

In another bowl,

we put flour, sugar, cinnamon, baking powder

with coconut flakes and mix it together

Pour the wet ingredients into this bowl

We fold it gently and do not overmix it

If we mix it too much, it will change the texture of our cake

Choose one of your favourite cup

and fill 2/3 of it with the batter

Then put it in microwave from 1min30s to 1min40s

I set my microwave at 800w

We repeat the same process with this cake

We microwave milk with butter first

then whisk it until the butter is melted completely

After that, we add egg, yogurt and oil into this bowl

And then vanilla

In a separate bowl, mix together flour,

cocoa powder (make sure it's sifted),

sugar and baking powder

Pour the wet ingredients into this bowl

We fold it gently and do not overmix it

Oreo, oreo, oreo

Based on your taste, you can add oreo as much as you want

I don't crumble it too much because I prefer to eat it this way

Then fold it gently for few times

Fill the cup with 2/3 of this batter

And microwave it from 1min40s to 2mins

or until when we touch the surface, it bounces back

This cake is so, so simple

You can make it for breakfast

Or whenever you want some sweet treats

but don't want to use the oven

If you make it, please send me yours!

If you want me to make any cake,

please let me know in the comment box down below

I hope you like this video

Thank you and see you next week

Bye Bye

For more infomation >> 5-min MUG CAKES (no oven) - Duration: 4:43.

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How to Respond to "Thank you" -- English Conversation - Duration: 2:59.

Hi everybody, and welcome back. Today we want to talk about five ways to respond

to thank you. A very common situation.

Someone says thank you to you, and what do you say?

The obvious answer is "you're welcome".

It's probably the one that you learned. "Thank you." "You're welcome."

But there are many ways, and other more common ways, to respond to thank you.

We're going to show you some examples: five other ways to respond to thank you

that aren't you're welcome. But just remember that you're welcome is fine

in all situations: formal, casual..., it's acceptable.

These are just some to change it up a little.

Thank you. No problem.

This is the response that I hear most often in my life to thank you: No problem.

It's very casual, but very common... and polite.

Thank you. It's my pleasure.

That is much more polite. I feel like she is

kind of respecting me with that answer.

Sometimes people say this IT'S my pleasure, or my pleasure. Both are okay. Same meaning.

Thank you. Anytime.

Anytime is another way you can respond to thank you.

It's very kind and it can be used casually or a little bit formally.

Thank you. No worries.

No worries - this one is pretty casual.

It's also quite common. It just means no problem, or I didn't mind helping you, or

something like that. Grammatically it's not very good, but

it's common..colloquially it's great.

Thanks, Misha. Yeah, sure.

This one doesn't sound at all like "you're welcome,"

but it is another common way to respond to thank you - especially in an informal situation

situation with a friend or something.

Okay so next time someone says thank you to you,

you can try one of these options other than "you're welcome"

and see how it works. And if someone says it to you,

just know that they're saying "you're welcome".

you're welcome. That's right. Genuine.

Thanks for watching.

You're welcome.

Anytime.

That's right. That's right. End of video.

For more infomation >> How to Respond to "Thank you" -- English Conversation - Duration: 2:59.

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Experimentos tierra plana // parte 2 - Duration: 41:38.

For more infomation >> Experimentos tierra plana // parte 2 - Duration: 41:38.

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動畫系面試 5 個小提醒 (字幕) - Duration: 2:10.

For more infomation >> 動畫系面試 5 個小提醒 (字幕) - Duration: 2:10.

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Nai Jaana | Punjabi Folk Song | Fauladi Indians | Live Performance | USP TV - Duration: 4:31.

Nai jaana

Nai jaana meri maaye, main ehde naal nai jaana

Nai jaana

Nai jaana meri maaye, main ehde naal nai jaana

Pehli-pehli vaar mainu Deor lain aa gaya

Pehli-pehli vaar mainu Deor lain aa gaya

Deor de naal meri jandi ae balaa

Ghund chukya na jaye, muhon bolya na jaye

Kunda kholeya na jaye

Deor ve

Deor te dil da chor, main ehde nal nai jana

Nai jaana

Nai jaana meri maaye, main ehde naal nai jaana

Duji-duji vaar mainu Jeth lain aa gaya

Duji-duji vaar mainu Jeth lain aa gaya

Jeth de naal meri jandi ae balaa

Ghund chukya na jaye, muhon bolya na jaye

Kunda kholeya na jaye

Jeth ve

Jeth da motta pet, main ehde nal nai jana

Nai jaana

Nai jaana meri maaye, main ehde naal nai jaana

Tiji-tiji vaar mainu aap lain aa gaya

Tiji-tiji vaar mainu aap lain aa gaya

Mahiye de nal mainu jaya vi jaye

Ghund chukya vi jaye, muhon bolya vi jaaye

Kunda kholya vi jaaye

Ha mahiya ve

Mahiya dhol sipahiya, main ehde nal nai jana

Mahiya ve

Mahiya dhol sipahiya, main ehde nal nai jana

Nai jaana

Nai jaana meri maaye, main ehde naal nai jaana

Nai jaana

Nai jaana meri maaye, main ehde naal nai jaana

For more infomation >> Nai Jaana | Punjabi Folk Song | Fauladi Indians | Live Performance | USP TV - Duration: 4:31.

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Andreyun - Oslo Bitches - Duration: 2:28.

Andreyun - Oslo Bitches

For more infomation >> Andreyun - Oslo Bitches - Duration: 2:28.

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How to Back Into a Slip with Twin Outboards | BoatUS - Duration: 2:10.

Most people back into their slip rather than drive in.

It just makes the boat more accessible, easier to get on and off of.

A few things to think about when you're getting ready to do that: Have your fenders all set,

have your lines tied to the cleats ready to go, make assignments to the passengers who

you want to help you tie your boat up, trim the engines out so most of the wash goes under

the bottom of the boat rather than up against the transom.

It makes it a lot easier to handle.

Also keep it simple.

Leave your rudder to midships once you make your final approach.

In other words, straight ahead.

Just use your engines to control the boat.

Now a few pointers about backing into a slip.

First of all, you don't need to back in.

It's almost always easier to drive in bow first.

You can always turn the boat around later when the wind dies down or the conditions

are more favorable.

Another one is, feel free to make another approach.

If it's not working out, drive out and do it over again.

Also, feel free to ask for help if there's anybody on the dock that can help you with

the lines, that will make life easier.

Finally, if it's just not working out, find another slip.

OK, we're starting our approach now to the dock.

So you can see we have a SeaRay boat that's really close here.

This is where I start twisting in.

I'm going to turn around.

I can see the SeaRay, I can also see my dock.

So I'm going to back in.

I want to keep the stern of the boat as close to the end of the dock as I can as I make

my approach.

The reason for that is I don't have a bow thruster available so I just have to keep

the stern in nice and tight and I'm basically going to leave my starboard engine backing

for the next little while and I'm going to use the port engine to actually control the

boat.

To control the heading of it.

All I'm doing is I'm going ahead a little bit on the port engine.

It pushes the stern out nicely.

I'm going to stop both engines and let it drift for a minute.

That way I don't get too much headway on.

There I am, right up against the dock ready to go.

So there it is.

Backing into a slip.

You'll have a lot of fun.

It's very rewarding when you get it right, so just practice, leave that rudder midships,

and have a blast.

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