Thứ Năm, 15 tháng 2, 2018

Waching daily Feb 15 2018

What do you do?

I own a pizzeria.

- Oh yeah? - Yeah.

- Really, where? What kind? - In Brooklyn.

In Williamsburg, Brooklyn.

- You from Brooklyn? - I'm from Brooklyn.

Can I do some Brooklyn accent?

What do you got? Let's see it. Come on.

Hey, how you doing?

Are you talking to me?

You talking to me?

What's a matter with you?

Oh, man.

I would have thought you a Brooklynite. Man, you got me fooled.

- How about that? - That's great!

I'm about to eat my way through the Bay.

It's all about produce out here.

And what better way to eat it, then on pizza?

This slice is definitely the New York style,

but it got that California thing happening.

It's delicious.

I'm going to visit a bunch of great pizzerias in San Francisco,

Berkeley, and even make my way to Napa for some pizza and wine.

First, I'm meeting up with Patty Unterman,

owner of Hayes Street Grill,

and long time San Francisco restaurant critic.

Patty knows everything about the food scene out here.

Welcome to San Francisco.

It's such a beautiful city.

You've been in the food scene here for many years

as a writer and a restaurateur.

What is the culinary scene like here, in San Francisco?

We essentially drove culinary culture in the country.

We have a year-round growing season.

And there's a whole culture of farmer's markets

that kind of farm to table thing.

Our best restaurants use these beautiful ingredients.

And that's what makes it so great.

I've constantly been hearing about these great bakeries out here.

Whether it's The Mill or Tartine,

and all this innovative stuff they're doing.

Our sourdough culture started at the Gold Rush.

There's a real attention to crust here.

If you got that base that has character, that has flavor,

that's what a pizza is, right?

Yeah, do you know about this guy, Anthony Mangieri?

He's a New Yorker. And he's moved out here,

and opened up a place called Una Pizza Napoletana.

I not only know him, I love him.

He struck me as being a religious person, a monk.

A monk of pizza.

Do you have any tips for me, any places that I need to go?

I certainly think that the Cheese Board would be great.

And that's a real community thing. Have you seen those lines?

Eighteen hundred pizzas a day on some days.

- Yeah. - Unreal.

It's just life in Berkeley.

- Californian. - Yeah.

It's Californian through and through.

Have fun eating that pizza, man!

When in the Bay, you have to hit Cheese Board.

This Berkeley institution started as a cheese shop.

And over time, has expanded into a pizzeria.

They serve one vegetarian pizza a day,

and are worker owned and operated.

Everyone gets a slice here.

Busy day today, I see.

Yeah, it's just a regular day.

- Regular day here at Cheese Board? - Just a regular day. Yeah, yeah.

When we do busy, it goes all the way down the corner and around.

What's the most pizzas you've ever sold here?

I think it was well over eighteen hundred pizzas.

Wow!

And we were all so doggone tired. Nobody wanted count nothing.

That's incredible.

What we're famous for is doing fresh California produce on our pizzas.

Amazing.

So we only have one choice.

We have a Pizza of the Day.

Today, we're doing one of our classic tomato pizzas.

So the key thing about the Cheese Board, it as started 50 years ago.

Elizabeth and Sahag Avedisian

decided they were going to open up a little cheese store up there.

People started making little pizzas for their lunch, the workers.

And the customers looked over the counter and said,

"Share with us."

We want some of that. That looks good.

They were politically active and socially conscious.

Talked to the workers and they turned it into a collective.

I feel real special that I'm kind of cutting this line with you.

- I have to admit. - I hope they don't get mad.

- Can we come through? - Oh, yeah.

Alright.

So is that how's the pizza start? On the flat top then get finish off.

No, they started in here and moved over there.

What's up guys? How are you?

So I've worked at the Cheese Board for a year now.

Anyone can just create a pizza and we'll try it out.

And we'll sell hundreds of those pizzas.

We come together and decide everything from how to operate

our business to what kind of benefits should workers have

which is very empowering.

And how do you like working in a system where the employees are also,

you know, owners?

I feel like that's how all job establishments should be ran.

I mean where everybody has a voice.

Yeshi and Steve both been here longer than me.

How many years have you guys been here?

Thirty-eight?

Why is that embarrassing? That's amazing!

-Thirty-eight-years. -That's incredible!

He started when he was five.

Steve's getting me the pizza. I got to get the famous Papi Chulo sauce.

Alright Frank. Stop with the talk.

Let's see if there's anything to all this, right here.

This is the reality, right there.

That's the reality and it looks amazing.

Every order gets one or two slivers on it.

Originally, some people had trouble cutting a pie into equal slices.

So it's just a little way to make up for a small slice.

-Dip it right in. Pour it on top. -Whatever works.

You can taste the flavor of all that produce.

There's great onions and tomatoes.

Of course, the Papi Chulo sauce on top.

Just a great slice of pizza.

You know what we're doing tomorrow?

A peach pizza.

Cheese Board has influenced a lot of bakeries

and pizzerias in the Bay area, including The Mill.

Here at The Mill, they're not only baking incredible bread,

they're also milling their own flour.

And another bonus, every night is pizza night.

Most of our bread is all whole grain.

- Okay. - Yeah.

So we're all a whole grain sourdough bread bakery.

And all our whole grain flour we mill here fresh in the bakery

on our stone mill.

This is the brains here.

- This is the pizza brains right here? - This is Jess.

This week we have nori in our mostly whole grain crust.

Really grilled tomatoes, ginger, mozzarella, provolone, togarashi.

- Just classic pizza stuff. - Yeah, real obviously classic.

Really nice and savory.

It has really good flavor to it from that nori, I think.

And it also just taste healthy.

It's like the kind of pizza you can run a marathon on, you know?

The West Coast is all about inventive toppings.

Out here you can even find tandoori chicken on your pizza.

Zante is an Indian restaurant and pizzeria in the Mission.

Meet Tony.

Zante's owner and the Godfather of Indian Pizza.

One day I was trying to make a pizza for the staff.

Yeah, yeah.

So everybody liked it so I said, "Let's put it on the menu."

I have four different kind of pizzas.

Masala sauce, spinach curry sauce, potato masala, chicken masala.

Are there any other Indian style pizzerias?

One here in San Francisco. This guy who used to work for me.

He copied me.

He copied you, he went out. Yeah, that happens sometimes.

That's a form of flattery, you know?

But I'm the Godfather.

The Godfather of Indian Pizza.

The pizza was born here.

No kidding?

This is the home of the Indian pizza.

So this dough has a little bit of a yellow color to it.

I make my own dough. This has turmeric, some spice...

I don't want to tell you.

That's alright. You don't have to tell me all these secrets.

It's okay.

Now,

is there any similarities between

making pizza and making naan bread?

This is actually naan bread.

- No kidding. - Yeah

Naan has no spice but, the flour is naan.

Got you, got you.

-What's up buddy? How are you? -I'm good.

Frank.

-Talwinder. -Talwinder, nice to meet you.

I'm going to make a half and half.

Half and Half.

Half of the spinach curry sauce.

Okay.

The other half is masala sauce.

Yes.

That's called mozzarella cheese.

And that's regular mozzarella cheese?

That's regular mozzarella.

But you do the vegetables, he does the meat?

Where's the eggplant, the eggplant?

Fresh garlic.

A lot of garlic.

Beautiful, beautiful.

A lot of cilantro.

Nice and hot. There you go.

Does he teach you how to make pizza?

So you learn from the Godfather?

Yeah, the Godfather.

Grandfather.

The pizza crust here is a lot like naan.

Tony showed me the process of making the traditional Indian flat bread.

You have to have hot hands. You have to have good hands.

Just like making pizza?

It's experience, you know?

-And you get used to it. -Right

Alright, should we check that pizza, make sure it's alright?

- Oh yeah, yeah, let's go. - Let's go.

Let's go, pizza. Burning now!

Oh, it's out. It's okay.

-You got it? -Yeah, he got it.

Smell good?

It smells great.

Why don't you have it inside and eat here?

-I would love to do that. -Yeah, please have a seat.

-Let me know how it tastes. -I'll let you know.

We have tamarind sauce that we make here.

And that's just mint sauce.

It's delicious.

So good. It's not too spicy, but it has all those great India flavors.

It has freshness from these two sauces that you just put on top.

You know, I could taste the cauliflower.

I could taste the chicken. I can kind of taste everything individually.

Ginger, garlic?

Ginger and then those herbs too. Give another nice flavor.

That was in the dough.

That's in the dough.

It's really delicious.

I'm the Godfather.

You are the Godfather, indeed.

You got to have good hands.

It's not all Papi Chulo sauce and tandoori chicken in SF.

You could also find some of the best Neapolitan pizzas in the country.

-Hey, how you doing? -What's going on?

-Nice to see you. -Thanks for having me, man.

Sure, welcome.

-Thank you, thank you. -How you been?

-I've been great. I've been great. -Yeah! Come on in.

Wow.

It feels like a church almost in here.

You know? The high ceilings and the saints on the wall.

-Or the auto garage. -Yeah, or an auto garage.

Anthony Mangieri is a pizza legend.

He started his career on the east coast,

before settling in San Francisco.

I've been following his career from the beginning.

And I'm super excited to spend some time with him.

I never make the pizza the same way.

Today, I made it with some flour that I've never used in my life.

It's not whole wheat, but there's definitely germ and bran in it.

-It absorbs water better. -Right.

There's no yeast in this pizza so.

It's weird. I like a light pizza, but I want it to be naturally leaven.

So it's a weird thing that I'm looking for

that I basically get rarely.

That looks beautiful.

And you're after a very specific style, is that right?

I guess so. I mean, I don't really care about labels, honestly.

In the sense, I mean I started out with that as my inspiration,

but it was done in an innocent kind of a way, almost from a distance.

No one really showed me. There was nobody doing it in the US.

It was just like my weird interpretation

coming from New Jersey being like this is what Neapolitan pizza

was like like a hundred years ago.

It is Neapolitan, but whatever. It's my own weird little place.

Your place in New York that you closed is legendary, still.

You know, people talk about it all the time.

I was always obsessed with that. I was like, this guy is the man.

You now what I mean? He's doing shit his way and that's it.

I think I opened in New York in 2004.

So, I had already been seven or eight years actually in business.

Before that, I had a bread bakery in New Jersey for four years called,

Sant Arsenio.

I had already felt like I knew what I was doing.

It's not like when I opened there, I was like, "this is my first place."

People probably thought that because we ran it so half-ass.

And had such terrible service, but that was all sort of my plan.

Believe it or not.

-Does it go into the refrigerator? -No.

No, nothing. Yeah.

I just don't like what it does.

I feel like it changes the texture of the dough.

It's never going to be as delicate.

This pizza at its best is extremely delicate.

When do you know that that dough is going to be the way that you love it?

That you want specifically? Is it in the mixing process?

Or is it once you get out there and you start cooking?

You know, usually it's when I'm shaping. Now, I kind of know already.

I'm like, "Tonight's going to be a stress,

or it could be kind of fun."

And then, there's still a chance that I miscalculated, 'cause I go home

and have lunch and whatever and then I come back and I'll--

As soon as a I walk in, the fellow that works with me,

I'll be like, "How's the dough look?"

Yeah, yeah, yeah.

And he's like, "Looks alright."

And I open, I'm like, "Oh my god, it's no good!"

Okay.

Should we make a margherita?

-Yeah, let's do it. -Okay.

One ladle of sauce?

One ladle, yup.

That's my grandmother's spoon.

It's amazing I haven't lost it or anything all these years, you know?

It's so awesome.

And then this is the regular buffalo.

And this is the smoked buffalo.

So we're going to use regular on the margherita.

I kind of give just whatever I'm feeling in that moment.

Coarse sea salt.

-And, this goes all over? -Just sprinkle around.

Yeah, even a little bit on the crust is nice.

And then some basil. Generous. Yeah, whatever you like.

I mean, I don't think you can put too much.

Do you want to slide it on? So just kind of grab it and slide it on.

-Is that it? -That's it, man.You add some oil.

A little bit of olive oil on top.

Like in counter clockwise.

-That's cool. -Beautiful.

Since we're doing one

just put it all the way in that back at 1 o'clock.

-Yeah. -Beautiful.

So I've never used shavings before. What's the advantage of having these?

You know, it's a super old technique in Naples.

And even when they used to use them a lot, it was only in Naples

that you would see it.

And now there they don't do it as much either.

It gives a big boost to temperature.

That's enough of that. So keep this up here and move the pizza now.

I would take it out. That's it. It's done.

Not bad. You know it doesn't look as good as yours.

-Do you want to try it? -Of course.

-Is it alright? -Dude, it's... yeah.

I mean the salt mixed with like, just all these great ingredients.

It's what pizza should taste like.

Honestly, there might be one or two during the night when I'm like,

"That's good one."

And then the rest of the night.

You're too artist man. You're super critical of yourself.

No, no. I am very hard on myself.

-But the food is so good. -Like, I make myself sick.

-Mind-blowing. -Thanks.

Yo, in Italy, this is how we do it. Fork and knife.

And apparently, here in San Francisco as well.

This has been one of my favorite pizza experiences without a doubt.

Anthony is a very humble guy, but his knowledge of pizza

and the way that he goes about it is just on a level that's so high.

He's very critical of himself and the pizzas but,

the pizzas just come out so pure and so good.

I'm just happy to have this experience,

spend some time with him,

and actually get back there and make a pizza with him.

I'm heading to Mozzeria in the Mission.

A Napoli-style pizzeria opened by husband and wife team,

Melody and Russ Stein.

This is one of the only deaf owned and operated

restaurants in the country.

Melody and Russ are not only making amazing pizza,

but also creating opportunities for their staff, customers,

and the deaf community as a whole.

There's two things that I noticed when I walked in the door.

Number one, was that beautiful Stefano Ferrara oven.

The second thing that I noticed was the Vera Pizzeria sign up there.

How long have you guys been in the pizza business?

We've been open since December 2011.

This December will be our sixth year anniversary.

Amazing. Looking at your pizza, it looks like Italian pizza to me.

Perfect!

That was the goal!

Where were you born and raised before you came to the States?

I was born in Hong Kong. My parents didn't know I was deaf until I was two.

My mother was pregnant with my brother, who was also deaf.

So she wondered what to do.

She had seen where Deaf people end up in Hong Kong - on the streets.

She accidentally bumped into a traveling professor from Gallaudet University,

which is in Washington D.C.

My parents were surprised that she was Deaf.

The professor was traveling and writing her book,

and they were inspired that a Deaf person could be a professor for a university.

They asked her if they should bring their kids to the US to be educated.

So we went to the California School for the Deaf to get the best education.

But what was my dad going to do while my brother and I attended school?

He decided to set up a restaurant business here.

Wow! So your family has a restaurant.

And you were also able to open your dream restaurant here.

That's right!

That's awesome. That's amazing.

But I didn't have a specific food in mind.

With my husband being the New Yorker who can't skip a day without pizza,

we both agreed to do Neapolitan style pizza.

So this is where the magic happens?

Oh, he wants to make it with me?! Does he want to make it with me?

Yeah.

Sure, if he doesn't mind having flour all over his face.

I bathe in it.

Some people like to rub it out like this.

I don't!

I do this.

I don't like how people just slop it down and zig zag it across!

You got to have that circular motion.

You're hired!

Thank you! You know I own a pizzeria too, right?

Oh, I did not realize that you are the owner!

Oh, that's why!

So that means I don't have to explain it harder!

No, I want to see your style. I want to see your style.

Perfect!

Cheers!

You guys are real champions for the Deaf community.

What does it mean to have a restaurant like this

and be able to show the world what you guys can do here as a pizzeria?

My husband and I promised that when we built this restaurant,

we'd hire all-Deaf skilled labor to help.

From electricity, plumbing, and flooring.

Pretty much everything you see here was built by Deaf people.

Because I know what it's like to struggle with finding jobs.

Right.

Some of my staff here had been looking for six years.

A former staff member here had graduated from culinary school,

and still couldn't find a job after graduation. No one wanted to hire him!

When I first opened, I hired him. He was thrilled.

We hope that others see their work and will offer jobs.

Give them an opportunity to grow.

Absolutely. I'm always super impressed by people who are

champions of their community.

And it seems that you guys really took it to the extreme.

You really put your heart and soul into making pizza.

But then, included your community into it and empowered them.

And I just want to say I think that's really great.

And I'm sure your community thanks you for that.

Thank you!

I have one last stop in San Francisco to make.

Tommaso's in North Beach, one of the oldest pizzerias in SF.

Agostino, the owner, was waiting for me out front.

Agostino. I"m Frank. Nice to meet you.

A-G-O-S-T-I-N-O, okay?

I'm going to talk for five minutes.

I'm going to tell you the story of the place from A to Z, okay?

3, 2, 1.

Welcome to Tommaso's Restaurant.

This restaurant is 84 years old.

One of the reasons that this is a famous restaurant

is because of the brick oven.

The brick oven was built in 1935.

We use oak wood because it yields very high heat and very low flames.

Around the restaurant, there are paintings on the walls.

Those are on canvas. They are the originals.

They are the scenes of Naples copied from postcards of the family

brought from Naples in the '30's.

People Magazine in 1982, came out with the best nine pizza places

in the United States and we came in on number three.

Instead of stars, they gave us tomatoes.

So we ended up with four tomatoes out of five tomatoes.

And then another interesting thing, we have a little booth

at the end of the restaurant.

It's got a sign that says,"Family Table Reserved At All Times."

It's the best table in the house because it's closest to the kitchen

and closest to the bathroom.

That's it.

Was it five minutes?!

I think so.

Thank you so much.

I can't wait to dig in.

I took it to go because there wasn't much room.

I'm about to enjoy it on the street.

Got to do the spinach side first, like Agostino said.

It wouldn't be a trip to the Bay without a stop in wine country.

And what's better than pizza?

Pizza and wine.

We're in Napa right now. I'm about to see my boy, Ketan.

He owned a beautiful winery out here.

This is a wine that I make from a different vineyard.

It's called Monasio.

He has a beautiful pizza oven built into the side of the mountain.

We're just going to chill with some friends, eat some pizza,

drink some good wine.

See what northern California is all about.

This place is 45 acres.

And then, there's a bottom piece that's about 15.

Right now we have this super fence up because

we just have kind of finished planting this vineyard.

We fenced the entire property in.

But, we're still making sure that all the deers are really out

before we pull down these temporary fences.

I come from a family of farmers and herders.

And there's something special about just being out in nature

taking care of your shit, you know?

That's what we're built upon.

We cleared all this land ourselves. I have a heavy equipment company.

And we develop vineyards for other people.

So I make wine off of four other vineyards.

And then this is my kind of home property.

This will start producing grapes in the next two to three years.

-It's just a process. -A process.

I'm looking for the best way to possibly do something.

Because I'm looking for the best this ground has to offer.

What is it about this community, your group of friends,

the people that are here in Napa?

We don't have the infrastructure to go out.

-Anything like what a city does. -Yeah.

Just wine and food, and

all these things. If you love one, you obviously love the other.

And that's how we all get together.

-Nice to meet you. -Hi, I'm Sara.

-Sara. Frank. Nice to meet you. -Nice to meet you.

-Mel. -Nice to meet you, Mel.

-How you doing? I'm Lee. -Frank. Pleasure to meet you.

You're going to eat some pizza, today?

Yeah, you are.

This whole oven is a whole monstrosity in its own sense but.

It's crazy, this thing.

We wanted to something that wasn't a Neapolitan dome.

-But it was more a Tuscan dome. -Right.

-And so we excavated the earth out. -Okay.

And then we basically built it brick by brick, layer by layer up.

And it took ten days to do all the layers.

So it's a little bit different of a shape,

but it's completely of our own design.

You can really feel the heat though.

This thing is generating a lot of heat.

Yeah, that's because it's in the earth, so it's insulated.

Right. And for pizzas, I mean I'm sure they come out great in here.

All the homies are here. Everybody's chilling.

We got the fire burning. I can feel it from here.

It's nice and hot.

Basically meal time.

We have some leeks.

Amazing buffalo mozzarella.

We have some tomatoes that were simply crushed up.

Also some tomatoes that we got at the market.

Some zucchini flowers, some eggs. I don't know.

We're probably going to get a little creative here, today.

What did you do to make the dough?

Classic Neapolitan style. Flour, water, yeast, salt.

We're looking at like 62 to like 65% water.

So it's a nice wet dough.

Here we go, wish me luck.

The pizza looks like it's kind of rising and popping up in there quick,

which is a good sign.

It's pretty good for on the side of a mountain, I think.

Hey man, you guys set me up right, you know?

You can't go wrong with some really good tomatoes, some really good dough,

and some really good mozzarella cheese.

Cheers.

Thanks guys.

Cheers.

In San Francisco, you don't need to do much.

The stuff that's coming out of the ground.

The amount of work that these farmers are putting into this stuff.

The agriculture scene, the wine. The pizza's the canvas.

You know, you don't really have to do much.

You stretch it out. You put some good stuff on it. You throw it in.

And everyone's happy.

Got to wash it down with a good can of wine too.

Salute to that.

I never would have really imagined that my trip to Napa

and this beautiful vineyard

would end up with me giving the winemaker a pizza tattoo.

- Diamond Mountain? - Diamond Mountain.

Fucking drill it in.

This is my first time ever giving somebody a tattoo.

You DM, baby!

You're definitely gonna regret this.

I better get a fucking season three, alright?

Yes!

I think we might be brothers now. Is that right?

-Is that a fact? -I think it is.

Yo! This guy is like a, fucking modern day Picasso.

Are you kidding me?

He went to art school.

For more infomation >> The Pizza Show - Bay Area - Duration: 25:59.

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李煒 - 劍魂 • 2017射鵰英雄傳 The Legend of the Condor Heroes 歌詞字幕 [Traditional China] - Duration: 3:45.

For more infomation >> 李煒 - 劍魂 • 2017射鵰英雄傳 The Legend of the Condor Heroes 歌詞字幕 [Traditional China] - Duration: 3:45.

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The Evolution of the Dunk: Vince Carter Schools B/R on the Greatest Dunks Ever - Duration: 3:34.

Their entire lives are flashing in front of their eyes!

I gotta give them the 10 on that one ladies and gentlemen!

They gave him a 50!

They gave Jordan a 50!

There's a lot of guys who can dunk

and who can jump

and do things but

I look for more than being able to execute it

That's just half of it. That just a piece of it

Can you just make it look easy?

You know that's when I am talking next level

The evolution of the dunk

opening the minds

of all of these athletes

these guys taking pieces of what people have done

paying homage

Dr. J

mid-70's here

This is something you don't see every day

He was showing...

how far he could fly

And that sends everyone reelin'!

The one thing I admired about this dunk

was that

yeah, guys can go

up high

but how far can you jump?

And the free-throw line was a

pretty solid landmark

Hmm

I already know what this is

That was powerful

You know, Dominique was a

I consider, you know

an angry dunker

I mean that's a two-hand windmill with authority from the sideline

What I look for

What I look for is full extension

is full extension

full extension is a real windmill to me

Anything else is

papermills and you're just blowing little sheets of paper

off the table or something

Boom!

You can just see the power coming through

And you know, this is one of the dunks I personally...

could do

but not like that

Dee Brown

about to put the icing on the cake

Oh my! That's...

That's the cherry on the sundae!

That's the first question I asked him

as a teammate

Did you peek?

So this is from some distance

so you have to have trust

and I want to say he told me he practiced it a couple times

and like, if you don't know where the rim is

If you jump a little left

or a little right and you miss the rim

You're hittin' the ground

Who's thinking of this?

I mean that's impressive man

It's a combination of Dominique and Michael right here

It's a combination

I'm sitting there thinking

in between dunks like

What can I do? What can I do?

Nah, that's not good enough

All right Vince Carter with his first on the final round!

I come up with that

I didn't want an ooh, aah or nothin'

I just wanted the arena silenced

I wanted to show

height

above the rim

so I try to get the ball fully extended

high as I can above the rim

before coming down

At the same time I want to make sure

I'm high enough where I don't fall off

I took a risk

It made for a good competition

This here

is next level

Between the legs...

Good night, everybody...

Good night, ladies and gentlemen

He took it in front of the free-throw line

showing distance, obviously

hang-time ability

That's impressive, man

hands down

I mean it's just, the next level

in the evolution of the dunk

and what's being done

is guys taking pieces

of what former dunkers have done

and putting their twist on it

You know, just when you think

What else could you do?

What could be done?

Guys have the God-given ability

to just go, "hey

Imma do what I do"

For more infomation >> The Evolution of the Dunk: Vince Carter Schools B/R on the Greatest Dunks Ever - Duration: 3:34.

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The Alienist 1x05 Promo "Hildebrandt's Starling" (SUB ITA) - Duration: 0:31.

For more infomation >> The Alienist 1x05 Promo "Hildebrandt's Starling" (SUB ITA) - Duration: 0:31.

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CARMEN Bizet - Teatro Massimo Palermo - Duration: 2:32:27.

On the square everyone comes by, everyone comes and goes; funny sort of people these!

At the guard house door, to kill time, we smoke, gossip and watch the passers by.

On the square everyone comes by, everyone comes and goes; funny sort of people these!

Look at this little lass who seems to want to speak to us. Look? She's turning round, she's hesitating.

We must go and help her!

Whom are you looking for, pretty one? -I'm looking for a corporal.

Here I am, look!

Don José? We all know him. -Really! is he with you, please?

He isn't a corporal in our company. -Then he isn't here?

No, my charmer, he isn't here, but in a few minutes he'll be...

He'll be, when the new guard comes to relieve the old guard.

But while you wait for him to come will you, my pretty child,

take the trouble to step inside with us for a moment?

Inside with you? -Inside with us.

No, no! Many thanks, soldiers.

Don't be afraid to come in, my dear, I promise you we shall treat your dear self with every due respect.

No doubt; all the same I'll come back, that's wiser

I'll be back when the new guard comes to relieve the old guard.

You'll stay! -Indeed I'll not! Goodbye, soldiers!

The bird has flown, we'll console ourselves.

Let's resume our pastime and watch the folks go by.

On the square everyone comes by, everyone comes and goes; funny sort of people these!

Right beside the relief guard, here we come, here we are!

Blow out, loud trumpet! Taratata, taratata!

We march with head erect like little soldiers, keeping time with no mistakes,

"one, two", keeping step, shoulders back and chest well out, arms this way straight down beside the body.

Right beside the relief guard, here we come, here we are!

Blow out, loud trumpet! Taratata, taratata!

We march with head erect like little soldiers, keeping time with no mistakes,

"one, two", keeping step, shoulders back and chest well out, arms this way straight down beside the body.

Here we come, here we are! Taratata, taratata!

The bell has rung; we've come here to catch the factory girls on their way back;

and we'll follow you, dark haired cigarette girls, murmuring words of love to you!

Look at them! Impudent glances, saucy airs, all of them puffing away at a cigarette.

We gaze after the smoke as it rises in the air. Sweet smelling, towards the skies.

Gracefully it mounts to your head. So gently it exhilarates you!

Lover's soft talk, it's smoke! Their raptures and promises, smoke!

We gaze after the smoke as it rises in the air. Sweet smelling, towards the skies.

But we don't see la Carmencita!

There she is! There's Carmencita!

Carmen! We all throng after you!

Carmen! Be kind, answer us at least, and tell us when you're going to love us!

When am I going to love you? I don't know. Perhaps never, perhaps tomorrow; but not today, that's certain.

Love is a rebellious bird that no one can tame,

and it's quite useless to call him if it suits him refuse.

Nothing moves him, neither threat nor plea, one man speaks freely, the other keeps mum;

and it's the other one I prefer: he's said nothing, but I like him

Love is a rebellious bird that no one can tame,

Love is a gypsy child, he has never heard of law:

If you don't love me, I love you; if I love you, look out for yourself!

Love is a gypsy child, he has never heard of law:

If you don't love me, I love you; if I love you, look out for yourself!

The bird you thought to catch unawares beats its wings and away it flew.

Love's far away, and you can wait for it. You wait for it no longer! And there it is!

All around you, quickly, quickly, it comes, it goes, then it returns you think you can hold it, it evades you,

Love is a gypsy child, he has never heard of law:

If you don't love me, I love you; if I love you, look out for yourself!

Love is a gypsy child, he has never heard of law:

If you don't love me, I love you; if I love you, look out for yourself!

Carmen! We all throng after you! Carmen! Be kind, answer us at least!

Love is a gypsy child, he has never heard of law:

If you don't love me, I love you; if I love you, look out for yourself!

-José! -Micaela!

Here I am! -How lovely!

It's your mother who sent me.

Tell me about my mother! -A faithful messenger, I bring from her this letter.

A letter! -And then a little money to add to your pay.

And then… -And then?

And then... Really, I dare not! And then yet another thing worth more than money at which a good son

will surely value higher. -This other thing, what is it? Tell me then.

Yes, I'll tell you: what was given to me I'll give to you.

Your mother and I were coming out of the chapel and then, as she kissed me:

"You will go to town, it's not far; once in Seville you'll seek out my son, my José, my boy.

And you'll tell him that his mother thinks night and day of absent one,

that she grieves and hopes, forgives and waits.

All that, little one, you'll tell him from me, won't you;

and this kiss that I'm giving you, you'll give him from me".

A kiss from my mother? -A kiss for her son!

José, I give it to you as I promised

I see my mother! Yes, I see my village again! O memories of bygone days, sweet memories of home!

Precious memories! -He sees his mother! He sees his village!

You put strength and courage into my heart. -He sees his mother! He sees his village!

Precious memories! -Precious memories!

I see my mother! I see my village! -He sees his mother! He sees his village!

You put back strength and courage into my heart. Precious memories!

Whatever's going on over there?

Help! Can't you hear? -Help! You soldiers!

It's Carmencita! -No, it's not her! Not a bit of it!

It's her! She started the fighting! -Don't listen to them!

Listen to us, sir! -Listen to us, sir!

Manuelita said, and kept saying at the top of her voice,

that she'd make sure she bought a donkey that pleased her.

Then Carmencita, in her usual mocking way, said: "A donkey? What for? A broom will do for you".

Manuelita retorted and said to her friend: "For a certain ride my donkey will be useful to you!

And you'll be able to play the lady in your own right;

two lackeys will follow behind keeping flies off as best they can!"

Thereupon they both started to pull each other's hair out!

To the devil with all this chatter!

Don José, take two men in with you and see who's causing all this commotion.

It's Carmencita! She started the fighting! -No, it's not her! Not a bit of it!

Stop! Rid me of all these women! -Sir, don't listen to them!

It's Carmencita that started the fighting! Yes! -It's Manuelita that started the fighting! No!

Sir, there was a quarrel, insults first, then blows to end up with; one woman hurt.

And by whom? -Why by her.

Have you hear? What have you to say?

Tralalalala, cut me, burn me, I shall tell you nothing! Tralalala, I defy everything, fire and heaven itself!

Spare us your songs and since you've been told to answer, answer!

Tralalalala, I'm keeping my secret, and keeping it well!

Tralalalala, I love another and will die saying I love him!

Since you adopt that attitude you'll sing your song to the prison walls.

Plague on it! Decidedly you have a ready hand!

Tralalalala…

It's a great pity because she's really nice! But she must be made to see sense; bind those two lovely arms.

Where are you taking me? -To prison and there's nothing I can do. I obey my superiors.

Very well! But I know that in spite of your superiors

you'll do everything I want, and that because you love me!

I, love you? -Yes, José! The witch's flower I made you a present

you can throw it away now. The spell is working! -Don't talk to me anymore, you hear me? No more, I forbid it.

Very well, sir superiors! You forbid me to speak and I will speak more!

By the ramparts of Seville to my friend Lillas Pastia, I'm going to dance the seguidilla and drink manzanilla.

Yes, but all alone one gets bored, real pleasures are for two. So, to keep me company, I shall take my lover.

My lover is gone to the devil: I showed him the door yesterday.

My poor heart, so consolable, my heart is as free as air.

I have suitors by the doze, but they are not to my liking.

Here the week end, who wants to love me? I'll love him.

Who wants my heart? It's for the taking! You've come at the right moment!

I have hardly time to wait, for with my new lover...

By the ramparts of Seville to my friend Lillas Pastia, I'm going to dance the seguidilla and drink manzanilla.

Stop! I told you not to talk to me!

I'm not talking to you, I'm singing to myself and I'm thinking. It's not forbidden to think!

I'm thinking about a certain officer who loves me, and whom in my turn I might really love!

Carmen! -My officer's not a captain, not even a lieutenant,

he's only a corporal; but that's enough for a gypsy girl and I'll deign to content myself!

Carmen, I'm like a drunken man, if I yield, if I give in,

you'll keep your promise? Ah! if I love you. Carmen, you'll love me?

Yes! We'll dance the seguidilla while we drink manzanilla. -At Lillas Pastia's… You promise, Carmen!

By the ramparts of Seville to my friend Lillas Pastia, I'm going to dance the seguidilla and drink manzanilla.

Tralalalala...

Here's the order; off you go now. And keep a good lookout.

On the way I shall push you as hard as I can... Let yourself fall over... The rest is up to me!

Love is a gypsy child, he has never heard of law:

If you don't love me, I love you; if I love you, look out for yourself!

The sistrums' rods were jingling with a metallic clatter and at this strange music the zingarellas leapt to their feet.

Tambourines were keeping time and the frenzied guitars ground away under persistent hands,

the same song, the same refrain. Tralalalala…

Copper and silver rings glittered on ducky skins; Orange and red striped dresses floated in the wind.

Dance and song became one, at first timid and hesitant, then livelier and faster it grew and grew! Tralalalala...

The gypsy boys stormed away on their instruments with all their might and this deafening uproar bewitched the zingaras!

Beneath the rhythm of the song, passionate, wild, fired, they let themselves be carried away, intoxicated, by the whirlwind!

Tralalalala...

Hurrah! Hurrah for the Toreador! Hurrah! Hurrah for Escamillo!

Hurrah! Hurrah for the Toreador! Hurrah! Hurrah for Escamillo!

I can return your toast, gentlemen, for soldiers, yes, and bullfighters understand each other.

Fighting is their game! The ring is packed, it's a holiday, the ring is full from top to bottom.

The spectators losing their wits, yell at the tops of their voices! Exclamations, cries and uproar carried to the pitch of fury!

For this is the fiesta of courage and of the stouthearted! Let's go! On guard! Ah! Toreador, on guard!

And, yes, remember as you fight, that a dark eyes is watching you, Toreador, love awaits you!

Toreador, on guard! And remember that love awaits you!

Suddenly everyone falls silent. What's happening? No more shouts, this is the moment!

The bull comes bounding out of the toril! He charges, come in, strikes! A horse rolls over, dragging down a picador!

"Ah! Bravo bull!", roars the crowd; the bull turns, comes back and strikes again shaking his banderillas, maddened with rage,

The ring is covered with blood! Men jump clear, leap the barriers. It's your turn now! Let's go! On guard!

Toreador, on guard! And remember that love awaits you!

Well now, quickly, what's new?

The new isn't too bad, and we may yet be able to pull off some good jobs. But we require your services.

Our services? - Yes, we require your services.

We have a scheme in mind. -Tell us, is it good?

It's admirable, my dear; but we require your services. -Ours?

For we humbly and most respectfully acknowledge: when it's a question of trickery, of deception, of thieving,

it's always good, I swear, to have women around. Without them, my lovelies, no one ever does any good!

What? Without us no one does any good?

When it's a question of trickery, of deception, of thieving it's always good, I swear, to have women around.

Without them, my lovelies, no one ever does any good!

When it's a question of trickery, of deception, of thieving it's always good, I swear, to have women around.

It's settled then; you'll go? -Whenever you like.

Why, straight away. -Ah! Sorry!

Go, if you want, but I'm not in on this trip, I won't go! -Carmen, my love, you will come.

And will you leave us in the lurch? -Ah! My Carmen, you will come. - I won't go!

But will you tell us the reason? -Certainly I'll give it!

Let's have it! -The reason is that at this moment...

Well? -I'm in love!

What did she say? -She said she's in love!

In love! See here, Carmen, be serious! -Yes! Head over heels in love!

This is certainly astonishing, but it's not the first time, my pet, that you've been able to combine love and duty.

My friends, I'd be most happy to go with you this evening, but this time, don't be annoyed, love must come before duty.

That's not your final word? -Absolutely!

You must relent. -You must come, Carmen! It's necessary for our scheme!

As to that, I admit with you that...

When it's a question of trickery, of deception, of thieving it's always good, I swear, to have women around.

Without them, my lovelies, no one ever does any good!

When it's a question of trickery, of deception, of thieving it's always good, I swear, to have women around.

Halt! Who goes there? Dragoon of Alcala! Where are you going there, Dragoon of Alcala?

Me, I'm going to make my rival bite the dust. If that's the case, pass, my friend.

An affair of honour, an affair of the heart; that explains everything for us, Dragoons of Alcala!

So it's you! -Carmen!

And you're just out of prison?

I was there two months. And if it was for you I'd gladly be there still.

You love me, then? -I adore you!

Your officers were here recently; they got us to dance. -What, you?

Are you jealous? -I'm jealous, all right!

If you desire, I will dance for you… Only for you!

I'm going to dance in your honour and you will see, my lord, how I am able to accompany my dance!

Sit down there, Don José, I'll begin!

Wait a little, Carmen, only for a moment, stop! -And why, if you please?

I think, over there... Yes, those are our bugles sounding retreat! Can't you hear them?

Bravo! I was trying in vain to dance without an orchestra. And long live music that drops on us out of the skies!

You didn't understand me, Carmen, it's retreat; I've got to get back to quarters for roll call.

To quarters! For roll call! Really I was too stupid!

I went out of my way and took the trouble to entertain the gentleman!

I sang! I danced! I believe, God forgive me, I almost fell in love! Taratata! It's the bugle sounding!

Taratata! He's off! He's gone! Go, now, stupid! Here, take your shako, your sword, your bandolier.

Clear off! Clear off back to your barracks!

It's cruel of you, Carmen, to make fun of me!

It pains me to go, for never has a woman, before you, so deeply stirred my heart!

He loses his wits, he rushes off, and that's his love!

"Taratata, my God! The retreat! I'm in late!" He run away, lose his head, and fall in love!

So you don't believe in my love? -Of course not!

Very well! You shall listen to me! -I don't want to listen anything! You're going to be late!

Yes, you shall hear me! -No, no, no!

I insist, Carmen! You shall hear me!

The flower that you threw to me stayed with me in my prison.

Withered and dried up, it always kept its sweet perfume;

and for hours at a time, with my eyes closed, I became drunk with its smell and in the night I used to see you!

I took to cursing you, detesting you, asking myself: "why did destiny have to throw her across my path?"

Then I accused myself of blasphemy and felt within myself

I felt but one desire, one hope: to see you again, Carmen!

For you had only to appear, only to throw a glance my way, to take possession of my whole being, o my Carmen!

And I was your chattel! Carmen, I love you!

No, you don't love me! -What are you saying?

No, you don't love me, no! For if you did, you'd follow me over there.

Carmen! -Yes! Over there into the mountains, you'd follow me.

You'd take me up behind you on your horse and like a daredevil you'd carry me off across the country!

Away over there you'd follow me, if you loved me! There you'd not be dependent on anyone;

there'd be no officer you had to obey, and no retreat sounding to tell a lover that it is time to go!

The open sky, the wandering life, the whole wide world, for law your own free will

and above all, that intoxicating thing: freedom!

Oh God! Ah! Carmen, alas! Stop it! Have pity! -Over there in the mountains. Yes, isn't so? Take me away!

No! I won't listen to you! To abandon my colours to desert, that's shameful, that's dastardly! I don't want it!

Then go! No, I don't love you any more! -Carmen, I implore you! Listen!

Go! I hate you! Goodbye! And goodbye forever! -All right, so be it! Goodbye forever!

Hallo there, Carmen!

Who's that knocking? Who's there? - Keep quiet!

I'm opening up myself and coming in!

Ah fie, my lovely lady! This isn't a happy choice; it's demeaning to take the soldier when you've got the officer.

Off with you, get moving! -No!

You certainly will go! -I shall not go!

Scoundrel! By thunder! It's going to rain blows!

Devil take the jealous! Help! Help!

My fine officer, love at the moment is playing you a rather dirty trick. You arrival is most untimely!

And we are compelled, not wishing to be betrayed, to detain you for at least an hour.

My dear sir, if you please, we are going to leave this establishment; you'll come with us?

Just for a stroll. Do you consent? Answer, comrade.

Certainly, the more so since your argument is one of those that can hardly be resisted, but take care!

War is war! Meantime, my good sir, carry on without further argument!

Are you one of us now? -I have no alternative.

That's not gallantly put, but no matter, go, you'll take to it there when you see how fine is the wandering life;

the whole world your domain, your own free will for law and above all that intoxicating thing: freedom!

Take to the country with us, into the mountains and you'll take to it there when you see how fine is the wandering life;

the whole world your domain, your own free will for law and above all that intoxicating thing: freedom!

Listen, friend: fortune lies over there, but take care along the way and watch your step!

Our calling is a good one, but to follow it you must have a stout heart!

There's danger up above and down below, it's everywhere, what of it! We go forward without worrying about the torrent,

without worrying about the storm, about the soldier who's waiting for us over there and keeping a sharp lookout for us.

We go forward without worrying!

Listen, friend: fortune lies over there, but take care along the way, and watch your step!

Carmen, let's make peace! -No!

Then, don't you love me? -I don't want to be controlled, I want to be free!

Are you devil, Carmen? -Yes! What are you looking at like that?

I think of my mother. -Well then, go and find her right away!

Our calling means nothing to you and you would do very well to leave as you can.

Leave you, Carmen? Listen, if you say that word again! -You would kill me, perhaps?

You are the devil! - Yes!

Shuffle! Cut! Good, that's that! Three cards here, four there!

And now speak, my loveliness, give us news of the future; tell us who's going to betray us and to love us! Speak!

Me, I see a young suitor, no one could love me more.

Mine is very rich and very old, but he talks of marriage.

I settle on his horse and he carries me to the mountains. -In a royal castle installs me in queenly state!

Never ending love, every day new raptures! -As much gold as I can take, diamonds, precious stones!

Mine becomes a famous leader, a hundred men march in his train.

Mine, I can't believe my eyes? Yes he dies! Ah! I'm a widow and I inherit!

And now speak, my loveliness, give us news of the future; tell us who's going to betray us and to love us! Speak!

Fortune! Love! -Let's see, let me have a try.

Diamond, spade...

Death! I read it clearly... Me first... Then him... For both of us, death!

In vain to avoid bitter replies, in vain will you shuffle. That achieves nothing, the cards are truthful and will not lie!

If your page in the book up above is a happy one shuffle and cut without fear,

the card under your fingers will turn up nicely, foretelling good luck.

But if you are to die, if the terrible word has been written by destiny,

begin twenty times the pitiless card will repeat: death!

And now speak, my loveliness, give us news of the future;

tell us who's going to betray us and to love us! Speak! -Again: death!

Fortune! Love! Always… Again: death! Always…

Is the way open? -I saw three customs men, we must get rid of them.

Take up the packs and let's go; As for the customs man, he's our affair.

As for the customs man, he's our affair! Like the next man he loves to please, to play the gallant: leave us to go on ahead!

It's not a question of battle! It's simply a question of let see, listening to a compliment and smile.

And here and now I can say: the stuff will get though! Forward! On our way! Let's go!

As for the customs man, he's our affair! Like the next man he loves to please, to play the gallant: leave us to go on ahead!

This is the smugglers' usual haunt. He is here, I shall see him...

and the duty his mother laid on me I'll carry out without trembling.

I say that nothing frightens me, I say, alas, that I have only myself to depend on;

but I have tried in vain to be brave, at heart I'm dying of fright!

Alone in this wild place I'm afraid, but I do wrong: you will give me courage and protect me, Lord.

I shall get a close look at this woman whose evil wiles have finished by making a criminal of the man I once loved.

She is dangerous and beautiful, but I won't be afraid: I shall speak out in front of her. Lord, you will protect me!

I say that nothing frightens me, I say, alas, that I have only myself to depend on;

but I have tried in vain to be brave, at heart I'm dying of fright!

Alone in this wild place I'm afraid, but I do wrong: you will give me courage and protect me, Lord.

Your name, answer!

I'm Escamillo, the Granada matador! -Escamillo!

I know your name, you're welcome; but truly, comrade, that could have been the end of you.

I'm not denying it, but, my friend, I am madly in love,

and he would be a wretched fellow who wouldn't risk his life to see his ladylove!

The girl you love is here? -Exactly. She's a gypsy girl, my friend.

Her name…? -Carmen.

Carmen! -Carmen! Yes, my friend.

She had as a lover a soldier who once deserted on her account.

They adored each other, but it's over, I think. Carmen's affairs don't last six months.

Yet you love her! -I love her! Yes, my friend, I love her to distraction!

But to take our gypsy girls away from us you know that you have to pay!

All right! I'll pay. -And that the price is paid with the knife!

With the knife! -You understand?

You put it very clearly. This deserter, this fine soldier she loves, or rather, used to love

is you, then? -Yes, myself!

I'm delighted, my friend, and the wheel comes full circle!

At last my rage has found an outlet! What a predicament, I could laugh at it really!

Blood, I hope, will soon flow. -To look for the mistress and find the lover!

Put up your guard and look out for yourself! So much the worse for the one who's slow at parrying! On guard! Come on!

Stop, stop! José!

I'm overjoyed that it should be you, Carmen, who saved my life!

As for you, my fine soldier, I'll take my revenge and we'll play whenever you wish to renew the fight!

Enough, no more quarrelling! We must get going. And you, my friend, goodnight!

Allow me at least, before I say goodbye, to invite you all to the bullfights at Seville.

I expect to be at my most brilliant there, and who loves me will come!

Friend, keep calm, I've had my say and I've nothing more to do here but make my farewells!

Take care, Carmen, I'm weary of suffering! -Let's get going! We must be off!

Stop! There's someone there trying to hide!

A woman! -Lord, a pleasant surprise!

Micaela! -Don José!

Poor girl! What are you doing here! -I've come looking for you.

Down there is the cottage where, praying unceasingly, a mother, your mother, weeps, alas, for her son.

She weeps and calls you, weeps and holds her arms to you; you will take pity on her, José! You will come with me!

Go on, you'll do well! Our business means nothing! -You're telling me to go with her?

Yes, you ought to go! -You're telling me to go so that you can run after your new lover!

No! Not likely! Though it should cost me my life, no, Carmen, I shall not go away.

and the bond which unites us shall unite us till death! -Though it should cost me my life, I shall not go away!

Listen to me, I implore you, your mother holds her arms to you, -It will cost you your life, José, if you don't go,

that bond which unites you, José, you will break it! -and the bond which unites you will be broken by your death.

Leave me, for I am doomed! -Alas, José!

José! Take care!

I've got you, accursed girl, I've got you and I shall compel you to bow to the destiny that links your fate with mine!

Though it should cost me my life, no, I shall not go!

Take care, Don José!

One word more, this will be the last.

Alas! José, your mother is dying! And she doesn't want to die without having forgiven you.

My mother! She's dying? -Yes, Don José

Let's go, ah, let's go! Be satisfied! I'm going, but we shall meet again!

Toreador, on guard! And remember, as you fight, that a dark eye is watching you and that love awaits you!

Two cuartos!

Fans to cool yourselves! Oranges to nibble! Programme with details! Wine! Water! Cigarettes!

Two cuartos!

Here they come! Here's the cuadrilla!

Here they are! The toreadors' cuadrilla! The sun flashes on their lances! Up in the air your caps and hats!

Here, coming into the square first of all, marching on foot, is the constable with his ugly mug! Down with him!

And now as they go by let's cheer the bold chulos! Bravo! Hurrah! Glory to courage!

Look at the banderilleros! See what a swaggering air! See them!

What looks! And how brilliantly the ornaments glitter on their fighting dress! Here are the banderilleros!

Another cuadrilla's coming! Look at the picadors! How handsome they are!

How they'll torment the bulls' flanks with the tips of their lances!

The Matador! Escamillo!

The Matador, the skilled swordsman, he who comes to finish things off, who appears at the drama's end and strikes the last blow!

Long live Escamillo! Ah bravo! Here they are! Here the toreadors' cuadrilla!

If you love me, Carmen soon you can be proud of me.

Ah! I love you, Escamillo, I love you! And may I die if I have ever loved anyone as much as you!

Ah! I love you! -Yes! I love you!

Make way! Make way for his worship the Mayor!

Carmen, a word of advice, don't stay here! -And why, if you please?

He's there! -Who?

Him, Don José! He's hiding among the crowd; look.

Yes, I see him. -Take care!

I'm not a woman to tremble in front of him. I'm expecting him, and I'll speak to him!

Carmen, believe me, take care! -I'm not afraid of anything!

It's you! -Yes, me!

I'd been warned that you were about, that you might come here;

I was even told to fear for my life but I'm no coward and had no intention of running away.

I'm not threatening, I'm imploring, beseeching; our past, Carmen, I forget it.

Yes, together we are going to begin another life, far from here, under new skies!

You ask the impossible, Carmen has never lied; her mind is made up. Between her and you everything's finished.

Carmen, there is still time, yes, there is still time.

O my Carmen, let me save you; you I adore and save myself with you!

No, I'm well aware that the hour has come, I know that you are going to kill me; but whether I live or die, I shall not give in to you!

O my Carmen, let me save you and myself with you! -Why still concern yourself with a heart that's no longer yours?

O my Carmen, there is still time, -In vain you say "I adore you" you'll get nothing from me.

Then you don't love me any more?

No, I don't love you any more.

But I love you still, Carmen; Carmen, I adore you! -What's the good of this? What waste of words!

All right, if I must, to please you I'll stay a bandit, anything you like, do you hear?

But don't leave me, o my Carmen, Ah! Remember the past! We loved each other once!

Carmen will never yield! Free she was born and free she will die!

Hurrah! A grand fight! Hurrah! Across the bloodstained sand the bull charges! Look!

The tormented bull comes bounding to the attack, look! Struck true, right to the heart! Victory!

Where are you going? -Leave me alone!

This man they're cheering, he's your new lover! -Leave me alone!

Carmen, by my soul, you won't get past and will come with me!

Let me go, Don José, I'm not going with you.

You're going to him. Tell me, you love him, then? -I love him! In the face of death itself I repeat that I love him!

Hurrah! A grand fight! Hurrah! Across the bloodstained sand the bull charges! Look!

The tormented bull comes bounding to the attack, look! Struck true, right to the heart! Victory!

So I am to lose my heart's salvation so that you can run to him, infamous creature, to laugh at me in his arms!

No, by my blood, you shall not go! Carmen, you're coming with me!

No! Never! -I'm tired of threatening you!

All right, stab me then, or let me pass!

Victory!

For the last time, you devil, will you come with me? -No! This ring that you once gave to me, here, take it!

All right, damn you!

Toreador, on guard! And remember, as you fight, that a dark eye is watching you and that love awaits you!

You can arrest me. I was the one who killed her! Ah! Carmen! My adored Carmen!

For more infomation >> CARMEN Bizet - Teatro Massimo Palermo - Duration: 2:32:27.

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Plane Crash Survivor Decorates Scars To Remember Family | A Tattoo To Change Your Life - Duration: 7:26.

For more infomation >> Plane Crash Survivor Decorates Scars To Remember Family | A Tattoo To Change Your Life - Duration: 7:26.

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Allan Holdsworth Modal chords - You can add new textures to your comping - Duration: 8:44.

(Jazz Guitar)

- Hi everybody, my name is Jens Larsen.

In this video I'm going to take three different

Allan Holdsworth voicings, that I've transcribed

and then I'm gonna expand upon them

and turn them into something I can use when I'm comping

over a D Dorian modal background.

I'm also gonna talk about how Allan uses

the different textures and how that's actually something

that we, as jazz compers, really wanna

take into consideration and get into our playing.

Because that's something we forget very often.

If you wanna learn more about jazz guitar,

about improvising over chord changes,

checking out some interesting arpeggios,

then subscribe to my channel.

If you wanna make sure not to miss anything

then click the little bell notification icon.

(Jazz Guitar)

In the example I just played

there were three different voicing types being used.

For each of those voicing types,

I'm going to talk about where I got it from

and also how I generalize that one voicing

into something that I could harmonize an entire scale with.

So I have something that I can use

on this D minor background.

This is gonna give you some insight

so that if you have a voicing that you transcribe,

that you came across somewhere else,

then you can also take that and then expand it

into something that you can use in a lot of different places

(Jazz Guitar)

This first type of voicing is something that I've used

in other lessons on Holdsworth voicings.

And that's this voicing.

That's where it all started.

This is coming out of, well, he actually uses

this type of voicing quite often.

So it's on Sixteen Men of Tain

and what's it called, 0724?

It's also in The Things You See.

Usually I seem to remember that when he plays it,

I saw in a video, he does it like this.

I tend to put the 2nd highest voice on the B string.

The way I'm moving it around here,

so I'm actually making this voice a little bit

of an exception because I wanna have different voicings

that are either neutral to D minor

or directly just a D minor voicing.

That's kinda how I'm thinking about it.

Then I just wanna be able to harmonize the scale.

So if I take this voicing

and I wanna move it down a step

then I move everything down, like this, in the scale.

In this case it's each note down

to the next note in C major.

That would be this voicing.

Of course you can use that

but maybe you wanna have something

that's a little more consonant.

One way of doing that was just

to remove the F and make that into a G.

Then instead of having a B minor,

I would like to have this, another B minor.

But a B in my E minor chord then I put in a A instead.

So I have this, so now I have this movement.

Really what I'm doing is I'm first just moving

the voicing and then I'm looking

at where I can sorta change a note or two.

And that way I can get a voicing that I think works well

in the context and is gonna fit well

with the sound that I already have here.

Then I move down the scale, and one more time.

A few steps down I get this really nice,

wide open D minor 13 voicing,

which is really nice Dorian sound.

So if I turn this into a scale exercise that would be this.

(Jazz Guitar)

As you can see, I'm aiming to find voicings

that will either work as a D minor

or a D minor 13 type voicing, like this.

Or something that's kinda neutral

and will just sorta sit well in between without sounding

like completely different chord.

That means that I have, this one is quite neutral.

This one is sort of a little bit on the edge.

I coulda added the C in there instead of the D.

Which actually sounds quite like something Holdsworth

might play but in this case just kept

it like this and then transition up to the D.

13.

This is D minor 11.

This is A 4 or E minor 11.

The original voicing and again D minor 13.

And then this somewhat neutral A minor voicing.

(Jazz Guitar)

So this example is using this rather stretchy voicing

with some close intervals in there.

But, at the same time, this is actually kind of easy

to just move through the scale and it will work

as a D minor voicing pretty much all the way.

(Jazz Guitar)

These higher voicings are really just three note voicings

and they're consisting out of a 2nd and then a skip up

to what you consider maybe a 7th if the first one's the root

and they're really ambiguous.

You can't really tell,

most of the time, what voicing they are.

When I'm using them here I'm sorta trying to focus

on just having an F in there.

If I have a sustained voicing for a longer period of time.

But, I do also use like an example.

I will also just use this to get sorta a D, D 13

They will work for that as well.

I think it's nice to have these to just move around

and they're good to play some sorta simple moving melodies

as plug holes to get that.

And this will work better in this type of context

then playing like drop two voicings

and other more book oriented voicings

because the sound lends itself better to modal jazz.

These voicings will also work really well

if you just move them through the scale.

And that will be this.

(Jazz Guitar)

Using these three different voicing types

is something you can also mix together

so that you have sorta different gears

to what you're doing with your comping.

So you have, live structures

that are probably gonna be mostly really sustained chords.

They're not moving too much

and you really wanna hear if you play a chord like this.

You wanna hear all the sound that's in there.

It's covering a really huge range.

Then you can sorta vary that

by having more moving material happening, like.

And then go back to playing the last voicings

or maybe these voicings as a different sound all together.

Do you make some conscious choices

or have some sorta strategy for when you're using

which type of voicing when you're comping?

Then maybe leave a comment on this

because if you have something to share on this.

I think it's an interesting topic

and I think very often, guitar players,

we don't really think about too much

how the voicings actually sound

and we'll just be playing something.

Really, if you start working with it.

Being aware of the texture of a voicing type

that way you can really have sorta different colors

that you can add to the same chord,

and the same comping, and the same song.

That way create a lot of variation.

So, that's something I'm really curious about

and if you have something to add or suggest

on this topic then please leave a comment.

If you wanna learn more about jazz guitar

and this is the first time you see one of my videos

then subscribe to my channel.

The videos that I publish here every week

are on finding some solid methods

and good strategies to explore all

the interesting things about jazz guitar and improvising.

If you like this video

and you wanna help me keep making videos

then check out my Patreon page.

I'm very grateful for the support

that I'm getting from my patrons

and it's because of that I can keep

on publishing videos every week.

If you join us over on Patreon I can also give you something

in return for your support.

That's about it for this week, thank you for watching,

and until next week.

For more infomation >> Allan Holdsworth Modal chords - You can add new textures to your comping - Duration: 8:44.

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17 frases de FRITZ PERLS (+Explicación) para tu DESARROLLO - Duration: 9:26.

For more infomation >> 17 frases de FRITZ PERLS (+Explicación) para tu DESARROLLO - Duration: 9:26.

-------------------------------------------

Game Boy Camera - Easter Eggs, Secrets, 64DD Support & MORE! - Duration: 19:03.

For more infomation >> Game Boy Camera - Easter Eggs, Secrets, 64DD Support & MORE! - Duration: 19:03.

-------------------------------------------

Mowgly - J-30 (prod by Mr300momo) - Duration: 2:21.

For more infomation >> Mowgly - J-30 (prod by Mr300momo) - Duration: 2:21.

-------------------------------------------

علمتني غربتي ! - Duration: 2:48.

For more infomation >> علمتني غربتي ! - Duration: 2:48.

-------------------------------------------

LORDK - Promo Video (GROWART.EU) *CZ subs - Duration: 6:27.

For more infomation >> LORDK - Promo Video (GROWART.EU) *CZ subs - Duration: 6:27.

-------------------------------------------

Short (쇼트) - Full Episode 1 [Eng Subs] | Korean Drama - Duration: 49:27.

This is the qualification match for the PyeongChang Olympics.

A very important race, wouldn't you say?

Park Eun-ho and Mo Pil-tae, ranking 1st and 2nd internationally,

are competing in this race.

And they are both here to win.

Who will end up proceeding to the Olympics?

Or will they both qualify?

I can't wait to see what happens.

That's right.

Oh, and the rink right next to where we are at is

hosting another competition, right?

Yes. An amateur competition to celebrate the PyeongChang hosting is

happening right next door as we speak.

2 million won for the grand prize?

Are you serious?

What are you going to do with that money?

I've got plans, man.

Are you ready?

All skaters are at the starting line now.

Ready.

We've got Park Eun-ho and Mo Pil-tae

in a fierce competition right now!

And there's Park coming in through the corner!

Accelerating on a straight path is

Park's forte as well.

I can't wait to see who wins today.

The chance to compete at the PyeongChang 2018 Olympics!

Who will seize this honor?

Only one lap remaining!

What a fierce competition!

Yes?

I thought I should check on the race

before heading back up.

Yes, I watched Park Eun-ho's race.

The outcome?

Check for yourself.

Dad

You idiot!

All that injury just to win the second place?

Don't let the victory get to your head.

Prepare for the next training.

Oh! What just happened?

A fatal mistake from Park Eun-ho!

He just couldn't beat that speed.

The victory goes to Mo Pil-tae.

- Mo Pil-tae. - Yes.

After a tough competition with your rival Park Eun-ho,

you finally came out on top.

How do you feel?

It was even tougher than I had expected.

Sorry!

But I put so much training into this

that I was sure I was going to win today.

And I'm really happy that I did.

Get out.

I said get out. Are you deaf?

You get out!

I actually have to finish quickly too.

What did you say?

Do you know who I am?

Should I?

Here we have today's amateur winner,

Kang Ho-young.

Good to have you with us.

Hello.

Pretty scary speed for an amateur skater

that we saw in your acceleration today.

Can you tell us how you are feeling?

Well, I… just enjoyed it.

- You have the potential to be more than just an amateur. - That's a good way to wreck yourself.

Do you train regularly?

- I wouldn't call it training. I just like ice. - Better than an ex-champion who's just a loser now.

- It's more like playing with ice. Like it's my friend, you know? -What was that?

You just heard it from a lover of ice.

Kang Ho-young, the amateur skater.

I'm in a good mood today, so I'll let you slide.

Turn off the light on your way out.

How can you mess up a race this important?

What in the world were you thinking?

Huh?

What were you thinking,

making a stupid mistake like that?

Um… Sir?

I'm sure Eun-ho is regretting it as well.

We'll get him a good coach, and once he starts training properly,

he can aim for the next qualification race.

I'm quitting sports.

What?

What did you just say?

Quit what?

I'm sure you were hearing things.

No, wait… he just slipped his tongue.

He just suffered an unexpected loss.

He's probably just not himself right now.

Get inside. Come on, get inside.

I'm sorry.

Ow! What was that?

Who told you to worry about something like that?

You can use that time to study! Get a certificate or something!

When will you stop playing on ice?

Who's playing? I'm working out there.

I skate fast, they give me prize money. That's good, right?

You can stand here sharpening skates all day, grandpa.

I just brought home more money than you.

You can use it to fix the boiler.

Like I said! You don't need to worry about it!

I'm cold too!

It's so cold at home I'm always shivering!

You idiot!

I'll take care of the boiler!

You just worry about taking classes

and getting some certificates!

What certificates? I'm not studying anything!

- You can study all you want. - Why, you!

Are you Kang Ho-young?

Who are you?

He probably just said it out of anger.

There's no way he's quitting for real.

When is Coach Son joining us?

He'll join us the day after tomorrow.

Watch Eun-ho. Make sure he doesn't get any funny ideas.

Yes, of course!

Eun-ho! I understand you are frustrated right now.

But we have a meeting with Coach Son tomorrow at noon.

Get some rest today. See you at the training center tomorrow.

Are we good?

Not going. Nope.

Was he really this fast?

With skills like his, there is a chance.

Your lap time yesterday was actually

an unofficial tie to the world record.

Like I said, I'm not going.

Why not?

When are you going to get another chance like this?

Well I'm not budging.

I like it here better.

May I ask why?

We have cleaner air here than in Seoul, for starters…

I can skate here better,

I have my part time job here…

Idiot! Who cares about the part time job?

It's important!

And also…

you are going to be all alone if I go.

I'd be more comfortable without you. Go!

Listen to me. You bring your skates here every day,

just to work at a skating rink.

They'll let you just skate all day! What's not to like?

Just let me be, grandpa!

Just shut up and go!

Nope. I'm not going.

You are going! No ifs, ands, or buts!

So what's going to happen if he goes to Seoul?

We'll test him first.

If he passes,

he'll be accepted to a sport university via special admission.

We'll train him from then on. His tuition and housing will be on us.

I'll make it happen no matter what.

And if things don't go well,

will you send him back to this backwater town?

Oh, no.

We'll make him a pro athlete.

He'll be racing in international competitions.

And even the Olympics.

You'll be skating all you want.

Why would you say no?

They'll even put you through a college!

I was worried you'd waste your life away after high school.

Everything worked out for the best!

I don't know. I'm not interested in colleges.

I'm just going to stay here with you…

- You idiot! - What is it now?

Don't you have any of that… What's the word?

What? You mean ambition?

Yeah! Ambition!

If you skate well, then… What's the word?

Those people representing the country…

You mean a national athlete?

Yeah! They'll make you a national athlete!

This is exactly why I can't go.

It's not just the words you forget.

You always forget to turn off the stove!

You always forget to lock the store!

Pretty soon, you'll forget to eat, too.

So how can I just leave you here alone?

Why, you! If I just focus a little,

I can remember everything just fine!

Who do you think you are? Bringing up my… what's was it…

What? What?

Fault!

Yeah! You are bringing up your grandpa's faults!

Sheesh… Listen to me.

I'm asking you to make my life easier, too.

A medal-winning grandson! How proud would I be?

And go win an Olympic medal while you're at it.

You know what that means?

The government pays you pension until you die!

Seriously?

That's right!

So go out there and train hard!

And also… it was your dad's dream.

It'd be grand if his boy realized it for him!

What are you doing?

Hey, grandpa. How about a piggyback ride?

Hop on!

Get out of here!

Come on!

- Hey, grandpa? - What?

I'm going to Seoul. I'll become a national athlete.

I'd like to see that.

I guess I better live long, then.

- Go home! - What the heck?

What did I do?

Leave!

Leave!

I just came from America, so I didn't bring my passport!!!

What's she saying?

No minors allowed. Get out of here!

Go! Go!

Get her!

Where do you think you are going?

You…

Come on!

Come on!

What?

Who are you, punk?

Hello?

Ji-na?

What? Where? Korea?

What are you doing in Korea?

Shouldn't you be in America?

Huh? Police station?

<i>Seoul Station</i>

Hey, Man-bok!

I'm in Seoul right now!

Where are you?

Police station?

So when did you come back?

Today.

What about school?

Does uncle know about this?

Can you stop nagging?

I'm still jet-lagged.

Oh, is that right?

Is that why you were at a club dancing?

Not to mention getting the police involved.

And who's that guy?

Well, it's a long story.

He's the Prince Charming who saved me back there.

Sorry for the trouble, pal.

Thanks for helping my cousin.

Do I look like your pal?

Thank you…

Hey, Man-bok!

After all this time,

our reunion is at a police station?

You… you're that... wreck!

You are… the loser! What are you doing here?

I said get out.

Are you deaf?

You get out!

What? You got a place to clean in Seoul?

Oh, I guess the ex-champion is a criminal now?

Is that why you are here?

Wait, you two know each other?

Are you kidding? That's the loser!/the wreck!

Hey Man-bok. Are you going to introduce me or what?

Oh, that's right!

This here is… my cousin. Currently living in the U.S.

No, wait. More like ran away from the U.S.

Anyway, my cousin, Yu Ji-na.

Hey, boys!

And this guy is my best friend, Kang Ho-young.

He's from Gangwon-do…

So… she's your cousin?

Nice to meet you.

What the heck. You have a cousin this pretty,

and you never told me until now?

And this guy is…

Park Eun-ho. Nice to meet you.

Are you hurt?

Nope.

By the way, I'm not liking your tone talking to your seniors.

Hey. That's America, man.

American style.

See, I'm an expert at this.

That's how they talk.

That's right.

Where do you live? I can give you a lift.

She's got no place here.

You go home. We got it from here.

Yeah. You must be busy.

I'm not busy.

Hey, everyone.

I'd say it's a fate that we all met here.

So let's grab something to eat. I'm starving.

Do you three really know each other?

It's a fate all right.

Tell me about it.

It's a bad luck.

More like a rotten luck.

What's this?

It's delicious!

If only that Q-tip head weren't here to ruin the appetite,

it'd be even better.

This is exactly my kind of food.

If only that rotten punk weren't here…

I actually bought these for Man-hee back home.

All right, that's it. I'll take one for the team.

Hey! Nonsense…

You are a minor. Give it here.

This is okay in America!

Well this is Korea!

So I'll take that shot.

No way! Give it here.

I think you should both call it a night.

Nope! This is nothing!

It's getting dangerous for both of you.

Whoa, whoa, whoa!

Hey!

Wait, wait!

Mom! You should come out!

Hey! Man-hee!

Hello, aunt.

What… What is she doing in Korea?

Hey! Aunt!

Baby shark, doo doo doo…

Cute shark…

Ho-young! What are you doing in Seoul?

And who's this?

Gosh! What's going on?

Explain yourself.

Wait, no. Ji-na, you first.

Why are you in Korea?

I came back for the audition.

Huh? Does your dad know?

So you just sneaked back in?

When you should be studying over there?

If your dad finds out you are here, he'll kill me.

So just rest here for a bit, and then go back.

Aunt, this audition is

really important to me.

Can you please turn a blind eye? Just this once?

Not a chance.

Aunt! Please!

I'll go back right after the audition. Okay?

They are so loud! Shut that door!

Okay!

What are you smiling about?

Oh, right. I probably shouldn't be smiling.

Can you be any dumber?

I just hope Ho-young doesn't get sick from this.

Just my luck!

Just my rotten luck!

What the…!

Man-bok!

Man-bok!

Hey, Man-bok. She's calling for you.

Man-bok!

Man-bok!

Hey, hurry up!

She's calling for you.

It's like I'm a dog or something.

What?

For crying out loud…

Hey! Cover that up!

Why?

What?

Ain't that hot?

Did you not hear her?

I just banged my head…

As if there's anything to see back there.

What? Nothing to see?

What's all this, then?

Look!

These are some tight glutes.

I think it's impressive…

Out of my way.

Hey, get out of there.

This is mine! Mine!

Is this normal in your family?

Does anyone knock before opening?

Coach Son. You know why we recruited you.

National team is just the beginning. We want an Olympic gold medal.

That's our goal.

Sure. I'll do my best.

Since his defeat during that last race,

Eun-ho hasn't been performing well.

I'd like you to skip the morning training.

I thought I had full control over his training?

Oh, of course! Full control…

Yes, of course. I was just worried is all…

Oh, and I heard you are testing a new skater today.

Is there someone new?

Sheesh… I have a test tomorrow.

My condition is a mess. I'm kind of worried.

What test?

Kangbaek Foundation's short track speed skating test.

And if I pass…

we'll be training in the same team!

For real?

- As a sport university student, too! - Really?

♫ <i>is kick it with you</i> ♫

♫ <i>Girl look at you baby Almost looking flyer than me</i> ♫

♫ <i>And I, I got that gold rollie</i> ♫

♫ <i>With the benzel and Louis Vuitton on my body</i> ♫

♫ <i>And I know that shit don't impress you</i> ♫

♫ <i>Girl I ain't with playing games</i> ♫

♫ <i>I wanna take you home I'm just being frank</i> ♫

♫ <i>♫ <i>I've been fantasizing 'bout you girl all night</i> ♫</i> ♫

♫ <i>Put yo panties to the side if it's alright</i> ♫

Dang! She's good!

Thanks.

I was pretty thirsty.

You are thirsty too, right? Here.

Thanks!

So you won a single amateur race.

And now you want to be a pro athlete?

Well, you better be ready.

For what?

Anything.

This is awesome!

Practicing here is probably super effective!

But then why are you so bad?

I actually did improve a lot.

That's good, friend. Want to go for a race?

I like the sound of that!

- Let's go. - Let's go.

We have a test scheduled today for a new skater Coach Son brought.

What about Eun-ho?

He'll have a meeting with the coach today,

and then go straight to training.

That new guy Son is bringing…

sounds like a really skilled skater.

Maybe he was trained overseas. Son was really confident.

Perhaps if Eun-ho were to train with him…

It'd be a good stimulant for him.

Is the new person that good?

What's his name?

You practice here too?

I've been practicing here since elementary school.

So why haven't I seen you here before?

That's because I practice alone, when you guys aren't here.

I guess a champion really is different.

Hold up…

This is Kangbaek Foundation…

The chairman's son's name is Park Eun-ho…

And I made him sleep in that tiny room!

You didn't make him sleep there.

He got wasted and slept there on his own.

So is this what you meant by "better be ready"?

Can you even practice after getting wasted like that?

It's just a practice for me.

But don't you have a test?

Good luck with that test.

Every single word he says is trashy. How does he even do that?

I didn't do anything wrong, did I?

Why? Is he that great?

Kangbaek is the most prestigious name in the sports industry.

The chairman is Park Hun. Park Eun-ho is his son!

Ranked first place, both domestically and internationally.

He's the short track emperor!

Sure… emperor…

That guy just walks a different path, man!

And I made him sleep like a nobody.

I hope he doesn't take revenge on me later.

Why would he?

You saved his drunken butt from freezing to death!

Auntie asked you to help out at the restaurant.

Why aren't you helping?

I'm busy.

Ho-young's Kangbaek Foundation entrance test is today.

I have to go cheer for him.

By the way, was that guy your boyfriend?

Nothing like that.

It's a long story.

So that Ho-young. What is he like?

What is he like? Can't you tell?

He's hot. He's gentle.

He's an athlete. He's funny.

What doesn't he have?

Back in Gangwon-do, he was so popular,

he had an army of girls chasing after him.

Can you imagine how hard it was for me?

Hard for you? Why?

Nothing you need to know!

Should I go too? To cheer?

What about that audition?

I can just stop by on my way there.

The chairman wants to have a lunch with you.

So be sure to make time for that.

Hello.

Wait, this is him?

I've never seen him before.

Is he really from overseas?

Just watch. You'll understand.

Kang Ho-young. Are you ready?

Yes.

Don't think about the record. Just go at it.

How about five laps? Can you do that?

Sure.

Wait!

Short track skating is a competitive sport.

Shouldn't he have an opponent?

Lucky we have Park Eun-ho here, the best skater in the world.

How about a race between them?

We'd be able to tell his potential

by comparing him to Eun-ho.

Sure, he's a bit out of practice.

But he still got his basics. There's no way he'll lose.

Isn't that right, Eun-ho?

What? Who's beating who?

Looks like they're about to start.

Huh? That guy next to him…

Isn't that the guy from last night?

Go! Kang Ho-young!

Watch closely.

I'll show you what short track really is.

Oh, please do, Mr. Loser.

Enough with that loser thing!

Then show me the emperor.

I won't hold back. Try not to get scared.

My thoughts exactly. Try not to be too surprised.

I'm a rising star. You are a falling one.

Wooo! Good luck!

What… What's with that guy?

Who is he?

What is he? What a monster…

Even I didn't expect this…

But looks like Eun-ho's still got it!

He says slump and what not, but that was all nothing!

Really impressive!

Yes! Ho-young won!

He's so good!

Right? That's our Ho-young for you.

What. Ji-na, who were you cheering for?

Huh?

You should be cheering for Eun-ho!

Says who?

Anyway, they are both amazing!

So cool…

So who won?

Does it matter?

It's a competition. It's the only thing that matters.

Sheesh…

I'm really curious now…

What a shame. I could have beaten you more definitively.

Such a shame…

What are you talking about?

Being so arrogant after you jumped?

I'm saying it because I jumped.

Are you blind?

It's clear that I came in first.

I guess the so-called "emperor"

can't stand the shame of losing to me. Is that right?

But what can I say? It happened.

I said that's not what happened!

"I said that's not what happened!"

Sure. Whatever helps you sleep.

Excellent performance today. Both of you.

That was an amazing race.

Thank you.

First things first. Ho-young, you passed the test.

You are now a part of Kangbaek Foundation's short track team.

Keep the friendly competition going like you guys did today,

and keep training like that.

Good work.

And Ho-young…

Let's make Ho-young…

Eun-ho's pacesetter.

For now, that is.

What?

We are covering his tuition,

and even his housing!

Shouldn't he at least return the favor

to Kangbaek Foundation in some way?

You'll be Eun-ho's pacesetter.

Huh?

A pacesetter?

Why me?

Eun-ho is a skilled pro. We want you to learn from him, too.

From this guy?

No thanks.

I'm against this, too.

I'm against this even more!

You two. Get out.

Out! Give me 10 laps on the track!

Huh?

No? How about 20 laps?

I hear that the new kid raced against Eun-ho.

People say Eun-ho's in a slump, but…whew!

He's still in his prime for sure!

So in his prime, he still lost to that kid?

Well he didn't lose, technically.

It was unbelievable. Down to a thousandth of a second…

They came in at the exact same time.

That's same as losing!

Eun-ho's been skating since kindergarten.

Then some kid shows up out of nowhere,

and races him to a draw! With no training!

Who do you think did better?

This will be a good stimulation for Eun-ho.

With someone like Kang as his pacemaker,

he'll want to beat him no matter what.

He'll surely improve a lot.

And Ho-young…

You'll be Eun-ho's pacesetter.

I'm quitting short track skating.

Hello? This is Korea News, Sports Department.

I'm Park Eun-ho, the short track skater.

I want a press conference. I'm retiring.

Is this the reason why you brought me here?

To make me Eun-ho's pacesetter?

No can one decide your worth

but yourself.

You can either be his pacesetter,

or you can make him your pacesetter.

So you mean…

Each of you have your own strengths and weaknesses.

You have excellent musculature, but

you're lacking in basic skills and competition tactics.

On the other hand, Eun-ho has strong foundational assets.

The school has exempted you from your tuition.

Not to mention the free housing.

You may think of this as returning their favor.

But the reason I told you to be Eun-ho's pacesetter is

because you two have a lot to learn from each other.

Park Eun-ho has announced his retirement.

A video was uploaded just now.

Is it from Park's practice today?

Yes. Despite the rumors of his recent slump,

he still hasn't lost his touch at all.

But we've never seen the other skater before.

He's a new face, right?

That's right. The public is dying to know

who this man is!

Darn it, Oh!

What kind of job are you doing out there?

Didn't I tell you to keep a close eye on Eun-ho?

Stop him! Stop that press conference no matter what!

Now!

Yes…

What were you thinking?

All this because of one practice run?

Huh?

I'm…

quitting sports.

Get your dad's permission first.

What? I can't even quit on my own?

No!

Epilogue

<i>Subtitles brought to you by __________ @ Viki </i>

For more infomation >> Short (쇼트) - Full Episode 1 [Eng Subs] | Korean Drama - Duration: 49:27.

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Darko_compliqué - Duration: 3:53.

For more infomation >> Darko_compliqué - Duration: 3:53.

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Hubble Watches Neptune's Dark Storm Die - Duration: 3:16.

NASA's Hubble Space Telescope has been watching a large, dark

storm on the planet Neptune disappear before our very eyes –

or, telescope mirror. The first and only spacecraft to visit

Neptune was NASA's Voyager 2 in 1989. It discovered two immense,

dark storms churning through Neptune's thick, blue

atmosphere. Voyager 2 then headed out of the solar system,

and since then our primary means of watching Neptune's storms has

been the Hubble Space Telescope. Our atmosphere on Earth makes it

hard to look at blue light in high resolution, so Hubble is

currently the only telescope that is able to see these

storms. The larger of the two storms Voyager 2 discovered on

Neptune was called the Great Dark Spot, because it looked

very similar to the Great Red Spot on Jupiter. Jupiter's Great

Red Spot has existed for hundreds of years, but when

Hubble looked at Neptune in 1994, the Great Dark Spot was

already gone. Instead there was a new storm on the northern

hemisphere, which was named the Northern Great Dark Spot. Since

then, that spot has also disappeared, and now in total

we've observed five different dark spots on Neptune. We can

see that large storms on Neptune form and dissipate much more

rapidly than storms on Jupiter, and there's a lot of diversity

in what Neptune's storms look like and how they move. These

dark vortices on Neptune present atmospheric scientists with an

amazing opportunity to learn about how storms work on a

different world. But because there is so much in the universe

that Hubble looks at, the telescope had only been

observing Neptune once every few years, which wasn't frequent

enough to watch the formation or demise of any one particular

storm. Since 2014 however, Hubble has begun a project

called the Outer Planet Atmospheres Legacy program, or

OPAL, to gather global maps of our gas giant planets every year

for the remainder of Hubble's operation. Now for the first

time, using data from OPAL and additional Hubble observations,

Hubble has captured time-lapse images showing the gradual death

of a storm on Neptune. The vortex pictured here is dredging

up material from deep inside Neptune's atmosphere, possibly

such as hydrogen sulfide, which would make for a pretty smelly

storm. In the first image from 2015, the storm is over 3000

miles across – big enough to stretch across the entire

Atlantic Ocean from Boston to Portugal. The storm is dark in

blue wavelengths, but overshadowed at green and red

wavelengths by nearby companion clouds. The contrast of the dark

vortex faded quite a bit by late 2017, though the feature was

still over 2000 miles wide. Seeing this storm unfold gives

scientists a chance to test their models of how they

predicted an anticyclone may interact with the wind jets on

Neptune. This particular vortex is not behaving how some

dynamical simulations predicted, which is great because that

means there's a lot left to learn on Neptune. The Hubble

Space Telescope is up to that task of advancing scientists'

understanding of planetary atmospheres.

www. nasa. gov/hubble @NASAHubble

For more infomation >> Hubble Watches Neptune's Dark Storm Die - Duration: 3:16.

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Weightlifting seminar at a CrossFit gym in Montreal / A.TOROKHTIY - Duration: 5:40.

Pleased to note that

people in Canada are very punctual

we've made a time gap

20 minutes

and it turned out in vain

everyone has already gathered

that's how it is

For more infomation >> Weightlifting seminar at a CrossFit gym in Montreal / A.TOROKHTIY - Duration: 5:40.

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Fortnite - ROAD TO NOOB ! - Duration: 5:05.

For more infomation >> Fortnite - ROAD TO NOOB ! - Duration: 5:05.

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Infinite Bowsers Glitch in Super Mario Maker. - Duration: 4:50.

Recently Bowser had to face a hard truth.

He alone simply isn't able to defeat Mario.

While he is definitely the most fearsome turtle in the universe, he simple isn't powerful

enough to defeat this silly plumber all on his own.

He simply can't do it.

He gave up.

But recently bowser was reading through a couple of comments and stumbled over this

one by youtube user Joseph K. He claimed he found a way to duplicate bowser by using the

black hole glitch.

Could this be the answer?

Are many bowsers able to achieve what one alone can't do?

Is this glitch finally bowsers chance to get rid of Mario so that he is finally able to

date princess peach without her being rescued over and over again?

He had to give it a try.

So are you ready?

Let's do this!

Okay so first I want to show of a quick stage using this glitch and afterwards I want to

explain how it's done.

Mario's day starts like a usual day at work.

He is entrapped in a small corridor in between two bullet blasters, has to dodge the horrific

lava bubbles which a gigantic evil turtle shoots towards him while he's wearing this

really nice orange overall with the helicopter blades.

Cool.

It's business as usual.

But soon enough, something weird happens.

Bowser left a lava hole in the middle of this stage, and while mario is still dodging Bowsers

fireballs without much effort bowser decides to jump into it.

Why is he doing this, what's going on?

Oh, he's doing this because this lava puddle, is no ordinary lava puddle.

It is a bowser duplication lava puddle.

So whenever a bowser jumps into the lava here, two more bowsers fall from the ceiling a little

bit later in this stage.

That's going to be interesting.

So now Mario is forced to dodge the fireballs which two bowsers shoot towards him.

That's still manageable, but the next time the two bowser's enter the magical lava

duplication puddle, four bowsers drop from the ceiling and the situation escalates.

Now Mario has to dodge more fireballs than ever before.

Poor Mario, he really should have taken a day off, then luigi would have to deal with

this mess instead of him.

Anyway, luckily bowser left a couple of stars along the way, which are mario's only chance

to survive here.

Now these four bowsers dropped into the lava duplication puddle, and mario has to face

an epic showdown, against eight bowsers at once.

These bowsers shoot burning magma balls towards him at such a rapid rate that even mario maker

itself becomes afraid and decides to slow the framerate down, to do this finish justice.

This is the moment bowser planned all along, but even eight bowsers together aren't able

to defeat mario.

Anyway, so how does bowser duplication work?

Well it's unsurprisingly; surprisingly simple.

Before I explain how this is done just a quick word of warning, be careful when uploading

levels that use this glitch because there is a high chance that nintendo deletes such

a course alongside with all the stars you ever got since glitch levels violate their

really drakonian community rules.

Okay so to do this glitch we need two bowsers, a bullet blaster and a bob omb.

We need to stretch the bullet blaster to a length so that it's top is in the upper

half of the screen while it's bottom is in the lower half.

Then we place the big bowser on top of the bullet blaster and the small bowser to its

side.

Next we put a bob omb on top of the small bowser and we are done.

It's basically the exact same setup as the black hole glitch but with bowsers instead

of thwomps.

Now we need to place a coin, delete the bullet blaster, undo twice, and place a coin delete

the bullet blaster undo twice and so on.

Every time we do this the bowser at the top duplicates.

That's the whole magic.

It's possible to duplicate as many bowsers as we want this way, I actually spent almost

an hour just duplicating bowsers in order to find out what happens.

I can't say how many browsers are there exactly because while in editor mode the editor

doesn't show all, and becomes glitchy in general, and once we start the game it is

a little bit impossible to count them all for reasons that should be obvious.

So yeah that's the glitch, thanks to joseph K for telling me about this, and to psycrow

for finding the black hole in the first place.

I hope you enjoyed this little video, if you enjoyed it don't forget to leave me a thumbs

up and maybe you feel especially squared bowser today and want to hit the subscribe button

as well.

I hope that you have a wonderful day and to see you soon.

Goodbye!

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