Thứ Sáu, 24 tháng 11, 2017

Waching daily Nov 24 2017

Whether it be on my channel, Sakugablog, Kanzenshuu, or any other website that deals in a form

of animation coverage, one of the most common questions you'll see is: "How do you know

who animated what?"

And it would be so nice if I could turn around and say, "Well, the studios just tell us",

but unfortunately that is very rarely the case, and the truth of the matter is:

Everything that goes into identifying animators is pretty much like roleplaying CSI.

It involves research, gathering evidence, analysing evidence - which essentially means

going frame by frame through a hell of a lot of episodes from many different shows.

By the end of I t, many of us look like Charlie from It's Always Sunny in Philadelphia.

It's very stressful, but very rewarding when you finally crack the case.

Today, we are going over all the different aspects of a scene to look out for, what to

keep in mind, and why it's okay to make mistakes.

This is a guide on identifying animators…

Let's get underway.

<INTRO> WHERE TO BEGIN!

Approaching a brand new show for the first time can be very daunting, but the best place

to start is with the credits, and they will be your best friend throughout the entire

process.

Sites like Animator's Corner put up translated versions of the staff lists for certain shows,

but they don't cover everything, so you may find yourself drawing kanji into Google

for ones that haven't been translated.

The reason to begin here is that you need context.

You cannot make guesses unless you know who's working on the show.

A style in one episode may look like one in another, but unless you can compare staff

lists to see what recurring names there are, it could well be a coincidence.

It's also a great starting point as far as research goes.

It's very rare that everyone on a show is a newcomer, and often you'll find that the

interesting scenes you're looking into, are being done by animators who have a great

deal of history in the industry.

Perhaps they've been identified before, either by a director or themselves on social

media.

If that's the case, you can plug different names into a site like Sakugabooru, and start

comparing confirmed scenes against your presumptions.

Sometimes that's simply not possible, though, in which case I strongly recommend starting

with the animation supervisors.

A supervisor's job to provide consistency within an episode – they correct, aka partially

or fully redraw the artwork in scenes to ensure the characters are at least within the realms

of the show's designs.

They may also overhaul the movement if there are issues there.

The reason to start with them is that their style will often dominate an episode, and

if you're not familiar with the supervisor's work, it can be very easy to accidently attribute

their idiosyncrasies to certain animators, when really, they're simply corrections.

Once you understand the supervisor, you can then begin to put aside their input in your

mind, and take a better look at everything else.

EVERYONE HAS A TELL With those things in mind, let's touch on

what exactly to look for when considering character art.

As important as character sheets are, everyone has their own touch, and it's those standout

differences that are the key to working out who's who.

Ears, noses, shading, eyes – everyone has their tell, and if you find a certain stylistic

trait dominates every episode a particular name is on, the likelihood is, that is them.

For example, Masahiro Shimanuki in Dragon Ball Super has a very recognisable style.

If we go by ears alone, you can see that distinctive shape across every single one of his episodes.

He uses very large indented cheek shading, and his noses are often almost tear drop shaped,

but with a sharp 90 degree angle at the bottom.

Naoki Tate's drawings are very round, with thick eyebrows, and the eyeball starting very

close to the far edge.

His noses are very thick, and he consistently uses a sort-of rectangle cut in half when

drawing grimaces.

You can find these distinctive traits across every single supervisor, and while they may

not be obvious upon a first viewing, it's very easy to spot these things when you look

at their episodes one after the other.

Sometimes it's as overt as the examples I just gave, while other times it's subtler

– it depends very heavily on the extent of the supervisor's corrections.

Either way, you will find them somewhere.

One thing to keep in mind is the frequent use of a "Chief Animation Supervisor"

in modern anime.

While a regular supervisor's job is to bring consistency within an episode, a chief supervisor

is there to add consistency across the entire show.

If you find a certain style in every single episode – or in Super's case, every other

episode – chances are, that's your chief supervisor stepping in.

As you can see, it's like building a picture of styles, and this can often lead to identification

through process of elimination.

If there are three supervisors on an episode, and you know two out of three, it's not

difficult to look at that leftover style, compare it to their episodes in the past where

you weren't sure, and make the connections pretty easily.

EFFECTS AND TIMING If character art is primarily a tell for supervisors,

then there needs to be a way to get to the animators underneath, and that's where effects

and timing come into play.

Effects refers to things like smoke, debris, beams, and explosions.

The shapes of these things are some of the best ways to identity an animator.

For example, to use Naoki Tate again, his smoke is chunky, heavily layered, with large

circular shadows that sit on the edges of the plumes.

Futoshi Higashide's is much more cartoony, with very bold round shapes that are generally

edgelit.

Naotoshi Shida's is probably one of the most distinctive out there.

It's incredibly angular, and features very unique shading.

When it comes to beams or debris, the idea is similar – look for reoccurring shapes.

Kenji Miuma wants to assault you with deathly sharp beams in almost all of his scenes.

Heck, the most famous example of debris would have to be Yutaka Nakamura whose cubes have

pretty much reaches meme status.

Next up is timing.

Timing is one of hardest things to use to identify an animator, but it's just as important.

To put it simply, timing refers to how something moves.

The weight or ease of various motions.

Naotoshi Shida is one of the most famous animators with hugely recognisable timing.

His characters move like rushing water, and the camera beams along with every movement

– almost looking sped-up in places.

On the flip-side, there are people like Mitsuo Iso who don't draw from pose-to-pose, but

rather frame to frame, resulting in spectacularly loose, and at times, almost hyper-realistic

movement.

Learning to understand and recognise timing is incredibly useful, especially since many

scenes may not contain any effects.

Unlike character art, these aspects are transferable from show to show.

There are no style guides for effects or timing, so unless a supervisor is a little overzealous

and redraws an entire scene, they're the one strong voice an animator has across all

of his or her projects.

GENERAL ADVICE I've been doing this stuff for many years,

and have made a lot of mistakes along the way.

As a result, I can thankfully tell newcomers what be careful of.

My biggest piece of advice is "The simplest answer is always best".

If you find yourself saying, "Oh, this is probably this guy, maybe it looks different

because they had more time", or you're saying, "Oh, this is uncredited such and

such… probably just helping out", make sure you're not letting confirmation bias

cloud your judgement.

The aforementioned examples absolutely happen, but generally, if you find yourself jumping

through mental gymnastics to credit a cut, it's best to put it on the backburner until

more evidence presents itself.

Don't be afraid to reach out to animators on sites like Twitter.

Quite often, unless the studio forbids it, they're more than happy to let you know

whether your guesses are right or not.

And lastly, it's okay to be wrong.

After all, we're essentially playing a guessing game here, and even people who work on shows

get things wrong.

I remember Hideki Yamazaki accidentally calling Tadayoshi Yamamuro's work Miyako Tsuji's.

Nobody's perfect, and while you can be 99% sure you're correct, there's always that

1% chance you're wrong.

- Identifying styles can be incredibly frustrating,

but it's so rewarding when you crack someone's work.

When you finally nail down who exactly did that one scene you loved, it opens up their

entire back catalogue, and helps you build a mental picture of the type of styles that

really work for you.

Thank you so much for listening, I hope this serves as a nice starting point to your own

adventures.

If you have your own tips or you have any follow-up questions, feel free to leave those

in the comment section below.

Rate the video if you'd be so kind, subscribe if you're looking for more animation content,

and I

will see you next time.

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👍 EL VOLCAN DE Don Goyo CIENCIA,VOLCANES DE MEXICO,DOCUMENTALES DE CIENCIA,DOCUMENTALES YOUTUBE - Duration: 45:38.

in Mexico, millions of people live

the shadow of the volcanoes that have

buried entire villages

is all that remains of san juan and

enriched its culture

this is the plant that is used to

produce tequila today we will fly over the

volcano of colima

I would like for revolution to come

right now and we will witness or force

irrepressible in the middle of the night it seems like a

work of 500 meters high there is more

Music

500 active volcanoes on this planet

as the monte roasted in japan or the

volcanic complex and guillén in

Indonesia

here begins a trip to a world

sculpted by the volcanoes

volcanic odyssey

the fires of don goyo the continents

they are still in motion imprisoned between

North America and South America Mexico

is pushed up in slow motion

on a tectonic roller coaster the

pressure and heat produced by these

British forces form volcanoes

and Mexico has two of the most active

of North America millions of people

live in his shadow wrapped in

hope that your god and the

authorities conspire in the dangers that

these unpredictable giants

Music

we are in puebla de zaragoza the fourth

largest city in mexico where more

of one million 400 thousand people live

next to the largest volcano in the country

the popocatépetl the smoky hill a

active volcano known as don goyo

with a very violent past for the

volcanologists like tom pfeiffer

it is a unique and fascinating place the ppc

he is a huge stratovolcano and his

interest is that it is not only one

of the most active and voluminous

It is also the second active volcano

highest of all North American war

it's a very explosive volcano has had

fifteen large eruptions from the

arrival of the Spaniards in the 16th century

and five rashes every clinic in the

last 10,000 years

in one of them the volcano itself

it also destroyed for 60 years

he remained in relative silence but in

December 1994 again discarded

the first reductions were very

potent

some lava bombs fell 4 km away

exclusions similar to the one we just ended

to see happen now about 10 times

day

the ash column has reached a

altitude above the crater of

approximately one kilometer

here nothing is small and if we had

closer state would have been

chilling since 2013 its

activity is growing

what could augur the advent

of an eruption of consequences

catastrophic does not threaten not to

circumscribe this area its scope

it would be much greater

Some parts of Mexico City

They are built on deposits

popocatépetl which shows that in the

past its effects felt here

that's why it tops the list of

supervision of natural disasters in

Power

Music

puebla de zaragoza was founded almost

500 years for the colonizers

Spaniards who did not know that the terraces

Under his feet lay the remains of

old center of cholula a city

historical that was eliminated by a

terrible rash

Music

a Plinian eruption similar to the one

he beautifully buried the seductions

light generate huge clouds of

ashes and pyroclastic flows

fiery avalanches that destroy everything

in its path

the Spaniards ignored that the hill

chosen to build the sanctuary of

the virgin of the remedies was rising

over the ruins buried under

rubble and ashes of the greatest

pre-Hispanic pyramid of mexico is a

very interesting place that allows us

contemplate part of the deposit formed

by the ash flow that invaded the

city ​​is full of fragments of

Ceramic and construction material

the flow descended at great speed and

destroyed everything by then

exceeded the ground level

Music

due to the historical value of this

16th century temple was only excavated

a part of the pyramid

archaeologists opened tunnels to

through the volcanic sediments

this is one of the deposits

buried by the eruption in some

points the sediments have two floors

of depth

I feel a little claustrophobic in

these alleys that seem to go towards

everywhere

if it does not fail me my sense of

orientation and come from there where

should be the main tunnel looks

it's an interesting feeling among

bricks that reinforce the tunnels are

look for evidence that the pyramid was

covered by ash or by a wash

pyroclastic this is part of the

old structure and this is the

loose deposit is invited by the guide

invites is formed by end or crystals

and fragments of rock from a

Plinian eruption and schedules with

characteristic lines the deposit

He was removed

these remains are a powerful warning of the

possible effects of a future great

eruption

even the mountain itself could

collapse but there is another danger the

hydrological thermal system of a

volcano

you reach the depths of the subsoil

and often it extends beyond its

structure which would allow the

destruction will reach even some

parts of the city of mexico

built on the extensive system

Underground popocatépetl

a strange geological phenomenon that

many consider a volcano has

fascinated people for a thousand years

see if it was a volcano

here we should see lava but this without

doubt not Slavic

its surface is almost identical to the one

we would find in stone areas

limestone chemically eroded by

caustic processes in essence is the

same material that is deposited in the

Washing machine ducts when used

very hard water rich in minerals

the crater descends below the

ground level

it may not be a volcano but it is

probably its origin is volcanic

When the magma rises, it comes in contact

with the hydrological system the water

underground becomes steam

water and can go through the earth like a

geyser is said to have appeared in the year

thousand 63 during an eruption of

popocatépetl the witnesses who saw

sprout the water vapor should

relate it to volcanic activity

Music

the delicate layer overlay

individual some very fine has a

great beauty

we can also see the typical

slag structures deposits

left by water rich in carbonates

the hydrothermal system that once

fed has changed course

after all this they have a thousand years

of antiquity it is strange that we can

log in

Music

the odds of a volcano

It's full of cholula or Mexico City

they are not very tall but the story we

remember that everything is possible

happened in 1943 in the state of

Michoacán in a nearby cornfield

to san juan parangaricutiro a farmer

presence the exact moment in which

was born the volcano fissures opened

the lava erupted and many rocks came out

flying at the end he saw the fire shine

almost under his feet

It must have been an incredible experience

the new volcano was named after

paricutín and its active period lasted

nine years what allowed to study

for the first time the development of a

volcano from its birth to its

death in mexico millions of people

live in the shadow of the volcanoes that

they have buried entire villages

is all that remains of san juan and

enriched its culture

this is the plant that is used to

produce tequila

today we will fly over the volcano of colima

I would like for revolution to come

right now and we will witness or force

irrepressible in the middle of the night it seems like a

work of 500 meters high there is more

Music

500 active volcanoes on this planet

as the monte roasted in japan or the

volcanic complex and guillén in

Indonesia

here begins a trip to a world

sculpted by the volcanoes

volcanic odyssey

the fires of don goyo the continents

they are still in motion imprisoned between

North America and South America Mexico

is pushed up in slow motion

on a tectonic roller coaster the

pressure and heat produced by these

British forces form volcanoes

and Mexico has two of the most active

of North America millions of people

live in his shadow wrapped in

hope that your god and the

authorities conjure up the dangers that

these unpredictable giants

necessary assistance to divert the

lava flow

that is when the building but the

increasing lateral pressure ended

causing the collapse a second

lava flow accentuated the destruction

the place where I am in this

moment was more or less the same

height than the roof of the main nave

from here I can see the floor that

find about seven or eight meters from

distance what gives us an idea of

thickness of the flow in front of the altar

original that remains intact

Many thank God for forgiving

the good people of san juan when watching

how he resisted the lava flows that

they destroyed all the old town

it is understandable that his salvation is

considered a miracle

the birth of the paricutín is so

recent that there are still people who

they remember that I was here excepted

of this street or water

Stamina if at the time of the eruption

he was 13 years old and lived in a

up there

they all got scared a lot but gave them

time to collect your goods more

precious and there were no victims

also remember that the ash was falling

of the sky in a rain that seemed not to

have an end and that their accumulation in

roofs caused the collapse of

many houses

the paricutín was considered a volcano

genetic monkey a cone that goes off after

a single rash

nevertheless the landscape that surrounds me

It is dotted with small samples

of the typical activity of this part

of the Mexican volcanic belt

all those settlers are the result of

eruptions similar to the one that occurred

here more than 70 years ago when the

activity returns choose a driver

new and breeding another settler and that can

occur at any point of the extensive

area known as volcanic field

usually a mono genetic field

It has between 10 and 100 volcanoes but

mexico breaks all the rules in this

field there are more than a thousand small cones

something that science has not yet known

explain the most likely thing is that the

soft ground and the unusual number of

faults or underground fractures

provide magma with easy routes

exit to the surface the paricutín

for nine years he expelled about 1,500

millions of cubic meters of material

a considerable amount after visiting

the areas affected by the eruption

Tom prepares to ascend to the

Crater is a walk of an average

hour but the climb is hard and steep

Music

from here she was expelled for nine

Years

all the ashes that covered the

hillsides and all the landscape that surrounds me

at the end of the first day

the defiant as it already reached a

height equivalent to five floors still

there is a lot of heat stored in the

subsoil so when the water of the

rain comes in contact with the rocks

hot turns into water vapor

and it goes outside through small cracks

Music

his existence was ephemeral other

volcanoes live hundreds of thousands of years

but this one only lived nine or ten if

the volcanic field will recover its

activity the instruments could

predict what magma generates earthquakes

by fracturing the rocks on their route

ascending modern science locates

increasingly better earthquakes more

surface caused by pressure

of magma on its way to the

surface

track your unstoppable progress will allow

predict when it will happen to the

eruption and also where

nobody wants to have a cone like this

forming under a town and not be

prepared when we hear about a

eruption

the usual thing is to imagine tooth flows

of lava or a city buried under a

pyroclastic wash

but most of the time the

true damage is caused by the ash

that can sink rooftops or even

burying villages but with time

it can become a blessing

next to the municipality of tequila, the

volcano that bears his name

Music

volcanic ash is rich in

nutrients the benefits it brings to

agriculture are known throughout the

world and even more in the center of

mexico where an extinct volcano has

boosted the unequaled flavor of its

most emblematic drink the volcano

tequila stands majestically the ash of

an eruption 200,000 years ago created

the fertile valley in which this

prickly plant

Music

this piece is the plant that is used to

produce tequila is a variety of

special from the agave family

known as blue agave for its

striking color

you have to be very careful with the

sharp pins that protect their leaves

can go through the skin with great

• Ease of use

I have already made a small cut

is visiting the three owners

a medium-sized producer in the

tequila region

the blue agaves are succulent plants

moisture is stored in the leaves and

not on the stems or trunks the elevated

altitude of this region provides them

an ideal habitat its height and its weight

can equal that of a human being and the

blue street planted and harvested from the

the same form for centuries

jimadores take care of the whole process

their knowledge has been transmitted

from parents to children for

generations is a tradition that leads

practiced for about 500 years

since the 16th century when the

first documented production of

tequila this drink became very famous and

it ended up becoming a symbol

of Mexico is a task that demands strength

and a lot of skill and that usually

children learn and blue coffee takes

between seven and nine years in maturing the

opposition is this is not easy

(applause]

they can collect 300 pineapples in a

day but surely I would not exceed 5

I thought I almost got it

but this seems like the hardest part

this is not for me

Please

seeing him seems simple now what

knock down the pineapples are transported to

an industrial plant and the must

extracted from them goes to the phase of

fermentation of the must is

fermenting in this container its

effluvium is so powerful that it almost seems

that of a volcano analyze the fluid for

know the variation of its content

alcoholic will require 72 hours

the next step is to measure the density

of the must that has a relation

direct with alcohol content

alcohol is light and by continuing

fermentation and produce more alcohol

the must will become lighter as well

that for 72 hours

this floating meter will go sinking

slowly as the amount of

density of the liquid and when

-Here?

that will mean that it contains a 55 by

percent of alcohol and that is ready to

make distilled

Mexico has the appellation of origin

of tequila to be classified

as authentic it must occur in a

of certified plants and overcome

the quality standards

Music

the last step and the best one is to taste

health

Music

I like it is soft and has a slight

woody flavor thanks to the volcano

tequila and an extinct stratovolcano that

fertilized this valley consoled and its

ash and created a perfect substrate for

the production of tequila

Now we can enjoy the content of

this bottle or at least part

health is very soft

I like the cone of tequila remains

in silence but other volcanoes

Mexicans are much less peaceful

during the last years the activity

of the volcano of colima has been constant

in the three weeks before the

arrival of tom has had several

powerful eruptions what has awakened

serious concerns different populations

they extend around their base and almost

500 thousand people live within the area

of danger

his record seems to suggest that he has a

eruptive cycle of about one hundred years that

will end with a colossal eruption

the last one took place in 1913 and

destroyed almost all the cone triggered

huge damage and caused eight victims

more than a century later the area is

much more populated and the threat is much

greater

Music

good afternoon to pollice the photographer

fernando rivera and ulises chávez

the owner of this house live under the

shadow of the perfect volcano to start

very beautiful that such has behaved

last days has come to photograph and

colima to include it in a future book

about active volcanoes

according to the map there should be about six

or seven kilometers away in

straight line to the top in case of

an important explosion like that of

2.4.1.

here we would not be safe the flows

pyroclastics would reach this area not

It is likely that a large

eruption for the next five

days although the frequency of rashes

moderate

it is a clear signal that the pressure

inside the volcano continues

increasing the limit of the area of

exclusion

It is still far away but the

intensity or activity will be detected

abnormal the civil protection agency

of colima would expand the perimeter of

safety

the clients come to know the solutions

fernando rivera has stayed at the

home the last weekends to

take pictures and enjoy it

for this it goes on heating

no passionate volcanologist could

resist the fascination that exerts

the colima its frequent seductions of

medium intensity are all a

show

like all stratovolcano the colima is

formed by layers of ejected material

the lava and the ash expelled

contribute to increase their size

strata volcanoes are prone to

collapse during an eruption or

cause of erosion

to make things worse viscous lava

of colima accumulates on the top

making it grow faster

the result is an even more cone

steep that increases the weakness of the

structure the very active volcanoes to

often go through successive periods of

destruction and reconstruction

tens of thousands of years ago

here there was a much bigger volcam

that volcano collapsed and generated a

gigantic avalanche that moved

towards there leaving a great depression

this one is in the phase of

reconstruction

that's why it's so pretty

it is nightfalling

only the upper part discharges light from

a bright red color and just

give us a beautiful eruption of

Ashes is a very nice panorama

with blue sky and ash background

red 1 perfect case

the explosions are even more magnificent

overnight

Please

go this has been so far the

most spectacular has arrived after

another smaller one and six hours of

tranquility and for several minutes has

been throwing a continuous stream of

Incandescent ash and many pumps

wash the upper half of the cone has

suffered a constant bombardment has been

fantastic to see how it inflated to hear the

roar of exclusion and sound

abrupt of the rocks falling and everything is

here in fichen

the upper part is covered

incandescent material the emanations

that during the day seem small

they look very different in the

darkness when the brightness of the lava

melted becomes visible

Music

every day the activity is different

varies depending on the speed at

that the magma rises makes inside

from the boiler

the so-called volcanic bombs are

ejected from the crater and caín hill to

van gogh what increases the size of the

cone over the course of a century a

volcano as the colima can increase

its volume in more than a third of the

activity has increased this morning

we have had two reductions

considerable the upper flanks

they are full of dust and rocks

continue to fall down the slope

increase in activity is more

noticeable in the increasing intensity

of the explosions

Maybe it's because the solutions are

less frequent since the intervals

among them are older

a longer intermediate period

will allow more magma to accumulate and

will result in a further explosion

powerful from the ground it is impossible to see

what happens inside the crater or

account for the vents that cause

seduction is often a volcano

has several active vents that are

they behave in different ways

they produce little violent eruptions but

when everyone acts at the same time

the explosion is much greater

the best way to see it is from above

we were very lucky that there was

started a European while we

we were approaching an ash it

rises from the crack of the central and continues

in the air after three or four

minutes the pilots play a role

vital in the study and prediction of

rashes data like height and

direction of the ascending column

will be incorporated into the final report on

pilot has communicated to the tower of

control that the column rises to about

two kilometers on the top height that

corresponds to a considerable eruption

local traffic controllers

aerial will relay this information

to passenger aircraft that use

this corridor

the volcanic ash is very abrasive and

could damage the turbines of the

engines something that does not affect the propeller

of the plane that was carrying atom

the data will also be transmitted to

the civil protection agency

tom incorporate his observations to his

Web page

and these will be included in the report

Weekly volcanic activity

makes the smithsonian institute

Music

from the air tom can see it steep

which are its hillsides and even the

crater interior

It looks like a huge pit full of material

volcanic that after being expelled has

fallen back inside I would like that

will erupt right now we are

too close

however the rash occurs

although luckily it's an explosion of

reduced magnitude

the ash is fired from several

vents the initial burst

clean the ducts and the rash

lasts just a few minutes the pressure

is released and when the ash returns to

fall and blocks the conduit the process of

Pressurization starts again

Music

after seeing the crater from the air

tom and errando rivera decide to study the

colima from another angle from the

observatory located at the top of the

snowy volcano of colima a volcano

extinct located five kilometers from

his active brother who is also

called volcano of fire of colima

the entry is restricted but take

Arrando receive special permission

security is strict and patrols

They are in charge of warding off intruders

several representatives of the agency

civil protection of jalisco les

they will guide you along the steep roads

the driver is not sure that the

vehicle reaches up

we have asked him that at least I tried

this is quite typical try

access an active volcano and many of

the obstacles that arise do not

they have nothing to do with nature

of the volcano on many occasions

difficulties are raised by

authorities apparently the road is

bad and very dangerous and my biggest fear

now it's not that the volcano is there

suddenly and the explosion reaches us to

five kilometers away

I worry much more than the vehicle

dump on this narrow road and

land at the bottom of a ravine

access to an active volcano varies

according to the countries

in Hawaii you can drive to the

kilauea crater

vitalia you can ski on the slopes

from the Avila mountain only if a

rash the tracks are closed

we have already exceeded the height of the summit

of the volcano of fire and the snow

Colima is an extinct volcano more

old that is part of it

complex its observatory controlled by

the civil protection agency of

Jalisco is a safe watchtower and the place

perfect for monitoring changes

experienced by his fiery brother

its reinforced cement structure was

designed to resist an eruption

Music

the activity does not stop a new eruption

it's small but from here it turns out

precious because the observatory is

much closer than the house that

It also has a great view to be so

next allows us to see everything that

occurs at the edge of the crater does not

let's see a major eruption soon but

It is nice to contemplate this from a

point higher than the peak itself

of the volcano and the view is spectacular

to the west you can see the

mountain range that extends towards the

distant Pacific coast

we are almost 4,000 meters above

sea ​​level

As the sun sets Tom prepares for the

great show what

today the intervals between eruptions have

oscillated between two and six hours so

You have to be patient

here we are in front of the volcano of fire

of colima 45 kilometers away

Now it's about eleven twenty

there is a beautiful moon and hardly wind

we are at four thousand meters of altitude and

although it is cold

the absence of wind makes it bearable

I have the feeling that little is missing

for another eruption

there is a small incandescent point that

It looks like a remnant of the lava dome more

young and from time to time its brightness

intensifies has been quiet a good

little while

so the most logical thing is not to miss

a lot to reopen the

curtain

we can only wait

the increasing pressure opens small

vents through which gases escape

flaming the lava plugs block

the ducts but inside the

crater

the thrust of the magma is irrepressible

Music

the plugs end up exploding and the

show begins

a large eruption light up the sky

and will continue to do so while

pressure in the ducts

this is the biggest reduction we have

contemplated in the five days that

We have been observing the colimon

a bonfire 500 meters high

Although what has descended was not

a lava flow

the explosion has ejected a lot of

blocks of incandescent ash and

fall rolling downhill

these have had the skirt of a red

Brilliant.

it has been awesome to come here and

wait in the cold of the night without a doubt

it was worth it

Music

the activity of the volcano continues by the

tomorrow

get closer to an active crater

it may seem reckless or foolish

but experienced volcanologists do not

they face unnecessary risks they observe

volcanic cycles to avoid the

most dangerous phases and follow the

advice from local authorities for

tomic volcanoes are safer than

many roads and they constitute the

entrance door of the forces

elementals that continue to shape

the land contemplating a mountain that of

once in a while spits fire is a

Fascinating beautiful experience makes us

understand that we are part of someone

wider than the self

human and nature is full of

mystery and when unraveled one of

your secrets

we feel very close to the elements

basic of the uncontainable forces

who created the earth and that's what

it fascinates me the most you're enjoying the

beauty of a symmetrical cone that

it shelters a crater and suddenly sees go out

game inside

the volcano of colima has not yet done

jump alarms and scientists

who watch him wait for a

Catastrophic eruption emits signals

evident that allow to start up

the evacuation protocol

Only time will tell

natural disasters has marked the

history of mankind

some volcanoes were able to

ravage lands and destroy civilizations

in just a few moments but now

we have a sophisticated technology that

helps us to understand the ones and to prevent

his sudden attacks millions of

Mexicans live in the shade of volcanoes

assets that will one day return to

spit fire and ashes

nobody knows when we only have left

wait and enjoy without any fear of

your irresistible arrival

Music

(applause]

Music

For more infomation >> 👍 EL VOLCAN DE Don Goyo CIENCIA,VOLCANES DE MEXICO,DOCUMENTALES DE CIENCIA,DOCUMENTALES YOUTUBE - Duration: 45:38.

-------------------------------------------

Frequency - Bulacan South | INCinema 2017 (w/ English captions) - Duration: 16:04.

Dad, I'm already preparing my things that I need at aunt's house.

Okay, dear. I'm sorry. I'm a bit tired. Did you eat already?

Yes dad. By the way dad, Miguel will go straight to aunt's house after school.

How about his things? Are all prepared?

Yes, dad. May I borrow your bag?

Okay. Both of you be careful, okay? I have to perform my Church duty so I can't go.

Yes, dad. I'll call right away to let you know that big brother and I are safe.

Okay. Don't forget to pray.

Of course, dad.

[music playing]

Cousin! Try to catch me!

Let's go ahead to the ship!

I don't want to.

Hey Mika! The ship is huge!

Catch me! Migs is not yet here.

Alright. Oh no Mika! Migs is already here !

Miguel, what took you so long?

I'm sorry, Aunt. There's slight traffic.

It's alright. Let's go and board the ship.

Wait a minute. Where's dad? Mika, where's dad?

He told me that he couldn't go because he has to perform his Church duty.

Yes, big brother. He also doesn't feel well awhile ago.

Okay. Don't get separated with us, Mika. Let's call dad.

Yes. He told us to inform him.

Whooo! I'm excited to go to Palawan!

Mom, let's buy some pasalubong okay?

Yes, of course for our friends.

I'll buy pasalubong for tatay!

Of course I'll buy one for him too so that he would be pleased with us.

It feels wonderful here!

Che, let's paint over here.

Okay, it looks safe here.

I'll just be here. I'll gaze at the sea.

Okay. Take care!

Let us enjoy this vacation, dude!

Of course!

Let's visit everything, Anton!

This is so much fun!

My love,

I am happy that my dream was fulfilled with you by my side.

Me too, my love. We waited for years for this.

Finally, we're married.

Yes! I love you so much Ramon. You are my dream come true. We will make a happy and big family!

We went through a lot, didn't we?

Yes, we did. Nothing could ever separate us from each other.

[explosion]

Big brother! It's aunt!

I too do not know! Aunt, aunt! Don't get separated from us, Mika!

Yes, big brother.

[sobbing]

Tanya, Steph!

[sobbing]

Where are you?

[sobbing]

[sobbing]

Mommy, daddy, help!

[sobbing]

My love, be strong!

My love,

always take care.

Always remember that I love you so much.

You are...in my life...

My love, don't talk like that!

No! My God! My God!

[wailing]

[music playing]

Where are we?

Big brother! Big brother! Big brother!

Mika! We are safe!

Yes, we are.

Where are we?

We are in an island.

[sobbing]

[music playing]

Big brother, I'm afraid.

We can overcome this, Mika. Let us trust in God.

I am also hungry.

Wait a minute, I'll look for some food.

Che?

I only overheard your name. Let's go find some food.

Sister? Let's eat.

Thank you. I'm not yet hungry.

Sister, You were crying since yesterday.

Eat something.

Thank you. I think we met each other at the ship.

Yes, big sister. I was the one who approached you when you were painting with your friends.

[Sobbing]

Oh yes.

I don't know where they are.

Stop crying, Sister.

Kids, it's getting dark, I think it will rain later. Let us all help in making a shelter.

Okay, Mika and I will gather leaves.

Then, Che and I will get wood.

Okay. Let's make this fast.

I'll find some rope and other things we need.

Thank you, Mr. Ramon.

Let's move!

Mr. Ramon, you already awake?

I can't sleep.

I remember Salve.

What happened flashes back to me.

I strive to forget the tragedy.

I want to remember the happy moments that we were together.

I am afraid Miguel

that I can't take it if I see her.

I understand you.

But we need to accept everything.

I am concerned of dad who hides his sickness from us.

We can overcome this with God's help.

You have a point Miguel.

We both have different burdens. Wake them up so we can start something.

Yes, Mr. Ramon.

Mika, why are you sad? I'm here if you need someone to talk to.

I miss my father. We were still young when mom left us.

Dad is now alone at home. He also hides his sickness from us.

Is that so? Be brave. Remember that we will not be given a trial that we can't endure.

Yes, big sister.

Che? Seems like you're not feeling well. What do you feel?

I'm okay. I can still endure.

I'm just sad because I was not able to tell dad about my vacation. Because I was sulking, I just left home.

Finally! We finished it!

It looks durable, Mr. Ramon.

I'm happy that we finished this!

Yey! We'll see dad soon!

Good for you. In my part, I'm afraid if they would be angry with me.

Che, your parents surely missed you.

Who would board first?

Me! I know the way!

Okay, good.

Forgive me...

I could no longer stay here.

I am thankful for being with you...

...but being hurt with the loss of my beloved...

one is unbearable.

Whether she is dead or alive, I want to see her.

I hope the day will come that you will forgive me.

Goodbye.

Ramon!

Why did you do that!

Wake up!

Miguel! Che! Mika! Ramon sailed away with the boat.

Ramon!

Why!?

Mr. Ramon!

Father, we entrust our lives to you.

Che! Che! Wake up!

We will die here!

Help us, Father! Help us!

We don't have any hope of surviving!

I don't want to see each of us slowly dying one by one.

Anton! Don't give up! God is looking at us. We should remain firm in our trust in Him.

Mika, Anton, Che Che is burning up! I'm afraid that something will happen to her.

Let us pray to God.

Let's do it. I pray we get through this.

Yes. I am confident that God will not forsake us.

Anton, let's look for floating parts of the ship that we could use.

Okay, there might be something to eat there.

Mika? How's Che?

She's still burning up and is unconscious.

We brought food.

Mika, we also found a bag wrapped in plastic. It is not wet inside. Check it and we might find clothes. Change up.

Anton! That's my bag! I borrowed it from dad!

Open it up! We might find something useful.

Big brother! That's dad's radio!

Hello?

To those who could hear us,

we ask help from you.

We were from the ship that sunk.

Please have mercy and help us.

Please help us in the situation we are in.

One of our friends is burning up in fever.

If days would pass,

you might not see us alive.

Please tell our parents to retrieve our bodies

that we love them so much.

Brethren! We were able to detect a frequency from a nearby island.

They are our brethren who were in the ship that sunk. They are children of a SCAN member from another district.

With God's help and mercy, we will do everything we can to save them.

We relayed this to their district. Let us act fast so that we could see them alive.

We already coordinated with the coast guard and other government agencies. Let us pray, brethren.

Dad! Thank you! We thought we would never see you again!

Mika! God is good!

Dad, we love you so much!

We'll see each other again, Che!

Goodbye Anton!

Thank you Mika. Thank you. I want to know the God you are telling me about.

Yes, Anton!

Thank you so much dear God. We don't know how to thank You.

You saved us from the brink of death and you did not abandon us.

We were hurt but we never lost hope that You will help us and guide us.

Mika?

Miguel?

You're members of the Church Of Christ?!

Yes, we are. We were not able to tell you because you were burning up with fever.

Thank you, Mika! Thank you, Miguel! Thank God!

Che,

I am so happy.

You already are dear to me.

I'll visit you some other time.

Of course, we're KADIWA members after all.

[music playing]

For more infomation >> Frequency - Bulacan South | INCinema 2017 (w/ English captions) - Duration: 16:04.

-------------------------------------------

Snipperclips Plus előzetes - Nintendo Switch - Duration: 2:55.

For more infomation >> Snipperclips Plus előzetes - Nintendo Switch - Duration: 2:55.

-------------------------------------------

Dhanu Rashi, Vara Bhavishya, November 27 to December 3, in Kannada - Duration: 1:03.

Bhavishya Darpan 4U Youtube Channel

Vara Bhavishya

Dhanu Rashi

For more infomation >> Dhanu Rashi, Vara Bhavishya, November 27 to December 3, in Kannada - Duration: 1:03.

-------------------------------------------

Shadrow- Spider Girl (NamSky Remix)+ Lyrics - Duration: 4:57.

Stumbling around the darkness, I can't see the door

The walls are lined with something and so's the floor

I hear her chilling laughter and see her smile She tells me to sit and join her, "please stay a while"

Can't shake the feeling that I'm hanging by a thread

It seems to me she's trapped my soul inside her web

She hands to me a tray of biscuits, tea and bread

I can't put my finger on it, can't put my finger on it

There's something weird about the way she speaks to me

There's something strange about the flavour of her tea

I didn't have the means to keep her from this harmony

She's some kind of spider girl, some kind of spider girl

can't put my finger on it

The party beat is thumping, she starts to dance

Her friends come out together, caught in her trance

Wiping crumbs off the table, they join the feast

Even her cutie-muffin is moving to the beat

Can't shake the feeling that I'm hanging by a thread

It seems to me she's trapped my soul inside her web

She makes a motion for the tub of strawberry spread

I can't put my finger on it, can't put my finger on it

There's something weird about the way she speaks to me

There's something strange about the flavour of her tea

I didn't have the means to keep her from this harmony

She's some kind of spider girl, some kind of spider girl

can't put my finger on it

There's something weird about the way she speaks to me

There's something strange about the flavour of her tea

She's glaring angrily, turns out the meal wasn't free

She's some kind of spider girl, some kind of spider girl

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